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Hallelujah Leonard Cohen
Hallelujah Leonard Cohen I've heard that there’s a secret chord That David played, and it pleased the Lord But you don't really care for music, do you? It goes like this The fourth, the fifth The minor fall, the major lift The baffled king composing Hallelujah Hallelujah x 4 You say I took the name in vain But I don't even know the name And if I did, well really, what's it to you? There's a blaze of light In every word It doesn't matter what you’ve heard The holy or the broken Hallelujah Hallelujah x 4 I did my best, it wasn't much I couldn't feel, so I tried to touch I've told the truth, I didn't come to fool you And even though it all went wrong I stand before the Lord of Song With nothing on my tongue but Hallelujah Hallelujah x 4 "Hallelujah" is a song written by Canadian singer Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a recording by John Cale, which inspired a recording by Jeff Buckley. It has been viewed as a "baseline" for secular hymns. Following its increased popularity after being featured in the film Shrek (2001), many other arrangements have been performed in recordings and in concert, with over 300 versions known. The song has been used in film and television soundtracks and televised talent contests. "Hallelujah" experienced renewed interest following Cohen's death in November 2016 and appeared on many international singles charts, including entering the American Billboard Hot 100 for the first time. -
Full Results of Survey of Songs
Existential Songs Full results Supplementary material for Mick Cooper’s Existential psychotherapy and counselling: Contributions to a pluralistic practice (Sage, 2015), Appendix. One of the great strengths of existential philosophy is that it stretches far beyond psychotherapy and counselling; into art, literature and many other forms of popular culture. This means that there are many – including films, novels and songs that convey the key messages of existentialism. These may be useful for trainees of existential therapy, and also as recommendations for clients to deepen an understanding of this way of seeing the world. In order to identify the most helpful resources, an online survey was conducted in the summer of 2014 to identify the key existential films, books and novels. Invites were sent out via email to existential training institutes and societies, and through social media. Participants were invited to nominate up to three of each art media that ‘most strongly communicate the core messages of existentialism’. In total, 119 people took part in the survey (i.e., gave one or more response). Approximately half were female (n = 57) and half were male (n = 56), with one of other gender. The average age was 47 years old (range 26–89). The participants were primarily distributed across the UK (n = 37), continental Europe (n = 34), North America (n = 24), Australia (n = 15) and Asia (n = 6). Around 90% of the respondents were either qualified therapists (n = 78) or in training (n = 26). Of these, around two-thirds (n = 69) considered themselves existential therapists, and one third (n = 32) did not. There were 235 nominations for the key existential song, with enormous variation across the different respondents. -
Preliminary Syllabus MUS 20: the Poetry and Songs of Leonard Cohen Instructor, T
Preliminary Syllabus MUS 20: The Poetry and Songs of Leonard Cohen Instructor, T. Hampton Recommended book: Cohen, Stranger Music. First Meeting, Oct 11: “Remember me, I used to live for music.” The poet as songwriter. Montréal. The Canadian Scene. Irving Layton. Cohen in Greece: Let Us Compare Mythologies, Songs of Leonard Cohen, Songs from a Room. Key Songs: “Suzanne,” “Sisters of Mercy,” “Stranger Song,” “Bird on the Wire,” “Story of Isaac,” “Seems So Long Ago, Nancy,” “So Long, Marianne.” Themes: flesh and spirit, the identity of the singing voice, abjection and humiliation. Second Meeting, Oct 18: “It’s four in the morning, the end of December.” Cohen in the spotlight. The Chelsea Hotel. Isle of Wight. Cohen on the move. Songs of Love and Hate, New Skin for the Old Ceremony. Key Songs: “Famous Blue Raincoat,” “Joan of Arc,” “Who by Fire,” “A Singer Must Die,” “Take This Longing,” “Dress Rehearsal Rag.” Themes: limits of power, self-doubt, drugs, self-purification, betrayal. Third Meeting, Oct 25: “I will speak no more, till I am spoken for.” Cohen as “The Prince of Bummers.” Death of a Lady’s Man. Death of a Ladies Man. Recent Songs. Various Positions. Key Songs: “If It Be Your Will,” “Hallelujah,” “Coming Back to You.” “The Guests.” “The Smoky Life,” “Dance Me to the End of Love.” Jennifer Warnes, Famous Blue Raincoat. Themes: Humility, divinity, Impotence. Fourth Meeting, Nov. 1: “I was born like this, I had no choice.” Cohen Returns. The importance of the keyboard. New production values. Book of Mercy. Book of Longing. I’m Your Man. -
Cohen's Age of Reason
COVER June 2006 COHEN'S AGE OF REASON At 71, this revered Canadian artist is back in the spotlight with a new book of poetry, a CD and concert tour – and a new appreciation for the gift of growing older | by Christine Langlois hen I mention that I will be in- Senior statesman of song is just the latest of many in- terviewing Leonard Cohen at his home in Montreal, female carnations for Cohen, who brought out his first book of po- friends – even a few younger than 50 – gasp. Some offer to etry while still a student at McGill University and, in the Wcome along to carry my nonexistent briefcase. My 23- heady burst of Canada Council-fuelled culture of the early year-old son, on the other hand, teases me by growling out ’60s, became an acclaimed poet and novelist before turning “Closing Time” around the house for days. But he’s inter- to songwriting. Published in 1963, his first novel, The ested enough in Cohen’s songs to advise me on which ones Favourite Game, is a semi-autobiographical tale of a young have been covered recently. Jewish poet coming of age in 1950s Montreal. His second, The interest is somewhat astonishing given that Leonard the sexually graphic Beautiful Losers, published in 1966, has Cohen is now 71. He was born a year before Elvis and in- been called the country’s first post-modern novel (and, at troduced us to “Suzanne” and her perfect body back in 1968. the time, by Toronto critic Robert Fulford, “the most re- For 40 years, he has provided a melancholy – and often mor- volting novel ever published in Canada”). -
A Concert Review by Christof Graf
Leonard Cohen`s Tower Of Song: A Grand Gala Of Excellence Without Compromise by Christof Graf A Memorial Tribute To Leonard Cohen Bell Centre, Montreal/ Canada, 6th November 2017 A concert review by Christof Graf Photos by: Christof Graf “The Leonard Cohen Memorial Tribute ‘began in a grand fashion,” wrote the MONTREAL GAZETTE. “One Year After His Death, the Legendary Singer-Songwriter is Remembered, Spectacularly, in Montral,” headlined the US-Edition of NEWSWEEK. The media spoke of a “Star-studded Montreal memorial concert which celebrated life and work of Leonard Cohen.” –“Cohen fans sing, shout Halleluja in tribute to poet, songwriter Leonard,” was the title chosen by THE STAR. The NATIONAL POST said: “Sting and other stars shine in fast-paced, touching Leonard Cohen tribute in Montreal.” Everyone present shared this opinion. It was a moving and fascinating event of the highest quality. The first visitors had already begun their pilgrimage to the Hockey Arena of the Bell Centre at noon. The organizers reported around 20.000 visitors in the evening. Some media outlets estimated 16.000, others 22.000. Many visitors came dressed in dark suits and fedora hats, an homage to Cohen’s “work attire.” Cohen last sported his signature wardrobe during his over three hour long concerts from 2008 to 2013. How many visitors were really there was irrelevant; the Bell Centre was filled to the rim. The “Tower Of Song- A Memorial Tribute To Leonard Cohen” was sold out. Expectations were high as fans of the Canadian Singer/Songwriter pilgrimmed from all over the world to Montreal to pay tribute to their deceased idol. -
The End of the World and Other Times in the Future
University of Richmond UR Scholarship Repository Philosophy Faculty Publications Philosophy 2014 The ndE of the World and Other Times in The Future Gary Shapiro University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/philosophy-faculty- publications Part of the Composition Commons, and the Philosophy of Language Commons Recommended Citation Shapiro, Gary. "The ndE of the World and Other Times in The Future." In Leonard Cohen and Philosophy: Various Positions, edited by Jason Holt, 39-51. Vol. 84. Popular Culture and Philosophy. Chicago: Open Court, 2014. This Book Chapter is brought to you for free and open access by the Philosophy at UR Scholarship Repository. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 4 The End of the World and Other Times in The Future GARY SHAPIRO In an interview with his biographer Sylvie Simmons, Leonard Cohen identifies the main interests in his work as "women, song, religion" (p. 280). These are not merely per sonal concerns for Cohen, they are dimensions of the world that he tries to understand as a poet, singer, and thinker. Now it's something of a cliche to see the modern romantic or post-romantic singer or poet in terms of personal strug gles, failures, triumphs, and reversals. Poets sometimes re spond by adopting elusive, ironic, enigmatic, or parodic voices: think, in their different ways, of Bob Dylan and Anne Carson. Yet Cohen has always worn his heart on his sleeve or some less clothed part of his body: he let us know, for ex ample, that Janis Joplin gave him head in the Chelsea hotel while their celebrity limos were waiting outside. -
The Compositional Style of Jazz Guitarist Nathen Page
University of North Florida UNF Digital Commons All Volumes (2001-2008) The sprO ey Journal of Ideas and Inquiry 2004 Artist Study: The ompC ositional Style of Jazz Guitarist Nathen Page Stephen Lesche University of North Florida Follow this and additional works at: http://digitalcommons.unf.edu/ojii_volumes Part of the Composition Commons Suggested Citation Lesche, Stephen, "Artist Study: The ompositC ional Style of Jazz Guitarist Nathen Page" (2004). All Volumes (2001-2008). 89. http://digitalcommons.unf.edu/ojii_volumes/89 This Article is brought to you for free and open access by the The sprO ey Journal of Ideas and Inquiry at UNF Digital Commons. It has been accepted for inclusion in All Volumes (2001-2008) by an authorized administrator of UNF Digital Commons. For more information, please contact Digital Projects. © 2004 All Rights Reserved Artist Study: The Compositional his mastery because he does not compare Style of Jazz Guitarist Nathen to other guitarists that they have listened Page to. In spite of this, this is exactly why he is so great: he plays like himself. His tone is all his own and I have grown to Stephen Lesche enjoy it. His approach to technique is also very personalized. While he may Faculty Sponsor: Kevin Bales, not be able to produce rapid flurries of Assistant Professor of Music sixteenth notes like some of his contemporaries can, this has never Nathen Page is one of the hindered him in expressing himself and masters of modern jazz guitar. producing music of the highest caliber. Unfortunately, he is also one of the least In developing as an artist, there known and recognized of the masters. -
La Complainte Du Partisan Youtube
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Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Fiction & Cie Leonard Cohen
maquette-the-flame-BAT-20.08.18.indd 1 11/09/2018 14:14 maquette-the-flame-BAT-20.08.18.indd 2 11/09/2018 14:14 THE FLAME maquette-the-flame-BAT-20.08.18.indd 3 11/09/2018 14:14 maquette-the-flame-BAT-20.08.18.indd 4 11/09/2018 14:14 Fiction & Cie Leonard Cohen THE FLAME Poèmes, notes et dessins Traduit de l’anglais (Canada) par Nicolas Richard Éditions du Seuil 25, boulevard Romain-Rolland, Paris XIVe maquette-the-flame-BAT-20.08.18.indd 5 11/09/2018 14:14 COLLECTION « Fiction & Cie » fondée par Denis Roche dirigée par Bernard Comment Éditeur original : Penguin Random House Canada Titre original : The Flame, poems and selections from notebooks THE FLAME © 2018, Leonard Cohen All rights reserved ISBN original : 978-0-7710-2441-2 ISBN : 978-2-02-140064-9 © Éditions du Seuil, octobre 2018 pour la traduction française Le Code de la propriété intellectuelle interdit les copies ou reproductions destinées à une utilisation collective. Toute représentation ou reproduction intégrale ou partielle faite par quelque procédé que ce soit, sans le consentement de l’auteur ou de ses ayants cause, est illicite et constitue une contrefaçon sanctionnée par les articles L. 335-2 et suivants du Code de la propriété intellectuelle. maquette-the-flame-BAT-20.08.18.indd 6 11/09/2018 14:14 [tu ôtes et c’est déchiré tes sandales au centre d’un coup de pied ce que peu tu secoues tes cheveux peuvent accepter c’est déchiré là où tu danses c’est déchiré partout viens rassembler les morceaux tout éparpillés et perdus c’est déchiré le mensonge dans ce qui est saint sur la droite la lumière dans et c’est déchiré ce qui ne l’est pas sur la gauche Montréal] maquette-the-flame-BAT-20.08.18.indd 7 11/09/2018 14:14 maquette-the-flame-BAT-20.08.18.indd 8 11/09/2018 14:14 AVANT-PROPOS Ce volume présente les ultimes efforts de mon père en tant que poète. -
Daniel Setlist
DANIEL'S SETLIST Here is a list of most the songs Daniel knows and can play live. This list is not everything, so feel free to reach out and check on a song if you have a special one in mind. He may already know it or be willing to learn it. We do charge a $50 song fee for the time spent learning a new song. Pop/Rock/Folk/Jazz/Country: A Thousand Years - Christina Perry Ain’t No Sunshine - Bill Withers Barton Hollow - The Civil Wars Best Things in Life - Brandon Reed Better Than I Used to Be - Mat Kearney Billie Jean - Michael Jackson Can't help falling in love - Elvis Presley Charlie Brown - Coldplay Clocks - Coldplay Diamonds - Johnnyswim Drink You Away - Justin Timberlake Fix You - Coldplay Free Fallin - Tom Petty / John Mayer version From This Valley - The Civil Wars Galway Girl - Ed Sheeran God Bless the Broken Road - Rascal Flatts Gravity - John Mayer Hallelujah - Leonard Cohen Happier - Ed Sheeran Ho Hey - The Lumineers How long will I love you - Ellie Goulding I Got A Woman - Ray Charles I Just Called To Say I Love You - Stevie Wonder Isn’t She Lovely - Stevie Wonder Just The Way You Look Tonight - Frank Sinatra L O V E - Nat King Cole Love me like you do - Ellie Goulding Love Yourself - Justin Bieber Paradise - Coldplay Perfect - Ed Sheeran Portland, Maine - Tim McGraw Rude - Magic Senorita - Justin Timberlake She Will Be Loved - Maroon 5 Stand By Me - Ben E. King Sugar - Maroon 5 Suit and Tie - Justin Timberlake Sunday Morning - Maroon 5 Superstition - Stevie Wonder Take the World - Johnnyswim Tennessee Whiskey - Chris Stapleton The A Team - Ed Sheehan The Bed I Made - Allen Stone The scientist - Coldplay Thinking Out Loud - Ed Sheehan Till I Found You - Phil Wickham Touching Heaven - Johnnyswim Viva La Vida - Coldplay Waiting On The World to Change - John Mayer Wildfire - John Mayer Religious: Over 100 worship songs from artists such as: Phil Wickham, Elevation, Hillsong, Jesus Culture, Bryan and Katie Torwalt, Corey Asbury, Michael W Smith, Bethel Music, etc. -
How I Spend It
HOW I SPEND IT concealing a twinge of envy, as he was yet to find a publisher for his first novel. I’m slightly ashamed that I have a sprig of jasmine purloined from Leonard Cohen’s Hydra garden pressed between the pages of that first novel, The Favourite Game, and five little seedlings from the bergamot lemon that I scrumped from the branch that overhung his terrace wall. On my writing desk, I have a tiny bottle of Charmian Clift’s scent – Ma Grife – of the correct vintage, which has been a heavenly prompt for bringing her to my pages and is thanks to my friend the NO ONE HAD writer Damian Barr, who tracked it down when I was snify about EVER HEARD the smell of the modern version. OF THE ISLAND’S I had to rein myself in after EXQUISITE I got carried away at a Christie’s TRADITIONAL auction and became the successful bidder for a mirror and gold key KNIVES that Leonard Cohen gave to Marianne Ihlen. The mirror is Cartier silver and given to her because, Cohen said, no face had ever given him greater pleasure. The key is tiny, presented to him by McGill University as a mark of his time as president of the debating society. He told her it was the key to his heart. Despite it all, I still yearned for the “queer feeling of guilty pleasure” that finding the knife might aford me. My opportunity came in the summer of 2017, when my husband and I hitched a ride on a boat from a wedding on Rhodes.