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Lesson Plan Compiled by the National Portrait Gallery, Smithsonian Institution
“Portraiture Now: Staging the Self” Lesson Plan Compiled by the National Portrait Gallery, Smithsonian Institution Target Grade Level: 9–12 in English language arts, Spanish, and visual arts Objectives After completing this lesson, students will be able to: • Identify and analyze key components of a portrait and relate visual elements to relevant cultural context and significance • Analyze how multiple portraits address similar themes or topics in order to build knowledge or to compare the approaches the artists take • Create a series of critical thinking questions appropriate to a specific purpose and audience Portraits Use the following portraits from the online exhibition “Portraiture Now: Staging the Self” at http://www.npg.si.edu/exhibit/staging/index.html: • David Antonio Cruz, iwishrainydayscamewithasliceofmango, http://www.npg.si.edu/exhibit/staging/cruz.html • Carlee Fernandez, The Strand That Holds Us Together, http://www.npg.si.edu/exhibit/staging/fernandez.html • María Martínez-Cañas, Duplicity as Identity: 50%, http://www.npg.si.edu/exhibit/staging/martinez_canas.html • Rachelle Mozman, El Espejo (The Mirror), http://www.npg.si.edu/exhibit/staging/mozman.html • Karen Miranda Rivadeneira, My mom braiding my hair like her mother did to her, ca. 1990, http://www.npg.si.edu/exhibit/staging/rivadeneira.html • Michael Vasquez, The Neighborhood Tour, http://www.npg.si.edu/exhibit/staging/vasquez.html Materials • “Reading” Portraiture Guide for Educators, found at http://www.npg.si.edu/docs/reading.pdf Background Information About the Exhibition “Staging the Self” is the ninth installation of “Portraiture Now,” a series of exhibitions at the Smithsonian’s National Portrait Gallery that showcase some of the twenty-first-century’s most creative portrait artists. -
YOUR DECOLONIZING TOOLKIT an Evening of Performance Art Featuring
YOUR DECOLONIZING TOOLKIT An Evening of Performance Art Featuring DOMINIQUE DUROSEAU “A Rap on Race with Rice” 7p KANENE HOLDER, MICHAEL WIGGINS “Say What So What Now What” 8p SHANI HA and AMELIE GAULIER-BRODY “Embody” 8.30p DAVID ANTONIO CRUZ “The Piano Piece” 9p MARIA HUPFIELD, ESTHER NEFF, and IV CASTELLANOS “Feet on the Ground” 9.30p Curated by AYANA EVANS and ANNA MIKAELA EKSTRAND Friday, October 21, 7-10p 56 Henry St. #SE, New York, NY 10002 www.maw.guru [email protected] Embody, Shani Ha. Photo courtesy of artist. Decolonization is defined as the act of freeing a country/people from being dependent on and oppressed by a more aggressive culture. For this evening of performance art nine artists will take on race, sexuality, and body politics to fuel “Your Decolonizing Toolkit.” You are invited to talk about race with Dominique Duroseau in her piece "A Rap on Race with Rice;" this literal work starkly contrasts Shani Ha’s textile sculptures that are an abstract investigation of social boundaries. To break conventions of silencing Kanene Holder will perform her word association piece based on current affairs and David Antonio Cruz will perform “The Piano Piece,” a celebrated piece that deals with his queer-Latino identity, on the street. The evening will culminate in actions of deconstructing as exhibited in the performance collaboration between Maria Hupfield, Esther Neff and IV Castellanos In light of America’s current political situation where complex issues of discrimination based on race and sexuality are being investigated, decolonization of the mind is more important than ever. -
The Book House
PETER BLUM GALLERY DAVID REED Born in San Diego, California Lives and works in New York, NY EDUCATION 1968 Reed College, Portland, Oregon 1967 New York Studio School, New York 1966 Skowhegan School of Painting and Sculpture, Skowhegan, Maine SELECTED SOLO EXHIBITIONS 2019 (upcoming) David Reed: Drawings, Kunstmuseum Winterthur, Winterthur, Switzerland 2018 David Reed: I’m trying to get closer but …, Häusler Contemporary, Zurich, Switzerland David Reed: Recent Paintings, Galerie Anke Schmidt, Köln, Germany 2017 PAINTING PAINTINGS (DAVID REED) 1975, 356 Mission, Los Angeles, CA; Gagosian Madison Avenue, New York, NY 2016 PAINTING PAINTINGS (DAVID REED) 1975, The Rose Art Museum, Waltham, Massachusetts David Reed: Vice and Reflection – An Old Painting, New Paintings and Animations, Pérez Art Museum, Miami, Florida curated by Tobias Ostrander New Paintings, Peter Blum Gallery, New York, NY Stained glass windows at Basilica Rankweil, Permanent Installation, Rankweil, Austria 2015 The Mirror and The Pool, Kunstmuseum Krefeld, Museum Haus Lange, Krefeld, Germany Two by Two: Mary Heilmann & David Reed, Museum für Gegenwart, Hamburger Bahnhof, Berlin, Germany 2013 David Reed – Recent Paintings, Galerie Schmidt Maczollek, Cologne, Germany David Reed – Recent Paintings, Häusler Contemporary Zürich, Zürich, Switzerland Paintings 1997-2013, Häusler Contemporary, Lustenau, Switzerland 2012 David Reed – Heart of Glass, Paintings and Drawings 1967-2012, Kunstmuseum Bonn, Bonn, Germany 2011 Galerie Marta Cervera, Madrid, Spain William Eggleston and David Reed, Peder Lund, Oslo, Norway 2010 Works on Paper, Peter Blum Gallery, New York, NY Galerie Schmidt Maczollek, Cologne, Germany 2009 Recent Paintings, Häusler Contemporary, Munich, Germany 2008 David Reed: Lives of Paintings, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon Galerie Thomas Flor, Dusseldorf, Germany 2007 Max Protetch Gallery, New York, NY 2006 Galerie Schmidt Maczollek, Cologne, Germany 2005 Leave Yourself Behind. -
Exhibition Amillionlittlepieces by David Antonio Cruz Opens in Kresge Gallery
RAMAPO COLLEGE OF NEW JERSEY Office of Marketing and Communications Press Release January 19, 2018 Contact: Angela Daidone E-mail: [email protected] Phone: 201-684-7477 Exhibition amillionlittlepieces by David Antonio Cruz Opens in Kresge Gallery MAHWAH, N.J. -- On Wednesday, January 31, in the Kresge Gallery of the Berrie Center for Performing and Visual Arts, the exhibition amillionlittlepieces by David Antonio Cruz opens to the public. There will be an opening reception from 5 to 7 p.m. with an artist’s talk at 6 p.m. The exhibition continues through March 2. David Antonio Cruz is an interdisciplinary New York-based artist who is receiving increasing critical acclaim for his painting, video, and performance work. The exhibition at Ramapo features striking psychological figure paintings, as well as other media including performance-related objects. Cruz offers the following statement about his work: “I explore the nuances of genderqueerness, race, and public and private spaces, and the invisibility of the brown/black body through the use of portraiture and opera-like performances. I draw from queer discourse and texts, and the politicization of the brown/black male body. I’m interested in interjecting the portraiture canon with brown and black bodies to further complicate heteronormative perception of male identity, the male to male gaze, and the intersectionality of gender fluid and queer bodies that are not often discussed or represented in history, and marginalized in our society.” David Antonio Cruz was born in Philadelphia, and received a BFA in Painting at Pratt Institute and an MFA from Yale University. -
Corporate Finance, Learning & Development, Product Development
UG Grad Grad Name Email Major Year work Location Bio Corporate Finance, Learning & Development, Product Development stevenwcran English Mr. Crane spent two years teaching high school English and now works in corporate finance. He has never taken any [email protected] from accounting or finance classes but has instead relied on the broad value of a liberal arts education to learn things on the job. Steve Crane m English 2003 DePaul He received his degree in English from UIUC in 2003 and completed an MA in English from DePaul University in 2009. Scott Farley is currently the Director of Learning & Development (L&D) for Joy Global, a manufacturing corporation that supplies heavy equipment to the mining industry. In this role, Scott is responsible for employee training, including course design and development, course logistics, and facilitation. Additionally, Scott is focused on driving talent development through succession planning, programs for “high-potentials,” and strategic workforce planning. Scott graduated with honors from UIUC in 1992, with a B.A. in English. After graduating, he took a temporary call center job with Motorola Inc. that turned into a fourteen-year stint with the telecommunications giant. Mid-way through that time, while working as a project manager on a major system implementation, Scott was asked to deliver training for sales and customer service personnel. From that point, he took a new career direction, focusing on training and employee development. While at Motorola, Scott completed an MBA at Lake Forest Graduate School of Management. Knowledge gained through that program was essential when working with business partners to understand how best to impact their business goals and results. -
Child Porn Players Are in Our Communities. Why Aren't We Doing Something About It? Carol Capó 7:58 P.M
Hello Visitor LOGIN OR REGISTER OBITUARIES JOBS CARS REAL ESTATE APARTMENTS CLASSIFIEDS PLACE AN AD 42° F HOME NEWS SPORTS MONEY SHOPPING LIFE & FAMILY MILITARY HEALTH ENTERTAINMENT Search Go! CRIME BREAKING NEWS TRAFFIC HAMPTON NEWPORT NEWS WILLIAMSBURG GLOUCESTER YORK ISLE OF WIGHT NATION/WORLD HOTYEAR TOPICSIN REVIEWChristmas Movies Tonight, Wed. & Thurs. Closings Dec. 24-25 Holiday Events Dec. 18-24 Shopping Christmas Home > News > Opinion Child porn players are in our communities. Why aren't we doing something about it? Carol Capó 7:58 p.m. EDT, October 12, 2009 Carol Capó E-mail Print Share Text Size Purell doesn't make enough hand sanitizer to make you feel clean after you learn about some of your neighbors. There's not enough Pepto-Bismol to settle your stomach after you think about what they're up to. In a nutshell, here it is: Hundreds of people in our area are collecting Bio | E-mail | Recent columns and trading hard-core child porn. Topics I got some numbers from the staff of Steve Shannon, who's running Poquoson (Poquoson, Virginia) for attorney general. When he met with the Editorial Board last week, Wyoming he talked about his experience prosecuting child abuse cases and Gloucester (Gloucester, Virginia) his commitment to going after people who use the Internet to prey on children. He told me about software that pinpoints the locations of See more topics » computers that trade child porn over the Web — and can even show them on maps. Let's start with the number of computers on which investigators Ads by Google found sadistic child porn: Free Sex Offender Report Where do Sex Offenders live in Your • Newport News: 887 Neighborhood? Find out in 60 secs! • Hampton: 674 NeighborhoodScan.com •Williamsburg: 229 Sex Offenders near You Find Sex Offenders living near you! Free •Yorktown: 226 Pics, Alerts & 24/7 monitoring FreeSexOffenderReports.com • Gloucester: 43 Sex Offender Registry • Poquoson: 31 Check to see if anyone is a sex offender. -
DAVID ANTONIO CRUZ B. 1974, Lives and Works in Brooklyn, New York and Boston, Massachusetts
DAVID ANTONIO CRUZ b. 1974, lives and Works in Brooklyn, New York and Boston, Massachusetts Education MFA in Painting and Printmaking, Yale University School oF Art, New Haven, CT BFA, Pratt Institute, Brooklyn, NY Solo Exhibitions 2019 One Day I’ll Turn the Corner and I’ll Be Ready For It, moniquemeloche, Chicago, IL 2018 Wegivesomuchandyetgivenothing, paintings For Richard, ResidencyArts, Los Angeles, CA Amillionlittlepieces, RamaPo College Gallery, Mahwah, NJ 2017 ButterFliesandviolteunicorns, Delaware County Collage Gallery, Media, PA 2016 For I Am-Or I was, thereturnofthedirtyboys, Gateway Project SPaces, Newark, NJ 2015 Alwaysagoodtime, Momenta Arts, Brooklyn, NY 2013 TAKEABITE,elduendealwaystravels...light, Taller Puertorriqueño. PhiladelPhia, PA Selected Group Exhibitions 2022 In the Presence of Life Lived, ICA Boston, Boston, MA (forthcoming) 2019 Nobody Promised You Tomorrow, Brooklyn Museum, Brooklyn, NY Perilous Bodies, Ford Foundation, New York, NY Transamerica/n | Painting, McNay Museum, San Antonio, TX The Outwin 2019: American Portraiture Today, Smithsonian National Portrait Gallery, Washington,D.C. 2018 Mirror, Mirror, Rutgers University, Paul Robeson Gallery, Newark, NJ Oh, What a world! What a World!, Visual Arts Center oF New Jersey, Summit, NJ 2017 CraFted Stranger, Center for Craft, Creativity, and Design. Asheville, NC 2016 Figure Form: New Acquisitions, El Museo Del Barrio, New York, NY Look Up Here: I’m In Heaven, BRIC, Brooklyn, NY 2015 Portraiture Now, National HisPanic Cultural Center in Albuquerque, Albuquerque, NM 2014 Portraiture Now, National Portrait Gallery, Smithsonian, Washington DC 2012 Friends With BeneFits, Lehmann Maupin Gallery, New York, NY La Placita. IsliP Museum, Long Island, NY Selected Performances 2018 The Least Orthodox Goddess IV, Jenkin Johnson Gallery, Brooklyn, NY 2017 Meca: Green,howIwantyougreen, The Conservatory oF Music oF Puerto Rico, San Juan, Puerto Rico 2016 St Croix Take Five: Green,howIwantyougreen, Caribbean Museum Center for the Arts. -
Ulteriors Curated by Dennis Kardon
Ulteriors Curated by Dennis Kardon When I look at art, I follow my gaze. What is the Dog and Flag is more absurdly erotic. Nathalie is first thing I see? Where do I go from there and wearing a navy pea coat sitting on a personified, why? Noticing the play of my own attention has pale flesh-colored wiener squirting ketchup and become my principle preoccupation when painting mustard on its head in front of an American flag. and looking at art. Artists deliberately orchestrate But note the bruise marring one of Nathalie’s attention through particular decisions they make, alabaster naked legs. Chin resting on fist, wearing a and these decisions reflect motivations interior to crystal necklace, red hair flowing like the flag what is simply depicted. Ulteriors, while similar to stripes, coat buttons echoing flag stars, Nathalie interiors, is an attempt to explore the way this play (years later, now Nathan) dangles their left hand of attention constructs meaning. All the works in provocatively between their parted legs. It isn’t Ulteriors are on a spectrum from total abstraction simply that Ethridge blurs the lines between art, to photographic representation. Their connection fashion, and editorial photography but that he with the interiority of viewers’ minds is through the questions what constitutes the boundaries between ways they bodily engage their attention. those categories in the first place. Ambiguities arise in this process, whose motivations, while not exactly hidden, are not The formal structures that call attention to the always readily apparent either. While I have met, abstract nature of representational images also known and even written about most of the artists unite the long wall. -
Strange Waters Dennis Kardon
Strange Waters Dennis Kardon MASSIMODECARLO is pleased to present Strange a viewer’s attention reassembles the signifiers that Waters, Dennis Kardon’s debut solo exhibition the painter has woven together. The artist works with the gallery and the New York based artist’s on the painting by following the play of his own first in London. attention; Kardon’s work is an exploration of the way orchestrating a viewer’s attention results in Dennis Kardon (b. 1950, Des Moines, Iowa) the construction of a kind of meaning that challenges painting’s potential by creating connects body with mind. Ambiguity informs all representational scenes that materialize from loose the artist’s production. Kardon thinks of the abstract brushstrokes. The artist treats the surface spectrum of ambiguities that he creates as a of his canvases as a field to which he assigns doorway for viewers to interact with the various properties like reflection and distortion, consciousness of the artist by using those creating scenes in which a feeling of unexpected uncertainties to try to assemble their own intimacy pervade. narratives. Strange Waters comprises a selection of artworks Kardon has always been interested in the way the made during the last four years which are instilled interaction of colors produces light and his ability with the artist’s nuanced response to current to subtly manipulate the tonality of colors that can events and personal memories. The artist wanted finely tune it. Light creates the mood in a painting the title of the exhibition to reflect surviving the and the disturbing period of the last four years was upheaval of the past four years and Kardon was the catalyst for a study in creating very low light attracted to a quote by Frank Herbert, the author by juxtaposing colors that were very dark but of the 1965 science-fiction novel Dune, who specific in hue and value. -
African American Newsline Distribution Points
African American Newsline Distribution Points Deliver your targeted news efficiently and effectively through NewMediaWire’s African−American Newsline. Reach 700 leading trades and journalists dealing with political, finance, education, community, lifestyle and legal issues impacting African Americans as well as The Associated Press and Online databases and websites that feature or cover African−American news and issues. Please note, NewMediaWire includes free distribution to trade publications and newsletters. Because these are unique to each industry, they are not included in the list below. To get your complete NewMediaWire distribution, please contact your NewMediaWire account representative at 310.492.4001. A.C.C. News Weekly Newspaper African American AIDS Policy &Training Newsletter African American News &Issues Newspaper African American Observer Newspaper African American Times Weekly Newspaper AIM Community News Weekly Newspaper Albany−Southwest Georgian Newspaper Alexandria News Weekly Weekly Newspaper Amen Outreach Newsletter Newsletter Annapolis Times Newspaper Arizona Informant Weekly Newspaper Around Montgomery County Newspaper Atlanta Daily World Weekly Newspaper Atlanta Journal Constitution Newspaper Atlanta News Leader Newspaper Atlanta Voice Weekly Newspaper AUC Digest Newspaper Austin Villager Newspaper Austin Weekly News Newspaper Bakersfield News Observer Weekly Newspaper Baton Rouge Weekly Press Weekly Newspaper Bay State Banner Newspaper Belgrave News Newspaper Berkeley Tri−City Post Newspaper Berkley Tri−City Post -
1 Sol Lewitt One-Art#DF1DB4
SOL LEWITT SELECTED ONE-ARTIST EXHIBITIONS Born, Hartford, Connecticut, 1928 B.F.A., Syracuse University, 1949 Died, New York, New York, 2007 1965 John Daniels Gallery, New York, May 4–29, 1965. 1966 Dwan Gallery, New York, April 1–29, 1966. 1967 Dwan Gallery, Los Angeles, May 10–20, 1967. 1968 Galerie Konrad Fischer, Düsseldorf, January 6–February 3, 1968. Dwan Gallery, New York, February 3–28, 1968. Galerie Bischofberger, Zürich, February 8–March 14, 1968. Galerie Heiner Friederich, Munich, February 13–March 8, 1968. 1968–1969 Ace Gallery, Los Angeles, December 2, 1968–January 11, 1969. (Catalogue) 1969 Galerie Konrad Fischer, Düsseldorf, April 22–May 16, 1969. Galleria L'Attico, Rome, May 2–20, 1969. Galerie Ernst, Hannover, Germany Wall Drawings, Dwan Gallery, New York, October 4–30, 1969. Sol LeWitt: Sculptures and Wall Drawings, Museum Haus Lange, Krefeld, Germany, October26–November 30, 1969. (Catalogue) Galerie Bischofberger, Zürich 1970 Art & Project, Amsterdam, opened January 2, 1970. Wisconsin State University, River Falls, April 14–May 8, 1970. Galerie Yvon Lambert, Paris, June 4–27, 1970. Wall Drawings, Galleria Sperone, Turin, June 12–28, 1970. Dwan Gallery, New York Lisson Gallery, London, June 15–July 24, 1970. Gemeentemuseum, The Hague, July 25–August 30, 1970. (Catalogue) Galerie Heiner Friederich, Munich, September 1970. 1970–1971 Pasadena Art Museum, California, November 17, 1970–January 3, 1971. (Catalogue) 1971 Art & Project, Amsterdam, opened January 4, 1971. Wall Drawings, Protetch-Rivkin Gallery, Washington, D.C., opened April 17, 1971. Prints and Drawings, Dwan Gallery, New York, May 1–26, 1971. Lisson Gallery, London, June 1971. -
SARAH CHARLESWORTH Biography
P A U L A C O O P E R G A L L E R Y SARAH CHARLESWORTH Biography Born: East Orange, New Jersey 1947 Died: Falls Village, Connecticut 2013 EDUCATION 1969 Bachelor of Arts, Barnard College, New York, NY ONE-PERSON EXHIBITIONS 2020 “Sarah Charlesworth: Image Language,” Printed Matter, New York, NY (2/27–4/17/20) 2019 “Sarah Charlesworth: The Small Versions, 2000-2012,” Krakow Witkin Gallery, Boston, MA (3/30—5/4/19) “Sarah Charlesworth,” Paula Cooper Gallery, New York, NY (2/23—3/23/19) 2018 “Sarah Charlesworth: Available Light,” Campoli Presti, London, England (5/11— 6/23/18) 2017 “Sarah Charlesworth: Doubleworld,” LACMA, Los Angeles, CA (8/20/17—2/4/18) “Natural Magic,” Maccarone, New York, NY (2/18—5/6/17) 2015 “Sarah Charlesworth: Doubleworld,” curated by Massimiliano Gioni and Margot Norton, New Museum, New York, NY (6/24—9/20/15) 2014 “Stills”, curated by Matthew S. Witkovsky, The Art Institute of Chicago, Chicago, IL (9/18/14—1/4/15) “Objects of Desire: 1983 – 1988,” Maccarone Gallery, New York, NY (4/25—6/14/14) 2013 “Available Light,” Baldwin Gallery, Aspen, CO (6/21–7/21/13) 2012 “Available Light,” Susan Inglett Gallery, New York, NY (3/8—4/14/12) 2010 “Work in Progress,” Baldwin Gallery, Aspen, CO (7/30–9/6/10) 2009 “Selected Work 1978-2009,” Galerie Tanit, Munich, Germany (9/11–10/31/09) “Work in Progress,” Susan Inglett Gallery, New York, NY (5/7–6/13/09) 2007 “Concrete Color,” Baldwin Gallery, Aspen, CO (11/23–12/20/07) 2006 “Concrete Color,” Margo Leavin Gallery, Los Angeles, CA (10/28–11/25/06) 2005 “A Simple Text,” Baldwin Gallery, Aspen, CO (11/25–12/22/05) 2003 “0 + 1,” Baldwin Gallery, Aspen, CO (2/11–3/10/03) 2002 “Neverland,” Gorney Bravin + Lee, New York, NY (11/22–12/21/02) 2000 “0 + 1,” Margo Leavin Gallery, Los Angeles, CA (1/15–2/12) “0 + 1,” Gorney Bravin + Lee, New York, NY (1/8—2/5/00) 524 WEST 26TH STREET, NEW YORK, NEW YORK 10001 TELEPHONE 212.255.1105 FACSIMILE 212.255.5156 P A U L A C O O P E R G A L L E R Y 1998 “Doubleworld,” Fay Gold Gallery, Atlanta, GA Camera Obscura, S.