Classicconnections2017

Classic Connections International visitors’ programme classical music

2 WELCOME

Dear guest Welcome to our three-day visitors’ programme for classical music professionals, ‘Classic Connections’

From 28 until 30 January 2017, three classical music events take place in Belgium: Klara in deSingel in Antwerp, BOZAR Sundays and Propulse Classique in Brussels. On this special occasion Wallonia- Brussels Music and Flanders Arts Institute invite you to a musical weekend, exploring the artistic scene in Antwerp & Brussels, Belgium.

Stef Coninx, Flanders Arts Institute

Patrick Prinz, Wallonia-Brussels Music

We wish you an inspiring three days

3 Saturday 28 January – deSingel, Antwerp

Public radio station Klara will be taking over the whole of deSingel for the sixth time.

Throughout the day, music will resound in every hall, studio and corridor. As is customary for Klara, it includes classical music in all its forms. From baroque to contemporary. From jazz to world music, and from music theatre through literature to the spoken word. All meticulously chosen for you and performed by a choice selection of artists from home and abroad. With all the Klara presenters, who will broadcast live radio from a gigantic classical happening for 2500 music-lovers.

Find the detailed programme in the event’s dedicated brochure or online via www.desingel.be

4 WELCOME

S unday 29 January – BOZAR, Brussels

11:00 CONCERT Revue Blanche presents musical testimonies to the emotional depth of the composers who dealt with the horrors of the First World War.

12:00 UNDERSTANDING AND DEVELOPING AUDIENCES FOR MUSIC: WHERE DO WE GO FROM HERE? This interactive workshop will explore the evidence and its implications. Can we really get bigger audiences if we ditch the rigid rituals and conventions of music? And can we really attract young people if we play in alternative, ‘cool’ surroundings? Is the concert better if it’s shorter? Or longer? Includes food and drink? Or a light show? Can we influence young people’s musical tastes? And does what we say about our concerts really make a difference? For two years, the New Music: New Audiences project tested new ways of meeting the audience. That’s 32 contemporary classical music ensembles, 18 countries and 16 languages. Come and find out what happened – chaos or coherent answers. Join audience development consultant Heather Maitland to discuss how we can engage audiences in the future of music.

13:00 NETWORKING LUNCH An opportunity to meet classical music ensembles and soloists from all over Belgium Location: Flanders Arts Institute (across the street from BOZAR)

15:00 CONCERT National Orchestra of Belgium with Lorenzo Gatto (violin) & Jan Michiels (piano) Begleitungsmusik zu einer Lichtspielszene, op. 34 Arnold Schönberg Concerto for Violin and Orchestra, op. 35 Erich Wolfgang Korngold Symphony no. 2, "The Age of Anxiety" Leonard Bernstein

20:00 CONCERT Freiburger Barockorchester with Petra Müllejans (director, violon), Philippe Jaroussky (countertenor) & Ann Kathrin Brüggemann (oboe)

5 Ouvertüre (Matthäus-Passion, TWV 5:53 "Danziger-Passion") Georg Philipp Telemann Cantata "Der am Ölberg zagende Jesus" Georg Philipp Telemann Ouverture (Der für die Sünden der Welt gemarterte und sterbende Jesus, TWV 5:1 "Brockes-Passion) Georg Philipp Telemann Cantata "Jesus liegt in letzten Zugen", TWV 1:983 Georg Philipp Telemann Sinfonia aus der Kantate BWV 18 "Gleich wie der Regen und Schnee von Himmel fällt" Johann Sebastian Bach Sinfonia aus der Kantate BWV 21 "Ich hatte viel Bekümmernis" Johann Sebastian Bach Sinfonia aus der Kantate BWV 196 "Der Herr denket an uns" Johann Sebastian Bach Cantata "Ich habe genug", BWV 82 Johann Sebastian Bach

6 PROGRAM OVERVIEW

Monday 30 January – Flagey, Brussels

Propulse is the French-speaking Belgium’s annual get-together for the performing arts. Created in 2012, the ProPulse festival assembles all professionals from the performing arts sector in the Federation of Wallonia-Brussels. Over a week, Belgian and foreign professionals can discover more than 60 concerts and artist performances from our community and beyond and meet for exchanges, conferences and meetings.

The event is open to Belgian and foreign professionals, and partly open to the public.

10:00 – CONCERT SYBRANDUS 10:30 Miguel Raposo, guitar, Fabricio Rodriguez, guitar D. Scarlatti, J.P. Rameau, J.F. Dandrieu, P. Royer, J.P. Rameau, C. de Seixas

10:50 – CONCERT 11:20 Fabian Coomans, piano Tristan Murail, ‘Territoire de l'oubli’ pour piano

11:40 – CONCERT AMETHYS TRIO 12:10 Jean Cras, Schubert, Ernst von Dohnányi

12:30 – CONCERT SCHERZI MUSICALI 13:00 Giovanni Felice Sances (1600-1679)

13:15 – LUNCH & DEBATE (LANGUAGE: FRENCH) 14:00

14:15 – CONCERT STURM UND KLANG 14:45 L'Histoire du soldat de Stravinsky

14:50 – CONCERT DIMITRI COPPE 15:20 Et tout se tut - Und alles schwieg » - acousmatic music

15:30 – CONCERT QUATUOR CORYFEYE 16:00 Beethoven, Debussy, Georg von Albrecht, Erwin Schulhoff, Leo Weiner

7 PROGRAM OVERVIEW

16:20 – CONCERT SISTERS IN CRIME (AMERICAN CLASSICS) 16:50 Sarah Laulan, contralto, Julie Mossay, soprano, Johan Dupont, piano Miller, Berlin, Willemetz / Yvain, Gerschwin

17:10 – CONCERT OPEN SLIDE 17:40 Trombone quartet Arr. of works by Claude Debussy, Georges Bizet, Serge Prokofiev, Astor Piazzolla e.a.

8 PARTICIPANTS

Lore Binon Marie-Adélaïde Debray Revue Blanche Quatuor CoryFeye

Michel Bisceglia Mira Dejonge Bisceglia Music Jeugd en Muziek Brussel

Isabelle Bodson Caroline Denys Festival de Wallonie Arttone vzw

Aya Braem Cedric Donnet Management – Belgian Session Orchestra Amethys Trio

Stephan Brekelmans Ariel Eberstein Interartists Amsterdam Sonico

Tamar Brüggeman Gadzina Cezariusz WoNDeRFeeL Muziek Forum

Andras Csonka Gerrit Geerts Liszt Academy Het Collectief – Chamber Music Quintet

Stefaan Daems Lili Goleminov Stefaan Daems Projects Bulgarian National Radio

Rhian Davies Bert Helsen Gregynog Festival HaftCraft ensemble

Jurgen de Bruyn Johan Hoogewijs Zefiro Torna Sonic Silence

Bruno De Cat Gregor Hotz Ausland Berlin Dirk De Greef Etcetera Records Svetlozara Hristova RADAR Festival Beyond Music Elisabeth De Merode Bis!! Riet Jaeken Cultuurcentrum Hasselt Jonas De Roover Bl!ndman Michel Keustermans La Cetra d’Orfeo Raoul De Smet UBC / ComAV Laurent Langlois Independent agent

9 PARTICIPANTS

Cecile Leleux Anouk Sturtewagen ACDM asbl Revue Blanche

Stephane Leys Frederik Styns Choeur de Chambre de Namur Symfonieorkest Vlaanderen

Maria Lith Stanislaw Suchora Kultur i Väst Sonora Music

Aleksi Malmberg Leontien Van Der Vliet Finnish Cultural Institute for the Benelux Interartists Amsterdam

Lies Martens Per Erik Veng Zefiro Torna Danish Cultural Institute

Joost Maegerman Herman Van Laar deFilharmonie Sabam

Marc Matthys Annelies Van Parys ComAV composer

Michiel De Malsche Kathleen Van Schel ComAV Oxalys

Els Moens Wouter Vercruysse Artists Agency Els & The Artists St. George Quintet

Rosita Moeyersoons Morgane Vermeire B’Rock BOZAR

Cedric Murrath Stef Verpraet Belgian Session Orchestra Arttone vzw

Georges Mutsaerts International Chamber Music Festival Schiermonnikoog

Liesbeth Peelman deFilharmonie

Anne-Sylvie Primo Sue Schiepers Casco Phil

Mathilde Schmetz BOZAR

10 ENSEMBLES

BRUSSELS PHILHARMONIC his first concert at the age of 4 and THE FLEMISH RADIO CHOIR The Brussels Philharmonic was now, by the age of 20, he visited 22 (VRK) DIRECTED BY ERIC WHITACRE founded in 1935 by the Belgian public different countries giving in excess of Grammy-winning composer and broadcaster (NIR/INR). Over the years, 850 concerts. Vladimir Ashkenazy was conductor Eric Whitacre is one of the the orchestra has performed with many the conductor when Lukas made his most popular musicians of our time. top conductors and soloists. It enjoys debut with the Czech Philharmonic His concert music has been performed an excellent reputation for performing Orchestra in May 2002 with concerts throughout the world by millions of premieres of new works and has in Prague and Italy. Since then he has amateur and professional musicians collaborated with world-renowned appeared frequently with the orchestra, alike, while his ground-breaking composers such as Bartók, Stravinsky, including a major USA tour, and Virtual Choirs have united singers Messiaen and Francesconi. The concerts in Cologne, Vienna, Lucerne, from over 110 different countries. A orchestra’s historic home port is the Bad Kissingen, and Birmingham's graduate of the prestigious Juilliard Flagey building, where it rehearses and Symphony Hall. Lukáš Vondráček has School of Music, Eric was recently performs in Studio 4 – in acoustic also performed with the National appointed Artist in Residence with the terms one of the top concert halls in Orchestra of Belgium and the BBC Los Angeles Master Chorale having the world – and which serves as its Philarmonics. In May 2016, he won the completed a five-year term as home base for concerts in Brussels, International Music Contest Queen Composer in Residence at Sidney Flanders and Europe. Elizabeth. Sussex College, Cambridge University, UK. APOTHEOSIS OXALYS He will be playing with the Flemish APOTHEOSIS, directed by Korneel Oxalys was founded in 1993 by a group Radio Choir – a professional chamber Bernolet, is a period instrument of ambitious young students from the choir founded in 1937 by the Belgian collective based in Belgium, formed by Brussels Conservatory of Music. Since public broadcaster of the day. Today, some of the finest early-music- then the ensemble has developed into the Flemish Radio Choir has grown specialists around. The choice and one of the most esteemed professional into an exceptionally high-quality quest for performances on the very chamber music groups in Flanders. It ensemble that is attracting attention instruments the composers knew and performs on some of the world's finest both at home and abroad. The 24 wrote for, is a statement that platforms and plays at the most singers rehearse and frequently guarantees an insight in how audiences prestigious festivals. Each of these perform in Studio 1 of the celebrated heard that music for the first time. former students has now also built up Flagey building in Brussels. Ensemble Apotheosis, performing an international career of their own. chamber music conducted from the Yet they still like to travel back to their harpsichord or pianoforte, and home base in Brussels from their PHILIP CATHERINE ‘PIANO Apotheosis Orchestra, ranging from various European capitals to continue TRIO’ a larger baroque formation to a full- work on their shared project, Oxalys. Philip Catherine has been on the scale symphonic orchestra: The ensemble's primary aim is to tell forefront of the European jazz scene combining a knowledge and the European cultural story since the since the sixties. His work great artists international performance practice Enlightenment, at the highest possible like Chet Baker, Larry Coryell, Tom standard and with the greatest experience with today's expectations Harrell, NHOP, Stéphane Grappelli, directness. They also wish to give a for concerts that sound both fresh or Charles Mingus, his unique approach musical interpretation of the immediate and respectful towards and sound, his dedication to music connections and contrasts across have been important and influential. the music itself. borders and eras that are found in this Philip Catherine continues open- story. But in addition to this minded and relentlessly his search for LUKÁŠ VONDRÁČEK philosophical aspect, the beating heart renewal and perfection. The formulas Born in the Czech Republic in 1986 of Oxalys remains the pure pleasure of with which he chooses to performs give Lukas Vondracek’s musical ability was performing and their absolute love of him the rhythmic support and freedom spotted at the age of two by his mother, music: all music. to unfold his wide palette of musical herself a professional pianist. He gave styles, from that irresistible groovy 11 YOUR CO-VISITORS

rock sound to the broad lyrical phrases KLEZMATICS Privataufführungen as a leading of which he is a master. Since their emergence more than 25 example. years ago, the Klezmatics have raised WOUTER VANDENABEELE the bar for Eastern European Jewish REVUE BLANCHE GROEP music, made aesthetically, politically Revue Blanche is a vocal/instrumental Wouter Vandenabeele is an and musically interesting recordings, chamber music ensemble with an internationally renowned violinist, inspired future generations, created a unusual yet richly coloured arranger and composer. His large body of work that is enduring, combination of a soprano voice, the productivity and versatility have and helped to change the face of viola, the harp and the flute. Since its reached tops during the last decade, in contemporary Yiddish culture. Often start in 2010, the ensemble has made which he played concerts with the called a “Jewish roots band,” the rapid strides, of which winning the Senegalese traditional violinist Issa Sow Klezmatics have led a popular revival Klara Young Talent Award 2013 is and conducted the prestigious project of this ages-old, nearly forgotten art definitely an impressive one. Hadzidakis for the Olympic Games of form. Revue Blanche has already performed Athens in (participants were among During their quarter-century existence in major concert halls such as Flagey, others Teresa Salgueiro, Lucilla the Klezmatics have collaborated with Bozar, Concertgebouw Brugge, Galeazzi, Joji Hirota, Kari Bremnes and such brilliant artists as violinist Itzhak deSingel, Amuz, De Bijloke and Opéra Eva De Roovere). Perlman, Pulitzer prize-winning de Lille, as well as on prestigious He also recorded more than 20 CD’s, playwright Tony Kushner and Israeli festivals: Klarafestival Brussels, Klara performed hundreds of shows with vocal icon Chava Alberstein, plus many in deSingel, Festival van Vlaanderen Ambrozijn and his world music other prominent artists working within Gent and Vlaams-Brabant. orchestra Olla Vogala and created the multiple genres. Moroccan–Flemish project Brared Ataï, with whom he played concerts in TMESIS NATIONAL ORCHESTRA OF Belgium and Morocco. For the project International chamber music ensemble BELGIUM Zuidenwind (EMI) he joined forces with Tmesis, laureate of the Supernova Since its creation in 1936 the NOB has South African musicians and played Competition 2016 by Klara, was given passionate performances of the numerous concerts in Belgium and founded in 2016 at the Royal great classics and the latest discoveries South Africa (a.o. in Soweto). Conservatory of Brussels, where they in symphonic music. are now in residency. Since their recent In the process, it has always relied on inspiring music directors, such as TAURUS QUARTET creation, Tmesis was invited by Taurus Quartet is a new Belgian string festivals such as the Klarafestival, the André Cluytens, Michael Gielen, Mikko quartet, which was founded in May Portuguese HARMOS Festival, the Franck and Walter Weller. And now, 2012. The quartet consists of Schiermonnikoogfestival in the since September 2012, it has come to four experienced musicians who each Netherlands and the festival Midis- rely on Andrey Boreyko. This Russian have an established reputation in the Minimes. They have been broadcasted conductor enjoys a wealth of chamber music world. on the Euroclassical Online Festival, experience thanks to his work with The love for the quartet repertoire, the Musiq’3, Radio Klara and soon on the renowned orchestral formations in joy of digging deep into the British BBC Radio 3. Europe and the US. He always aims to masterpieces from the great classical These youthful, energetic musicians achieve a transparent and scintillating and romantic repertoire, the quartets of share their passion for challenging, soundscape. His pursuit of expressive Beethoven, Schumann, Schubert, original chamber music. Hence, and refined orchestral playing and his Mozart, Haydn, Janacek and others; Tmesis’ programs guarantee musical feel for original programming and the search for harmony, electricity journeys full of (re)discoveries through guarantees his appeal to a broad and a unique sound in their quartet divers and exciting literature. audience. This audience has playing, are the driving forces behind Surprising (own) arrangements give a encountered the NOB in concert halls the Taurus Quartet. fresh point of view on monumental across Belgium, on foreign tours, and, (orchestral) masterpieces, with above all, in the glittering concert hall Schönberg’s Verein für musikalische at the Brussels Centre for Fine Arts,

12 ENSEMBLES

where it offers its own series of concerts works at Bozar (Brussels), Het Stuk most accurate and historical in association with BOZAR MUSIC. (Leuven), De Bijloke, the Orpheus performance style. Besides music director Andrey Boreyko Instituut (Gent) and at the With anywhere from three to over these concerts feature distinguished conservatories’ of Brussels and twenty musicians, the ensemble was guest conductors, each of whom brings Antwerp. founded and is directed by Nicolas a fresh accent of their own. Achten (b. 1985), one of the few TRIO AMETHYS modern classical singers to accompany SYBRANDUS Camille Babut du Marès was born in himself, variously, on the lute, the Fabricio Rodríguez & Miguel Raposo Brussels and began studying the violin harp, and the harpsichord, reviving this meet at the Belgian Royal Conservatory at the age of 4. A graduate of several forgotten practice. of Mons, where they study under the European institutions and prize- great Brazilian Master Odair Assad. winner at many international STURM UND KLANG ENSEMBLE They share a common passion for competitions, Camille is regularly Sturm und Klang has been founded in baroque music and quickly become invited to perform at concerts in 2000 by Thomas Van Haeperen and close while developing clear musical Europe and of course in Belgium performs in two types of set ups: either complementarities. They focus on (Bozar, Flagey …). This young violinist as a string orchestra (Orchestre Sturm works by Rameau and Scarlatti. Their inspires genuine enthusiasm from the und Klang) or as a mixed ensemble : technical maturity and especially their public and she most often plays as a string and wind quintet + percussions original approach appeal to their soloist (Orchestre Symphonique de and piano (Ensemble Sturm und teachers, who fervently encourage Liège, Brussels Philharmonic Orchestra Klang). The programming of Sturm them to appear on stage. With great …) and in a duo and trio. und Klang focuses on the repertoires of public acclaim as a result. Camille has regularly performed as a the 20th and 21st centuries, and soloist in recent months – playing actively supports the Belgian creation, FABIAN COOMANS Mendelssohn’s concerto at the Aula particularly the young generation of Fabian Coomans obtained his ‘Master Magna and several times in Portugal composers (commissions, organization in Music’ degree at the conservatory of during the summer (notably at the of workshops). Its first CD, Jean-Marie Antwerp. His teachers were Pascal opera house in Lisbon), as well as Rens Monolithe (Cypres records), has Sigrist (piano), Wim Henderickx Mozart’s Sinfonia Concertante. On the been awarded with an Octave de la (analysis and composition) and Bart occasion of Propulse Classique, she will musique in 2012. van Oort (pianoforte). Fabian focusses be playing with the viola player on contemporary music, both as a Clément Holvoet and the cellist Kacper QUATUOR CORYFEYE pianist and as a composer. He started Nowak. The CoryFeye quartet is born from the with some friends the ensembles ‘Pas meeting of young musicians winners of de Cinq’ and Besides ans plays often in SCHERZI MUSICALI the Royal Conservatories of Brussels duo with flute-player Katrien Gaelens. In about 10 years, Scherzi Musicali has and music university of Leipzig and Recently Fabian gave concerts at become one of the brightest stars in the Karlsruhe. The CoryFeye quartet ‘Espace Garage’ (Ottignies), de ‘Espace early music cosmos, and is renowned studies since the beginning with Senghor’, at the festival ‘Midis- for its dynamic interpretations of members of the Danel QuartetFrom Minimes’ (Brussels) and at the festival seventeenth and eighteenth century 2011 to 2013, the quartet is part of the ‘Zomer van Sint-Pieter’ (Leuven). He repertoire which its musicians explore Queen Elisabeth Music Chapel where has been working on contemporary with insatiable appetite and zeal. they are improving with the Artemis music projects with Champ d’Action, Whether uncovering lost gems of a Quartet. Since 2009 the quartet also Spectra, Nadar, Orchestre forgotten musical heritage or revisiting ensures part of the International Philharmonique de Liège and Brussels staples of the baroque repertoire, the School of Humanities Classics Schola Philharmonique. Besides this, he is one musicians of Scherzi Musicali apply the Nova where they teach and give many of the young organisers of festival same exacting approach to all of the concerts, also for young audiences. In ‘What’s Next’. The ensembles Nadar, works they interpret, using philological the summer of 2010 the quartet Trio Sarrasine, Aton and the research and reflection to guide them CoryFeye gave twelve concerts in Goeyvaertsstrijktrio performed his in their never-ending quest for the France greeted by the press. They had

13 YOUR CO-VISITORS

the opportunity to work with contemporary composers like Philippe Boesmans and Peter Eötvös at the Ars Musica festival.

OPEN SLIDE Composed of five musicians from the Liège Royal Conservatoire. Alain Pire, Thierry Istas, Charlotte Van Passen, Clement Moneau and Nicolas Villers naturally find themselves since ensemble playing and searching for a perfect homogeneity were part of their daily training within the "same school”. This common identity is very important to them. They came together to work out an original repertoire containing music from several centuries. The idea is to bring out their richness and diversity in all its aspects. Not hesitating to "swap" their usual trombones for instruments such as an Alto Trombone, a bass trumpet, a euphonium, a tuba or a contrabass trombone, these five ‘Low Brass’ players have undertaken to transcribe, arrange and play various pieces of very different styles. audience looks back at the present from a faraway future. It’s 2016. Climate change threatens the world. On a daily basis we’re confronted wn. It’s a visual and filmic performance in which the audience looks back at the presenith this fact, how come it’s still hard to acknowledge? The Unpleasant Surprise (premiere in 2017) questions the way we deal with images of violence. Mostly situated in the lives of others. What’s our role as a spectator? A physical and visual performance about the need to have a more personal connection with these realities.

14 ORGANIZERS

Flanders Arts Institute is an interface Wallonia-Brussels Music (W.B.M.) helps organisation and expertise centre for the arts artists, producers and publishers from the from Flanders and Brussels. French-speaking community of Wallonia and Brussels to make their mark in the The organisation caters to both national and international musical creative industry. The international professional arts audiences. The agency was created in 1984 and since then, has organisation is known as Kunstenpunt to developed its work around different axes: national audiences. - supporting their presence at music The institute is the contact point for foreign art markets; professionals in search of information on the visual and performing arts and on music in - welcoming foreign professionals at major Flanders. To increase the awareness and music events in Wallonia and Brussels; visibility of the Flemish arts scene on an international level we stimulate and help - supporting the presence of artists at the develop international collaboration, major festivals and international showcase communication and exchange between artists, events; art professionals and policy-makers. With this, - aid in promoting albums released in we are aiming to build sustainable international markets outside Belgium and tour support relations and to encourage and support for artists when a record is released or for exchange and cooperation on an international showcases intended for professionals; scale. - the organization of promotional Contact operations around specific sectors of Flanders Arts Institute musical activity; Stef Coninx International Relations Classical Music - the development of an information policy; [email protected] - participation in international networks flandersartsinstitute.be The agency is co-managed by Wallonia-Brussels International (WBI) and the Ministry of the

15 THE ORGANIZERS

French-speaking Community of Wallonia- Brussels.

Contact Wallonia-Brussels Music Patrick Printz Director [email protected]

16 ORGANIZERS

LOCATIONS DIRECTIONS

Klara in de Singel From Brussels airport to Antwerp deSingel By train: belgianrail.be Desguinlei 25 2018 Antwerp From Antwerp Central Station to deSingel: desingel.be Tram 2 (20 minutes) - direction of Hoboken Tram 6 (20 minutes) - direction Olympiade

Antwerp Hotel (Ramada Plaza)

2-minute walk from venue deSingel ramadaplaza-antwerp.com

BOZAR Centre for Fine Arts Rue Ravensteinstraat 23 1000 Brussels bozar.be

Flanders Arts Institute Ravenstein Galleries 38 1000 Brussels

Brussels Hotel (Citadines Toison d’Or) From BOZAR to Brussels hotel 61-63, avenue de la Toison d'Or Tram 92 & 93 from PALAIS to LOUISE 1060 Brussels From Central Station: metro line 2 to LOUISE citadines.com From Brussels hotel to Flagey Festival ProPulse From LOUISE stop, take the tram (93 direction Flagey Legrand, 94 direction Musée du Tram) to Place Sainte-Croix BAILLIE. There, you can walk to FLAGEY (8 BE 1050 Ixelles - Brussels min.), via Rue Lesbroussardstraat or take the flagey.be tram 81 (direction Montgomery) to FLAGEY

You will have the possibility to let your luggage in a secure room at Flagey on Monday.

From Flagey to the airport Bus 71 (direction De Brouckère) to Central train station. From Central station, there are 4 trains per hour going to the airport.

From Flagey to Midi train station Bus 71 (direction Debrouckère) to Porte de Namur and there, the metro line 2 or 6 to Midi Station

17 NOTES

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COLOPHON ...... Editing Flanders Arts Institute & WBM Concept design Van Looveren & Princen + De Roy ...... Published by Flanders Arts Institute (Kunstensteunpunt vzw) Wallonia-Bruxelles Musique ......

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