May Was National Preservation Month!
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President's Message: Larry Caretto Arf Notes
: publication of the Association of Retired ARF NOTES Faculty, California State University Northridge Volume 25, no. 1, November 2012 Website: http://www.csun.edu/arf PRESIDENT’S MESSAGE: LARRY CARETTO Welcome to my se- membership, but that has Baca, Don Cameron cond installment of the not provided sufficient and Daisy Kuhn were ARF President’s Mes- incentive to get them to on the planning com- sage. participate in ARF activ- mittee for the event. Some of you may have ities and continue as Nine of the 23 faculty received an email from ARF members. At the members who started Inside this issue: me reminding you to re- last Board meeting, Vice teaching at SFVSC in new your ARF member- -President/President- 1962 attended the In Memoriam 2 ship. If you fall into this Elect Joyce Linden and I event: Al Baca, John category, we hope that were asked to prepare a Lindsay, Dolores News from CSUN 2 you are planning to re- set of recommendations Litsinger, Leroy new. We will be print- to the Board for an in- Nyquist, Roy Olson, Fall ARF Programs 3 ing the Membership creased ARF recruitment Leonard Pitt, Rick Sil- Roster next month based activity. In our prelimi- va, Dean Skovlin, and Emerti Newa 4 on the renewals we have nary discussions (not yet Richard Swade. received. If you have submitted to the Board) (Thanks to Don Cam- not renewed yet, this will Book Groups 5 we have considered the eron for providing this be a good time for you to possibility of having list of attendees). -
DGA Template
DGA 70YEARS The Early Show The founders of the Guild were not businessmen or labor leaders. They were active directors who understood the importance of protecting their creative rights. Here are some of them at their day jobs at the time. CONFEDERATE CON MEN: Roland V. Lee (bottom left) directing Jack Oakie (in top hat), Edward Arnold and Frances Farmer in The Toast of New York (1937), based on Photos: Photofest; (opposite) DGA Archives the life of Civil War-era speculator James Fisk. 82 dga quarterly GOING UP: Henry King (with glasses) directing the 1937 melodrama Seventh Heaven with James Stewart and Simone Simon (left) about a Parisian sewer worker who rescues a prostitute from the police. FRENCH KISS: Rouben Mamoulian’s stylish and tech- nically innovative musical fan- tasy, Love Me Tonight (1932), featured Jeanette MacDonald as a haughty princess courted by a Paris tailor (Maurice Chevalier). EMOTION PICTURES: Frank Borzage (far left), a two-time Oscar winner, gets the most out of a love scene in the rain between Gary Cooper and Helen Hayes in Hemingway’s A Farewell to Arms (1932). INDIANS AHEAD: Stagecoach (1939) was John Ford’s first sound Western and helped elevate the genre above shoot-’em-ups between good guys and bad guys. It also Photos: (top) DGA Archives; (bottom) AMPAS; (opposite) Archives made John Wayne a star. dga quarterly 85 BACKSTAGE: A comedic Marion Davies plays a Georgia beauty who comes to Hollywood to be a star in Show People (1928), King Vidor’s last silent film. HIGH FLYING: Howard Hawks’ unsentimental adventure Only Angels Have Wings (1939) featured his typical hardened professionals, with Cary Grant as a mail pilot in South America and Rita Hayworth as his ex-girlfriend. -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 Min
October 4, 2016 (XXXIII:6) Joseph L. Mankiewicz: ALL ABOUT EVE (1950), 138 min All About Eve received 14 Academy Award nominations and won 6 of them: picture, director, supporting actor, sound, screenplay, costume design. It probably would have won two more if four members of the cast hasn’t been in direct competition with one another: Davis and Baxter for Best Actress and Celeste Holm and Thelma Ritter for Best Supporting Actress. The story is that the studio tried to get Baxter to go for Supporting but she refused because she already had one of those and wanted to move up. Years later, the same story goes, she allowed as maybe she made a bad career move there and Bette David allowed as she was finally right about something. Directed by Joseph L. Mankiewicz Written by Joseph L. Mankiewicz (screenplay) Mary Orr (story "The Wisdom of Eve", uncredited) Produced by Darryl F. Zanuck Music Alfred Newman Cinematography Milton R. Krasner Film Editing Barbara McLean Art Direction George W. Davis and Lyle R. Wheeler Eddie Fisher…Stage Manager Set Decoration Thomas Little and Walter M. Scott William Pullen…Clerk Claude Stroud…Pianist Cast Eugene Borden…Frenchman Bette Davis…Margo Channing Helen Mowery…Reporter Anne Baxter…Eve Harrington Steven Geray…Captain of Waiters George Sanders…Addison DeWitt Celeste Holm…Karen Richards Joseph L. Mankiewicz (b. February 11, 1909 in Wilkes- Gary Merrill…Bill Simpson Barre, Pennsylvania—d. February 5, 1993, age 83, in Hugh Marlowe…Lloyd Richards Bedford, New York) started in the film industry Gregory Ratoff…Max Fabian translating intertitle cards for Paramount in Berlin. -
“Ready for Its Close Up, Mr. Demille”
Hollywood Heritage is a non- profit organization dedicated to preservation of the historic built environment in Hollywood and to education about the early film industry and the role its pioneers played in shaping Summer 2012 www.hollywoodheritage.org Volume 31, Number 2 Hollywood’s history. The Barn “Ready For Its Close Up, Mr. DeMille” n 2011, with the upcoming centennial an- Hollywood Heritage $5,000 and Paramount cluded that there was some lead paint present niversaries of Paramount Pictures and the Pictures matched that and more, giving in a few locations. filming by Cecil B. DeMille of Hollywood’s $10,000. These two gifts resulted in available Michael Roy of Citadel recommended Ifirst full-length feature film, funding of $15,000 for the project. American Technologies Inc. (“ADT”) to do The Squaw Man, Hollywood Heritage recognized that the The project began with the engagement of the required lead abatement work. ADT, a Lasky-DeMille Barn (“Barn”), home of the Historic Resources Group (“HRG”) to con- firm that was also used by Paramount, gave a Hollywood Heritage Museum, was in need of a duct a paint study of the Barn to determine the discounted proposal to do the work. This in- face lift. An interior upgrade of the archive area Barn’s original colors. After gathering paint cluded a low level power wash of the building had recently been completed with a donation samples from the building and examining re- to prepare it for painting. A 40-foot “Knuckle from the Cecil B. DeMille Foundation, but search gathered by Hollywood Heritage, HRG Boom” was needed for the work, which was ac- there was more to be done. -
Jack Oakie and Victoria Horne Oakie Filmography
JACK OAKIE AND VICTORIA HORNE OAKIE FILMOGRAPHY JACK OAKIE Actor – filmography 1. · “Night Gallery” … aka Rod Serling’s Night Gallery (USA) – An Act of Chivalry (1971) TV Episode 2. · “Bonanza” … aka Ponderosa (USA: rerun title) – A Christmas Story (1966) TV Episode …. Thadeus Cole 3. · “Daniel Boone” – Goliath (1966) TV Episode …. Otis Cobb 4. · “Disneyland” … aka Disney’s Wonderful World (USA: new title) … aka The Disney Sunday Movie (USA: new title) … aka The Magical World of Disney (USA: new title) … aka The Wonderful World of Disney (USA: new title) … aka Walt Disney (USA: new title) … aka Walt Disney Presents (USA: new title) … aka Walt Disney’s Wonderful World of Color (USA: new title) – Kilroy: Part 4 (1965) TV Episode …. Joe Kelsey 5. · “Kilroy” – Part 4 (1965) TV Episode …. Joe Kelsey 6. · “The New Breed” – I Remember Murder (1961) TV Episode …. Ham Tucker 7. · Lover Come Back (1961) …. J. Paxton Miller 8. · “Target: The Corruptors” – Viva Vegas (1961) TV Episode …. Billy Stowe 9. · The Rat Race (1960) …. Mac, Owner of Macs Bar 10. · The Wonderful Country (1959) …. Travis Hyte 11. · “Studio One” … aka Studio One Summer Theatre (summer title) … aka Studio One in Hollywood (new title) … aka Summer Theatre (summer title) … aka Westinghouse Studio One … aka Westinghouse Summer Theatre (summer title) – The Award Winner (1958) TV Episode …. Frank Rey 12. · “Kraft Television Theatre” … aka Kraft Mystery Theatre (new title) … aka Kraft Theatre (new title) – The Battle for Wednesday Night (1958) TV Episode 13. · “The Real McCoys” (1957) TV Series …. ‘Rightly’ Ralph McCoy … aka The McCoys 14. · Around the World in Eighty Days (1956) …. -
Dec., 2007 Vol
page 2 ...................... Opinion page 12.............SRDA Menu page page 4 & 20..................Weird News Coming Up page 14..............Senior Safety page 5..................Health merry CHRISTMAS TO ALL!!! page 15...............Travel page 8............Light for the Journey page 22.....Fremont/Custer Menu page 11...............Finances BE SAFE - BE Healthy!!! page 24...............Social Security & You SeniorIF YOU ARE 50 OR OLDER YOUBeacon SHOULD READ IT!! SB Dec., 2007 Vol. 26: No. 5 Established Aug., 1982 305 Consecutive Months! Steps To Make Holidays Fun For Those In Care by Lisa M. Petsche Set realistic expectations and be Reminisce about past holidays to as his care needs for the time period you How do you include, in seasonal prepared to modify traditions. help your relative get into the spirit of the have in mind. Run ideas by staff to see if celebrations, a relative who has entered a Include your relative in prepara- season. Share special memories, bring they have concerns or suggestions. Even retirement home or nursing home during tions to the best of his ability. Contribut- in photo albums or favorite music, read overnight visits may be feasible with as- the past year? The following suggestions ing in even small ways --- such as sign- aloud a favorite holiday story, or watch sistance from family, friends or a private- can make the holidays meaningful while ing cards or helping to select gifts from a home movies or a classic holiday film. ly contracted personal support worker. keeping stress manageable for the whole catalog --- will make him feel valued and Plan ahead and space out activi- If feasible, take your relative family. -
Making Fun [Sic] of Hitler
http://dx.doi.org/10.18778/8142-286-4.10 Victor Castellani University of Denver, U.S.A. MAKING FUN [SIC] OF HITLER denoid Hynkel, Kaiser Overall, and Adolf Elizabeth Hitler have two things in common. First, all three names humorously identify one of the most evil people in recent or any history—no laughing matter, a moral monster responsible, directly or indirectly, for deaths of tens of millions and for misery of countless people that lasts till this today. Secondly, they also show how an artistic and, more narrowly, a satiric imagination can deal with such monstrosity. Example 1: The Great Dictator(1940) Even before World War 2 broke out in Europe Charlie Chaplin’s film pro- ject commenced (September 1938).1 Since American producers hesitated to ridicule leadership of a country at which they were at peace, Chaplin largely self-funded the production, which was completed March 1940. Dictator was popular in the United Kingdom, inevitably, and before that across the Atlan- tic. It premiered in the United States October 1940, when the aerial Battle of Britain was well under way. However, despite invasions of France and the Low Countries, Denmark and Norway in spring of that year, America remained neu- tral politically, if not emotionally. The film reached British theaters two months later during some of the heaviest bombing of the “Blitz.” “Adenoid Hynkel” is the name under which Englishman Charlie Chaplin caustically mocked the German Führer Adolf Hitler. This evil and yet ludicrous figure is called here “The Phooey,” after recently coined bit of American slang that means something like “bad luck!” “rubbish!” or the like. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
Office of Historic Resources
City of Los Angeles, Department of City Planning Office of Historic Resources JULY 2010 VOLUME 4, ISSUE 3 Cultural Heritage Commission Works to Preserve Historic Bridges With the release of the Environmental Impact Report this project would result in an adverse effect and loss of (EIR) for the proposed widening of the North Spring the bridge’s landmark designation. Street Bridge (HCM #900), the Cultural Heritage The monumental Los Angeles River bridges between Commission has expressed concerns about the po- Downtown and Griffith tential loss of his- Park are some of the toric status for this City’s most iconic land- and other landmark marks, with 14 bridges L.A. River bridges. designated as Historic- The bridge project Cultural Monuments, as proposed would including the North widen the deck by Spring Street Bridge. 20’ feet on each side, Constructed in 1927 near nearly doubling the the original site of Los size of the current Angeles’ founding, the bridge. It would North Spring Street remove historic rail- bridge sits in one of the ings, light fixtures, most historically rich and brackets, ob- areas of the city, located scure the double- The N. Spring Street Bridge is one of two Historic-Cultural Monu- between two of the oldest ment bridges faced with potential loss of historic status arch span over the Los Angeles River river, and incorpo- Bridges: the North Main rate new additions that mimic the historic features Street Bridge (1910) and the North Broadway-Buena lost through the widening. The EIR concluded that (Continued on page 2) Inside this issue: HPOZ Program Moves to the OHR LAX Theme Building 2 Rehabilitation As part of a major reorganization of Bureau, who spent a small amount of SurveyLA Year 1 Survey’s the Department of City Planning, the time on HPOZs while also handling 3 City’s staffing for Historic Preserva- other planning assignments. -
January 29, 2013 (XXVI:3) Charles Chaplin, the GREAT DICTATOR (1940, 125 Min.)
January 29, 2013 (XXVI:3) Charles Chaplin, THE GREAT DICTATOR (1940, 125 min.) National Film Registry – 1997 Directed, written and produced by Charles Chaplin Original Music by Charles Chaplin and Meredith Willson Cinematography by Karl Struss and Roland Totheroh Film Editing by Willard Nico and Harold Rice Art Direction by J. Russell Spencer Set Decoration by Edward G. Boyle Special Effects by Ralph Hammeras Special Photographic Effects by Jack Cosgrove Stunts by Buster Wiles Meredith Willson…musical director Carmen Dragon…orchestrator Meredith Willson…conductor Charles Chaplin…Hynkel - Dictator of Tomania / A Jewish Barber Jack Oakie…Napaloni - Dictator of Bacteria Reginald Gardiner…Schultz Henry Daniell…Garbitsch Billy Gilbert…Herring Academy Awards Grace Hayle…Madame Napaloni 1973 Best Music, Original Dramatic Score – Limelight (1952) Carter DeHaven…Bacterian Ambassador Shared with: Ray Rasch, Larry Russell Paulette Goddard…Hannah (The film was not released in Los Angeles until 1972. Maurice Moscovitch…Mr. Jaeckel Under the Academy rules at the time, this permitted it to Emma Dunn…Mrs. Jaeckel be eligible despite being 20 years old.) Bernard Gorcey…Mr. Mann Paul Weigel… Mr. Agar 1972 Honorary Award – For the incalculable effect he has had Chester Conklin…Barber's Customer in making motion pictures the art form of this century. Esther Michelson…Jewish Woman Hank Mann…Storm Trooper Stealing Fruit 1929 Honorary Award – The Circus (1928) Florence Wright…Blonde Secretary For versatility and genius in acting, writing, directing and Eddie Gribbon…Tomanian Storm Trooper producing The Circus. Though nominated for best actor, Rudolph Anders…Tomanian Commandant at Osterlich (as the academy decided to remove Chaplin's name from the Robert O. -
Inside Facts of Stage and Screen (May 3, 1930)
: STAGE RADIO SCREEN PRICE 10 CENTS MUSIC Only Theatrical Newspaper on the Pacific Coast ESTABLISHED 1S24 EDITED BY JACK JOSEPHS Entered as Second Class Matter, April 1927, at Post- Published Every Saturday at 800-801 Warner Bros. Down- Vol. XI 29, Saturday, May 3, 1930 No. 18 office, Los Angeles, Calif., under Act of March 3, 1879. town Building, 401 West Seventh St., Los Angeles, Calif. STAGE SHOW LANDSLIDE STARTING IN HOLLYWOOD 17 THEATRICAL Rie PREMIERE PROJECTS SET GtCKTD ACTS May SAN FRANCISCO, Acknowledging the need Approximately $15,- 1. — for stage support for the will be spent on 000,000 big specials, operators of of new construction the film capital de luxe amusement centers in houses have come back to Northern California with- the prologue and other at- in the next three months, tendant showman ship plans are fol- if present features, to keep up box- lowed. office totals for the big Here are seventeen pro- houses. posed theatres, opera On May 30 the Fox- houses and amusement West Coast Grauman’s centers, some of them al- Chinese will return to the ready nearly un^ler way, lavish prologue method, and others only in the with Sid Grauman again conference stage at the helm for the pre- 1. A Sam Levin house on miere of “Hell’s Angels.” Ocean avenue between Fairfield The new Pantages Theatre, and Lakewood avenues, San Fran- to be jointly operated by the Pan- cisco, at an estimated cost of tages brothers with West Coast, $250,000. Plans are under prepa- will start with elaborate prologue ration for this house.