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New England Regional Council of Carpenters
Boston, Eastern MA, Northern New England Carpenters CBA 9/1/18-8/31/23 AGREEMENT Between THE NEW ENGLAND REGIONAL COUNCIL OF CARPENTERS LOCAL UNIONS 327, 328, 336, 339, 330, 346, 349, 352 of the UNITED BROTHERHOOD OF CARPENTERS AND JOINERS OF AMERICA and LABOR RELATIONS DIVISION OF THE ASSOCIATED GENERAL CONTRACTORS OF MASSACHUSETTS, INC. and BUILDING TRADES EMPLOYERS' ASSOCIATION OF BOSTON AND EASTERN MASSACHUSETTS, INC. and LABOR RELATIONS DIVISION OF THE CONSTRUCTION INDUSTRIES OF MASSACHUSETTS Effective: September 1, 2018 Expires: August 31, 2023 Boston, Eastern MA, Northern New England Carpenters CBA 9/1/18-8/31/23 New England Regional Council of Carpenters 750 Dorchester Avenue Boston, MA 02125 Phone: 617-268-3400, 800-275-6200 Fax: 617-268-0442 Thomas J. Flynn Executive Secretary-Treasurer Senior Staff John Murphy Brian Richardson Jack Donahue Stephen Joyce Gary Decosta Chief of Staff Organizing Director Market Opportunity Fund Contractor Relations Director Asst. Organizing Political and Legislative Director Director Regional Managers Dennis Lassige Joe Byrne Jack Donahue John Leavitt Southeastern MA & RI Boston Central & Western MA Northern New England Locals 346 and 330 Locals 327 and 328 Locals 336 Locals 349 and 352 14 Jefferson Park Road 750 Dorchester Avenue 29 Endicott Street 65 Rainmaker Drive Warwick, RI 02888 Boston, MA 02125 Worcester, MA 01610 Portland, ME 04103 Phone: 401 424-1100 Phone: 617-268-3400 Phone: 508 886-5950 Phone: 207 358-6658 Fax: 401 424-1105 Fax: 617-268-0442 Fax: 508 886-5951 Fax: 207 358-6675 Harry -
Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA Participation List Name City State Alabama Theatre Birmingham Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Sudio Muscle Shoals Alabama Jonathan Edwards Home Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Nick Pratt Boathouse Orange Bach Alabama David &DeAnn Milly Boathouse Orange Beach Alabama The Wharf Mainstreet Orange Beach Alabama Enlighten Entertainment Orange Beach Alabama Orange Beach Preforming Arts Studio Orange Beach Alabama Greg Trenor Boathouse Orange Beach Alabama Russellville Municipal Auditorium Russellville Alabama The Historic Bama Theatre Tuscaloosa Alabama Rawhide Chandler Arizona Rawhide Motorsports Park Chandler Arizona Northern Arizona university Flagstaff Arizona Orpheum Theater - Flagstaff location Flagstaff Arizona Mesa Arts Center Mesa Arizona Clearwing Productions Phoenix Arizona Creative Backstage/Pride Group Phoenix Arizona Crescent Ballroom Phoenix Arizona Herberger Theatre Phoenix -
2017-April-Fenway-News.Pdf
APRIL WWW.FENWAYNEWS.ORG 2017 FREE SERVING THE FENWAY, KENMORE SQUARE, UPPER BACK BAY, PRUDENTIAL, LONGWOOD AREA AND MISSION HILL SINCE 1974 VOLUME 43, NUMBER 4 MARCH 31-APRIL 28, 2017 Conservancy’s Annual Meeting Spotlights Environmentalist, New President BY RUTH KHOWAIS The silence lasted for 17 years, and Francis (who now talks each other manifests in the physical environment around us.” he Emerald Necklace Conservancy, now in its 19th quite a bit) says, “I realized the importance of listening. It’s Francis began and ended his address by playing his banjo. the part of communication we don’t think about too much. I Ruth Khowais lives in the West Fens. year, held its annual meeting on March 22 at Mass. PHOTO: KATE OESER College of Art. After recognition of volunteers and realized by not listening, I had stopped learning.” remarks by chair Ben Taylor and new President In the course of his 17 years of not talking and not riding Karen Mauney-Brodek, the keynote address was delivered by in cars, Francis was able to communicate with people all over T the country about the importance of the environment (strangers environmentalist Dr. John Francis. Known as the “Planetwalker,” Francis became an invited him in and children took him to school for show and environmentalist in the 1970s—before it was fashionable— tell). He also earned a master’s degree and a Ph.D. He has after witnessing two oil tankers collide beneath the Golden written a book called Walking the Earth, is a visiting associate Gate Bridge. A self-described hippie, he was horrified by professor at the University of Wisconsin, an Education Fellow the oozing sludge and dying birds, and decided to make a at the National Geographic Society, and now lectures all over difference by refusing to ride in automobiles from then on. -
Boston Performing Arts Facility Assessment
Boston Performing Arts Facility Assessment DRAFT FOR PUBLIC COMMENT July 2017 Authors: Christopher Perez, Vice President Susan Nelson, Executive Vice President Elizabeth Wiesner, Senior Associate Prepared by TDC Table of Contents I. About TDC....................................................................................................................... 3 II. Acknowledgments............................................................................................................ 3 III. Introduction ...................................................................................................................... 4 IV. Methodology .................................................................................................................... 6 V. Definitions........................................................................................................................ 7 VI. What is the demand for spaces serving performing arts? .............................................. 10 A. What does the landscape look like? ............................................................................... 10 B. How do organizations and artists operate within the landscape? ................................... 11 C. What concerns or barriers were expressed? ................................................................... 13 VII. What is the supply of spaces that serve performing arts? .............................................. 16 A. What does the landscape look like? .............................................................................. -
Volume 127, Number 50 Cambridge, Massachusetts 02139 Tuesday, October 30, 2007 City Councillors Seek New 2-Year Terms in Cambridge Elections by Marie Y
Red Sox Win World Series—Championship Parade Today at Noon The Weather MIT’s Today: Sunny, 60°F (16°C) Tonight: Clear, 47°F (8°C) Oldest and Largest Tomorrow: Sunny and brisk, Newspaper 65°F (18°C) Details, Page 2 Volume 127, Number 50 Cambridge, Massachusetts 02139 Tuesday, October 30, 2007 City Councillors Seek New 2-Year Terms in Cambridge Elections By Marie Y. Thibault first-time candidate, says she is liv- STAFF WRITER ing with a disability and that her top Next Tuesday, Nov. 3, voters will priority is to bring Cambridge into decide who will sit on the Cam- compliance with the Americans with bridge City Council for the next two Disabilities Act. Jonathan Janik said years. There will be at least one new that synchronizing traffic signals in face, since only Cambridge would For more information about eight incumbents allow drivers to the election, including are running for re- get from one end interview responses from election. of the city to the candidates, see page 14. The main is- other more quick- sues this year are affordable housing, ly, so he has made it a top priority. education, and safety, as listed by The only current City Council SAMUEL KRonick—THE TECH many of the candidates as top priori- member who is not running for re- Berklee College of Music students Stash Wyslough (left) and Andy Reiner (right) celebrate the ties in their campaign. election is Anthony D. Galluccio, Red Sox World Series victory by jamming in the streets of Boston. See more photos on pages Some candidates are pushing who has just been elected to the Mas- 10–11. -
Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-100
2018 MIDYEAR Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-100 1 758,219 Auditorio Nacional Mexico City, MEXICO 51 78,389 Stadsschouwburg Antwerp, BELGIUM 2 419,539 Fox Theatre Atlanta, GA 52 78,207 Velma V. Morrison Ctr. For The Perf. Arts Boise, ID 3 253,361 Durham Performing Arts Center Durham, NC 53 76,060 Park Theater At Monte Carlo Resort & Casino Las Vegas, NV 4 207,375 Smart Financial Centre At Sugar Land Sugar Land, TX 54 74,948 The Theater At MGM National Harbor Oxon Hill, MD 5 205,717 Zappos Theater At Planet Hollywood Las Vegas, NV 55 74,817 Auditorio Pabellón M Monterrey, MEXICO 6 203,250 Auditorio Telmex Zapopan, MEXICO 56 71,494 Express Live! Columbus, OH 7 200,074 Dreyfoos Hall West Palm Beach, FL 57 67,914 SEC Armadillo Glasgow, UNITED KINGDOM 8 198,172 Broward Ctr. Au-Rene Theater Fort Lauderdale, FL 58 67,504 Hanover Theatre For Performing Arts Worcester, MA 9 167,681 Bill Graham Civic Auditorium San Francisco, CA 59 66,761 Peace Center Concert Hall Greenville, SC 10 167,166 Chicago Theatre Chicago, IL 60 65,652 The Colosseum At Caesars Palace Las Vegas, NV 11 154,160 Radio City Music Hall New York, NY 61 63,464 WinStar Global Event Center Thackerville, OK 12 150,221 The Smith Center / Reynolds Hall Las Vegas, NV 62 62,974 The Plaza Theatre El Paso, TX 13 150,179 Carol Morsani Hall Tampa, FL 63 62,815 Andrew Jackson Hall Nashville, TN 14 141,531 Fox Theatre Detroit, MI 64 62,673 Stage AE Pittsburgh, PA 15 123,333 Ryman Auditorium Nashville, TN 65 62,267 Bushnell Center Mortensen Hall Hartford, CT 16 118,705 Orpheum Theatre Minneapolis, MN 66 62,094 Fabulous Fox Theatre St. -
Boston Symphony Chamber Players 50Th Anniversary Season 2013-2014
Boston Symphony Chamber Players 50th anniversary season 2013-2014 jordan hall at the new england conservatory october 13 january 12 february 9 april 6 BOSTON SYMPHONY CHAMBER PLAYERS Sunday, January 12, 2014, at Jordan Hall at New England Conservatory TABLE OF CONTENTS 3 Welcome 4 “The Boston Symphony Chamber Players: For Fifty Years, Champions of Chamber Music,” by Richard Dyer 6 From the Players 10 Today’s Program Notes on the Program 11 Aaron Copland 13 Irving Fine 14 Wolfgang Amadè Mozart 15 Johannes Brahms Artists 16 Boston Symphony Chamber Players 17 Gilbert Kalish 19 The Boston Symphony Chamber Players: A Discography COVER PHOTO (top) Founding members of the Boston Symphony Chamber Players, 1964: (seated, left to right) Joseph Silverstein, violin; Burton Fine, viola; Jules Eskin, cello; Doriot Anthony Dwyer, flute; Ralph Gomberg, oboe; Gino Cioffi, clarinet; Sherman Walt, bassoon; (standing, left to right) Georges Moleux, double bass; Everett Firth, timpani; Roger Voisin, trumpet; William Gibson, tombone; James Stagliano, horn (BSO Archives) COVER PHOTO (bottom) The Boston Symphony Chamber Players in 2012 at Jordan Hall: (seated in front, from left): Malcolm Lowe, violin; Haldan Martinson, violin; Jules Eskin, cello; Steven Ansell, viola; (rear, from left) Elizabeth Rowe, flute; John Ferrillo, oboe; William R. Hudgins, clarinet; Richard Svoboda, bassoon; James Sommerville, horn; Edwin Barker, bass (photo by Stu Rosner) ADDITIONAL PHOTO CREDITS Individual Chamber Players portraits pages 6, 7, 8, and-9 by Tom Kates, except Elizabeth Rowe (page 8) and Richard Svoboda (page 9) by Michael J. Lutch. Boston Symphony Chamber Players photo on page 16 by Michael J. Lutch. -
Foundation for Chinese Performing Arts 中華表演藝術基金會
中華表演藝術基金會 FOUNDATION FOR CHINESE PERFORMING ARTS [email protected] www.ChinesePerformingArts.net The Foundation for Chinese Performing Arts, is a non-profit organization registered in the Commonwealth of Massachusetts in January, 1989. The main objectives of the Foundation are: * To enhance the understanding and the appreciation of Eastern heritage through music and performing arts. * To promote Chinese music and performing arts through performances. * To provide opportunities and assistance to young Asian artists. The Founder and the President is Dr. Catherine Tan Chan 譚嘉陵. AWARDS AND SCHOLARSHIPS The Foundation held its official opening ceremony on September 23, 1989, at the Rivers School in Weston. Professor Chou Wen-Chung of Columbia University lectured on the late Alexander Tcherepnin and his contribution in promoting Chinese music. The Tcherepnin Society, represented by the late Madame Ming Tcherepnin, an Honorable Board Member of the Foundation, donated to the Harvard Yenching Library a set of original musical manuscripts composed by Alexander Tcherepnin and his student, Chiang Wen-Yeh. Dr. Eugene Wu, Director of the Harvard Yenching Library, was there to receive the gift that includes the original orchestra score of the National Anthem of the Republic of China commissioned in 1937 to Alexander Tcherepnin by the Chinese government. The Foundation awarded Ms. Wha Kyung Byun as the outstanding music educator. In early December 1989, the Foundation, recognized Professor Sylvia Shue-Tee Lee for her contribution in educating young violinists. The recipients of the Foundation's artist scholarship award were: 1989 Jindong Cai 蔡金冬, MM conductor ,New England Conservatory, NEC (currently conductor and Associate Professor of Music, Stanford University,) 1990: (late) Pei-Kun Xi, MM, conductor, NEC; 1991: pianists John Park and J.G. -
PREP CATALOG Prep the Programs and Levels You Can “ Reach Are Just Unbelievable
OnE zillion Explore. Evolve. Inspire. a 2016-2017 NEW ENGLAND CONSERVATORY PREP CATALOG Prep The programs and levels you can “ reach are just unbelievable. ” Hence the tux. JOIN US! Welcome At NEC, MUSIC IS EVERYWHERE and THE HALLS BUZZ WITH ENERGY. Here, superb conservatory faculty guide a community of spirited young people, FROM ABSOLUTE BEGINNERS TO THE MOST ADVANCED STUDENTS, through an exciting musical journey. It’s conservatory-level training in an open-enrollment setting, where our students rise to the challenge of Welcome rigorous music-making and relish being with other kids who love it, too. NEC PREP IS ONE OF THE LARGEST PROGRAMS OF ITS KIND IN THE NATION, with 1600 students from across New England participating every week in lessons, classes, and ensembles. There’s so much on offer here and so many opportunities for your child; OUR CATALOG IS FULL OF ANSWERS TO YOUR QUESTIONS. If you need more information, don’t hesitate to get in touch. We invite your family to join our family: MAKE NEC PREP YOUR MUSICAL HOME! NEC Preparatory School | 2016-2017 1 NEW ENGLAND CONSERVATORY Founded 1867 – The oldest independent school of music in America 290 Huntington Avenue, Boston, MA 02115 PHONE: 617.585.1130 OR 617.585.1160 FAX: 617.585.1135 necmusic.edu/prep [email protected] NEW ENGLAND CONSERVATORY PREPARATORY SCHOOL Leslie Wu Foley Dean & Executive Director, Preparatory & Continuing Education Rebecca Bogers Director, Preparatory School The Office is located in the 241 St. Botolph Street building in Room 120. The Saturday Field Office is located in the Jordan Hall Building at 30 Gainsborough Street in Room 106. -
Task Force Members Feel Left out As Northeastern Readies IMP Filing by Stephen Brophy on Campus
January WWW.FEnWAYNEWS.org 2013 FrEE serving the Fenway, Kenmore square, upper BacK Bay, prudential, longwood area & mission hill since 1974 volume 39, numBer 1 decemBer 27, 2012-JANUARY 31, 2013 Topping-off Moves Berklee Dorm Goal Closer task Force members Feel left out as northeastern readies IMP Filing BY STEPHEN BROPHY on campus. As a result they spread out and ortheastern University has been occupy a big proportion of rental apartments meeting with a task force of in the Fenway and Mission Hill. This not only representatives from the Fenway, drives up the rents in these neighborhoods, Mission Hill, and Lower Roxbury but it has also driven up overall property asN it prepares to file its new Institutional values, making it much more difficult to buy a Master Plan (IMP). The most recent meeting residential building on Mission Hill now than took place on December 20, and task force it was 15 or 20 years ago. members reportedly joined some city Councilor Mike Ross, who lives on councilors to express some dissatisfaction Mission Hill, criticized the school for the with the situation. many promises it has made to rectify this The IMP is part of the price institutions situation, promises that have not yet come pay for being located in Boston. The Boston to fruition. Councilor Jeff Sanchez, who Redevelopment Authority (BRA) requires represents part of the Back of the Hill section every university and hospital to file an of Mission Hill, joined Ross in this criticism. IMP outlining the institution’s plans for its Both argued that the university needs to physical plant for the next decade. -
Boston Symphony Orchestra Concert Programs, Season 120, 2000-2001, Subscription, Volume 02
BOSTON SYMPHONY CHAMBER PLAYERS Sunday, October 22, 2000, at 3 p.m. at Jordan Hall BOSTON SYMPHONY CHAMBER PLAYERS Malcolm Lowe, violin Richard Svoboda, bassoon Steven Ansell, viola James Sommerville, horn Jules Eskin, cello Charles Schlueter, trumpet Edwin Barker, double bass Ronald Barron, trombone Jacques Zoon, flute Everett Firth, percussion William R. Hudgins, clarinet with JAYNE WEST, soprano HALDAN MARTINSON, violin MARTHA BABCOCK, cello STEPHEN DRURY, piano COPLAND As It Fell Upon a Day, for soprano, flute, and clarinet Ms. WEST, Mr. ZOON, and Mr. HUDGINS Threnodies I and II, for flute and string trio Mr. ZOON, Mr. LOWE, Mr. ANSELL, and Ms. BABCOCK Sextet for clarinet, piano, and string quartet Allegro vivace Lento Finale Mr. HUDGINS, Mr. DRURY; Mr. LOWE, Mr. MARTINSON, Mr. ANSELL, and Ms. BABCOCK The Copland performances in this concert celebrate the centennial of Aaron Copland's birth* INTERMISSION BEETHOVEN Septet in E-flat for clarinet, horn, bassoon, violin, viola, cello, and double bass, Opus 20 Adagio—Allegro con brio Adagio cantabile Tempo di menuetto Tema con variazioni: Andante Scherzo: Allegro molto e vivace Andante con moto alia marcia—Presto Baldwin piano Nonesuch, DG, Philips, RCA, and New World records NOTES ON THE PROGRAM AARON COPLAND (November 14, 1900-December 2, 1990) To many listeners, Aaron Copland was the epitome and fountainhead of American music. While Copland was studying with Nadia Boulanger in France, Boulanger introduced him in the spring of 1923 to her friend Serge Koussevitzky, who was soon to become the new conductor of the Boston Symphony Orchestra. Koussevitzky and Copland hit it off at once. -
A Pictoral History of the Boston Music Hall and the Great Organ
A PICTORIAL HISTORY OF THE BOSTON MUSIC HALL AND THE GREAT ORGAN by Ed Sampson, President, Methuen Memorial Music Hall, Inc. 2018 Few instruments in the history of pipe organs in America have had as long, or as distinguished, a career as the Boston Music Hall Organ. The first concert organ in the country, it remains today one of the outstanding organs in America. The need for a large and centrally-located concert hall for Boston was discussed at the annual meeting of the Harvard Musical Association, founded in 1837 (Henry White Pickering (1811-1898), President) on January 31, 1851. A "Music Hall Committee", comprised of members Robert East Apthorp (1812-1882), George Derby (1819-1874), John Sullivan Dwight (1813-1893), Charles Callahan Perkins (1822-1886), and Dr. Jabez Baxter Upham (1820- 1902), was appointed to address the matter. The Boston Music Hall was built in 1852 by the Boston Music-Hall Association, founded in 1851 (Jabez Baxter Upham, President) and by the Harvard Musical Association, that contributed $100,000 towards its construction. It stood in the center of a block that sloped downward from Tremont Street to Washington Street; and was between Winter Street on the south and Bromfield Street on the north. Almost entirely surrounded by other buildings, only glimpses of the hall's massive granite block foundation and plain brick walls could be seen. There were two entrances to the Music Hall: the Bumstead Place entrance, (named after Thomas Bumstead (1740-1828) a Boston coachmaker), off Tremont Street (later Hamilton Place) opposite the Park Street Church; 1 and the Central Place or Winter Place (later Music Hall Place) entrance off Winter Street.