Music icons Look no wires! Crosby, Stills, Nash & Young Ditch the cables with these unveil exclusive new tracks stylish Bluetooth speakers

PASSION FOR SOUND Issue No. 389 October 2014 Power pack McIntosh’s MXA70: the compact systemsystem withwith thethe mightym big sound

MONITOR 33PRODUCTS ON TEST: AUDIO AIRSTREAM Grado, JBL, three prizes to be won Micromega, Ruark, Sony & Teac PRINTED IN THE UK US$10.99 OCTOBER 2014 £4.50

GROUP TEST Groove riders Spendor D1 Six phono cartridges designed EXCLUSIVE:EXE CLUSIVE: thetheminimonito mini monitorr to upgrade your vinyl listening that’sht t’’ breakingb k kii alll lll thet thh rulesl Powerful Dynamic Natural

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More powerful, less additives, more inputs, more possibilities... But still that addictive HEGEL sound.

HiFi+ (UK 2014): ³,W¶VDZHOOEXLOWGHFHSWLYHO\SRZHUIXODPSOL¿HUZLWKDQH[FHOOHQWGLJLWDODXGLRVWDJHµ,W¿JKWVZHOODERYHLW¶V ZHLJKW¶LVDFOLFKpRIWKHKLJKHVWRUGHUEXWLWUHDOO\DSSOLHVKHUH([FHOOHQW - Alan Sircom - Editor

The Absolute Sound (USA 2014): “I hope more people will participate in the deeper enjoyment of music in their homes because products like the +PDNHLWPRUHDFFHVVLEOH7KH+LVWKHUHDOGHDODQGDVZHHWGHDOWRR´.LUN0LGVWNRJ5HYLHZHU

HiFi & Musik (Sweden 2013): “It will take a while for me to recover after this. This may be the best value for the money I have reviewed in my FDUUHHU´-RQDV%U\QJHOVVRQ(GLWRU

Lyd & Bilde (Norway 2013): ³+RPHUXQ NORNNHUHQLQQWHUWLHU 7RVD\WKDW+(*(/GLGLWULJKWZLWKWKH+LVDQXQGHUVWDWHPHQW $03/,),(52)7+(<($5´/DVVH6YHQGVHQ(GLWRU

Derby: Musicraft

Edinburgh: Loud & Clear

Kent:  ,JORR$XGLR

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PASSION FOR SOUND Welcome www.hifichoice.co.uk Issue No. 389 October 2014

Access to downloadable high- resolution music doesn’t appear to be working terribly well for the majority of UK music fans, with delays and restrictions galore to UK 105 territory sites. At the beginning Grado of the year the hi-fi and music SR125e industries anticipated that the future of hi-res material was indeed looking bright, as US high-resolution music store HDTracks announced that it was set to launch a UK site by April this year. The first quarter of 2014 came and went with little or 50 no further publicity following the announcement, and the Teac AI-301DA eagerly anticipated launch that looked set to promise UK- based music fans unrestricted access to a catalogue of some 10,000 24-bit tracks appeared to be on the back burner. In June I contacted HDTracks’ press department about the planned launch date of the UK site, but heard nothing back. Despite the lengthy delays a UK HDTracks site has arrived at last, but without any kind of fanfare or publicity. The UK version has snuck under the radar possibly because of the seriously pared-down catalogue of genuine high-resolution material available compared with its US parent site. While we are happy to see a HDTracks site in the UK, it seems that there are some territory restriction issues still yet to be resolved. Of course, high-resolution music can be enjoyed by anyone that owns a turntable, and this month’s six-way 100 Group Test – starting on page 24 – reveals the best Tom Petty & The Heartbreakers cartridges to upgrade your vinyl listening.

BADGES EXPLAINED Lee Dunkley Editor OUR AWARDS Follow us:

EDITOR’S RECOMMENDED: GROUP TEST twitter.com@HiFiChoiceMag facebook.com/hifichoice.co.uk CHOICE: Products that WINNER: Awarded to those we feel meet a Comparative products that are high standard of tests can only judged to deliver performance have one winner, outstanding and this badge ENTERPRISE HOUSE, ENTERPRISE WAY, performance says it all! EDENBRIDGE, KENT TN8 6HF

OCTOBER 2014 3 Contentshifichoice.co.uk Issue No. 389 October 2014 WIN NEWS & OPINION GROUP TEST Monitor Audio 6 Audiofile Airstream The latest news on the hottest products systems from the world of hi-fi coming your way p102 14 Webwatch Essential websites to direct your browser towards for all your hi-fi requirements 69 Letters Put your points of view and queries on audio matters to our team of experts 77 Opinion The Hi-Fi Choice team say it as they see it as they discuss the issues of the day 99 Music Reviews The month’s essential new CD, vinyl and hi-res releases given a work out 130 Back Chat A look back in time, news snippets and an industry insider picks their top albums READER SERVICES 120 Reader Classifieds Sell your unwanted hi-fi for FREE here 124 Next Issue The sonic treats to look out for next month

94 It’s time to get into the groove 24 with six of the best cartridges FEATURES priced between £265 and £510 64 Peter Comeau The IAG supremo talks about life in China 6 and exciting speakers coming our way 90 Dealer Systems We’re off to Eton in pursuit of the perfect sound with dealer Studio AV 94 Labelled With Love And now for something completely different... Charisma home to the Pythons 116 Guide To... Hi-fi furniture, racks and stands that 99 look just as good as they sound Music reviews: Crosby, Stills, Nash & Young Audiofile: VPI Nomad all-in-one turntable

4 OCTOBER 2014 CONTENTS OCTOBER 2014 “It’s all too easy to overlook the importance of a good support 86 and take for granted the benefits” Ruark MR1 Bluetooth speakers Guide to... Hi-fi furniture p116

TESTED THIS MONTH

REVIEWS MINI TEST Kit testing Bluetooth speakers 16 McIntosh £259-£399 MXA70 integrated audio system 86 Ruark 42 ATC MR1 42 SCM40 floorstanding 86 Sony SRS-X7 ATC SCM40 floorstanding loudspeaker loudspeaker (Exotica) 87 Tangent 46 Spendor Classic BT D1 standmount loudspeaker 87 Harmon Kardon 50 Teac Nova AI-301DA amplifier/DAC with Bluetooth 52 Micromega CHOICE EXTRAS MyAmp amp/DAC 105 Grado 57 JBL SR125e headphones Authentics L16 one-box system 106 Hifi Hanger 58 Audiovector Single input passive preamplifier Ki 1 Super Discreet active standmount 109 Shure 46 loudspeaker SE112 earphone Spendor D1 standmount loudspeaker 88 Audio Innovations 109 SLiC Innovations Second Audio power amplifier (retro) Eclipse C interconnect GROUP TEST 110 Orange Cartridges £265-£510 Amplification DIVO VT1000 valve tester 27 Benz Micro MC Silver 113 Northwest 29 Goldring 2500 Analogue 31 Grado Reference Platinum 1 Cartridge rebuild service 33 Nagaoka MP-300 114 ISOkinetik 35 Ortofon Quintet Blue Melody Two interconnect cables 52 37 Sumiko Blue Point 114 Russ Andrews Micromega MyAmp integrated amplifier Special EVO III Kimber PowerKord-8 power lead

Never miss an issue – turn to p62 for our latest subs offer

OCTOBER 2014 5 THE LATEST INDUSTRY NEWS…

Plug ‘n’ play The VPI Nomad all-in-one turntable package that’s geared for modern vinyl users

PRICE: £795 AVAILABLE: SEPTEMBER CONTACT: 0131 5553922 WEB: RENAISSANCEAUDIO.CO.UK

EVERYONE WILL RECALL the The company was founded in 1978, headphone amplifi cation and phono very fi rst record turntable they owned and has an established reputation for stage built in – simply plug in a – the one that got you hooked, bringing the merits of vinyl to new favourite pair of headphones or starting down the hi-fi road as you set audiences, and its latest models have connect up the RCA output to a spare about listening and discovering the set out to do just that. Few turntables line level input on your amplifi er and joys of vinyl for the very fi rst time. No have looked set to offer such a great speaker system and hey presto! It’s matter what turntable model kick start to the joys of vinyl listening as undeniably a uni-friendly deck, but started your vinyl habit, we are pretty VPI’s new Nomad deck – scheduled with a build and specifi cation that is certain that your deck didn’t look for UK launch on 1st September. also likely to appeal to anyone anything like as good or as complete The Nomad is VPI’s most affordable looking to simplify their home a solution as the new Nomad model to date, and it is fi rmly aimed setup without major compromises. turntable package from American at the modern music fan looking for a The full-size MDF plinth measures hi-fi brand VPI Industries. fl exible turntable package with 470 x 109 x 343 (WxHxD) and the

6 OCTOBER 2014 COMMENT CAN MUSIC LEARN FROM TV? It’s pretty much universally accepted that we’re living in a golden age of TV. Over the last 10 to 15 years we’ve been treated to a host of glorious dramas – you know the ones: The Sopranos, The Wire, Breaking Bad, House Of Cards, Game Of Thrones – that have pretty much reversed the fortunes of what was a flailing TV industry. Where once it was considered low rent to appear on TV, it is now widely regarded as good as, if not superior to, the stuff that’s being churned out of Hollywood. And so we have film stars and directors going out of their way to work on material made for the small screen as it off ers so much more creatively than the big screen. So what’s all this got to do with music? The interesting thing about the TV industry is that it has managed to take a medium that was free and turn it into something we’re willing to pay for. Compare this to the music industry and somehow the exact opposite appears to be the case. Despite a number of similar channels to subscribe, stream or download content, people by and large expect to get their music for free. How is it that the TV industry has managed to completely reverse its fortunes while the music one appears to be trapped in a business model that looks doomed to fail? And, perhaps more importantly, is there anything the music industry can learn from TV’s success to reverse its fortunes? Here in no particular order are a few suggestions that might help out... Target adults and not kids as they’re the ones willing to splash the cash. Dare to be diff erent. Don’t make the musical equivalent of another cooking show, people like being challenged and forced to think, so let’s have less from the X-Factor Few decks have looked set factory and more genuine creativity. to off er such a great start to Embrace technology in the way TV has done so with HD and 3D and ensure that the joys of vinyl listening as we don’t have to listen to duff compressed versions of the music we love. And perhaps VPI’s new Nomad... most important of all, invest in talent and quality. These TV shows aren’t cheap to make but they are reaping the rewards, couldn’t music work in the same way? belt-driven platter is powered by an speaker system without the need for We’re not going to pretend that we have outboard PSU – there’s a manual any additional boxes – simply grab a all the answers, but surely some diff erent speed change pulley for 33 and pair of interconnects, hook it up to thinking could help shake things up... 45rpm selection speeds. The 10in your existing system and you’re away. gimballed/yoke bearing tonearm is a Headphones are plugged into the stainless steel rod – developed from a 3.5mm mini-jack on the surface at the the maker’s acclaimed Traveler deck front of the plinth next to the rotary – and preinstalled with a Ortofon 2M volume control and power switch. Red cartridge. Edinburgh-based Renaissance Audio The built-in RIAA moving magnet is the distributor bringing the Nomad phono stage is output via RCA package to VPI dealers in the UK. connectors to allow it to be connected Look out for our exclusive fi rst review directly to a hi-fi amplifi er and coming to these pages next month.

OCTOBER 2014 7 AUDIOFILE

dba Envy range Spherical carbon speakers using Formula 1 tech

PRICE: FROM £649 AVAILABLE: NOW CONTACT: 01327 704033 WEB: DEMANDBETTERAUDIO.CO.UK

DEMAND BETTER AUDIO’S new Envy range of loudspeakers “come from the pursuit of sonic perfection, achieved through a commitment to design and technology” and are manufactured from carbon fi bre provided by MCT Ltd – a manufacturer that provides many of the leading Formula 1 racing teams with the material for their cars. A departure from the more traditional ‘boxy’ approach to construction, Envy features a single-piece carbon fi bre sphere enclosure, which is claimed to minimise audio anomalies like diffraction and colouration. The drivers include an 80mm woven carbon super-wide midrange, a 3in voice coil that is specially shaped for optimum response and dispersion for the bass and a tweeter dubbed the RT1C-A by dba. This HiVi Planar-type driver is a proven and capable method of reproducing high-frequency sound, dba claims. Chief acoustician, Daniel Burns, told HFC: “The spherical shape is not a gimmick, but a technique to deliver a pure listening experience”. IN BRIEF Quad Vena goes wireless PRO-JECT’S DUAL PRICE: £600 AVAILABLE: NOW PURPOSE BOX CONTACT: 01480 452561 WEB: QUAD-HIFI.CO.UK

Now in its 78th year, Quad has coaxial input, alongside RCAs and a large volume control and a made its first step into the world of a pair of asynchronous USB ports remote control is bundled to make wireless audio with the launch of (Type A for Apple devices to be operation easier. The Vena sports Vena – its compact integrated docked, charged and played and Quad’s classic Lancaster Grey amplifier, which provides aptX Type B for PC/Mac connection). finish, but three more exotic streaming over Bluetooth. Outputs incorporate optical and options are expected to be Off ering Class AB amplification, coaxial options, with a pre-out for released later in the year, adding Vena sports the same Cirrus Logic adding an external power amp. A an additional £100 to the price. CS4398 DAC chipset that’s utilised “high-quality” headphone source is Quad tells us “Vena’s sound is richly in the company’s flagship also built in and accessed via a musical, delivering an eff ortless, Platinum CD player, off ering up front-mounted socket. wide-bandwidth performance with ● The Stereo Box Phono is the latest to 24-bit/192kHz resolution. And The front is home to a simple row free-breathing dynamics”. Look out product from Pro-Ject Audio Systems with its small footprint (it’s just of source selection buttons next to for a review in a future issue. designed for those looking for 313mm wide), it provides flexibility low-cost vinyl playing system. The as to where it’s placed within your combined integrated amp and phono hi-fi setup. stage has three analogue line inputs Connectivity includes inputs for alongside a Moving Magnet phono digital source components in the stage, and has been specially shape of two optical and one designed to complement the manufacturer’s Box Design S range. The compact solution is fitted with a Class D amplifier section based on Pro-Ject’s popular Stereo Box S, with a 30W (into 4ohms) per channel output via 4mm speaker connectors. Additionally there’s a 3.5mm jack input and a remote control handset. It’s available to buy now for £200. HENLEYDESIGNS.CO.UK

8 OCTOBER 2014 “The Truth, nothing more, nothing less...”

“This level of performance, convenience and style makes for an award winning product.” Jeff Dorgay, Tone Audio Magazine, January 2013

“Oozes quality in both construction and sound” Paul Rigby, Hi Fi World, March 2013

Ingenium offers the same obsessive design philosophy of Analogue Seduction, 6 Manor View, Whittlesey, our more expensive designs, a ground-up construction Peterborough Tel: 01733 350 878 engineered for pure audiophile performance. Fanthorpes, Hepworth Arcade, SilverSt, Hull, East The unique skeletal design offers unparalleled versatility Riding of Yorkshire HU1 1JU Tel: 01482 223096 with a huge choice of single or double arm options. Our prized sapphire bearing and platter system has 2·%ULHQ+LÀ, 60 Durham Road, West Wimbledon, been retained from the DIVA II, as has the option of London Tel: 020 8946 1528 XVLQJ RXU XQLTXH FODPSLQJ V\VWHP ZKLFK HIÀFLHQWO\ channels unwanted vibrations away from both the The Audioworks, 14 Stockport Road, Cheadle, record and platter. Cheshire, SK8 2AA Tel: 0161 428 7887

Call today to arrange your private audition. ZZZDYLGKLÀFRXN AVID HIFI LIMITED, Bicton Industrial Park, Kimbolton, Huntingdon, Cambs, PE28 0LW 7HO  )D[  (PDLOLQIR#DYLGKLÀFRXN AUDIOFILE

Desktop debut Wharefdale launches Bluetooth DS-1

PRICE: £150 AVAILABLE: NOW CONTACT: 01480 447700 WEB: WHARFEDALE.CO.UK

WHARFEDALE SPEAKERS ARE recognised the world over, so it was only a matter of time before the renowned British loudspeaker brand introduced a Bluetooth desktop model to its extensive line. The DS-1 is a bookshelf speaker measuring just 110 x 190 x 150mm (WxHxD), and is the company’s fi rst Bluetooth-equipped wireless model. It is touted as the ideal solution for those looking to add a pair of speakers to enjoy desktop music, and builds in 14W (claimed) of amplifi cation to power the 100mm bass and 20mm treble drive units. With support for high-quality music streaming from compatible aptX devices like smartphones and tablets, as well as instant device recognition and pairing from Near Field Communication (NFC) devices, the DS-1 looks to be a well-equipped model at the price. Additional wired connectivity comes via a 3.5 mini-jack input and level, source and pairing controls are also provided. The DS-1 is available in a choice of piano black or white fi nishes. IN BRIEF Canor’s new digital hub TURNTABLE PRICE: £3,295 AVAILABLE: NOW CONTACT: 0118 9814238 ACCESSORIES WEB: SOUNDFOWNDATIONS.CO.UK

Slovakian valve specialist Canor is PCM 1792 DACs – one per channel The company tells HFC, “the Canor gaining recognition in the UK and – and is capable of handling PCM CD1. 10 has been crafted for has recently unveiled the CD1. 10 and DSD 24-bit/192kHz music files. optimum sound quality combined digital hub. The CD format may not Switchable digital filters are with excellent flexibility and be dead and buried just yet, but incorporated for fine tuning, the usability. The disc tray is discreet, any maker knows that in order to maker tells us, and external digital while the dot-matrix display is eye survive in the slowing market the sources can be connected by catching and easy to read, even now humble CD player needs to do optical, coaxial and USB 2.0 inputs. at a distance”. It’s built to partner ● Hot on the heels of last month’s that bit more to stay in the game. Both XLR and RCA analogue its own amplifiers, with simple Analogue Works’ Turntable One For this reason Canor has outputs are fed by a pure valve and ergonomic control via a (£800) review packaged with Jelco launched the CD1. 10, a high- output stage with audio circuitry multi-function knob on the front SA-250ST tonearm (£300) and resolution CD player and DAC that painstakingly designed and of the unit. It comes supplied with Ortofon 2M Red cartridge (£85), employs two dedicated Burr-Brown developed for best performance. a metal-bodied remote control. distributor Divine Audio has unveiled a range of accessories to accompany its turntables including armboard adjusters and height rings as well as replacement parts tailored to AW decks. Gimp mats in various materials are reduced to £12 and vinyl enthusiasts looking to take care of their collection are catered for with an extensive range of accessories that include alignment tools, bearing oil and a spirit level to help your deck run smoothly. The Northamptonshire-based distributor has a straight-talking, fuss-free ethos and supplies all of its products direct. ANALOGUEWORKS.CO.UK

10 OCTOBER 2014

“I’ve got a feeling we’re not in Kansas anymore...”

A voyage of musical discovery: Nuance. Emotion. Artistry. Over the decades, MartinLogan has produced loudspeakers with the sole purpose of getting you back to the music.

Having mastered electrostatic technology with the CLS, a skill now embodied in the hybrid Summit X and the full-range CLX Art, MartinLogan has re-imagined speaker technology. MartinLogan speakers address systems from purist two-channel to multi-channel home theatre, with a range including BalancedForce™ Dynamo™ subwoofers, surround-sound and centre channel speakers,

It is no exaggeration to say that MartinLogan speakers are as beautiful as speakers can be and bear aesthetics worthy of the sound they reproduce. They enhance your musical pleasure and your living space.

Because, as Dorothy learned, there’s no place like home.

absolute sounds ltd. International Distributors & Consultants of Specialised Hi-End Audio & Video Systems 58 Durham Road, London, SW20 0TW T: +44 (0)20 89 71 39 09 W: www.absolutesounds.com E: [email protected] AUDIOFILE

IN BRIEF

WiDAC WI-FI AUDIO RECEIVER

● Crystal Acoustics has unveiled a new wi-fi audio receiver capable of adding wire-free streaming to any hi-fi setup. The WiDAC utilises both AirPlay and DLNA to stream from smart phones, tablets or PCs via wi-fi. Lenco PlayLink Crystal Acoustics claims that the ‘reach of the WiDAC is large enough Swiss manufacturer launches wireless, multi-room system to make it possible to stream from a bedroom to a living room, for example, while a high-quality PRICE: PLAYLINK 4 £189, PLAYLINK 6 £289 AVAILABLE: NOW WEB: LENCO.COM Wolfson DAC combines with an optical digital output to ensure LENCO HAS BECOME the latest wirelessly with smart devices, NAS drives or optimum sound performance. manufacturer to produce a wireless speaker cloud-based sources, the speakers support WAV, The compact WiDAC is available able to stream music from portable devices for FLAC and ALAC audio fi les of up to 24- now for £60. multi-room audio. The PlayLink 4 and PlayLink bit/192kHz. Up to 10 speakers can be connected CRYSTALACOUSTICS.COM 6 both utilise Class D digital amplifi cation and simultaneously for enjoyment of boast three drivers (‘boomer’ bass refl ex, and a your music in multiple rooms and any pair can pair of mid-range/tweeters), which are offset be set up to operate as a left or right channel. with a 6° angle shift from the speaker axis to Connections include a 3.5mm stereo analogue improve the stereo claim. Compatible with NFC input and a LAN input on the PlayLink 6. The (Near Field Communication) devices, PlayLink PlayLink 4 is 210 x 102 x 129mm, while the uses Bluetooth or wi-fi to communicate larger 6 is 280 x 124 x 172mm. Tangent’s Bluetooth DAB+

PRICE: £150 AVAILABLE: NOW CONTACT: 01923 205600 WEB: TANGENT-AUDIO.COM

Boasting a beautifully designed about. With a 3in full-range speaker This means that the Tangent can wooden cabinet, Danish and claimed 100Hz-20kHz eff ectively be used as a speaker for LP PAST TIMES manufacturer Tangent’s portable frequency response, additional wireless streaming from smart DAB+ radio has been produced for functionality comes thanks to the devices like tablets or phones. ● More likely to appeal to fans of use within the home or out and inclusion of Bluetooth connectivity. Connections include a 3.5mm vintage collectibles than audiophiles, Aux input, stereo headphone and the GPO Attaché is a beautifully built record outputs, alongside a USB retro turntable in a suitcase for music port for charging your smart device on the move. It comes with a pair of on the go. The Tangent has DAB+, built-in speakers, headphone output DAB and FM tuners and five plus analogue line outs for an presets, while an LCD screen amplifier, and there’s a USB slot for displays the signal strength, playing back MP3s or recording vinyl scrolling text, battery status and to a USB stick. It off ers a choice of 33, radio station name. It can be mains 45 and 78rpm speeds and is available powered when at home or takes six in Sky Blue, Pillar Box Red or Vintage rechargeable AA batteries for use Brown leatherette finishes. It comes out and about – with a claimed six bundled with a power cable and USB to eight hours running time. The stick for digitising vinyl and is Tangent is available in a choice of available to buy now for £90. walnut veneer and high gloss GPORETRO.COM white, black and red finishes.

OCTOBER 2014 13 AUDIOFILE

Andrew Simpson casts an expert eye over his Webwatch pick of the best hi-fi websites and online content

FOLLOW US: @HIFICHOICEMAG CHOICE TWEETS HI FI RACKS LTD (@HIFIRACKSLTD) #throwbackthursday does anyone else remember being told putting CDs in the freezer would improve the sound, or was it just me?

BRISTOL SHOW (@SVSBRISTOLSHOW) The UK’s largest hi-fi and home cinema event Rubicon microsite Vinyl mapping Friday 20th – Sunday 22nd February 2015! Following last month’s news of Dali’s new From online music marketplace Discogs comes #Bristol @MarriottBristol Rubicon loudspeaker lineup, the Danish VinylHub, a website using Google Maps to speaker brand has now launched a dedicated pinpoint every record shop on the planet. And AUDIO LOUNGE (@AUDIOLOUNGE) microsite for the range packed with product with over 60k page views and 1,000 shops 10 of the week’s best vinyl releases info, pics, white paper and in-depth video. added in its fi rst 48 hours, it’s off to a roaring t.co/qV6d95VPnP Point your cursor to dali-rubicon.com start. Find stores near you at vinylhub.com PHIL BARTON (@RECORDSHOPMAN) Hey Vinyl people. Don’t forget there is now a Sister Ray in the East @SisterRayAce choc full of marvellous wax curated by Johnny & Milly

LOTUS HIFI (@LOTUS_340R) LOTUS are now retailing the full range of AURENDER music servers. “With streamed music I have been fairly...” http://t.co/Sn3fFfnIWI

MARTIN LOGAN (@MARTINLOGANLTD) Check out the latest @MartinLoganLtd video on @YouTube starring the beautiful Crescendo youtu.be/aa8AHKIWToM

HIFIX (@FRANKHARVEYHIFI) Kinsky gets Kazoo’d How sound works TAKE A VIRTUAL TOUR OF OUR DEMO Linn’s Kinsky music software recently Tuning your room is arguably as ROOMS https://t.co/WWHORfeb1N. got revamped and renamed. Kazoo takes important as the hi-fi kit that you populate it over where Kinsky left off with a host of with and this video from Acoustic Geometry BANG & OLUFSEN (@BANGOLUFSEN) “You can’t trust your ears” – our tonmeister new features including faster searching, is an easy to understand guide to how Geoff Martin on the concept of loudness: classical music browsing and multiple sound refl ections affect acoustics, complete http://bit.ly/1uCOBTc #audio #sound room grouping, while the Kazoo server with Nerf gun practicals youtu.be/ also replaces Songbox bit.ly/1A5HsiR JPYt10zrclQ TRANSCRIPTORS (@TRANSCRIPTORS) Subscribe to our new newsletter. Keep up to date with the latest news, product information

EPOS (@EPOSLTD) Here is a development photo of the forthcoming K3 floor-standing loudspeaker. It’s standing next to the K2 :) bit.ly/1sCyqpc

THE CHORD COMPANY (@CHORDCABLES) If you missed it, Nigel’s latest review is @nickmulveymusic album First Mind – A good read over tea break! bit.ly/1jrpymv

STONEAUDIO.CO.UK (@STONEAUDIO) Privileged to get to Listen to Arcam’s Record cleaning Practical pick-ups impressive sounding New A49, 400W, It may look like an LP being iced, but Audio-Technica’s been perfecting its pick-ups Class G, Stereo Integrated Amp, out soon that’s actually wood glue squirting on to the since the early sixties, so it’s only fair that the pic.twitter.com/CFy46pgGzT surface of a record in this recently resurfaced company shares its knowhow, and the SIMPLE AUDIO.CO.UK (@SIMPLEAUDIO) video. The idea is you coat the vinyl surface in cartridge corner of its website includes one New software update out now for the glue and peel off 24 hours later for a static free of the most comprehensive vinyl glossaries Roomplayer+, read all about it on our blog sound. Easy eh? bit.ly/XbbeoA and guides we’ve seen bit.ly/1ozHX1g bit.ly/1srQvty

14 OCTOBER 2014 - aptX Bluetooth streaming input - Increased output for greater power and clarity ,PSURYHGFLUFXLWU\IRUJUHDWHUHIðFLHQF\ - Even better sound performance

The award-winning Roksan K2 series has now been expanded to include a new integrated DPSOLðHU7KH.%7LPSURYHVRQWKHRULJLQDO.,QWHJUDWHGZLWKEUDQGQHZFLUFXLWU\DQGD higher output than ever before. The inclusion of aptX® technology also adds a whole new VRXUFHLQSXWWRWKHDPSOLðHU1RZ\RXFDQVWUHDP your favourite music from a Bluetooth-enabled device in original 16-bit CD quality.* Available Nationwide Now

Distributed by Henley Designs Ltd. T: +44 (0)1235 511 166 | E: [email protected] | W: www.henleydesigns.co.uk * On compliant devices. MCINTOSH MXA70 IN-DEPTH INTEGRATED AUDIO SYSTEM £5,995 Return of the Mac

Here’s a small system with bags of charisma and retro charm – but you’ll have to pay big money for it, says David Price

16 OCTOBER 2014 IN-DEPTH

DETAILS he small system isn’t a new idea. Indeed, those outside PRODUCT McIntosh MXA70 T the rarefi ed climes of ORIGIN separates hi-fi would USA probably regard it as the norm. After TYPE all, do we really need yards of pressed Integrated steel casework, acres of cables and audio system multiple power plugs? For that reason WEIGHT 23.2kg alone, since the late seventies when DIMENSIONS Aurex sold its fi rst microsystem, many (WxHxD) folks wanting decent quality sound 559 x 276 x 457mm from a system taking up only a small FEATURES space have eschewed traditional hi-fi . ● Claimed power output: 50W per In the case of the new McIntosh, channel into 8ohms there’s an extra dimension – if you ● 4x digital inputs: pardon the pun. You see, it’s a rather optical; coaxial; USB; AES/EBU special brand. Those who are older will ● 2x analogue have known it for a good many inputs; RCA and decades, and know that traditionally XLR the company makes very high quality DISTRIBUTOR Jordan Acoustics Ltd – and seriously large – separates. Its amplifi ers are a particular favourite of TELEPHONE 01202 911886 mine, not just because of the sound but WEBSITE also the retro styling, which has never mcintoshlabs.com really gone out of fashion. In the MXA70, you see the latter in full effect. It looks like a McIntosh amplifi er that’s shrunk in the wash. The two power meters are pure affectation; in practice they’re pretty useless because the ballistics of the needles It has a smoothness and a refinement you wouldn’t expect from a mini system

aren’t fast enough to capture peaks. The reason they’re fi tted, of course, is that they are iconically McIntosh; it would be like a late fi fties Chevrolet without fi ns, were it not thus equipped. So not only is the MXA70 a high quality mini system, it is a McIntosh too, and advertises its status from the moment you power it up and those meters start glowing bright blue back at you. The problem is that it costs £5,995, not an inconsiderable sum. Who would pay such an amount for a product such as this? I suspect the company wants to sell to existing customers – who doubtless have a spare bedroom or four, plus a kitchen and triple garage to fi ll with sound. And there’s also that new demographic, lifestyle consumers who want a lovely thing – that just happens to play music. The MXA70 is a smallish, but not tiny, one-box system that comprises a power amplifi er, DAC, analogue preamplifi er and a good-quality headphone amplifi er that sports a new adaptation of McIntosh’s Autoformer technology to give three headphone impedance ranges. Added to this, there’s a Headphone Crossfeed Director (HXD)

OCTOBER 2014 17 MCINTOSH MXA70 IN-DEPTH INTEGRATED AUDIO SYSTEM £5,995

feature to allow high-quality recordings 100mm treated paper (with a delivery; there’s no artifi cial added to image like conventional speakers, the rubber surround) bass unit, using warmth but it has a smoothness and a company says. Last but not least, there’s a curvilinear cone profi le. A fairly refi nement that you wouldn’t expect a pair of very nice looking compact complex 14-element crossover HOW IT from a mini system. 4hero’s Give In loudspeakers bundled, too. is fi tted, and sensibly includes a COMPARES via the unbalanced analogue input The amplifi er section is an old-school self-resettable fuse. McIntosh says It’s hard to compare the really communicates the urgency and Class AB design using the company’s second-order fi lters are used on McIntosh MXA70, the intensity of the music. ThermalTrak output transistors, said to both midrange/bass and tweeter because there’s nothing The loudspeakers are optimised for have precise bias current control for for improved power handling and on sale quite like it. tabletop or bookshelf use, and benefi t ultra-low crossover distortion. It’s vertical dispersion. Prospective purchasers from being pushed closer to a rear wall might look to something claimed to deliver 50W into 8ohms, The MXA70 is a beautiful thing to like Naim’s SuperUniti than is normal, and slightly toed-in. although the company says it isn’t rated look at, with an excellent fi nish. From with stablemate Focal Thus positioned they made a nice noise, the mirrored lower chassis to the Electra II 1008 Be but you’d never accuse them of having A solid and fl awless satin black of the transformer standmount speakers an overly powerful or extended bass. casings, there’s nothing not to like. (£3,045). It isn’t quite as This is simply because of the physics conscientious The binding posts are good and compact, has a wider involved; they’re small and simply feature set including chunky, and McIntosh supplies two cannot reach down to the bottom product with oodles uPnP streaming, more runs of good spade-ended power and more octaves. Again, given the fact that it’s of high-end charm loudspeaker cable. The blue upgradability. The a small system, this could even be seen fl uorescent front panel display sound is considerably as a plus point, as they’re not likely to for 4ohm operation. The DAC section matches the power meters perfectly, better too, with a more set off room resonances. uses the popular Burr-Brown PCM1795 and the control knobs resemble open and dynamic Feed the unit with a good CD character and lots more DAC chip, and offers coaxial, optical, grown-up McIntosh products, detail. It sounds more transport via its coaxial in, and the AES/EBU and USB inputs; two line although the action on the volume musical, more three sound tightens up further, and fi lls inputs are offered, one via RCA phones control is a bit sharp. dimensional and as out a little spatially. It’s a pretty wide and the other via XLRs. good as any other presentation, and suddenly acquires The supplied loudspeakers are made Sound quality grown-up hi-fi around even more thrust, at the expense of a at this price. That said, in the USA and are very well presented. Starting with the standard analogue it isn’t the wonderfully little warmth. The McIntosh has a lot of A 20mm dome tweeter with input and MXA70 sounds lots of easy ‘plug and play’ get-up-and-go and this is even more dampening cloth surround, said to fun. It has a clean, fast and direct design that the apparent when you dispense with the give high sensitivity and an extended sound, but is decently sophisticated McIntosh is. analogue input. Supertramp’s classic response free of break-up modes, is too; indeed it reminds me of a Breakfast in America album is a little fi tted. At 2kHz this crosses over to a full-size Macintosh amp. It’s forward on CD, but the Macintosh certainly not a soft and fl uffy remains smooth and enjoyable with no CONNECTIONS

1 USB type B input

2 Digital optical input

1 2 3 3 Rear-facing bass ports

4 Analogue RCA audio inputs

5 Analogue XLR audio inputs

6 Digital AES/EBU input

7 Digital coaxial input

7 6 5 4

65 YEARS OF SOUND McIntosh is one of the United States’ most respected originated the company’s trademark chromium chassis, superb tuners, too. Later in the eighties and nineties, it hi-fi brands, and has excellent provenance by any as seen on the MXA70) – and has always made moved into offering superb bespoke car audio systems, standards. Frank McIntosh founded it in 1949, in Silver interesting products. It has never stayed out of the and even an aftermarket one for Harley Davidson Spring, Maryland, and now builds its products at the limelight, from its involvement with the Woodstock motorcycles. In 2005, the Reference System reminded Binghamton, NY factory where the company has been festival in 1968 where it supplied the amplification, to people that its heart was in high-end separates hi-fi, since 1956. It is, and always has been, an amplifier the Grateful Dead’ ‘Wall of Sound’ gig in 1974 where offering a breathtaking sound from an admittedly rather specialist – from the original ‘Unity Coupled Circuit’ 28kW of power was served up, it has had a close large stack system. Recently, it has gone the other way design and the company’s first AE1 preamp in 1950 to involvement with the pro world. It has been responsible with a range of high-quality, compact one-box systems its debut power amplifier in 1954, the MC60 (which for a range of innovative loudspeakers, and some of which the MXA70 is the flagship.

18 OCTOBER 2014 MCINTOSH MXA70 INTEGRATED AUDIO SYSTEM £5,995 IN-DEPTH

Q&A Charlie Randall McIntosh President

DP: Why have you produced a one-box audio system? Isn’t McIntosh a separates brand? CR: Yes, we are a high-end separates brand, but we are not just that. We’ve been offering complete audio systems like the MXA70 for five years now. That’s because we saw the need for a smaller, self-contained systems that still produced high-end sound for people who may not have the space for a larger separates system. Regardless the size of a McIntosh model, the same level of audio engineering, quality control and hand shrillness or glare. It gives a bright, Conclusion The blue front craftsmanship goes into it so that bracing sound, but one that never The McIntosh MXA70 is a lovely panel display resulting sound performance will matches the descends into fatigue-inducing system alright, one that’s very hard always be to McIntosh’s standards. iconic meters hardness. Indeed, it really manages to dislike. Any concerns that the perfectly to capture the poignancy of the song, company has done a cynical ‘cash-in What is special about the headphone stage? tracking the dynamics well and doing job’ to leverage its brand should be Well, it can deliver 1W minimum into really well with the rhythms. abandoned here; the unit is a solid any headphone impedance from 8 and conscientious product with to 600ohms. This is made possible Room to breathe oodles of high-end charm. Still, it is by the unique McIntosh Autoformer, Via USB, Air’s All I Need is sweet and not going to get you replacing your which matches the amplifier to spacious, the unit never proving main system, I suspect. It’s a fi ne the wide range of headphone boring but certainly not overly hard small system, but isn’t wondrous in impedances in three ranges. either. The fulsome bass guitar is any sonic sense. Indeed its problem is The Autoformer also optimises carried well, giving a bouncy and that there are several very good, and the signal to noise ratio for each sumptuous feel, and you can really substantially cheaper one-box systems impedance range. hear the instrument starting and on sale that match or even better it stopping in the mix. The drive it for sonics. That’s why, if you want How would you describe the sound gives to the song keeps things in style and/or the kudos of the brand, of the MXA70? the groove, while the midband you should seriously consider this It is very clean, accurate and full; carries the vocals with sensitivity dinky diamond, but don’t expect it to it has a wide panoramic with depth and sophistication. It images well give the ultimate sound-per-pound, of sound stage imaging. The and pushes things wide stage left and because it doesn’t. Part of what you’re loudspeaker enclosure aids with this. right, although it doesn’t drop things paying for is the cachet of owning a The enclosure is cast aluminium with back quite as far as it should. Overall, real genuine McIntosh product, and a high gloss black finish and includes a bottom device for setting the it functions very capably being driven for many that will suffi ce ● speaker at either a 10° upward angle with a computer as a transport. or straight firing. The enclosure’s rear The main problem here is the port enhances the bass response. speakers; they’re good but they’re not as special as the main unit, by a fair OUR VERDICT way. Which is why the company has SOUND QUALITY LIKE: Lovely styling; made serious provision for headphones, great build; fun sound that and the fact those living in DISLIKE: Lacks scale space-limited places may rely on them. VALUE FOR MONEY and insight; expensive Via Philips Fidelio X1s, it’s a satisfying WE SAY: Charming, BUILD QUALITY characterful one-box sounding product giving one great system, but it will cost insight into the music. What it can’t do you! is give the clarity, power, precision and FEATURES grip of a full-sized system costing a similar amount of money; still the OVERALL McIntosh covers its tracks well and is never less than a pleasing partner to play music on.

OCTOBER 2014 19 Any Source You Can Imagine.

FM

96 98

One Integrated Amplifi er. MaiA

Boasting a massive 9 inputs, My Audiophile Integrated Amplifi er, or MaiA, 2 x 30W power output (4Ω) off ers the most complete amplifi er solution for audio fans on a budget in 2 x RCA Line inputs a stylish, compact chassis. 1 x Stereo Mini-Jack Line input 1 x Moving Magnet Phono input Incorporating a Moving-Magnet (MM) phono stage, a 24-bit/192kHz 1 x Bluetooth aptX® input D/A Converter, XMOS® asynchronous USB streaming technology, aptX® 2 x Digital Optical inputs Bluetooth and additional Line inputs for traditional sources such as radios, 1 x Digital Coaxial input there’s nothing you can’t connect MaiA with. 1 x USB Type B input 1 x Variable Mini-Jack output In addition to boasting a powerful output for its size MaiA can also have 1 x 6.3mm Headphone output a pair of headphones connected, and the compact IR remote makes 4 x 4mm ø Speaker terminals operation eff ortlessly simple. With an existing range of Box Design sources available in a size and price that perfectly complements this stunning amp, MaiA is a must-audition product for anyone interested in aff ordable hi-fi . by Pro-Ject Available in the UK for £399 (UK SRP)

Distributed by Henley Designs Ltd. T: +44 (0)1235 511 166 | E: [email protected] | W: www.henleydesigns.co.uk See www.hiON SALETICKETS NOW!

fi news.co.uk/show THE SHOW for details The ultimate high-end hi-fi experience

eturningeturning forfor a secondsecond yearyear,, ththee hhugelyugely memoramemorableble hhigh-endigh-end audiaudioo exexperiences.perienences. Ea Eachch ooff succesuccessfulssful Hi-FiHi-Fi SShowhow Livee willwill once again oourur major susuitesites wwillill ffeatureeature examplesexamples ooff ththee very provideprovide a thrillingthrilling showcase fforor ththee world'world'ss bbestest that thethe high-endhigh-end can oofferffer with scheduled R mostmost spectacularspectacular hhi-i-fi systems,systems, ppresentedresented ppresentations,resentations, ddemonstrationsemonstrations andand wworkshopsorkshops bbyy a by the industry's most respected professionals. mix of famous designers and audio personalities. Brought to you by the trusted audiophiles behind Our other suites will offer interactive demos of the Hi-Fi News & Record Review and Hi-Fi Choice best headphones and headphone amplifi ers, hi-res magazines, the Hi-Fi Show Live is now bigger than digital media and audiophile accessories. ever with ten additional demonstration suites. For up-to-the-minute information on In a refreshing departure from the conventional exhibiting brands, advance ticketing and other show format, visitors will be treated to a series of announcements, please visit our website.

1-2 November • BeaumontBtHEtt House Estate • OldOld WWindsor,id West Berkshiree

8MK\Z_ hifinews.co.uk/show d\[`Xck[

Czech Republic – Stereo & Video INTERNATIONAL MEDIA SUPPORTERS OF THE HI-FI SHOW 2014 Finland – Hifi maailma France – Stereo Prestige & Image Germany – Eins Null, Hifi Test TV Video, LP Greece – Hxos Eikova Hungary – Sztereo Sound & Vision Italy – AUDIOreview Norway – Watt Poland – Audio Portugal – Audio & Cinema em Casa Russia – Stereo & Video Serbia – Hi-Files Spain – AV Premium Sweden – Hifi & Musik Ukraine – Stereo & Video Hi-Fi Choice employs the most rigorous test and measurement regime in the business. Here’s how we do it... REFERENCE SYSTEM Turntable: • VPI Scout 1.1 and VPI JMW tonearm Phono stage: • Primare R32 Unique group tests Amplifier: • Musical Fidelity M6PRE/M6PRX Loudspeakers: This month’s cartridge group is supported by rigorous • Dynaudio Focus 260 listening tests, backed up with objective lab testing

CARTRIDGES GROUP TEST TEST MUSIC Syd Barrett INSTALLING A CARTRIDGE for optimal set up used alongside a Shure SFG-2 tracking force The Madcap Laughs Octopus can't be hurried, so it's not practical to carry out gauge to set alignment and measure downforce. this round up with our listening panel. This Each cartridge is tested at the recommended requires a more tailored procedure, with each tracking weights, with fractions of grams added pick-up being given at least 48 hours of play to and subtracted until a preferred sound is free up their internal suspension before testing. achieved. Cartridges are tested with the tonearm This is done on a VPI Scout 1.1 turntable, which parallel to the record's surface when playing, with is of suffi cient quality to not hold any of the fi nite degrees of adjustment made to arm height cartridges back. It allows extensive levels of for fi ne-tuning VTA until an audible 'sweet spot' is adjustment through its accompanying VPI JMW found. They are put through the same repeat tonearm for VTA, tracking force and azimuth. cycles of music from four different records, VPI's heavy duty steel cartridge alignment jig is each chosen to reveal varying audio traits. Little Dragon Nabuma Rubberband Paris OUTPUT LEVEL RESULTS EXPLAINED We measure the output level of a MM cartridge, loaded into 47kohm, using a 1kHz tone cut at a standard 5cm/ Output level sec. A healthy output will be around 5mV. +10 TRACKING ABILITY Tracking ability Two tests are used here, one against the physical excursion of the groove (up to 80μm) the other looking at +40 THD vs. level up to +18dB (re. 0dB/5cm/sec). Frequency response FREQUENCY RESPONSE 0 Measured from 20Hz-20kHz (–8dB re. 5cm/sec) using both lateral and vertical cuts. Our calculations are Distortion derived from the former, in-phase L+R modulations. REM +50 DISTORTION Green Generator symmetry Turn You Inside-Out Not only do we check distortion at the standard 1kHz I Remember California (5cm/sec) but also vs. frequency from 20Hz-20kHz. The +10 best MMs will offer <5% THD through the audioband. KEY: Group average % below average % above average GENERATOR SYMMETRY This unique evaluation compares the differences between response and distortion performance using lateral (L+R) and vertical (L-R) groove measurements.

OUR GROUP TESTS and In-depth Review are subject to exhaustive lab testing by Paul Miller Eric Robinson's World of Music – using the QC Suite The National Philharmonic Orchestra Functional Testing Italian Serenade Station (left). Paul Prelude to Act I "La Traviata" (Verdi) has tested more hi-fi equipment than any reviewer in the world, so you know you’re in safe hands. We don’t publish pages of graphs, but we do understand the importance of transparency. So, readers may view full QC Suite test reports for our key reviews by clicking on the red download button on our website. www.hifichoice. co.uk

22 OCTOBER 2014 MADE IN FRANCE

Scala V2, A new Utopia

Scala V2 has retained all the qualities of the original: timeless design and extraordinary musicality.

The new Scala Utopia boasts a re-engineered bass unit with improved power handling, for stunning integrated bass and even greater control.

This has also further refined the midrange register with focus and clarity, resulting in a more precise and remarkable sound stage.

The Scala V2 takes you closer to the music with enhanced emotion and listening pleasure.

Discover the full Utopia family at www.focal.com or visit one of our partner retailers below.

KJ WEST ONE MIDLAND AUDIO XCHANGE THE MUSIC ROOM MARTINS OF NORWICH JORDAN ACOUSTICS London Belbroughton Glasgow Norwich Bournemouth 0207 486 8262 01562 731100 0141 333 9700 01603 627010 01202 911886

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Focal UK [email protected] 0845 660 2680 CARTRIDGES £265-£510 Groove riders Looking to take your turntable to the next level? Andrew Simpson puts six premium pick-ups through their paces

WHILE A TURNTABLE and approach, helping to take your tonearm are the most obvious moving turntable to the next level. parts of a vinyl spinning system, it’s Of the six upgrades we’ve cherry the cartridge that’s at the business picked for you, Grado’s Reference end of things, tasked with rolling up Platinum 1 employs the moving iron its sleeves and getting deep down and (MI) approach to generating its signal dirty to dig out all the music that’s via a quality package that belies its packed into those LP grooves. It’s a price tag. Both the Benz Micro and big ask for such a small component, Sumiko models adopt the moving coil so it’s vital that the cartridge you (MC) principal, while being capable choose is up to the job and won’t of feeding a standard MM phono hold its partnering kit back. stage, with the former presented in sparkling silver livery and the latter Needle work shunning its exterior for better sonics. At the budget end of things, most Representing the moving magnet cartridges are usually of the moving school are the keenly priced Goldring magnet (MM) type, which offer and the group’s most expensive healthy outputs for feeding a golden boy from Nagaoka, with both ‘standard’ phono stage with 47kohm offering VFM via their replaceable loading. Go beyond £200 and things styli. Finally, who says top quality low get more interesting, with different output MCs are the preserve of the designs bringing alternative benefi ts high end? Not Ortofon, as its brand and compromises to the MM new Quintet Blue reveals.

24 OCTOBER 2014 ON TEST

Benz Micro Goldring Grado Nagaoka Ortofon Sumiko MC Silver 2500 £395 p29 Reference MP-300 Quintet Blue Blue Point Special £275 p27 Well-built metal Platinum 1 £509 p33 £325 p35 EVO III £295 p37 Swiss made MC bodied MM tops £265 p31 Penultimate This new model With its exposed promises plenty of Goldring’s 2000 It might be the pick-up from the from the Quintet internals the BPS EVO class from a brand range with a ‘2 SD’ cheapest model, long-standing, series offers lots of III looks like the pick used to mixing in diamond stylus and but this is the only no-nonsense spec to show that of the bunch for the vinyl’s high-end a healthy output to one packed in Japanese brand. low output MCs hardcore audiophile, circles, but can Benz get the most from wood for music at Will it prove that all don’t always equal but the question is cut it on a budget? your music its natural best that glitters is gold? high prices can you handle it?

OCTOBER 2014 25

CARTRIDGES £265-£510 GROUPTEST

ON TEST First thing’s first: as with all Benz MCs the Silver is phase-inverting, so you may choose to ignore the colour coding on its rear pins. This new high output MC is not quite as beefy as Benz’s Micro ACE model (2.25mV versus the latter’s 3.2mV into preamp loads above 1kohm), but the 40dB midrange separation is exceptional and quite the best of this month’s group. Unequalised distortion is low at 2.4% (re. 1kHz/5cm/sec), but the equalised trend is higher, reaching a full 16% at 10kHz (re. –8dB). Just like the Sumiko MC, this is a reflection of the Silver’s very extended high frequency response, which climbs 1-2dB from 2-10kHz before lifting to +4dB at 20kHz! This is most obvious with lateral cuts, providing a boost to central (vocal) images. Compliance is moderate at 20cu and tracking secure to 80um at a moderate 1.9g downforce – distortion is just Benz Micro 0.9% at +18dB (re. 5cm/sec at 315Hz). PM RESULTS AT A GLANCE MC Silver £275 Output level –20 Tracking ability Will this entry-level high output moving coil bring some +40 Frequency response welcome Swiss sheen to your turntable’s sonics? +20 Distortion –20 Generator symmetry DETAILS ith company founder that nestle within recesses at the Ernst Benz’s background cartridge’s base makes the Silver +20 PRODUCT KEY: Group average Benz Micro in making delicate one of the trickiest pick-ups on test W % below average % above average MC Silver instruments including to install. And while the Silver’s ORIGIN Swiss watches, Benz Micro has an mirror fi nish may bring some bling Switzerland enviable reputation with the cartridge to your platter, its refl ective surfaces tonic. The soft edges of the lower bass TYPE cognoscenti. Since 1994 it has been and sloping front panel make notes within La Traviata are perfectly High output moving coil cartridge in the hands of product collaborator alignment even more vexing. captured and voiced well back within WEIGHT Albert Lukaschek, who runs the the mix. Although the Benz’s bass 5.7g company today. Sound quality doesn’t extend as far down as some FEATURES For Benz Micro, £275 is the It doesn’t take much music to realise of the other models on test, such as ● Quoted entry-level point into its MC only that the Silver is cut from Benz Micro its price-rivalling Grado, it still gets output: 2mV ● Cantilever: cartridge range that extends all the cloth with its well ordered and wide the Little Dragon track to make my aluminium way up to its £2.5k ebony bodied LP-S open soundstage. The classical chords feet start tapping along, thanks to ● Stylus: fixed/ showpiece, and thankfully the Silver of La Traviata fi ll all corners of my the rhythm and texture on offer in elliptical ● Tracking weight: still packs some Swiss pedigree within room with ease, highlighting that the the upper bass. The REM material, 2g its modest price. It is almost identical Benz has one of the most expansive however, isn’t quite as forgiving and SUPPLIED BY to its price-matched Gold sibling, left-to-right soundstages of all the while these songs sound clean and Analogue Seduction but with a healthier 2mV output models on test. enjoyable across midrange and treble, TELEPHONE compared with the Gold’s 0.4mV, The Benz Micro isn’t a particularly the lack of low-end wallop tends to 01733 350878 so it can be plumbed into a phono forward sounding cartridge, make the music sound thinner in WEBSITE analogueseduction. stage’s standard 47k MM input. especially in the midrange, which comparison to the more meaty net The Silver boasts Benz’s recently makes for a very easy listening sounding pick-ups on test ● redesigned rear pole piece with a experience, especially over extended locking azimuth and suspension sessions, but on some material I mechanism and features a cross-coil would welcome a bit more bite. On armature with strong hybrid magnets Barrett’s track for example, the way OUR VERDICT made of neodymium, boron and iron. some of the other cartridges allow SOUND QUALITY LIKE: Articulate and Like the Gold model, it uses a soft the more forceful guitar strikes to cut balanced sound butyl rubber O-ring damper that’s through the air with greater degrees DISLIKE: May be too custom made in the US for Benz by of attack gives the music a shade VALUE FOR MONEY gentle for some; not a company that supplies gaskets to more excitement. This trait is further that easy to install BUILD QUALITY WE SAY: Even handed the aerospace industry. Benz hasn’t evidenced with the REM songs, which cartridge that makes scrimped on the diamond either, and sound very pleasant and panoramic, for a fatigue-free listen treats the Silver’s alloy cantilever to although a dash more vivacity would FEATURES a Fritz Gyger elliptical stylus. help give the music a bit more edge. While its solid sides and colour- Bass is well ordered across all the OVERALL coded pins offer some help, having test tracks, and if your system could to locate long bolts that pass through do with extra control in this respect the cartridge body into circular nuts then the Benz may prove a welcome

OCTOBER 2014 27 high fidelity engineering

unleash the passion with real hi-f i sound

Exposure Electronics Ltd: Unit 18, Winston Business Centre 43 Chartwell Road Lancing Business Park Lancing BN15 8TU Tel: +44 1273 423877 Fax: +44 1273 806648

Please visit www.exposurehifi.com CARTRIDGES £265-£510 GROUPTEST

ON TEST Goldring’s specification for its 2000 series suggests they share the same generator (graded, I assume, by performance), but differentiated by stylus. The 2500 is certainly a more subtle performer than the company’s 2200 model and at 4.5mV (re. 5cm/sec), delivers the highest output in this month’s test. The 2500 is free of the 2200’s treble peak of +6dB/15kHz, but still has a +2dB emphasis from 6-8kHz that may well emphasise surface noise. This peak broadly coincides with a drop in output with vertically modulated grooves, suggesting the 2500’s soundstage will be punchier in the centre than towards the far left or right. Distortion is also lower with in-phase (0.3- 1.6%) than anti-phase detail (3-4%) right across the audio range. Without exceeding a 1.75g downforce, tracking is pretty good at 70-80um but the high 30º VTA suggests Goldring some tuning of arm height will be useful. PM RESULTS AT A GLANCE 2500 £395 Output level +50 Tracking ability This metal-bodied moving magnet scores highly on 0 Frequency response spec, but how will it measure up in the musical stakes? –20 Distortion +40 Generator symmetry DETAILS ith a history that stretches installation straightforward, although back to when Edward VII the cartridge pins are quite close –30 PRODUCT KEY: Group average Goldring 2500 was king, Goldring has a together, so you need to make sure W % below average % above average ORIGIN long-standing legacy for that the tonearm cables’ exposed UK quality phono products. connecting lugs aren’t touching when TYPE The recently launched 2000 series hooking it up. Due to its curved front the 2010 CD remaster and not it’s Moving magnet brings the brand bang up to date, profi le and stepped sides, getting the vinyl counterpart, such is the cartridge with the lower priced 2100/2200/ Goldring aligned takes a bit more pick-up’s penchant for clarity. WEIGHT 8.2g 2300 models rubbing shoulders with effort than most, although its well When the music gets a little more FEATURES their 1000 series cousins, which have exposed cantilever does help. demanding, however, these levels of ● Quoted proved popular with audiophiles for insight and its forward nature can output: 6.5mV many years. All 2000 models use Sound quality become a bit too full on. While ● Cantilever: Permalloy permalloy in their armature tubes to The fi rst thing you notice about sounding explicit, the guitar work in ● Stylus: removable/ reduce mass with super permalloy in the 2500 is the higher levels of the REM tracks begins to harden up 2 SD fine line their shielding and fi xed pole shoes, background noise it throws up as the music gets more complex and ● Tracking weight: 1.7g while powerful samarium cobalt compared with the other pick-ups on I fi nd myself limiting the volume to SUPPLIED BY magnets account for their high test when its fi nely profi led needle keep everything in check. Armour Home outputs. The 2400 and fl agship hits an LP’s lead-in groove. Whether Across the REM tracks I’d also TELEPHONE 2500 model also get their delicate this is due to its very healthy output welcome a bit more warmth in the 01279 501111 internals housed within aluminium and refi ned tip reaching deeper into bass regions to bring some analogue WEBSITE bodies for added rigidity. Each each groove I can’t say, but I do know richness into the music, but for armourhome.co.uk; goldring.co.uk ascending price point within the that when the music begins this is systems needing more sparkle, range buys you a better stylus, and quickly replaced by vast amounts of the Goldring may be ideal ● the 2500 eschews the 2300’s Gyger II detail, which the Goldring’s diamond and the 2400’s Vital fi ne line, opting is able to uncover. The slow building for a ‘2 SD’ diamond on the tip of its strings of La Traviata sound tapered cantilever. exceptionally clear, as it etches the OUR VERDICT Being a moving magnet design, it chords into the air with precision. SOUND QUALITY LIKE: Superb build has a replaceable stylus and swapping The midband is equally strong and and spec; analytical it is just a matter of pulling the curved explicit with perhaps the sharpest and lively sound stylus and cantilever housing forwards delivery of all the cartridges on test, VALUE FOR MONEY DISLIKE: Might be too hot sounding for of the cartridge body, hence you can while sounding more forward. In some systems BUILD QUALITY leave the body fi tted to your tonearm many ways the 2500 is reminiscent WE SAY: Well built in the process. All styli in the 2000 of some of the digital streamers that and clean sounding cartridge that will inject range are interchangeable, so if you have graced my system in recent FEATURES life into dull sounding can’t afford the 2500 you can fi t a months, such is its polished decks. Partner wisely cheaper replacement from further presentation. Closing my eyes with OVERALL down the range. the Goldring working its way through The cartridge body’s threaded Barrett’s Octopus, for example, I can mounting holes makes initial be easily convinced that I’m hearing

OCTOBER 2014 29 THE CONCEPT 40 LOUDSPEAKER

Q Acoustics introduces ‘Concept 40’, an elegant new floorstanding loudspeaker which sets new standards of sonic performance at its price.

Award-winning pedigree

In common with the Concept 20, its award-winning little brother, the new Concept 40’s unparalleled soundstage and sheer musicality is achieved by incorporating outstanding drive units into a lacquered, State-of-the-Art, ‘GelcoreTM Construction’, ultra-low resonance cabinet.

‘GelcoreTM Construction, specially developed for acoustic enclosures, is in effect a ‘cabinet within a cabinet’, separated by a resonance absorbing compound. This enables the drive units to simply reproduce music, unencumbered by the level of cabinet induced distortions found in conventional designs.

“Superlative… brilliantly balanced package… excellent value” Hi-Fi Choice Recommended, June 2014

“Surprising sonic agility and composure... a wonderfully inviting sound” What Hi-Fi? Sound and Vision, May 2014

www.Qacoustics.com CARTRIDGES £265-£510 GROUPTEST

ON TEST Grado offers a generalised specification for its pick-ups, which suggests that the ‘moving iron’ generator is at least very similar in all its models. In practice the ‘4.8mV at 5cm/sec’ output is rather optimistic with 2.7mV being achieved in our tests, albeit with an excellent L/R channel imbalance of just 0.12dB at 1kHz. At 1.6g (1.5g is recommended) the Platinum 1 tracks like a dream, sailing through the 80um bands and achieving an equalised distortion of ~0.6% at +6dB and +9dB (re. 5cm/sec at 315Hz), increasing to just ~0.7% at +12dB, ~0.8% at +15dB and ~1.4% at +18dB with just the faintest signs of mistracking. The Platinum’s 20cu compliance suggests it’s best suited to medium-to-low effective mass arms. The response shows a –2dB droop through the presence region (hence the ‘rich’ balance) followed by a +3dB high treble peak at 15kHz. Fortunately this is too Grado high to give it’s sound any sting! PM RESULTS AT A GLANCE Reference Platinum 1 £265 Output level +10 Tracking ability From this US family business comes an alternative to +10 Frequency response the MM and MC brigade that gets back to nature –30 Distortion –20 Generator symmetry DETAILS ith its ever expanding although you need to take care not to range of headphones, it’s strip their wooden threads and the +20 PRODUCT KEY: Group average Grado Reference easy to forget that Grado lack of colour coding on the cartridge W % below average % above average Platinum 1 Labs cut its hi-fi teeth pins can lead to mistakes when wiring ORIGIN selling cartridges almost 50 years ago. it up. Its 16mm-tall body is higher USA Unlike most cartridge manufacturers, than average, so be prepared to raise seem a bit muddy in the bass, which TYPE Grado prides itself on the moving iron your tonearm for the correct VTA, but lacks the refi ned control of the High output moving iron cartridge (MI) approach to pick-up design. alignment is aided by the fl at sides Ortofon and Sumiko models. WEIGHT Instead of a magnet attached to the and vertical face. The plentiful bass and analogue 6.5g upper end of the cantilever that tone is the ideal tonic for the REM FEATURES moves against fi xed coils in the Sound quality tracks, casting them with the right ● Quoted cartridge body (or vice-versa for MC You don’t need to spend much time in blend of depth and smoothness, output: 4.8mV ● Cantilever: four- models), Grado mounts a piece of the Grado’s company to realise it’s a which gives them just the right piece OTL alloy iron to the cantilever while a fi xed bit of a honey and quite a different amount of warmth and expression to ● Stylus: fixed/ magnet sits over the cartridge’s beast to the more analytical sounding remain loyal to their harder-edged elliptical ● Tracking weight internal coils, providing magnetic fl ux species from within the group. It nature without becoming too visceral 1.5g within its ‘fl ux-bridger’ system to brings a softer tone to La Traviata, as and fatiguing. Cymbals are crisp SUPPLIED BY generate a signal. The Platinum’s though the performers have relaxed with vocals sounding open and Analogue Seduction loading is 47k, so a standard MM into their seats to let the music fl ow unprocessed and while the Grado is TELEPHONE phono stage is all that’s required. forth with a little less urgency in bettered by others in the group for 01733 350878 Unlike Grado’s cheaper Prestige comparison to the Goldring and instrument separation and bass WEBSITE analogueseduction. pick-ups, the Platinum’s stylus isn’t Sumiko’s deliveries. The rich tones control (if not extension), it’s a very net; gradolabs.com customer replaceable. also add weight to the Barrett musical performer nonetheless ● Judging by the fi nish of its hand- material, which brings a greater sense crafted mahogany body and its carved of scale as the instruments seem to wooden carry case, it’s hard to believe gain more mass. Soundstaging isn’t as that this is the cheapest model on wide as the Benz Micro, but nor are OUR VERDICT test. Even the stylus guard is instruments as centrally congested as SOUND QUALITY LIKE: Warm sound mahogany, and the Platinum’s quality the Goldring’s presentation, and it’s with good bass; isn’t just timber deep. Despite being how instruments are presented that lovely finish the entry-level Reference model, it reveals more of the Grado’s hand. On VALUE FOR MONEY DISLIKE: Not the most employs an optimised transmission the Barrett track, it shifts the focus so focussed pick-up BUILD QUALITY WE SAY: Rich line (OTL) cantilever with four that the guitar is less jangly in the analogue-sounding separate sections of varying treble and instead I hear more of how cartridge that’s fantastic value thicknesses bonded together to the notes resonate, rather than the FEATURES for money eliminate resonances, while its coils leading edges of strings being struck get ultra-high purity long crystal by nail or plectrum. While this OVERALL (UHPLC) oxygen-free copper wire. richness will appeal to many and Fitting is fairly straightforward could help to calm an overly bright thanks to its tapped mounting holes, system, the Platinum’s sound can

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ON TEST The general hallmarks of the MP-300 are not dissimilar to Nagaoka’s upmarket MP-500 particularly in respect of its response shape – the +2dB lift at 8-12kHz conferring plenty of bite – and impressively low distortion. Lateral modulations are evidently reinforced more strongly so this ‘bite’ will be more obvious from strings and percussion in the centre rather than periphery of the soundstage. The MP-300 is a little less compliant than expected, but similar to the Grado at 18cu, but tracking is good enough at 70-80um, the elliptical stylus starting to lose its grip at around +15dB (re. 5cm/sec). Low-to-medium effective mass arms are recommended as is some extra damping, if on offer. The MP-300’s 3mV output is about average for this group, but the 0.6dB channel imbalance could stand some slight improvement. However, channel separation through the Nagaoka midrange is excellent at ~40dB. PM RESULTS AT A GLANCE MP-300 £509 Output level +20 Tracking ability This Japanese pick-up has considerable hi-fi pedigree –40 Frequency response and looks set to add a golden glow to your vinyl system –20 Distortion +30 Generator symmetry DETAILS espite the glamorous garb, tonearm installation is less so. you can clearly spot that Nagaoka’s traditional mounting –10 PRODUCT KEY: Group average Nagaoka MP-300 this is a Nagaoka a mile system of open side lugs, long bolts D % below average % above average ORIGIN off, thanks to its distinctive and circular nuts makes for a fi ddly Japan squared-off shape that’s been fi t. The cantilever’s set back position TYPE consistent with the company’s under the front of the cartridge also as those from Ortofon and Sumiko. Moving permalloy cartridges for decades. makes it harder to see, although the Yukimi Nagano’s vocals on the Little cartridge As well as producing its own cartridge’s square front and sides are Dragon track are clearly articulated, WEIGHT 8g modestly priced range of pick-ups, a decent visual aid when lining but her voice has a tendency to sound FEATURES Nagaoka is also a leading styli and everything up. more held within the mix, rather ● Quoted precision-made magnet supplier to than being set free to soar above the output: 3mV other cartridge makers around the Sound quality soundstage so that her high notes can ● Cantilever: Boron ● Stylus: removable/ globe. All Nagaoka cartridges are As soon as the needle hits La Traviata’s take fl ight. The percussive cymbal SuperFine elliptical moving permalloy designs (or grooves I’m given a fl avour of its taps in the right channel are easy to ● Tracking weight magnetodynamic permalloy, hence unique personality. The strings sound place and clearly defi ned, but lack 1.8g the ‘MP’ moniker within each model bold and powerful, with a tone and the fi nal degrees of spine-tingling SUPPLIED BY Analogue Seduction name). The range starts with the clarity that puts it somewhere shimmer to really light up my TELEPHONE budget-priced MP-100 at £85, which between the strident sounding listening room. 01733 350878 sports a conical stylus and samarium Sumiko and the softer voiced Grado. Its timing is one of the best on test, WEBSITE cobalt magnets. The MP-300 is the As the sound of the strings project with an assertive beat that sounds analogueseduction. penultimate model and trumped only forward of my speaker plane as well in control without forcing the pace, net; nagaoka.co.jp by the £628 MP-500, which shares the as sideways, they have a real sense of which really favours the dance-driven same slender boron cantilever as the body, which adds gravity and texture nature of Little Dragon’s melodies ● 300 and also gets a SuperFine line to the music. diamond in place of the 300’s Bass is equally noticeable, and the SuperFine elliptical tip. MP-300’s output is near the Grado’s Internals are of equal high order, across the REM material with perhaps OUR VERDICT with a powerful samarium cobalt a little less depth in exchange for a bit SOUND QUALITY LIKE: Articulate sound magnet in its generator, an anti-ferro more control. Even at low volumes, with lots of rhythm magnetic permalloy shield and a Bill Berry’s gathering drum rolls DISLIKE: Not the carbon fi bre reinforced plastic shoe. during I Remember California sound VALUE FOR MONEY easiest to install; can Its replaceable stylus is a simple like low rumbling thunder of window sound closed in BUILD QUALITY WE SAY: Solid all- push-fi t design with replacements rattling proportions, backed up by rounder with good interchangeable across the range. Mike Mills’ bass guitar, which is bass, but could do more for the money Like the 500, the 300 has two mini separated out convincingly. FEATURES bolts to hold the cantilever assembly At the other end of the spectrum, in place, which you need to remove while treble sounds strongly defi ned, OVERALL when swapping its stylus. it isn’t given the freedom to really While the MP-300’s retro looks may escape the soundstage in the same be appealing, its retro approach to way as its cheaper rivals allow, such

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EAST Grahams Hi-Fi NORTH WEST Soundcraft Hi-Fi Phase 3 Basically Sound City of London Acoustica Ashford Worthing Norwich www.grahams.co.uk Chester www.soundcrafthifi.com www.phase3.co www.basicallysound.co.uk 020 7226 5500 www.acoustica.co.uk 01233 624441 01903 245577 01362 820800 01244 344227 Oranges & Lemons The Sound Gallery SCOTLAND Martins Hi-Fi Clapham Chris Brooks Audio High Wycombe Glasgow Audio Norwich www.oandlhifi.co.uk Warrington www.soundgallery.co.uk Glasgow www.martinshifi.co.uk 020 7924 2040 www.chrisbrooksaudio.com 01494 531682 www.glasgowaudio.com 01603 627010 01925 261212 Unilet Sound & Vision 0141 332 4707 SOUTH WEST New Malden LONDON SOUTH EAST Holburn Hi-Fi Gulliford Audio www.unilet.net Adair Acoustic Design Home Media Aberdeen Exeter 020 8942 9567 Clerkenwell Maidstone www.holburnhifi.co.uk www.gullifordhifi.co.uk www.adairacousticdesign.co.uk 01224 585713 01392 491194 MIDLANDS www.thehomeofhifi.com 0207 253 2326 01622 676703 Nottingham Hi Fi Centre SOUTH CENTRAL Bartletts Hi Fi Nottingham Infidelity Islington www.nottinghamhificentre.co.uk Kingston-on-Thames Overture www.bartlettshifi.com 0115 9786919 www.infidelity.co.uk Banbury 020 7607 2148 020 8943 3530 www.overture.co.uk NORTH EAST 01295 272158 Billy Vee Sound Systems P J Hi-Fi Sound Organisation Lewisham Guildford Oxford Audio Consultants York www.billyvee.co.uk www.pjhifi.co.uk Oxford www.soundorg.co.uk 020 8318 5755 01483 504801 www.oxfordaudio.co.uk 01904 627108 01865 790879

/ClarityAlliance @clarityalliance www.clarityalliance.co.uk CARTRIDGES £265-£510 GROUPTEST

ON TEST Ortofon’s new Quintet Blue is the only traditional medium-output MC in this month’s test, besting its claimed 0.5mV into a 100ohm load at 0.62mV with a superb 0.1dB channel balance and acceptable >25dB separation through the midrange. In practice, its performance is not dissimilar to Ortofon’s own Vivo Blue MC. The Quintet Blue’s compliance is a symmetrical 16cu in vertical and horizontal planes and the ‘nude elliptical’ stylus offers secure tracking up to ~70um groove modulations, just loosing its grip at +18dB (315Hz). Just like the Vivo Blue, the Quintet Blue’s high frequency distortion and response are both lifted with lateral cuts, reaching +1dB through the presence band and mid-treble, suggesting that its soundfield may be emphasised stage front. Equalised distortion (–8dB) is low at <1.5% up to 2kHz, but climbs Ortofon to a peak of 16% at an inaudible 17kHz. PM RESULTS AT A GLANCE Quintet Blue £325 Output level –50 Tracking ability With its simple looks and solid body, will this new Blue –30 Frequency response MC make its mark against its high output rivals? +30 Distortion –10 Generator symmetry DETAILS rom entry-level bargain worth checking that your arm can be moving magnets like the adjusted to accommodate its height +20 PRODUCT KEY: Group average Ortofon Quintet 2M Red to its budget and VTA. Once at the right height, F % below average % above average Blue busting £5k Anna MC its rectangular body and threaded ORIGIN statement, Ortofon seems to have a mounting holes make it easy to align, Denmark cartridge for everyone. Starting at although its output pins could do notes grow, which it knits together TYPE £200, the company’s new Quintet MC with being more widely spaced into a cohesive whole, revealing its Moving coil cartridge series challenges the notion that MCs to make wiring up a bit easier. measured and neutral presentation. WEIGHT should cost a king’s ransom to justify Picking up the pace with the REM 9g investing in over a good MM design. Sound quality tracks shows it is equally capable FEATURES The fi ve-strong Quintet range comes Being the only low output MC on test when letting its hair down. Turn You ● Quoted housed in bodies made of a special could imply that the Ortofon will be Inside-Out makes a grand entrance output: 0.5mV ● Cantilever: acrylonitrile butadiene styrene (ABS) the most demanding of its partnering that’s full of impact and depth, aluminium thermoplastic material, chosen for its phono stage, to ensure its signal is while the guitars are cranked up ● Stylus: fixed/ lightweight and durable properties. brought up to MM levels without with raucous energy, without nude elliptical ● Tracking weight Internally each model packs fi xed undue infl uence. becoming too hard edged when 2.3g neodymium magnets and each step A few bars into the Little Dragon the volume heads north. SUPPLIED BY up the Quintet ladder brings song shows how unfussy it actually is, Bass is well articulated and evenly Henley Designs improvements to coil wires, cantilever as it presents all the detail in the track presented without being overly TELEPHONE material and stylus profi le. with real dynamism. It may not be as emphasised or rolling off too early, 01235 511166 The Blue improves on the £200 Red highly revealing as the Goldring or making its presence and detail felt WEBSITE henleydesigns. by using an elliptical stylus of the Sumiko models, or have as much without becoming overwhelming on co.uk; ortofon.com nude type, whereby the whole stylus overall warmth as the Grado, but the more demanding bass-heavy music ● is a solid diamond that’s bonded to line it treads between these models the cantilever, instead of an elliptical makes for a highly engaging diamond tip bonded to a metal shank compromise. On the Barrett track, that’s in turn bonded to the cantilever. lead guitar notes in the instrumental OUR VERDICT The Blue also upgrades the Red’s section sound sharp but never harsh, SOUND QUALITY LIKE: Open and standard copper coil wire with pure with chords struck fi rmly before detailed sound; 4-nines copper taken from the £500 reverberating with natural echo. well built Bronze model. At the top of the Its soundstage is expansive left to VALUE FOR MONEY DISLIKE: Tall body may need tonearms Quintet tree sits the Black variant, right, of a similar size to the one with adjustable height BUILD QUALITY which boasts a nude Shibata-shaped rendered by the Benz and it also WE SAY: Fantastic stylus affi xed to a boron cantilever possesses a greater talent for bringing sounding mid-price MC that does and Ortofon’s Aucurum coil wire instruments within it to life. On La FEATURES everything right (gold plated 6-nines copper). A mono Traviata it really plays to how the model at the same price point as the piece moves from quiet passages to OVERALL Blue completes the range. louder sections with great effect, At 18mm the Blue has the tallest pulling you into the music. Each body of all the models on test, so it’s instrument gets the space to let its

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ZZZmusicaOÀGeOit\com      CARTRIDGES £265-£510 GROUPTEST

ON TEST This ‘naked’ high output MC is packed full of energy and character. Output is healthy for the breed at 2.5mV (re. 5cm/sec) into a standard 47kohm load and while compliance is, as Sumiko specifies, a little on the low side at 15cu and best partnered with medium/ heayweight arms, it still tracks like a dream sailing through the 80um band and incurring just 1.1% THD at +18dB. Distortion looks to be on the high side at 17/15% (L/R) at 10kHz, but this is as much a reflection of the EVO III’s exceptional bandwith (other pick-ups roll-off earlier and so cannot generate the ultrasonic harmonics). Even when well run-in, the EVO III has a powerful presence and treble response (+1dB from 3-10kHz and up to +3dB/20kHz and beyond) that will be noticeable with strong central rather than peripheral stereo images. You can play with the arm pillar height to tweak the elliptical stylus’ VTA Sumiko and ameliorate any excess sizzle! PM RESULTS AT A GLANCE Blue Point Special Output level –10 Tracking ability EVO III £295 +20 Frequency response +20 The latest incarnation of this classic high output MC Distortion –20 boasts a naked design to get to the heart of the music Generator symmetry –20 KEY: Group average % below average % above average DETAILS alifornian cartridge maker You do need to take extra care, of PRODUCT Sumiko acts as both course, but thanks to its large top and Sumiko Blue Point C importer and distributor rear plate, you have plenty of surfaces While Barrett’s vocal overdubs are Special EVO III for some seriously to grip. And while its pre-threaded easy to distinguish, it’s the lilt of his ORIGIN high-end brands including Sonus mounting holes and widely spaced voice and its unique nuances that the US faber and Audio Research, as well as cartridge pins bring some relief, BPS turns its attention to, revealing TYPE High output moving selling its own range of pick-ups. achieving spot on alignment is always the heart of his performance. coil cartridge The EVO III sits atop the company’s going to be a bit of a challenge given Similarly with the Little Dragon WEIGHT entry-level Oyster range, with its blue the lack of an outer shell to align it by. track, the subtleties in the treble 8.3g fi nish distinguishing it from the sound more enchanting here than FEATURES equally stripped back £595 hand- Sound quality with the other fi ve pick-ups. ● Quoted output: 2.5mV calibrated Blackbird model that’s the A quick lap of my test music reveals At the other end of the scale, the ● Cantilever: starting point in the Reference series. that the Sumiko’s tonal balance is bass doesn’t quite have the depth or aluminium To keep prices down, the BPS gets an more sensitive than most to VTA. warmth of the Grado or Nagaoka, but ● Stylus: fixed/ elliptical aluminium cantilever with a special With the VPI arm wand parallel to the still packs a decent thump that’s well ● Tracking weight: coating in place of the Blackbird’s LP’s surface, the treble sounds overly defi ned. Imaging is also a key string 2g boron variant. bright, with emphasised sibilance on to its bow, which is made clear by SUPPLIED BY What clearly sets it apart from every the REM material that makes the how it builds a tangible orchestral Analogue Seduction other pick-up on test is its obvious cymbals sound ‘spitty’. Dropping the picture during La Traviata of TELEPHONE lack of a protective body, leaving its arm pillar so that the arm wand impressive scale and depth ● 01733 350878 generator exposed to the outside slopes slightly upwards towards the WEBSITE analogueseduction. world. Sumiko’s reasoning being that headshell (to make the cantilever’s net; sumikoaudio. the best way to prevent resonance angle of ascent not as steep) pays net from a cartridge’s outer shell entering dividends in calming the top end OUR VERDICT the replay chain is to do away with down. It’s still explicitly detailed, SOUND QUALITY LIKE: Detailed and the outer shell altogether, an meaning I’m able to hear REM at vibrant sound; superb approach that’s also adopted by many their aggressive best, with guitar quality engineering top-fl ight cartridges with four-fi gure riffs ripping free from the soundstage VALUE FOR MONEY DISLIKE: Open body is not for the heavy price tags. and fi red at me centre stage, but the handed; very sensitive Looking at the Sumiko’s intricate excessive brightness is gone, replaced BUILD QUALITY to VTA working parts up close reveals a very by a live experience-like energy that’s WE SAY: Classic high output MC that’s high standard of craftsmanship, hard to ignore. FEATURES bristling with energy, although with its exposed internals In many respects the Sumiko is making it superb value seemingly vulnerable to clumsy similar to the Goldring with lightning OVERALL fi ngers, you might expect that an iron fast transients, but at the extremes nerve and expert steady hand are it’s less clinical in the midrange essential to getting it safely set up. and treble and more expressive.

OCTOBER 2014 37 CARTRIDGES GROUPTEST £265-£510

Group test verdict After countless laps on the wheels of steel to take this month’s pick-ups to their limits, Andrew Simpson pulls into the pit lane with his final verdict

EVERY CARTRIDGE IN this group term solution the Goldring is just too It’s also superb value for money has plenty to offer, and what you go revealing, so partner wisely if your and with its hand-made wooden for comes down to system matching, system is already on the bright side. shell it could have easily passed for budget and personal taste. The third pick-up to head for the car the most expensive on test despite WINNER The Nagaoka isn’t a bad sounding park is the Benz Micro, which offers being the cheapest. Where it loses cartridge by any means and offers a surprising levels of Swiss precision for out to the Sumiko is in the accuracy While on paper the similar performance to last year’s under £300. But while I expect it’s and refi nement stakes. Blue’s spec doesn’t Nagaoka, which was our crowned genteel and open soundstage will The Sumiko’s model name may better its rivals, it’s winner. Price hikes over the years appeal to many, it’s a bit too well sound more Subaru forecourt than the execution of its engineering that earns means the MP-300 now costs more mannered and would benefi t from high-end vinyl and its naked design it top marks. It offers the than twice as much as the MP-150 more vivacity and a stronger voice is enough to give vinyl newbies most comprehensive and it’s substantially bettered by to really make its mark. nightmares, but when set up and enjoyable cheaper competition. The Grado takes third place by for optimal performance it’s a performance with all Next up is the Goldring and if your offering a sound that’s full-bodied stonkingly honest cartridge for the music, showing Ortofon system needs a shot in the arm this with a rich tone and an analogue cash with a level of sophistication has clearly hit upon another magic formula. could just be the ticket, but as a long warmth, making it a joy to listen to. and detail that belies its price.

Make/model Benz Micro Goldring Grado Nagaoka Ortofon Sumiko MC Silver 2500 Reference MP-300 Quintet Blue Blue Point Special Platinum 1 EVO III

Price £275 £395 £265 £509 £325 £295 Sound Value Build Features Overall , Even handed Analytical MM that’s Wood bodied Capable all-rounder, Superb sounding all- Open-bodied classic cartridge with a great with detail, but moving iron bargain but needs to do rounder that shows that challenges rivals fatigue-free and well might be too with a warm more with the music analogue at its best. in the musical detail mannered nature revealing for some analogue character for the money Excellent value and vitality stakes

Key features

Type MC (high output) MM MI (high output) Moving permalloy MC (low output) MC (high output)

Quoted output 2mV 6.5mV 4.8mV 3mV 0.5mV 2.5mV

Replaceable styli No Yes No Yes No No

Weight 5.7g 8.2g 6.5g 8g 9g 8.3g

Cantilever/stylus Aluminium/elliptical Permalloy/2 SD fine line OTL alloy/elliptical Boron/superfine ellip. Aluminium/nude ellip. Aluminium/elliptical

TRY WITH THESE

TURNTABLE: PHONO STAGE: TRACKING FORCE GAUGE: Michell TecnoDec £897 HFC 309 Rothwell Rialto £380 HFC 381 Shure SFG-2 £38 £38 HFC 385 You’re going to need a decent turntable to do your new February’s phono stage Group Ensuring the force is always with you needn’t be cartridge justice and Michell’s entry-level TecnoDec at Test winner, Rothwell’s plain- a job for Obi-Wan Kenobi thanks to Shure’s £897 with Rega RB202 tonearm, looking little Class A box gives a simple mechanical sliding weight/seesaw freestanding DC sublime performance across principal of measuring and setting the ideal motor and both of its MM and MC inputs, tracking force. acrylic/vinyl making this a worthwhile platter is the investment for a lifetime place to start. of cartridge upgrades.

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ADVERT VALID UNTIL 24/09/2014. E&OE ATC SCM40 EXOTICA FLOORSTANDING LOUDSPEAKER £3,275

42 OCTOBER 2014 ATC SCM40 FLOORSTANDING LOUDSPEAKER £3,275 EXOTICA

DETAILS In essence, you get a large, wideband sound that’s starker and PRODUCT ATC SCM40 more open than anything else I’ve The BFG ORIGIN heard at this price. This is made UK more apparent by its superb bass; TYPE arguments rage about the relative 3-way floorstanding merits of infi nite baffl e boxes, but In the SCM40, ATC has a sizeable loudspeaker ATC has got this one working WEIGHT floorstanding loudspeaker that’s set way 31kg brilliantly. The only downside is that DIMENSIONS it makes lesser amplifi ers feel like a away from the fray, says David Price (WxHxD) jogger running in concrete trainers! 265 x 980 x 300mm Kraftwerk’s Tour de France FEATURES Soundtracks is breathtaking – rarely ● Infinite baffle here’s something odd relationship, and you can hear it in cabinet design have I heard its low frequencies in about ATC’s SCM40 – it every speaker so designed, from the ● 25mm soft such sharp relief. Positioned just doesn’t look or feel like classic Yamaha NS-1000M to the dome tweeter 30cm from my rear wall and toed-in T ● 75mm soft dome almost any other SCM40. This 75mm soft dome mid midband driver slightly, the speed, power and grip is loudspeaker in its price class. It’s driver uses a hand-doped acrylic ● 164mm bass driver superlative – it easily outdoes more almost as if someone has forgotten to diaphragm and suspension system, DISTRIBUTOR expensive big boxes like Spendor’s D7 style it, like they’ve taken three using a “secret ATC formula”. It mates ATC Loudspeaker or Sonus faber’s Olympica II. The drivers and put them in a box to an ATC-designed and built 25mm Technology Ltd attack transients on the synth bass are designed to do the job and then gone dome tweeter with a doped polyester TELEPHONE superb, starting and stopping with the 01285 760561 home. This is in marked contrast to diaphragm and suspension, with speed of an LED. On songs with vast WEBSITE many rivals, which have all kinds of alloy wave guide. The bass driver is atcloudspeakers. tracts of low frequencies such as the stylistic fl ourishes. Despite looking 164mm in diameter and features a co.uk Moog bass on 4hero’s Cosmic Tree, the rather ‘old school’ – albeit in a hand coated paper pulp diaphragm, bottom end is rock solid, prodigious timeless sort of way – the SCM40 is chosen for its balance of low mass, and ultra tight, but give it an indie actually a new model that came out damping and rigidity, and there’s a guitar track like REM’s Maps and in 2013, replacing a 2007 design of huge motor assembly behind. Legends and the speaker is relatively the same name that looked as if it had A three-element crossover is fi tted, circumspect. Basically, it tells you been launched in 1988! ATC, it seems, comprising a low pass fi lter, band what’s going on if it is going on, and doesn’t pay too much attention to pass fi lter and high pass fi lter. The if it isn’t then it doesn’t! This is the matters of fashion. effi ciency of the system is set by the mark of a serious wideband monitor bass driver with the mid and HF Tri-wiring is an loudspeaker, and a reminder that so absolute breeze A reminder that so padded down accordingly, the thanks to the many refl ex ported designs simply company says, so it’s kept as simple as high quality of aren’t doing bass right. Conventional- many reflex ported possible – this is achievable because the binding posts holed boxes have practicality and designs aren’t the drivers are designed around it. As with all ATC three-ways, the crossover doing bass right points are 380Hz and 3.5kHz. One problem with this speaker is that it’s Construction quality is another not particularly easy to drive. ATC matter. There is absolutely nothing says its impedance curve is fl at, so the about this speaker to suggest it is built amplifi er shouldn’t require Herculean to its price, and you’re reminded of reserves of current, but it sure does this when you try to move it. The need watts! Quoted sensitivity is low drive units look highly anachronistic, for a big box – 85dB/1W/1m – which and that’s because they are – means over 60W is the order of the especially the midband driver. The day. I try several solid-state amplifi ers Gloucester company began its life and all get hot and slightly bothered building drive units for professional at very high volumes. This is in part monitor speakers, and then started because ATC has gone for an infi nite making its own. Founder Billy baffl e cabinet, which asks more from Woodman seems as fascinated by whatever is driving it. transducers as he was 40 years ago when ATC was born, and it has a Sound quality dome mid unit unique to this marque. There are too many loudspeakers Very few companies make midrange describing themselves wishfully as domes these days, because they’re ‘studio monitors’, but here we have hard to get right. Instead, most prefer something that is far closer to this to use a small version of a coned bass than most. The big ATC is unerringly driver to handle these frequencies. revealing of what you put into it, and The benefi t of a dome, as well as certainly doesn’t sugar the pill. But excellent dispersion, is that it is if you imagine that it is cerebral, phase-coherent with the dome analytical and dispassionately forensic tweeter – which is to say it radiates then think again. Feed it a high- sound waves in a similar manner. This quality source via a smooth, punchy brings excellent integration to that solid-state amplifi er and you get a critical tweeter/midrange driver startlingly fi ne sound back.

OCTOBER 2014 43 ATC SCM40 EXOTICA FLOORSTANDING LOUDSPEAKER £3,275

IN SIGHT Q&A the lily with the SCM40, everything is Richard Newman handed to you in an accurate and 1 1 25mm soft ATC transducer/R&D engineer dome tweeter unalloyed way. Some may fi nd it bright; it’s certainly a fearless critic of 2 Infinite baffle cabinet design your ancillary components, so if you’ve got some £1,000 separates and 3 164mm bass driver you’d like to buy the ATCs to partner them until you’ve saved up for better, 4 75mm soft dome midband driver you should be prepared to be reminded why you need to save up! In practical terms, this is the biggest problem – they are too revealing for DP: What does the SCM40 set out most front ends and certainly those to achieve? in their price class. Most buyers with RN: We designed this product to improve upon its predecessor 4 this sort of money will not want through the incorporation of the new something that tears into recordings ATC SH25-76 tweeter, a better in such a way. Play some classic cabinet construction and further Blue Note jazz in the form of Lou refined crossover design. The SCM40 Donaldson’s Alligator Bogaloo, and it’s wonderfully sonorous and insightful, aims to offer the extremely high 3 2 performance and good value for swinging along like you wouldn’t money in a package suitable for most believe. But move to the Byrds’ Eight living/listening rooms. It sports the Miles High (recorded around the same same bass and mid drivers as the time) and it sounds disappointingly previous model, but the tweeter has thin and insubstantial; it’s still undergone a huge upgrade. It’s the musically enjoyable, but doesn’t product of seven years’ development half sound poorly recorded. and is the only dual suspension 25mm tweeter on the market that we Conclusion are aware of. The dual suspension Given a serious source and recording, design allows us to overcome the the new ATC SCM40 is superb – I issues associated with ferro-fluid know of no price rivals that give this designs. The speaker sounds level of accuracy, speed and insight. dynamic and honest. It strings the rhythmic elements of Why choose an infinite baffle ease-of-drive in their favour, but can the mix together brilliantly, punching cabinet design? bring problems related to phase out subtle dynamic infl ections in a Many sources of non-linear distortion integrity across the whole frequency. marvellously satisfying and visceral in loudspeaker drive units are directly This often means the bass can sound way. But then again it will have you related to excursion. By tuning a port like it’s a fraction of a second behind. fretting about how best to drive it for to essentially clamp the motion of the HOW IT Not so the SCM40, and the way it years to come, because you know it’s bass driver at its resonant frequency COMPARES integrates its superb low frequencies capable of a level of transparency (Fs) we are able to keep the non-linear with the midband is a joy; in this you’d normally only expect from distortion low. It’s this approach we Selling for £3,495, region it’s more searching than many, loudspeakers at three or four times its Spendor’s D7 is an adopt in our larger loudspeakers, established favourite. It but is never harsh unless the source price. It’s certainly a great speaker to where it should be noted that Fs is extremely well built and/or song is too. It sounds like a commit to and build a system around occurs at a very low frequency. At and finished, displays veil has been lifted from in front of – but if you’re looking for something frequencies below the port tuning real engineering depth the music and it gives an explicit that’s simply going to make ‘a nice the bass driver essentially operates in and turns in a very fine insight into the proceedings. I am noise’ regardless of partnering free air, undergoing large excursions sound. It manages to deftly balance out impressed by how deep it digs into equipment and recordings, then and producing all manner of Thomas Dolby’s Airwaves; it ekes its others are certainly going to be a undesirable non-linear distortion. In detail retrieval and musicality, while being way into the groove and throws out more appropriate match ● large systems where Fs is so low we easy to drive and easy loads of info. It sets up an accurate can control the motion right down to going on ancillaries. the lowest frequency in the audio stereo soundstage and hangs images Not so the ATC SCM40, back when needed, but projects well band, but in smaller systems the lack which is an altogether of control below Fs would result in a more revealing speaker when called upon. It proves highly OUR VERDICT coherent in its handling of phase, poor performance. So an infinite – it cuts right into what’s SOUND QUALITY LIKE: Superlative baffle design on the SCM40 gets really good in the everything snaps into focus and clarity; excellent control over the bass driver across recording and tells you arrives at the right place and time. phase coherence; sublime bass its complete operating band and in all about it as bluntly as Despite that big, prodigious bass, VALUE FOR MONEY a Yorkshireman in a bad you would not call the ATC warm. DISLIKE: Hard work turn reduces non-linear distortion. mood. If the ancillaries for an amplifier; too BUILD QUALITY The 12dB/oct roll out associated with and recording are great It has quite a revealing balance that revealing for most an infinite baffle design also provides the ATC flies ahead of isn’t afraid to ‘do’ bright when the WE SAY: A great modern monitor a fantastic transient response the Spendor; most recording and/or ancillaries dictate. EASE OF DRIVE loudspeaker, but resulting in a bass that sounds tight, obvious is the brilliant Treble is airy, spacious and well not for all controlled and fully representative bass grip and searing etched. The looped hi-hats on of the audio signal. midband detail. They’re OVERALL both excellent speakers Beatmasters Who’s In The House? are and worth auditioning. crispy and scratchy, which is just how they should be. There’s no gilding of

44 OCTOBER 2014 The Complete Path to Audio Purity.

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For available stockists go to www.korg.com/DSDAC100 SPENDOR D1 REVIEWS STANDMOUNT LOUDSPEAKER £1,795

46 OCTOBER 2014 SPENDOR D1 STANDMOUNT LOUDSPEAKER £1,795 REVIEWS

DETAILS quieter. So any prospective purchasers will need an amplifi er of at least 60W PRODUCT Spendor D1 RMS per channel to get decent levels Thinking big ORIGIN even in a smallish room. UK Suitably set up, run close to the TYPE back wall and toed-in just a touch it 2-way standmount gives an unforgettable sound. Talk Spendor’s new D1 is the greatest in a long loudspeaker about squeezing a quart into a pint WEIGHT line of mini-monitors that stretches back 5.7kg pot – it throws images wide left and DIMENSIONS right, in an amazingly unselfconscious four decades David Price is impressed (WxHxD) way. Aside from an obvious lack of 165 x 305 x 190mm ‘thump’ and ‘grunt’ from the lowest FEATURES octaves of the music, it shows ● Infinite baffle amed for producing The D1 also gets two brand new cabinet design absolutely no concessions to its loudspeakers since the D-series drivers. First is the 22mm ● 22mm linear diminutive dimensions. It is smooth, days of the BBC LS3/5A Spendor Linear Pressure Zone phase hybrid soft well integrated between the mid/bass F dome tweeter back in the mid seventies, tweeter, which has a sequential ● 150mm EP77 unit and the tweeter, and yet has a Spendor made vast numbers of the geometry micro-foil. Its stainless steel polymer coned naturally spry and airy disposition mini monitor as well as offering its front plate forms a damped acoustic mid/bass driver that’s bubbling with detail. Fed ● 600mm stand own SA1, which shared the BBC chamber directly in front of a option (£595) Kraftwerk’s Tour De France Étape 3, it design’s tiny dimensions but was lightweight woven polyamide bops along – of course, it loses all the DISTRIBUTOR turned through 90°. The D1 you see diaphragm, and this incorporates a Spendor Audio body of that lovely thumping bass here is the successor – the result is a phase-correcting microfoil to equalise Systems synthesiser, but still seems able to tiny loudspeaker that’s purposed to soundwave path lengths across TELEPHONE communicate its presence. You hear deliver extremely high-quality sound. the diaphragm surface. This also 01323 843474 the leading edges, but not the actual Purists may look on disapprovingly, generates a symmetrical pressure WEBSITE thunderous bass itself. This works spendoraudio.com but the venerable BBC design is environment on both faces of the surprisingly well, as it allows the virtually prehistoric by modern tweeter diaphragm so the tweeter listener’s brain to fi ll in the gaps. standards. The D1, however, uses the always operates in a balanced linear Given a bit of hip-hoppy acid jazz in latest thinking in drive units, cabinet mode, says Swift. the shape of Galliano’s Stoned Again, construction and bracing and Whereas the latter incarnation of its the D1 sounds like it is on springs. crossover design – rather than being a SA1 predecessor, launched in 2009, Wonderfully bouncy, the little box rival to the BBC box, it’s the spiritual used Spendor’s EP38 cone material, imparts the song’s every rhythmic the D1 employs EP77 – a material infl ection and microdynamic accent. They throw out a fi rst developed for the D7 last year Elements of the mix dash around the – in a new 150mm size for its mid/ room, these speakers throwing out a bewilderingly bass driver. This is claimed to be rigid bewilderingly wide soundstage given but non-resonant, and is mated to a Three finishes their size. Inside this, things are wide soundstage are available cast magnesium alloy chassis, high including Dark balanced; vocals appear very given their size effi ciency motor system, optimised Ebony as shown intimate, with a fi ne texture to the electro-dynamic damping. The heir. While it shares the size, it has polymer surround and elastomeric none of the drawbacks; the LS3/5A’s damped suspension minimise driver embarrassingly low power handling break-in time due to their stable and insensitivity simply aren’t an molecular composition, Spendor says. issue for the D1. Instead we have a The two units swap over at 4.8kHz thoroughly modern mini monitor. via a crossover sporting high linearity Like the iconic BBC design, this new plastic fi lm capacitors and high Spendor has an infi nite baffl e. The saturation inductor cores. No series reason for this, says designer Philip attenuating resistors are used, and Swift, is that doing it this way silver-plated copper wiring is fi tted. provides the best possible phase The rear terminals are of super coherence, and also gives the benefi t quality, but non-bi-wirable. of far more controlled boundary reinforcement. The D1s are designed Sound quality to work rammed against a rear wall Come to the D1s cold and your fi rst or on a bookshelf, where they’ll get a impression is the lack of bass, but welcome extra thump down below. once you’re over this, you begin to Spendor has spent a lot of time on fi nd yourself impressed by just how the woodwork; it uses asymmetric big this speaker sounds – assuming aperture bracing of its thin walls. you have a decently powerful The idea is not to store energy like a amplifi er, of course. Direct capacitor, but rather to let it disperse comparison with the old SA1 model as fast as possible, and with as little shows that the D1 is a little more resonance. Just like its big D7 brother, effi cient, but it’s still not good by Spendor’s ‘Dynamic Damping’ with modern standards. It’s brilliant by small low mass constrained polymer LS3/5a standards, of course, but dampers at key energy interface next to your average modern KEF points convert energy into heat. or Tannoy baby box, the Spendor is

OCTOBER 2014 47 SPENDOR D1 REVIEWS STANDMOUNT LOUDSPEAKER £1,795

Q&A IN SIGHT Philip Swift 1 1 22mm soft MD, Spendor Audio Systems dome tweeter

2 Infinite baffle cabinet design

3 Robust binding posts

2 4 150mm EP77 polymer coned mid/bass driver

DP: Why make this loudspeaker? PS: We wanted to create the definitive best-ever small loudspeaker. Not everyone wants floorstanders, and since the original Spendor SA1 (1976) and 4 3 LS3/5A (1982) we have established a strong worldwide niche market for small Spendor loudspeakers.

Why do an infinite baffle design? singer’s voice. Bass drums thunk with of the various instruments, whereas With a conventional reflex design, great speed and snares cut through its predecessor seems fl atter and less bass is enhanced by a resonant port the mix like the proverbial cutting detailed. Compared with some of the output. The ‘peaked’ resonant output implement through animal fat. The best full-size speakers there’s a slight introduces serious phase errors lack of overhang in the cabinet, added homogeneity to the tonality; it doesn’t between direct sound from the driver to the innate speed of the drivers, quite have an electrostatic-like insight and the port. That ruins the natural means that the music almost seems into a recording, but is still excellent timing and integration of music. to be speeded up. at the price. For Spendor that is a totally Feed the D1 with a well-recorded unacceptable compromise. classical piece such as Karajan Conclusion conducting the Berlin Philharmonic It’s not an easy life being a little Why not make the D1 cabinet playing Beethoven’s Pastoral loudspeaker, because the laws of as solid as you can? Solid implies high mass. That might Symphony on Deutsche physics loom large in your purview. be good for marketing, but it is rarely Grammophon, and you’re struck by There are many things a baby box good for sound. Mass stores spurious the air and space. The new tweeter is simply cannot do, so the trick is to energy and unless the energy is streets ahead of the previous dome design a speaker that doesn’t try, and dissipated very fast and silently it is fi tted to the SA1, offering more focus instead of what it can do well. released slowly and the ‘overhang’ insight and atmosphere. The SA1’s The new Spendor D1 does precisely causes unacceptable ‘blurring’ and HOW IT certainly isn’t bad, but the D1’s is this, and very skillfully too. It sounds ‘slowing’ of the sound, across all COMPARES superb at the price, indeed I am not remarkably expansive, spacious, frequencies. The Spendor D1 avoids sure you’ll fi nd a better HF unit on a detailed and dynamic considering its this by having a relatively light but There are very few sub £3,000 speaker. It isn’t a fancy diminutive dimensions. It’s also far direct competitors to very rigid structure with ‘Dynamic the D1; there are plenty ribbon design, but has much of the better than the outgoing SA1 than the damping’. It literally brings a breath of bookshelf speakers, openness, sparkle and lustre – this is £300 price differential would suggest. of fresh air to the sound. but few are as compact. most welcome with classical because So overall, I would say this is one of The closest is ATC’s new it carries the subtle textures of the the very best mini-monitors currently Why isn’t it bi-wired? SCM7. It’s a little bigger, strings with impressive delicacy on sale – or indeed ever made. It’s an A good single-wired loudspeaker will weighs a little more, but shares the D1’s infinite and refi nement. It’s able to snap essential audition if you’re spatially deliver consistent good sound with everything into focus, and work in challenged or unwilling to let large all good cables and amplifiers. baffle design. It’s a bit cheaper at £810 and perfect unison with the mid/bass loudspeakers change your life ● Bi-wired designs are highly sensitive this is reflected in the unit. Only on swinging dynamic to the smallest changes in cables sound; it’s great fun to and amplifiers. Some 20 years ago peaks do you notice the D1’s sound; listen to and has a bass generally it sounds wonderfully bi-wiring often made good sense, that belies its size, but but not today. it lacks the subtlety untrammelled, but when the music OUR VERDICT gets loud and complex there’s a subtle and insight that the D1 SOUND QUALITY LIKE: Highly musical How would you describe the sound has. It’s a little fuzzier sense of compression. Once again this and detailed sound; of the D1 loudspeaker? and less transparent, is physics rearing its inevitable head, excellent image projection It’s a captivating musical experience. and brings a tonal because there’s only so much one VALUE FOR MONEY homogeneity to 15cm cone can do on its own! DISLIKE: No low bass Gloriously detailed and dynamic, everything it touches, means sound won’t be BUILD QUALITY with deep and articulate bass! which the D1 doesn’t. In absolute terms, this is the biggest to all tastes The ATC is an excellent issue with the D1, although you have WE SAY: Brilliant mini-monitor, one speaker, and one of to be running pretty high levels and EASE OF DRIVE of the very best ever the very best small even then the compression is less than speakers at its price, any similarly sized box, including but it can’t hold a OVERALL candle to the versatility the previous SA1. Heidi Berry’s of the superb Spendor. Washington Square shows the D1 to be far better at tracking the dynamics

48 OCTOBER 2014 Two Head[amp]s Are Better Than One!

“A level of musical enjoyment beyond what its price tag suggests. Well engineered great sounding unit that brings music to life. Superbly musical... the best at its price.” Hi-Fi Choice

Dedicated to MM and high output cartridges - the £260 Gram Amp 2 SE

“Extracting both the music and emotion with utter conviction. The midrange textures were almost tangible, the treble sweet and airy, the bass deep and authoritative.” Audio Video

Dedicated to low output MC - the £280 Gram Amp 3 Fanfare

Upgrade - the £185 PSU1 power supply steps these legends up a gear!

High output MM cartridges and low output moving “The optional bigger coils are as different as power supplies chalk and cheese. Each managed to lift the needs a different type of performance, circuit to perform at its particularly the best, so why compromise sense of scale and by using a ‘one box does openness.” all’ phono stage? TNT Audio

Check us out at www.gspaudio.co.uk or phone +44 (0) 1909 568739 TEAC AI-301DA REVIEWS AMPLIFIER/DAC WITH BLUETOOTH £400

DETAILS straddles hi-fi , computer audio and living room domains without seeming PRODUCT Teac AI-301DA too brash, too minimalistic or looking ORIGIN like it’s been knocked together in DSD delight Japan someone’s garage. It feels reassuringly TYPE solid and inert and has a nicely milled Integrated amplifier motor-driven volume knob. with USB DAC and The AI-301DA is a versatile amp that will play Bluetooth The front power button clicks WEIGHT pleasingly when pressed and the hi-res formats and more. Adrian Justins’ 2.1kg input LEDs light up unambiguously to DIMENSIONS tell you which source is in use. If used problem is deciding which room to use it in 215 x 61 x 254mm with a TV or deck across a room (WxHxD) chances are you’ll struggle to decipher FEATURES ● 2x 40W Class-D the light show but you can use the nce upon a time if you amp. Another nice touch is that Teac power amplifier dinky handset, which is plasticky but mentioned the words provides free software, called Teac ● 2.8MHz/5.6MHz seems durable and thankfully has computer and audiophile High Res Audio Player, which extracts DSD native playback; dedicated buttons for each input. O 32bit/192kHz hi-res in the same sentence you those DSD fi les out of your computer ● Burr-Brown You’ll probably also need the remote would have been chased out of town. and passes them on to the DAC. PCM1795 DAC in a desktop setup as the volume level Those days are long gone and thanks If you use your computer within a ● aptX Bluetooth can’t be adjusted using a computer DISTRIBUTOR to hi-res audio downloading there’s USB cable’s length of the TV or CD Onkyo Europe keyboard (although you can manually now a turf war going on for player you’re well placed to take drag the volume slider within iTunes). TELEPHONE ownership of your desktop by hi-fi advantage of all of the AI-301DA’s +49 8142 4208141 The 6.35mm headphone jack will manufacturers eager to cash in with talents. Just remember if you want WEBSITE connect your cans to a dual 100mW products that deliver maximum sonic to extract every last bit of sonic www.teac-audio.eu output (at 32ohms load) while the satisfaction for those of us who like to goodness out of any computer-stored back of the AI-301DA provides just listen as we learn or earn hi-res fi les you need a cabled enough space for the slew of digital Understanding hi-res formats can be connection with the AI-301, as and analogue inputs comprising two more daunting than deciphering the Bluetooth wireless is not up to pairs of RCA phonos, a digital optical Da Vinci code in Nooksack, but one maxing your hi-res music fi les. If Teac input and a coaxial input, the latter thing that is incontrovertible is that had opted for AirPlay as well as or two offering 24/192 and 24/96 owning DSD fi les and not having an instead of Bluetooth, we’d be talking compatibility respectively. external DAC is like owning an E-type about wirelessly streaming hi-res fi les. The heavy duty speaker terminals and keeping it in the garage. One Whichever setup you plump for are banana plug-compatible and such example is the AI-301DA, which you’ll be listening to the unit’s 80W made from plastic-covered metal. A boasts a Burr-Brown PCM1795 DAC Class D power amp, made by subwoofer pre-out, USB service port and an asynchronous USB input. ICEpower of Denmark. This uses a and USB type B completes the It’s also a Class D amplifi er with a hybrid feedback oscillating modulator impressive jack pack. In asynchronous subwoofer pre-out and has a slew and a multi-variable enhanced mode the latter USB eliminates jitter of inputs that could well see the unit cascade control, which minimises by bypassing the computer’s inferior gainfully employed in a living room heat generation suffi ciently to negate internal clock. alongside a TV, DVD or CD deck. the need for a cooling fan. The aforementioned Burr-Brown The AI-301DA has a few other tricks The amp is styled in classical PCM1795 DAC eats 5.6MHz DSD up its sleeve, including a built-in component form, but has pleasingly and 32-bit/192kHz PCM signals for headphone amplifi er and aptX compact dimensions (just 215mm breakfast, should you choose to cook Bluetooth for the fi rst time on a Teac wide). Design-wise it successfully some up via the USB input. This

50 OCTOBER 2014 TEAC AI-301DA AMPLIFIER/DAC WITH BLUETOOTH £400 REVIEWS

Reassuringly allows native DSD bit streaming and are mesmerisingly smooth. Compared tantalisingly as you sense the air solid, but an LCD converts 5.6MHz fi les directly to with a standard resolution version the vibrating around the strings. display would be a nice addition analogue signals without the need piece is much more beguiling and I Teac’s choice of a digital amplifi er to fi rst convert them to PCM, am happy to listen to it repeatedly in rather than a Class A/B one means although it also supports DoP a way that I’d never do otherwise. the AI-301DA has an inherently (DSD over PCM) conversion. Dropping down a resolution notch clinical edge to its sound. This seems If using the unit for soundbar duties or two to a 24/96 FLAC download of to matter less with higher quality there’s a handy auto-on function, so Steely Dan’s Time Out Of Mind is still sources than it does with more turning the TV on will kickstart the totally engaging with a punchiness compressed ones, but it can be quite amp into life from its snoozing state, that’s normally absent when listening unforgiving with low bit-rate music and vice versa. through a built-in computer DAC streamed from Spotify or vTuner Using a USB connection and the or speakers. Donald Fagen’s vocals internet radio, where holes in the Teac HR Audio Player software you are airy and resonant and the dynamic range are dissatisfying. may think all your hi-res troubles are percussion has an unexpected over, but that is not quite the case. dimensionality about it that seems Conclusion On a Mac the software is easy to to come from above. There’s an awful lot to like about download and install as no additional Fantasia on Greensleeves, another the AI-301DA, especially the way drivers are required. It’s also a cinch hi-res FLAC download, shows the it handles DSD fi les over USB by dragging and dropping fi les to create AI-301DA has a deftness of touch combining fl awlessly with the Teac and save playlists, but (unlike other HR Audio Player software. It’s a software such as Audirvana) fi le A slick device that shame the software can’t handle compatibility eschews all of Apple’s Apple’s own hi-res formats, but you formats. So while you can play DSD channels networked can revert to iTunes where necessary. (2.8 and 5.6), FLAC and MP3 via the music eff ortlessly The amp is excellently built, looks HR Audio Player, you have to use the part and is highly versatile in iTunes for M4A, AIFF and ALAC, as to your hi-fi terms of its fi le handling and source well as DXD WAV fi les. You also need compatibility, although its lack of to manually switch the audio output with sumptuous strings that are AirPlay or Ethernet makes it more to USB or back again using the immaculately timed, grabbing me by limited when used in a living room computer’s sound preferences and the emotional collar and carrying me situation. Still, given the highly may have to tinker with the frequency away to a leafy meadow. I can almost reasonable price it makes a more than settings using the Audio MIDI utility. taste the cucumber sandwiches before compelling case for itself as a desktop As such, it’s a shame the AI-301DA I am rudely awakened by a bit of amp for the computer-using doesn’t have an LCD display that tells head-thumping bass from Lorde and audiophile generation ● you the incoming format, bit rate and her Royals. This time I listen via sampling frequency. Bluetooth and as pleasingly coherent as it is, with no loose or woolly bass Sound quality notes I don’t feel the same spine- OUR VERDICT The AI-301DA can muster two tingling quality to her vocals as I do SOUND QUALITY LIKE: Good design; channels at 40W (claimed) and has with better-quality formats. DSD handling; inputs enough in its tank to comfortably The gap between wireless and DISLIKE: iTunes drive a pair of speakers with an hard-wired connections is proven VALUE FOR MONEY incompatibility; clinical digital sound; no impedance between four and eight by a comparison of CD and Bluetooth AirPlay/wi-fi BUILD QUALITY ohms. Going straight in for the kill I versions of Diana Krall’s My Love Is. WE SAY: Superb with am blown away by the clarity and The latter is decent and has plenty of hi-res; versatile enough to use in the living openness of my DSD collection. The verve and gusto, but there’s a small FEATURES room and compact violins and cellos in Vivaldi’s Concerto but signifi cant increase in detail with enough for the study in D minor opus 4 no.8 Allegro have the CD version. Krall’s seductive OVERALL an energy and vitality that almost vocals are a touch more resonant and penetrates my joints. The mid-range the double bass twangs that much simply shines and the low frequencies more so that the long low notes hang

CONNECTIONS

1 2 3 4 5 1 4mm speaker binding posts

2 Analogue line inputs

3 Subwoofer output

4 Asynchronous USB input

5 Coaxial and optical digital inputs

OCTOBER 2014 51 MICROMEGA MYAMP REVIEWS AMPLIFIER/DAC £480

DETAILS 250VA transformer with 15,000μF capacitors) is up to the job. PRODUCT Micromega MyAmp The MyAmp is designed to be small My oh my! ORIGIN and relatively powerful then, but its France other key criterion is convenience. TYPE After all, what would be the point if it You don’t have to be a nihilist to enjoy Amplifier/DAC needed a raft of extra boxes to give it WEIGHT meaningful functionality? To this end, 1kg Micromega’s cute new MyAmp integrated the unit has a built-in ESS Sabre DIMENSIONS (WxHxD) Hyperstream DAC giving 24/96 via amplifier and DAC, says David Price 140 x 75 x 140mm its electrically isolated USB input and FEATURES 24/192 via optical and coaxial digital ● Quoted power inputs. This means you can plug your output: 2x 30W RMS he name says it all. In a more cheaply. Looking inside the (8ohms) CD player, DAB radio, Blu-ray player Googled-up world that MyAmp, the cynic in me had expected ● 1x USB, 1x optical, or PlayStation in, as well as your monitors your every online to see a few nondescript Class D 1x coaxial digital computer to play your hi-res fi les. T inputs movement in order to modules or some such – basically the ● 3x analogue This is undeniably handy, but another better sell you things you want to buy, easiest and most inexpensive way inputs feature that’s really nice to have is this new miniature Micromega box of getting it to make a squeak. But, ● ESS Sabre aptX Bluetooth, and the MyAmp is Hyperstream catches the zeitgeist perfectly. The surprisingly, the company has gone 24-bit/192kHz DAC thus equipped. There’s something MyAmp is your amp, because you’re the Class AB power amplifi er way. ● Headphone really nice about pumping out your an individual. It’s something that’s This doesn’t in itself guarantee output favourite tunes via the world’s most made for you – yes, just you, and superlative sound, but it does tell us DISTRIBUTOR convenient remote control, namely everyone else like you! that the designers haven’t been Wireworld UK your smartphone or tablet. TELEPHONE Well alright, I’ll excuse it the rather content to take the obvious option. 0208 9919200 Then there’s the analogue inputs; obvious name, because that’s the Micromega uses a Class AB circuit three of them to be precise. Three’s a WEBSITE only thing predictable about it. that claims a solid 30W RMS per wireworldcable. great number – just the one pair of Actually, if you were ninety nine channel and twice that into half the co.uk RCA line ins (to connect the phono out of a hundred small amplifi er load – this suggests the MyAmp’s stage from my turntable) would manufacturers, you’d probably do it 260W LLC Resonant Mode power probably do me. Importantly, unlike differently – by which I mean much supply (claimed to be equivalent to a a number of similar ‘personal audio

52 OCTOBER 2014

0052-054_389_Micromega_v7_EHJDWLD.indd52-054_389_Micromega_v7_EHJDWLD.indd 5252 119/8/149/8/14 14:15:3914:15:39 MICROMEGA MYAMP AMPLIFIER/DAC £480 REVIEWS

products’, the MyAmp doesn’t convert into coarseness, even with thin It’s time to try some seriously it to digital before going back to sounding and forward source material powerful percussive music and so analogue – the analogue signal such as Gangsters by The Specials. K-Klass’ Rhythm is a Mystery is duly remains unalloyed as it progresses Indeed this track proves great fun, cued up – a powerful, pounding through. Other features include a with a bouncy and supple bass, a house track from the early nineties 3.5mm headphone socket, a sub clear and detailed midband and with massive tracts of thumping synth output and remote control sockets a crisp, lustrous treble. There is bass. If this doesn’t get an amplifi er around the back. The binding posts certainly no sense of this dinky out of its comfort zone then nothing are big and chunky, just about the integrated being a cheap ‘lifestyle’ will, but the MyAmp responds rather best I’ve seen on a little amp. audio component; instead it sounds demurely. It kicks out great big slabs In use, the Micromega works well. precisely like the fi ne compact of low frequencies, and even at high The 256-step volume control with its amplifi er that it is. volumes it remains relatively very fi ne 0.5dB steps is a little fi ddly Moving to some slicker and more composed, showing few signs of via the fascia buttons, but easier by sophisticated soul music, and the being perturbed by what it is being the remote control; source selection Micromega continues to impress with asked to do. It gets a bit warmer is simple enough either way. A Isaac Hayes’ Cafe Reggios, which admittedly, but doesn’t seem to credit-card type remote control be sweating musically, remaining is supplied, which I suspect is how Sophistication such balanced across the frequency range most people will use it. with no obvious signs of discomfort as this is really rather higher up. This track can sound just Sound quality unexpected from a a little bit forward, partly because it I fi rst heard the MyAmp driving a was recorded on early nineties DAT pair of large Focal Scala v2 Utopia product of this price machines, but the Micromega doesn’t loudspeakers at this year’s Munich make a fuss and remains eminently hi-fi show back in May, and was sounds surprisingly sumptuous and listenable. Indeed, it should be able to taken aback by how good it sounded inviting. This track is beautifully drive any average or above average – specifi cally its surprisingly open and recorded and has some delicious silky sensitivity pair of speakers; anything expansive character. With a detailed string sounds running right through, above around 88dB should really midrange and unexpectedly powerful which the MyAmp handles very move air in your listening room. I bass for its size and price, it doesn’t respectfully. Unlike lesser small fi nd it works extremely well with a sound like most small amplifi ers. budget amplifi ers, it remains both similarly priced pair of Q Acoustics Even driving my reference £7,000 smooth and composed, doing just 2050i fl oorstanders. Sonus faber Olympica II loudspeakers enough to give a realistic timbre to After confi rming that it is capable and fed from a £9,000 dCS Debussy those gorgeous sweeping strings. At of very respectable sound through DAC, the Micromega isn’t exactly the same time, the amp bounces its analogue input, I move to hi-res overwhelmed. Most people, however, along in the bass and serves up digital via the USB input. Kate Bush’s will use it with more sensibly priced a satisfyingly spacious recorded Fifty Words For Snow album at 24/96 ancillaries; my sample spends acoustic. In absolute terms, you is a joy to listen to. Such deep, rich, The elaborate much of the review period driving can tell that there is a very slight sonorous piano sounds on Snowfl ake pattern on the Q Acoustics 2050i speakers, fed softness to the cymbals, and lower are unexpected from a diminutive side isn’t for show, it’s a from my laptop computer via USB. down it doesn’t quite have the design such as this. I am also convection Via any of its three analogue inputs, transparency of more expensive impressed by the icy clarity of Kate cooling duct the little MyAmp remains enjoyably amplifi ers, but it still makes a good Bush’s voice, as it’s precisely the sort smooth and even, never descending stab at getting things right. of thing that many budget amplifi ers

CONNECTIONS

1 2 3 4 1 Stereo RCA analogue inputs

2 Subwoofer output

3 Optical digital input

4 USB type B input

5 Coaxial digital input

6 4mm speaker binding posts

6 5

OCTOBER 2014 53 MICROMEGA MYAMP REVIEWS AMPLIFIER/DAC £480

Styling is elegant Q&A and minimalist, although the Abbas Hussain small buttons MD, Wireworld Ltd can be fiddly

DP: How does the new series of My boxes sit in Micromega’s range? AH: The new owner of Micromega, Didier Hamdi, wanted to have a range of products that offered outstanding performance for the money. The My range demonstrates the exceptional talent of the design team at Micromega and that the company is prepared to invest heavily in can fall over trying to get right. Conclusion development and tooling. We’re However, the MyAmp proves Micromega has always been a moving away from conventional hi-fi remarkably civilised compared with purveyor of unusual and quirky products, and there are some unique some rivals at the price here; it is a products – it’s a long way from the new flagship products in the pipeline pleasure to experience such a wide rather bland, predictable and generic – watch this space! and cavernous sound. There’s a designs you often see coming from certain directness and closeness you Japan, for example. So it was never What would you say were the get from the digital input, which the any surprise that the MyAmp was design aims for the MyAmp? analogue inputs don’t quite have, going to be an interesting little box, We wanted to meet the exacting and it makes this track particularly and so it proves. In addition to its requirements for both the digital moving to listen to it. clever industrial design, the unit generation and serious audiophiles Bluetooth is undoubtedly a great appears to have been built very well at an affordable price and in a small convenience feature, although it to do the job for which it is purposed. space; delivering functionality and performance way beyond its price shouldn’t really be used for serious The small, robust case doesn’t get too point. We think we’ve succeeded. hi-fi listening in my view, even the hot even at high volumes, and is just desirable aptX version fi tted to the big enough to house an amplifi er able Why use Class AB when many to drive most real-world loudspeakers rivals have opted for Class D? There is no sense of to reasonable sound levels – and Well, Class AB sound is much indeed, it tickles them in a really preferred by audiophiles, it’s HOW IT this dinky integrated enjoyable and charming way. The generally thought to be more COMPARES being a cheap Gallic fl air that the aesthetic and musically engaging and natural. ergonomic design shows also applies However, it is true that this type of £400 buys you NAD’s to the way it makes music. Despite Bluetooth-equipped D lifestyle component circuit generates more heat and 3020, and in some ways giving an engaging sound, it remains requires a substantial power supply. it’s a more attractive MyAmp. But one would never say surprisingly refi ned; sophistication With this in mind, Micromega has package. But it has one this about the coaxial input, because such as this is unexpected from a designed an advanced miniaturised less analogue input and when driven by a Cyrus CD Xt product of this price. If you’re looking cooling system and power supply to uses Class D modules, Signature transport things sound for a compact amplifi er to make be able to make an uncompromising which don’t sound as good and don’t seem to excellent. Of course, it cannot match music in your study, bedroom or sounding amplifier in such compact the clarity, transparency and scale of kitchen I can think of few that are dimensions. It was a big ask, but we have the current driving ability of the MyAmp. some £1,000 amplifi ers but then you better than this ● did it. The French design wouldn’t expect it to. But put on a proves more fun to Why use an ABS polymer case? well recorded classical music CD such listen to, across all as a DG pressing of Beethoven’s Fifth We didn’t go for the predictable types of music. The pressed steel or aluminium case for NAD really is good – Symphony and you hear a spacious, OUR VERDICT smooth and detailed sound that sound engineering and performance being an exceptional SOUND QUALITY LIKE: Size; style; reasons. First, it leaves more money implementation of only gives a little away in terms of packaging; sound; to spend on the electronic Class D – but the neutrality and fl uidity to slightly flexibility components (because less goes on Micromega is better pricier and larger designs. Even with VALUE FOR MONEY DISLIKE: Nothing at still at its price, such delicate and subtle programme the price the casing), and second ABS has real sonically. It’s less BUILD QUALITY WE SAY: Lovely, performance advantages over metal gloopy in the bass, material the Micromega performs characterful, compact cases. For example, it has influence more animated and remarkably well, giving a decent integrated amplifier; best in class on the high frequency circuitry and seems a bit more sense of the scale and dynamics FEATURES is more immune to ringing and spacious. In absolute of the recording. vibration, which is important as most terms it’s less The biggest criticism one would processed sounding OVERALL semiconductors are microphonic. make is the lack of stereo depth, This really gives worthwhile and just seems to flow along a bit better. which isn’t exactly untypical for performance gains. integrated amplifi ers at this price.

54 OCTOBER 2014 Xpression Carbon

Xpress your sound, Xpress your look...

March 2014 February 2014

A Classic Made New...

The Xpression Carbon is the latest version of Pro-Ject Audio Systems’ original turntable, the Pro-Ject 1. This new model employs a brand new carbon fi bre tonearm with an Evolution-inspired support structure. The superior motor, with isolation blobs designed by Ortofon, drives a high-quality platter that can be fi tted with either a Cork or Felt mat. The plinth is available in three stunning fi nishes*, and the arm is rounded off with an Ortofon 2M Silver cartridge to create a comprehensive package that would suit any system.

Available in the UK through Henley Designs Ltd. T: 01235 511 166 /HenleyDesignsLtd E: [email protected] /HenleyDesigns1 W: www.henleydesigns.co.uk

* Bordeaux fi nish shown

JBL AUTHENTICS L16 ONE-BOX SYSTEM £900 REVIEWS

DETAILS Sound quality PRODUCT The L16 has a wide and chunky JBL Authentics L16 cabinet for a one-box speaker system, ORIGIN but even so the drive units – and most Retro life China importantly the tweeters – are less TYPE Wireless streaming than 1m apart, so you’re not going Vintage style is very hip, but is this wireless speaker system to get a wide spread soundstage to WEIGHT approach anything like that of stereo speaker system from JBL bang on trend or 16.3kg hi-fi standards. What you do get is a DIMENSIONS very big sound that easily goes loud a step too far? Lee Dunkley checks it out (WxHxD) and is capable of fi lling a medium-to- 818 x 294 x 369mm large sized room, but it’s not a sound FEATURES ● Three-way bass that manages to break away from the ooking a little bit like a per side – 1in tweeter, 2in midrange reflex stereo confi nes of the cabinet. piece of furniture you and a 5.25in bass driver – making the speaker system Playing That’s Alright by Laura ● 2x USB (charging L might fi nd back in a L16 a stereo three-way design. Each only); optical digital Mvula Live With Metropole Orkest seventies living room speaker is driven by a dedicated 50W input streamed over AirPlay, the L16 opens housing a radiogram, JBL’s Authentics (claimed) power amplifi er. Bass refl ex ● Switchable line-in; with a pleasing tone and keeps pace MM and MC input L16 is anything but old school. The ports are found underneath the unit ● AirPlay; Bluetooth; with the track’s energetic rhythm. design of this one-box audio system surrounded by a substantial metal DLNA wireless As the orchestra builds behind the is actually based on the company’s housing – this is one of the reasons DISTRIBUTOR vocalist, the JBL shows off impressive Century L100 bookshelf loudspeaker for the L16’s considerable weight, no Harman Consumer capabilities, producing a warm and UK and utilises foam grilles similar to doubt – as well as the aforementioned rich sound with the complex TELEPHONE those found on the popular seventies socketry for wired input connections. 01707 278100 arrangement that’s not entirely model, giving the L16 a retro feel that It’s a clumsy arrangement given that WEBSITE authentic, but is easy on the ear. As is very much on trend today. you have to connect wired sources uk.jbl.com the track builds, however, the JBL Measuring over 800mm wide, the underneath the cabinet – rear panel shows its weakness and instrument walnut-veneered unit is a thoroughly connectivity would have been a much placement feels cramped and lacking modern one-box audio system with more elegant and practical solution. a sense of space around instruments more wireless connectivity options Wireless setup is a simple process of that sees them lost in a congested mix than you can shake a smartphone at, linking the L16 to your wi-fi network of sounds and diffi cult to pick out. including AirPlay for iTunes and iOS, or pairing with your Bluetooth or Treble is in good measure, but it’s DLNA for Android and Windows AirPlay device. not the last word in detail, and the devices and Bluetooth – although L16 has a relaxed nature that’s easy to there’s no mention of the aptX codec. Appy and you know it listen to and masks poorer quality As well as extensive wireless options System functions are mainly taken material. Bass is full and surprisingly including Near Field Communication control of by JBL’s music player app extended for the size of the cabinets, (NFC), the L16 also has two USB – available as a free download – as but it is a little augmented at the inputs beneath the removable top well as providing assess to your factory settings, and requires some plate for charging devices – sadly networked music library. Two dials tweaking of the tone controls to wireless charging isn’t available on are neatly inset at either side of the achieve a more balanced and even European models for Qi-compatible top face of the cabinet to enable sound across the frequency range. devices. Wired sources are catered for source input selection and adjustment via digital optical socket as well as a of the volume without the need to Conclusion set of stereo RCAs that offer selectable reach for your smart device. The L16 handles a wide variety of input sensitivity between line-level or Additional controls can be found on wireless sources and is capable of MM and MC phono inputs, allowing it the app for tweaking the bass, mid playing material streamed at all kinds to play signals direct from a turntable. and high tone settings. There’s also Seventies styling of quality levels up to 24/96. Its It is a solidly built unit with an Harman Clari-Fi technology that disguises a host styling and sonic signature is a little of connectivity excellent fi nish. Hidden behind the claims to improve the sound of options that yesteryear and soft for my tastes, but wraparound detachable foam speaker compressed music fi les by analysing bring the L16 it’s ultimately the narrow soundstage grilles there are three speaker drivers and enhancing the audio signal. bang up to date and high price that score against it ●

OUR VERDICT SOUND QUALITY LIKE: Versatile wireless connectivity; goes loud and makes music fun VALUE FOR MONEY DISLIKE: Retro style may not appeal to all; poorly located sockets BUILD QUALITY for wired sources; high price WE SAY: A fun one-box FEATURES audio system with a classic style of its own OVERALL

OCTOBER 2014 57 AUDIOVECTOR KI 1 SUPER DISCREET REVIEWS ACTIVE STANDMOUNT LOUDSPEAKER £1,850

58 OCTOBER 2014 AUDIOVECTOR KI 1 SUPER DISCREET ACTIVE STANDMOUNT LOUDSPEAKER £1,850 REVIEWS

DETAILS rack space and doesn’t require any signifi cant investment beyond the PRODUCT Audiovector active package itself. Just play Ki 1 Super Discreet The aesthetics of the Audiovector ORIGIN active system are perhaps Denmark unsurprisingly very similar to the TYPE passive version of the same speaker. Audiovector has approached active Two-way active standmount The Ki 1 is a diminutive speaker, but speaker design with a distinctive twist, loudspeaker feels solidly assembled and the drive WEIGHT units – a silk dome tweeter and a Ed Selley finds out if it delivers the goods Speaker: 4.15kg woven fi bre mid bass driver are DIMENSIONS shared with the passive versions. (WxHxD) 140 x 260 x 220mm The middle ‘Super’ spec of the three pparently, wireless speaker now connect to the Discreet hub that FEATURES available levels of Ki 1 is supplied, systems are like buses. is the second part of the active ● 3x digital, 1x which fractionally increases the No sooner had Elipson’s system. This is a small plastic chassis analogue input frequency response over the standard A ● aptX Bluetooth impressive Planet LW and that is fi tted with a matching pair of ● 1x 40W, 1x 60W Ki 1. The styling is a little on the busy Bridge system passed through the speaker terminals (and there is only a Class D amplifiers side with a silver front panel that has Hi-Fi Choice review process (HFC single pair, hence the need to decide ● 24-bit/96kHz a lot going on with drivers, bass ports digital processing 387) than the Audiovector Ki 1 Super between left and right on the speakers (optical only) and various fastenings all crammed Discreet System hovers into view. themselves) and a selection of inputs into a fairly small space, but the effect DISTRIBUTOR On paper, the similarities are striking. – two optical, one coaxial, an Henley Designs is far from unpleasant. The Audiovector system comprises a analogue connection on a 3.5mm jack TELEPHONE The hub is unavoidably small and pair of the Ki 1 standmounts and the and aptX Bluetooth. Audiovector 01235 511 166 made out of plastic, but is soft to the company’s Discreet hub that form a makes slightly liberal mention of WEBSITE touch and the small size means it is self-contained system uncannily like AirPlay before mentioning that this audiovector.com unobtrusive enough. The system of the Elipson. would require an additional AirPort different coloured LEDs to denote Audiovector has a long and different inputs is simple but effective distinguished history of going about The scale and and the Bluetooth pairing is easy and the business of loudspeakers in a reliable. Audiovector doesn’t supply a slightly different way to everybody assurance is the remote, but other remotes can be else, though. The Discreet wireless perfect foil for pretty made to control the hub and after system you see here is installed in the some experimentation this works Ki 1, but thanks to the upgradable much any music reasonably well. If all else fails, a nature of the Audiovector range it is volume toggle is fi tted to the rear applicable to over 30 models in the Express to function, which needs to panel to allow physical adjustment. company lineup and you can take be taken into account. High-res an existing pair of passive speakers 24-bit/96kHz playback is also only Sound quality and convert them to this spec. The available via the optical connections Connected to a Cambridge Audio conversion process involves changing with the coaxial limited to 16/48. 752BD Blu-ray player via optical to the terminal panel to include a pair of These are the only real omissions in act as a streaming source and a compact Class D amplifi ers – one an otherwise rather clever piece of Lenovo ThinkPad connected over 40W and one 60W – and a switch equipment, though. The Audiovector’s Bluetooth for testing streaming, that confi rms whether each speaker trump card is that this pair of active the active Audiovector makes an is the left or right channel. More speakers and hub only requires a interesting comparison to the passive complex models include switches to single mains input as power is Ki 1 Super that passed through as alter in-room performance, but the distributed via the dedicated run of part of a group test (HFC 371). As Ki 1-based system does without that. speaker cables that is supplied with might be expected, the fundamental The revised back panel still features the system. This means that the character of the Audiovector does not a pair of speaker terminals, but these system makes few demands on plugs, change too signifi cantly in the move

CONNECTIONS

1 Speaker terminals 1 2

2 Coaxial input

3 Optical inputs

4 Analogue input

5 IR/RS232 output

6 Volume toggle

6 5 4 3

OCTOBER 2014 59 AUDIOVECTOR KI 1 SUPER DISCREET REVIEWS ACTIVE STANDMOUNT LOUDSPEAKER £1,850

Q&A IN SIGHT Ole Kilfoth 1 Founder and owner Audiovector 1 Silk dome tweeter

2 Left/right channel selection switch 2 3 Terminals to connect to hub

4 Woven mid/bass driver

5 Front bass ports

5 ES: How did you decide to make use of the hub as part of the system? OK: The decision to use the hub for powering the amplifiers with 24V and at the same time transmitting the 3 data via the same cable was based on 4 the fact that everything is up sampled to 24-bit/192 kHz for better performance. This is not (yet) possible without problems in a wireless transmission. And the from passive to active, but there are down, though. The Bluetooth speakers need power anyway. This is some little details that stand out. performance both in stability and now done in the most discrete way The most signifi cant of these is that range terms and in musical via 3mm white cables and without fat where the passive Ki 1 Super trades performance is exceptionally good power cables. off a little energy at the frequency and more than a simple convenience extremes for midrange lucidity, the feature. In many ways it is a better Do the majority of Discreet systems active system seems to roll off less at partner to the optical connections start life as such, or are many the top end than previously. There is than the inexplicably hamstrung upgraded from passive speakers? an additional power to vocals and coaxial connection. The majority start as a Discreet high-frequency instruments that gives system, because it is early days. the system some extra realism. This Conclusion We have had a few customers who additional top-end grunt integrates As a package – and due to the way it have upgraded from passive Si 3 Avantgarde Arreté/Naim separates well with the rest of the frequency operates it really can’t be viewed any to save space and please their wives. response and doesn’t come at the other way – it does an awful lot right. They have not been disappointed. expense of the lovely midrange On occasions, I have viewed the cohesion that the Ki 1 demonstrates company’s inbuilt upgrade policy as Does altering a speaker to active in passive mode. The bass response being a little bit of window dressing, operation confer the same benefits doesn’t have the same perceived but here it makes a lot of sense. as designing one from the outset? augmentation although the fi gures Viewed either as a straight purchase Actually Discreet speakers are HOW IT suggest it is also enhanced over the or an interesting upgrade, the passive Audiovector speakers with COMPARES passive version. Discreet system is compact, well built-in amplification. The separate What this means is that with the fi nished and manages to take an curves of the drivers are the same for It is impossible to avoid 24-bit/96kHz FLAC of Pink Floyd’s already capable standmount speaker making comparisons passive and active Discreet versions. between the The Division Bell, the Audiovector and extract a little more performance The fact that a Discreet three-way Audiovector and the excels at delivering an energetic and from it while upping the convenience speaker uses three amplifiers, Elipson Planet LW and consistently engaging performance levels at the same time. It isn’t reduces losses as on any active Wireless Bridge. The that is wider and more expansive completely perfect, but what it does speakers. This is just more compact. Audiovector is than the two diminutive boxes it does with enough capability and undoubtedly more And digital all the way. The only delivering the sound suggests is assurance to make this a system converter is the A-D for the analogue flexible with more possible. The scale and assurance it well worth seeking out ● input. One of the beauties of the inputs (some of which has is the perfect foil for pretty much system is you can avoid conversions are hi-res) and the fact it uses a single mains unless you use a turntable. any genre of music you can think of, socket. It cannot rival which when combined with the the superlative build liveliness of the Ki 1 is an enticing Are there plans for a simplified of the Elipson, though, OUR VERDICT combination. At the same time, the active option with RCA or XLR and the Planet comes SOUND QUALITY LIKE: Lively and inputs and no hub? with some deeply sense of fun never tips over into entertaining; build The system does not work without impressive mounting anything you might perceive to be quality; connectivity the hub. All signal processing is going options available. inaccurate or coloured. VALUE FOR MONEY DISLIKE: Not pretty; limited bass; oddly on via a NASA-specified powerful Sonically, the two are The decoding in the hub closely matched. The limited coax input DSP chip in the hub. complements the Ki 1’s presentation BUILD QUALITY Audiovector is more WE SAY: A distinctive One day the function of the hub exciting, but the Elipson exceptionally well and due to the highly effective take on the active speaker will be integrated in the speaker’s symbiotic nature of how the two FEATURES produces astonishing that makes a great amplifiers. That is when every bass and a wonderful products work together, it is hard to deal of real-world sense possible signal will be streamed soundstage. Time to tell where the attributes of one ends OVERALL directly from the sky. Until then we find a dealer that stocks and the other begins, which surely think people will want to connect them both and give them an audition... must be the intention. Some parts CDs, TVs, turntables, etc to the hub. of the performance are easier to pin

60 OCTOBER 2014 www.chord.co.uk

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SUBSCRIBE SECURELY ONLINE CALL OUR ORDER LINE Quote ref: V650 www.subscription.co.uk/hificl/V650 0844 543 8200 Lines open weekdays 8am – 9.30pm & Saturday 8am – 4pm BT landline calls to 0844 numbers will cost no more than 5p per minute. Calls from mobiles usually cost more. INSIDER FEATURE PETER COMEAU, IAG

SPEAK EASY David Price chats with IAG loudspeaker supremo Peter Comeau about his life,

times and latest designs… Shenzhen, South China

hen I last sat down to talk to Peter was used as a research tool – I remember and considered to be the norm. But by 1976 Comeau he was just about to Leak coming down and showing me the he had itchy feet. It was prompted by hearing W move to Shenzhen in South China, supposedly phase-perfect, stepped baffl e how bad so many budget loudspeakers were. as the newly appointed director of loudspeakers, to see if the R&D people had “What was apparent was that at that time, in acoustic design at International Audio Group. done their job properly! order to have a good-sounding loudspeaker, It was a big move, because he’d recently done Peter loved this, and rapidly became highly you needed to spend a fair amount of money. a similar job at Mission, and then briefl y run knowledgeable in his fi eld. This lead to him My friend Stuart Mee and I saw an opening; his own specialist valve amplifi er and doing some reviewing, principally in Hi-Fi we thought that if we can’t buy a good loudspeaker company – how would he fare, Answers magazine, in the mid seventies. “It affordable loudspeaker then no one else can! I wondered? Not everyone can uproot enabled me to get a viewpoint across,” he tells So in 1976 we started Heybrook and themselves to the other side of the planet me, “the reason I started reviewing was that launched the HB2 two years later. The HB3 and start at the bottom of one of the biggest working from retail, I was coming from the and HB1 followed on, and the latter has cultural learning curves this world offers. become the stuff of legend for its wonderfully Having caught up with him recently, he We thought that if we musical sound even today. On the forums seems to be loving it. It’s been a long journey people still rave about them”, he adds! for someone who started off reading can’t buy a good Electronic Engineering at Plymouth University aff ordable loudspeaker Jewel in the crown in the early seventies. Now four decades later One of the brands that he now curates is he is running a large engineering department, then no one else can! Wharfedale. This is a budget line, but a supervising a wide range of projects for fi ercely competitive market sector and the famous IAG-owned brands like Wharfedale, point of, ‘well if you’ve got these loudspeakers, Diamond series gets regular updates to keep it Quad, Audiolab and Castle. It’s been a long you need this amplifi er’. Not many people did selling well. He is just putting the fi nishing journey, in more ways than one. that. They would spend two or three pages touches to the Diamond 200s, coming out in Peter originally got into the industry via describing the circuit design and technical October in the UK. “I fi nd this particularly retail in the mid-seventies, although admits specifi cation of the product, and then there interesting,” he tells me, “because some 40 he, “could go back to the sixties for when would be a paragraph at the end about the years ago, I designed my fi rst pair of speakers, I fi rst started tinkering.” His fascination sound quality, almost like a throwaway. There which sold for £129 per pair – the Heybrook with hi-fi caused him to read a degree in would be much more time spent on whether HB2. And now, here I am still designing electronics, and after this a retail job funded it developed a perfect 10kHz square wave. So speakers which cost £129 per pair! It makes his hobby upon graduation. “There were I was able to get into print and say, ‘no don’t you wonder how this can work, but obviously openings for people who knew something use this amp with these speakers’. Not only there are advantages of manufacturing in about hi-fi . Unlike now, not many people did was this a much more experiential approach, China – economies of scale and also the back then. Representatives of companies it was more informative.” economies of materials are much greater now would come to our shop and ask us what we Peter was one of the fi rst writers to use this than they were back then. It’s fascinating that thought of their products. In some ways I approach, one that is now taken for granted we can still make loudspeakers, not just at

64 OCTOBER 2014 INSIDER FEATURE PETER COMEAU, IAG

Peter be made more effi cient, more linear and CUT CLASS is IAG’s lower in distortion. Then there’s the cabinet, director of which uses chipboard with outer layers of Wharfedale’s original Diamond is the most iconic acoustic small speaker of recent decades. Back in 1985, the design MDF which not only controls resonance, but company came up with a radical new idea – a box also what we call ‘hear-through’ – the ability substantially smaller than most existing ‘bookshelf’ of sound waves to get from inside the cabinet designs. At the time it sounded remarkable for the price, but Peter Comeau feels it doesn’t stand up so to the outside of the cabinet.” well to the new Diamond 200 series. Comeau describes the crossover as, “a work “The new speaker’s cabinet is less revealing of its of art” no less, and goes on to explain how own character, so it’s letting you hear what the drive modern technology has allowed him to do units are doing and the drivers themselves are more linear with lower distortion and less coloration. much more precise things. “It took me 18 Some years ago I developed a filter slope system, months to develop the HB2, because it was which gives a phase-coherent crossover and also literally soldering components onto a board controls directivity of the drive units as well, so we can get a seamless transition from two- or three- and trying to fi gure out what sounds good way systems, which sounds as if it has come from and what doesn’t. Now I can use computer a single drive unit. It gives a much more open software as a tool to enable me to see roughly sound, more transparent than the original.“ what the speaker looks like and sounds like Rather than the polypropylene coned mid/bass even before I have made a prototype. This driver of the original, the new Diamond range uses Kevlar, which is a far stiffer and lighter material. But gets me there faster; of course I have to do still I put it to Peter extensive fi ne tuning, but it has taken me just that this isn’t such a two weeks to do one pair of speakers for the special thing these days. “Well, this is Diamond 200 range, to get to the point where just one material I am happy for them to go into production. and there are very that price, but which perform as well as they That’s only two weeks, plus a few days of different ways of moulding it and do at that price, because people are much manipulating the software, not 18 months! treating it. You have more demanding now than they were in 1978 There has been a major advance in the way to heat-treat it, and when I fi rst started working on them.” we can design speakers now to make them far add protective layers on the top He confesses that he loves doing the new more revealing, far more accurate. Basically and bottom to seal it Diamond designs because it’s such a big the most important thing is that they’re far as well. One Kevlar challenge. The Diamond, of course, is the more musically enjoyable than before.” from one designer will be different jewel in the Wharfedale crown. The original from another one.” miniature speaker was such a breath of fresh It’s fascinating that we air back in the mid-eighties, but Peter is adamant that it’s a veritable fossil compared can make speakers a lot of people have tried, but it is very with his latest range. “If you look at the which perform as well diffi cult and fraught with problems – the sophistication that goes into the new drive major one being directivity. You can get good units, it’s extraordinary that we are using a as they do at the price horizontal spread but it’s very diffi cult to get woven Kevlar cone, which has a moulded good vertical spread, and that’s so oddly pattern to stiffen it, and we also control the All that jazz obvious. The unit itself has been designed break up with a specifi c pattern on the If Wharfedale is IAG’s cheap and cheerful with a Chinese manufacturer; we’re not surround, which absorbs the energy from the brand, then Quad occupies precisely the necessarily trying to reinvent the wheel, edge of the cone that much better. Thanks to opposite end of the market. He is working on rather we want to bring our own fl avour to computer-aided design the drivers can now two new ranges of conventional moving coil get what we want. It uses a composite foil; if loudspeakers, both likely out in December, you use a single aluminium foil as used to be IAG owns several classic which share some technology with the new done, then the problem is it just breaks if you British brands including Diamond range. “It’s a different formulation ask it to handle any kind of high power. Doing Audiolab, Castle, Quad though,” he says, “and we are using a it my way – a composite sandwich – you can and Wharfedale different basket and a different surround. get very good dispersion and still keep a Basically we are still making sure there is clarity of sound.” differentiation between the brands, largely “Over at Audiolab, we have been because of the customer expectation for what developing some exciting active the products of a certain brand do. For loudspeakers,” Peter says. “Indeed, the active example, the Quad customer traditionally will speaker concept is an interesting one for me probably play a lot more classical and jazz because the fi rst time I got into it was with than they would pop. There are still plenty of Heybrook. The breed was promoted heavily Quad buyers who play rock music, but for a very short period of time, but it didn’t looking across the full spectrum of Quad work then because people were buying hi-fi owners they tend to fall into the type of in a very traditional way. There was a lot of listener who expects to be drawn into the emphasis on the customer buying the best music rather than having it pushed out. It’s a turntable he could, then the best tonearm different aspect to the performance, so we and the best cartridge – all from different have to use different methods, different manufacturers. So naturally you’d buy the technologies and materials to achieve that.” amp from ‘the best’ amp maker, and the One key example is the new ribbon tweeter. speakers from ‘the best’ speaker brand, This marks a big departure for Quad, and and so on. The idea of active loudspeakers should take the treble performance much involved us going to the customer and telling closer to that of the range-topping him that he didn’t need ‘the best’ amp electrostatics. “The ribbon is ‘just’ a tweeter, it anymore because the amp was now built doesn’t do the midband”, he tells me. “I know into the speakers. This was reducing his

OCTOBER 2014 65 INSIDER FEATURE PETER COMEAU, IAG

AVON CALLING “We’re almost into old school with Castle, it’s a very traditional-looking loudspeaker. So we’re not going to do anything ‘funky’ or avant-garde, but on the other hand the sound’s got to be right up to date”, Comeau says. “One of the things that always fascinated me was transmission lines, a perfect compromise between bass reflex and infinite baffle – but they never worked, what most manufacturers end up with is an ‘enhanced bass reflex’. Yes you can get low trouser-flapping bass, but somewhere about that there’s a weak region between 100Hz and 200Hz and nobody seemed to figure out why that was.” After a two-year research project, Peter thinks he has found the answer. Indeed he says: “We know we have because we can mathematically prove it. It’s going into a new product called Castle Avon, and the There are two floorstanders in that advantages range are true transmission to having lines that utilise a particular production principle that enables us to based in China drive the line over a wide bandwidth so we can now generate a power response in the room that is flat from choice, so the buyer would go, ‘no, I’m not convinced that active speakers sound better 30Hz right up to 300Hz or comfortable with that, and anyway I’ve than passive designs – providing everything 400Hz. It’s in fact down to already got this great amplifi er, all I need is else is equal. This is a big caveat he says, line geometry and how you drive the line. This research a decent pair of speakers, and I don’t want to because, “you can’t apply the same fi lter came from the work that buy speakers with amplifi ers in’!” technology to active fi lter technology as you Castle originally did with “Fortunately, we’re in a different place now. can to passive fi lter technology”, he explains. Quarter Wave. I love the new Avon series, it’s a not- We’ve got a raft of people coming along who “You haven’t got the resistances, inductances too-big a loudspeaker that are saying, ‘okay I’m storing all my music on and capacitances between the drive unit and sounds enormously my iPhone, or my iPod or iPad, or my laptop, powerful. It’s a transmission line design that works, for and I just need to plug that in something’. And The customer no longer the true enthusiast.” away we go, the customer no longer needs a litany of boxes. Why do they need all that needs a litany of boxes. clutter? That’s the reason we’re doing active That’s why we’re doing loudspeakers. And for Audiolab it’s easy makes me laugh when I look at amplifi ers because we’ve already got the M-DAC, active loudspeakers that are claimed to be ultra-wide bandwidth. Q-DAC or the 8200CDQ DAC/preamp.” Why? Why would you ever want to do that? When Peter was doing Heybrook, he got the amplifi er any more. You’ve got an At the same time you have plenty of amps involved in the Active Loudspeaker Standards amplifi er driving a drive unit, so the amplifi er out there that sound really good, but which Organisation along with Arcam, Linn, somehow has to cope with the characteristics are bandwidth-limited.” Meridian, Naim and Nytech, “and then we of the drive unit, and the drive unit behaviour For Comeau, such people are not asking the watched the bottom drop out of the market”. is altered by the characteristics of the right questions. “They’re not looking at the He’s a little sad about this, because he’s amplifi er – so that alters how you design a loudspeaker as a music reproducer, they’re crossover. The pluses are that as a designer looking at it as some technical device. I’ve Quad’s 9AS you have much greater control of what the seen people come into our research active speaker end product will be; you’re not just putting a department and they start playing around speaker out there that will have a peculiar with some technical problem, and they start impedance across the frequency range, and trying to ‘correct’ that with DSP, for example. expecting the purchaser to marry it up to the That’s where things go wrong in active perfect amplifi er. Every amp you latch a pair loudspeakers – people think, ‘at last, I’ve got of speakers on to, the system will sound full control therefore I can correct everything’. different. That equation is solved in the design A lot of this approach to acoustic design of an active loudspeaker, because you can comes down to whether you’re a theoretician, now go ahead and design a speaker that or a craftsman. My feeling is that the performs exactly as you expect it to.” craftsman approach gives the greatest benefi ts of yielding an enjoyable musical performance Getting active at the end of the day” ● For Peter, the downside of active is “in the Mission Aero to mind of the designer”. He thinks that launch in September some tend to fetishise certain aspects of a design – for example they will go out of their way to achieve ‘zero distortion’, which results in something that sounds “utterly boring, or screechingly, horribly awful” because they’ve taken their eye off all the other things that go on. “It still

66 OCTOBER 2014

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ED SELLEY NEVILLE ROBERTS ANDREW SIMPSON JASON KENNEDY EXPERTISE: REVIEWER EXPERTISE: ENGINEER EXPERTISE: REVIEWER EXPERTISE: REVIEWER For the best part of 10 years, Retired NHS director, Andrew’s been passionate Former HFC editor Jason More ways to get in touch: Ed was developing and electronics engineer and about hi-fi since he was a wee loves music so much that he supporting products from physicist Neville is very much nipper. When not obsessing has dedicated his life to You can also send your some of the biggest names into valve technology. He’s over his next upgrade, he can finding the ultimate system. A questions to us via social media: in audio. He enjoys blogging a classical music lover and be usually found under the long-time vinyl nut, he also about his favourite tunes, too. serious vinyl junkie. bonnet of his 1973 MG Midget. enjoys a well-streamed file. twitter.com@HiFiChoiceMag facebook.com/hifichoice.co.uk

Email us at [email protected] or write to: Hi-Fi Choice Letters, AVTech Media Ltd, Enterprise House, Enterprise Way, Edenbridge, Kent, TN8 6HF Your letters may be edited before publication and we cannot enter into personal correspondence

Goodbye to CD two standout products hands on a demo Hugo out it should make your digital fi les I love your mag, and have reviewed recently by Mr here in NZ, so I’d appreciate sound as good if not better than even taken up subscribing to Price. The Sony HAP-S1 and your thoughts. I have pretty the RCD-951 in most respects and it! I’m about to move home, the Chord Hugo. Given that broad taste in music. you could use it as the fi rst step in into an apartment whose the vast majority of my Consider Wayne Shorter’s a full system upgrade over time. decor will make housing my music is at good old 16/44.1, Speak No Evil, Macklemore’s The alternative that will compete 800 or so CDs in an accessible which might give my system White Walls, Cashier No 9 with your CD player in the way somewhat diffi cult. I’ve the best sound? I could use Goldstar, Cowboy Junkies all important timing and resolved, therefore, to go the Sony as either a source Blue Moon and David engagement stakes is Naim’s CD-free. or just let it do the whole lot. McAlmont Diamonds Are UnitiQute streamer. This will give My forays in this domain I fi nd the convenience this Forever as examples. you the drive and energy that you have been pretty unsatisfying would bring very appealing. Any feedback would be crave plus a neat form factor. so far. The diffi culty is fi nding In the second scenario, the welcome. Thanks, a digital source that compares Hugo would replace the V90. Grant, Wellington, ES: Part of the problem here, I to my favourite CD player. The I worry that either of these New Zealand suspect is that the RCD-991 was might be overstretching a fairly distinctive sounding What’s the best whatever remains of my JK: Apple TV boxes are versatile product when it was new. If it original system. I’m and good value, but not the last is what delivers the goods for option for me to particularly interested in word in sound quality. If you you, the 20-bit DAC and general make my system your thoughts on the digital really want to hear the potential architecture is not commonly output of the ATV1. Would of fi le streaming, a component replicated in newer equipment. CD-free this handicap the Hugo? that’s dedicated to audio is the This being said, the Hugo’s Is the Hugo too ‘good’ for way forward. The Sony HAP-S1 adjustable fi lter settings and sheer best sounding confi g of my the RA-01? Do I need to would be a good choice, but processing power might appeal available kit I have so far is: consider a more as you surmise the amp and in this instance and keep you Rotel RCD-951, Rotel RA-01 comprehensive upgrade? speakers in your system will covered for other formats and amp, QED interconnects and There’s no way I’ll get my not do it full justice. However resolutions going forward. silver anniversary speaker cable into Kef iQ5 se speakers. Naim’s UnitiQute My CDs have been ripped to streamer will give AIFF as I reasoned this is the Grant’s system best uncompressed codec drive and energy available that also supports metadata. Having used XLD, I assume the digital fi le is identical to the CD. But streaming these through an Apple TV3, optical out into a V90 DAC and through to the RA-01 is just never as good as the 951. I now have an ATV1 with the fi les on its hard drive. This is a little better, but still not ‘CD quality’. Anyhow, resolving to try a little harder, I am considering

OCTOBER 2014 69 LETTERS

Tested in March, Dynaudio’s Excite X34 has a super sweet treble

Bring the noise AS: Hi John, I’d suggest you start by My hi-fi system consists of Quad 99 pre and auditioning alternative fl oorstanders from power amps, original 99 CD and 99 tuner the brands you’ve suggested, to replace through Mission Elegante e82 speakers, your multi-driver Missions. At £1,750 using QED XT400 speaker cable and a Russ PMC’s GB1i offers plenty of grunt and will Andrews Classic mains cable. really inject some energy into your music. I’m wanting to upgrade my speakers and Don’t be fooled by their singular 6.5in am considering the following: Monitor bass drivers, as PMC’s ‘ATL’ transmission Audios Silver 6 or 8, Tannoys, Neats, PMC, line design ensures you’ll have plenty Spendor or even Quads. I’m just not sure of bottom end, and their sound may whether to stay with fl oorstanders or to go be more balanced in your room than for standmounted models. I’m willing to the Missions. The PMCs aren’t overly spend up to £2,000 if I have to. My music sensitive, but they’re relatively easy to tastes vary a lot from Bon Jovi, Queen, Slade, drive and should work well with your Nickleback, and Celine Dion. My room size is power amps. I’ve also had great 3 x 4.5m. Any help you could give me would experiences with Neat’s SX2 be much appreciated, also congrats on such fl oorstanders, which I’ve found to be a great mag. more even sounding and forgiving than John Potter, by email the PMCs, and at £1,400 they’re also quite a bit cheaper than the GB1i model. ES: I’d be straight off to Spendor in this instance. If your tastes extend beyond rock, it’s The Classic series might not be the most worth auditioning both models with a fashionable range of speakers in styling terms, but range of music to hear everything they they should partner well with the Quads and there have to offer. Finally consider Dynaudio’s is virtually no genre of music I haven’t heard them Excite X34 that we tested back in March do justice to. In the size of room you list, the (HFC 382) as a smoother sounding SP3/1R2 would be well worth seeking out. alternative with a very sweet treble.

Rising amp like the MFA passive preamp more impact and meat to it nuisance, but a small price to pay Hi, I need help for these two or Townshend Audio (I mainly listen to rock/pop, for such high sound quality questions regarding my gear. passives. Would I notice a though any other kind of considering the cost. I’ve been using a tiny Creek clear improvement over my music is played as well). OBH 22 passive preamp for Creek or just minor changes What would be the next ES: Although both types do a couple of years, leaving in sound? step to clearly improve without a mains supply, it is behind my active preamps My BW CD7NTs are my amplifi cation? important to remember that (Audiolab, Rotel). I use bi-amped with Audiolab Which power amps would the MFA and Townshend are short-length Kimber cables 8000PX/8000P (UK) and you recommend in the range transformer coupled preamps, to interconnect CD, phono Kimber cables (in my of max €3,000 each (I would which behave a little differently etc. I’m quite happy with experience, bi-amping has consider searching the to ‘straight’ passive ones and I the sound (transparent, no noticeably improved the second-hand market to fi nd suspect that the sound will electronics glare), perhaps I sound of my setup). I use a the right bargains)? miss that little bit of higher REL sub as well. The rest of Due to having children and What would be treble/bass/presence, but my gear is a MF CD player, not a huge amount of room, it is almost unnoticeable Audiolab MDAC, and I’m not considering either the next step to (or maybe I was used to Thorens/Rega/Roksan/ valve amps (unless they clearly improve the colourations of the Graham Slee setup for aren’t huge and don’t run active electronics?). playing records. hot) nor those American my amplification? I wonder if it would be I’m quite happy with the monster power amps (big really worth swapping the sound, but I guess I could get Krells, Conrad Johnson etc) change – hopefully for the better, Creek OBH 22 for something a bigger/bolder one, with unless they are not too big. but certainly signifi cantly. If you Thanks in advance are looking for a bit more ‘meat’ Musical Fidelity’s Juan, Madrid to the sound, you will hopefully M6PRX offers plenty of fi nd that TVC-type preamps juice for a clean sound JK: I use the Townshend Allegri would be an ideal place to start passive controller in a relatively looking for such a thing. Going high-end system and have rarely on to combine this with found a better sounding something with plenty of power preamplifi er, be it active and richness like Audio Analogue, or passive. By using auto- Electrocompaniet or Musical transformers Townshend has Fidelity would hopefully add created a passive that has the some of the richness you seek. dynamics and bandwidth of an active preamp, but without the AS: Passive preamps seem to intrusive sound of electronics, it gathering quite a following, and really is something of a bargain. having heard the MFA Classic The lack of remote control is a and Baby Reference models

70 OCTOBER 2014 “Get up and drive your funky soul!” James Brown

The heart and soul of music

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driving various valve and solid HINTS & TIPS state power amps with equally CONNECT A TURNTABLE TO AN impressive results, it’s easy to AMP WITH NO PHONO INPUT understand why. So the short What can you do if you want to play answers is yes, thanks to the some records on a hi-fi, but your amp quality of MFA’s transformers doesn’t have a phono input? A phono and top quality hand-built input has circuitry to provide the amplification and equalisation internals you should notice required by modern phono signifi cant improvements in cartridges. There are two solutions to sound quality compared with this problem, depending on whether you already have a record deck or not. the Creek – although as with If you are looking to buy a record everything, I’d suggest road deck, there are a number on the testing in your system fi rst and market that contain the necessary making sure it’s a sonic match amplification and equalisation built in and the output can simply be for whichever power amp you connected to any unused input on decide to go for. your amplifier. The Sony PSLX300, Power amp-wise you have lots for example, has this facility. to choose from, and I’ve had If, however, you wish to use an existing deck, you will need an great results from Musical external phono amplifier and there Fidelity’s M6PRX (£3,100) for are many to choose from to suit all the last few years, which offers pockets. For example, some very low- cost battery-powered devices are plenty of juice on tap for a clean, available at under £20, such as one neutral yet powerful sound that made by Eagle. For a better quality really brings the music to life, unit, the PP2e Phono Preamp from NAD supports both moving magnet plus it sports balanced inputs if and moving coil cartridges and can these are on your checklist. But be purchased for under £100. In being a full-size and hefty Class either case, the turntable plugs into the phono preamp and the line out to AB beast, is also runs hot, so this any available input on your amplifier. may not tick you specifi c boxes. B&W’s 804S might be worth hunting You should also consider down on the second- GETTING THE MOST FROM Audiolab’s 8200MB monoblocks hand market YOUR TURNTABLE (£1,000 each), which also offer If you’re having problems playing bags of power and detail, while records, it may not be that the record comprises: Linn Akurate the speakers can sit up to itself is damaged. Many of the problems may be curable with Which speakers DS streamer, Linn Akurate 0.4m away from the back some simple steps. Kontrol pre-amplifi er, Linn wall. I listen to a wide range Firstly, make sure that your record should I audition Akurate 4200 power of music including pop, deck is set up correctly, for example amplifi er – bi-amped to B&W rock and classical. Many by checking that the deck is level and how much with a spirit level and verifying that 703 speakers. Michell SE thanks in advance for your the tracking force is set within should I spend? Gyrodec with upgraded time and consideration. the cartridge manufacturer’s power supply, Leema Jon Parsons, Leicestershire specifications. Then ensure that your record is clean – a wipe with a cloth being a physically more discreet Elements phono stage, Origin or brush may not be enough and a solution than the MF as they’re Live Encounter tonearm and NR: Hi John, I can understand proper clean with a wet cleaner will housed in separate shoebox- Ortofon 3M Bronze cartridge. why you love your B&W 703s be required. You will be amazed just how much surface noise can be cured sized cases. As an alternative Tellurium Q Black speaker and I know you are thinking by cleaning. to the traditional Class AB cable and XLR interconnects of replacing them, but in my Occasional clicks may not be due approach, also look to audition between the Linn separates. personal opinion they are going to scratches, but may be caused by Primare’s A34.2 power amp at While I love my B&W 703s, to be a hard act to follow. static electricity discharge. An anti- static gun is readily available that will £1,750, which is built around I suspect that they are now Looking at the rest of your neutralise static on records if this is a the company’s latest Ultra Fast the weak link in the system. system, I see you have opted problem in your environment. Power Device (UPFD) Class D I chose the Linn products for the Ortofon 2M (?) Bronze A whooshing sound, especially at technology and makes for a less because I preferred the moving magnet cartridge. Before the start of a record, may indicate a warped disk. There are some record obtrusive solution that won’t act relatively laid back sound tackling the speakers, have you flatteners on the market, but they can as a part-time lounge heater like when compared to a similar considered changing your be quite pricey. Clamping a record its warmer running Class AB Naim set up, for example. cartridge? Although not a bad between two glass sheets and placing it in a 200 centigrade oven is an cousins, while still providing a Since I blew my budget twice cartridge by any means, there are option but somewhat risky! Far better sizeable and organic sound. over, I will have to wait a some amazing options out there to avoid the problem in the first place while before I consider a and your Leema Elements (and by correct storage vertically in a rack. Hi-fi fever is back speaker upgrade or maybe the Linn Akurate Kontrol for that I have been subscribing to buy second hand. So what matter) will support both MM your excellent magazine for do you think would be an and MC cartridges. I feel a year or so this time around appropriate budget and something more up-market having re-caught the dreaded which speakers are worth will suit your superb Michell hi-fi bug after a 10 year giving an audition? SE Gyrodec and Origin Live break. As a result, I invested The listening room is 4.6 x Encounter combination. heavily in some fabulous 4.2m with the speakers Just a thought! new equipment, retaining on the longer wall, which only the turntable and seems to work best. Listening AS: I agree with Neville in that speakers. The full system distance is around 2.5m and the 703s will indeed be a hard

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fi rst issue of Hi-Fi Choice started in 1975 with Angus McKenzie on cassette decks, but could you tell me how long the A5 issues ran for and when HFC changed to A4? Ray, by email

JK: As one of the people who joined the magazine for its A4 relaunch, I can tell you that this happened in late 1987. The last of the A5 issues was published in the same year, but I can’t tell you precisely when. I can say that things were very different back then. The A5 books contained dozens of reviews of one particular product type and consisted of new reviews plus reprints of reviews created for previous issues. They look very dense by today’s standards and must have cost a fortune to Neville suggests produce, but it was the fi re that PMC’s Fact 12s fomented the magazine you read for Bruce today, not nearly as pretty but backed by genuine expertise and in-depth knowledge. act to follow and I can Speakers’ corner speaker from a range as there understand why you’ve held on I am assessing an upgrade are so many considerations. to them until now. That said, if for my system, I have a However, let it never be said that you like the Linn house sound for personal choice of amp in we reviewers shy away from its relaxed and highly musical the MacIntosh 6700. But I tricky situations! My fi rst choice approach consider Audiovector’s am not at all clear on which to try would be the PMC Fact 12s Si range. These speakers have speakers to consider from as they are transmission line various upgrades paths and the following four. It is not speakers and this type of options, but more crucially they practical to hear all four, so enclosure is my personal sound incredibly open thanks to can you suggest two I should favourite. Well-designed their vented tweeters and aren’t audition? I should say that transmission lines, like the PMC, as sensitive to room positioning the Sasha is not realistically offer a wonderfully controlled as many moderately sized a contender as I just cannot and colour-free bass down to the fl oorstanders like the 703s. resonant frequency of the bass They’re of Danish descent and When did you driver and then compensate for not that well known on these the drop off in response below shores, so you may be able to stop publishing bass resonance, thus extending fi nd a second-hand bargain if Hi-Fi Choice in the response still further. The you’re patient. It may also be other ones I would consider are worth looking out for a used pair the old A5 size? the Tannoy DC10s (rear ported) of Bowers & Wilkins 804S, which as they are beautifully made and come up for sale from time to believe that it could be twice also have a good pedigree like time. These should bring as good as the others, and I the PMCs and should give a fully, signifi cant improvements over think qualities are based on rich and unrestricted sound. your 703s and the quality of the price – the best at this price. cabinet construction combined The choice is between: Art Size is with the driver technology makes NEO 10, Fact 12, Tannoy 10, everything LETTER them a superb buy if you can fi nd Audio Physic Avantera Super I am wondering if OF THE an unmolested pair. The 804S + and the Sasha. you can offer some MONTH model takes a bit more driving Bruce Grant help. While I enjoy than the Audiovector Si range, reading the current NR: but it has a more muscular sound Hello Bruce, it’s a brave issues of Hi-Fi Choice I also Blasts from the past: how the old that’s more explicit. Do let us person who sticks his neck out enjoy the ‘old’ A5 issues from A5 version of HFC used to be know how you get on! to recommend a particular years ago. I do know that the before moving to the A4 design

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The big reissue Bands tend to reissue classic albums with the same frequency that Status Quo does farewell tours, Lee Dunkley wonders whether or not it’s all just a big con

egular readers will know that we often carry penny they can out of the reviews of the latest album reissues in our fans and artists. R Music Reviews pages. But what do you feel Portishead recently when your favourite artist announces an announced the reissue of album reissue? their landmark debut album When the hard-to-believe 20th anniversary of Defi nitely Dummy on 180g vinyl to Maybe by Oasis was about to roll around earlier this year celebrate 20 years since its and the record company seized the opportunity to original release, but the band announce a reissue of the band’s fi rst album, Liam has tried to do things Gallagher took to Twitter to tell fans not to buy it, saying: differently. The album’s “HOW CAN YOU REMASTER SOMETHING THATS reissue was announced on ALREADY BEING MASTERED. DONT BUY INTO IT. LET IT Twitter and on their website, BE.” Undoubtedly Liam’s less than encouraging comments and despite saying that they to potential purchasers not to bother with the album’s would never venture into the timely reissue were probably a response to some deep- world of special editions the rooted bitterness over the acrimonious split from his fi rst 1,000 copies of the former band mate and brother, but does he have a point? album that popularised the The reluctance to remaster and re-release a classic album term ‘trip-hop’ – owing to its unique mix of hip-hop beats The reissue of has been expressed many times before, and it leaves me and downtempo samples – will be pressed on blue vinyl Goodbye Yellow Brick Road wondering what we want from a reissue from our greatest before reverting to heavyweight black vinyl. Rather sounds as great music artists? And what factors are important to us when impressively, though, there’s no additional material on the now as it did in considering whether we should purchase it or not? There’s reissue that went on sale on 25th August, and even more Lee’s dad’s Capri a lot of cynicism over record company’s reissuing classic encouragingly all the tracks are exactly as recorded on the albums with added bonus material, and I fi rmly believe original 1994 release. that an album is a piece of work that should remain in its As on owner of around 500 CDs and 5,000 downloads, I original form, untouched so that new audiences get to have recently been bitten for a second time by the vinyl hear and appreciate it as the artist originally intended. It bug and am painstakingly trying to re-establish my certainly shouldn’t collection by hunting down albums that were either lost I am less bothered be bolstered with during the early days of the car boot sale craze, or that I by reissues and bonus tracks to lure couldn’t afford to purchase the fi rst time. I look mainly for existing fans into albums that are as I remember them. They must have the would prefer a mint buying something original cover and sleeve notes, with the tracks in the copy of the original they quite probably same order as the original release, and no extras. I am less already own in one bothered by remastered albums, and would prefer a mint form or another for the sake of extra material, or include copy of the original pressing if available via Discogs, but often obscure tracks that were never intended to see the classic albums of my era can be diffi cult to track down, light of day. and I for one am pleased to see so many reissues of albums I’ve either lost or want to own on vinyl. Milking the cash cow dry There are many schools of thought on the issue of album This year we’ve already seen big anniversary reissues from reissues, and what we want from them. I was very pleased Elton John, Pink Floyd, Morrissey and Led Zeppelin to to see Elton John’s Goodbye Yellow Brick Road reissued name just a few. Led Zeppelin are currently in the midst of a earlier this year remastered and available on heavyweight multistage reissues campaign and are already following the vinyl. It’s one of those albums that can conjure up some of recently remastered reissues of their fi rst three albums with my earliest memories of listening to music. Ok, I think I a second phase reissue programme that starts in October would have actually still enjoyed listening to it had it and will include previously unheard material including sounded just as it did on my dad’s eight-track tape system alternate versions of familiar songs. Fans appear to be in his Ford Capri where my memory thinks it got played on feeling a bit ripped off with protracted reissues like this, and repeat for most of my childhood, but the cleaned up, the recent announcement has left many disgruntled at the remastered and sparkly version I now own and play on my LEE DUNKLEY Hi-Fi Choice editor numerous ways record companies are squeezing every last Rega RP6 turntable sounds pretty special to me ●

OCTOBER 2014 77

The opinions expressed in this article are those of the author. They do not necessarily reflect the attitudes or opinions of HI-Fi Choice or AVTech Media Ltd Round the horn so immersive sounds sovivid, alive,comes it Suddenly music then, barely. Yet onlyrealmusicsoundsfasterthantheseJBLs,andeven sponges ifyou’vejustcomebackfromaliveconcertorgig. on aboutthis,butmustdomesticspeakerssoundlikedamp ways. Whichistosaythespeedwasamazing.Ialwaysbang DD67000s werejustlikehornsinsomeways–good only tohearanabsolutelystunningsound.TheEverest turned offbythehype.ButIventuredintoalargishbooth ultimate”, andJBLisnoexception–soIwasinstantly how incredibly open they are. They were like walking into how incrediblyopentheyare.They werelikewalkinginto real thing.Notsothesespeakers,becauseIwasstruckby honky, colouredsoundthatisbutadistantrelationtothe Speed isallwellandgood,butwhatifyou’regettingahard, Open allhours disabuses him of his hatred for them, in the vast form of JBL’s Everest DD67000 Never abig fan of horn loudspeakers to ahorn,butitdidn’tsoundlike any other. And thenthere – youcouldhearformilesandmiles. Iknewwaslistening the Nevadadesert,wherethere’s nothing toblockyourview Consumer ElectronicsShow, IbumpedintoJBL several recentoccasions,startingwiththisyear’sLasVegas most amazingdomesticloudspeakerIhaveeverheard.On years oldanymore,theanswertothatisno. would youreallywantitinyourlivingroom?Notbeing14 it! Buthoweverdizzyingfastandvisceralthesoundis, multiple horndriversandbassbins ragtime frombehindlacecurtains–seriousPA stackswith huge crowd?Forget oldmenwithhearingaidslistening to vast amountsofairandepicdecibelsoutata understand themmore.After all,whatbetterdevicetoshift hearing atrumpetsolofromsomeoldobscurejazzLP! skull loppedoffwithaJapanese only oneintheroomwhofeltlikehe’dhadtopofhis tolerate thattreblehardness,Imused,obviouslybeingthe speakers ever. Well youwouldneedtobegettingonabit connected tothemostridiculouslookingpairofgianthorn advanced years,huddledaroundanobscurevalveampli venturing intooneroomtoseeagroupofgentlemen H Or wouldI?You see,notsolongagoIchancedacrossthe My othercontactwithhornshasbeenatgigs,andhereI at theMunichHighEndShow. Iremember breed cameonlyfairlyrecently, adecadeorso relationship. My orn loudspeakersandIhavehadadif fi rst real contact with the rst realcontactwiththe fi ghting sword after ghting swordafter fi ring at you is more like ring atyouismorelike its company likestocall serious loudspeaker to miss.Every all honestyit’shard DD67000 –andin Project Everest fl agship “the ’s new ’s new fi cult cult fi er er David Price huge amountoftimeinto No offence, gents, but JBL No offence,gents,butJBL possible fromahornspeaker? transparent –howisthis shockingly openand powerful fromtoptobottom, wall ofsound. one seamless,evenandsmooth but fromthisJBLallyougetis compromises fromtherooftops, every hybridspeakershoutsits never heardbefore.Almost mid driver, inawaythatI’ve crossed overfromthattreble/ was thebass,whichseamlessly I needis£70,000andahousebig enoughto with theEverestDD67000s,ithas civilisedhorns.Now, all is aslargelifeitself. JBL hasdonearemarkablething the speakerdoesn’tshoutatyou, while stereosoundstaging into suchsharprelief. Dynamicsarebreathtaking,butstill there’s noharshness,despitetherecordingbeingthrown alive, itsoundssovivid,immersive,tactile.Andyet beach, yougetahugesenseofrelief. Suddenlymusiccomes hi- deaf! It’shardtodescribethesensation,evenforaseasoned the company’sproprietaryBi-Radialhorns. version ofthesamethatrunsrightupto60kHz–bothuse midrange andlowertreble,thenhandsovertoa25mm iron. ThebigJBLhasa100mmdiaphragmtodealwiththe that mostpeopleuseintheirtweeterslookasunwieldy Periodic Table, andmakes thealuminiumormagnesium fan shouldknow, thisisthelighteststablemetalin a pureberylliumcompressiondriver;asevery super rigidbutverylight.Inthemidbandandtrebleitgets that, buttheconeisasandwichoffoamandpulp,makingit anything else,andtheEveresthastwoofthem.Notonly Big, widediameterbassconesmoveairbetterthan substitute forcubicinches–andthesamegoesspeakers. whatever anyHondaVTECdrivertellsyou,thereisno the rightmaterialstodojob. that it’sthecompany’s traditionally steeredwellclear!Theanswerliesinthefact with delicatesensibilitieshas owning classicalmusicfan music, butyouraverageQuad been greatforpunchyrock speakers havetraditionally Blisteringly fast, wonderfully Blisteringly fast,wonderfully You reallymust hearthesebeforeyoudie–oratleastgo It sportstwo380mmbassdrivers.Inperformancecars, fi reviewer. Like drinkinganice-coldbeeronasweltering might finally have found onethat fl agship speaker, andithasputa fi nessing the design, and used nessing thedesign,andused fi t them Breaking Bad ●

OCTOBER 2014

shout atyou that doesn’t this isonehorn mountain, but named aftera It mightbe Hi-Fi Choice Choice Hi-Fi DAVID PRICE OPINION writer writer 79

The opinions expressed in this article are those of the author. They do not necessarily reflect the attitudes or opinions of HI-Fi Choice or AVTech Media Ltd Bounce to thebeat that bounces LPs onaplatter put off Many buyers are designs available Vinyl is back. And the latest spinners are better than ever. But with the wealth of rigid often it’sbasicallyameanstoanend, about thehouseisamuchmoreprosaicritual.Alltoo music libraryviathevariousnetworkeddevicesknocking like meetinglisteningneeds,environmentandwallet. a systemisaboutnavigatingaroundvariouscompromises the bestsoundsforyourbuck.For mostofus,selecting semi-retiring it for some time, not because its sound is no semi-retiring itforsometime,notbecauseitssoundisno Triangle ExportGTI. I’vebeentoyingwiththeideaof reviewer’s vinylrigofchoicehasbeenmyreliablePink month’s cartridgeroundup.For thepastdecademy without spittingoutthedummy. rigours oftestingandbeingpassedfrompillartopost and easytohandle,ensureitcanwithstandthedaily honest light.Addtothisthatitmustalsobewellmade unbiased sonicstopresentitspartneringequipmentinan above criteria,itmustalsooffersuf Not onlydowehavetochooseasystemthatmeetsthe I wanttoplayasquicklypossible. the British GyroDec andLinn’sSondekLP12 arestillproudly the waysideinrecenttimes.Iconic spinnerslikeMichell’s the suspendedapproachtoturntable designhasfallenby decks onofferinthemid-to-high-endrankshighlightshow cartridge andarmswapsinitsstride.Aquickglanceatthe easier tolivewith,that’sbetterequippedtakefrequent tweakery togeteverythingsoundingniceagain. usually affectsplatterheight,necessitatingsuspension soft, totheextentthatplacingaweightyor jelly eachtimeaslabofvinylisputonit.Thesuspension dangling springs,whichmeanstheplatterwobbleslikea mounted toaninternalchassisthathangsonthree moving parts.Andthemainbearing,platterandarmare employs asuspendedsub-chassistobetterisolateits – butbecauseoftheeffortrequiredtokeepitonsong. In contrast, the experience of swiping through my digital In contrast,theexperienceofswipingthroughmydigital So it’s perhaps plain to see why I need something a little So it’sperhapsplaintoseewhyIneedsomethingalittle Like manymid-to-high-enddecksoftheera,Pink This wasbroughthometomewhenfacedwiththis As areviewer, thisconundrumismadeevenharder. F by placing fl ag for the bouncy approach, with Inspector ag forthebouncy approach,withInspector inding therighthi- publication’s dedication to helping you get publication’s dedicationtohelpingyouget every hi- boxes isprobablythebiggestchallengefacing fi buyer. It’swhatdrivesthisvery Andrew Simpson Andrew Simpson fi kit to tick each of our kittotickeachofour fi ciently revealing yet ciently revealingyet the back of the neck the backofneck raising thehairson when itcomesto run fortheirmoney most superdecksa – itcanstillgive longer uptoscratch fi nd the album nd thealbum fl imsy LP on it imsy LPonit fl ying ying wonders if vinyl is losing the spring from its step bounce backwhenhi- and Iwouldn’tbeatallsurprised ifsprungturntables goes backtoitspastcreatethe productsofthefuture, reel-to-reel recordershighlights, the hi- the resurgenceinvalveamps,currentdumpingtechand have madeanameforthemselvesinrecenttimes.Butas evidenced bysomeoftheGermanheavyweightdecksthat mainstream andmorecashusuallymeansmass,as in demandontheusedmarket. Ariston, HeybrookandSystemdekwhoseofferingsarestill a hostofequallyworthymachinesfromthelikes years includingtheaforementionedSondek,GyroDecand in and tonearmthatweremountedonit.Thiswentto greater degreeofisolationforthedeck’sbearing,platter concept usedathree-pointsprungsub-chassistoprovide Research turntablesbackintheearlysixties.Villchur’s the lateEdgarVillchur inhisground-breakingAcoustic turntable fromexternalin The suspendedsub-chassisapproachtoisolatinga Suspended belief designer’s pointofviewit’seasytoseewhy, asengineering that many. mass? Therearen’t over rigidityand/or favour suspension in recentyearsthat designs haveweseen many completelynew springs, buthow rubber padsinsteadof different takevia offering aslightly Roksan’s Xerxes Morse’s favourite time it touches its surface. time ittouchesitssurface. LPs onaplatterthatbouncesupanddownwithgleeeach buyers aresimplyputoffbythethoughtofplacingtheir to producemaximummusicalenjoyment.Thefactismany average buyerwantsadeckthatrequiresminimumeffort increasing pressuresofmodernlifestylesmeansyour their partin designer hopedfor. Likewise,customershavealsoplayed what thecustomerhearsathomeiscloserto room forerrorwhenthedeckleavesyourfactory, ensuring which maybeeasiertoproduceandassemble.There’sless a rigiddeckallowsyoutocreatemuchsimplerstructure, These days, rigid chassis designs dominate the turntable These days,rigidchassisdesignsdominatetheturntable From a turntable From aturntable fl uence some of the most iconic decks of the last 40 uence someofthemosticonicdeckslast40 fl uencing the turntable market, as the uencing theturntablemarket,as fi ’s nexttideturns fl uences was fi fi industry often industryoften rst introduced by rst introducedby ● OCTOBER 2014 retirement to awell-earned looking forward Triangle is Andrew’s Pink Hi-Fi Choice Choice Hi-Fi SIMPSON ANDREW OPINION writer writer 81

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www.iconaudio.com [email protected] (+44) 0116 2440593 Leicester UK The opinions expressed in this article are those of the author. They do not necessarily reflect the attitudes or opinions of HI-Fi Choice or AVTech Media Ltd. Picture credit: Irina Fischer/Shutterstock Make timefor music our lives again music central to phone andmake off Turn listen without getting distracted by all the other nonsense that’s going onin the world? We all like to sit down and listen to music, but asks the silence,acommodityitseemsyoucanonly which webarelynoticeuntilitstopsandarestartledby noise toourdailylives,areassuringhum,thepresenceof comes apointwhenmusicbecomesmerebackground our dailygrindconsiderablymorepleasurable.Butthere undeniable thatmusiccanmakemostchoresandtasksin daily routine. and textinggenerallygoingabouttheirhumdrum distraction whilecookingdinner, drivingtowork,tweeting with anythingliketheirfullattention;theyuseitasa habits. Mostpeopleseldomlistentorecordedmusic readers areprobablyfreakishintheirattentivelistening and letmesaythisaspolitelypossible–that people consumemusicandI’vecometotheconclusion– and appreciateeverynotenuance. world musicorclassical,youaregoingtolistencarefully money canbuy, thenwhetheryourtasteisforrock,jazz, spend largesumsofmoneyonthebestaudioequipment modern world by climbing a mountain or trekking into a modern worldbyclimbingamountainortrekkinginto the banalities of the ‘drive time’ playlist. the banalitiesof‘drivetime’playlist. created nottorequireourattention,from‘dinnerjazz’ and totacklethosejobsaroundthe houseorof somehow seemsidleandself-indulgent nottomulti-task without doingsomethingelseat the sametime;it too congestedtojustifyringfencingtimelistenmusic allowed. Butformostofus,ourmodernliveshavebecome before andthattimeissacrosanctwithnodistractions hour everydaytolistenapieceofmusichehasn’theard the KronosQuartet,oncetoldmethathesetsasideone intervene beforetoolong.DavidHarrington,theleaderof of digitalmediaoressentialhouseholdtasksinvariably the listeningexperience;friends,family, thedemands have timetositdownandfullyimmersethemselvesin music loversandareregularpurchasersofCDsseldom suggests thatevenmanyofthosewhocallthemselves we’ve beenputtingoffwhilelistening toMahler’s O No harm in that if it gets you through the day and it is No harminthatifitgetsyouthroughthedayandis But I’verecentlybeenmakingananecdotalstudyofhow My admittedlyunscienti take theirmusicseriously. After all,ifyou readers areahighlydiscerningaudienceand august publicationisthatIknow ne ofthereasonsIenjoywritingforthis the TV and and the TV fi c survey of listening habits c surveyoflistening habits music deliberately music deliberately entire genresof now evenhave fl sure it’snotona then, bestmake forest (andeven ight path).We Hi-Fi Choice fi fi ce that HFC nd in the nd inthe fi fth or

make musiccentraltoourlivesonce again to immerseourselvesfullyinthe listeningexperienceand phone, ignoretheemails,tweets andtextsallowtime ‘Only MusicDay’–adaywhenwe turnofftheTVand the audioexperience. create auniquesenseofplace,timeandoccasionaround properly incircumstancesthatallownodistractionsand let usinsteadmaketimeinthedaytolistengreatmusic understandable andjusti to listencheapmusicininappropriatesituations– quality control?Insteadofrailingagainstbeingforced problem fromtheotherendandconcentrateon always leftmefeelinguneasy. Whynotcomeatthe as amusiclover, theconceptofadaywithoutmusichas rooms it’saninitiativethathasmuchtocommendit.But piped atusintheworld’sshoppingmallsandwaiting contemporary society”. of musicasanartformduetoitsmindlessusein Music Day’inorder“todrawattentiontothecheapening who foundfameintheeightieswithKLF, launched ‘No A fewyearsagoBillDrummond,theScottishmusician The bigswitch off we lose ourselves in another world. So why do we not we loseourselvesinanotherworld.Sowhydonot the tube,butitisstillanactoftotalimmersioninwhich read itonthebusor attention. We can requires ourfull eReaders, anovel in thisageofdigital creator’s vision.Even the subtletiesof cavalier disregardfor a bookwithsuch for example. latest offering, the ArcticMonkeys’ music dilutedourappreciationofquality? listening experienceandthesheerquantityofunwanted restaurants. Hasitsconstantpresencedevaluedthe supermarkets andinelevators,airportlounges ubiquitous. Itcomesunrequestedandwithnooff-switch in invading everyaspectofourlives.Musichasbecome same attentionaswewouldinaconcert? the newspaper, stoptextingourfriendsandlistenwiththe treat recordedmusicwiththesamerespectandfoldaway What we need, perhaps, is not a ‘No Music Day’ but an What weneed,perhaps,isnota‘NoMusicDay’butan As aprincipledstandagainsttheblandmuzakbeing Yet wedon’ttreat Perhaps theansweristhattheretoomuchmusic Nigel Williamson Nigel Williamson

fi able though the complaint is – able thoughthecomplaint is– ● how many of just us OCTOBER 2014 should alldo something we distractions is music without for listeningto Making time Music reviewer Music WILLIAMSON NIGEL OPINION

83 Discover the IsoTek Effect

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• 24ct gold connectors • Silver plated OFC conductors • Teflon FEP dielectric • 16A current capability • C15, C19 and C7 IEC options • 1.5m standard length “More space, lower noise and greater EVO3 Polaris resolution... An increase in timing Cost effective high-performance power precision, depth of bass and a much distribution strip that cleans Common and Differential Mode noise from the greater sense of musical flow” mains as well as offering surge and spike protection. IsoTek EVO3 Polaris, Hi-Fi Choice, March 2013 Protection against power surges and voltage spikes relates specifically to IsoTek power conditioners and not the IsoTek power c and not the IsoTek power conditioners IsoTek to specifically relates spikes and voltage power surges against Protection *

For your free brochure: IsoTek products are distributed by Sound Fowndations. +44 (0)1276 501 392 [email protected] www. soundfowndations.co.uk www.isoteksystems.com | www.shop.isoteksystems.com Discover IsoTek www.facebook.com/isoteksystems The opinions expressed in this article are those of the author. They do not necessarily reflect the attitudes or opinions of HI-Fi Choice or AVTech Media Ltd Do the Harlem shuffle music biases have their own iPods individual I amconvinced that piece of equipment that delivers the most insight into his eclectic record collection Fresh from another long drive listening to music Eminem. There you are winding down the last chords of Eminem. Thereyouarewinding down thelastchordsof loud andhighlycompressedimmediately after, like Which isall volume rightupwhileairguitaring to it’s justasquietontheiPod. Whoisn’ttemptedtowindthe is probablyoneofthelowestlevelrecordingsIownand issues. Thevery themoment hasgoneandyourbrainreset. MUSIC’ sleeve emblazonedwith‘HOMETAPING ISKILLING time youhavefumbledwithagate-foldandaninner comparison whenswappingCDsorcueingupvinyl.Bythe mind’s, er, ear. You justcan’tgetthat sortofimmediateA-B obvious becausetheprevioustrackissofreshinyour highly disparate,recordings.Thesevariancesarevery clarity, dynamicrangeandcompressionofthetwo,often portrayal ofthedifferencesbetweenvolume(level), changes tracksyougetanimmediateandveryvivid resolution ofa24-bit/192kHzDAC withahi-resFLAC perfect error-freestream?You couldsuggestthesheer buffers datafromthediscandre-readsuntilitgetsa groove likeatruf Nico and followed byHayden,Metallica, session couldeasilybeJanisJoplinfollowedbyMuse, 10,000 songsonmy160GBiPod andatypicalshuf quickly orasrandomlytheiPod. Therearewellover manually withyourCDorrecordcollection,justnotas completely randomorder. Arguablyyoucandothat music collectionandplayeverysongyouownina Angry SMEUserofTunbridge Wells, hearmeout. hi- production quality, eventhoughIhavealloftheabove my musicaltastesandthevagariesofitsrecording fi its compressed Then again,youmightagreewithmeandsayyouriPod. W nd it the single best source component to reveal both nd itthesinglebestsourcecomponenttorevealboth Mind you,puttingyouriPod onshuf It isallaboutthedevice’sabilitytoshuf Yes, IamtalkingaboutApple’spivotalmusicplayerwith fi componentstoo.NowbeforeIget fi nishing off with Miles Davis via dalliance with nishing offwithMilesDavisviadalliance turntable that can sniff out detail from a turntable thatcansniffoutdetailfroma its recordingquality?Perhaps ahigh-end greatest insightintoyourmusiccollectionand hich pieceofyouraudioequipmentgivesthe fi ne untiltheiPod decidestoplaysomething fi le system and two-cent output stage. I le systemandtwo-centoutputstage.I fi rst CDpressingofPink Floyd’s fl e hound? Maybe a CD player that e hound?MaybeaCDplayerthat fl Comfortably Numb sort ofplaylist! stations withthat don’t getradio interlude. You and ashortchoral Gregorian chant e is not without its e isnotwithoutits fl amed down by amed downby As theiPod fl e your entire e yourentire The Wall fl e fi le. le. ?

with its crisp recording and with itscrisprecordingand Beverly Craven’s mastering quality. Listento into themixingand gives evengreaterinsight roughly atthesamelevelit the the soundpressurewaveof over thebackofsofaby to hearandyouare enough forthewholestreet shouting obscenitiesloud second latersomerapperis your Floydair-soloanda followed byanytrackfromKateBush’s Wembley arena,closely soundstage widerthan Dolce’s listening. Telling themthatyouhavenoideahowJoe embarrassing-to-own trackswhenyourfriendsare guarantee thatthelittledevicewillunearthallthose through themenustoseewhatitis.You canalso come upyouwon’trecogniseatall,leavingfumbling sheer randomnessitself. Every20orsosongsatrackwill The otherissuewithputtingyouriPod on‘shuf Random accessmemories for apop-shieldoverhermicremainsmystery. why theproducerdecidedtouseBlu-takratherthanfoam latter willsound your eyestoownmusiccollection differences, I players achieveasimilareffectof highlightingrecording what sortofmoodtheiPod isin. music fromtheiPod, MrsSusuallyasksmehowIamand an issuewhenIgethomeafteralongdrivelisteningto doom–laden gothrockanddeathmetal.Seriously, it’ssuch of powerballadsandlovesongs,thenextdayit’sall pubescent teenager. Onedayitwillstringtogetheraseries anything recordedafter1979unlessmanuallyprovoked. a songfromFree’s classic rocker. Itstartedvirtuallyeveryshuf Jim Morrisoneveryfewtracks.My4th-genwasaproper Doors andnoshuf music biases.My3rd-GeniPod hada am alsoconvincedthatindividualiPods havetheirown If two tracks are recorded If twotracksarerecorded While itmaysoundlikeaCupertinoconspiracytheory, I While ‘all track random’ modes on PC-based music music While ‘alltrackrandom’modeson PC-based The currentiPod hastemperamentswingslikea fi rst bassnote. Shaddap You Face fi Richard Stevenson nd ittakesaniPod onshuf fl Promise Me atter than a hedgehog on the M1. Quite atter thanahedgehogontheM1.Quite fl Heartbreaker e session would be complete without e sessionwouldbecompletewithout fl ipped ipped gotonyouriPod doesn’twash. , album and wouldn’t play albumandwouldn’tplay fi xation with The xation withThe ● Directors Cut

fl e to really open e toreallyopen fl e session with e sessionwith fl e’ is the e’ isthe ponders the one ponders the one . The . The OCTOBER 2014 want them... when you least that getplayed forgotten tracks of shuffleisthe One ofthejoys Hi-fi STEVENSON RICHARD OPINION

writer writer 85 BLUETOOTH SPEAKERS £259-£399 Adrian Justins ditches the cables in favour of Bluetooth as he checks out some of the best ways to enjoy wireless audio Ruark MR1

PRICE: £300 CONTACT: 01702 601410 WEBSITE: ruarkaudio.com

LIKE THE NOVAS below right, the selected input and status, MR1s are a genuine pair of actively blinking rapidly when powered stereo monitors and at 17cm maximum volume has high are ideal for desktop use, but been reached and blinking can also be used elsewhere. Each intermittently when in standby. loudspeaker is rock solid and has Sonically, the MR1 is a a long-throw 75mm woofer and a consistent and highly satisfying 20mm textile dome tweeter, both with Bluetooth performer. Whatever fully shielded neodymium magnets. you throw at it, you get a Ruark has opted for a linear Class marvellous, warm sound that’s A-B stereo amp, claiming 20W of energetic yet controlled and output power. As well as aptX balanced with no obvious Bluetooth streaming there’s a 3.5mm shortcomings. With Martin line input and an output for a sub. A Garrix’s Animals the bass is switch allows you to attenuate the solid, while the high end is refi ned signal from sources with high-level line and vibrant. Vocals in Don’t Give Up VERDICT outputs to prevent distortion. by Peter Gabriel and Kate Bush Well built, pleasingly styled and easy to operate, Operation is straightforward thanks manage to hook me in, and combine the MR1s have power and grace in spades to a mini remote control handset. effortlessly with the simplicity of the A multi-coloured LED indicates the bass and synth to make a great sound.

Sony SRS-X7

PRICE: £259 CONTACT: 0845 6000124 WEBSITE: sony.co.uk

AT ONLY 30CM wide the SRS-X7 on the top. The rear hosts an Ethernet is never going to be able to deliver jack, 3.5mm aux in and WPS button much of a stereo spread. But, of for activating the wireless network. course, the main advantage to the The SongPal app is the most diminutive size is that it is portable. enjoyable way of operating the unit Sony has obliged further by including (there’s no remote), giving it far more a rechargeable Li-ion battery that versatility than any other model here. claims to provide six hours of music The SRS-X7 is no slouch in terms of listening from a Bluetooth source. its power output and is capable of More excitingly, it not only has delivering a lively and engaging Bluetooth connectivity with NFC sound, but its reach is limited and it and aptX, it can also hook up to starts to feel cramped as you stray your home network via a smartphone more than a metre or so from the app that’s compatible with wi-fi and speaker. Up close it’s not an AirPlay. The speaker array comprises unreasonable sound, with equal two 40mm full-range drivers, a single emphasis throughout the speaker’s 62mm woofer and dual passive frequency range so that every element radiators. Power comes via a 32W of Garrix’s Animals pings out rated S-master digital amp with DSEE forcefully. Overall, like the Sony’s VERDICT for enhancing compressed music. angular shape it’s a bit in your face Worth considering for its app control, versatility The SRS-X7 is a clean looking, and lacks the sonic subtleties and size, but it’s not the most satisfying listen elegantly designed unit with a achieved by other models here, smattering of touch-sensitive buttons and vocals can feel a tad fl at.

86 OCTOBER 2014 MINITEST

Once much maligned, Bluetooth is now widely recognised as a viable short Field Communication), as used by the Sony and Harman Kardon models range wireless transmission standard from almost any nearby smartphone, here, allows simple one-off contactless pairing with many Android phones. tablet or computer source linking to compatible speaker systems. Pairing is Bluetooth has also been boosted by aptX, a codec standard that delivers usually straightforward and simply a case of selecting pairing mode on both good quality streaming at up to 352kbps. The material used to asses the HELP & ADVICE the source and speaker and then waiting for them to find one another – and sound quality of each of the speakers includes Don’t Give Up by Peter most speakers will remember the last device they paired with. NFC (Near Gabriel and Kate Bush and Animals by Martin Garrix.

Tangent Classic BT PRICE: £399 CONTACT: 08456 049049 (John Lewis) WEBSITE: tangent-audio.com

WEIGHING IN AT a hefty 5kg, the Classic BT needs a sizable spot away from walls and hard surfaces that might help to overcook the bass output. With a 10m wireless Bluetooth range the Danish-designed speaker streams at good quality aptX from a compatible device or standard quality from smartphones or tablets not equipped with aptX. The oval shape with walnut or ash veneer is an ingenious form factor, but Tangent keeps things simple from a features point of view with two beginning of Gabriel’s Don’t Give Up 50W channels (claimed), each has plenty of meat, and is comprised of one 3cm and one 12cm mesmerising. Vocals in the mid and driver, plus a 5cm bass refl ex port high range aren’t bright or strained, each round the back, where there’s but don’t have as much forward also a 3.5mm aux line-in and USB for presence as some other models. VERDICT charging your portable devices. Martin Garrix’s Animals proves that Big and bold in design, this is a hefty piece of kit Unsurprisingly, given the size of the the Classic BT is no shrinking violet in with a substantial, bass-dominated sound enclosures, bass is the dominant terms of power and the sonic imaging characteristic. The bass guitar at the is impressively broad.

Harman Kardon Nova

PRICE: £260 WEBSITE: uk.harmankardon.com

BRINGING REAL EXCITEMENT the standard variety, so no good to a desktop both visually and aurally, quality aptX compatibility here, the Novas have a transparent plastic but NFC pairing is included. enclosure providing a view of their Boy, do the Novas like to party, elegantly sculptured turbine housings. showing no restraint with the bass Each speaker is like a mini bowling radiator going like the clappers, they ball, lopped at either end to need to be given plenty of space on accommodate the front drivers and a nice absorbent surface to avoid over rear passive bass radiator. Each vibration or physical interaction houses a 2.5in woofer and a 1.25in with surrounding objects. The sonic tweeter, fed with a claimed 20W per signature is a mix of high energy at channel of Class D amplifi cation and the top end and steady, emphatic bass a proprietary Harman DSP. at the low. Mid and high frequencies The right speaker is tethered to the in Garrix’s Animals positively bounce left by a 1m cord, which is just long around the room, while the bass enough for most desktop installations. thumps along to the beat The rim of the left is home to all of unreservedly. The Novas have plenty the controls, and sockets include a of power to hand and can reach 3.5mm aux and digital optical input. almost uncomfortable volume levels VERDICT With no remote control, operation is without distorting. There is a slight Backed up by good socketry, the Novas deliver done using the slew of capacitive rattle or resonance caused by the bass a punchy, vibrant sound that’s bags of fun touch controls found around the rim. in Don’t Give Up, but the vocals have The Bluetooth implementation is of plenty of breathing room.

OCTOBER 2014 87 RETRO

Second nature Robert Harris fondly looks back to the glory days when Audio Innovations unveiled its mono block power amp, the Second Audio

uring the eighties valve Output tetrodes and pentodes favour of Class AB, with a reduction amplifi cation sparsely produce higher distortion, of a more in linearity, and the addition of D occupied the high end, by objectionable odd-order type, and switching distortion to boot, these then a rarifi ed technology their high output impedance yields artefacts now slathered over with greeted with a sniggering scepticism poorer bass damping. However, the increasing levels of feedback. by engineers – its sonic potential big money tends to go into amplifi er These developments were in many unheard by most but the more power supplies, so with tetrodes and ways positive – smaller, less effi cient discerning of audiophiles. UK-based pentodes producing roughly twice but domestically acceptable speakers fi rm, Audio Innovations, would help the power (for a given scale of power became viable. However, this design change this by introducing a range of supply) all would be forgiven. The approach would exert a toll of its popular mid-priced and entry-level sonic nasties of these newer tubes own. The prioritising of power high-end tube amps. could now be swept under the carpet, effi ciency over linearity also became a The Second Audio monoblock convention for the high end. Thus, power amp was a radical departure HFC lauded it for certain technologies with a great deal for Audio Innovations, despite to offer were pushed aside – none maintaining its high-value philosophy. having a musicality more so than the output triode, which It was a rather odd proposition when like no other. And yet disappeared by the mid fi fties. introduced in 1987: a 15W per The Second comprises two fairly channel amplifi er in an era when it measured woefully large monoblocks of unusual high-end tube amps tended to appearance, following conventional compete with solid-state super amps, thanks to some judiciously applied 440mm dimensions. Audio by aiming for the 100W-plus barrier. negative feedback, which was largely Innovations utilised its standard So why such a low output for a unnecessary in the triode era due to art deco cabinet design, with its high-end amp? The short answer: the the tube’s inherent linearity. With less attractively clustered tube use of output triode valves, which waste heat to dissipate in the chassis, arrangement forcefully emphasised have very real power limitations. these beefi er amps would also come by a large horizontal fi ngerprint- The triode amplifi er goes back to in at a lower production cost. prone perspex plate. 1912, with the De Forest Audion. Looking back, the abandonment Aesthetically, the Second can be Output triodes would be used to of output triodes comes across as considered quite handsome, if good effect until the turn of the fi fties, the opening salvo in a competitive allowance is made for the painted when output tetrodes and pentodes environment to gain more power at (or rough powder coat) sheet metal would take over during the rise of lesser cost. It led to the near universal fi nish, and protruding Allen bolts, hi-fi , an era that was a golden age. abandonment of Class A operation, in betraying its cottage industry origins.

88 OCTOBER 2014 RETRO

Each Second Audio is endowed with strap relatively weak driver valves to FIX UP, LOOK SHARP a mains transformer of considerable single-ended output triodes. heft, featuring six secondary windings By contrast, the Second doubles up When the maker of any product shuts up shop, the service base inevitably fades with – two for the high-tension voltage the First Audio’s 2A3 confi guration, time and a buyer beware philosophy should supplies to the tube plates, and a doubling power and bass damping. always be adopted. dedicated low hum DC supply for Early versions of the Second use a One of the latter day manufacturers of AI’s each 2A3. Bulk foil non-magnetic driver stage with four ECC88 mains transformers is still around. SP Wound Components, of Dorset, can supply them at resistors, and point-to-point (hard) small-signal double triodes, albeit a reasonable cost. However, the wrong wiring to avoid the use of PCB tracks, rather wastefully since two ECC88s transformers have been supplied in the past, is used throughout. are only half-utilised. The fi nal perhaps because there were three versions of the Second, featuring different HT Four and eight ohm binding posts version (early nineties) of the supplies. These transformers are easy to are fi tted to suit high and lower Second uses four ECC82 small-signal identify because very loud hum can be impedance loudspeakers. A switch double triodes in a more robust low heard from the chassis. on the back changes the earth to impedance shunt regulated push-pull The output triodes are a tight fit. This puts minimise hum, and small pots under (SRPP) confi guration, to drive the paid to fitting some of the larger more exotic 2A3’s introduced since the millennium. The the amp can also tune it out. output tubes. bi-plate Golden Dragon/Chelmer 2A3s In other words, these amps can lift originally supplied with the Second perform Sounding off surprisingly heavy, despite their low poorly by modern standards so it’s important to upgrade to a modern monoplate design When designed with care, triode RMS output. As long as reasonably like the Sovtek 2A3, although it is harder to amplifi ers can offer a degree of effi cient speakers are used in an find due to the scaling back of production. performance that other amplifi ers average sized room, the Second The use of eight-pin 2A3s is another quirk struggle to achieve. The Second will create a sense of great dynamic with these amps, because the 2A3 is specified for a four-pin connection. However Audio provides exceptional treble and power, which is deeply impressive some reputable tube suppliers can change midrange quality, and I am tempted with both rock and classical. The the 2A3 bases from four to eight pin. to describe its performance as an sound is effortless so long as the exemplar of ‘purity’ – a word amps are not pushed to their limits, together, with not much space for the intentionally applied to surpass the so insensitive or particularly diffi cult central 2A3’s to dissipate heat. For oft-used term ‘clarity’. Bass is speaker loads should be avoided. this reason the amps should have a powerful but some may fi nd it The Second Audio features two gain lot of space above them, perhaps somewhat loose. However, this isn’t stages before the output tubes. The more than most of their ilk. As a pure necessarily a fair criticism, since it is early ECC88 version has a baffl ingly Class A design, they will run at 100 always characterful and detailed, high sensitivity of under 100mV. The percent power dissipation, regardless rather than boomy and ill defi ned. later version, using lower gain ECC82 of the presence of a signal, so power In a way, however, an excellent tubes, is still sensitive but at a more down if they are not going to be used triode amplifi er can transcend such tolerable 200mV or thereabouts. for a long spell. distinctions. With purer recordings, Perhaps one robust driver stage could there is an almost metaphysical have suffi ced with no feedback in the Measure for measure thereness to the sound, which could circuit to swallow up gain, but at least It is perhaps one of the supreme be characterised as ‘live’. It doesn’t the Second’s 220Kohm input load and ironies that the output triode, a quite follow the convention of the high sensitivity will suit passive technology so noted for its quality in classic tube amplifi er. Rather than preamps well. audio circles today, disappeared at a relaxing and smooth, music can Weak construction, at least by time when the hi-fi industry was fast spring forth with an uninhibited high-end standards, betrays the establishing itself. The Second Audio, intensity, a vivid colour that can make Second Audio’s competitive pricing. as one of the very fi rst experiences of some otherwise excellent amps sound Such a gripe could be excused, but its the output triode in the modern recessed, especially in the midrange. large transformers, which constitute a audiophile market, clearly had a And yet the Second remains grain major source of vibration that upsets major infl uence on the rebirth of the free. It never becomes ragged, unless tubes, do not seem well isolated An Audio output triode. Its resurgence was part pushed too hard or fed a poor despite being in close proximity. Innovations’ of a growing realisation that objective brochure about recording. Indeed, poorly captured The chassis design can also be the celebrated audio tests do not always wholly digital recordings are rarely forgiven. criticised since the 2A3s are pressed Second Audio correspond with subjective sound The First Audio, as the fi rst amp quality. This dissonance was much in of this new range, heralded the evidence in reviews of the time, and re-emergence of the triode, but had a HFC review by John Bamford, limited real-world application, since lauded the amp for having a it only produces 7.5W per channel. musicality like no other. And yet it Its output was limited, both by pure measured woefully! Class A push-pull operation and Its historical importance the use of the 2A3 tube, which is notwithstanding, when nursed a little noted for exemplary fi delity and back to full health by an engineer meagre power handling. Sound familiar with valves, the Second can quality seems to have trumped still be rightly thought of as one of every other consideration. the better examples of amplifi cation Triodes tend to be treated as the around today, fusing the virtues of frail sickly sibling of the amplifi er zero-feedback output triodes with world. This is perhaps due to the impressive dynamic ability, and a approach of some designers who real-world load tolerance ●

OCTOBER 2014 89 DEALER SYSTEMS STUDIO AV Eton THE EXPERTS riffles Studio AV may have a split premises, but Ed Selley Studio AV 44 High Street, Eton, SL4 6BL finds its pursuit of great sound is entirely single minded 01753 863300 studioav.co.uk

ealer visits have taken the rooms themselves, which walk a densen.dk naimaudio.com place in some unusual neat balance between excellent audio wilson-benesch.com dcsltd.co.uk D locations before – performance and real-world suitability. avalonacoustics.com vtl.com converted chapels and vitusaudio.com estelon.com mills, former hotels and even some Studio line telluriumq.com dedicated retail premises. What it Studio AV has an interesting portfolio hasn’t done up until now is visit a that mixes the widely known with the dealer that has two physical locations unusual. As well as two-channel, the that count as one store. This unusual company is also able to demonstrate, setup is exactly what Studio AV in advise and install multi-channel AV Eton employs. Founded by Jim Punter and custom install systems. This visit in response to what he felt was is all about stereo, though, and the incomplete service from existing three systems are exclusively two dealers in the area, the store has a channel – unusually all fronted by CD conventional shop front while the players. Ably assisted by Dominic Lye demo rooms are in a different and colleague Ram Romanay, I sit building across the road. While a little down to listen to how Studio AV unusual, there is little arguing with translates into systems.

System test music

CFCF Outside CD

TRENT REZNOR AND ATTICUS ROSS The Social Network CD

NITIN SAWHNEY Prophesy CD

90 OCTOBER 2014 DEALER SYSTEMS STUDIO AV

System 1 – Hip to be Square

THE FIRST SYSTEM partners an urgency that is utterly compelling some classic British names with a and lends all music a life and vitality debonair Dane to produce a very that is the hallmark of the brand. likeable combination indeed. Coupled to the Wilson Benesch, Densen is a brand that goes though, this speed is bolstered by 1 about producing audio equipment depth and authority that further aids with little regard for what the the realism. The Square Two is a competition is up to. Technology deceptively relaxed performer – such as zero feedback, Class A it never sounds forced or like it’s output stages and unique working especially hard – but aluminium casework make for a there is a depth and power to the 2 very distinctive product. The B420 presentation that makes this ‘small’ XS is the entry-level CD player in the system sound impressively big and range, but all the core technologies hard hitting. Switching to the are present and correct. The clean boisterous retro rock of The Yellow lines and razor-edged casework give Moon Band reveals a speaker that is Scandinavian fl air to proceedings. capable of rocking out, but doing so 3 As Densen periodically attracts the in an immensely refi ned way. title of ‘Scandinavian Naim’, it is And the Densen? The infl uence of fi tting that this B420 XS fronts a pre the CD player is perhaps less obvious and power combo that actually comes from Naim. The 152XS This compact setup preamp and 155XS power amp are the most affordable such models in is built like a Swiss Danish minimalism the company lineup, but like the watch and off ers meets Wiltshire Densen the DNA is all present and steel to great effect correct from the DIN connections to plenty of scope the complete absence of a mains socket on the preamp (it takes than the big speakers from Sheffi eld, power from the power amp or an but it is there true enough. Finishing external PSU). The 155XS disposes up the listening session with Marina 4 of 60W per channel, although these and the Diamonds reveals a warmth are the well-fed Salisbury watts that and texture with voices that is less always seem to go a little further apparent on my own all-Naim setup than you might expect. at home. The Densen is never overly soft or syrupy – there is plenty of Back to Square Two drive and punch on display – but The system is completed by a pair there is a tonal sweetness that of Wilson Benesch Square Two makes Marina Diamandis sound fl oorstanders. Wilson Benesch made that little more human and relatable. its name with speakers that make Combined with the rest of the system liberal use of carbon fi bre and it adds that welcome little splash extrusions. The Square range, now of warmth that means that the in its second iteration features more sheer pace and scale on offer is lent conventional cabinets that mean an intimacy and insight that makes that the impressive drivers can be listening to this system long term sold at a more affordable price. a breeze. The Square Two is the smallest There’s a huge amount to like here. fl oorstander in the range, but still This relatively compact setup is built boasts a hefty 7in mid bass driver like a Swiss watch and offers the and stands nearly a metre tall. As scope to support plenty more inputs a combination, it all looks rather if you need them and manages to purposeful, but how does it sound? combine the ability to go effortlessly Kicking off with CFCF’s Outside – a loud with impressive performance at deft poke in the eye for anyone that lower volume levels. This might not feels that electronic music is the sole be Studio AV’s comfort zone, but it preserve of the warehouse scene – still knows exactly what it’s doing. this system is at once reassuringly 1 DENSEN B420XS £1,850 familiar and at the same time, 2 NAIM NAC 152XS £1,095 capable of little surprises to remind 3 NAIM NAP 155XS £1,250 you that this trio of brands is rarely 4 WILSON BENESCH SQUARE 2 £2,950 The Square Two is encountered together. The deftness TELLURIUM Q BLUE INTERCONNECT £180 the sensible face of Wilson Benesch and that the system handles the bass line TELLURIUM Q BLACK SPEAKER CABLE of Strange Form Of Life with is £50/M offers an exceptional sonic performance classic Naim. It starts and stops with TOTAL SYSTEM PRICE: £7,145

OCTOBER 2014 91 DEALER SYSTEMS STUDIO AV

System 2 – The big idea IT’S TIME TO jump up the pricing sound’ or even the implied power 1 structure as we introduce three of 150W down your throat. Instead other members of the Studio AV it presents music in a way that portfolio. It’s also time to move over is enticing after fi ve minutes, to valves for pre and power amp bewitching after 20 and would duties and with the increase in price probably have me selling an internal comes a signifi cant jump in ability. organ if you left me with it for an VTL is an American company hour. What it does is combine utterly based in Chino, California that unburstable scale and dynamics with comes with a style of design tonality that is absolutely top drawer. 2 altogether beefi er than some Returning to the CFCF album, the European counterparts. The TL-5.5II combination of genuinely deep bass preamp and ST-150 power amp and open soundstage puts a new spin have a heft to them that is signifi cant on the intended scale of the recording even at the price. Neither are they and allows a menagerie of incidental 3 the sort of minimalist, low output detail to become apparent. At no devices you might expect from valve stage does this ever sound forced designs. The 5.5 pre has seven or unnatural and the Avalon’s never inputs (two of which have an XLR impart unrealistic size or width to the option) and a tape loop, while the performance, they simply grant it a ST-150 can deliver an un-valvelike space that makes it sound quite 150W of power on demand. phenomenally real. In reality, the Avalon Idea This is combined with a sense of The VTLs deliver fl oorstander doesn’t need all 150 drive and timing that means that huge power ably complimented of those watts to strut its stuff. when you ask the system to pick up by the DCS The smallest and most affordable its skirts and reproduce the faster member of the Avalon range is tempo of Younger Brother’s Vaccine, commendably sensitive, but like it can turn in a performance that gets its bigger brethren is happiest with the head nodding as well as or better a respectable amount of power than a number of solid state rivals. behind it. In keeping with the Indeed the tonal realism of the system Avalon family, the Idea boasts the coupled with the boundless 4 trademark sharply angled front refi nement makes it an exceptional panel, which cuts away from the partner for electronic music. With pair of 7in drivers and 1in tweeter. the magnifi cent but rough and Although shorter than the Wilson ready Trent Reznor and Atticus Ross Beneschs from system one, they soundtrack for The Social Network, convey a sense of purpose that the the system is in its element. Bass you superfi cially bigger Square Two can feel as well as hear combines simply doesn’t. with the vast soundscape and fi ne incidental detail to great effect. What Living the high life makes the system so useful here is Providing the digital front end for that it manages to smooth down the this American duo is a fi ne piece of rough edges of the recording without British decoding. The DCS Puccini is losing the drive and fury that it needs the entry-level DCS player, but as to remain believable. you might expect from a device that This is the big jump forward in costs as much as a well-specifi ed performance that the price of this Ford Fiesta, it is hardly an economy system demands, but it still boasts a product. Everything from the manageable footprint and real-world swooping, almost organic front fl exibility. It would be foolish to panel to the carefully evolved pretend that this is anything other DSD upsampling (DCS was at than a signifi cant sum of money, this long before it was cool) feels but you’ll be the proud owner of a unashamedly high end. It serves to truly world-class system if you do fi nish off the system and complete a take the plunge. very serious looking collection of equipment indeed. With the talents 1 VTL ST-150 POWER AMP £6,400 of system one fresh in my mind, can 2 VTL TL-5.5II PRE AMPLIFIER £6,900 3 DCS PUCCINI CD PLAYER £11,999 this little lot really be worth more The Avalon than three times the price? 4 AVALON IDEA £7,900 can generate It is to the eternal credit of the TELLURIUM Q ULTRA BLACK sound far INTERCONNECTS £390 The Dali might beyond its be small but increasingly clear way that Studio TELLURIUM Q ULTRA BLACK sensible AV goes about its business that this SPEAKER CABLE £260/M it sure packs a dimensions mighty punch system is not about forcing a ‘valve TOTAL SYSTEM PRICE: £33,199

92 OCTOBER 2014 DEALER SYSTEMS STUDIO AV

System 3 – Stone cold sonics

THE FINAL SYSTEM resides in though, as this is a truly outstanding the largest of the Studio AV demo combination. There is little escaping 1 rooms, but thanks to the size and the fact the Estelon is the most sheer presence it possesses it still sonically infl uential part of the system dominates the space. This is not a and this is in part because of what system of household brands and you don’t hear rather than what you there are better known products do. Specifi cally, that extraordinary vying for your attention at the price, cabinet isn’t a gimmick. It disappears but even before you play a note this from the performance in a way that is trio of components is making a akin to an electrostatic speaker – albeit strong case for itself. one capable of a bass performance The Estelon XB is a shape that that would require a panel the size defi es easy description. The speaker of a snooker table to achieve. is the result of careful attention to A rendition of Nitin Sawhney’s diffusion and standing waves to Prophesy is truly invigorating. Eska create the most inert form possible, Mtungwazi’s ethereal vocals on but the effect is something that Sunset, simply appear from nowhere, bridges the gap between box locked centre stage and supported speaker and willfully weird perfectly by the stripped back sculpture with an effortlessness that instrumentation and underpinned by you probably couldn’t achieve if you the dense and potent percussion. tried. The cabinet is made out of a While a decent recording is the best patented marble-based composite way to show this system off, one of and combined with the extraordinary the neatest abilities the Vitus ceramic drivers, you have a speaker electronics bring to the system is that that is almost as entirely stone based for something so outstandingly as the sculpture it looks like. revealing, it is also extremely The Estelon is forgiving. UNKLE’s Where did the half speaker, Dane’s world night fall: Another night out is a fi ne half sculpture Partnering these monolithic album that’s hamstrung by dense and is a mighty performer Estonians is another Danish audio recording and a cavalier attitude to brand. Vitus audio is unashamedly dynamic range. These amazing high end, but even at this fairly devices take this rough and ready The Vitus pairing exalted price point there is a useful work unpick the mass of sound and matches sensible dose of Studio AV practicality on manage to give a genuinely listenable dimensions with an awesome performance show. The SCD-025 CD player might silk purse from a sow’s ear. be a bit of a whopper, but it features This is a rare moment when a digital inputs to allow it to serve high-end system makes a case to as a DAC to other devices. The heart and head and wins out to both. 2 matching SIA-025 is an even It possesses a manageable footprint more unusual beast as it is a true and the speakers are sizeable, but integrated amplifi er in a segment of this is a system that lets your music the market where pre/powers (as a appear as if from nowhere, exactly as minimum) tend to dominate. the artist intended. The specifi cations of the Vitus 3 1 ESTELON XB £22,000 (+£3,000 FOR units read like a wishlist of SPECIAL ROCKET RED FINISH) components you’d choose in a 2 VITUS AUDIO SCD-025 £16,500 money-no-object design program 3 VITUS AUDIO SIA-025 £18,500 and the casework is very nearly STILLPOINTS ESS RACK FROM £7,750 as monolithic as the Estelons. STILLPOINTS ULTRA 5 ISOLATORS £570 Confronted with this system for the EACH (4 PER SPEAKER) fi rst time it’s a toss up between TELLURIUM Q ULTRA SILVER SPEAKER listening to some music on it or CABLE £500/M TELLURIUM Q BLACK DIAMOND XLR searching for clues to the ancients INTERCONNECTS £1,150 inscribed somewhere on it. ENTREQ SYSTEM GROUNDING (SILVER I’d advocate listening to music on TELLUS AND 2 X ERTHA SILVER) £2,170 it over archaeological examination, TOTAL SYSTEM PRICE: £57,000

Studio AV has some traits in common of the systems can so effortlessly work little plastic boxes and I’m completing with other dealers I’ve visited in the with both pristine material and rather my ‘no CD year’ as planned, but these London area in that the systems that less perfect recordings, too. three systems extract superlative SUMMING I listened to will all fit into the sort of The other aspect that stands out is that performance from the silver disc and UP room their customers are likely to own. the systems demonstrate that CD still show that whatever the future holds for Where the Eton concern stands out is the has a huge amount to give as a source. computer audio, the boys in Eton have extremely consistent way that all three I still have grave misgivings about the got you covered for CD in the future.

OCTOBER 2014 93 LABELLED WITH LOVE

Charisma

Now that the Pythons have taken to the stage for one last silly walk, Simon Berkovitch revisits the prime years of the group’s vinyl home

inger-songwriter During its lifespan (1969 to is one of two that gets vinyl acts Atomic Rooster and Peter Hammill has 1986), Charisma boasted an collectors’ hearts pumping and Nazareth), which eventually S hardcore fans, but eclectic roster – from progressive wallets opening. Early releases became part of Strat’s empire. it’s arguable that and cosmic rock (Genesis and from the likes of Audience, The fi rst Charisma record not larger-than-life entrepreneur Hawkwind), eccentric comedy Genesis and VDGG that boast in collaboration with B&C was Tony ‘Strat’ Stratton-Smith is the (Monty Python and Vivian this design are now very rare the initial fl ight from Rare Bird ultimate die-hard: he set up a Stanshall) and singer- and can command three-fi gure (1969). Importantly, hit 45 record label to release Van der songwriters (Clifford T Ward). sums in some cases. Sympathy came from Rare Bird’s Graaf Generator’s excellent 1970 The solo projects of Genesis This morphed into the most debut album – a European album The Least We Can Do Is members Tony Banks, Steve recognisable Charisma logo success that put fi re in the label’s Wave To Each Other. Hackett and – most successfully with the ‘Mad Hatter’ (pictured engine (as well as all-important Strat was the manager of of all – Peter Gabriel also came above) in the early seventies. money in the coffers). The Nice, the Bonzo Dog Band out on Charisma, alongside work The ‘Hatter’ logo was introduced Charisma also dabbled with and the aforementioned VDGG from Alan Hull (Lindisfarne) and in 1972 and graces the majority new wave and reggae in the in the late sixties, and his the super-prolifi c Peter Hammill. of the label’s most sought-after early eighties, forming a brainchild Charisma quickly The initial LP label design of LPs from this period. sub-label, Pre, that signed Delta established itself as one of the a ‘pink scroll’ with the legend Distribution was key to 5 and Prince Far I and licenced UK’s key progressive labels, “The Famous Charisma Label” Charisma’s success. In the UK, avant-garde records from alongside the likes of Dawn, – admirably cocky for an it was originally an offshoot of Tuxedomoon and The Residents Harvest and Vertigo. independent fi nding its feet – B&C Records (home to heavy from the latter’s Ralph Records.

94 OCTOBER 2014 LABELLED WITH LOVE

Monty Python And now for something completely diff erent: genuinely innovative comedy records

apitalising on the success of Matching Tie and Handkerchief The Pythons C the cult series, the BBC (1973) was the most ambitious innovated with released an LP of Monty Python’s outing yet. Largely made up of both comedy Flying Circus’ greatest hits new material, this was the fi rst and the LP format (including Nudge, Nudge and ‘three-sided’ LP: on initial Dead Parrot Sketch) in 1970 – a pressings, the B-side (both sides cheeky, rather than anarchic, live were labelled ‘side two’) had two recording. Free from Auntie’s grooves cut into it, with different vinyl division and signed to material in each groove. Charisma, experimentation was Stage (Live at the Theatre Royal, go – with the studio, their own Drury Lane) and screen (The material and, indeed, the vinyl format itself. Matching Tie... was Another Monty Python Record (1971) comes across like a the Pythons’ most post-punk record sleeve with its ambitious outing scribbled, recycled cover. It largely comprised sketches from Album of the Soundtrack of the the second series (including Trailer of the Film Of...) LP outings classics Architect’s Sketch and followed, the latter capitalising Spanish Inquisition), as well as on the success of the Monty new routines (Be a Great Actor). Python and the Holy Grail fi lm. The following year’s Monty By 1980, the mega-successful Python’s Previous Record again Pythons were contractually dished up rare material for fans obliged to produce another – a version of Fairy Tale from the album for Charisma, refl ected second German episode of the TV in the wry title of their fi nal show. (These two were reissued outing Monty Python’s as double album The Worst of…) Contractual Obligation Album... Van der Graaf Generator Seat-of-the-pants art rock from “the Hendrix of the voice” and his intrepid crew

VDGG reformed t’s unfair to pin ‘progressive’ Am The Only One (also 1970) back in 2005 and I on Van der Graaf Generator – which spawned live favourite still perform they are a far wilder and more Killer and featured Robert Fripp. together now unhinged proposition than Despite VDGG’s catalogue their contemporaries Yes and being sonically challenging, labelmates Genesis, as their fourth album Pawn Hearts spectacular run of LPs for (1971), the apex of early Charisma testifi es. seventies experimental rock, VDGG’s turn of the decade peaked at number one in Italy. instrumentation of modifi ed organ, sax, piano and drums at The apex of fi rst glance had more in common with a soul review, but the music experimental coaxed out of those instruments seventies rock was a mutant strain of post- psychedelic rock, helmed by It contains some of the group’s chief songwriter Peter Hammill. most memorable work, Second album The Least We including epic, side-long journey Can Do Is Wave to Each Other A Plague of Lighthouse Keepers. (1970) was the fi rst on Charisma The classic quartet split in and the last to feature the 1972, but reunited for mid- fi ve-piece incarnation of the seventies albums Godbluff group, the lineup stabilising (1975), Still Life and World around the classic quartet of Record (both 1976). Peter Hammill (vocals), Hugh Banton Hammill was also extremely (organ), David Jackson (sax) prolifi c outside of the group, and Guy Evans (drums). This recording a fantastic range lineup recorded H To He, Who of solo albums for Charisma.

OCTOBER 2014 95 LABELLED WITH LOVE

Genesis SHOPPING LIST While the Pythons and Genesis rang its tills, Charisma was also home to a The Charisma constant, through prog rock to slicker stadium pop diverse range of underground treats. Here are eight worthy of investigation

ver-present throughout the characters and concepts in (1974). Step forward Topo D Bil Charisma’s lifetime, the group’s songs still further. drummer Phil Collins, who Witchi Tai To E Assorted Bonzo Genesis recorded 12 studio The Gabriel era came to a helmed the group into the Dogs and a albums for the label – close with double album The eighties, at which point rumoured Who beginning with Trespass Lamb Lies Down On Broadway Charisma ceased to be. drummer join forces for this (1970) and ending with super-catchy Invisible Touch (1986) – that 1970 ditty. saw the group mutate dramatically in terms of both Leigh Stephens direction and personnel. And A Cast Of Thousands Signing to the label, second This 1971 cut is a album Trespass ushers in the hard to find jazz- progressive rock era for the infused odyssey from the Blue band, as lengthier songs with Cheer axe hero. complicated structures became the order of the day. Subsequent albums Nursery Le Orme Cryme (1971) and Foxtrot Felona and Sorona This 1973 English (1972) further mined this version of the progressive seam, with epics Italian group’s Supper’s Ready and Watcher Of prog opus features lyrics written by The Skies lurking in the latter’s VDGG’s frontman. grooves (1972). Genesis’ stage presentation took a bizarre turn around the Rikki Nadir time of Foxtrot. Peter Gabriel Birthday Special Rare 45 released began roaming the stage in in 1975 from elaborate, bizarre costumes. Peter Hammill’s The aim was to bring to life pre-punk alter ego, Rikki Nadir.

Hawkwind RD Laing Life Before Death Released in 1978, Channelling the spirit of a new age with Captain Calvert back on board this spoken word oddity comes pace-rockers Hawkwind name, the initial run of LPs had Hawkwind’s fi nal LP for from the sixties’ most notorious S had gone through some the former moniker before Charisma PXR5 emerged in ‘anti-psychiatrist’. turbulent lineup changes settling on Hawklords for 1979, chronologically out of by the time they inked with subsequent pressings… and step with Hawklords due to Charisma. All ties with the now reverting to the original. internal disarray in the band. The Residents Space Ritual era of the band Commercial Album were not severed, however, as Misleadingly poet, singer and unpredictable monikered frontman Robert Calvert madness licenced from Ralph returned to the fold. Records for Astounding Sounds, Amazing Europe in 1980. Music (1976) marked the start of the ambitious Charisma era. Vivian Stanshall Each track was conceptualised Teddy Boys Don’t Knit by Calvert as a standalone Wonderful bit of science fi ction story. 1981 eccentricity The following year’s Quark, from the former frontman of the Strangeness and Charm (1977) Bonzo Dog Band. was another leap forward. The fi rst album without co-founder Nik Turner, Quark contains Michael Nyman some classic Hawkwind. Draughtsman’s Contract Unusually, 25 Years On AKA The beautiful Hawklords (1978) turned to soundtrack to the new wave for inspiration Peter Greenaway’s arthouse film from instead of the space rock of the UK composer. yore. Due to a legal dispute to the use of the Hawkwind

96 OCTOBER 2014

100 Patricia Barber 101 Florilegium Series 101 Gjertrud Lund Modern Cool The Baroque Era Hjemklang Picture credit: Joel Bernstein credit: Picture

Crosby, Stills, Nash and Young CSNY 1974

Three CDs plus DVD Rhino

IN 1974, CROSBY, Stills, Nash and Young were with, Stephen Stills in dynamic form and the present as much new material as possible and the biggest band in America and the juggernaut sunshine harmonies of David Crosby and Graham came up with a set list of 40 songs, presented in summer stadium tour they undertook involving 30 Nash lending everything a burnished glow. As acoustic and electric segments with individual shows in 24 American cities plus a trip to London many as 10 of the shows were recorded for a showcases. As CSNY were about to fall apart, these for a Wembley Stadium showcase reflected their possible live album – yet it has taken 40 years for it live recordings are the only band versions of songs status. But although the group was at its to appear. By the end of the tour, relationships were such as Young’s Revolution Blues and On The commercial pinnacle, the seeds of destruction had so fractious that all four would not record together Beach, Crosby’s lovely Carry Me, Stills’ Myth Of already been sown. Everyone was doing way too again until 1988’s American Dream and the tapes Sisyphus and Nash’s Fieldworker, all of which much cocaine and egos were running rampant. were consigned to a vault and forgotten – until now. subsequently found their way on to solo albums. Success had turned to excess; travel was by private The tensions around ‘the Doom Tour’ were not There are also five Young songs that have never jet and the rock star self-indulgence had reached merely personal. The hippie ideal that CSNY had previously been released, including the splendid such heights they even had their own personalised once appeared to represent was fracturing all Pushed It Over The End. silk sheets and pillowcases – screen-printed with a around. Charles Manson had drenched the dream Add reprises of early hits such as Wooden Ships, design by Joni Mitchell, naturally – which were sent in blood, the Watergate scandal was in full hue and Teach Your Children, Déjà Vu and Suite Judy Blue ahead to their five-star hotel stopovers. It became cry and Nixon was about to be impeached. The Eyes and you have a poignant and powerful known as ‘the Doom Tour’, although musically the love and peace ideals of the Woodstock generation snapshot of a unique moment in time, as lingering quartet were still sharp and capable of greatness, had been replaced by paranoia and psychosis. But ideals rubbed uneasily with the dawning of a with Neil Young in prolific vein and armed with the turbulence of the times added a potent harsher reality to create a fascinating swansong more high-calibre songs than he knew what to do edginess to the music. The group boldly decided to to a lost era. NW

OCTOBER 2014 99 MUSICREVIEWS

Sarah Jane Red Snapper Morris Hyena Bloody Rain

CD Fallen Angel CD Lo Recordings

SINCE TOPPING THE charts back in 1986 with the BEING ASKED TO provide the soundtrack to cult Communards on the hit Don’t Leave Me This Way, seventies Senegalese road movie Touki Bouki – Morris has sidestepped the mainstream and forged recently restored by Martin Scorsese – is a good her own independent path. Her voice is as reason to come out of retirement. The album expressive as ever, sounding like a British Nina develops and extends the themes of the Simone on a set of protest songs about such soundtrack into fully formed songs and varied subjects as child soldiers, homophobia, cohesively complete pieces of music. honour killings and political tyranny. Backed by There’s a retro feel to the synth and guitar sounds, a brilliant cast that includes jazz saxophonist with plenty of Blaxploitation-era wah-wah and Courtney Pine and James Brown’s horn man funky organ chops evoking prime Afrobeat. The Pee-Wee Ellis, it packs a dramatic punch, often album also marries prime vintage grooves with uplifting, occasionally harrowing, but always some ace melodies and infectious riff s – old meets passionate and challenging. NW new to create a timelessly original sound. DO Tom Petty & The Heartbreakers Amira Kheir Hypnotic Eye Alsahraa

CD Sterns CD Reprise WITH ROOTS IN both Sudan and Italy, Amira Kheir PETTY HAS ENJOYED a glittering makes a speciality of combining surprising career, but if you are one of the many influences to create a distinctive sound that is at who thinks he has never really bettered once thrillingly diff erent, while also being pleasingly the thrill of his dynamic breakthrough familiar. She blends elements of traditional Sudanese folk songs, their eff ect most evident in late seventies hits such as Breakdown the thrillingly gutteral inflections of her voice and and American Girl, then his first album use of non-Western scales, with more familiar (in with the Heartbreakers in four years will the West) acoustic jazz stylings. Her band includes acoustic guitar, double bass and percussion, with warm the cockles. Hypnotic Eye is Do you agree with our reviewers? occasional input from trumpet, oud and other probably the sharpest, hardest-rocking Decide for yourself and listen to instruments, and together they create constantly set he’s recorded since George Harrison some of this month’s tunes at shifting sands of rhythm and harmony on which and Bob Dylan roped him into the www.hifichoice.co.uk Kheir’s highly expressive voice glides. DO Travelling Wilburys a quarter of a The garage-rock AUDIOFILE VINYL muscle of the Rolling Patricia Barber Stones combined with Modern Cool the jangle of the Byrds 180g vinyl Premonition Records IT’S HARD TO believe recordings have always been top notch, but this century ago and he found mellowness that this is the same remaster moves the goal posts – Doug Sax, for it and maturity. album I reviewed on was that master of mastering, has still got it. The garage-rock muscle of the Rolling Blu-ray recently, that Modern Cool originally recorded in 1998 was Stones combined with the harmonic probably says more made by Barber on piano and vocals, Michael jangle of the Byrds, and a snarl and about the gulf in quality Arnopol on bass, John McLean on guitar and between turntables and Mark Walker on drums with assistance from urgency in his voice the likes of which BD players, but this is a trumpet, udu and choir. They play accessible we’ve not heard in a long time – just remaster so it should be diff erent. That it’s black contemporary jazz with flair and energy. They do another ageing rocker trying to and white better, totally visceral and absorbing, the full range from serene to muscular and they rediscover his lost youth, you might say. beautifully timed and impeccably delineated have tone. The sound is warm, sophisticated and At 64, it’s fair comment; but he really marks the superiority of the format. The vinyl expansive. Not many records sound this good, has no right to pull it off quite so delivers a presence in the room that is palpable, this wide open, dynamic and wide band. Barber with a decent system you can dim the lights and is not a darling of the hi-fi fraternity just because convincingly as he does here. NW be there in that moment. Premonition’s Barber of her finely nuanced songwriting. JK

100 OCTOBER 2014 HIGH RESOLUTION DOWNLOADS

Gjertrud Lund Curios Hjemklang Captive

ALAC/FLAC 24/44 Linn Records FLAC 24/48 B&W Society of Sound

FOR HER FIRST album Lund has written a TOM CAWLEY’S OUTSTANDING jazz piano hauntingly beautiful suite of songs that trio made their debut in 2007 and they’ve been combine modern jazz tropes with elements making strikingly powerful, deeply emotive of folk and early music from around the world music since. His playing is informed almost as to create a unique blend of distinct sounds. much by the romantic classical tradition as by Backed by an acoustic quartet that includes the lyrical playing of Oscar Peterson, EST or some thrillingly liquid, eff ects-heavy electric Brad Mehldau. Subtly supported by his partners guitar work augmented by trumpet, her low in rhythm, who aren’t afraid to explore more alto voice coaxes and teases these deliciously contemporary flavours, including hip-hop beats, diff erent songs into vibrant life. DO he’s free to paint a wide range of pictures. DO

The Baroque Era Music by Bach, Handel, Vivaldi, Purcell, Arne, etc L’Oiseau Lyre Florilegium Series

50 CDs Decca

THE EARLY SEVENTIES witnessed a revolution in the performance of early music. The aim being to authentically recreate the original sound of the period. And, to add that extra slice of authenticity, the record label itself had to specialise. So in 1974, Decca resurrected its L’Oiseau Lyre label, and launched Florilegium. It would grow into one of the biggest and best labels for authentic performances. This is the first of three Florilegium With 50 discs to boxsets, and it’s devoted to music of the Baroque choose from, there’s era. The recordings are good and off er a nice enough Baroque weighty richness and bloom compared to the music for everyone lighter thinner sound typical of DG/Archiv. There’s also the original LP sleeves used for each CD. JH

Lazar Berman BLU-RAY DVD The Deutsche Grammophon The Police Recordings Certifiable Blu-ray/CD A&M/Polydor

Unceremoniously breaking 10 CDs Deutsche Grammophon up at the height of their popularity, the antipathy LAZAR BERMAN WAS a powerhouse pianist, with between certain members a big technique and a bold sound. This release of the Police made it look brings together the 10 albums he recorded for DG, unlikely they would ever released exactly like the original LPs, but not (alas) play together again. But with the original album cover art. The music is time is a remarkable healer and in 2007 Sting, mainly Russian – Prokofiev, Rachmaninov, Stuart Copeland and Andy Summers Mussorgsky, Tchaikovsky, plus Chopin and Liszt. announced a reunion tour that took them to Berman’s Tchaikovsky 1 with Karajan still sounds Buenos Aires in 2008. The event is one of the marvellous and the complete Annee de Pelerinage best sounding and looking live releases I’ve has some impressive moments, though Berman’s enjoyed. There’s a smidgen of jazz bass from his playing lacks a certain poetry. The recordings are Stingness, some fine stickwork and angular good – clean solid mid/late seventies analogue, guitar solos in all the appropriate places. JK with plenty of immediacy in typical DG fashion. JH COMPETITION

WIN: Monitor Audio A100 network media amplifier and Radius 90 loudspeakers Monitor Audio has got prizes galore up for grabs for three lucky readers

ssex-based Monitor Audio has Additionally it has a front-mounted USB fi ve stars and the recipient of one of our made a departure from its usual port for old-fashioned tethering and the prestigious Recommended badges, we E speaker production and come up combination of digital optical and stereo noted: “They’re able to make a sound that with its fi rst ever streaming amp phono analogue inputs means that you is almost TARDIS-like – one that totally in the shape of the A100 network media can hook up a CD player or even a TV. defi es their physical dimensions. They amplifi er. And what an astonishing debut it There’s also an output for connecting up a can fool the ear, leaving the listener is too, enabling those that have their music powered subwoofer to give bass that extra questioning the evidence that their eyes are stored on smartphones, tablets or PCs to low-level grunt. Talking of speakers, you’ll be giving them... creating a wonderfully fast, listen to it as mother nature intended – via needing some to be able to enjoy your music engaging and incisive sound that is a proper system. and we’re delighted to say that Monitor sophisticated and seamless.” The beautifully designed A100 sports Audio is also throwing in a pair of Radius 90 Monitor Audio has also provided AirPlay rather than Bluetooth and can standmount loudspeakers. stunning prizes for two runners up handle 24/192 ALAC or FLAC lossless fi les. With a quoted power handling of 100W including the £250 Airstream S300 and It has 2x 50W output and there’s enough and frequency response of 80Hz-35kHz £200 WS100 wireless multimedia system. clout on hand to drive any small-to-medium- (-6dB), they might look small but they pack The S300 is a 140W speaker able to stream sized monitors rated between 4ohms and one hell of a punch. Combining a 25mm wirelessly from the internet, smart devices, 8ohms impedance. Reviewed in last month’s C-Cam dome tweeter with a 100mm C-Cam tablets and PCs via AirPlay. The WS100 5in HFC, we were suitably impressed giving the bass driver (and with a fl ared, profi led bass speaker cubes are also fi tted with C-CAM A100 4.5 stars and a Recommended badge, port around the back) they blew the drivers and employ wireless SKAA while noting that “the rewards sonically bleeding doors off when we reviewed them technology for listening to music around speaking are stupendous”. back in HFC December 2013. Scoring the full the home with the minimum of fuss.

102 OCTOBER 2014 COMPETITION

TO BE IN WITH A CHANCE OF WINNING, ANSWER THIS SIMPLE QUESTION: What impresses What is the quoted power with the A100 is output of the A100? not just the clarity, A) 2x 40W but the airiness B) 2x 30W and balance C) 2x 50W

The Radius 90 beams vocals and instruments out with laser like precision

HOW TO ENTER Complete this form to win:

This coupon should arrive by 5.30pm on 24th September 2014 addressed to: Monitor Audio Competition Hi-Fi Choice, c/o Data AIRSTREAM Europe Limited, 12 Regent Street, Haslingden, Rossendale, BB4 5HQ WS100 & S300 Answer...... RUNNERS UP PRIZES Initial...... Surname...... Address ...... Postcode ...... County ...... Email ...... Tel ...... I am 18 yrs old or over TERMS & CONDITIONS

1. Entrants must be over 18 years old and resident in the United Kingdom. 2. If you do NOT wish to be contacted by Hi-Fi Choice and My Time Media Ltd please tick Employees of My Time Media and companies supplying competition prizes are not eligible to enter. 3. Proof of posting will not be accepted by the here: email , post , phone . If you wish to be contacted by carefully chosen third magazine as proof of delivery. 4. No responsibility will be accepted for parties please tick here: email , post , phone . entries lost, damaged or delayed in the post. 5. No alternatives, cash or For full privacy policy and terms and conditions, visit www.hifichoice.co.uk/terms otherwise, will be offered to the winners as prizes. 6. The editor’s decision is final. 7. The closing date is 24th September 2014.

OCTOBER 2014 103 Hear your music like never before

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Grado SR125e headphones

THIS MAY BE a new pair of cans from the New York-based company, but you’ll have a tough job telling it apart from the model it replaces in the Prestige line of headphones. The new 10-strong e Series is the third generation of cans from Grado Labs, and this new model looks pretty much identical to the SR125i that won a Recommended badge in our headphones Group Test back in March (HFC 382). The SR125e has the same styling and hallmarks of the brand that make it instantly recognisable as a pair of Grado headphones, with the usual chunky foam pads covering large cabinets housing the 40mm dynamic drivers, bold branding on each earpiece and a slim headband that all adds up to the yesteryear look and feel that divides opinion. I am a fan of it even if it does make The captive Y-shaped cable is a 1.7m that they’re limited in the lower me look like a communications heavy-duty length that looks to be the frequency range in any way. They operator from the forties when I am same diameter as the power chord have a pleasantly extended response wearing a pair. The thin headband plugged into the back of the Musical that digs out oodles of low detail on covered in leather is perhaps not as Fidelity M1HPA headphone amp I’m Elbow’s version of Peter Gabriel’s luxuriously upholstered as some using to drive the Grados, yet is Mercy Street, and you’re not left rivals at the price, but it sits terminated with a 3.5mm jack plug. wanting in the bass department. comfortably on my head and the There’s no doubt that the chunky foam earpads don’t get hot and cable is of the highest quality, but Warming the cockles sweaty like some vinyl-clad types. it’s interesting to see that Grado has The SR125es aren’t tweaked for big All in all the styling has a functional opted for a mini-jack over a full-size dynamics and can sound a little elegance that I rather like. 6.35mm jack termination as these restrained at times. This wouldn’t be my fi rst choice of cans characteristic could also be Brooklyn bond for listening to music on a portable described by some as having The simplistic design may not exude device out and about. The warmth, and aids the Grado’s much in the way of sophistication by cumbersome cord has no inline suitability for longer listening, today’s standards, but its practical remote and the open-back nature and meaning that before you know it and the earpiece enclosures slide up considerable sound leakage from the a couple of hours have slipped by. and down the antenna-like poles vented earpieces won’t win you any It’s easily done, and Laura Mvula’s with ease to ensure a snug fi t. Apart friends among fellow travellers. These vocals on Live With Metropole Orkest from the new ‘e’ suffi x at the centre cans are much better utilised for wash over me in an effortless way as of each earpiece, the open back home listening, using the supplied the open and airy sound place me in on-ear cans look the same as their 6.35mm headphone adaptor, a prized front row seat. predecessor, but Grado has revisited although their open nature means The SR125es are something of a each element of the new series to that they let in external noise too, and dichotomy when it comes to their refi ne the performance, including you will need a quiet environment to suitability for use on the move or adjustments to the magnetic fi eld DETAILS enjoy them at their best. home listening. Their musicality is of the divers for a more uniform PRICE The SR125es aren’t geared for the undeniable, but despite the 3.5mm movement of the voice coil and fi ne £150 sound of the crowd, instead they jack plug fi tment, the bulky cord, tuning the cabinet structure to CONTACT produce a nicely balanced frequency sound leakage and styling are prevent stray resonances from 01279 501111 response that allows you to sit back unlikely to make them desirable interacting with the earpiece WEBSITE and enjoy the music without it for the streets. Even at home you’ll grado.co.uk drivers. The Brooklyn company has becoming fatiguing. Unlike some need a quiet space to enjoy them at even used a different glue for OUR VERDICT fashion-lead models, these their best, but any compromises are greater strength, reliability and less headphones aren’t going to swamp worthwhile for such a good mass, apparently. you with bass, but this isn’t to suggest performance at this price point. LD

OCTOBER 2014 105 EXTRAS

Hifi Hanger Single Input Passive Preamplifier

BEING A PREAMPLIFIER is a thankless task. It’s the hi-fi equivalent of a goalkeeper in football – if you screw up then you are rubbish and should be replaced, and if you don’t then all the glory goes to the star striker instead! Whereas turntables, DACs and tuners mysteriously make sound from thin air – or so it seems – all a preamp can do is spoil whatever it is given, however good it was in the fi rst place. It’s not the greatest job in hi-fi , and certainly one of the hardest – and like goalkeepers, a good one is hard to fi nd. Experience has taught me that even £10,000 preamps can do a surprisingly poor job. Despite being massive behemoths with beautiful fascias resplendent with snazzy switchgear, they are often humbled when you contrast them with no pairs of 7-strand silver-plated copper equation. At the same time, it seems preamplifi er at all. Indeed, even cable sleeved in PTFE. The shortest to slow it down very slightly, adding compared with some highly manageable lengths have been used, a little ‘drag’ to transients. The result affordable passive designs, such says the manufacturer, for the purest is something that sounds just a few as Creek’s late lamented OBH-22, signal path, and the RCA terminals percentage points away from the many expensive preamps do badly. are high-quality gold-plated Neutrik. original. Spatially, it fl attens the Indeed, the giant-killing antics of All in all, this package seems very stereo soundstage ever so slightly, the aforementioned Creek, plus the good value for £155, especially pulling some rear-ground Townshend Allegri and MF Audio considering how well presented the information forward, while dropping Passive Pre, have put the cat among unit is. It looks superb in its own the very quietest detail away into the the pigeons in the past fi ve years. minimalist way and the volume knob noise fl oor. is a classy item; most passive preamps Getting it right have a distinctly downmarket feel, Keeping it real A simple passive preamp like the but this does not. Better still, it has Tonally it’s pretty neutral, retaining aforementioned Creek and this new been hand assembled in Hampshire the power of a well played bass Hifi Hangar design is, of course, an by a qualifi ed electronics engineer, guitar, and keeping the sparkle of attenuator, a variable resistor that is rather than being an imported device ride cymbals. It introduces just a placed in a small box and wired to from an anonymous OEM. touch of grain to the upper midband, two pairs of RCA phono sockets. You You might think that with virtually so close-miked female vocals, for would think that with so little to go no parts, passive preamplifi ers should example, can sound a fraction more wrong, how could such a thing not all sound great, but this isn’t the case; edgy than before, but there’s sound great? Well, actually, anyone many are done poorly and can come relatively little in it. The overall who’s tried to make their own soon across as dull and uninvolving – effect is of a source very close to the realises that even with something as opposite to the edgy, forward sound original line-level source, but the elementary as this, it’s perfectly of most active designs. The Hifi better your system is the more you possible to jigger it all up. Just Hanger Passive Preamp is a good will notice the differences. No choose a low-quality volume pot, DETAILS compromise, and at the price proves a preamp ever gets it right, and this poor socketry and cheap wiring and PRICE very strong performer indeed. It isn’t tiny and remarkably inexpensive you’ll be going back to active £155 quite the solution to the world’s unit does surprisingly little wrong at preamps in a trice! CONTACT preamp problems, because it does the price – making it ideal for budget The PSA-01 single-input passive 01420 472316 have a sound of its own, but it is and mid-price systems. It won’t dent stepped attenuator uses a 20kohm, WEBSITE in no way bad – and once again, sales of high-end designs, but is hifihangar.co.uk 21-step potentiometer with for the money it is superb. superb value and lets those who gold-plated contacts treated with OUR VERDICT In essence, it very slightly becalms don’t need a profusion of sources switch lubricant. It sports surface- the sound, and takes the last few spend more money elsewhere. mount resistors wired to twisted percent of dynamics out of the Highly recommended. DP

106 OCTOBER 2014 NEW ARRIVALS

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Black dem 379 Audio Analogue Maestro SE CD dem Call B&W 804D, excellent in Piano black boxed used 3999 Clearaudio Concept MM package, nr mint boxed used 699 Audio Analogue Bellini/Donizetti Pre/Power dem 599 Audio Analogue Paganini (later model) dem 399 B&W 800D, near mint, boxed used 8999 Clearaudio Concept MC package new 999 Audio Analogue Maestro Integrated dem Call Audio Synthesis Transcend CDT (Modded SONY) dem 399 B&W N805 with matching stands, excellent! used 1299 Clearaudio Performance DC package dem 1999 Audio Project ap60 integrated dem Call Audiolab 8000DAC, excellent boxed used 199 B&W DM602s3, vgc+ used 349 Clearaudio Innovation Compact, good condition dem 1999 Audio Research SP14 Preamplifi er, excellent used 999 Ayre Evolution DVD dem 1999 B&W DM683, excellent boxed used 549 Clearaudio Unify Tonearm excellent boxed used 699 Audio Research D240 Power Amplifi er, vgc+ used 749 Bewitch ( Puresound ) A8000 CD dem 349 Castle Harlech, good condition in Cherry used 249 Conrad Johnson TEA 1b Phono stage used 1999 Audio Research Ref 610 Monoblocks, vgc boxed used 14299 Cambridge Audio Azur 640C dem 99 Diapason Ares dem 999 Conrad Johnson Premier Six phono preamplifi er used Call Audio Research LS25mk2, excellent boxed used 1799 Cambridge Audio Dacmagic (newer model) used 99 EB Acoustics ER1 new 199 Consonance T988 Unipivot Tonearm dem 399 Audio Research Ref 210T Monoblocks, excellent used 8999 Chapter Audio Sonnet CD & Nevo remote dem 1999 Eminent Technology LFT8, some marks used 499 Consonance Cyber 40 phono stage dem 599 Audio Synthesis PAS-02 Passive, excellent used 599 Chord Qute EX DAC, excellent boxed used 699 Epos M22 in Cherry dem 549 Dual CS505s, various from used 79 Audiolab 8000Q/Ms, silver, excellent boxed used 899 Consonance Turandot CD dem 399 Final 400i electrostatics dem 749 Garrard 401, Slate Audio plinth used 799 Audiolab 8000MX, excellent used 899 Consonance CD2.2 Linear MK11 new 799 Final ES 400 sub ( for the ES200 electrostatics) dem 250 Hadcock 242 Export, dem 599 Audiolab 8000C and P, excellent boxed used 399 Consonance 120 Linear dem 299 Focal XS Book Active Mini Monitors, mint dem 199 Leema Agena phono preamp dem 1749 Audiolab 8000A vgc boxed used 199 Consonance CD2.2 dem 699 Focal Electra 1038, as new dem 3999 Consonance Droplet, vgc+ dem 899 Leema Elements phono stage dem 299 Audiolab 8200 Pre/Power dem 798 Gallo MPS150 and A’Diva 2.1 System used 399 Consonance Mini Droplet dem 699 Lehmann Black Cube phono stage dem Call Audion Sterling integrated dem 499 Gradient Intro, excellent condition, bargain used 249 Consonance Ref SACD 2.0 cd player. dem 699 Lehmann Black Cube SE phono stage dem Call Audion Silver Knight PSE valve monoblocks dem 1999 Heco Celan 500 in Silver dem 499 Cyrus DACXP, excellent boxed used 949 Linn Sondek, Ekos, Lingo, boxed used 2249 Avance Z502 (Luxman), great bargain preamp used 199 Heco Celan 300 in Mahogany dem 399 AVI Lab series Integrated Amplifi er, with remote used 849 Cyrus CDXTse, excellent, boxed used 449 Heco Statement in gloss black, £3k new dem 1499 Linn Sondek, Ittok, Valhalla, vgc+ used 899 Cyrus CD6SE2 excellent, boxed used 399 Linn Sondek, Cirkus, Valhalla, front mount motor used 599 BAT VK50se preamplifi er, vgc+ used 2499 Innersound Eros 111 hybrid e/static & amp, BARGAIN dem 799 Cairn MEA monoblocks used 399 Cyrus Streamline excellent, boxed used 549 Kef Reference 102 with Kube, excellent used 149 Linn Sondek, Lingo, Naim Aro, superb used 2499 Denon DNP720AE, near mint boxed used 199 Linn Sondek, Basik plus , Valhalla, G1042, VGC+ used 699 Chapter Audio Couplet Power Amplifi er dem 1999 Kef iQ5, excellent boxed used 249 Chord Electronics Mezzo 140, excellent used 1499 Exposure 2010CD, remote used 199 Kef Q100, brand new, sealed box new 249 Linn Sondek, Grace 707, basik psu, VGC+ used 599 Firestone Audio Spitfi re DAC 24bit dem 119 Linn Basik Plus, vgc+ used 149 Conrad Johnson Premier 18, boxed with remote dem 1799 Kef TDM34 Dipoles used 199 Consonance Cyber 10 Integrated dem 799 Goldenote Koala , near mint boxed used 759 Kef 101/2 Mini Monitors, fair condition, bargain! used 119 Luxman PD264, excellent used 499 Inca Design Katana cd player (no remote) used 149 Lyra Erodion Step up used 1499 Consonance Cyber 222 valve preamp. dem 699 Kudos C10, boxed vgc and cheap used 999 Consonance Ref 8.8 integrated valve amp dem 999 Jungson Moon Harbour CD, boxed remote used 299 Kudos C2, boxed dem 949 Mana Reference wall shelf used 299 Leema Stream 3 dem 399 Consonance Cyber 211 monos c/w Pavane valves dem 2999 Kudos X2, vgc boxed dem 799 Mana Reference table used 299 Linn Classik, excellent used 299 Michell Gyrodec Export, Origin Live Silver, boxed used 1199 Consonance r50 preamplifi er dem 499 Leema Xandia Mk1 in black new 2499 Copland CSA28, excellent used 699 Linn Karik 3, excellent boxed remote used 499 Michell Orbe Platter kit complete used 299 Marantz CD63KI, vgc used 199 Leema Acoustics Xero, vgc+ boxed, REDUCED used 299 Michell QC Power supply, excellent used 299 Creek 5050 Integrated, vgc+ used 179 Leema Xero in Mahogany dem 349 Creek Destiny Integrated dem 699 Marantz CD10, excellent boxed new belt kit used 449 Michell ISO, vgc renowned phono stage used 199 Marantz SA12, nr mint boxed used 499 Linn Index with KuStone stands, vgc+ used 99 Michell Tecnoarm A in black as new mint boxed used 449 Cyrus SmartPower, excellent used 279 Linn Keosa, fair in black, REDUCED used 199 Densen B200/300 Pre/Power, excellent used 879 Marantz CD6004, nr mint boxed used 199 Michell Gyro SE turntable new 899 Marantz NA7004, excellent boxed used 329 Magneplanar MG1.6, superb used 999 Michell Focus One, Focus Arm, excellent, new lid used 499 Densen Beat B340 power amp used 699 Mark & Daniel Maximus with treble extenders £2500ish dem 999 Devialet Integrated, mint boxed dem Call Meridian 200 Transport, boxed with remote, vgc+ used 199 Moth phono stage dem 249 Meridian 506/20 with MSR used 399 Mark and Daniel Topaz in White inc, Marble cabinets dem 749 Musical Fidelity XLPSV3 phono stage dem 99 EAR 834T Integrated amplifi er used 1499 Mark and Daniel Mini in Grey inc. Marble cabinets. dem 699 Esoteric C03/A03 Pre/Power, boxed remote dem 7749 Meridian 508/20, excellent used 449 Musical Fidelity XLPSV8 phono stage dem 199 Meridian 588/24, excellent used 999 Martin Logan Mosaic, excellent boxed used 699 NAIM Aro, excellent boxed used 1499 Exposure XV111 Monoblocks, excellent boxed used 899 Martin Logan Quests, superb sound, reduced used 1299 Graaf GM50B Mk11 Integrated dem 2999 Metrum Acoustics Octave DAC Mk2, boxed used Call Nottingham Analogue Spacearm used 299 Micromega Duo CD3 and BS DAC, excellent used 499 Martin Logan Source SE real wood veneer, ex boxed dem 999 Graff GM 100 valve power amp. dem 1999 Pioneer PL530 Direct Drive, good condition used 299 Moon Equinox CD used 799 Martin Logan Prodigy, due in used Call Krell KAV300i, remote, excellent used 799 Project RPM 9 turntable with arm and platform dem 649 Moon CD 3.3x £3k new used 999 Martin Logan Summit X, ex demo dem Call Krell KAV400xi excellent boxed with remote used 1199 Project Phonobox 2, ex boxed used 59 Musical Fidelity VDAC V8 new Call Meridian M1 Active speakers, boxed used 1199 Leema Tucana 2 integrated amp in black new 1999 Project Debut 2, vgc+ used 99 Musical Fidelity 3.5 CD dem 399 MJ Acoustics Ref150, vgc used 199 Leema Pyxis/Altair Reference Pre & Monos dem 10499 Rega TTPSU, excellent used 119 Musical Fidelity A1Pro CD new 799 Monitor Audio PL300, mint crated dem 3999 LFD Integrated amp LE MK111 dem 1499 Rega Planar 2, RB250, excellent boxed used 179 Musical Fidelity KW SACD with upgraded psu used 1249 Monitor Audio GX50, near mint boxed used 599 LFD LS1 linestage, reasonable shape used 299 Rega RP40 new 649 Musical Fidelity A5CD, excellent used 549 Monopulse Model S new 699 LFD Integrated, details TBC used Call Rega RP8, Apheta Cartridge, excellent boxed dem 1249 Musical Fidelity A3CD, excellent used 299 Monopulse Model A speakers new 1499 Linn Kolector Preamplifi er used 299 Musical Fidelity M1 DAC, excellent boxed used 329 Monopulse Model C new 399 Rega Planar 3, RB300 excellent used 249 Magnum MF125 Monoblocks vgc used 299 Rega RP3 Elys2 cartridge, excellent boxed used 399 Musical Fidelity M1 CDTB dem 499 NEAT Elite SX, near mint boxed used 949 Meridian 501V preamp, excellent used 299 Musical Fidelity M3 in black dem 499 NEAT Motive 1, near mint boxed used 549 Rega RP6, excellent boxed used 599 Meridian 501 Pre/555 power used 699 Rega EOS phono stage used 199 Musical Fidelity M1Clic new 699 Nola KO speakers in black dem 4000 Micromega IA100, great integrated, boxed dem 599 Musical Fidelity CD1008 Pro, near mint boxed used 1199 Nola Boxer speakers in black new 749 Revolver Replay c/w Jelco arm dem 749 Musical Fidelity M6i, excellent boxed used 1399 Roksan Xerxes, XPS2, Linn Fit used 349 NAIM CDX, excellent, boxed remote used 649 Nola Contender in Cherry dem 1499 Musical Fidelity A1 FB1 Preamp & PSU new 499 NAIM CD5X, remote, SNAIC used 649 Nola Micro Grand Reference inc stands, £15k new dem 5995 Roksan Xerxes, XPS, SME Fit used 349 Musical Fidelity M3i, excellent boxed dem 749 Rotel RP3000 Direct Drive TT with matching arm used 249 NAIM CDX2, excellent boxed remote, REDUCED used 1199 Opera Callas SP dem 999 Musical Fidelity M3i, excellent boxed, REDUCED used 649 NAIM CDS3, excellent boxed, remote used 1999 Opera Mini dem 199 Graham Slee Era Gold V MM phono stage dem 299 Musical Fidelity M1PWR, excellent boxed used 349 Graham Slee Elevator EXP step up dem 349 NAIM CDX, excellent, boxed remote, late model used 699 PMC Twenty Three, mint boxed in oak used 1799 Musical Fidelity X150, excellent boxed used 349 NAIM CDSii just serviced, XPS, Burndy, boxed used 1999 Proac D40R speakers in Maple dem 3999 Graham Slee Fanfare Amp3 dem 179 Musical Fidelity X-T100 Integrated dem 249 Graham Slee Gram Amp2 dem 119 Oppo BDP95 eu dem 499 Proac D18 Mahogany dem 1999 NAIM NAIT XS2, excellent boxed used 899 Pathos Endorphin dem 3499 Proac Studio 110, excellent boxed used 499 Graham Slee Elevator EXP Step up used 299 NAIM NAIT XS, excellent boxed used 799 SME 3009, excellent boxed used 249 Pioneer N50 Streamer, excellent boxed used 299 Proac D1 in Cherry dem 999 NAIM NAP250, excellent late boxed olive used 1199 Prima Luna Prologue 8, ex demo boxed dem 1299 Proac Tablette Anniversary in Rosewood dem 749 SME 3009/3, excellent boxed used 249 NAIM NAP150, excellent boxed used 349 SME 3012, excellent used 799 Quad 99CDP, excellent REDUCED used 399 Proac D2 speakers in black. dem 1199 NAIM NAC252, ex demo, mint boxed dem 4499 Rega Planet 2000, excellent used 199 Proac D28 in Maple dem 1999 Sumiko Blackbird high output m/c cartridge dem 299 NAIM NAC202, vgc+ boxed just NAIM serviced used 1199 Sumiko Virtuoso m/c, details tbc used Call Rega Apollo R, excellent used 449 Proac D30R in Maple dem 3249 NAIM NAIT 5i mk2, excellent boxed used 499 Rega DAC, excellent boxed used 349 Proac Studio 140 Mk11 in Cherry. dem 1199 Systemdek 11X c/w Linn Basik Plus & K9 used 199 NAIM NAP180, excellent boxed used 599 Systemdek 11S, Linn Basik LVX, rare superior ‘S’ build used 299 Rega Saturn, excellent boxed used 599 Proac Studio 115 new 749 NAIM SuperUniti, near mint boxed used 2499 Restek Charisma c/w remote, excellent bargain! used 299 Quad Electrostatics ESL2905 Classic Vintage new 4499 Technics SL120, SME3009 excellent used 399 NAIM NAC102, excellent boxed used 399 Thorens TD160 HD turntable new 1199 Rotel RCD02, vgc used 79 Red Rose Rosebud £2.5k new dem 699 NAIM NAC152XS/NAP155XS, boxed remote used 999 Rotel RCD1072, excellent, remote used 249 Thorens TD170, Fully Automatic, excellent used 249 Reference 3A DaCapo in gloss black dem 699 NAIM NAC112/NAP150, remote used 499 Sony BD500 used 99 Revel M22, excellent boxed new 599 Thorens TD160, Audio Technica arm, boxed used 249 Nakamichi 610 Preamplifi er, fair used 199 Sony Minidisc MDS JB920 used 79 Revolver RW45 fl oorstander in Cherry dem 699 Thorens TD209 turntable package dem 699 Neutonia Salis Integrated, classy Restek built used 399 Sony XA9000ES, excellent boxed used 699 Revolver Cygnis Gold in Black, £14k new dem 4995 Thorens TD2030 Blue turntable new 999 NuForce IA7 Integrated used 499 Stello CDT100 Transport, ex boxed used Call Revolver Cygnis in Maple/Black, £6k new dem 2495 Tom Evans Groove, 0.85mv/100 ohm, excellent used 849 Onix OA32 Integrated, excellent used 299 Sugden CD21SE in Titanium dem 799 Revolver Music 1 dem 350 Townshend Elite Rock, Merlin, Excalibur used 999 Onix OA25 Integrated, excellent used 399 Sugden Masterclass CD original version used 999 Rogers LS7, excellent boxed with free stands used 299 Trichord Dino NC PSU dem 399 Pathos Logos Integrated dem 1999 TEAC VRDS7, excellent remote used 249 Ruark Prologue 1, excellent boxed used 299 VDH Colibri M/C cartridge new 3499 Placette Audio Passive Linestage dem 599 Theta DS Pro Progeny DAC used 249 VDH Condor M/C cartridge new 1999 Prima Luna Prologue 3 Preamplifi er vgc+ used 649 Sonus Faber Elipsa, superb boxed used 5999 Tube Technology Fulcrum CD transport dem 699 Sonus Faber Cremona Auditor, boxed with stands used 1399 VDH MC One Special Edition M/C cartridge new 749 Prima Luna Prologue 2 Integrated, good shape dem 799 Tube Technology Fulcrum DAC (inc DAC64 chip) dem 899 VTL TP2.5 phono stage ( new ) new 1749 Prima Luna Prologue 3 Preamplifi er, REDUCED dem 749 Sonus Faber Cremona Auditor M, boxed as new dem Call Tube Technology Fusion 64 cd player dem 999 Sunfi re True Sub Subwoofer dem 399 Wilson Benesch Act 1 Tonearm, nr mint superb used 799 Puresound L300 valve preamp dem 3599 Unison Research CDE new 1599 Puresound L10 preamp dem 1399 Tannoy Supertweeters, fair condition used 449 Unison Research CD used 499 Thiel CS7.2, vgc, just refurbished… used 2499 Radio/Recorders Puresound A30 valve integrated amp dem 749 YBA GC-10, ex boxed, £1600 new, BARGAIN used 399 Quad 44, excellent used 199 Totem Mani Signature, boxed near mint used 2999 Arcam Alpha, vgc+ used 29 Quad 66 Preamp, excellent remote used 349 Totem Mite in black dem 449 Arcam T61, vgc+ used 79 Quad 99 Pre/Power, excellent, remote, Quadlink used 649 AV/Accessories/Cables Totem Aro Designer series in gloss black dem 999 Audiolab 8000T, tuner used 199 Quad 303 Amplabs upgraded used 299 Acoustic Energy Reference speaker stand new 199 Totem Rokk in mahogany, excellent used 249 Creek T43 FM tuner new 99 Quad 405, from used 199 BCD glass rack new 499 Totem Sttaf new 999 Creek Evolution Tuner, excellent used 199 Quad Elite Monoblocks, boxed used 749 Elemental Audio Equipment Rack dem 499 Usher BE718 dem 799 Velodyne MicroVee in black dem 499 Cyrus FM7.5, excellent boxed used 149 Quad 34/306 late grey versions used 399 Elemental Audio speaker stands dem 499 Quad 707 Power used 399 Ergo AMT phones with Amp 2 (£2.5k new) dem 1499 Velodyne DD18 sub in black dem 1999 Denon TU-S10 used 199 Velodyne DD15 sub in black dem 1499 Denon DRM700 3 head used 49 Rega Luna, rare item used 199 Experience Filtration mains fi lter dem Call Rega Osiris, excellent boxed used 2699 Experience Filtration 6 way block with 3m cable dem Call Velodyne SPL 800 Ultra sub in black dem 499 Marantz DR4050 CD Recorder, REDUCED used 149 Veritas H3 (Lowther drivers) in gloss black, 100db dem 2999 Resolution Audio Opus 21 S80 Integrated dem Call HiFi Racks 3 tier rack in Oak dem 199 Marantz DR6000 CD Recorder, REDUCED used 149 Wilson Benesch Square One boxed, matching stands used 799 Resolution Audio Opus 21 S30 Integrated dem Call Isotek Nova power conditioner dem 1199 Musical Fidelity Xplora tuner new 149 Resolution Audio Opus 21 Extra Sources Preamp dem Call Isotek 6 way distribution block dem Call NAIM NAT05, excellent used 299 Roksan Kandy K2 Integrated, excellent boxed used 599 Kemp 6 way distribution block dem Call Special system deals NAIM NAT01 & NAPST, excellent boxed used 899 Sonneteer Campion Integrated, nr mint used 599 Lehmann Rhinelander used 199 AMR 777 Amp and CD Player dem Call Nakamichi BX2, excellent used 149 Sugden Masterclass Monoblocks, in titanium used 3999 Musical Fidelity M1 HPAB dem 399 Audio Analogue Primo CD/Amp combo dem 499 Nakamichi CR1, excellent used 99 SugdenA21a line Integrated dem 999 Musical Fidelity TripleX power supply new 199 Consonance Ping CD/AMP dem 599 Sugden Masterclass Pre/Monos in Graphite used 6499 Cyrus Amp and CD package used Call Pure 701ES DAB Tuner used 89 NAIM XPS DR, ex demo dem 2599 Sugden Masterclass Pre/Monos in Titanium used 6499 Leema Elements Amp & CD new 1499 Quad FM4, later grey version, vgc+ used 149 NAIM HiCap 2, excellent boxed used 599 Quad FM3, vgc used 99 Sugden Masterclass Integrated in Titanium dem 2749 Linn Classik Movie 05, excellent boxed used 699 Talk Electronics Hurricane 3/Tornado 3.1 monos dem 1399 NAIM HiCap 2002, Serviced used 449 Linn Classik and Keosa speaker package used Call Revox B250 Tuner in black/gold fi nish used 349 TEAC Distinction A1000 Integrated, ex demo dem 599 ProAudio Bono Reference Platform dem 399 NAIM Uniti 2 dem 1999 Rotel RT1080, excellent used 149 Unison Research new S6 Valve Integrated dem 1999 Townshend Isolda speaker cable, 3m pr canned used 299 Orelle EVO Cd and amp was £2700 used 799 Rotel RT850 Tuner used 29 Unison Research Unico Secondo Integrated dem 899 Townshend 4 tier Seismic rack dem 499 Paradigm Millennia One 5.0 AV Speaker system used 399 Yamaha HD1300 Professional Recorder dem 199 Unison Research Little Italy Integrated dem 999 Track Audio speaker stands dem 200 QUAD 77 CD and Integrated Amp used 399 Tel: 01642 267012 or 0845 6019390 Email: choice@ 2ndhandhifi .co.uk EXTRAS

Shure SE112 earphone

AS ONE OF the companies mounted in a fairly large housing responsible for the high-end that is reasonably comfortable and earphone market, Shure has been supported by Shure’s excellent range hard at work pushing its range ever of aftermarket earbuds if the three further up the scale and recently sizes of rubber domes supplied don’t launched its most expensive suit. There is a small carrying pouch, earphone ever. All of which makes but no inline remote which at the this all the more surprising. At price is entirely understandable. just £46, the SE112 is the least expensive earphone in the range Lively up yourself despite the fi rmly terrestrial price, and indeed is the least expensive The Shure manages to keep the basic it can easily reveal the nuances that the company has ever made. neutrality that its more expensive of a recording and is able to reap Thanks to Shure’s focus on the pro models are renowned for and the the benefi ts of lossless and high- audio sphere and with it a general SE112 is civilised and controlled even resolution audio while not tearing disregard for shininess for the sake when pushed to high levels. At the compressed material to shreds. It of it, the SE112 doesn’t feel out of same time, there is a useful sense even manages to benefi t from the place in the company’s lineup. The of liveliness to the performance performance boost of external DETAILS rubberised parts and sober colours that makes it more than some headphone amplifi ers, which is PRICE help it look much like the rest of the wannabe monitor. Give it a bassline genuinely unusual at the price. This is £46 WEBSITE range and the build is more than and the Shure responds with an an earphone priced at the ‘disposable shure.co.uk reasonable. Internally, the SE112 enthusiasm and agility that makes holiday special’ point that you could uses a pair of dynamic drivers rather it consistently entertaining. easily live with long term, all of which OUR VERDICT than the balanced armatures used What really makes this earphone makes the SE112 something of a star further up the range. These are stand out from the pack is that at the sub-£50 price. ES

SLiC Innovations Eclipse C interconnect

BEING SOLD IN the UK via MCRU, inconsiderable £492 SLiC Innovations is a brand new cable for a 1m run, with £75 company. Often, these come and go per extra half metre from like ships in the night, so does the then on. Other terminations and world really need another? lengths are available; for details see Well, perhaps. The fi rst encouraging www.slicinnovations.co.uk. sign is it is well made and terminated, I’ve not heard before. This is standing up to the rigours of a Total Eclipse of the heart startling for a £500 cable, it’s reviewer’s system where wires are I have heard umpteen mid-price usually wires twice the price that constantly being pulled out and cables this year, but can’t help but be dig this deep. pushed in. impressed with the Eclipse C. Initial Tonally, it is superb. Smooth but SLiC is rather bashful about ‘sharing’ impressions are that it’s unearthing never bland, it handles the slightly any details about the cable. It will not vast amounts of detail, throwing out edgy vocals on 4hero’s Give In with specify what’s inside, aside from the large amounts of bass and has a aplomb. Vocals sound searingly DETAILS fact that its name stands for Super lovely swing to it. UB40’s superb transparent yet tonally smooth PRICE Low Interference Cable, and it sets Signing Off is on another level to the and dark. Soundstaging and depth £492 per 1m out to “drastically reduce signal band’s later more commercial fare, perspective is excellent, low level CONTACT disturbances created when current but is not a great recording. But the detailing is beyond reproach and the 07908 056978 fl ows through conductors”. The SLiC seems to unearth an extra half way it plays music in a rhythmic, WEBSITE manufacturer says it has been octave of bass and make it sound dynamically expressive way is mcru.co.uk optimised to work across an wonderfully fl uid and bouncy. It’s so compelling. Don’t be put off by the OUR VERDICT ultra-wide frequency range, up to detailed that it also pulls out all kinds company’s lack of pedigree, this 300MHz – so it should cope with CD’s of hum and analogue tape print- brilliant cable will soon win it a 20kHz nicely, then! The price is a not through sounds out of the mix that great reputation. DP

OCTOBER 2014 109 EXTRAS

Orange Amplification DIVO VT1000 valve tester

OWNING A PIECE of valve hi-fi is a real delight and there are many who will argue that it is the only way to enjoy pure and high-quality sound reproduction. However, it does have a downside – valves do have a limited life. Just how long that life is depends on the type of valve and its operating conditions. Generally speaking, power valves, such as output triodes, tetrodes and pentodes will need to be changed after 1,000 hours of use. However, the small signal valves in your preamp and driver valves should be fi ne for 10,000-20,000 hours. Some people resort to changing their valves regularly, but by far the best way is to test them using a specialised tester. Second-hand testers abound on ebay and the like, but most require some technical Most of the common preamp and LED is illuminated, showing it has knowledge to use them and some driver valves are supported, including passed the tests. The two halves comprehensive testers are very the double triodes ECC81/ECC82/ of the valve are checked expensive, even second hand. ECC83 (12AT7/12AU7/12AX7), simultaneously and a single LED is Fortunately for us valveheads, ECC99 and 12BH7. Power tetrodes lit on a scale showing the relative Orange Amplifi cation has brought like the 6L6, 6V6, 5881, 6550 and the gain and indicating that the two out a tester that is both reasonably KT66/KT77/KT88 range as well as halves are perfectly matched. If not, priced and very easy to use. The output pentodes EL34/EL84, are also a pair of LEDs are illuminated on the DIVO VT1000 is a fully automatic supported. Note that power triodes scale, one fl ashing and one constant, and portable tester that uses an (like the 300B) or rectifi er valves indicating just how well matched inbuilt processor to perform a are not supported – a list of all the each half is. comprehensive range of tests (over valves that are can be found on the 20, including mutual conductance) manufacturer’s website. Light up your life quickly and accurately. It is supplied The instructions stipulate that you Similarly, I test an EL84 by plugging with a meaty switched-mode power should not test hot or warm valves. it into its dedicated socket, selecting supply, similar to the sort that comes Many of the tests carried out by the the valve from the list and pressing supplied with laptop computers. automatic procedure assume a cold the ‘OK’ button. Two minutes later, a The VT1000 was originally designed valve and these are compared with single LED is lit indicating a relative for use with guitar amplifi er valves, the internally stored test data for gain of ‘9’, together with the ‘Good’ but it will, of course, work equally that gas bottle. Under testing, it will green LED showing once again that well with those that are used in become warm and this heat will alter the valve has passed the test. Finally, hi-fi equipment. the impedances inside. If the same I dig out an old ECC83 that has been valve is then repeatedly tested before previously fi tted to my phono Testing, testing being allowed to return back to amplifi er. When tested on my trusty Using the VT1000 requires no room temperature, or if a warm old B&K Model 606 valve tester it knowledge of valve theory. The unit valve is tested having just been showed emission values on the two has one octal and two nine-pin valve used in your equipment, then false halves of 80% and 68%, so I sockets for different gas bottle types. DETAILS readings will be given. Therefore, replaced it. When I test it in the Simply insert the valve to be tested PRICE warm valves should be left to reach VT1000, the red ‘Fail’ LED lights into the correct socket, select the £349 or return back to room temperature up, along with a fl ashing LED and type from a list with the up/down CONTACT before testing commences. a constant LED showing relative buttons and press the ‘OK’ button 0208 905 2828 I fi nd that testing an ECC82 is a gains of ‘11’ and ‘4’ – clearly the two WEBSITE to start the test. The list of valves orangeamps.com breeze. The whole set of tests takes halves are not matched. is conveniently printed above a row about two minutes and the row This is an excellent comprehensive of 15 LEDs, which are also used to OUR VERDICT of LEDs counts down to show the tester that is good value for money, show the relative gain or quality of progress. When it has fi nished, I am really easy to use and so comes the valve. pleased to see that the green ‘Good’ highly recommended. NR

110 OCTOBER 2014 Mavros Interconnects & Speaker Cables

MAVROS SPEAKER CABLE : One of the truly great cables currently on the market. This is the best set of speaker cables that I’ve ever heard. Truly genre defining.

MAVROS INTERCONNECT : These are not cables that try too hard to impress. They just allow the music to flow naturally.

HiFi World, July 2013

the performance connection atlascables.com

EXTRAS

Northwest Analogue Cartridge rebuild service

THERE IS SOMETHING very personal about moving coil cartridges – they often lie very deep in an analogue addict’s affections. Trouble is, of course, that they wear out and not all are easy to replace. There are some excellent modern designs from a number of manufacturers, but sometimes people don’t want a new cartridge, they just want their old one back and working better than ever. This has created a space for devoted specialists that can refurbish ailing moving coils (and indeed moving magnets, if you so wish) such as North West Analogue. No aspect of the cartridge is left unturned – if you so wish. Usually it’s the diamond stylus tip that needs replacing, but cartridges come in to Dominic Harper for complete rebuilds, or specifi c repairs. He has a general public gets to hear his fi rst of the two, but requires “intense passion for analogue that is up there product then he may well become alignment and will not suit some with anyone else in the industry as famous as any of the folk whose cartridges”. A typical rebuild (and that’s a pretty high set bar). He products he currently fi xes. includes a checkover, alignment, trained as a tool room machinist His cartridge service ranges from a new DHC cantilever and new FG when he left school and went on simple retip to extensive surgery. “It stylus – for this he charges £600. to work as technician testing dawned on me that many cartridges “all manner of things to British could be modifi ed, sometimes Silver service standards”, he tells me. Dominic has dramatically quite simply, with just Northwest Analogue performs this been playing vinyl for as long as he cantilever upgrades. Since then I have on my expired Supex SD900, and it can remember, and confesses that taken things further and continue to makes a dramatic difference. I he, “can’t quite accept digital, no do so”, he says. This work includes remember when this cartridge was matter how it’s done”. Twenty years coil changes, damper changes and new, many years ago and I don’t ago he became especially interested magnetic circuit changes, plus of think I’ve ever heard it so good as in cartridges, and then “started course body material experiments. Dominic’s rebuild. Wonderfully messing around” with them fi ve Basically there’s very little this man open, fast, delicate, tight and years ago. cannot do for your poorly pick-up. detailed, it seems possessed of much One popular option on his rebuild the lovely defi nition and delicacy of Dom’ll fix it menu is a new cantilever, and the latest Lyras, but still has just a Actually, this man’s “messing” isn’t Dominic can supply all sorts from touch of that legendary, warm and like yours or mine; he has the steady boron to sapphire (he’s not a fan of romantic Supex sound. Dominic hand of a neurosurgeon and the aluminium, though, quite rightly in seems to have kept the best of both eyesight of a particularly peckish my view). Fascinatingly, though, he worlds; my original Supex seemed hawk! Plus a well equipped lab and has developed his own material called slower and more lethargic, and a all manner of equipment, and a DHC; beyond describing it as “a solid little lacking in get-up-and-go. By huge amount of knowledge of DETAILS rod of various metals”, he is keeping contrast the NWA rebuild seems virtually every cartridge ever made. mum about what the material is, for like this venerable moving coil has PRICE Indeed, he can quickly tell you who From £275 understandable commercial reasons. downed a pint of Red Bull and gone makes which cartridges for what CONTACT He now hand makes his own dampers to the gym; the music proves so brands, being seemingly able to spot 01772 616458 and can supply and fi t these, but much more powerful and articulate the build signatures of any number WEBSITE often says that all that is needed is – yet there is no loss of subtlety or of individuals or companies that northwestanalogue. realignment. Then there’s the stylus fi nesse. Overall it’s a great upgrade, com you might not necessarily expect. tip, of course; he mainly uses Fritz and inexpensive too considering the Interesting stuff, but Dominic OUR VERDICT Gyger FG II and FG S, which “are the end result. Even if you just want the himself is now a cartridge builder as best available, in my opinion”. The basic retip at £275, you shouldn’t well as a rebuilder, and when the latter he says is the more resolving overlook this very special service. DP

OCTOBER 2014 113 EXTRAS

ISOkinetik Melody Two interconnect cables

BUILDING ON THE success of its end. The signal should fl ow towards Melody range of cables comes the the end with the red ring so the other Audio Enhancement Melody Two end should be connected to the audio interconnects. A step up from the source, such as a CD player. Melody One, the Melody Twos are twice the thickness of the wire used Cable manners in the predecessor. After running in the cables for a These handmade cables are suitable period, I connect them produced from high-purity copper, between my CD player and supported in a dielectric material preamplifi er to see how they perform. of ISOkinetik’s own composition, First to spin is a recording of Vivaldi’s screened using its own silver-plated Concerto For Two Violins And Two copper shielding material and Cellos (RV575) played by La fi nished off with a purple fl exible Serenissima. The rendition is easy to sleeving. The solidly made RCA listen to and each instrument is clear The subtle nuances of the guitar are DETAILS phono plugs are gold plated and in its own right, but also in harmony breathtakingly realistic and even PRICE fi rmly fi xed to the cable with with the other instruments. In other seem to be coming from below Eric’s From £120 for 1m heatshrink sleeving, which is colour words, you can point at each of the voice – superb! CONTACT coded to indicate the left and right violins and cellos as individual The Melody Two interconnects are 0208 2418890 channels. As with all good-quality players, rather than them presenting available in lengths of 1, 1.5 and 2m, WEBSITE interconnects, there is a preferred as an indistinct image. and prices range from £120 to £200. isokinetik.co.uk direction in which the cables should For a complete change of genre, They make an excellent upgrade to OUR VERDICT be used and this is indicated by a I decide to play John Henry by Eric any audio system and are defi nitely small red ring of sleeving at one Bibb for vocals and acoustic guitar. worth an audition. NR

Russ Andrews Kimber PowerKord-8 power lead

NOT EVERY PIECE of audio method of getting current equipment is fi tted with an IEC 3-pin through to the equipment. connector – my cassette deck being Russ Andrews has perfected one such example. Instead, it requires a new technique for attaching a cable fi tted with a ‘fi gure of eight’ a fi gure of eight plug onto its plug, otherwise known as a shotgun cable. At the other end, there is connector due to its appearance. a high-quality UK mains plug There are already many mains cable fi tted with a Russ Andrews 13A fuse. upgrades out there to replace the The PowerKord-8 is available in humble ‘kettle lead’ for IEC lengths of 1, 1.5, 2 and 3m. connectors, so it is good to now see a Kimber PowerKord fi tted with a Current aff airs fi gure of eight connector available The solid and chunky, yet fl exible drums feeling deeper and tighter from Russ Andrews. PowerKord-8 certainly feels like a real with more impact. The sound is DETAILS The PowerKord-8 is based on the upgrade. It is pretty easy to swap more compelling to listen to and PRICE Russ Andrews Classic PowerKord and between cables on my cassette deck somehow fuller in presentation. £89 for 1m uses the same Kimber woven cable between the supplied ‘shaver lead’ There is even an improvement in CONTACT technology. As with the Classic and the PowerKord-8 to carry out overall refi nement across a wide 01539 797300 PowerKord, eight of Kimber’s some proper A/B testing. I certainly range of music genres and this, WEBSITE hyper-pure copper conductors are fi nd an overall improvement in the coupled with a discernible ease in russandrews.com woven in a unique pattern, insulated sound with the PowerKord 8 fi tted, the way the music is reproduced with Tefl on and housed in a fl exible particularly with image placement when compared to a standard lead, OUR VERDICT braided protective sheathing to and focus. I also fi nd improvements means that it gets a full fi ve-star achieve a highly effi cient and clean in the lower registers with the bass rating from me. NR

114 OCTOBER 2014

GUIDE TO...

eyebrows were raised. Prior to this, most of us placed our turntables on a heavy solid support to shield it from vibration. But, the coffee table certainly seemed to work with the LP12. It didn’t cause a sensation, as the hi-fi world was still relatively unattuned to the more complementary aspects of the hobby. Back then, the notion of using special cables seemed frankly rather odd, let alone bespoke equipment stands. Time for change From this tiny seed a mighty oak would grow. And so it was that, by the early eighties, London-based Linn/Naim retailers The Sound Organisation had launched a purpose-built turntable support. It was specifi cally intended for the LP12, and consisted of a square- section steel frame with four moveable support points. At fi rst, it was greeted with incredulity. Not the sort of cloying cynicism some cable refuseniks have for audiophile wiring these days, just a sense of surprise and puzzlement. It soon took off, however, on a small Hi-fi scale as The Sound Organisation was able to demonstrate the difference with every Linn Sondek it sold – or didn’t as the case may have been. On the very fi rst Sound Org turntable table (as they were called back then), furniture the support points used bolts. Later, these supports were replaced with A system only sounds as good as the table that upward-facing spikes brazed onto the frame. The idea behind the table was supports it, right? Let’s examine why stands matter straightforward; a light but rigid frame supporting a thin platform made from particle board. Being slim and light, he Sound Organisation screwed into matching enclosures. the platform did not store low- Table was, arguably, the This may have been the highest frequency energy. It, therefore, acted T fi rst piece of audiophile watermark of the hi-fi spouse- as a high-pass fi lter, making the LP12’s furniture on the planet. acceptance factor, but it didn’t do suspension function more effective. At Quadraspire was Well, sort of. Actually, hi-fi furniture is much for the sound. While a high- one of the stands least, that’s how it was explained at as old as audio itself. In fact, audio was quality fi fties audio installation may that filled the the time! A modern-day proponent of originally sold like furniture. Sound have looked like it had been designed gap left by Mana this philosophy is Russ Andrews with reproducing equipment was usually around the same time as the owner’s purchased because of its looks and its Georgian suburban semi-detached, it ability to sex up the décor of your living room. Nothing new there eh, It’s all too easy Linn Kiko owners? Nowadays, of course, most hi-fi to overlook the equipment stands freely in the open importance of a air, but prior to the seventies the fashion was for hi-fi equipment good support stand installed in cabinets so that only the front panel was visible. Hard to would win no prizes for audiophile imagine it now, but almost every piece purity. Enthusiasts chose to mount of hi-fi was designed so it could be their equipment in cabinets or consoles fl ush-mounted into a console, as well because it looked better and got rid as being used freestanding. Quad II of unsightly cables and wires – not power amplifi ers were hidden inside because it made sonics any better. slabs of oak that looked like chests of So when, in the late seventies, Linn drawers, Garrard turntables nestled suggested that the Sondek LP12 above, while most loudspeakers turntable sounded better if placed were often simply off-the-shelf units on a lightweight coffee table, a few

116 OCTOBER 2014 GUIDE TO...

his Torlyte equipment supports that here’s where it starts to get rather DESIGN FOR LIFE are made up of a honeycomb-like interesting. No question, the Mana What you place your hi-fi system on is big structure, which makes it incredibly table worked extremely well, but business and if you are in the market for light but very strong. There was no aspects of its design seemed to fl y something nice there are plenty of designs mistaking the fact that when placed in the face of the basic principles that out there that will suit a wide variety of pockets. However, if you are after on a Sound Org table, the Sondek did were established by the Sound Org something special and a bit different, your sound fresher and more detailed, table. For starters, the Mana was a choice is somewhat limited. Proper hi-fi giving a smoother cleaner, more heavy rigid stand that used a solid racks designed to support audio kit have to combine good looks with a structure relaxed sound. Bass seemed to go L-section steel frame, rather than a that performs well acoustically, so it’s not deeper, and stereo soundstaging hollow square section tube. But it was something that is likely to be stocked by was wider and more precise. Clarity the shelves that represented the most your local furniture supplier. improved, making complex music radical departure. The lower ones Hi-Fi Racks Ltd, based in Rutland, produces a unique and stylish range of easier to follow. Comparing the sound were made from a heavy MDF, while audio equipment supports that can be produced by different equipment was the upper shelf was fashioned from adapted to suit your requirements. All of something audiophiles had been doing plate glass. Glass – eek! Moreover – its products are designed and individually handmade in the UK using high-quality for years. But the Sound Org table and here’s where it really starts to get solid hardwoods. Adding to its established added a new twist to a familiar story. weird – the Mana stand was designed Podium and Akorner Reference range, it In essence we were now listening to to be stacked; one sub-section on top has recently released the Podium Slimline. The Slimline is sold as a standard four-tier the effect one (passive) component of the other. The best-sounding shelf rack, but can also be custom made to the was having on another. It wasn’t like was always the top one. So, given dimensions of your choice. As all the racks comparing turntable A with B and enough cash, and a tall enough ceiling, are modular, they can be expanded as your choosing a winner. For example; you could carry on stacking Mana systems grow over time. Also doing audiophile things differently turntable A might well sound slightly tables and keep improving the sound is Paul Beckett, designer and maker of superior to turntable B. But, when B of your hi-fi . extremely expensive – and arrestingly Even more than the Sound Org table, beautiful – clocks. His Onkk Isoo four-shelf system support (on test last month) shows The improvement the Mana stand seemed to focus the both originality and audiophile best music and improve tempo/timing. practice. It assuredly does not look like off ered is something Bass was fi rmer and tauter, and overall traditional hi-fi furniture and seems more at hard to achieve by there was an increased sense of home in Habitat than an audio specialist. stability and solidity. The sound was The rack is an assemblage of platforms, and you can buy as many as you like in other means noticeably better focused and more whatever height to suit your equipment. purposeful, with superior clarity and Each one acts as a cell and forms a path for was placed on a better support stand, fi ne detail. The improvement was resonance grounding via a knife-edge at the base and a V block at the top. The it suddenly outperformed its rival. noticeable with any component you upright is damped by a large Acetal This was a whole new paradigm. chose to place on the Mana stand – be washer which, “lowers the frequency of We suddenly realised how easily it turntable, CD player, or amplifi er. At the oscillating nature of vibration below that which can be detrimental”, says the our perception of a product could this point in time, the whole subject of designer. An Acetal cam system on each be infl uenced by what it stood on. support tables – and how/why they leg locks the platforms laterally together. Although originally designed for the did what they did – began to look a The 25mm MDF platforms are just large Sondek, the Sound Org table worked shade confusing. enough to accommodate standard separates, while the hardwood uprights its magic with other turntables. It also are available in custom heights to improved the sound of amplifi ers, Which approach is right? accommodate any scale of equipment cassette decks and (fast forwarding a Going back to Linn’s original ‘coffee and come in a choice of wenge or oak, although bespoke orders are available. bit) CD players, too. Suddenly, it table’ suggestion, the idea had been Paul says that the woods sound subtly became de rigeur to have four or fi ve to use a rigid, but lightweight support different, so customers can buy to Sound Org tables – one for each piece that would not store energy at low aesthetic or sonic taste. The densest timber, wenge, is said to give the crispest of kit. Inevitably, the Sound Org table frequencies, thereby preventing the and most transparent sound while less brought forth a whole rash of imitators. equipment from being affected by all dense hardwoods are better at taming Most of them were ‘Me Too’ copies from of the nasty horrible LF resonances that bright systems with their warmer balance. The basic package comes with four shelves people trying to get in on the act, taking tend to infi ltrate our listening rooms. (and subtables); spacing is individually certain aspects from the original design We’d been thinking of support stands specified. There’s a no-cost option of a without quite equalling it. as decoupling devices – something that top-table (not shown) if you don’t want the top cell configured to accept another would fi lter out harmful vibrations by level. Construction quality is high, and Mana mania improving isolation. The Mana table the racks come in a choice of soft white Seismic Isolation or satin black. In the late eighties, however, one rival clearly delivered great results sonically, platforms are stand appeared that could and did but did not offer much (if any) designed to offer something more; the Mana. Now decoupling. Indeed, more correctly, limit vibrations

OCTOBER 2014 117 GUIDE TO...

it served to mass-couple components PLATFORMS to the fl oor. Scary! Although it is likely to add to the clutter on Should we have been so surprised your audio rack, an equipment platform by this? After all, isn’t one of the great is nevertheless a worthwhile addition. It things about hi-fi the fact that there are not only helps to isolate your equipment further from external vibrations, but it also always half a dozen ways of doing the prevents the item itself from transmitting same thing? Quite often, each approach sounds to other parts of your system. is diametrically opposite and A platform is, of course, particularly important for record decks and indeed CD confl icting, and everyone violently players where mechanical vibrations can disagrees about what’s right. As the cause an increase in jitter, resulting in an eighties turned into the nineties, you overall degradation of the audio signal. started to see stands growing ever Other items of equipment such as power heavier and becoming more and more supplies and amps can also benefit from isolation, where the transformers can be a rigidly coupled to the fl oor. At the same source of mechanical noise. Furthermore, time, others were taking the opposite valve-based equipment is more susceptible approach, trying to isolate as much easy to overlook the importance of The Mana stand to microphony, where mechanically transmitted sounds can cause the elements as possible. The only winners were a good support stand, and take for seemed to focus the music and inside a valve to vibrate, which directly modulates the audio signal. reviewers who did a roaring trade granted the benefi ts offered. Instead, improve timing discussing that week’s ‘in’ support everyone’s gone cable crazy... Apart from providing isolation, some system. Audio furniture was now being Only if you’ve witnessed someone platforms can actually play a part in dissipating vibrations as part of their taken very seriously, and choosing the demonstrate the sonic difference design, which is also very beneficial. right support was considered crucial to between a proper equipment support SEISMIC SHIFT getting a good sound. and an ordinary piece of furniture, Townshend Audio has been working on The Mana approach was particularly will you appreciate how big the Seismic isolation platforms for a long time. addictive, as you knew that a further improvement can be. Moreover, the It started with cases that enclosed an air chamber and has steadily been refined. worthwhile improvement could be had nature of the improvement offered is The latest incarnation is the most elegant by adding another support on top of the something hard to achieve by other and well made, it also avoids the need one(s) you already had. for inflation by using a range of cleverly damped springs to accommodate different In hi-fi there are weights of component. Back to the future Its Seismic Platform consists of a steel Just as hi-fi products come and go, always half a dozen top plate that has a damping layer so does hi-fi furniture. Mana ceased underneath and a second steel plate ways of doing the beneath that. This sandwich creates a trading in the middle of the last constrained layer that minimises vibration decade, leaving room for several same thing in the platform. At this point most support new brands, including Audiophile makers stick some rubber feet on and consider the job done, not Townshend. Furniture to Quadraspire, and latterly means; it’s something fundamental These feet are called Seismic Load Cells PAB and Hi-Fi Racks – all using and profound. In other words, that and consist of stainless steel cups at either slightly different approaches to elusive extra ‘something’ that makes end of a rubber bellows-type arrangement that forms a damped spring. A spring alone produce real upgrades in sound. the music and performance sound would bounce for ages if moved, this Townshend Electronics has continued involving and real may only be approach means the platform sits still to impress with its Seismic Sink achieved when the equipment is should there be footfall around it or platform and stands, too. But perhaps properly sited on good support stands. movement in the component on top. What makes the Seismic platform the lessons of the past have been Until this aspect is sorted out, your effective is that the Load Cell can move in forgotten slightly; audio furniture hi-fi system (regardless of who made it three dimensions, so that when the spring seems not to be taken as seriously and what it cost) will only deliver a is chosen to match the weight of the component it supports, it will isolate it from as it used to be in those heady Cold fraction of its capability. So before you vibration above 3Hz. In other words all but War days. And why bother? Your lavish vast sums on kit and cables, seismic activity and no one wants that, equipment still works regardless of think of where you’re going to put it. especially not in the living room. As you can have a Load Cell for weights anywhere what it’s placed on. Alas, it’s all too After all, you wouldn’t buy a Ferrari between one and 32kg (there are four per without a garage, now would you? ● Platform) it’s possible to choose a Platform ABSOLUTELY PABULOUS that will accommodate almost any piece of equipment. The potential drawback is that An interesting alternative take on the design of support The PAB platform improves the sound of CD players some components do not have balanced stands and platforms comes from Polish manufacturer and amplifiers, but (perhaps surprisingly) it also delivers weight distribution, the mains transformer PAB. It offers a decoupling platform that suspends a a big difference with a laptop computer used as a music may be at one end or in the case of valve marine ply shelf via four pieces of string from a turret – source. Again, there are noticeable gains in detail along amps all the transformers could be at the one at each corner. Individual adjustment of each string with a more effortlessly natural musical presentation. back. In such situations a weight specific allows the suspended shelf to be levelled. The PAB PAB also makes an equipment support stand that has two system is difficult to level, which is why platform is available in two versions to suit equipment of string-suspended shelves, with space at the top for a Townshend supplies Load Cells in different different mass, but the design principles remain the same. separate platform. Buying just a single platform for an spring rates on the same platform, just amplifier or CD player delivers worthwhile benefits, but mention what you are planning to support Although firmly supported, the shelf is free to move and it will pick the appropriate springs. laterally. So, the equipment is decoupled without being adding a couple more further enhances the result. Most isolated. Sonically, the PAB platform seems to make the audiophiles, having experienced what one PAB platform Seismic Platforms come in three sizes musical presentation more relaxed and ‘effortless’. Clarity does, will want to add a second or third. Essentially, the ranging from 43 x 30cm (size 1) to 52 x and fine detail are significantly improved. In particular, end result is a truer and more musical sound. 40cm (size 3) with prices increasing you seem to get much better stereo imagery, with a according to the spring rates. greater sense of depth placement and positional accuracy. The sound seems smoother and at the same time richer and more colourful, being both easier to listen NEXT MONTH: Guide to and more involving. The improvement really has to be heard to be fully appreciated. There’s no loss of to iTunes. How to get clarity or dynamics, but the presentation is definitely high-quality audio playback more flowing and delicate. from Apple’s music software.

118 OCTOBER 2014

Reader Classified ads www.hifichoice.co.uk

SEAS 10in drivers for Dynaco Collection only due to A25/26 repair? £100. Prices size and weight £650: include posting: 01472 885413 or email: 0207 499 8729. bilton1234@virginmedia. CYRUS Pre VS2 Preamp, com (Grimsby). PXX-R Power supply and DAC ROKSAN Kandy K2 int. For saleFor / Wanted X, Silver, original Boxes. VGC amplifier, black, 17 months 4/5 years old. Will ship by post old, as new and boxed. £595. if required. £650, will split if Would prefer demo and required: 01946 862815 or collection to posting: 0113 Reader email: paul.derrington@ 2188797 (Leeds). outlook.com (Cumbria). SPENDOR S3/5R2 black WANTED Chord Signature speakers £400. REL T3 Sub, speaker cable, 4-5m or over: black £200. Linn Pekin tuner, 01475 529216 black £150. All unmarked and or email: perfect working order: 01952 Classified [email protected]. 728773 (Shropshire). Welcome to Hi-Fi Choice Reader Classified, EPOS M5 speakers. Stunning STAX SR-007 reference cherry finish, boxed, never system, ie: SR-007 a free private ads service for buying and used, free stands £195: 07747 electrostatic earspeaker with selling second-hand hi-fi components. 390307 (Wiltshire). matching SRM-00711 direct MARANTZ CD17 KI coupled dual triode vacuum These pages are a must-read if you’re The simplest way to send your ad is via Signature – CD player, black, tuber energiser. Original thinking about buying used kit, or if you email to: [email protected] or mail: excellent condition (no owner, absolutely new have hi-fi you want to sell. It’s free – simply Reader Classified, Hi-Fi Choice, marks), remote, manual, £2,200 ono: 01505 346791 submit your ad of up to 50 words (ads over AVTech Media Ltd, Enterprise House, original box. Digital/analogue (Renfrewshire). this will be edited), remembering to include Enterprise Way, Edenbridge, Kent, out. Internal volume control. ATACAMA Eris Eco 5.0 your email, phone number and county. TN8 6HF. £325: 07920 101740 or rack, brand new, unused. email: SiLoPeRi@gmail. Silver with dark oak shelves This service is open to private advertisers only. Just one ad per household. Images are for illustration only and do not represent what is for sale com (Hornchurch). (bamboo) £300. Base MOON CD5.3RS CD 225mm, mid and top 175mm. FOR SALE player. Boxed and in Collection only: 079388 excellent condition £750 35982 (Middlesex). SONUS FABER Concertino Clearer Audio Silverline ultraplate Phono Analogue ono. Collection only: 07913 ART EXPRESSION speakers with Sf piano black Optimus 75 coax 0.5m £100. interconnect 0.5m. Boxed JPS Ultra Conductor bi-wire as new £200 (save £199): 236601 or email: loudspeakers. Black finish; stands in excellent condition, [email protected] virtually new condition. with boxes, £625. Musical speaker cable, 4.7m, two 07800 606892 or email: connectors at amp end, four [email protected] (Barking). Superb sound! Complete with Fidelity X-Dac v3 £250. Pair connectors at speaker end (Worcestershire). AMITY HPA4X headphone matching stands, boxes and 3m bespoke Silver High Breed paperwork. Will demonstrate. £230. Two-box DNM Series FURUTECH Reference amp with L&R volume Quintessence speaker cables, £950: 07736339194 or 2A preamp. Two RCA line Series Three 2m power cable. controls (cost £350) £140. banana termination, £95: email: [email protected]. level inputs and moving coil New £1,230, sell for £700 Two pairs of SoundStream 02476 679165 or email: uk (Bromley). input £350 ono: 01296 ono: 07899 721899 or 99.99% pure copper speaker [email protected] 437314 or email: jez35@ email: yatestherapy@ cable terminated, 7ft pairs, MORROW AUDIO (Coventry). btinternet.com (Bucks). googlemail.com. never used, half price at £25 a MA 1 one metre pair stereo pair. Will post: 01772 468116 interconnects, rave internet JPS Superconductor FX. RUSS ANDREWS RUSS ANDREWS HP1/ (Leyland, Lancashire). reviews £35: 01243 528010 1m, locking RCA plugs £100. Kimber Kable Hero HB PA1 preamp/headphone (West Sussex). amp/Poweramp combo. LEAK 2075 speakers, 50Wpc, all VGC, interconnect excellent condition, no ART Stiletto speakers (pair), included. Exellent neutral scratchers, can demo. slim floorstanders in maple sound, will demo. Group Test winner. £390 Buyer collects: 01483 891925 (Surrey). TECHNICS Hi-Fi 360 Series (X840) complete 12-piece system inc turntable, d/ cassette deck and CD player. Brochures/instructions, REGA Apollo 35th Anniversary Limited Edition in black (VGC, genuinely hardly used, offers light use) £375. Rega Mira 3 integrated amplifier in silver and full list of system: 01708 (Best Buy, Hi-fi Choice, Class B, Stereophile, immaculate 471149 or 07973 439730 with a great phono stage – less than a week’s use, bought (Essex). B&W DM601 S2 speakers, ash black, mint condition with box in 2012) £300. Both boxed with remotes. Focal Profile 908 POWER supply for Class and manual. Collection only, happy to demo (RRP £200) £100: standmount speakers in Classic finish with matching Focal A amplifiers, self contained, 01902 884694 or email: [email protected] S908 stands (Best Buy, Hi-Fi Choice) £395: 07772 711432 or suits John Linsley Hood’s (West Midlands). email: [email protected] (Bucks). 1969/1996 designs £299.

BUYING TIPS BUYING SECOND-HAND can be a great way to pick up a bargain. A formerly expensive second-hand component might well prove a better long-term bet than a brand-new product if the price is right. DO SOME RESEARCH on which brands have a good service back up, so if something does go wrong, you can get it fixed. Unless you purchase from a dealer, you’re unlikely to get any warranty, so it’s up to you to ensure the fitness of any gear that you buy. USUALLY speakers should be less prone to breakdown than amps, and amps should be more reliable than CD players. But any abused component could be trouble – have a proper demo and judge the seller as well as the goods!

120 OCTOBER 2014 www.hifichoice.co.uk Reader Classified ads For sale / Wanted For sale

ATC integrated SIA2 150 tube energiser), original £1,000 for both ono. Will split: mint condition, superb sound, owner, absolutely new 07791 529128. just £1,250: 01225 706783 £2,200: 01505 346791 Q UAD 99 System consisting (Wiltshire). (Renfrewshire). of amp, preamp, CD and AKG VQ701 Quincy Jones ARCAM CD37/SACD tuner in original boxes, mint Signature Line Headphones in player (black) £699. Roksan condition, complete with white, one and a half years old, Kandy K2 integrated leads and remote control. mint condition, boxed (£340 amplifier (silver) £550 and Prefer buyer collects. £800 COPLAND integrated amplifier CSA-14 £475 ono: new) £170: 07905 348812 K2 CD player (silver) £550. 01424 773404 or 07999 828283 (Hastings, East Sussex) ono: 0208 8576346 or (Watford). Both only months old with email: pp.marden31@ latest remote control RMX- finish, wonderful sound and reconditioned, original AERIAL ACOUSTICS ntlworld.com (Bromley). 111. Denon TU1800 DAB/FM in excellent condition with paperwork and boxes, first 10T speakers in Rosewood NAKAMICHI DR-3 tuner (silver) £175. All items original packaging, grilles etc. reasonable offer secures: (£8,000 new), asking £2,200. cassette deck (only 6 tapes in immaculate condition £475 ono: 01925 572936 01825 722936 or email: Lexicon processor DC2 ever played/rec) including with original boxes: 023 or email: whites96@ spartridge37@btinternet. (£4,000) VGC £950: 10x TDK SA90-2xTDK MA90 80738935 or email: virginmedia.com com (Sussex). 0152 614055 (Fleet, Hants ). blank tapes unopened and 2x golf3385@hotmail. (Cheshire). NORDOST Red Dawn RCA 1m pairs of QED silver spiral MICHELL Gyro SE with co.uk. Q ACOUSTICS 2050i Origin Live Rega RB600, interconnects. Superbly interconnects(for play/rec). 509, Mk 2. Pair of speakers for sale, white Goldring 1642. Mint condition transparent sound, mint EAR Includes original box and gloss finish, immaculate £875. Audiolab 8000 Q condition, were £300 will take mono valve amps, 100W manual, £165: 01202 515474 condition, £400. Buyer to (British) £280. Audiolab £100: 01484 427426 (West per channel. Very good or email: johnlangley17@ collect: 07940 659384 3000P £180. Acoustic Energy Yorkshire). condition, late eighties, talktalk.net. little use. Can demo. Buyer (Brighton). AE1 Classics £575. All mint WANTED four track tape Champagne to pay postage or collect, MARANTZ ORTOFON MCA10 battery- condition: 01484 427426 deck or recorder for up to 7in £2,000: 07527 567829 PM 7200 KI amplifier in operated preamp, excellent (West Yorkshire). spools: 01535 661278 or email: abaird2011@ mint fully working order. condition comes with new ARCAM irDAC £195, mint (West Yorks). btinternet.com C/W KI certificate, manual, batteries. 1x Ortofon MC10 condition and boxed: PINK TRIANGLE LPT (Berkshire). remote and packing carton, Super cartridge, boxed, plays 02392 453382 (Havant). Rega £300. Musical Fidelity £300: 07505 920373 MUSICAL FIDELITY well, but may need a re-tip WANTED Technics DVD E100 Electa amp, E600 CD, (Warington). A1 integrated amp (2008), (no way of checking), £50 stereo system SC-DV-150 or E50 tuner £550. Linn Index A1CD both in excellent including postage. 1x BTE later version. Good condition speakers £70. Sony Sports condition and boxed. passive preamp, 3inputs, essential. Quadrophonic Walkman £25: 01708 457691 American Walnut, excellent amplifier also desired: Sansui (Essex) condition, very little use, £50 QRX 9000 or 999 or Pioneer CHORD Signature links including postage: 01382 equivalent: 01985 213952 x4, brand new, unused (cost 644815 (Dundee). (Wiltshire). £90) £60. Chord cobra Plus NAIM Nait 5i integrated amp ATACAMA Equinox hi-fi sub lead, 10m (cost £147) + in excellent condition original rack in piano black with glass 3m (cost £70) £100 for both box, still under warranty shelves. Five shelves and not + p&p. Russ Andrews RGB receipt provided, £499: four in mint condition (RRP Scart (cost £200) £60: 01772 07967122765. £430) £150: 07905348812 812992 (Preston Lancs). YAMAHA YSP 2200 sound (Watford). STAX SR-007 Omega LINN Basik turntable, includes Akito arm and instruction bar and subwoofer, all cables WANTED Quad 50E mono Reference system (ie SR-007 book, in very good condition £250. Collection only: and leads and instructions, amplifier, must be in good electrostatic earspeaker with 07958 739227 or email: [email protected] only 18 months old (RRP £750) working order: matching SRM-00711 direct (West Sussex). £390: 01294 822562 (North 07946 522644 (Sheffield). coupled dual triode vacuum Ayrshire). REGA Brio amplifier. Two VPI Scout 2/JMW 9T/Linn years old, moderate usage Klyde. £1,750 ono: £300. Monitor Audio BX5 0208 4649044. floorstanders, two years HOW TO SUBMIT YOUR FREE AD GALE 401 speakers old, perfect condition £250: YOUR DETAILS To submit your advert to us, please email letters@ with chrome ends, fully 07908 945608 (Battersea). Name hifichoice.co.uk or Address alternatively, use the postal form below. Please limit ads to a maximum of 50 words, ensuring all details, model Email address names, etc, are correctly stated. Kindly also include Daytime telephone number your email, telephone number Date and home county. We regret that we cannot take adverts over the telephone. One ad YOUR ADVERTISEMENT per household please.

BOSTON ACOUSTIC Xa26 cherry, £120 Wharfedale Diamond 9.1 walnut, £70.00, Wharfedale Diamond 10.1 black, £100 all boxed and in good condition, any trial, buyer collects: 01933 626185 or email: [email protected] (Northants). SEND YOUR ADVERT TO Hi-Fi Choice, AVTech Media Ltd, Enterprise House, Enterprise Way, Edenbridge, Kent, TN8 6HF

OCTOBER 2014 121 Missed an Issue? Have you missed a copy of Hi-Fi Choice? You can now order these online, over the phone or by post!

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384 May 2014 385 June 2014 386 July 2014 387 Aug 2014 388 Sept 2014 Phone: 0844 848 8822 (Phone lines open: Mon-Fri 10am – 4pm) Order Online: 8MK\Z_ www.myhobbystore.co.uk/hfc d\[`Xck[ In Association with

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124NOVEMBER AAPRILPRIL 20120133 ISSUE ON SALE 25 SEPTEMBER www.hifichoice.co.ukwww.hificho 2014ice.co.uk award-winning high performance analogue, HIFI CHOICE digital & video cables ADVERTISERS INDEX

ABSOLUTE SOUNDS 12 ATLAS CABLES 111 AUDIO CONSULTANTS 78 AUDIO EMOTION 131 AVID HIFI 9 BLACK RHODIUM 119 CLARITY ALLIANCE 34 www.atlascables.com CLEAR AUDIO 26 DYNAUDIO 76 EXPOSURE ELECTRONICS 28 FOCAL 23 FURUTECH 98 FUTURESHOP 119 GSP AUDIO 49 HEGEL 2 HIFI LOUNGE 123 HIFI SOUND 108 HIGH RES AUDIO 123 Equator IAG INTERNATIONAL 132 Asymmetrical Integra ICON AUDIO 82 ISOTEK 84 KEF 32 KORG 45 MAIA 20 MCRU 107 MONITOR AUDIO 68 MOREL 80 MUSICAL FIDELITY 36 NUNU DISTRIBUTION 97 OPPO 11 Atlas understands the ORIGIN LIVE 104 meaning of uncompromising PJ HIFI 67 performance. Is the Atlas PMC 56 Equator asymmetrical the Q ACOUSTICS 30 best interconnect on the market? It sure is at it’s REL ACOUSTICS 73 price! A consistent winner, ROKSAN 15 the Equator Integra is RUSS ANDREWS 115 obviously the entry level audio interconnect for SEVENOAKS SOUND AND VISION 39,40,41 discerning music lovers. TALK ELECTRONICS 74 TANNOY 71 Need some advice on TELLURIUM Q 115 choosing the best cables? THE CHORD COMPANY 61 Call us free on VIETA 112 0800 731 1140 XPRESS CARBON 55

TO ADVERTISE PLEASE CALL TIM LEES 01689 869853 e: [email protected] tim.lees@hifi choice.co.uk www.atlascables.com audeze Audio AD_PAGE93_TEMPLATE.indd 1 free entry AudioAudio 31/8/12 10:15:57 audioplan CinemaCinema register online to enter prestigious Multi-Room chord free draw (good prizes) neat little packages Multi-RoomMulti-Room NetworkNetwork dynavector &All exclusive About the Music InstallationInstallation phone or see our grado website for BrystonBryston isoblue Bryston more details ChordChord Co. hutter DynavectorDynavector Guru Audio kudos GuruHeed Audio HiFiHeed Racks HiFi Racks lehmann HiFiIsoblue Racks signals Isoblue LehmannIsoblue linn Lehmann LehmannLinnLinn lyra NaimLinn Naim NaimNeat naim hi-fi Neat Neat OkkiOkki NokkiNokki neat Okki Nokki show PMCPMC nottingham RegaPMCRega RegaREL primare Trinity Park RELREL SennheiserSennheiserREL pmc Ipswich 30 & 31st WilsonWilsonSennheiser BeneschBenesch a sennheiser club orpheus member WilsonWireworld Benesch rega An exclusive offer WireworldWireworld August 2013 it’s our 20th Wireworld sennheiser birthday, so CalveleyCalveleyCalveley Court,Court, Court, Reymerston,Reymerston, Reymerston, Norfolk.Norfolk. NR9NR9 4QD4QD stax there should be CalveleyDigital Court, Reymerston, & Analogue Norfolk. NR9 Audio 4QD Specialists cake trilogy signals 013620136201362 820800820800820800 [email protected]@[email protected] 820800 sumiko hi-fi for grown-ups www.basicallysound.co.ukwww.basicallysound.co.uk [email protected] ipswich (01473) 655171 www.basicallysound.co.uk www.signals.uk.com Respecting The Past, Embracing The Future RespectingRespecting The The Past, Past, Embracing Embracing The The Future Future

HIFI LOUNGE SE BASICALLY SOUND E ACOUSTICA NW 4 The Granary Buildings, Millow Hall Farm Calveley Court, Southburgh Rd, Reymerston 17 Hoole Road, Chester, Cheshire Millow, Near Dunton, Bedfordshire CH2 3NH SG18 8RH Norfolk NR9 4QD 01767 448 121 01362 820800 01244 344227 T www.hifilounge.co.uk T www.basicallysound.co.uk T www.acoustica.co.uk

GRAHAMS HI-FI GL NOTTINGHAM HI-FI CENTRE EM AUDIO COUNSEL NW Canonbury Yard, 190a New North Road, 120-122 Alfreton Road, Nottingham, 26 High Street, Cheadle, Cheshire London N1 Nottinghamshire NG7 3NR SK8 1AL 020 7226 5500 0115 9786919 0161 491 6090 T www.grahams.co.uk T www.nottinghamhifi.co.uk T www.audio-counsel.co.uk

INFIDELITY GL STUDIO AV WM SYNERGY AV HI-FI NW 9 High Street, Hampton Wick 44 High Street, Eton, Berkshire, 12a West St, Congleton, Cheshire Surrey, KT1 4DA. SL4 6BL CW12 3JB 020 8943 3530 01753 631000 01260 280017 T www.infidelity.co.uk T www.studioav.co.uk T www.synergyav.co.uk

AUDIOBOFFSACTON GATE AUDIO GLW SOUND CINERGY WM DOUG BRADY HIFI NW 3384 Ruabon Shenley Rd, Road, Wrexham, Borehamwood, 37 High Street, Aldridge, Walsall, West Kingsway North, Warrington, HertsClwyd WD LL13 1TP 7PB Midlands, WS9 8NL Cheshire, WA1 3NU ✆ 02001978 8177 364500 4095 01922 457 926 01925 828009 (Mon–Sat 9am–5.30pm) T❑ www.audioboffs.co.ukwww.acton-gate-audio.co.uk T www.soundcinergy.co.uk T www.dougbradyhifi.com

SONATA GL VICKERS HIFI NE TAVISTOCK AUDIO SW West Hampstead, London NW6 8 Concorde Park, Amy Johnson Way, 18 Market Street, Devon, PL19 0DE Appointment only Clifton Moor, York YO30 4WT 0330 111 5653 01822 618940 01904 691600 T www.tavistockaudio.co.uk T www.sonatahifi.com T www.vickers-hifi.co.uk

SE - South East, GL - Greater London, SW - South West, E - East, EM - East Midlands, To advertise in the dealer directory, WM - West Midlands, Please contact NE - North East, Tim Lees 01689 869 853 NW - North West, tim.lees@hifi choice.co.uk W - Wales. FOLLOW US ON FACEBOOK AND TWITTER FOR ALL THE LATEST HIFI LOUNGE NEWS A NEW NAME IN QUALITY 01767 448121 HIFI FOR THE HOME www.hifilounge.co.uk Here to listen to your needs, selling only brands we are passionate about. At HiFi Lounge we have created a listening environment for our 4 The Granary discerning customers to relax and Buildings, take their time away from the busy Millow Hall Farm,rm, high street. Millow, Nr Dunton,ton, Set in a beautiful country setting yet Bedfordshire, only minutes from main routes. You will SG18 8RH always be guaranteed a warm welcome.

IAN HARRISON HIFI SALE! UP TO 40% OFF! TEL: 01283 702875 [email protected] PHONOSTAGES CARTRIDGES TURNTABLES TONEARMS TRICHORD ORTOFON MICHELL MICHELL To advertise pleaseGIK Acoustics contact manufactures TOM EVANS DENON PRO-JECT REGA acoustic panels, GRAHAM SLEE AIR TIGHT THORENS SME* LEHMANN TRANSFIGURATION SRM TECH GRAHAM Timbass traps and diffusors WHEST AUDIO KOETSU EAR MOTH and sells direct worldwide. ANATEK GRADO AMAZON AUDIO ORTOFON We provide superior QUAD GOLDRING AUDIO TECHNICA PRO-JECT Leescustomer service CLEARAUDIO BENZ MICRO DENON ROKSAN ICON AUDIO ROKSAN INSPIRE CARTRIDGE MAN and acoustic PURE SOUND ZYX MUSIC HALL HELIUS onadvice from start to finish. PRO-JECT CARTRIDGE MAN REED EAR YOSHINO DECCA LONDON AMG 01689 869853 ROTHWELL MOERCH Recording studios, listening PLEASE PHONE TO CONFIRM PRICE & AVAILABILITY PRIOR TO ORDERING. ALL GOODS ARE BRAND rooms,[email protected] live auditoriums, NEW & BOXED WITH FULL U.K GUARANTEES. NO EX-DEM OR EX-DISPLAY GOODS. NO GREY IMPORTS. churches and home theatres. GOODS ARE NOT SUPPLIED ON APPROVAL. SORRY NO GENERAL CATALOGUES. PLEASE PHONE OR WRITE FOR SPECIFIC REVIEWS, BROCHURES OR PRICES. GIK Acoustics is the #1 choice. *CALL FOR DETAILS ESTABLISHED 1986. MAIL ORDER ONLY FROM; IAN HARRISON, 7 MILL HILL, REPTON, DERBY, DE65 6GQ TEL: 01283 702875 9am-9pm INCLUDING SUNDAYS.

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To advertise pleaseGIKGIK Acoustics Acoustics contact manufactures manufactures HARBETHacousticacoustic panels, panels, LOUDSPEAKERS Timbassbass traps traps and and diffusors diffusors P3andand ESR sells sells direct direct worldwide. worldwide.MONITOR 30.1 LeesHLWeWe COMPACT provide provide 7ES3 superior superior MONITOR 40.1 Exposure Supercustomercustomer HL5+ service service Lehmann Linn Marantz onandand acoustic acoustic advice Michell Monitor Audio Neat Supplieradvicefrom start fromOf Harbeth to start finish. to Since finish. 2003 01689 869853 Nordost Okki Nokki Ortofon PLEASE PHONE Project Roksan VDH RecordingRecording studios,studios, listening rooms,rooms,[email protected] livelive auditoriums,auditoriums, FOR PRICES churcheschurches andand homehome theatres.theatres. GIKGIK AcousticsAcoustics isis the #1 choice. BACKCHAT

WE HEAR... THROUGH THE PAST, SMARTLY... CHORD ELECTRONICS’ CLASSIC DIGITAL integrated amplifi er, the SPM2800, is HI-FI CHOICE ISSUE 63 HI-FI CHOICE ISSUE 147 OCTOBER 1988 OCTOBER 1995 just about to be revamped. Now in MkII Not content with providing the Though the October issue guise, our spy tells us that it will ultimate guide to everything was dominated by our round feature the very latest Chord DAC you need to know about up of the ultimate hi-fi kit technology, off ering consumers a raft recording with cassette of the year, perhaps the of inputs and the benefi t of Chord’s and a test rounding up 20 most interesting article is headphones of varying written by Barry Fox, who superb digital-to-analogue conversion prices – back in the days in his Opinion piece talked and amplifi cation in one lavishly – as when headphones were more about noise cancelling is usual for the brand – crafted box. of a niche product and not produced by hip-hop headphones. What’s of interest is not his thoughts No word on price, yet… moguls wanting to make a fast buck – the October on the technology, but an early view of what issue of Choice focussed on DAT recorders. the internet had to offer. “It costs around £4 an Typically, we went out of our way to procure review hour on CompuServe connect time... For that you stock, gathering five decks at great personal get the occasional nugget, surrounded by an THERE’S NO DENYING THE EXCELLENCE OF risk... “The hi-fi industry is none too happy with us immense amount of garbage. The Rolling Stones Quad’s electrostatics. But even their because DAT has not been officially launched on will, for instance, sell you souvenirs and give most ardent supporters will admit the consumer market – but if you want a machine you the chance to download excerpts from their that they lack bass power and treble badly enough there are several dealers in London latest album in super low-fi. I tried several times selling grey imports”. And the verdict? Pioneer’s but always got error messages instead of music. extension. A little bird at IAG tells D-1000 was the best of the bunch, though sadly Perhaps the master plan is that surfers may give up us that the company has a special “It will never go on sale in this country”... and buy the CD instead. If so, it failed on me.” research project ongoing, attempting Meanwhile, Ronald Regan decided to tear down Someone that might have been more impressed to refi ne the design to provide a the US embassy in Moscow over fears that Russian by the internet, French woman Jeanne Calment serious step change in performance. listening devices were tuning into his nonsense, became the oldest person ever when she reached while in the UK interviews with the IRA were the ripe old age of 120 years and 238 days. This could result in an ultra high-end banned from being broadcast, leading to strange Meanwhile, OJ Simpson was found not guilty of the ‘statement’ Quad electrostatic. voiceovers being adopted... murder of his wife and her lover... Nothing is confi rmed as yet, but it’s a tantalising possibility!

ANOTHER PRODUCT FOR THE ME GENERATION: Cambridge Audio’s One is a brand new DESERT ISLAND DISCS compact one-box music system, giving This month Luke Creek from Epos Loudspeakers streaming, CD playback and aptX Bluetooth, plus ye olde DAB and FM picks four of his all-time favourite long players... radio for when your parents come to stay. It has a built-in DAC (using a Wolfson WM8728 chip) with USB, optical and coaxial inputs and a 30W Class AB amplifi er section. Price is £349.95, but you’ll need to add loudspeakers.

FOLLOWING ITS MOVE INTO COMPACT JAMES BLAKE LED ZEPPELIN MAJOR LAZER SOUNDGARDEN one-box systems, McIntosh is gearing OVERGROWN BBC SESSIONS (LIVE) FREE THE UNIVERSE SUPERUNKNOWN up to launch the company’s fi rst-ever I discovered this Their sound invokes This is my ‘go This reminds me of guy about two years memories of my to’ album when hot summer days in headphone to complement the recently ago, and last year he father coming pushing a system the nineties, sitting released dedicated headphone amplifi er, got a Mercury Music home with new to its maximum. I by the side of a lake the MHA100. It’s said to be a Prize for this album. prototypes. All 18 also like the dancey in Sussex fishing. circumaural design and “fi ttingly I played this a lot at minutes 37 of Dazed feel, although some Happy times! My CES this year, and and Confused is of the lyrics are a standout track is The high-end” according to our mole, adore Retrograde. my highlight. little risqué! Day I Tried To Live. but pricing is not confi rmed yet.

If you don’t want to miss an issue PASSION FOR SOUND EDITORIAL TEAM SUBSCRIPTIONS MANAGEMENT TEAM Editor Lee Dunkley Subscriptions Sarah Pradhan & Kate Scott Group Editor Paul Miller Please reserve/deliver my copy of Hi-Fi Choice Production Editor Jake Day-Williams UK – New, Renewals & Enquiries Group Art Editor John Rook on a regular basis, starting with issue: Art Editor Emily Hammond Tel: 0844 543 8200 Group Sales Manager Joanna Holmes Email: [email protected] Chief Executive Owen Davies Title First name CONTRIBUTORS USA & CANADA – New, Renewals & Enquiries Chairman Peter Harkness Simon Berkovitch, James Hughes, Tel: (001) 866 647 9191 Surname Robert Harris, Adrian Justins, Jason Kennedy, Published by MyTimeMedia Ltd Enterprise House, Enterprise Way, Address Paul Miller, Dave Oliver, David Price, REST OF WORLD – New, Renewals & Enquiries Edenbridge, Kent, TN8 6HF Neville Roberts, Ed Selley, Andrew Simpson, Tel: +44 (0) 1689 869896 Richard Stevenson, Nigel Williamson Phone: 0844 4122262 BACK ISSUES & BINDERS From outside the UK: +44 (0)1689 869840 Tel: 0844 848 8822 ADVERTISING www.hifichoice.co.uk Senior Advertising Executive Tim Lees From outside the UK: +44 (0) 2476 322234 Postcode Tel: 01689 869853 Email: [email protected] Distributed in the UK by Seymour Telephone number Email: [email protected] Website: www.myhobbystore.co.uk Distribution Ltd.

Published by MyTimeMedia Ltd. All rights reserved, 2011. ISSN 0955-1115. The Publisher’s written consent must be obtained before any part of this publication may be If you can’t always find a copy of this reproduced in any form whatsoever, including photocopiers, and information retrieval systems. All reasonable care is taken in the preparation of the magazine contents, but the publishers cannot be held legally responsible for errors in the contents of this magazine or for any loss however arising from such errors, including loss resulting magazine, help is at hand! Complete this form from negligence of our staff. Reliance placed upon the contents of this magazine is at reader’s own risk. and hand in at your local store, they’ll arrange Hi-Fi Choice, ISSN 0955-1115, is published monthly with an additional issue in July by AVTech Media Ltd, a division of MYTIMEMEDIA Ltd, Enterprise House, Enterprise Way, Edenbridge, Kent, TN8 6HF, UK. The US annual subscription price is 65GBP (equivalent to approximately 108USD). Airfreight and mailing in the USA by agent for a copy of each issue to be reserved for named Air Business Ltd, c/o Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Periodicals postage paid at Jamaica NY 11431. US Postmaster: Send address changes to Hi-Fi Choice, Worldnet Shipping Inc., 156-15, 146th Avenue, 2nd Floor, Jamaica, NY 11434, USA. Subscription records are you. Some stores may even be able to arrange maintained at CDS GLOBAL Ltd, Tower House, Sovereign Park, Market Harborough, Leicester, LE16 9EF. Air Business Ltd is acting as our mailing agent. for it to be delivered to your home. Just ask!