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Paths of Modernism. Art in the SOZ/GDR 1945–1990

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Paths of Modernism. Art in the SOZ/GDR 1945–1990 Informationen The second part of the exhibi- The core part of the exhibition tion Paths of Modernism , which contrasts of Þ cial socialist and covers around 300 sqm, dis- realist positions with works by plays more than 100 works of artists who sought to stay in Cultural Foundation Saxony-Anhalt Opening hours: Þ ne and applied art from the touch with international trends Moritzburg Art Museum Halle (Saale) 10am – 6pm daily period 1945–1990. It thus com- or tried to develop modernist Friedemann-Bach-Platz 5 Closed on Wednesdays pletes the 20th century art pre- positions further. Works by 06108 Halle (Saale) T: +49 345 212 59 0 Werner Tübke, Wolfgang Mat- [email protected] F: +49 345 202 99 90 sented in the entire Þ rst ß oor of theuer, Willi Sitte and Willi Neu- www.kunstmuseum-moritzburg.de the south, west and north wing, bert, for example, are placed The Castle illuminating the history of the side by side with the works of museum’s collections. Entrance fees Free entry for children Hermann Glöckner, Robert and young adults up to of Modernism Please visit our homepage for further information. Rehfeldt, Wasja Götze, Hans 18 years of age. The museum’s presentation of Ticha, A. R. Penk and Hartwig Visitor service /Guided tours / post-1945 art draws on its own Ebersbach. Works by Einar Information: collection, which due to the his- Schleef, Wolfram Ebersbach, T: +49 345 212 59 73 MoritzKunstCafé torical conditions of the time is Clemens Gröszer, Norbert Wa- (Tue 9am–1pm, Thu 1pm–5pm) 10am–6pm daily Þ rst and foremost a col-lection genbrett, Eberhard Göschel, [email protected] of the art of the former GDR. T: +49 345 470 48 07 Peter Makolies and Hartmut Acknowledging and embracing Numbers and facts [email protected] Bonk take us into the years lea- this regional and historical con- ding up to the reuni Þ cation of Image credits: Works by Wolfgang Mattheuer, Einar Schleef, Willi Neubert, text, the exhibition of the art of the two German states. • 300 sqm of exhibition space on the Þ rst ß oor, Eberhard Göschel © VG Bild-Kunst, Bonn 2018; the second half of the century Klaus Völker: © Klaus Völker focusses on the many varied On the second ß oor of the divided into the following sections: forms of artistic expression north wing, the exhibition is Visitors with restricted mobility have stair-free access to the Museum and the MoritzKunstCafé, supplemented with further Links to classical modernism and the formalism debate the exhibitions, the cloakroom and the bathroom facilities via lifts/stair lifts. Unfortunately there found in the former Soviet Oc- is no wheelchair access to the exhibition in the vaults. cupied Zone/German Demo- temporary presentations on in- dividual topics and artists or of Struggling with Socialist Realism cratic Republic. works that can only be shown for limited periods of time for Oppositions to state-imposed realism Site map/Getting here The exhibition kicks off with GIEBICHENSTEIN A14 / A2 conservation reasons. The Þ rst On public transport, tram works produced in Halle (Saale) MAGDEBURG lines 3, 7 and 8 go past the of these supplementary exhi- • 106 works from four sub-collections: 48 paintings, 17 sculp- HANNOVER Paths of Moritzburg (stop “Moritz- from the late 1940s to the mid- bitions, showing until the sum- tures, 13 arts and crafts objects, 28 medals LANDESMUSEUM burgring”). The map on the 1950s, a period in which artists FÜR VORGESCHICHTE left provides a rough guide to mer of 2019, features the so- how to get here by car. such as Hermann Bachmann, called Halle School, presenting • Works by artists including Werner Tübke, Wolfgang Mat- REILECK A14 / A9 Modernism Herbert Kitzel, Horst Strempel LEIPZIG works created between 1945 theuer, Willi Sitte, Willi Neubert, Hermann Glöckner, Robert BERLIN and Theo Balden attempted to and 1960 by artists including Rehfeldt, Wasja Götze, Hans Ticha, A. R. Penck, Einar Schleef, Art in the Soviet Occupied make a fresh start in their art by Hermann Bachmann, Fritz Hartwig Ebersbach, Clemens Gröszer, Norbert Wagenbrett, drawing links to the modernist Baust, Kurt Bunge, Charles Eberhard Göschel and Hartmut Bonk style the National Socialists had Crodel, Albert Ebert, Erwin STEINTOR Zone/GDR 1945–1990 banned. The formalism debate Hahs, Otto Müller, Karl Völ- • 100 sqm of exhibition space on the second ß oor dedicated that raged from 1948 onwards ker, and Gustav Weidanz. Ex- to related long-term exhibitions of items from the museum’s caused many of them to leave hibitions on photography and collections East Germany in disappoint- graphic art in East Germany as ment and move to the West. well as other topics will follow. Tram Impressum: Kulturstiftung Sachsen-Anhalt Design: Sören Migge A38 All information is subject to HÄNDEL- changes. HAUS GÖTTINGEN DOM LEIPZIG Media partners: MARKT mdr-kultur.de, Kulturfalter For more information and current events, please visit: Experience hallomoderne.de a unique #moderndenken KUNSTMUSEUM-MORITZBURG.DE museum history ! Hermann Bachmann: Herbert Kitzel: Eugen Hoffmann: Willi Neubert: Willi Sitte: Waldemar Grzimek: Wasja Götze: Wolfgang Mattheuer: Willy Wolff: Hans Hendrik Grimmling: Clemens Gröszer: Gertraud Möhwald: Poppies before Maturity, Marionette, 1954, Life, 1949-50, bronze, Party Discussion, Chemical Worker on Worker Reading, 1957, “X” or The Large “X” or Kain, 1965, oil on hard Flautist Silent, 1968, Trojan Bird, Anja with a Purple Torso with Head Bent, 1950-52, oil on hard Þ bre, oil on cardboard, 30 cm (height) 1962, oil on hard Þ bre, Control Panel, 1968, bronze, 30 cm (height) X-Berlinese, 1971, oil on Þ bre, 96 x 118 cm brass (part of an alarm clock), 1980, oil on wood, Glove, 1985, mixed 1984, ceramic, different 60.5 x 73 cm 104 x 59 cm Photo: Punctum/Bertram 190 x 232 cm oil on hard Þ bre, Photo: Ludwig Rauch hard Þ bre, 68 x 59 cm Photo: Klaus E. Göltz mounted, 17.5 x 16 x 5 cm 105 x 150.7 cm technique on canvas, coloured chamotte clays, Photo: Klaus E. Göltz Photo: Ludwig Rauch Kober © Nachlass Eugen Photo: Punctum/Bertram 148 x 102 cm © Nachlass Waldemar Photo: Punctum/Bertram © VG Bild-Kunst, Photo: Punctum/Bertram Photo: Klaus E. Göltz 140 x 80 cm shards, glazes, oxydes, © VG Bild-Kunst, © Nachlass Herbert Hoffmann Kober © VG Bild-Kunst, Photo: Punctum/Bertram Grzimek Kober © Wasja Götze Bonn 2018 Kober © VG Bild-Kunst, © VG Bild-Kunst, Photo: Klaus E. Göltz engobes, 66.5 cm (height) Bonn 2018 Kitzel Bonn 2018 Kober © VG Bild-Kunst, Bonn 2018 Bonn 2018 © VG Bild-Kunst, Photo: Klaus E. Göltz © VG Bonn 2018 Bonn 2018 Bild-Kunst, Bonn 2018.
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