AZ Insider: Want to See a Real GRAMMY?

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AZ Insider: Want to See a Real GRAMMY? Written by Written by Kathy Shayna Shocket Kathy Shayna Shocket has the inside scoop on the stories that make a difference. Experience the power of a GRAMMY and some Johnny Cash and June Carter history. Imagine the exciting night in 2002 when superstar Johnny Cash won the GRAMMY for "Give My Love to Rose," Best Male Country Vocal Performance. Well, now you can capture some of that historical hoopla . The gold plated trophy is part of the Johnny Cash and Carter Family ! The items in the exhibit have never been displayed for the public before and they’re on loan, courtesy of John Carter Cash, Johnny Cash and June Carter’s son, and Dale Jett, grandson of A.P. Carter. “When I first visited MIM, I was excited by its inimitable beauty and scale. It has been a wondrous blessing to work with the staff there and help bring about the Carter Family / Johnny Cash display,” said John Carter Cash. “I feel it is inspired and shows a unique view into the history of country music that cannot be seen anywhere else.” There are guitars, including Johnny Cash’s black Martin D-42JC signature guitar and his famous black Manuel Cuevas stage suit. Yes, the man who became known as the “Man in Black,” bucked music industry norms, and performed two live albums in prisons with inmate audiences. Despite struggles with drug addiction, he went on to achieve superstardom, selling more than 50 million albums and winning new audiences into the 21st century. The music of the Carters (A.P., Sara Carter and Maybelle Carter) is also a signifacnt part of music history. been celebrated for nearly a century. “It would be difficult to overstate the significance of these artists in American music,” said MIM curator for North America, Dr. Cullen Strawn. The exhibit will run through April 2016. Kathy Shayna Shocket is a freelance writer and TV Field Producer based in Phoenix, AZ. She’s a former TV Reporter who’s also written for such national publications as TIME Magazine, MONEY Magazine, PEOPLE Magazine, the Hollywood Reporter and the NEW YORK TIMES. 1 / 1 Powered by TCPDF (www.tcpdf.org).

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To Loinplain Ale Facts

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Johnny Cash by Dave Hoekstra Sept

Johnny Cash by Dave Hoekstra Sept. 11, 1988 HENDERSONVILLE, Tenn. A slow drive from the new steel-and-glass Nashville airport to the old stone-and-timber House of Cash in Hendersonville absorbs a lot of passionate land. A couple of folks have pulled over to inspect a black honky-tonk piano that has been dumped along the roadway. Cabbie Harold Pylant tells me I am the same age Jesus Christ was when he was cruciﬁed. Of course, this is before Pylant hands over a liter bottle of ice water that has been blessed by St. Peter. This is life close to the earth. Johnny Cash has spent most of his 56 years near the earth, spiritually and physically. He was born in a three-room railroad shack in Kingsland, Ark. Father Ray Cash was an indigent farmer who, when unable to live off the black dirt, worked on the railroad, picked cotton, chopped wood and became a hobo laborer. Under a New Deal program, the Cash family moved to a more fertile northeastern Arkansas in 1935, where Johnny began work as a child laborer on his dad's 20-acre cotton farm. By the time he was 14, Johnny Cash was making $2.50 a day as a water boy for work gangs along the Tyronza River. "The hard work on the farm is not anything I've ever missed," Cash admitted in a country conversation at his House of Cash ofﬁces here, with Tom T. Hall on the turntable and an autographed picture of Emmylou Harris on the wall.
FREE ISSUE PLUS FREE ISLAND MAP JT ISSUE3 AW 1/6/06 14:38 Page 2

JT_ISSUE3_AW 1/6/06 14:38 Page 1 JAMAICA TOURIST WWW.JAMAICATOURIST.NET EVERYTHING YOU NEED TO KNOW FOR THE PERFECT HOLIDAY EXPERIENCE IN THIS ISSUE ONCE YOU GO, YOU KNOW 39 YEARS OF ‘RED CAP’ SERVICE THE NEW GOLF MECCA OF THE CARIBBEAN ISLAND ADVENTURES SALE OF LUXURY REAL ESTATE AT PALMYRA RESORT & SPA EXCEEDS EXPECTATIONS FINANCING OF SECOND HOMES BOOSTS REAL ESTATE MARKET PARTNERSHIPS WITH PRIVATE SECTOR AND INTERNATIONAL INVESTORS CREATE ECONOMIC GROWTH PAMPERING AT THE BEST ISLAND SPAS ISLAND ARTISTS JOHNNY AND JUNE CARTER CASH CHERISHED IN JAMAICA DUTY FREE SHOPPING AT UP TO 30% SAVINGS ELEGANT AND CASUAL RESTAURANTS ENTERTAINMENT, GAMBLING AND NIGHTLIFE ISLAND GOSSIP PRIME MINISTER SIMPSON MILLER FIRST FEMALE HEAD YOUR OF GOVERNMENT FREE ISSUE PLUS FREE ISLAND MAP JT_ISSUE3_AW 1/6/06 14:38 Page 2 Rose Hall. This upscale resort area is home to the islands luxurious gated second home community, The Palmyra Resort & Spa, which has opened the door to real estate investments for foreigners in a major way. ONCE YOU GO, YOU KNOW See REAL ESTATE section for more info. amaica is a place to be experienced, not A multifaceted mosaic of international customs and traditions, the native population is a mix of ancestors from just visited. Without a doubt the most Africa, Asia, Europe and the Middle East, from which comes the nation’s motto: ‘out of many, one people.’ This varied ancestry has created a unique culture, evident above all in the island’s culinary heritage and the local Jdiverse of the Caribbean destinations, food, the island’s richest history lesson.
MARY HARTSOCK Family Member - Carter Family Fold – Hiltons, VA

MARY HARTSOCK Family Member - Carter Family Fold – Hiltons, VA * * * Date: February 21, 2009 Location: Carter Family Fold - Hiltons, VA Interviewer: Amy C. Evans, SFA Oral Historian Transcription: Shelley Chance, ProDocs Length: 13 minutes, 40 seconds Project: Carter Family Fold Mary Hartsock-Carter Family Fold 2 [Begin Mary Hartsock Interview] 00:00:02 Amy Evans: This is Amy Evans on Saturday, February 21, 2009, in Hiltons, Virginia, at the Carter Family Fold. I’m in the kitchen here, and I’m with some Carter Family members: sisters, Mary [Hartsock] and Nancy [Carter]. And Mary, who I’m sitting with right now, if you would introduce yourself for the record and explain your relationship to the family? 00:00:22 Mary Hartsock: Okay. My name is Mary Hartsock, and my husband’s name is Paul and his mother and Sara [Dougherty] Carter are sisters. And that’s how I’m connected with the Carters. 00:00:36 AE: And his mother’s name was—? 00:00:37 MH: Mae [Dougherty] Hartsock. 00:00:40 AE: And you work here every Saturday morning at the Fold. Can you explain that? 00:00:43 MH: I—I usually work here every Saturday morning at the Fold. I seldom come in the evenings. Once in a while I do but not very often, but I help Rita every Saturday morning, help ©Southern Foodways Alliance www.southernfoodways.org Mary Hartsock-Carter Family Fold 3 her get it all ready to go because it’s a lot to it just to get it ready for evening. And as I was telling you, these people love beans and cornbread, and when you have beans and cornbread, that is the main dish of—of the evening because people love cornbread back here.
Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer Is Second Inductee Into Multi-Year Music Icons Series

FOR IMMEDIATE RELEASE Media Contact: Mark Saunders June 5, 2013 [email protected] 202-268-6524 usps.com/news Release No. 13-056 To obtain a high-resolution of the stamp image for media use only, please email [email protected]. Johnny Cash Returns to ‘Stamping Ovation’ Legendary Singer is Second Inductee into Multi-Year Music Icons Series NASHVILLE — John Carter Cash, Rosanne Cash, Larry Gatlin, Jamey Johnson, The Oak Ridge Boys, The Roys, Marty Stuart, Randy Travis and other entertainers paid tribute to Johnny Cash as he was inducted today into the Postal Service’s Music Icons Forever stamp series at the Grand Ole Opry’s Ryman Auditorium. “With his gravelly baritone and spare percussive guitar, Johnny Cash had a distinctive musical sound — a blend of country, rock ’n’ roll and folk — that he used to explore issues that many other popular musicians of his generation wouldn’t touch,” said U.S. Postal Service Board of Governors member Dennis Toner. “His songs tackled sin and redemption, good and evil, selfishness, loneliness, temptation, love, loss and death. And Johnny explored these themes with a stark realism that was very different from other popular music of that time.” “It is an amazing blessing that my father, Johnny Cash be honored with this stamp. Dad was a hardworking man, a man of dignity. As much as anything else he was a proud American, always supporting his family, fans and country. I can think of no better way to pay due respect to his legacy than through the release of this stamp,” said singer-songwriter, producer John Carter Cash, Johnny Cash’s son.
Virginia: Birthplace of America

VIRGINIA: BIRTHPLACE OF AMERICA Over the past 400 years AMERICAN EVOLUTION™ has been rooted in Virginia. From the first permanent American settlement to its cultural diversity, and its commerce and industry, Virginia has long been recognized as the birthplace of our nation and has been influential in shaping our ideals of democracy, diversity and opportunity. • Virginia is home to numerous national historic sites including Jamestown, Mount Vernon, Monticello, Montpelier, Colonial Williamsburg, Arlington National Cemetery, Appomattox Court House, and Fort Monroe. • Some of America’s most prominent patriots, and eight U.S. Presidents, were Virginians – George Washington, Thomas Jefferson, James Madison, James Monroe, William Henry Harrison, John Tyler, Zachary Taylor, and Woodrow Wilson. • Virginia produced explorers and innovators such as Lewis & Clark, pioneering physician Walter Reed, North Pole discoverer Richard Byrd, and Tuskegee Institute founder Booker T. Washington, all whose genius and dedication transformed America. • Bristol, Virginia is recognized as the birthplace of country music. • Virginia musicians Maybelle Carter, June Carter Cash, Ella Fitzgerald, Patsy Cline, and the Statler Brothers helped write the American songbook, which today is interpreted by the current generation of Virginian musicians such as Bruce Hornsby, Pharrell Williams, and Missy Elliot. • Virginia is home to authors such as Willa Cather, Anne Spencer, Russell Baker, and Tom Wolfe, who captured distinctly American stories on paper. • Influential women who hail from the Commonwealth include Katie Couric, Sandra Bullock, Wanda Sykes, and Shirley MacLaine. • Athletes from Virginia – each who elevated the standards of their sport – include Pernell Whitaker, Moses Malone, Fran Tarkenton, Sam Snead, Wendell Scott, Arthur Ashe, Gabrielle Douglas, and Francena McCorory.
FREEMAN KITCHENS COLLECTION Jennifer M

A BRIEF HISTORY and ORIENTATION - to the - FREEMAN KITCHENS COLLECTION Jennifer M. Jameson | WKU Folk Studies | Spring 2011 Freeman Kitchens stands in front of his shop. Photo by Jennifer Jameson, May 2011. ABSTRACT: The Freeman Kitchens Collection is largely a recorded sound collection of the Folklife Archives at the Kentucky Library & Museum, Western Kentucky University. The Collection includes 250, 7-inch reel-to-reel tapes with source material from the personal collection of Mr. Freeman Kitchens of Drake, Kentucky – U.S. postmaster, record collector, owner of Drake Vintage Music & Curios, and founding member and president emeritus of the Carter Family Fan Club. The recordings consists of tapes (or tapes of tapes) of 78 rpm commercial recordings, radio transcriptions, airchecks of radio broadcast programs and performances, field recordings of festival performances, and the like. WKU first acquired these tapes in the mid 1970s, as folklorists Burt Feintuch and Lynwood Montell directed and implemented the acquisition of these sound recordings from Mr. Kitchens. The collection also contains three recorded interviews with Mr. Kitchens from 1974, 1975, and 2010, respectively. In addition, the Archives hold some related ephemera from Mr. Kitchens including letters addressed to him from members of the Carter Family, record collectors, and from folklife scholars; posters from country music events; fan-made discographies; and original copies of the journal of the Carter Family Fan Club, the Sunny Side Sentinel. Freeman Kitchens continues to operate his record shop in Drake. FA 567 Manuscripts & Folklife Archives – Kentucky Library & Museum – Western Kentucky University INTRODUCTION I, Jennifer Jameson, a graduate student in the Folk Studies program at WKU, present a brief history and orientation to the Freeman Kitchens Collection at the Folklife Archives as I have encountered the bits and pieces of this long history.
Octoberfests: Mill Valley and UNAFF

OctoberFests: Mill Valley and UNAFF By Frako Loden December 30, 2019 From Rosemary Rawcliffe's 'The Great 14th: Tenzin Gyatso, the 14th Dalai Lama in His Own Words,' which won the Audience Favorite Award in the Valley of the Docs category at Mill Valley Film Festival. The Mill Valley Film Festival, which screens every October in affluent Marin County, north of San Francisco, is known for its music, film and environmental documentaries, many of them produced in the Bay Area. A moderate few in each category stood out this year. Things went smoothly despite the widespread PG&E pre-emptive fire-prevention power shutoffs, causing no cancellations and only a handful of films to change venues. The Gift: The Journey of Johnny Cash, directed by Thom Zimny, is a lyrical, almost dreamy account of the Arkansas country boy's life and career, undistracted by the sight of talking heads. Instead we hear the voices of Emmylou Harris, Bruce Springsteen, Rick Rubin, Sam Phillips, Rodney Crowell, and offspring Rosanne Cash and John Carter Cash—people who actually knew Cash and not modern artists merely wowed by him—as they try to explain in words the mysterious force of Cash's voice and songwriting. The artist's own voice recordings 1 from the 1990s evoke bus and train journeys through the backroads of America. We hear the usual themes of childhood trauma—Cash's father inexplicably blamed him for the table-saw death of Cash's older brother Jack at 14—and redemption for the sin of neglecting his first wife and four daughters in favor of touring, political causes and amphetamine addiction.
Bobby Karl Works the Room Chapter 323 There Was Joy in the Schermerhorn Associated with Inductee Chet Atkins, Symphony Center Monday Night (10/12)

page 1 Wednesday, October 14, 2009 Bobby Karl Works The Room Chapter 323 There was joy in the Schermerhorn associated with inductee Chet Atkins, Symphony Center Monday night (10/12). both in tandem with Paul Yandell and Performer after performer at the solo. third annual Musicians Hall of Fame Chet’s daughter, Merle Atkins ceremony conveyed just how much pure Russell accepted. “It’s a wonderful pleasure there is in making the music night,” she said. “It was all about music, you love. for Daddy. This is huge.” “I’ve been a very blessed person, Harold Bradley described inductee working in the business I love,” said Foster as “a nonconformist” and “a producer inductee Fred Foster. visionary” for having signed and “When you do that, you’re produced such talents as Roy not working, you’re Orbison, Dolly Parton and playing.” Kris Kristofferson, all of “For all the loyal fans, whom appeared in a video thank you for keeping the tribute. Fred-produced spirit alive,” said inductee Tony Joe White got a Billy Cox after performing a standing ovation for a super blistering rock set with his funky workout on “Polk Salad group, featuring guest drummer Annie.” Chris Layton from Stevie Ray “This is a great honor Vaughn’s band Double Trouble. that goes in my memory book for Gary Puckett gleefully turned many visits in the future,” said Fred. the mic over to the audience for a Al Jardine of The Beach Boys sing-along rendition of “Young Girl.” He enthusiastically sang “Help Me Rhonda” inducted percussion, keyboard and vibes before inducting Dick Dale, the King of “musician’s musician” Victor Feldman.
Carter, A. P. and Sara, House 06/12/1985

f2 .'Go Carter Family Thematic Nomination, Virginia Division of Historic Landmarks Thematic National Register Nomination Inventory Form Historic Name: A.P. and Sara Carter House Common Name: A. P. and Sara Carter House Street Adress/Rt. No.: Rt. 614 VHLC File Number: 84-14 Vicinity of: Maces Spring Owner: Milan and Gladys Carter Millard USGS Quad: Hilton 7.5 Rt. 1, Hiltons, VA 24258 Date(s): Early 20th Century Architect/Builder: remodeled by A. Original Use: Dwelling Style: Vernacular Carter Present Use: Dwelling Condition: Very Good Altered x ; unaltered Physical Description: The A. P. and Sara Carter House is a one-and-one-half story, wood-frame bungalow whose present form reflects the 1928 alterations made by A. P. Carter. According to his daughter, Gladys, the present owner, the house contained only four rooms, two rooms wide and two rooms deep, when her parents acquired the property. A carpenter by trade, A. P. Carter remodeled the original three-bay block by creating bedrooms on the second floor, lit by a new front dormer, and by remodeling the front porch. Carter added a dining room addition which still stands off the east end. Few major changes were made to the plan besides the. removal of the partition between the two front rooms. The resulting dwelling clearly reflects the vernacular domestic forms of rural Scott County in the early twentieth century. Since 1960, Gladys and Milan Millard have made several additions, including a garage/den addition off the west end, balancing the east wing added by A. P. Carter. The Millards also created a basement, added a bathroom, enlarged the back bedroom, and covered the house with aluminum siding.
“It Wasn't God Who Made Honky Tonk Angels”-- Kitty Wells (1952)

“It Wasn’t God Who Made Honky Tonk Angels”-- Kitty Wells (1952) Added to the National Registry: 2007 Essay by John Rumble (guest post)* Kitty Wells When Kitty Wells first recorded for Decca Records in 1952, she had toured for years with her husband, Johnnie (later Johnny) Wright, and his partner, Jack Anglin. But the mother of three was tired of the road, and earlier sessions for RCA had yielded no hits. This time, her main concern was the session fee she would earn. Wells had moved back to Nashville, her hometown, with Johnnie & Jack on the strength of that duo’s 1951 hit “Poison Love,” their entrée to the Grand Ole Opry cast. Now, with Johnnie’s prospects looking up, she pondered leaving full-time entertaining altogether. As it turned out, Wells’s “It Wasn’t God Who Made Honky Tonk Angels,” her first Decca release, quickly scaled “Billboard” magazine’s country charts. The hit made Wells a major star, and an Opry member in her own right. To be sure, country music had boasted successful female artists since the 1920s. The Carter Family’s Sara and Maybelle Carter, cowgirl singer Patsy Montana, and Opry comedienne Minnie Pearl had already won national fame. But Wells was the first to reach #1 in the decade after World War II, when country entered its takeoff phase. In these years, American women faced enormous pressures to leave their wartime jobs, renounce political concerns, and return to keeping house and raising children. Popular magazines, psychologists, and men (whose jobs women had filled) all told them so.
Viewed in the Family (66)

The Influence of Family in the Preservation of Appalachian Traditional Music: From the Front Porch to Performance A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By KATHY Q. HAYES B.S., Berea College, 1973 2008 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES June 12, 2008 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kathy Hayes The Influence of Family in the Preservation of Appalachian Traditional Music: From the Front Porch to Performance BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. _________________________________ Mary L. Rucker, Ph.D. Director _________________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program Committee on Final Examination ______________________________ Mary L. Rucker, Ph.D. ______________________________ Edward Haas, Ph.D. ______________________________ Marjorie Mclellan, Ph.D. ______________________________ Joseph F. Thomas Jr., Ph.D. Dean, School of Graduate Studies Table of Contents Acknowledgements Chapter I: Introduction………………………………………………………………………………………… 1 Chapter II: History and Settlement of Appalachia……………………16 Chapter III: Values, Families, and Migration in Appalachia…………………………………………………………………………………………………32 Chapter IV: Appalachian Families and Music……………………………………36 Carter Family………………………………………………………………………………………………………59 Ritchie Family……………………………………………………………………………………………………70 Queen Family…………………………………………………………………………………………………………75