Dance Curriculum 2010
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Academy of Theatre and Dance Theatre
Academy of Theatre and Dance Theatre TechniekTechnical enTheatre Theater - 2828 ScenografieScenography 24 AssociateArts - Associate Degree Degree Academy of Theatre and Dance ProductieProduction PodiumkunstenPodiumkiunsten and Stage Management 2222 TheaterdocentTheatre in Education Verkort 1818 Abbreviated 2 Dance Academy of Theatre and Dance National Ballet Academy Urban Contemporary (JMD) 42 46 Modern Theatre 44 5 O’Clock Class 52 Dance School for New Dance 48 Development (SNDO) Dance in Education 50 DAS Choreography 60 1 Creative team Techniek en Theater 26 Regie Opleiding 20 Uitvoerenden Amsterdamse Toneelschool &Kleinkunstacademie 12 Makers Mime Opleiding 14 Docenten Theaterdocent 16 Masters DAS Theatre 58 Theater Techniek en Theater - 28 Scenografie 24 Associate Degree Academy of Theatre and Dance Productie Podiumkunsten 22 Theaterdocent Verkort 18 1 Nine reasons to study at the Academy of Theatre and Dance Academy of Theatre and Dance The Academy of Theatre and Dance (formerly de Theaterschool) is the Netherlands’ premier training school for all theatre and dance disciplines at bachelor and master’s degree level. As a student, you are the star of our show: we’ve built our courses to service your artistic talent, your ambitions and your dreams. Here are nine reasons why you should study with us. 2 Academy of Theatre and Dance 1 We’re one of a kind! Our academy is the only one of its kind in the Netherlands: we are the only theatre and dance academy in the country with all disciplines and relevant resources under one roof. Students from fifteen specialisms can meet and inspire one another here, break new ground and challenge conventional thinking. -
The Biomechanics of the Tendu in Closing to the Traditional Position, Pli#233
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 The iomechB anics of the Tendu in Closing to the Traditional Position, Pli#233; and Relev#233; Nyssa Catherine Masters University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Engineering Commons Scholar Commons Citation Masters, Nyssa Catherine, "The iomeB chanics of the Tendu in Closing to the Traditional Position, Pli#233; and Relev#233;" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4825 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Biomechanics of the Tendu in Closing to the Traditional Position, Plié and Relevé by Nyssa Catherine Masters A thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in Mechanical Engineering Department of Mechanical Engineering College of Engineering University of South Florida Major Professor: Rajiv Dubey, Ph.D. Stephanie Carey, Ph.D. Merry Lynn Morris, M.F.A. Date of Approval: November 7, 2013 Keywords: Dance, Motion Analysis, Knee Abduction, Knee Adduction, Knee Rotation Copyright © 2013, Nyssa Catherine Masters DEDICATION This is dedicated to my parents, Michael and Margaret, who have supported me and encouraged -
2015 Full Program (PDF)
2015 Women in Dance Leadership Conference! ! October 29 - November 1, 2015! ! Manship Theatre, Baton Rouge, Louisiana, USA! ! Conference Director - Sandra Shih Parks WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "1 Women in Dance Leadership Conference ! Mission Statement ! ! To investigate, explore, and reflect on women’s leadership by representing innovative and multicultural dance work to celebrate, develop, and promote women’s leadership in dance making, dance related fields, and other! male-dominated professions.! Conference Overview! ! DATE MORNING AFTERNOON EVENING Thursday 10/29/2015 !Registration/Check In! !Reception! Opening Talk -! Kim Jones/Yin Mei Karole Armitage and guests Performance Friday 10/30/2015 Speech - Susan Foster! Panel Discussions! Selected ! ! Choreographers’ Speech - Ann Dils !Master Classes! Concert Paper Presentations Saturday 10/31/2015 Speech - Dima Ghawi! Panel Discussions! ODC Dance Company ! ! ! Performance Speech - Meredith Master Classes! Warner! ! ! Ambassadors of Women Master Classes in Dance Showcase Sunday 11/1/2015 Master Class THODOS Dance Chicago Performance ! ! ! ! WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "2 October 29th 2015! !Location 12 - 4 PM 4:30 PM - 6 PM 6 PM - 7:30 PM 8 PM - 9:30 PM !Main Theatre Kim Jones, Yin Mei ! and guests ! performance ! !Hartley/Vey ! Opening Talk by! !Studio Theatre Karole Armitage !Harley/Vey! !Workshop Theatre !Josef Sternberg ! Conference Room Jones Walker Foyer Registration! ! Conference Check In Reception Program Information! -
New York City Center Announces Re‐Opening for In‐Person Performances with Full Calendar of Programs for 2021 – 2022 Season
FOR IMMEDIATE RELEASE: New York City Center announces re‐opening for in‐person performances with full calendar of programs for 2021 – 2022 season Dance programming highlights include Fall for Dance Festival, TWYLA NOW, and the launch of two new annual dance series Additional artistic team members for Encores! 2022 season include choreographers Camille A. Brown for The Life and Jamal Sims for Into the Woods Tickets start at $35 or less and go on sale for most performances Sep 8 for members; Sep 21 for general public July 13, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a full calendar of programming for the 2021 – 2022 season, reopening the landmark theater to the public in October 2021. This momentous return to in‐person live performances includes the popular dance and musical theater series audiences have loved throughout the years and new programs featuring iconic artists of today. Manhattan’s first performing arts center, New York City Center has presented the best in music, theater, and dance to generations of New Yorkers for over seventy‐five years. “I am delighted to announce a robust schedule of performances for our 2021 – 2022 season and once again welcome audiences to our historic theater on 55th Street,” said Arlene Shuler, President & CEO. “We have all been through so much in the past sixteen months, but with the support of the entire City Center community of artists, staff, and supporters, we have upheld our legacy of resilience and innovation, and we continue to be here for our loyal audience and the city for which we are proudly named. -
Dance Program Handbook 2020-2021
Bethel College Academy of Performing Arts Dance Program Handbook 2020-2021 DANCE HANDBOOK CONTENTS GUIDE Contact Information 1 General Policies 2 Dance Department Expectations 4 Dress Code 5 Class Requirements 7 Ballet 6 Pointe 10 Jazz 11 Tap 12 Modern 13 Irish 13 Hip Hop 14 Adult Classes 14 Company Requirements 14 IMPORTANT CONTACTS Bethel College Academy of Performing Arts (316) 283-4902 EMAIL: [email protected] 300 E 27th Street, North Newton KS 67117 WEBSITE: www.bcapaks.org Lisa Riffel, Operations Manager (316) 283-4902 [email protected] Haylie Berning, Director of Dance (316) 619-7580 [email protected] Molly Flavin, Instructor (316) 283-4902 [email protected] Emily Blane, Instructor (316) 283-4902 [email protected] Resa Marie Davenport, Instructor (316) 283-4902 [email protected] Aviance Battles, Instructor (316) 283-4902 [email protected] Cathy Anderson, Instructor (316) 283-4902 [email protected] 1 GENERAL INFORMATION AND POLICIES Please read the current registration packet for a complete list of BCAPA’s policies and safety precautions. Keep in mind that some of the below policies may be affected by COVID policies put in place by BCAPA and Bethel College. 1. Communication Methods and Response Time. The best way to contact BCAPA’s dance director is by phone message at (316) 283-4902 or by email at [email protected]. Current students can find important information on upcoming events, workshops, and other announcements at our website, www.bcapaks.org or our Facebook page. 2. *Drop-Off Expectations. In the interest of safety, students must be accompanied to and from their classes by an adult. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
Fosse/Verdon
FOSSE/VERDON Episode 108 “Providence” Teleplay by Steven Levenson Story by Joel Fields & Steven Levenson Directed by Thomas Kail All rights reserved. Copyright ©2019 Twentieth Century Fox Film Corporation and FX Productions, LLC. No portion of this script may be performed, published, reproduced, sold, or distributed by any means or quoted or published in any medium, including on any website, without the prior written consent of Twentieth Century Fox Film Corporation and FX Productions, LLC. Disposal of this script copy does not alter any of the restrictions set forth above. TEASER EXT. CENTRAL PARK - DAY (1978) BOB and PADDY walk through the Mall in Central Park, neither man much interested in the bucolic scene around them. Paddy is huffing and puffing from the exertion. PADDY Thirty minutes a day of exercise. I can’t smoke. I can’t eat anything that tastes good. I can only work regular hours. CHYRON: New York. Pre-production for All That Jazz, Week 7. 9 years left. BOB What does that mean, regular hours? PADDY Who the hell knows? Paddy spies a bench. PADDY (CONT’D) This is miserable. I’m done. We’re sitting. Paddy sits on the bench. Bob joins him. BOB It’s pretty lousy of you, I’ve got to say. I have a heart attack, so then you try to upstage me by having your own heart attack... PADDY Shove it up your ass. Bob laughs as they sit there. PADDY (CONT’D) When do you start shooting? BOB A month. PADDY How’s the script coming? Bob shakes his head. -
Nederlands Dans Theater Bambill
1994 NEXT WAVE FESTIVAL 1994 NEXT WAVE COVER AND POSTER ARTIST ROBERT MOSKOWITZ NEDERLANDS DANS THEATER BAMBILL BROOKLYN ACADEMY OF MUSIC Harvey Lichtenstein, President & Executive Producer presents in the BAM Opera House October 17, 1994, 7pm; October 18-22, 8pm and in the BAM Majestic Theater October 24-29, 8pm; October 30, 3pm NEIERLANIS IANS THEATER Artistic Director: JIRI KYLIAN Managing Director: MICHAEL DE Roo Choreographers: JIRI KYLIAN & HANS VAN MANEN Musical Director: CHRISTOF ESCHER Executive Artistic Directors: GLENN EDGERTON (NDT1), GERALD TIBBS (NDT2), ARLETTE VAN BOVEN (NDT3) Assistants to the Artistic Directors: HEDDA TWIEHAUS (NDT 2) & GERARD LEMAITRE (NDT 3) Rehearsal Assistant to the Rehearsal/Video Director Artistic Director Director ROSLYN ANDERSON ULF ESSER HANS KNILL Company Organization Musical Coordinator/ Manager (NDT 2) (NDT1&3) Pianist CARMEN THOMAS CARINA DE GOEDEREN RAYMOND LANGEWEN Guest Choreographers (1994/95 season) MAURICE BEJART CHRISTOPHER BRUCE MARTHA CLARKE PATRICK DELCROIX WILLIAM FORSYTHE LIONEL HoCtIE PAUL LIGHTFOOT JENNIFER MULLER OHAD NAHARIN GIDEON OBARZANEK PHILIPPE TREHET PATRIZIA TUERLINGS Guest Teachers BENJAMIN HARKARVY (Guest teacher, North American tour) CHRISTINE ANTHONY KATHY BENNETS JEAN-PIERRE BONNEFOUX OLGA EVREINOFF IVAN KRAMAR IRINA MILOVAN JAN NUYTS ALPHONSE POULIN LAWRENCE RHODES MARIAN SARSTADT Technical Director Marketing & Publicity Joop CABOORT KEES KORSMAN & EVELINE VERSLUIS Costume Department Tour Management JOKE VISSER WANDA CREMERS Pianist Dance Fitness Therapist Chiropractor -
Program Notes
PROGRAM NOTES By Joshua S. Ritter Goodspeed Education & Library Director You don’t have to be a baseball fan to know that the New York Yankees‐Boston Red Sox rivalry bitterly divides colleagues, neighbors, families, and Goodspeed patrons. In fact, according to The Harvard Sports Analysis Collective, East Haddam is located on the frontlines of this legendary baseball feud with slightly more than half the population favoring the Red Sox. What better way for Goodspeed to bring some levity to this divisive situation than with a hilarious musical comedy? Fortunately, Joe DiPietro’s side‐splitting adaptation of Damn Yankees contemporizes the book by replacing the defunct Washington Senators with the Boston Red Sox. We are pleased to have the opportunity to provide a neutral zone where members of the Yankees Universe and Red Sox Nation can forget their bitter differences for a few hours and share some laughs when the curtain goes up. Flashing back to the middle of the 20th century, Douglass Wallop’s 1954 novel The Year The Yankees Lost the Pennant was a best‐selling major league baseball twist on the Faust fable. Damn Yankees’ genesis was set in motion when William Morris agent Albert B. Taylor brought this property to the attention of legendary producer, director, writer, and actor George Abbott. Abbott and his team had just struck gold with the smash hit musical The Pajama Game, a show based on Richard Bissel’s novel 7½ Cents. Perhaps this monumental success gave Abbott the chutzpah to take the idea of a baseball musical seriously, despite the fact that all previous attempts at creating one were unsuccessful. -
Fred Ebb & Bob Fosse
Barry & Fran Weissler in association with Kardana/Hart Sharp Entertainment WELCOME. present LADIES AND GENTLEMEN, YOU ARE ABOUT TO SEE A Lyrics by Music By Book by STORY OF Fred Ebb John Kander Fred Ebb & Bob Fosse MURDER, Original Production Directed and Choreographed by Bob Fosse Based on the play by Maurine Dallas Watkins GREED, Supervising Music Director Music Director Rob Fisher Leslie Stifelman Scenic Design Costume Design Lighting Design John Lee Beatty William Ivey Long Ken Billington Sound Design Orchestrations Dance Music Arrangements CORRUPTION, Scott Lehrer Ralph Burns Peter Howard Script Adaptation Musical Coordinator Hair Design David Thompson Seymour Red Press David Brian Brown VIOLENCE, Casting Original Casting Duncan Stewart and Company Jay Binder Technical Supervisor Dance Supervisor Production Stage Manager Arthur Siccardi Gary Chryst David Hyslop Executive Producer Presented in Association with EXPLOITATION, Alecia Parker Broadway Across America General Manager Press Representative B.J. Holt Jeremy Shaffer The Publicity Office ADULTERY & Based on the presentation by City Center’s Encores!SM Choreography by Ann Reinking in the style of Bob Fosse TREACHERY Directed by Walter Bobbie – ALL THOSE THINGS WE HOLD Cast Recording on RCA Victor NEAR AND DEAR TO OUR HEARTS. AMY SPANGER STEPHANIE POPE This production isn’t just smoke and mirrors. It’s flesh and blood shaped by discipline and artistry into a parade of vital pulsing talent. If there’s any justice in this world (and Chicago insists there isn’t), audiences will be -
2020 Dance-Dance Education (K-12) Major
Major Map: Dance Bachelor of Arts (B.A.) Dance Education (K-12) College of Arts and Sciences Department of Theatre and Dance Bulletin Year: 2020-2021 This course plan is a recommended sequence for this major. Courses designated as critical (!) may have a deadline for completion and/or affect time to graduation. Please see the Program Notes section for details regarding “critical courses” for this particular Program of Study. Min. Credit Grade Major Critical Course Subject and Title Hours 1 GPA2 Code Prerequisites Notes Semester One (14 Credit Hours) ! ENGL 101 Critical Reading and Composition 3 C CC-CMW DANC 150 Introduction to Dance3 3 C+ CR DANC 111 World Dance I 2 C+ MR or DANC 113 World Dance II DANC 177 Dance Company I 1 C+ MR Ballet Technique Course4 1 C+ MR Contemporary Technique Course4 1 C+ MR Foreign language5 or other Carolina Core 3 CC-GFL Requirement6 Semester Two (17 Credit Hours) ! ENGL 102 Rhetoric and Composition 3 C CC-CMW C or better in ENGL 101 CC-INF ! DANC 160 Dance Improvisation & Composition7 3 C+ MR Ballet Technique Course4 1 C+ MR Contemporary Technique Course4 1 C+ MR Education Course8 3 C+ MR Carolina Core Requirement6 3 CC Foreign language5 or other Carolina Core 3 CC-GFL Requirement6 Progression: Prepare for and take Praxis Core exams if SAT or ACT minimum score not met Semester Three (18 Credit Hours) DANC 360 Choreography I 3 C+ MR/CC- INT DANC 103 The Dancer’s Body 3 C+ MR DANC 177 Dance Company I 1 C+ MR Ballet Technique Course4 1 C+ MR Contemporary Technique Course4 1 C+ MR Education Course8 3 C+ MR Carolina Core Requirement6 3 CC Foreign language5 or Carolina Core Requirement6 3 CR/CC Progression: Take and pass the EEDA Assessment on Blackboard Semester Four (15-16 Credit Hours) DANC 380 Movement & Dance for Musical Theatre 3 C+ MR ! DANC 270 Dance Ed. -
Classical & Contemporary Dance Conservatory
CLASSICAL & CONTEMPORARY DANCE CONSERVATORY GRADES 7-12 SCHOOL OF DANCE Conservatory Overview Sample Curriculum The Classical & Contemporary Dance Conservatory is a pre-professional program Ballet tailored to students who desire a specified focus in ballet, modern, pointe, men’s Choreography & Composition technique, and choreography/composition. Every Classical & Contemporary Dance Dance History Conservatory faculty member has extensive professional experience in their field of Men’s Technique study, providing students with the technical skills, discipline, and competitive edge Modern necessary for a professional career in dance or dance-related fields. Students Partnering spend approximately 10 hours per week in technique classes, and up to eight hours Pilates per week in rehearsals. Through this experience, students develop an appreciation Pointe of the different dance genres and styles, as well as the history of the art form. Variations APPLY ONLINE TODAY! www.ocsarts.net/ApplyNow 1010 N. Main Street, Santa Ana, CA 92701 | 714.560.0900 Performance Opportunities Classical & Contemporary Dance students perform in a winter concert featuring classical repertoire and senior choreography, as well as a spring concert featuring classical repertoire and faculty/guest artist choreography. Both concerts are presented at OCSA’s Margaret A. Webb Theatre. Students also have the opportunity to participate in Season Finale, an end-of-year performance presented at the prestigious Segerstrom Center for the Arts. Past Guest Artists and Master Teachers Genevieve Carson (Artistic Director, LA Contemporary Dance Company) Petra Conti (Los Angeles Ballet) Norbert de la Cruz III (Freelance Choreographer; Juilliard Alumni) Jodie Gates (Vice Dean and Director, USC Glorya Kaufman School of Dance) James Gregg & Rauf Yosit (WEWOLF Royal Ballet; CSULB) Melissa Hale-Coyle (American Ballet Theatre Alumni; Artistic Director, Charlotte City Ballet) Lorin Johnson (American Ballet Theatre Alumni; Asst.