01. Home Town Chicago 02. Devil Muzic 03. Make Some Noise 04

Total Page：16

File Type：pdf, Size：1020Kb

01. Home Town Chicago 02. Devil Muzic 03. Make Some Noise 04

Artist: Boo Williams Title: Home Town Chicago Label: Anotherday Records, UK. Format: CD/LP Release: 21.11.11 Chicago, amongst many other things, was the birthplace of house music. Beginning in the early 80's as rough edits of disco tunes and primitive drum tracks, spun in dank city clubs by the likes of Ron Hardy, Frankie Knuckles, Lil' Louis, Farley Jackmaster Funk, and Jesse Saunders, the incessant throb of house music soon started to spread around the world. With initial hits from Farley in the mid 80's, the world fell in love with house; rehashing it, recycling it and eventually watering it down into increasingly commercial forms. Attention on house music's birthplace quickly disappeared, leaving the city full of kids brought up on the early rawer sound of house. A second wave of DJ's began to emerge pushing a darker, more rhythmical strain of house that was currently being heard in Europe. DJ Sneak, Derrick Carter, Gemini, Cajmere, Glenn Underground, Roy Davis Jr, Paul Johnson, and countless others began releasing their unhinged take on the house sound. They began to spread their message in basements all across the world but were still largely ignored by the now gargantuan house music audiences worldwide. Debuting on Curtis Jones' Relief Records - the tougher sub label of his Cajual label - Boo Williams dropped his A New Beginning EP in 1994 and quickly established his own signature sound. Even more ferocious releases for Relief followed, as did a 12-inch for renowned Dutch techno imprint Djax. In 1996, Relief offered Boo an album release, for which he delivered Home Town Chicago, Boo's electronic love letter to house music. While still driving and heading straight for the dancefloor, Home Town Chicago showed a softer side to his sound, and the perfect place to start Anotherday - a new label dedicated to plucking forgotten classics from the sometimes murky depths of musical history. Tracklisting: 01. Home Town Chicago 02. Devil Muzic 03. Make Some Noise 04. Snare Tappin 05. Lazy Mood 06. Old School Flavor 07. Smokin' Acid 08. Evil Ways [email protected] I +49 (0) 30 8321 2993 I www.tailored-communication.com .

Copy Link

Recommended publications

House Music- the Real Story | Blackgrooves.Org
3/8/2018 House Music- The Real Story | blackgrooves.org Go! Home About Contact Subscribe AAAMC Home House Music- The Real Story June 10th, 2008 Like 0 Tweet Title: House Music…The Real Story Author: Jesse Saunders (with James Cummins) Publisher: Publish America Date: 2007 ISBN: 1-60474-001-9 House Music…The Real Story (172 p.) is equally an autobiography of Chicago house music pioneer Jesse Saunders and a history of the development of “house music,” the electronic dance music form that was first developed by club DJs in New York. Saunders was one of the first DJ’s to commercially release a house music single, and was largely responsible for the develop of the genre in Chicago. Over ten years ago, the City of Chicago recognized the contributions that Jesse and house music had made to the culture of the city by proclaiming July 17, 1997, as “Jesse Saunders and Pioneers of House Music Day” in Chicago. Saunders’ “behind the music” tour through the early days of Chicago’s house music scene is especially important due to the current void of information on the genre (despite Mayor Richard M. Daley’s proclamation, nothing much seems to have happened since 1997 in terms of documenting or celebrating house music). For lovers of Chicago house music, Jesse’s memoir is an intriguing look at how this assorted and colorful cast of characters– including Ron Hardy and Frankie Knuckles, among others–fell into creating a new genre of music. Following is additional information from the official press release: “Jesse Saunders’ story is one of the most important in the history of popular culture.
[Show full text]
1.5, 4/2021 Greed Bold (Selected Glyphs) Displaay: Greed
Displaay: Greed Greed Greed Bold (Selected Glyphs) Aaa Bb Cc Gg Rr 321 1.5, 4/2021 aGreed Thin 890 pt Displaay Type Foundry a gGreed Regular 890 pt Displaay Type Foundry g sGreed Heavy 890 pt Displaay Type Foundry Greed Family (Weights) Light Regular Medium SemiBold Bold Heavy Displaay Type Foundry Greed Family (Styles) Light Italic Regular Italic Medium Italic SemiBold Italic Bold Italic Heavy Italic Displaay Type Foundry Greed Light 40 pt AäBbCcDdEeFfGgHh IiJjKkLljMmNnØoPpQq RrŞsTtUuVvWwXxYyZz 1234567890& [(agl,#?!)] Greed Light 14 pt English House is a genre of electronic dance music. It was created by disc jockeys and music producers from Chicago's underground club culture in the early and mid 1980s, as DJs from the subculture began altering disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin music, and even jazz into their tracks. The genre was pioneered by DJs and producers mainly from Chicago and New York such as Frankie Knuckles, Larry Levan, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Mr. Fingers, Marshall Jefferson, Phuture, and many others. It was originally associated with the Black American LGBT subculture but has since Greed Light 14 pt Spanish El house es un estilo de música electrónica de baile (es un estilo de ésta pero también es uno de sus primeros géneros y precursores) que se originó en la ciudad de Chicago, Estados Unidos, al comienzo de los años 1980. Inicialmente, se hizo popular en la primera mitad de los ochenta en las discotecas orientadas hacia el público afroamericano, y latino en Chicago, más adelante en Nueva York y Detroit.
[Show full text]
PDF (943.03 Kib)
THE TULANE HULLABALOO I MARCH 7, 1997 I .J\'<'"taci;e 9 recording will hit the charts and rotate at release. clubs for at most a few months, and then By 1993, Cajmere had built up a disappear to make room for the next number of hits for his Cajual Record smash hit. Like the music, few artists or label, including "Wet Dream" by producers of house rarely survive for Derrick Carter, "Feel Free" by Jump long. "Chico" Slamm, "You Got Me Up" by Big corporate marketing ploys like Dajae and "Percolator" by himself. Black box, Technotronic and C+C In 1994, Cajmere released Cajual's Music Factory have all proved to be first full-length album entitled The New flashes in the pan despite the pop over- Chicago House Sound. The twelve advertising afforded them. tracks on the CD are some of the One lady who has managed to survive deepest, most energetic songs you will in house music is the lady who provided ever hear. the voices of C + C Music Factory, Black Shortly after that, Cajmere released Box and Seduction - Martha Wash. another full-length CD called The Martha Wash's career took off back in Future Sound of Chicago, which the 70s after leaving N.O.W. (News Of featured the more hard-core productions the World) and joining with an equally by his label. large-sized woman named Izora At the same time, Dajae proved Armstead. Together they called herself a force to be reckoned with on themselves Two Tons of Fun. They her Cajmere-produced debut CD teamed up with gay singing sensation Higher Power.
[Show full text]
House, Techno & the Origins of Electronic Dance Music
HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines.
[Show full text]
Rico Delargo the Vibe Elevator | Taste & Tempo
Rico DeLargo The Vibe Elevator | Taste & Tempo 7/20/12 9:11 PM The Vibe Elevator // Rico DeLargo MARCH 10, 2010 | FEATURED, MUSIC If there is one man who can instantly uplift the energy and feeling at party its Rico DeLargo. I was fortunate enough to catch up with the man with the golden horn for an exclusive interview… T&T:How long have you been playing trumpet and how did you get your start? Rico:I’ve been playing for 20 years. Damn, does that make me sound old? T&T: Umm HELL YES. haha Rico: I started very young!! Haha. My older brother played the trumpet in Puerto Rico for salsa bands and then for the Police of Puerto Rico. He was the first person to put a trumpet in my hands and then I went on to play in middle and high school. My big break for what I’m doing now came in 2007 when I was offered a residency at Tao Beach in Las Vegas for Sunday Sunset Sessions. That first season at Tao Beach was amazing!! T&T: Yes! I definitely remember those days. How many trumpets do you own anyway? Do you have one trusty horn or a few to choose from? Rico:I’ve been playing the same Bach Stradivarius for over 10 years. It’s like my girl. I get sick of looking at her sometimes but when she touches my lips, we fall in love all over again and make magic together. T&T:What motivates you as a musician? Rico:The opportunity to enrich someone’s life.
[Show full text]
Kara Hughes Salgado at West Town Chicago Chamber of Commerce 1819 W
For information on sponsorship please contact: Kara Hughes Salgado at West Town Chicago Chamber of Commerce 1819 W. Chicago Ave. Chicago IL 60622 312-850-9390 cell 773-350-2672 [email protected] West Fest Chicago 2019 Friday, July 5th from 5pm-10pm Saturday & Sunday, July 6th & 7th from 12pm-10pm on Chicago Avenue between Damen and Wood www.westfestchicago.com in West Town Chicago www.westtownchicago.com $5 Optional Donation #WestFestChicago West Fest Chicago is an annual street festival in Chicago’s West Town Community on Chicago Avenue between Damen Avenue and Wood Street. West Fest began in 2004 and has since grown into one of Chicago’s most prominent and well attended street festivals. What makes West Fest Chicago so unique? West Fest Chicago stands out from the rest because it is locally planned and produced by the West Town Chamber of Commerce, thus the emphasis is on local offerings and talent. West Fest Chicago features neighborhood retailers and restaurants, fine artists, crafters, and more. The event reflects the eclectic West Town community, and is known for cutting edge live music and Chicago House DJs. The West Fest Chicago live music stage is booked by Empty Bottle Presents and features current and cutting edge live music. Featured headliners in the past have included world renowned bands ESG, Speedy Ortiz, Local H, Royal Headaches, The Meat Puppets, The Ponys, Redwalls, Califone, King Kahn, The Black Lips, Tortoise, Urge Overkill, The Oblivians, Murder City Devils, Dead Moon, Kevin Morby, Joey Purp and many more. Since 2006 the West Fest Chicago DJ Stage has showcased world renowned local and international DJs with an emphasis on Chicago House music.
[Show full text]
Trax Canzone, Grande Club Mix, Bel Scott Wozniak Run Rxs (No
RITMI & BLACK << >> RITMI & BLACK H, Francia. E la Dub, ipno e naif, è uno di quei pressione imbattibile, i filtraggi. Sneak ad tool speciali. aggiungere un po’ di heavy metal jackismo alla scena. TARANTULAZ Handle It (Curious) di Christian Zingales Essenziale pacchetto garage from UK, grande KENNY GLASGOW System Overload/Logan’s DDJJ IInntteerrnnaattiioonnaall » trax canzone, grande Club Mix, bel Scott Wozniak Run Rxs (No. 19) Non c’è estate senza Sunshine Jones. L’ex duzioni al solito incredibili come Higher e stabby rx. Mike Shannon, Bearweasel, Carlo Lio e Lotin Dubtribe Sound System, da un paio di Dirty Love, poi rx e re-edit privati di pezzi in 4 grandi rx di due tracce da quello che è uno KRIS WADSWORTH Mainline (Hypercolour) degli album dell’anno. anni in una felicissima carriera solista di Herp Albert, Fleetwood Mac, Rolling Vocal femminile quasi operistico e spartano beat inaugurata da “Seven Tracks In Seven Stones, Yazoo, Thompson Twins, Shriek- drum in arranco, con cimbali fauci e tutto l’ar- HELL Hell’s Kitchen – Playgroup Rx (Gigolo) Days”, sta lavorando a due nuovi album, back, Foreigner, Exile, Teena Marie, Jef- mamentario. Crea una tensione della madonna. Playgroup in 18 minuti rx shock, un itinerario di cui uno pare destinato a uscire sempre ferson Starship, Hot Chocolate, DSS rx di velluti motorik, panoramiche ambientali, su King Street. La notizia, già girata pres- mai pubblicati su Brenda Fasse e Block SHIT ROBOT Simple Things (DFA) quella grazia vocale-atmosferica. Se son rose fio- SIGNIFICANT OTHERS EP (Wolf+Lamb) bagliori acidici. so i fan più motivati, è che per riuscire a 16, un DSS album inedito in versione HOT NATURED EDITS (Wolf+Lamb Black) Dove l’irlandese Marcus Lambkin crea l’inno riranno.
[Show full text]
Comfortnoise Podcast 045-1013
comfortnoise podcast 045-1013 - 30 years of chicago house: from disco to footwork over 2h/35m/43s - by discarga vs (duck n’ cover; biel) & new.com (comfortnoise & dubexmachina; zh) - streamed on october 5th 2013 outta tree park studio over www.livebeats.com - download from www.comfortnoise.com (mp3/224kbs/250mb) when discarga vs (duck n’ cover; biel) shows up, it’s all about heavy engines, energy and speed. vs stands for vinyl spinner, preferably using a pair of reloop rp6000 turntables, because they cover a pitch range of +/- 50%! as producer, dj and label operator he long time ago found a home in chicago house, but then left it, as he missed the spirit of adventure in the scene. more than 10 years later he comes back after discovering footwork and with it his beloved chicago madness. together with his good friend kabra mixdown he is now run- ning the footwork label “duck n’ cover recordings” which just released a cele- brated ep by the on-site producer eq why. for comfortnoise podcast, discarga vs drafts his personal version of the history of chicago house: over 30 years from 1983 to 2013 - from disco to footwork! playlist new.com is playing... 000:00 - juan atkins & moritz von oswald - afterlude - tresor 262b 002:50 - agnès - ancient methods - vitalik 15 005:52 - juan atkins & moritz von oswald - electric garden (deep jazz in the garden mx) - tresor 262a 011:02 - martyn - newspeak - dollydubs 02 015:12 - afefe iku - jungle beats - yoruba 43 016:45 - dance - still - blank mind 03 020:24 - pedestrian & jasperdrum - kalakuta - 2nd drop 26 026:07 - cos-ber-zam - ne noya (daphni rmx) - jiaolong 05lp 030:05 - jovonn - satisfied (moodyfied mx) - millions of moments 23 033:46 - norm talley - travlin - lands 56 038:31 - burial - street halo - hyperdub hdb013 039:42 - discarga vs in the interview with new.com (part i) discarga vs is playing..
[Show full text]
Sin Título.Numbers
Viernes 18 de julio Sábado 19 de julio Domingo 20 de julio Viernes 25 de julio Sábado 26 de julio Domingo 27 de julio ACTI Afrojack 3 Are Legend 2Dirty Above & Beyond 3 Are Legend Adam Beyer Airwave AFTER 12 2Empress Adrian Lux Akyra Alex Kidd Alesso Akyra A-Tom-x ft. Mike B Airwave Alle Farben Andrew Rayel Aly & Fila B2B John O’Callaghan Alle Farben A*S*Y*S Alesso Allspark & Mc Nice AN21 Angerﬁst (live) Alvaro ACTI Aly & Fila B2B John O’Callaghan AN21 & Max Vangeli Argy Astrix AN21 & Max Vangeli Adam Beyer Angerﬁst (live) ARtronkis Armin van Buuren Atmozfears (live) Bad Dancer Alex Kidd Ant TC1 Bad Dancer Art Department Audien Bakermat Âme Atmozfears (live) Bakermat A*S*Y*S Basement Sounds Balistic Andrew Rayel Audien Balistic AtmoZ SoundZ Ben Klock Bella Sarris Argy Bassnectar Better Lost than Stupid Audio Boulevard Bingo Players Boston Bun Armin van Buuren Ben Klock Boostedkids Audiofreq Blasterjaxx Busy P Art Department Bingo Players Boston Bun Back In Time Bollen & Fichtner Carat Trax (live) AtmoZ SoundZ Blasterjaxx Busy P Benny Benassi Bonzai All Stars Cleavage Audio Boulevard Bliss Carat Trax (live) Borgore Brennan Heart Cosmic Gate Audiofreq Bonzai All Stars Cleavage Bryan Kearney Carnage Cosmo Avicii Bountyhunter Cosmic Gate Carl Cox Caspar Da Hool Back In Time Brennan Heart Cosmo Cassy Chris Liebing Darkraver Benny Benassi Caspar & Don Cabron Da Hool Cemode & Seelen Commonphase Dave Clarke Borgore Cedex & Higher Underground ft. 3XB Darkraver Charlie Lownoise and Mental Theo Coone Dave Till Bryan Kearney Chris Liebing Dave Clarke Coone CP David Guetta Carl Cox Chuckie Dave Till The Creamminals D-wayne Derrick Carter Carnage Coone David Guetta Dada Life D.O.D Dimitri Vegas & Like Mike Cemode & Seelen Coone ft.
[Show full text]
Documan Regular (Selected Glyphs) Displaay: Documan
Displaay: Documan Documan Documan Regular (Selected Glyphs) Aaa Bb Gg Rrr 321 Lazer Thin ExtraLight Light Regular Medium SemiBold Bold Heavy Displaay: Documan Family (Weights) Atoms for Peace Default 5:15 (Amok) [XL Records] XLDA583 Documan Lazer 48 pt (Basic characters & alternates) ÅäâBbČçDdÉèFfĞgg HhIiJjKkLlMmÑň ØǫPpQqRrr*@→ SsTtUűVv„W“wXx% YyyyZż?#ẞß.$€£ 1[1]2(2)345678900& Documan Lazer 14 pt House music is a genre of electronic dance music created by club DJs and music producers in Chicago in the early 1980s. Early house music was generally characterized by repetitive 4/4 beats, rhythms provided by drum machines, [not in citation given] off-beat hi-hat cymbals, and synthesized basslines. While house displayed several characteristics similar to disco music, which preceded and influenced it, as both were DJ and record producer-created dance music, house was more electronic and minimalistic. The mechanical, repetitive rhythm of house was one of its main components. Many house compositions were instrumental, with no vocals; some had singing throughout the song with lyrics; and some had singing but no actual words. House music developed in Chicago's underground dance club culture in the early 1980s, as DJs from the subculture began altering the pop-like disco dance tracks to give them a more mechanical beat and deeper basslines. As well, these DJs began to mix synth pop, rap, Latin, and even jazz into their tracks. Latin music, particularly salsa clave rhythm, became a dominating riff of house music. It was pioneered by Chicago Documan Thin 48 pt (Basic characters & alternates) ÅäâBbČçDdÉèFfĞgg HhIiJjKkLlMmÑň ØǫPpQqRrr*@→ SsTtUűVv„W“wXx% YyyyZż?#ẞß.$€£ 1[1]2(2)345678900& Documan Thin 14 pt House music is a genre of electronic dance music created by club DJs and music producers in Chicago in the early 1980s.
[Show full text]
From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2010 From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs. Ambrose Colombo Claremont McKenna College Recommended Citation Colombo, Ambrose, "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." (2010). CMC Senior Theses. Paper 83. http://scholarship.claremont.edu/cmc_theses/83 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Table of Contents I. Introduction 1 II. Disco: New York, Philadelphia, Chicago, and Detroit in the 1970s 3 III. Sound and Technology 13 IV. Chicago House 17 V. Drugs and the UK Acid House Scene 24 VI. Acid house parties: the precursor to raves 32 VII. New genres and exportation to the US 44 VIII. Middle America and Large Festivals 52 IX. Conclusion 57 I. Introduction There are many beginnings to the history of Electronic Dance Music (EDM). It would be a mistake to exclude the impact that disco had upon house, techno, acid house, and dance music in general. While disco evolved mostly in the dance capital of America (New York), it proposed the idea that danceable songs could be mixed smoothly together, allowing for long term dancing to previously recorded music. Prior to the disco era, nightlife dancing was restricted to bands or jukeboxes, which limited variety and options of songs and genres. The selections of the DJs mattered more than their technical excellence at mixing.
[Show full text]
Dance Music Manual This Page Intentionally Left Blank Dance Music Manual Tools, Toys and Techniques
Dance Music Manual This page intentionally left blank Dance Music Manual Tools, Toys and Techniques Second Edition Rick Snoman AMSTERDAM • BOSTON • HEIDELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN DIEGO • SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Focal Press is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA First published 2009 Copyright © 2009, Rick Snoman. Published by Elsevier Ltd. All rights reserved The right of Rick Snoman to be identiﬁ ed as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 No part of this publication may be reproduced, stored in a retrieval system or transmit- ted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone ( ϩ 44) (0) 1865 843830; fax ( ϩ 44) (0) 1865 853333; email: [email protected]. Alternatively you can submit your request online by visiting the Elsevier website at http://elsevier.com/locate/permissions, and selecting Obtaining permission to use Elsevier material Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence or otherwise, or from any use or operation of any methods, products, instructions or ideas contained in the material herein British Library Cataloguing in Publication Data snoman, Rick The dance music manual : tools, toys and techniques.
[Show full text]