Francis Egerton, 3Rd Duke of Bridgewater

Total Page:16

File Type:pdf, Size:1020Kb

Francis Egerton, 3Rd Duke of Bridgewater Francis Egerton, 3rd Duke of Bridgewater Francis Egerton, 3rd Duke of Bridgewater (21 May 1736 – 8 March 1803), known as Lord Francis Egerton until 1748, was a British nobleman from the Egerton family. He was His Grace the youngest son of the 1st Duke. He did not marry, and the dukedom expired with him, The Duke of Bridgewater although the earldom was inherited by a cousin, Lieutenant-General John Egerton. A pioneer of canal construction, he is famed as the "father of British inland navigation",[1] who commissioned the Bridgewater Canal—often said to be the first true canal in Britain, and the modern world. The canal was built for him by his agent John Gilbert with advice from James Brindley to service his coal mines at Worsley, in Lancashire. Contents Life Canals Wealth Legacy and memorials Portrait of the Duke of Bridgewater Ancestry by William Marshall Craig, 1788 Notes (engraving by Edward Scriven, References 1835) External links Born 21 May 1736 Died 8 March 1803 Resting Church of St Peter Life place and St Paul, Little Gaddesden, Bridgewater, the younger son of Scroop Egerton, 1st Duke of Bridgewater, was born on 21 Hertfordshire May 1736. Upon the death of their father in 1745, his elder brother inherited the title to 51.81409°N become John Egerton, 2nd Duke of Bridgewater. He died only three years later, and Francis 0.55380°W succeeded to the dukedom at the age of twelve, becoming 3rd Duke of Bridgewater and 6th Earl of Bridgewater.[2] Nationality British Other names Francis Egerton, 3rd As a child Francis was sickly and of such unpromising intellectual capacity that at one time and last Duke of the idea of cutting the entail was seriously entertained by his mother. Despite this, after some education, Francis began to exhibit business acumen and developed several business interests Bridgwater, in North-West England.[2] Marquess of Brackley, Earl of Shortly after attaining his majority he became engaged to the society beauty the Dowager Ellesmere, Baron Duchess of Hamilton, but her refusal to give up the acquaintance of her sister, Lady Egerton. Coventry, led to the breaking off of the match. Thereupon the Duke broke up his London Occupation Canal builder establishment, and retired to his estate at Worsley where he devoted himself to the making of canals.[3] Known for Bridgewater Canal Net worth £2,000,000 Canals Title Duke of Bridgwater Predecessor John Egerton, 2nd The Bridgewater Canal from Worsley to Manchester which he constructed to transport coal Duke of Bridgewater obtained on his estates is usually cited as the first modern British canal as opposed to a river navigation—although the Sankey Canal is a rival to this claim, projected as a "navigation", Successor title extinct but built as a true canal. The construction of Bridgewater's canal, with its aqueduct across the Political Whig River Irwell, was carried out by James Brindley, the celebrated engineer.[3] party Parent(s) Scroop Egerton, 1st The completion of his first canal led the duke to undertake a more ambitious work. In 1762 he obtained parliamentary powers to provide an improved waterway between Liverpool and Duke of Bridgewater Manchester by means of a canal. The difficulties encountered in its execution were still more Lady Rachael Russell formidable than those of the Worsley canal, involving carrying it across Sale Moor Moss. But the genius of John Gilbert, his agent and Brindley, his engineer, proved superior to all obstacles although at one period the duke's financial resources were almost exhausted, the work was carried to a triumphant conclusion.[3] Both canals were completed by the time Bridgewater was thirty-six years of age, and the remainder of his life was spent in extending them and in improving his estates. During the latter years of his life he derived a princely income from the success of his enterprise. Although a supporter of Pitt's administration,[3] he took no prominent part in politics. Wealth The duke accumulated great wealth through his canal and coal interests. His annual income was said to have exceeded £80,000. The family owned other estates: Belton House, a small Sussex estate and the Old House and, 6,000 acres (24 km2) at Ashridge. On leaving his Brackley and Worsley estates, the duke had an annual income in taxes and duties of £75,000 (estimated in 1997 as £2,360,000). The father of the first duke had bought Cleveland House in St James, London, which was rebuilt to the designs of Sir Charles Barry in 1840 and renamed Bridgewater House in 1854 for Lord Ellesmere, heir of the 3rd Duke. With the Bridgewater fortune exceeding £2,000,000, the duke, the richest nobleman in England, set about rebuilding Ashridge. He began to pull the old buildings down, but he died before his plans could be completed, leaving his heir with nothing but rubble. He was the leading member of the syndicate which purchased and partly resold the famous Orleans Collection, from the banker Jeremiah Harman in 1789.[4] He acquired an art collection valued at £150,000 (estimated in 1997 about £4.75 million). It was composed of several old master paintings including Diana and Actaeon and Diana and Memorial to the 3rd Duke of Callisto. It was inherited by his heir, 1st Duke of Sutherland. Most of his purchases are still Bridgewater in the Bridgewater held by the Egerton family. Chapel at St. Peter and St. Paul Church, Little Gaddesden, where Legacy and memorials many Egerton family members are buried The duke died unmarried on 8 March 1803, and the ducal title became extinct although the Earldom of Bridgewater passed to a cousin, Lieutenant-General John Egerton, who became 7th Earl).[3] The 3rd Duke of Bridgewater was buried in the Egerton family vault in the Church of St Peter and St Paul in Little Gaddesden, close to Ashridge.[5] By his will the duke devised his canals and estates on trust, under which his nephew, the 2nd Marquess of Stafford (afterwards 1st Duke of Sutherland), became the first beneficiary, and next his son Lord Francis Leveson-Gower (afterwards 1st Earl of Ellesmere) and his issue. In order that the trust should last as long as possible, an extraordinary use was made of the legal rule that property may be settled for the duration of lives in being and twenty-one years after. The legatees were a great number of persons connected with the duke and their living issue, plus all peers who had taken their seats in the House of Lords on or before the duke's decease. The last of the peers died in 1857, but one of the commoners survived till 19 October 1883, and so the trust did not expire until 19 October 1903, when the whole property passed to the undivided control of Francis Egerton, 3rd Earl of Ellesmere. The canals had by then been transferred to the Bridgewater Navigation Company in 1872, by whom they were sold in 1887 to the Manchester Ship Canal Company.[3] The duke is commemorated in a number of locations around Britain. A marble wall monument in Little Gaddesden Church is dedicated to his memory, and on the nearby Ashridge Estate, the Bridgewater Monument was erected in 1832 'in honour of Francis, Third duke of Bridgewater, "Father of Inland Navigation"'.[6] The Bridgewater Canal in North West England, still in existence today, bears the Duke's name. In the 1830s, the possibility was discussed of raising a memorial to the Canal Duke in Manchester, but at the time public statuary was relatively unknown outside London. Illustrations exist of unrealised 1836 proposal by William Fairbairn to build a Bridgewater Crescent at the eastern end of Piccadilly in Manchester, to be adorned with a statue of the Duke of Bridgewater. To date, no statue has been erected in Manchester to commemorate the Canal Duke.[7] A 1788 portrait drawing of the Duke of Bridgewater by William Marshall Craig was engraved by Edward Scriven in 1835; prints are held in the National Portrait Gallery, London and the Scottish National Gallery in Edinburgh.[8][9] Two Wax medallion portraits of the Duke by Peter Rouw dating from 1803 are held at the National Portrait Gallery and at Tatton Hall in Cheshire.[10] Francis Egerton is depicted in one of The Manchester Murals painted by Ford Madox Brown between 1879 and 1893. The Opening of the Bridgewater Canal A.D. 1761 shows the Duke of Bridgewater standing on a barge decorated with flags of his coat of arms, alongside engineer James Brindley, observing the launch of the first coal barges on his new canal.[11] In 1905, Francis Egerton, 3rd Earl of Ellesmere erected a fountain in Worsley Green, Salford, in memory of the Duke of Bridgewater, after a former factory built by the duke there was demolished.[12] In 1996, a new concert hall named after the duke was opened in Manchester, the Bridgewater Hall — although the hall is actually situated next to the adjoining Rochdale Canal.[13] Memorials to the Canal Duke The Bridgewater The Bridgewater "The Opening of the The Worsley Green Canal Monument in Bridgewater Canal A.D. 1761" Fountain (1905) Ashridge (1832) by Ford Madox Brown in Manchester Town Hall. The Bridgewater Hall, Manchester (1996) Ancestry Scroop, 1st Duke of Bridgewater (1681–1745), the son of the 2nd Earl of Bridgewater, was Francis Egerton, 3rd Duke created a duke in 1720. He was the great-grandson of John Egerton, 1st Earl of Bridgewater of Bridgewater (cr. 1617; d. 1649), whose name is associated with the production of Milton's Comus and the latter was the son of Sir Thomas Egerton (1540–1617), Queen Elizabeth's Lord Keeper and James I's Lord Chancellor, who was created Baron Ellesmere in 1603 and Viscount Brackley in 1616.[3] Crest On a Chapeau Gules turned up Ermine a Lion rampant of the first supporting an Arrow erect Or headed and feathered Argent[14] Supporters Dexter: A Horse rearing Argent gorged with a Ducal coronet Or; Sinister: A Griffin segreant Or gorged with a Ducal Coronet Argent beaked and legged of the last Motto Sic Donec Ancestors of Francis Egerton, 3rd Duke of Bridgewater 16.
Recommended publications
  • Part 1), September 2019 Historic Environment Associates
    Appendix 22: A conservation management plan for the central area of the Ashridge Estate (part 1), September 2019 Historic Environment Associates Ashridge Estate A Conservation Management Plan for the Central Area of the Ashridge Estate Part 1 Report Final September 2019 Contents Contents 1 Introduction ....................................................................................................................... 1 Background to the study ............................................................................................................ 2 National Trust Policy .................................................................................................................. 2 Spirit of the Place ....................................................................................................................... 4 Methodology .............................................................................................................................. 4 Authorship ................................................................................................................................. 5 Acknowledgements ................................................................................................................... 5 2 Baseline Information ......................................................................................................... 9 Ownership and Land Management ............................................................................................ 9 Covenants and Legal Restrictions on Management
    [Show full text]
  • Summary for Countess Ebba Sparre
    KRESS COLLECTION DIGITAL ARCHIVE Sébastien Bourdon, 1616-1671 Countess Ebba Sparre KRESS CATALOGUE NUMBER IDENTIFIER K1439 605 ARTIST NATIONALITY Bourdon, Sébastien, 1616-1671 French DATE MEDIUM 1652/1653 oil on canvas TYPE OF OBJECT Painting DIMENSIONS 106.1 x 90.2 cm (41 3/4 x 35 1/2 in) LOCATION National Gallery of Art, Washington, District of Columbia PROVENANCE Probably commissioned by Christina, Queen of Sweden [1626-1689], Stockholm, Antwerp, and inventoried 1656 amongst her goods to be sent to Rome; [1] by inheritance to Cardinal Decio Azzolini [1623-1689], Rome; by inheritance to his nephew, Marchese Pompeo Azzolini [d. 1696], Rome; sold 1696 to Principe Livio Odescalchi, Duke Bracciano [1652-1713], Rome; by inheritance to his nephew, Baldassare Odescalchi-Erba [d. 1746]; sold 1721 through Pierre Crozat [1665-1740] to Philippe II, duc d'Orléans [1674- 1723], Paris; by inheritance to his son, Louis, duc d'Orléans [1703-1752], Paris; by inheritance to his son, Louis Philippe, duc d'Orléans [1725-1785], Paris; by inheritance to his son, Louis Philippe Joseph, duc d'Orléans [1747-1793], Paris; sold 1791 with the French and Italian paintings of the Orléans collection, which figure as a group in the next three sales, to Edouard, vicomte Walkuers [or Walquers], Brussels; sold 1792 to his cousin, François Louis Joseph, comte Laborde de Méréville [d. 1801], Paris and London; NATIONAL GALLERY OF ART, WASHINGTON, DC, GALLERY ARCHIVES Page 1 KRESS COLLECTION DIGITAL ARCHIVE on consignment until 1798 with (Jeremiah Harman, London); sold 1798 through (Michael Bryan, London) to a consortium of Francis Egerton, 3rd duke of Bridgewater [1736-1803], London and Worsley Hall, Lancashire, Frederick Howard, 5th earl of Carlisle [1748- 1825], Castle Howard, North Yorkshire, and George Granville Leveson-Gower, 1st duke of Sutherland [1758-1833], London, Trentham Hall, Stafford, and Dunrobin Castle, Highland, Scotland.
    [Show full text]
  • Biographical Appendix
    Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville.
    [Show full text]
  • Researching the Archaeology and History of the First Industrial Canal Nevell, MD and Wyke, T
    Bridgewater 250: Researching the archaeology and history of the first industrial canal Nevell, MD and Wyke, T Title Bridgewater 250: Researching the archaeology and history of the first industrial canal Authors Nevell, MD and Wyke, T Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/22594/ Published Date 2012 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Bridgewater 250 Bridgewater Chapter 1 Bridgewater 250: Researching the Archaeology and History of the First Industrial Canal Michael Nevell & Terry Wyke “But so unbounded have the speculations in canals been, that neither hills nor dales, rocks nor mountains, could stop their progress, and whether the country afforded water to supply them, or mines and minerals to feed them with tonnage, or whether it was populous or otherwise, all amounted to nothing, for in the end, they were all Bridgewater Canals. His Grace’s canal had operated on the minds of canal speculators, much in the same manner as a large lottery prize does upon the minds of the inhabitants of a town, which has had the misfortune to be visited with such a calamity.” John Sutcliffe, A Treatise on Canals and Reservoirs.
    [Show full text]
  • The Breretons of Cheshire, England
    The Breretons of Cheshire Page 1 of 68 The Breretons of Cheshire, England Researched and Written by Faye Brereton-Goodwin, Ontario, Canada [email protected] Copyright © Faye Brereton-Goodwin 2001 (February 2018 revision) The Breretons of Cheshire Page 2 of 68 This history is part of a larger 2002 document, titled ‘In Search of My Ancestors” which I dedicated to my father Albert Lionel (Bert) Brereton who served in the Navy, during the First World War and as a Sergeant in the 3rd Canadian Infantry, Princess Patricia's Regiment, during the Second World War. He returned to Canada in 1945, on a hospital ship and died when I was eight years of age. Unable to learn about my Brereton ancestors from my father or his parents over the years I searched for links to the past; at times travelling to Brereton sites. My journey has been both fun and rewarding. On our first trip to England, in 1993, my husband Bob and I visited Royal Leamington Spa in England and saw the home of my Great Aunt Ina Glass at 2 Clarendon Crescent (my Grandmother Brereton- Smallwood also resided there until her death at the age of 101 years). We also visited Brereton Hall in Cheshire, England and met with the owners of the property Mary and Derrick Creigh. For many years, under their ownership Brereton Hall had functioned as a private girl’s school. However, by the 1990’s much updating was needed to continue as a school and the decision was made to return the hall to its original function, as a private residence.
    [Show full text]
  • Milton's Comus, Being the Bridgewater Manuscript
    MILTON'S COMUS All Rights Resei-'ed 0^ye/i-^Zm /f MILTON'S COMUS BEING THE BRIDGEWATER MANUSCRIPT WITH NOTES AND A SHORT FAMILY MEMOIR BY THE LADY ALIX EGERTON LONDON J. M. DENT ^ SONS LIMITED I9IO Printed by Ballantyne, Hanson 6* Co. At the Ballantyne Press, Edinburgh / am indebted to Mr. Strachan Holme, Curator of the Bridgewater Library^ for much valuable advice^ and also for assistance in correcting the proofs of the Maske. ALIX EGERTON. October igog. O^146571 ^. LIST OF PORTRAITS IN TINTED PHOTOGRAVURE John, ist Earl of Bridgewater .... Frontispiece (From the Portrait at Bridgewater House) John Egerton, Lord Brackley, afterwards 2nd Earl of Bridgewater Facing page 8 {From the Portrait at Bridgewater House) Frances, ist Countess of Bridgewater . ,, 12 (From the Portrait at Bridgewater House) Lady Alice Egerton, Youngest Daughter of ist of Bridgewater John, Earl ... ,, 18 (From the Portrait at IVorsley Hall) John Egerton, Lord Brackley, afterwards 2nd Earl of Bridgewater ..... ,,20 (From the Portrait at Worsley Hall) Thomas Egerton, Youngest Son of John, ist Earl OF Bridgewater ,,26 (From the Portrait at IVorsley Hall) Lady Alice Egerton, Youngest Daughter of John, ist Earl of Bridgewater, afterwards Countess of Carbery ,, 30 (From the Portrait at Golden Grove, belonging to the Earl of Cawdor) viii LIST OF ILLUSTRATIONS Thomas Egerton, Youngest Son of John, ist Earl of Bridgewater ..... Facing page 32 {From the Portrait at Worsky Hall) THE BRIDGEWATER MS. ^ Facsimile of Title-Page Facing page 34 First Page of Bridgewater MS .,36 Last Page of Bridgewater MS. .... „ 82 COMUS ITS AUTHOR AND ITS PLAYERS With the recollection of Masson, the greatest of Milton^s biographers, and of all those greater and lesser men who have described the poet and his works, it seems superfluous, if not presumptuous^ to contribute anything to the subject.
    [Show full text]
  • Music and Elite Identity in the English Country House, C. 1790-1840
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music Music and Elite Identity in the English Country House, c.1790-1840 by Leena Asha Rana Thesis for the degree of Doctor of Philosophy December 2012 2 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Doctor of Philosophy MUSIC AND ELITE IDENTITY IN THE ENGLISH COUNTRY HOUSE, c.1790-1840. by Leena Asha Rana In this thesis I investigate two untapped music book collections that belonged to two women. Elizabeth Sykes Egerton (1777-1853) and Lydia Hoare Acland (1786-1856) lived at Tatton Park, Cheshire, and Killerton House, Devon, respectively. Upon their marriage in the early nineteenth century, they brought with them the music books they had compiled so far to their new homes, and they continued to collect and play music after marriage.
    [Show full text]
  • James Brindley (1716 - 27 September 1772)
    James Brindley (1716 - 27 September 1772) James Brindley, an English engineer, was born in Tunstead, Derbyshire, and lived much of his life in Leek, Staffordshire. He became one of the most notable engineers of the 18th century. Born into a family of yeoman farmers and craftsmen in the then isolated Peak District, he received little formal education but was educated at home by his mother. At 17 he commences a seven-year apprenticeship as carpenter and millwright with Abraham Bennett of Gurnett, Sutton, near to Macclesfield, Cheshire. He was initially called a fool and bungler by his master and the other men. However a year or so into his apprenticeship he was being asked for by name by local mill owners when repairs were required, often in preference to the master himself. An example of Brindley's ability and character is his response to a disastrous undertaking by Abraham Bennett: Bennett was employed to create machinery for a new paper-mill, by the River Dane at Wildboarclough, Cheshire. He used the machinery in two other mills, as his model for Wildboarclough, but his drunkenness ensured he had insufficient practical information to do the job. However, Bennett set his men to work unwilling to forego the financial rewards of such a job. The assembled machinery would neither fit nor work and it was clear that Bennett was not up to the job. But Bennett and his men persevered making no satisfactory progress. Bennett was unwilling to admit to his own incompetence as a mechanic and feared for his reputation and thereby his future employment prospects.
    [Show full text]
  • Titian, the Rape of Europa, Isabella Stewart Gardner Museum, Boston
    Titian, The Rape of Europa, Isabella Stewart Gardner Museum, Boston Titian, Danaë, Wellington Collection, Apsley House, London The National Gallery’s much anticipated exhibition Titian – Love, Desire, Death opened on Monday, 16 March and I was lucky enough to see it the following day. It closed on the Wednesday of that week, together with the Gallery’s permanent collection, due to the Coronavirus crisis. A remarkable display, the most ravishing small-scale exhibition I have ever seen, the official closing date is 15 June, so if the Gallery reopens before then, please try to see it. The exhibition is due to continue at three of the other four art galleries whose generous loans have made this ground breaking art historical event possible: Edinburgh’s Scottish National Gallery, 11 July – 27 September; Madrid’s Prado Mueum, 20 October – 10 January; and Boston’s Isabella Stewart Gardner Museum, 11 February – 9 May next year. So, should we not be able to feast our eyes on these spectacular works in London, we must hope for the opportunity elsewhere. The catalogue for the London, Edinburgh and Boston versions of the exhibition, also titled Titian – Love, Desire, Death is, given the closure of normal booksellers, widely available via Amazon or similar web suppliers: the ISBN number is 978 1 8570 9655 2 and costs £25. The Prado will publish a separate catalogue. As you may know, we have a Study Day in connection with the exhibition scheduled for 13 May and we very much hope that this may still be possible? Meanwhile, by way of anticipation I have written this short review of the exhibition, which I hope you will find of interest? 2 Titian, Venus and Adonis, Prado Museum, Madrid The exhibition represents a series of amazing ‘firsts’.
    [Show full text]
  • The Sutherland Fortune in the Industrial Revolution, Toronto, University of Toronto Press, 1973
    124 HISfOIRE SOCIALE - SOCIAL HisrORY ERIC RICHARDS. - The Leviathan of Wealth: The Sutherland Fortune in the Industrial Revolution, Toronto, University of Toronto Press, 1973. "One of the largest inherited fortunes in modem British history" will require more than one monograph. In this first study the author has confined himself to two important aspects of the investment policy of the Sutherlands: Lancashire railways and Highland clearances. The first he calls "transport innovation" and the second the "promotion of economic change in the Scottish Highland." Only in the concluding chapter is detailed mention made of the family's enormous holdings in government bonds. In 1834 its nominal value was £1.1 million, yielding an annual income of £34,000, by far the largest feature of the Sutherlands' portfolio, yet Dr. Richards dismisses it in a couple of paragraphs. Moreover, it is also only in the last few pages of the book that we are told that the family so overspent its income that it was eating into capital at the rate of more than £15,000 a year. The principal cause was conspicuous consumption: lavish building being an important element. The Sutherland fortune, which by the 1830s produced a gross income of almost £200,000 a year, came into being when George Granville-Leveson­ Gower (1758-1833), later first Duke of Sutherland, inherited estates in Staffordshire, Shropshire and Yorkshire as well as the profits (after 1803) of the Duke of Bridgewater's canal and married Elizabeth Gordon, Countess of Sutherland (1765-1839), who brought with her almost a million acres of the Highlands, with Dunrobin Castle as its principal seat.
    [Show full text]
  • Worsley New Hall a Guide to Sources
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Salford Institutional Repository THE LIBRARY Worsley New Hall A guide to sources www.salford.ac.uk 2 Worsley New Hall: A guide to sources Headerheader here Sub text Sub header Agnatur? Optiur andande lante verfere, qui ad quis mos ipicium si ullaceri il mo estios eum vellab ius quunte mint. Arum comnita temporia doluptate expli- tatem eossites a nos ped quasiti atibus eos dempores et ad que cus, con prae acepell uptaessed ea sunt modit fugitatio. Nam, sam enti blaccabo. Itate nectur aliquas info Worsley New Hall: A guide to sources 3 Contents Preface 06 1. History of Worsley New Hall 08 2. Archives 10 2.1 British Red Cross Museum and Archives 10 2.2 Cambridge University Library Department of 10 Manuscripts and Archives 2.3 Chetham’s Library, Manchester 10 2.4 Lancashire Archives 11 2.5 Liverpool Record Office 12 2.6 Manchester Archives and Local Studies 12 with Greater Manchester County Record Office 2.7 Northampton Record Office 13 2.8 The Royal Archives 13 2.9 RIBA Library Drawings and Archives Collection 13 2.10 Salford City Archives and Local History Library 20 2.11 Staffordshire Record Office 21 2.12 The University of Salford Archives and Special Collections 22 2.13 Private Collections 23 3. Selected newspaper and journal articles 24 4. Books and pamphlets 26 5. Theses 29 6. Web resources 30 7. Archaeological reports 33 4 Worsley New Hall: A guide to sources header Sub header info Worsley New Hall: A guide to sources 5 A home for a A retreat for A place of beauty.
    [Show full text]
  • The Landowner As Millionaire: the Finances of the Dukes of Devonshire, C
    THE AGRICULTURAL HISTORY REVIEW ;i¸ SILVE1K JUBILEE P1KIZE ESSAY The Landowner as Millionaire: The Finances of the Dukes of Devonshire, c. I8OO-C. 1926 By DAVID CANNADINE HO were file wealthiest landowners In point of wealth, file House of Lords ex- between the Battle of Waterloo and hibits a standard whi& cannot be equalled in W tlle Battle of Britain? Many names any oilier country. Take the Dukes of were suggested by contemporaries. In I819 ille Northumberland, Devonshire, Sutherland American Ambassador recorded that the "four and Buccleuch, the Marquesses of West- greatest incomes in the kingdom" belonged to minster and Bute, the Earls of Derby, Lons- the Duke of Northumberland, Earl Grosvenor, dale, Dudley mad Leicester, mid Baron the Marquess of Stafford, and the Earl of Overstone, mid where (in the matter of Bridgewater, each of whom was reputed to wealth) will you find illeir equals collec- possess "one hmadred tllousand pounds, clear tively?8 of everything.''~ Forty ),ears later, H. A. Taine And early in the new century, T. H. S. Escott visited ille House of Lords where recorded tllese comments made by a friend on Tlle principal peers present were pointed out the Dukes of Northumberland and Cleveland: to me and named, with details of their These . are the persons who make the enormous fortunes: the largest amount to fortunes of the great privateWest End banks; £3oo,ooo a year. The Duke of Bedford has they take a pride in keeping a standing bal- £220,000 a year from land; the Duke of ance for which they never receive six pence; R.ichmond has 3oo,o00 acres in a single hold- but whose interest would make a hole in the ing.
    [Show full text]