2019-2020 12 Ongoing Research Grants 12

REVIEW OF ACTIVITIES

1 JUNE 2019 – 31 MAY 2020

Prepared by

David Howes, Co-Director Jordan LeBel, Co-Director Sociology and Anthropology Department of Marketing Faculty of Arts and Science John Molson School of Business

EXECUTIVE SUMMARY 4

INTRODUCTION 4 ABOUT THE CENTRE 5 MISSION 5 LEADERSHIP 5 GOVERNANCE 6

RESEARCH ORIENTATIONS 6 AXIS 1: CULTURE AND THE SENSES. 6 AXIS 2: MULTISENSORY AESTHETICS. 6 AXIS 3: SENSORY DESIGN AND MARKETING. 6 AXIS 4: SENSORY ENGINEERING AND COMMUNICATION. 7

DEVELOPMENT PLAN (2020-2026) 8 Medium-Term Plan 8

INTERLUDE 9

MEMBERSHIP 10 ACHIEVEMENTS 11 STUDENT SUPERVISION 11

FUNDING 12 New Research Grants, 2019-2020 12 Ongoing Research Grants 12

Publications & Other Productions 13 Members 13 Students 13

INTERLUDE 13

Happenings 14

APPENDICES 16 APPENDIX A 17 CSS Membership by Category 17 Regular Members 17 Associate Members 17 Affiliate Members 17 Fellows 18

Visiting Professors, Professionals and Interns 18 Student Members 18 Graduates 18 Incoming Students 19 Ongoing Students 19 APPENDIX B 21 The CSS Organigramme of Research 21 APPENDIX C 22 List of Research Projects & Grant Applications in Development 22 APPENDIX D 25 New Grant Applications & Ongoing Research Grants 25 New Research Grants and Applications 25 Ongoing Research Grants 28 APPENDIX E 31 List of Publications, Exhibitions and Conference Presentations 31 Books and Special Issues (By Faculty and Fellows) 31 Journal Articles & Book Chapters 31 By Faculty and Fellows 31 By Student Members 35 Multimedia Installations & Exhibitions 36 By Faculty and Fellows 36 By Student Members 37 Conference Papers & Invited Talks 38 By Faculty and Fellows 38 By Student Members 43 APPENDIX F 45 Posters, Uncommon Senses III: The Future of the Senses 45 APPENDIX G 46 Posters, Public Lectures 46 APPENDIX H 47 Posters, Talking Sense Seminar 47 APPENDIX I 49 Troubling Law’s Sensorium 49

EXECUTIVE SUMMARY

In spite of recent circumstances, the CSS and its members have been particularly productive and the centre maintained a full schedule of events. Collectively, members published 6 books and special issues, including one single-authored book (Hillary Kaell), one book of poetry (Madelaine Caritas Longman), two edited collections (John Potvin, Carolina Cambre) and two journal special issues (Marc Lafrance, David Howes). In addition, members published 61 journal articles or book chapters, organized 16 multi-media installations and exhibitions, and gave 94 conference presentations and invited talks. The CSS also held many events and activities, including the annual Sensory Studies Student Essay competition. The CSS also held 2 public lectures, and co-sponsored 1film screening, 2 exhibitions, and 2 conferences (in association with the Centre for Oral History and Digital Storytelling and the Curating and Public Scholarship Lab). The international interdisciplinary conference “Uncommon Senses III: The Future of the Senses” has been postponed due to the COVID-19 pandemic but plan are moving forward to hold in May 2021, with a slightly different subtitle: “Back to the Future of the Senses.” Membership is being renewed actively with three new faculty members and seven new students. Centre members singly and jointly secured a total of $1,798,340 in new research grants, bringing the total amount of on-going funding for sense-based research initiatives to $3,452,298. Jordan LeBel is currently being onboarded as the new co-director after Bianca Grohmann’s term came to an end. The CSS is thus poised for continued success and leadership in the area of sensory studies with development plans finalized and being implemented for 2020-2026.

INTRODUCTION Much has happened at the CSS this past year. With the pandemic, some plans had to be revised but in spite of circumstances, the CSS and its members have been particularly productive. Indeed, the collaborations and collaborative mindset established at the CSS are yielding dividends and creating numerous ripple effects. Members published an impressive list of works across a wide variety of disciplines, highlighting the CSS’ role as an effervescent catalyst for innovative collaborations and groundbreaking research. The CSS also hosted 2 public lectures, and co-sponsored 1 film screening, 2 exhibitions, and 2 conferences (in association with the Centre for Oral History and Digital Storytelling and the Curating and Public Scholarship Lab). The annual Sensory Studies Student Essay First Prize was awarded to Rebecca van der Post for a writing entitled “Yesterdayness: Capitalism, Ethnocide, and the Sensory Structures of Accumulation”. After co-directors Grohmann and Howes led a series of consultation sessions with members, mid- and long-term development plans were put together. The mid-term plan envisions 10 new projects which will be rolled out over the next 2-3 years and the ambitious but feasible long-term plan involves advancing on 4 researches axes and 6 clusters. This report provides a top-level overview of activities with detailed lists of members, publications, projects and grants available in appendices.

ABOUT THE CENTRE The Centre for Sensory studies (CSS) was constituted as a faculty research centre (Arts and Science) in January 2012. The CSS received recognition as a university research centre (emergent category) in April 2016. The Senate Research Committee recently approved the Centre’s renewal and promoted it to the status of established (medium scale) university research centre. The CSS now boasts an impressive list of members across Concordia faculties and beyond, all engaging in ground-breaking collaborations.

MISSION The CSS serves an interdisciplinary collaboration platform for research in the social life and history of the senses, multisensory aesthetics, sensory design and marketing, and the development of technologies for expanding the sensorium in innovative and groundbreaking ways.

LEADERSHIP

The leadership of the CSS is assured by two co-directors, nominated for a period of four years. Bianca Grohmann (Marketing, JMSB) stepped down from her position as Co-Director of the Centre on May 30th. Jordan Le Bel (Marketing, JMSB) was selected to replace her for a four- year term, effective June 1. Co-Director David Howes (Sociology & Anthropology) agreed to a three-year extension of his term.

On behalf of the CSS, David Howes expressed gratitude to Bianca Grohmann for her leadership during the crucial first four years of the Centre’s existence and how much we all look forward to Jordan LeBel’s tenure, for all the new perspectives and energy he will bring to the CSS.

GOVERNANCE An advisory committee provides input and guidance to the CSS’ co- directors. At the moment, the advisors are: o Michael Bull (Media and Film, Sussex) o Fiona Candlin (Art History, Birkbeck) o Richard Newhauser (English, Arizona State)

RESEARCH ORIENTATIONS The research conducted at the CSS takes place around four main axes. Additionally, 6 clusters represent emergent areas of research concentration, where the interests of 3 or more Members coalesce. These are described below and can be visualized in the CSS Organigramme of Research in Appendix A.

AXIS 1: CULTURE AND THE SENSES. The study of the social life of the senses in history and across cultures and geographies. Involved members: Classen, Howes, LeBel, Lafrance, Hammond, Stolow, Kaell, French, Halpern, Cambre, Unger, Potvin, Dokumaci, Cucuzzella, Hsu.

AXIS 2: MULTISENSORY AESTHETICS. The study of aesthetics in history and across cultures; the creation of intermedia/multisensory artworks and environments. Involved members: Salter, Classen, Hammond, Thompson, Vaughan, Cambre, Unger, Potvin, Dokumaci, Hsu.

AXIS 3: SENSORY DESIGN AND MARKETING. The study of the sensory turn in the design of objects and spaces and the ‘race to embrace the senses’ in contemporary marketing practice. Involved members: Grohmann, Le Bel, Howes, Classen, Johnson, French, Salter, Halpern, Potvin, Cucuzzella.

AXIS 4: SENSORY ENGINEERING AND COMMUNICATION. The study of technologies as extensions of the senses; the development of technologies for expanding the sensorium in innovative ways. Involved members: Johnson, Salter, Howes, Stolow, French, Halpern, Dokumaci.

In addition to these axes the following six Clusters have emerged as areas of research concentration, where the interests of 3 or more Members coalesce:

● Cluster A: Sensori-Legal Studies. Members include Howes, Lafrance, Classen, French, Unger.

● Cluster B: Emplacement. Members include Hammond, Thompson, Vaughan, Howes, Unger, Kaell, Hsu, Cucuzzella.

● Cluster C: Disability and the Senses. Members include Johnson, Classen, Grohmann, Lafrance, Howes, Dokumaci, Hsu.

● Cluster D: Gender and the Senses. Members include Classen, Lafrance, Hammond, Potvin.

● Cluster E: Materiality and Immateriality. Members include Stolow, Thompson, Vaughan, Kaell, Unger, Hsu.

● Cluster F: Smartness, the Sensor Society and Sentient Ecologies. Members include Halpern, Salter, Howes, French, Cucuzzella.

DEVELOPMENT PLAN (2020-2026) During the Fall of 2019, Co-Directors Grohmann and Howes led a series of consultation sessions at which members collectively reflected on the extant and emergent collaborations among Centre members with respect to, among other things: the co-supervision of graduate students, the co-authorship of books and journal articles, the co-creation of art installations, the co- curation of exhibitions, the enlistment of affiliate members, and the preparation of grant applications, most notably a Partnership Grant (PG) application to the SSHRC in two-to-three years’ time.

Medium-Term Plan The medium-term plan emerged out of this consultation. It envisions 10 new projects which will be rolled out over the next 2-3 years.

Central to the proposed PG application is the establishment of a research network called the Sensory Collaboratory where the main objective is to explore the actual and potential role of the senses in education, exhibition (multimodal art and museology), design and urbanism and to draw out the implications of a sense-based approach, such as we promote, for the enhancement of existing techniques, practices and technologies in these four domains. Outcomes will include a series of methodological treatises, case studies, exhibitions, websites, workshops, international conferences, and summer schools for the training of the next generation of scholars attuned to the senses. This PG application has four major focal areas (these represent areas of research concentration within the four Axes, unlike the Clusters which cut across the Axes):

1. Sensory Education. 2. Exhibition (Multimodal Arts and Museology) 3. Sensory Design 4. Sensorial Urbanism

In order to lay the foundation for a successful PG application, we made a number of changes to the membership and modus operandi of the Centre. Three new members were recruited with expertise in design (Carmela Cucuzzella), disability and communication studies (Arseli Dokumaci) and the literary representation of the senses and sense experience, especially smell (Hsuan Hsu). These three fields figure centrally in the Centre’s midterm and longterm development plans. A new category of “Affiliate Centre Member” was created. Affiliates are researchers based at other institutions who collaborate actively with Concordia-based researchers. (Some prospective collaborators are listed too). We see them as partners for purposes of the PG application. Finally,

we broke with our tradition of combining in twos or threes for purposes of grant applications. Thus, one of the grant applications (§ 59) submitted in October 2019 involved 7 Centre Members as co-applicants and 7 local and international collaborators. Much to our delight, this application met with success.

The full list of current funded research projects and recent as well as planned future grant applications can be found in Appendix B.

INTERLUDE

Le poids du soleil by student member Gabriel Peña Tijerina, HUMA Ph.D. Program

In 1953, Mathias Goeritz designed “El Eco” in Mexico City, as pure emotional architecture. Goeritz's emotion alludes the pre-Hispanic monumentality and prehistoric nature transformed into an alchemical process that makes use of color and gold. If emotion as a constitutive element of architecture is not linked to the concrete, can we build atmospheres of emotions from memories?

In the middle of a winter night, I remember the golden sun of Monterrey, and Alfonso Reyes's poem becomes a golden atmosphere that moves me. If in Goeritz pieces we perceive the nostalgic depth of the sun, in the poetry of Reyes we feel its depth. This project is the atmospheric construction of Monterrey’s sun based on Alfonso Reyes's poem “el Sol de Monterrey.”

MEMBERSHIP The CSS has a very active membership, which falls into the categories listed below. For a full list of members by category, please refer to Appendix C. o 14 regular members, from 9 different departments across Concordia o 5 associate members, from 5 different departments o 41 student members o 14 affiliate members spanning the globe o 6 fellows o 2 visiting professors, 1 from the University of Bristol (UK, Summer 2019), 1 from Maynooth University (Ireland, Fall 2019)

Five student members graduated (2 Ph.D., 3 Master’s) and seven new students joined the Centre (5 Ph.D., 2 Master’s).

The Centre welcomed Victoria Bates (University of Bristol as a visiting scholar for the Summer term 2019 and Sharon Todd (Maynouth University, Ireland) as a visiting scholar for the Fall term 2019 (cross-appointed to the Centre for Interdisciplinary Studies in Society and Culture). The Centre also hosted postdoctoral fellows Cristobal Barria and Leon Franzen during the Winter term 2020.

ACHIEVEMENTS Centre member Matthew Unger was named Concordia University Research Fellow (Category A) for 2019-2020 and Carolina Cambre has been named Concordia University Research Fellow (Category A) for 2020-2021. Our student members achieved spectacular results in the SSHRC and FRQSC doctoral fellowship competitions. Laura Enriquez, Joe Thibodeau, Ika Peraic, Paula Bath and Madelaine Caritas Longman all won doctoral fellowships. This tally represents the highest per capita success rate of any research unit in the University.

STUDENT SUPERVISION Concordia already has a doctoral program in Sensory Studies. This research area has been featured as one of the “Research Currents” within the Individualized Programs (SIP) and the Humanities Doctoral Program (HUMA) since the Fall of 2007. http://www.concordia.ca/sgs/programs/individualized/research- currents.html

It is possible to graduate with a concentration in sensory studies in other doctoral programs as well, such as the Ph.D. in Marketing, the Ph.D. in Communication Studies, and the Ph.D. in Social and Cultural Analysis.

A number of students at the Master’s level have also pursued research in sensory studies, either through the M.A. program in Social and Cultural Anthropology or the INDI M.A. program.

The benefits of student membership include: supervision for independent studies courses related to degree requirements; participating in both large and small research and research-creation projects (and the joint publications and/or installations that result from these), access to funding in the form of research assistantships; and, access to conference and research travel support.

Research Assistantships take many different forms. For example, Laura Enriquez (HUMA PhD) serves as the Coordinator of the Centre; Joe Thibodeau (INDI Ph.D.) is the Editorial Assistant for The Senses and Society journal; and, numerous student members are attached to diverse research projects directed by faculty members of the Centre. All of these opportunities provide vital training in the research methods and practices of the expanding field of sensory studies.

Student members of the Centre are also themselves contributing to expanding the frontiers of sensory studies through their many publications and conference presentations (see Appendix E).

FUNDING Centre members singly and jointly secured a total of $1,654,255 in new research grants, combined with $1,798,340 of ongoing research grants, bringing the total amount of funding for sense-based research initiatives to $3,452,595. The full list of current funded research projects and recent as well as planned future grant applications can be found in Appendix D. o New Research Grants, 2019-2020 o Internal funding; internal PI $29,000 o External funding; internal PI $725,255 o External funding; external PI $900,000 o Ongoing Research Grants o Internal funding; internal PI $8,500 o External funding; internal PI $1,371,843 o External funding; external PI $418,000

Publications & Other Productions As usual, CSS members have been very productive. In keeping with the multi-disciplinary nature of the CSS, their works cover a wide variety of domains, methodological approaches, and media. Of note, student members have contributed significantly to the visibility of the CSS through an impressive list of publications and productions. Members’ output is summarized below, and a detailed list of publications and other works can be found in Appendix E.

● Members o Six (6) books and special issues, including one single-authored book (Hillary Kaell), one book of poetry (Madelaine Caritas Longman), two edited collections (John Potvin, Carolina Cambre) and two journal special issues (Marc Lafrance, David Howes) o Forty-seven (47) Journal articles and book chapters o Ten (10) multimedia installations & exhibitions o Seventy-four (74) Conference papers & invited talks

● Students o Fourteen (14) book chapters and articles o Six (6) multimedia installations & exhibitions o Twenty (20) conference papers & invited talks

INTERLUDE 21 Gun Salute by student member Chélanie Beaudin -Quintin, HUMA Ph.D. Program

Since 2002 robots have been used on the battlefields and assist soldiers in their most dangerous tasks. They help to protect them by increasing their working distance and keeping them away from potential sources of danger. By maintaining a proximity with robots, soldiers forge close bonds with their tools, which can lead to the adoption of behavior normally reserved for humans. To illustrate these new forms of sociality, 21 Gun Salute was inspired by the holding of a full burial with 21 Gun Salute, following the loss of a robot, this honor being normally reserved for the commemoration of an individual or an event during official ceremonies.

Composed of filmed and syntheses 360° images, 21 Gun Salute explores the boundaries of virtual reality and video- dance, human and technology.

Happenings The CSS was getting ready to host its major event of 20-19-2020, the third iteration of its successful international interdisciplinary conference “Uncommon Senses” when the pandemic forced a change of plans. The conference, was originally scheduled to take place in May 2020 and was entitled “Uncommon Senses III: The Future of the Senses.” Close to 150 abstracts had been accepted, a keynote speaker had been lined up (Ellen Lupton of the Cooper Hewitt, Smithsonian Design Museum), posters drawn up (See Appendix F), and the scheduled was all set when plans had to be modified. The conference is now scheduled for May 2021, with a slightly different subtitle: “Back to the Future of the Senses.”

The pandemic notwithstanding, in addition to the impressive list of publications and other productions, the CSS delivered on a full schedule of events, widely diversified in topics and formats. The CSS hosted 2 public lectures, and co-sponsored 1 film screening, 2 exhibitions, and 2 conferences (in association with the Centre for Oral History and Digital Storytelling and the Curating and Public Scholarship Lab), in addition to the events and activities listed below.

● The CSS held its annual Sensory Studies Student Essay Competition. The First Prize was awarded to Rebecca van der Post for a writing entitled “Yesterdayness: Capitalism, Ethnocide, and the Sensory Structures of Accumulation,” and Joe Thibodeau was awarded the second Prize for an essay co-authored with Ceyda Yolgörmez, entitled "Open-Source Sentience: The Proof is in the Performance." The members of the adjudication committee praised both awardees for the avant-garde and provocative nature of their ideas and for the clear and accessible presentation of their arguments.

● The CSS collaborated with the Centre for Interdisciplinary Studies in Society and Culture (CISSC) to stage two public lectures (see Appendix G for posters of these public lectures). o “The Touch of the Present: Education, Becoming and Awakening” by visiting scholar Sharon Todd (Maynooth University, Ireland) held October 24, 2019. o “The Gamblers” – a film on the re-manualization of mining in South Africa’s abandoned goldmines by Rosalind Morris (Anthropology, Columbia University) and local filmmaker Philippe Leonard in the Winter term. The screening was followed by a Q&A. This event was co-sponsored by McGill Anthropology. This was held February 14, 2020.

● There were four Talking Sense seminars over the course of the year (see Appendix H for sample posters of these seminars): o “Just Some Dead Birds in a Drawer: Choreographic Audiowalks, Lifeliness, and More-than-Huma Relational Movement” by Suzanne Schmitt held June 13, 2019. o “Hearing Healthcare: Soundscapes of the Modern Hospital” by visiting scholar Victoria Bates (July 2, 2019), o “Book as Body: An Artist’s Book Workship” led by student member Darian Goldin Stahl (February 6, 2020), o “There is (No) Tactile Anthropology” by MITACS Fellow Maciej Topolski as part of the “Tactless: Touching Holocaust Memory”curatorial experiment and workshop co-sponsored by the Curating and Public Scholarship (October 2019).

● The Centre teamed up with other Concordia research units on two other occasions during the Fall term: o first with the Textiles and Materiality Cluster of the Milieux Institute to stage “TextilesTradeTime: A Symposium” (October 2019), o and then with the Acts of Listening Lab (directed by Luis Sotelo Castro) of the Centre for Oral History and Digital Storytelling to present a practice-based research symposium on “Listening, Performance and Conflict” (November 3019).

● “Troubling Law’s Sensorium: Explorations in Sensational Jurisprudence” is a special issue of The Canadian Journal of Law and Society edited by David Howes. It is comprised of papers that were presented at the “Othered Senses” Workshop in April 2018 (see CSS 2017-2018 Annual Report - check). To mark the release of the special issue, the Centre joined with the McGill Centre for Human Rights and Legal Pluralism to put on a luncheon-seminar in Thomson House. Sheryl Hamilton (Carleton), Charlene Elliott (Calgary), and Christiane Wilke (Carleton) were on hand both to present synopses of their articles in the CJLS and to celebrate. See Appendix I for more details.

APPENDICES

A CSS Membership by Category

B CSS Organigramme of Research

C List of Research Projects & Grant Applications in Development

D New Grant Applications & Ongoing Research Grants

E List of Publications, Exhibitions and Conference Presentations

F Posters, Uncommon Senses III

G Posters, Public Lectures

H Posters, Talking Sense Seminars

I Poster, Troubling Law’s Sensorium

APPENDIX A CSS Membership by Category

o Regular Members o Carolina Cambre (Education) o Carmela Cucuzzella (Design and Computation Arts) o Arseli Dokumaci (Communication Studies) o Martin French (Sociology and Anthropology) o Bianca Grohmann (Marketing) o D. Howes (Sociology and Anthropology) o Hsuan L. Hsu (English) o Aaron Johnson (Psychology) o Hillary Kaell (Religion) o Marc Lafrance (Sociology and Anthropology) o Jordan Le Bel (Marketing) o John Potvin (Art History) o Jeremy Stolow (Communication Studies) o Matthew P. Unger (Sociology & Anthropology)

o Associate Members o Orit Halpern (Sociology & Anthropology) o Cynthia Hammond (Art History) o C.topher Salter (Design Arts) o Kelly Thompson (Studio Arts) o Kathleen Vaughan (Art Education)

o Affiliate Members o Victoria Bates Department of History (Historical Studies), University of Bristol, Bristol, UK o Jennifer Biddle National Institute for Experimental Arts (NIEA), University of New South Wales Art & Design, Sydney, Australia o Lori Burns Faculty of Arts, University of Ottawa, Ottawa, Canada o Natalie Doonan, Département de communication, Université de Montréal, Montreal, Canada o Charlene Elliott Department of Communication, Media and Film, University of Calgary, Calgary, Canada o Anna Harris Technology & Society Studies, Faculty of Arts and Social Sciences, Maastricht University, Maastricht, The Netherlands o Annamma Joy Faculty of Management, University of British Columbia, Vancouver, Canada o Jean-Sebastien Marcoux Department of Marketing, HEC Montréal, Montreal, Canada

o Ali Motamedi Département de génie de la construction, École de technologie supérieure (ÉTS), Montreal, Canada o Ingemar Pettersson Department of Economic History, Science and Technology Studies Center, Uppsala University, Uppsala, Sweden o Sally M. Promey Professor of Religion and Visual Culture; Director, Center for the Study of Material and Visual Cultures of Religion (MAVCOR), Yale Divinity School, New Haven, USA o Herman Roodenburg Royal Netherlands Academy of Arts and Sciences (KNAW), Amsterdam, The Netherlands o Charles Spence Department of Experimental Psychology, Crossmodal Research Laboratory, University of Oxford, Oxford, UK o Jean-Paul Thibaud École National Supérieure D’Architecture de Grenoble; Founder of the International Ambiances Network

o Fellows o Constance Classen, Senior Fellow o Erin Lynch Senior Fellow (2020- ) o Natalie Doonan, Senior Fellow (2018-2020 ) o Cristóbal F. Barria Bignotti, Postdoctoral Fellow (2020) o Léon Franzen Postdoctoral Fellow (2019- ) o Gabrielle Desgagné Junior Fellow (2019- )

o Visiting Professors, Professionals and Interns o Victoria Bates, University of Bristol, Bristol, UK (Summer term, 2019) o Sharon Todd, Maynooth University, Maynooth, Ireland (Fall term, 2019) o Student Members

o Graduates Years Active Name Program Supervisor Co-supervisor(s) 2014-20 Erin Lynch SOAN PhD D. Howes K. Neves, B. Simon D. Howes, V. de 2011-20 Margaret Campbell SOAN PhD A. Synnott Courville Nicol 2016-19 Agnieszka Bill-Duda SOAN MA D. Howes V. de Courville Nicol 2016-19 Gabrielle Desgagné SOAN MA V. de Courville Nicol M. Watson, D. Howes S. Reuter, V. de 2015-19 John Bryans SOAN MA M. Lafrance Courville Nicol

o Incoming Students Year Name Program Supervisor Co-supervisor(s) 2019 Karine Elalouf Psych PhD A. Johnson B. Grohmann 2019 Emilie O’Brien Art Ed MA K. Vaughan D. Howes 2019 Paula Bath SOAN PhD D. Howes A. Dokumaci Chélanie Beaudin- 2019 HUMA PhD D. Howes A. Wilkie, O. Asselin Quintin 2019 Marc-André Cosette INDI PhD C. Salter D. Howes, L. Hughes 2019 Jamilah Dei-Sharpe SOAN PhD M. Lafrance T. Rudland, O. Jasor 2019 Ariana Seferiades SOAN MA D. Howes

o Ongoing Students Year Name Program Supervisor Co-supervisor(s) 2019 Haley Baird SOAN MA D. Howes Madelaine Caritas J. Potvin, D. Howes, 2018 HUMA PhD S. Bolster Longman M. Park (McGill) S. Stowell, D. Morris, 2018 Laura Enriquez HUMA PhD D. Howes A. Vanhaelen (McGill) K. Lynes, O. 018 Nik Forrest HUMA PhD I. Bachman Chapman A. Willkie, MJ 2018 Kelly Keenan INDI MA D. Howes Thompson L. Allemano, C. 2018 Aristofanis Soulikias INDI PhD C. Cucuzzella Hammond M. Montanaro, S. 2018 Joseph Thibodeau INDI PhD D. Howes Bhagwati, V. Penhune I. Bachmann, K. 2017 Darian Stahl HUMA PhD K. Sawchuk Vaughan Rebecca Van der 2017 HUMA PhD M. Fritsch D. Howes Post M. Montanaro, S. 2017 Garnet Willis INDI PhD C. Salter Bhagwati Arianna Garcia- S. High 2016 PhD Art Ed K. Vaughan Fialdini L. Blair K. Thompson, D. 2016 Kelly Grant HUMA PhD J. Potvin Howes

B. Simon, V. de 2016 Roseline Lambert SOAN PhD D. Howes Courville Nicol N. Pezolet, Carmela 2016 Gabriel Peña HUMA PhD D. Howes Cucuzzella C. Salter, N. Loveless 2016 Ika Periac HUMA PhD D. Howes (U Alberta) 2016 Carmen Ruschiensky HUMA PhD S. Simon JP Warren, S. High 2016 Alexandre Saunier INDI PhD C. Salter D. Howes, L. Hughes D. Howes, A. 2016 Melanie Schnidrig HUMA PhD N. Pezolet Johnson 2016 Laura Shine HUMA PhD C. Jourdan J. LeBel, D. Howes 2015 Sara Breitkreutz SOAN PhD M. Watson G. Nielson, D. Howes PhD Felicity Tsering O. van Wyck, L. 2015 Comm J. Stolow Chödron Hamer Grenier (UdeM) Studies Marie-Josée L. Orr, u. Neuerberg- 2014 HUMA PhD D. Howes Blanchard Denzer 2014 Sylvain Lavoie HUMA PhD P. Leroux D. Howes, C. Sethna 2014 Ida Toft INDI PhD L. Hughes C. Salter, B. Simon D. deGuerre, D. 2012 Karen Messer INDI PhD W. Linds Howes 2012 Morgan Rauscher INDI PhD B. Vorn L. Hughes, C. Salter C. Hammond, R. 2010 Sheryl Boyle HUMA PhD D. Howes Park (Carleton) 2010 Florencia Marchetti HUMA PhD E. Lehrer C. Salter, D. Howes 2010 Olga Zikrata HUMA PhD D. Howes M. Unger

APPENDIX B The CSS Organigramme of Research

APPENDIX C List of Research Projects & Grant Applications in Development

§ 110. “The New Sensorium: Sentience and Intelligence in the Digital Age.” [SSHRC Insight, PI: TBD, for submission in October 2023] [Cluster F] This project will probe the technologization of sentience and intelligence in the digital age, an age in which sensors have supplanted sense organs and computation has taken over from cogitation. Concordia co-applicants potentially include: Halpern, Salter, Howes, French, Cucuzzella, Cambre

§ 109. “Multimodal Art and Museology.” [FRQSC soutien aux équipes, PI: TBD, for submission in October 2023] [Focus 2] This project capitalizes on a string of previous projects centring on the sensory history of the museum and art gallery and the design of “performative sensory environments.” Concordia applicants potentially include: Classen, Salter, Howes, and Hammond. We plan to involve diverse local museums, such as the McCord Museum and Montreal Museum of Fine Arts and design studios such as Moment Factory as research partners.

§ 108. “Sensorial Urbanism: Charting the Urban Sensorium.” [SSHRC Insight, PI: TBD, for submission in October 2022] [Focus 4] Centre members have a long history of collaboration with the Canadian Centre for Architecture (CCA). Howes and Classen consulted on the design of the 2005 “Sense of the City/Sensations urbaines” exhibition and contributed essays to the eponymous exhibition catalogue. Hammond, Salter, and Halpern have also collaborated with the CCA at different times in different ways. In addition to partnering with the CCA, we plan to involve the Institute for Urban Futures and also liaise with the Canada Excellence Research Chair in Smart, Sustainable and Resilient Communities and Cities for this project. Concordia applicants potentially include: Halpern, Howes, Classen, Hammond.

§ 107 “For an Aesthetics of the ‘Other’ Senses: Smell, Taste, Touch, Movement.” [SSHRC Partnership Development, PI: Hsuan Hsu, for submission in October 2022] [Axis 2 + Focus 2] ** This project builds on the Insight grant application which was submitted by Hsuan Hsu to the SSHRC in October 2019 – and met with success. Concordia co-applicants potentially include LeBel for his expertise in gustation, Classen for her expertise on touch, and Michael Montanaro for his expertise in movement. We will involve some local and diverse international museums (e.g. Marres House, the Netherlands; Institute for Art and Olfaction, Los Angeles) and artists (e.g. Bernard Raux, Sissel Tolaas)

§ 106 Sensing the Atmosphere [SSHRC Insight, PI: Hillary Kaell, for submission in October 2022] [Cluster F + Focus 4] ** The atmosphere or climate and peoples’ sensitivities to the seasonal cycle, extreme weather events, and climate catastrophe (never mind climate change) are all issues that have emerged as important foci in the work of Kaell, Unger, Cucuzzella, Dokumaci and Howes. Kaell has initiated a conversation among these Centre members with a view to holding a series of exploratory workshops and preparing a team grant application for October 2022.

§ 105 “Exploring the Multimodal Transmedia Storyworlds of Popular Music.” [SSHRC Insight, PI: Lori Brown (UOttawa), for submission in October 2021] [Axis 2 + Focus 2] *** This project grows out of the longstanding collaboration between Lori Brown (Music, UOttawa) and Marc Lafrance (see § 1, 26, 58). Other Concordia co-applicants include Unger and Howes. In the new millennium, many metal artists have espoused progressive rock aesthetics in elaborate, concept-driven transmedia works that include books, artwork, theatrical staging, and films. The project will work toward the development of an interpretive model for understanding these contemporary works while creating an immersive platform for spectators to experience and understand the materials and the implications of the storyworlds. § 104 “Sensory Curriculum Theory & Practice 2.0: Unsettling Knowledge Hierarchies.” [SSHRC Partnership Development, PI: Carolina Cambre, for submission in October 2021] [Focus 1] ** This project is a sequel to the grant application which Carolina Cambre submitted to the SSHRC in October 2019 (which did not meet with success, unfortunately). Concordia co-applicants include: Howes and Classen. Other co-applicants include: Carey Jewitt (Knowledge Lab, University of London), Fiona Macdonald (UBC Okanagan), Melissa Park (Occupational Therapy, McGill).

§ 103 “Feeling Lucky: Sensory Ethnography of Gambling Casinos and Gaming Apps.” [SSHRC Insight, PI: Martin French, for submission in October 2021] [Focus 3] ** This project builds on a pilot project (§ 29 - jointly funded by Martin French’s chercheur-boursier grant and the CSS) and also complements § 54 (where the Montreal Casino figures as one of three field sites). Concordia co-applicants include Howes.

§ 102 “Rethinking the Theory of Affordances.” [SSHRC Insight, PI: Dokumaci, for submission in October 2020] [Focus 3] *** This project grows out of Arseli Dokumaci’s critique of conventional affordance theory from the standpoint of Critical Disability Studies. It complements § 59 where Dokumaci’s theory has already been incorporated into the research methodology of the project – namely, sensory ethnography. Concordia co-applicants include Howes and possibly Johnson.

§ 101. « L’impact de la perception et l’attention visuelle sur le traitement de l’information, l’évaluation et les choix des consommateurs. » [Renewal of § 21 FQRSC soutien aux équipes de recherche, PI: Bianca Grohmann, for submission in October 2020] [Focus 3]. ** This application will support research on the effects of product-based and environmental visual cues on consumers’ attention and information processing in a marketing context. This investigation will have implications for the design of products and environments that better serve consumers with age-related visual impairments, consumers with multiple sensory impairments, and consumers with dyslexia. Other team members include: Johnson, Walter Wittich (Optometrie, UdeM), Onur Bodur (Marketing, Concordia).

APPENDIX D New Grant Applications & Ongoing Research Grants

The following list does not reflect all of the grant activity of Centre members. It only lists those research projects which fall within the domain of sensory studies. o The gaps in the enumeration are due either to a project having come to an end or a grant application not being successful. o In the case of grants or grant applications § 74, §71, and § 70, only those amounts which accrue to a Centre member will be included in the final tally (as in the case of § 53). § 69 has also been excluded from the tally on account of the unique nature of this award. o For the titles of the Axes and Clusters referred to below please see the “Research Orientations” section of this report (below) o The titles of the four Foci (new) are as follows: o Focus 1: Sensory Education o Focus 2: Exhibition (Multimodal Arts and Museology) o Focus 3: Sensory Design o Focus 4: Sensorial Urbanism

New Research Grants and Applications Internal * [ internal funding; internal PI ] $29,000 External – Internal PI ** [ external funding; internal PI ] $725,255 External – External PI *** [ external funding; external PI ] $900,000

§ 74. “Beyond the Decibel: Harmonizing Environmental Noise Management across Disciplines and Sectors.” Social Sciences and Humanities Research Council (SSHRC) New Frontiers in Research. Principal Investigator: Catherine Guastavino (Information Studies, McGill). Co-applicants: David Howes and numerous others. [2020 competition pending] [Focus 3 + 4] ***.

§ 73. “Sensing Atmospheres.” CISSC Working Group program. Principal investigator: Hillary Kaell. Co-applicants: Carmela Cucuzzella, Matt Unger. $1,500. [2020-2021] [Cluster F] *

§ 72. “Colonial, Racial and Indigenous Ecologies.” CISSC Working Group program. Principal investigator: Hsuan Hsu. $1,500. [2020-2021] [Axis 1] *

§ 71. “Axis of Research and Reflexivity on Excellence in Architecture (ARREA).” SSHRC Partnership. Principal Investigator: Jean-Pierre Chupin (UMontreal). Co-applicants: Carmela Cucuzzella, David Howes and numerous others. $ ___. [2020 competition – pending] [FOCUS 3 + 4] ***

§ 70. “RE-CREATE: Research-Creation as Culture and Practice.” SSHRC Partnership. Principal Investigator: Chris Salter. Co-applicants: David Howes and numerous others. $___. [2020 competition – passed LOI stage] [FOCUS 2] **

§ 69. “Renewal of ‘Responsible Gambling in the Digital Era’.” Fonds de Recherche du Québec - Société et Culture (FRQSC) chercheur-boursier. Principal Investigator: Martin French. $393,433. [2020-2024] [FOCUS 3] **

§ 68. “The Spaces of Restorative and Transitional Justice: Architecture, Oral History, and Design.” Concordia University, Team Start-Up funding. $20,000. Principal Investigator: Cynthia Hammond. Co-applicants: Luis Sotelo Castro, Carmela Cucuzzella [2020-2022] [FOCUS 3] *

§ 67. “Disability and Climate Justice Conference.” CISSC Happening funding. Principal Investigator: Arseli Dokumaci. $600. [2020-2021][Cluster C + F] *

§ 66. “Transgressive Sounds and Atmospheres Curation and Workshop.” Concordia University, Aid to Research Related Events (ARRE). Principal Investigator: Matthew Unger. $4,500 [2020-2021] [Cluster A + FOCUS 3] * [resubmission of § 56]

§ 65. “Transgressive Sounds and Atmospheres Curation and Workshop.” CISSC Happening funding. Principal Investigator: Matthew Unger. $900. [2020-2021][Cluster A + FOCUS 3] *

§ 64. “Deco Dandy: Designing Masculinity in 1920s Paris.” Design History Society (DHS) Research Publication Grant. Principal Investigator: John Potvin. £1,000 or $1,800 [2020] [FOCUS 3] **

§ 63. “Christian Globalism at Home.” Columbia University, Scoff Book Award (research publication grant). Principal Investigator: Hillary Kaell. $1500 USD or $1,800 [2020] [Cluster E]

§ 62. “EcoSix: L’élevage d’insectes comestibles en économie circulaire urbaine pour lutter contre le gaspillage alimentaire et les changements climatiques.” MITACS. Co-Principal Investigators: Jordan LeBel, R. Hausler (ETS), G. Vandenberg (U. Laval). $200,000 earmarked for circular economy project by doctoral candidate Didier Marquis (INDI). [2019-2022][Axis 1] **

§ 61. “Olfactory Aesthetics and Racial Atmospheres.” SSHRC Insight. Principal Investigator: Hsuan Hsu. $98,655. [2020-2025] [Axis 1] **

§ 60. “Sensuous Governance and Perceptions of Justice.” SSHRC Insight. Principal Investigator: Sheryl Hamilton (Law, Carleton). Co-applicants: Matthew Unger, David Howes, Michael Mopas (Sociology, Carleton), Charlene Elliott (Communication, Calgary). [2019 competition – not successful] [Cluster A]

§ 59. “Explorations in Sensory Design.” SSHRC Insight. Principal Investigator: David Howes. Co- applicants: Constance Classen, Carmela Cucuzzella, Arseli Dokumaci, Bianca Grohmann, Aaron Johnson, Jordan LeBel. Collaborators: Thomas Bastien (Montreal Museum of Fine Arts), Martine Lizotte (ITHQ), Suzanne Sauvage (McCord Museum), Henning Schmidgen (Bauhaus University), Charles Spence (Oxford), Stephanie Singer (BitterSuite, London), Ellen Lupton (Cooper-Hewitt Smithsonian Design Museum). $297,000 [2020-2024] [FOCUS 3] **

§ 58. “Expressive Masculinities: Heterosexual Men and Emotional Expression in Popular Music.” SSHRC Insight. Principal Investigator: Marc Lafrance. Co-applicant: Lori Burns (Music, Ottawa). Collaborators: Matthew Unger and 1 other. {$278,452}. [2019 competition – not successful] [Cluster D] ***

§ 57. “Sensory Literacies: Alternative Pedagogical Paradigms & Practices.” SSHRC New Frontiers. Principal Investigator: Carolina Cambre. Co-applicants: Constance Classen, David Howes, Nathalie Doonan (Communication, UdeM). Collaborators: Kathy Mills (Brisbane), Porterfield (University of Wisconsin-Whitewater). [2019 competition – passed LOI stage – not successful] [FOCUS 1] **

§ 56. “Transgressive Sounds and Atmospheres Curation and Workshop.” Aid to Research Related Events (ARRE), Concordia. Principal Investigator: Matthew Unger. Co-applicant: Hillary Kaell. [2019 competition – not successful] [Cluster A + FOCUS 3] *

§ 55. “Reclaiming the Planet.” Fonds de Recherche du Québec - Société et Culture (FRQSC) Audace LOI. Principal Investigator: Orit Halpern. Co-PI: Mostaffa Benzaazou (Université du Québec Abitibi). Co-investigator: Alessandra Ponte (Université de Montréal) $126,000 [2020-2022] [Cluster B + F] **

§ 54. « Développer une méthodologie pour l'analyse et l'amélioration de l'ambiance sensorielle de l'hôtel, du casino et du centre d'information touristique. » FRQSC soutien aux équipes. Principal Investigator: David Howes. Co-applicants: Martin French, Jordan LeBel, John Potvin, Pauline Fernandez (ExperiSens, ITHQ). {$160,328}. [2019 competition – not successful] [FOCUS 3] **

§ 53. “Design and the Management of Uncertainty.” Swiss National Science Foundation - Sinergia. Principal Investigator: Claudia Mareis (IXDM, Basel). Co-applicants: Orit Halpern, Chris Salter and others. 2,397,335 CHF or $3,321,387. Concordia share: ca. $900,000. [2020-2024] [FOCUS 3] *** [resubmission of § 43]

Ongoing Research Grants Internal * [ internal funding; internal PI ] $8,500 External – Internal PI ** [ external funding; internal PI ] $1,371,843 External – External PI *** [ external funding; external PI ] $418,000

§ 52. “Cognition and Environmental Design Workshop.” SSHRC Connection. Principal Investigator: Pierre Poirier (Philosophie, UQAM). Co-applicant: David Howes. [2019 competition – not successful] [Cluster F + FOCUS 3] ***

§ 51. “Material Religion Initiative.” CISSC Working Group. Principal Investigator: Jeremy Stolow. Co-applicants: Hillary Kaell, Nicolas Pezolet. $1,500. [2019-2020] [Cluster E] *

§ 50. « Haptic API/SDK for Full Bodied Distributed Haptics.” Principal Investigator: Chris Salter. MITACS, $15,000 [2019-2021] [Axis 4] **

§ 49. « Les humanités juridiques et les mondes de droit. » FRQSC soutien aux équipes de recherche. Principal Investigator: Mark Antaki (Law, McGill). Co-applicants (chercheurs universitaires): Matthew Unger and others. Collaborator: David Howes and others. $100,000 [2019-2023] [Cluster A] ***

§ 48. “Smart Cities.” Graham Foundation Fellowship, Toronto. Principal Investigator: Orit Halpern. $10,000 [2019-2020] [Cluster F] **

§ 47. « Base de données d'images rétiniennes chez les malvoyants: Drusen et dégénérescence maculaire liée à l’âge. » Vision Health Research Network / Fonds de la recherche du Québec – Santé (FRQS). Principal Investigator: Aaron Johnson. $20,000 [2019-2020] [Cluster C] **

§ 46. “Impact of fixation stability training on balance in a low vision sample.” Centre for Interdisciplinary Research in Rehabilitation Operating Support. Principal Investigator: Aaron Johnson. $20,000 [2019-2020] [Cluster C] **

§ 45. “Health, Gender, Sexuality and Interior Design in the UK and US: From Exhibition to Crisis.” Concordia University, Individual Seed. Principal Investigator: John Potvin. $7,000. [2019-2020] [Axis 3] *

§ 44. “Sensory Governance: Further Explorations in Sensori-legal Studies.” Social Sciences and Humanities Research Council (SSHRC) Insight. Principal Invesigator: David Howes. Co-applicants: Matthew Unger, Sheryl Hamilton (Law, Carleton), Michael Mopas (Sociology, Carleton), Jonas- Sebastien Beaudry (Law, McGill), Charlene Elliott (Communication, Calgary), [2018 competition – not successful] [Cluster A] **

§ 43. “Design and the Management of Uncertainty.” Swiss National Science Foundation. Principal Investigator: Claudia Mareis (Basel). Co-applicants: Orit Halpern, Chris Salter [2018 competition – not successful] [Axis 3] ***

§ 42. “SenseFACTORY.” Principal Investigator: Chris Salter. Bundeskulturstiftung – Bauhaus 2018 cultural funds (Germany). 160,000 euros or $232,000 [2018-2020] [Axis 2] **

§ 40. « Identités organisées - Selfies et ambivalence en ligne. » Fonds de Recherche du Québec – Société et Culture (FRQSC) soutien en recherche pour la relève professorale. Principal Investigator: Carolina Cambre. $52,897. [2018-2020] [Axis 4] **

§ 39. “Dynamic Light.” FRQSC recherche-création. Principal Investigator: Chris Salter. Co- applicants: David Howes, Marcello Wanderley (Music, McGill), and others. $192,000. [2018-2020] [Axis 2 + 4] **

§ 32. “Sensory Analysis, Terroir, and the Development of Taste Cultures in the Wine Industry of the Okanagan Valley of British Columbia.” SSHRC Insight. Principal Investigator: Annamma Joy (UBC at Okanagan). Co-applicant: Bianca Grohmann. $118,000. [2017-2021] [Axis 3] ***

§ 31. “The Cultural Sensorium: An Indigenous Ethnography of the Senses.” Australian Research Council (ARC). Principal Investigator: Jennifer Biddle (University of New South Wales). Co-applicants: Chris Salter, David Howes, and others. $200,000. [2017-2021] [Axis 1] ***

§ 21. « L'impact de la perception et l'attention visuelle sur le traitement de l'information, l’évaluation des alternatives et les choix des consommateurs, » FRQSC Soutien aux équipes de recherche. Principal Investigator: Bianca Grohmann. Co-applicants: Aaron Johnson, H. Onur Bodur (Marketing); Walter Wittich (Optometrie, UdeM). $206,188. [2016–2020] [Axis 3] **

§ 12. “Law and the Regulation of the Senses: Explorations in Sensori-Legal Studies.” SSHRC Insight Grant. Principal Investigator: David Howes. Co-applicants: Marc Lafrance, Charlene Elliott (Communications, Calgary), Sheryl Hamilton (Law, Carleton), Christiane Wilke (Law, Carleton). Collaborator: Constance Classen. $178,000. [2015–2020] [Cluster A] **

§ 4. “Sensory Entanglements: New Cross-Cultural and Cross-Disciplinary Directions in the Creation and Evaluation of Multi-Sensorial Environments,” SSHRC Standard. Principal Investigator: Chris Salter. Co-applicants: David Howes, Marcelo Wanderley (Music, McGill), Jennifer Biddle (UNSW). Consultant: Constance Classen. $445,758 [2014–2021] [Axis 1 + 2] **

APPENDIX E List of Publications, Exhibitions and Conference Presentations

Books and Special Issues (By Faculty and Fellows) Kathleen Vaughan, You Are Here ⁕ Vous êtes ici. Montreal: Visual Arts Centre-McClure Gallery, 2020

Hillary Kaell, Christian Globalism at Home: Child Sponsorship in the United States, Princeton University Press, 2020.

John Potvin and Marie-Ève Marchand (eds.) Design & Agency: Critical Perspectives on Identities, Histories and Practices. London and New York: Bloomsbury, 2020.

Katie Warfield, Crystal Abidin and Carolina Cambre (eds.) Mediated Interfaces: The Body on Social Media. London and New York: Bloomsbury, 2020.

Jeremy Stolow and Birgit Meyer (eds.) “Light Mediations.” Special issue of Material Religion: The Journal of Objects, Art, and Belief, Vol.16, No.1, 2020.

David Howes (ed.) “Troubling Law’s Sensorium: Explorations in Sensational Jurisprudence.” Special issue of the . 34(2) Canadian Journal of Law and Society, Vol. 34, No. 2, 2019.

Journal Articles & Book Chapters By Faculty and Fellows Cambre C. (2020) “Visual Sociology” In Krešimir Purgar (Ed.) The Palgrave Handbook of Image Studies. Palgrave MacMillan.

Cambre C. & Lavrence C. (2019) “How else would you take a photo?” #SelfieAmbivalence.” Cultural Sociology. 13:4 pp. 503-524.

Abdul Ghani M. & Cambre C. (2020) “Ethan’s Golden YouTube Play Button: The evolution of a child influencer” in K. Warfield K, C. Abidin and C. Cambre (eds) Mediated Interfaces: The Body on Social Media. London: Bloomsbury Publishing. 83-108.

Classen C. & Howes D. (2020) “The Cultural Life of the Senses in Modernity” in Alessandro Arcangeli, Jörg Rogge and Hannu Salmi, eds., The Routledge Companion to Cultural History in the Western World. London: Routledge.

Classen C. (2020) “The Senses at the National Gallery: Art as Sensory Recreation and Regulation in Victorian England,” The Senses and Society, 15(1): 85-97.

Cucuzzella C. & Hammond C. (2019) “On Didacticism in Architecture: Politics, Poetics, Paradoxes/ Du didactisme en architecture: politique, poétique, paradoxes”, in On the Potential of Didacticism in Architecture/Du potentiel du didactisme en architecture, Carmela Cucuzzella, Cynthia Hammond, Sherif Goubran, Chanelle Lalonde (eds.), LEAP Research Notebooks, Potential Architecture Books, Vol 3.

Cucuzzella C. (2019) “The Eco-Didactic Turn in Architecture and Art for the Public Realm”, in On the Potential of Didacticism in Architecture/Du potentiel du didactisme en architecture, Carmela Cucuzzella, Cynthia Hammond, Sherif Goubran, Chanelle Lalonde (editors), LEAP Research Notebooks, Potential Architecture Books, Vol 3.

Cucuzzella C. (2019) “Eco-Didactic Design in the Public Realm”, Ecology and the Environment: The Sustainable City XIII, (eds) S. Mambretti and J. L. Miralles i Garcia, Vol 238, pp. 283-290.

Cucuzzella C. (2019) “The Normative Turn in Environmental Architecture”, Journal of Cleaner Production 219: 552-565.

Desgagné G. (2019) Belonging as Capacity: Strengthening Bonds in the Era of Neoliberal Governmentality. Journal of Interdisciplinary Theory, 4 (1). pp. 1-28. (https://spectrum.library.concordia.ca/985316/).

Dokumaci A. (2020) “People as affordances: Building disability worlds through care intimacy,” Cultural Anthropology. 61(suppl. 21):SXXX–SXXX.

Dokumaci A. (2019) “A Theory of Micro-activist Affordances: Disability, Improvisation and Disorienting Affordances,” The South Atlantic Quarterly 118 (3): 491-519.

Doonan N. (2019) “A Lower North Shore Story: Containers for feminist place-making in Québec, Canada,” Gender, Place & Culture: A Journal of Feminist Geography. https://doi.org/10.1080/0966369X.2019.1620700.

Franzen L., Lacombe, C., Gagné, N., Bodur, O., Grohmann B. and Johnson A.P. (2020) “The Effects of Product Images and Working Memory Load on Eye Movements,” 2020 Vision Sciences Society (VSS) Annual Meeting, St. Pete Beach, Florida.

Howes D. (2019) “Digging Up the Sensorium: On the Sensory Revolution in Archaeology” in Robin Skeates and Jo Day, eds., The Routledge Handbook of Sensory Archaeology, pp. 21-34. London: Routledge, 2019.

Howes D. “Immersion and Transcendence: Some Notes on the Construction of Performative Sensory Envionments.” In Isabelle Choinière, Enrico Pitozzi and Andrea Davidson, eds. Through the prism of the senses: New “realities” of the body in contemporary performance Technologies, cognition and research-creation methodologies, pp. 329-340. Quebec: Presses des Universités du Québec, 2019.

Howes D. “Prólogo” in Olga Sabido Ramos, ed. Los sentidos del cuerpo: un giro sensorial en la investigación social y los estudios de género, pp. 9-16. Mexico: Universidad Nacional Autónoma de México, 2019.

Howes D. & Salter C. (2019) “The Performance of Sensation: Dramaturgies, Technologies and Ethnographies in the Design and Evaluation of Performative Sensory Environments.” In Mateusz Borowski, Mateusz Chaberski and Małgorzata Sugiera, (eds.) Emerging Affinities: Possible Futures of Performative Arts. Bielefeld, Germany: Transcript Publishing House.

Howes D. “Prologue: Introduction to Sensori-Legal Studies” (2019) The Canadian Journal of Law and Society 34(2): 173-90.

Sharma A., Grohmann B., Johnson A. and Bodur, O. (2020), “Emotive Appeals in Charitable Advertisements: Investigating Visual Attention and Donation Intentions,” Proceedings of the 49th European Marketing Academy (EMAC) Conference, Budapest, Hungary.

Halpern O. & Aslanishvili T. (2020) “Scenes from a Reclamation” E-Flux Architecture (February 10) Special Issue New Silk Roads. https://www.e-flux.com/architecture/new-silk-roads/313102/scenes- from-a-reclamation/.

Halpern O. (2020) “Repeating: Cybernetic Intelligence” in Design Technics: Archaeologies of Architectural Practice. Z. Celik, A. and J. May (eds). Minneapolis: University of Minnesota Press.

Halpern O. (2019) “A History of the MIT Media Lab Shows Why the Epstein Scandal is No Surprise,” Art in America (November 21). https://www.artnews.com/art-in-america/features/mit-media-lab- jeffrey-epstein-joi-ito-nicholas-negroponte-1202668520/.

Hsu H. (2019) “Boris Raux and the Smell of Narcissus,” The Senses & Society 14:1: 15-30.

Hsu H. (2019) “Paleo-Narratives and White Atavism, 1898-2015,” ISLE: Interdisciplinary Studies in Literature and Environment 26:2: 296-323.

Hsu H. (2019) “Apocalyptic Geographies and Structural Appropriation.” Co-authored with Bryan Yazell. Invited contribution to the Routledge Companion to Transnational American Studies, eds. Nina Morgan, Alfred Hornung, and Takayuki Tatsumi (Routledge, 2019) 347-56. Reprinted by invitation in Journal of Transnational American Studies 10:2 (Winter/Spring 2019-20), Foreward section.

Sharp A., Turgeon C., Johnson A.P., Pannasch S, Champoux F & Ellemberg D (2020) “Congenital Deafness Leads to Altered Overt Oculomotor Behaviors.” Frontiers in Neuroscience. 14:273. doi: 10.3389/fnins.2020.00273

Kaell H. “Renamed: The Living, the Dead, and the Global in Nineteenth-Century U.S. Christianity,” American Historical Review 125(3) 2020: 815-839.

Kaell H. “Save Us for We Perish: On My Relationship with a Woodcut Image,” American Religion 1(1) 2019: 88-108.

Kaell H. “Catholic Globalism in the United States: Notes on Conversion and Culture,” Exchange 48(3) 2019: 280-290.

Kaell H. “Tuning Technologies of Global Intimacy,” Proceedings: Sixth Biennial Conference on Religion and American Culture, June 2019. Available at https://raac.iupui.edu/ .

Kaell H. “Worshipping in Concert with the World,” Invited Essay, Journal of Modern American History 1(2) 2018: 277-282.

Lafrance M. & Carey R.S. (2020). “Sensing the Skin: Acne Sufferers and the Dermatologization of Life.” The Senses and Society. 15(1), 9-24.

Tamari, T., & Lafrance M. (2019). “Skin Matters: An Interview with Marc Lafrance.” Theory, Culture and Society. 36(7-8), 273-291.

Lafrance M. (2019). “Going too Far: Representations of Violence Against Men in Pink’s ‘Please Don’t Leave Me’.” In L. Burns & S. Hawkins (Eds.), The Bloomsbury Handbook to Popular Music Video Analysis. London: Bloomsbury.

Marquis, D., Hénault-Ethier, L., LeBel J. (2020). “Edible Insect Marketing in Western Countries: Wisely Weighing the Foodstuff, the Foodie, and the Foodscape.” Journal of Insects as Food and Feed, pp. 1-4, https://doi.org/10.3920/JIFF2018.0037.

LeBel J., M. LeBouthillier (2019). “Tacos, Sriracha et sauce soya : le marketing qui nous fait aimer ces aliments venus d’ailleurs.” In Cuizine, vol. 10, no. 1, P. Emeline & G. Sicotte (Eds), https://www.erudit.org/fr/revues/cuizine/2019-v10-n1-cuizine04600/1059906ar/.

LeBel J. (2019) “L’efficacité de la stratégie de réglementation de la publicité et de la promotion alimentaire : Synthèse de connaissances”, Annie Gauthier (Ed), Institut National de la Santé Publique du Québec, August 2019. https://www.inspq.qc.ca/sites/default/files/publications/2570_efficacite_strategies_reglementatio n_publicite_promotion_alimentaire.pdf.

Lynch E., Howes D. & French M. (2020). A Touch of Luck and a 'Real Taste of Vegas': A Sensory Ethnography of the Montreal Casino. The Senses and Society 15(2).

Potvin J. (2020) ‘Curating and Performing Racism: The Art and Cultures of Afrophobia in Contemporary Sweden’ (with Dirk Gindt). Scandinavian Studies 92.1 (2020): 1-38.

Salter C. (2020) “Performance in the Age of the Technosphere.” In The Bloomsbury Companion to Performance Art. Ed. Bertie Ferdman and Jovana Stokic. London: Bloomsbury.

Salter C. (2020) “From Turntable to Neural Net: Sound Art, Technoscience, Craft and the Instrument.” (with Alexandre Saunier). In The Bloomsbury Handbook on Sound Art. Ed. Holger Schulze and Sanne Krogh Groth. London: Bloomsbury.

Salter C. (2019) “The Art-Science Complex.” In The Handbook of Art, Science and Technology Studies. Ed. Hannah Rogers, Dehlia Hannah, Megan Halpern and Kathyrn de Ridder-Vignone. New York: Routledge.

Salter C. (2019) “The Posthuman Condition: Human-Technical Life in the Arts of the Technosphere.” In The Posthuman as a Condition of Art. Ed. Zhang Ga. Beijing: China Central Academy of Fine Arts Press.

Stolow J. and Meyer B. (2020) ‘Light Mediations: Introduction’. Material Religion: The Journal of Objects, Art, and Belief 16(1): 1-8.

Stolow J. (2019) ‘O Sistema Nervoso Espiritual: Reflexões Sobre um Possível Cabo Magnético Projetado para Comunicação Espiritual’. [‘The Spiritual Nervous System: Reflections on a Magnetic Cord Designed for Spirit Communication’]. Debates do NER, Vol. 19, no. 35: 293–346.

Unger M.P. Book Review: McCormack, Derek P. Atmospheric Things: On the Allure of Elemental Envelopment. Duke University Press, 2018. For Surveillance Studies.

By Student Members The student members of the Centre were very active publishing book chapters and journal articles in 2019-2020. Here is a cross-section of their contributions:

Akbari E. (2019). Spatiality of engagement. In J. C. Castro (Ed.), Mobile media in and outside of the art classroom, 103–126. Cham, Switzerland: Palgrave Macmillan.

Akbari E. (2019). Spatial missions: My surroundings, my neighbourhood, my school. In J. C. Castro (Ed.), Mobile media in and outside of the art classroom, 127–36. Cham, Switzerland: Palgrave Macmillan.

Blanchard M.-J. & Howes D. (2019) "Les sens assoupis : La vie sociale et sensorielle des artefacts dans l'espace muséal". Anthropologica 61 (2) : 322-333.

Longman, M.C. The Danger Model (a book of poetry). Montreal: McGill-Queen’s University Press. 2019. 143 pgs.

Madelaine Caritas Longman published a number of poems in such venues as Frogpond, Modern Haiku and Acorn. Her poem “Mirrors” was written as part of a multidisciplinary art project in collaboration with visual artist Jennifer Goddard, whose painting was presented together with the piece at Poetic Notions on February 13th, 2020. Centre d’Art E.K. Voland, Complex du Canal Lachine.

Peña G. (2019) "Reflecciones sobre la articulación del arte y arquitectura," Arquitectura y Seres Urbanos, vol. 6 (May/August), 90-95.

Stahl D.G. (2019). "The Dys- in Dyscorpia." In Dyscorpia: Future Intersections of the Body and Technology. Edited by Marilene Oliver and Daniel Laforest, 24-25. Edmonton: University of Alberta Department of Art and Design.

Stahl D.G. (2019). “Reaching In,” Academic Medicine, 94 (8): Cover & 1129.

Stahl D.G. (2019) “Touching Viscera: Marilene Oliver and Laura Ferguson,” Espace Art Actuel, 123: 28-33.

Stahl D.G. (2019). “Field Notes: How to be Generative,” Synapsis: A Health Humanities Journal. Columbia University Institute for Literature and Society.

Lambert R. (2020). « Ouvrir les fenêtres : écrire des poèmes ethnographiques sur la matérialité et la sensorialité de l’agoraphobie à Oslo. Anthropologie et Sociétés, Habiter le monde, 44(1)

Roseline Lambert published a number of poems, including “Couleur grand feu” in Revue Exit (April 2020) and « Lumières norvégiennes » in Revue Lettres québécoises, numéros : 176-177 et 178.

Ruschiensky C. (2018/2019) “Revisiting ‘Speak White’: A lieu de mémoire Lost and Found in Translation In Denise Merkle and Gillian Lane-Mercier (eds.) Minorité, migration et rencontres interculturelles/Minority and Migrant Intercultural Encounters. Special Issue of TTR: Traduction, terminologie, rédaction 31 (2): 65–87.

Thibodeau J. & Yolgörmez C. (2020) “Open-source Sentience: the Proof is in the Performance.” In Proceedings of the International Symposium of Electronic Arts (ISEA). Montreal, Canada.

Multimedia Installations & Exhibitions By Faculty and Fellows

Kathleen Vaughan

You Are Here / Vous êtes ici When: 5-28 March 2020 Where: Galerie McClure, Montreal, Canada

TextilesTradeTime: A Symposium and Exhibition

When: 18-19 October & 29 November 2019 Where: Milieux Institute for Arts, Culture and Technology, EV Building

Natalie Doonan

VR as Empathy Machine (VR screening and public talk), Ryerson University, Toronto, October 2019.

Cynthia Hammond

Les Jardins des femmes, Gallery of the School of Architecture, McGill University, 15-25 June, 2019.

Chris Salter

SNN#2: Light/Space/Modulator. LLUM BCN – Festival of Light Arts. Barcelona, Spain. February 2020. Totem. In AI: More Than Human. Groninger Forum. Groeningen, Netherlands. December 2019- May 2020. SenseFACTORY. Installation after Moholy-Nagy. Dive Festival. Schauspielhaus Bochum. Bochum, Germany. November 2019. SNN#1. Performance. IMPAKT Festival. Utrecht, Netherlands. October 2019. SenseFACTORY. Installation after Moholy-Nagy. Muffathalle. Munich, Germany. September 2019. Totem. In AI: More Than Human. Barbican Centre. London, UK. May-September 2019.

By Student Members Chélanie Beaudin-Quintin 21-Gun Salute / 21 Coups de fousils, Rendez-vous Québec Cinéma 2020, Arts Numériques, Cinémathèque Québécoise, Montreal, Canada. 27 February-7 March 2020.

Darian Goldin Stahl Medical Humanities Artists’ Books (Five Person Exhibition), Medical Museum of the University of Iowa Hospitals and Clinics, IA. May-September 2020. Binary ReVisions (Solo Exhibition), “Come Up to My Room” Art and Design Festival, Gladstone Hotel, Toronto. January 2020.

Gabriel Peña Le Poids du Soleil – Sinking Sun : From Alfonso Reyes Monterrey’s Sun to Mathias Goeritz emotional architecture. Espacio Cultural Mexico, Montreal, Summer 2019.

Joseph Thibodeau “Machine Ménagerie” exhibited as part of the Topological Media Lab exhibition CHAOSMOSIS mAchInes. Toronto, Canada, September 2019. (with Jason Hockman) DAAT performance of interactive audio works at the Digital Audio Effects conference (DAFx) . Birmingham, UK, September 2019.

Conference Papers & Invited Talks By Faculty and Fellows Cambre C. The Machinic Face: A schizo-selfie reading. The Guattari Research Group –Toronto. Victoria University College, at the University of Toronto, CA., January 10, 2020.

Cambre C. “Bye-Bye Selfie, hello Plandid: The paradox of trying” Invited lecture at the School of Journalism & Communication, Seminar on Visual Culture. Carleton University, Ottawa CA, February 26, 2019.

Cambre C. “Pedagogy in a Decolonial Hue: Intercultural Communications through Visual Essays”. Two week PROFA course at the Instituto de Investigaciones en Educación, Universidad Veracruzana, Xalapa, MX, December 1-16, 2019.

Cambre C. “A speculative anarchy: Evaluating visual methods” Of the European Communication Research and Education Association (ECREA) in collaboration with the Visual Studies Lab at Tampere University on Visual Cultures and Communication: Images and Practices on the Move. University of Ljubljana, Slovenia, September 4-7, 2019.

Cambre C. & Lavrence C. “Filtering your Face: Imperatives vis-à-vis Uncertainties” At 38th International Visual Sociology Association (IVSA). Skidmore College, Saratoga Springs. NY, USA, June 18-22, 2019.

Cambre C. Crafting the future of the Visual Essay Workshop. VANEASA (Visual Anthropology Network in European Association of Social Anthropologists) at the Visual & Digital Cultures Research Centre (ViDi). University of Antwerp, Belgium, September 13, 2019.

Classen C. “The Senses at the National Gallery: Art as Sensory Recreation and Regulation in Victorian England,” Power, Society and the Senses, Arizona State University, Tempe, Arizona. 7 March 2020.

Classen C. “Embodying the Senses in Art and Culture”, Graduate Seminar, Faculty of Information, University of Toronto, 19 October 2019.

Cucuzzella C. (2019), “Eco-didacticism in Public Art and Design as Response to the Anthropocene”, paper presented at the Projet journée d’étude: imaginaires, esthétiques et expériences de l’anthropocène, Université de Lyon, November 28, 2019.

Morteza Hazbei & Cucuzzella C. (2019) “Patterns and motif form the Mere Ornamentation to Energetic Function in Architecture”, ENTECH'19 organized by DAKAM (Eastern Mediterranean Academic Research Center), Dec 20, Istanbul, Turkey.

Chupin, J.-P. & Cucuzzella C. (2019) “108 Embodiments of Potential Architecture: Sisyphus building databases of competition projects”, Frascari Symposium IV, The Secret Lives of Architectural Drawings and Models: From Translating to Archiving, Collecting, and Displaying, June 27-29.

Cucuzzella C. (2019) “Eco-Didactic Design in the Public Realm”, Sustainable City, 13th International Conference on Urban Regeneration and Sustainability, October 1-3, Valencia, Spain.

Desgagné G. « ‘Je me souviens différemment’. Le Doute: matière à être et à penser. » 7e Colloque Arts et Médias de l'Université de Montréal, November 20-22, 2019 (based on fieldwork at the museum La Maison amérindienne, reflections on alternative ways of preserving, valuing Indigenous heritage in Québec).

Desgagné G. « De la fracture à la réconciliation, Roundtable at La fête des récoltes 1st edition, Les Amis du village historique du Sault-au-Récollet (panelist on the Indigenous Kanien'kehà:ka and Wendat heritage of the Ahuntsic area in Montréal, current preservation concerns), October 2019.

Doonan N. Intimate Encounters with Ducks, 26th International Symposium on Electronic Art ISEA2020, Montreal, QC, May 2020 (postponed).

Doonan N. Recherche-Création en Réalité Virtuelle, Les causeries du Bricolab, Département de Communication, Université de Montréal, 2020.

Doonan N. Little Gestures for the Epoch: Public Art in the Age of the Anthropocene, UAAC (panel conveners: Monika Kin Gagnon and Treva Legassie), Québec, QC, 2019.

Doonan N. “Montréal se met à table: Eating wild on the waterfront,” for Edible Environments: In and Beyond Montreal, graduate course led by Dr. Anya Zilberstein, Concordia University, Montreal, 12 July 2019.

French M. “Policing the Risk Society,” presented at the CRIM 2003, Controversies in Crime Control class, The Australian National University, Canberra, Australia, February 24, 2020.

French M. “Humanizing HIV Surveillance?” presented at the School of Sociology, ANU College of Arts & Sciences, The Australian National University, February 28, 2020.

Halpern O. & Wendy Chun W., “Conversations about Happiness,” Canadian Centre for Architecture, August 2019.

Hammond C. “Co-Creating with Sensitivity: Promenade Parlante” Roundtable. “Curating and creating with sensitive memory,” as part of Listen, Explore and Learn: The Living Archives of Rwandan Exiles and Genocide Survivors, conference, Concordia University’s 4th Space, 10 December 2019.

Hammond C. Artist’s talk for Les Jardins des femmes, for the Crossing Boundaries and Constructing Linkages: The History of Montreal’s Golden Square Mile in National and International Context conference, McGill University, 20 June 2019.

Howes D. “Sensory Anthropology and the Study of Atmospheres.” Semaine international du son, CRESSON/École Nationale Supérieure d’Architecture de Grenoble, 29 January 2020.

Howes D. “Multisensory Anthropology: Prospects and Impediments,” Institute of Social and Cultural Anthropology. Oxford University, 7 November 2019.

Howes D. “Sensing Cultures and Environments” (roundtable), Ethnographic Terminalia/American Anthropological Association, Vancouver, 22 November 2019.

Howes D. “Parallel Research Directions” (with Mark Doerksen), Hybrid Minds/Hybrid Bodies. Concordia University, 7-9 August 2019.

Howes D. “Sensing and Representing in Qualitative Research,” Consumer Culture Theory Conference, Concordia University, 18 July 2019.

Howes D. « L’enculturation des sens » (keynote). Association pour la recherche qualitative, Association canadienne-française pour l’avancement des sciences (Acfas). Gatineau/Outaouais. 27- 28 May, 2019

Hsu H. “Decolonizing Smell.” “Indigenous Literatures and the Anthropocene” panel sponsored by the Forum on Indigenous Literatures of the US and Canada, MLA, Seattle. Jan 2020.

Hsu H. “The Smell of Risk.” Larry Vanderhoef Memorial Forum lecture series. Research Center for the Humanities and Social Sciences, National Chung Hsing University, Taichung. Dec. 2019.

Hsu H. “Atmo-Orientalism.” Invited talk. National Chung Hsing University, Taichung. Dec. 2019.

Hsu H. “The Smell of Risk.” Enlightenment and Romanticism Network 25th Public Lecture, National Chengchi University, Taipei. Dec 2019.

Hsu H. Invited Studio Visitor and Commentator for 5 artists, New York Art Residency and Studios. Nov. 2019.

Hsu H. “Decolonizing Smell.” Invited Talk. Environmental Humanities series, NYU. Nov. 2019.

Hsu H. “Asian Port Cities.” Session chair. Ecotone conference on Post/Colonial Ports. Concordia University, Oct 2019.

Hsu H. “California’s Racial Ecologies.” Co-organizer and co-convener (with Sarah Wald) of a post- conference Workshop for faculty and PhD students. Association for the Study of Literature & the Environment, Davis, CA June 2019.

Hsu H. “Decolonizing Smell.” Presenter and convener for a panel on “Olfactory Ecologies.” Association for the Study of Literature & the Environment. Davis, CA; June 2019.

Kaell H. “On Clocks in Montreal’s Bus Station,” American Academy of Religion, San Diego, CA, November 2019.

Kaell H. “Tuning the Technologies of Global Intimacy,” Society for the Anthropology of Religion, Toronto, May 2019.

Kaell H. “Invisible Spaces, Historically Speaking,” Space, Time, and Religion in Early America Symposium, Princeton University, February 2020.

Kaell H. “Love/love: The Global Aspirations of U.S. Catholicism,” Catholic Media Symposium, Quebec City, September 2019.

Kaell H. Technology and Spirituality, Invited Panelist, Religion and American Culture Biennial Conference, Indianapolis, June 2019.

Kaell H. “Aftermath: Calculating the Effects of Pilgrimage” 12th International Colloquium on Pilgrimage Studies in the 21st Century, Santiago de Compostela, Spain, October 2019.

Lafrance M. “Why does the Skin Matter so Much? An Exploration of Contemporary Critical Scholarship on the Body’s Surface.” Humanities High Seminar, Örebro University, Örebro (Sweden), February 2020.

Lafrance M. “Heterosexual Masculinity, Embodied Experience and Emotional Expression in Coldplay’s ‘Hypnotise’” Media and Communication Studies Seminar, Örebro Unviersity, Örebro (Sweden), November 2019 (with Lori Burns).

Lafrance M. “From New Media to New Medicine: Reflections on the Contemporary Life of the Skin.” Talking Sense Seminar, Concordia University, Montreal (Canada), May 2019.

LeBel J. Moderator, Panel on Marketing Regenerative Foods, May 5, 2020 as part of Living Soils Symposium, 5 May 2020.

LeBel J. “The art of chocolate tasting,” in Vinoetcetera (Private Wine Club Magazine), March 2020.

LeBel J. Quebecers’ love affair with peanut butter, on Moteur de recherché, Radio Canada, 23 March 2020 https://baladoquebec.ca/#!/repertoire/episode/183885/folding_home__t_l_travail_et_beurre_d_a rachide.

LeBel J. “The Pleasures of Chocolate,” Atwater Library, 13 February 2020 to mark my donation of a large portion of my cookbook and food book collection. Mentioned in this article by Bill Brownstein https://www.thewhig.com/opinion/columnists/brownstein-atwater-library-celebrating-a-century- at-current-location/wcm/9939159b-b4c8-4626-97a8-95e66fc94fc3.

LeBel J. “On s’appelle et on déjeune” with Bernard Lavallée and Catherine Lefebvre, Radio Canada, taped Nov. 21, 2019. https://ici.radio-canada.ca/premiere/balados/7112/nutritionniste-urbain- bernard-lavallee-catherine-lefebre/episodes.

LeBel J. « Susciter l’innovation en utilisant les tendances lourdes en alimentation » presented at the Journée de réflexion « Saveurs et autres caractéristiques du sirop d’érable » organized by Union des producteurs agricoles, St Hyacinthe, 9 October 2019.

LeBel J. “On s'appelle et on déjeuner”« Les grandes tendances alimentaires: comment se manifestent-elles en restauration? » opening address at the first GastronomiQCLab (joint research unit of Université Laval and the Institut de tourisme et d’hôtellerie du Québec), 30 September 2019.

LeBel J. “On s’appele et on déjeuner” 2 video capsules (one on health properties of chocolate, the other on organic agriculture/foods) for the series “Le croyez-vous?” (a collaboration between Concordia and Savoir Média) https://savoir.media/sujet/sciences-sociales-et-humaines/serie-le- croyez-vous.

Salter C. “Artificial Intelligence: A Media archaeology.” MUTEK AI Lab. Montreal, Canada. March 2020.

Salter C. “The Performance of Interaction.” Symposium on “Art performance, manœuvre, coefficients de visibilité.” Musée d’art Contemporain. Montreal, Canada. February 2020.

Salter C. “The Limits of Artificial Intelligence.” Panel. Artificial Intelligence in the Media Arts, Industry and Academic Community Symposium. CQAM (Conseil québécois des arts médiatiques). Montreal, Canada. January 2020.

Salter C. “Sense Factory: Moholy-Nagy in the 21st Century.” MilieuXBauhaus. Milieux Institute for Arts, Culture and Technology. Concordia University. November 2019.

Salter C. “Ethical Futurity or Raging against the Anthropocene.” KIKK Festival. Namur, Belgium. November 2019.

Salter C. “Measuring the Senses.” IMPAKT Festival. Utrecht, Netherlands. November 2019.

Salter C. “Observations of the Data Driven Self.” Keynote address. Den Bosch Data Week Symposium. Den Bosch, Netherlands. October 2019.

Salter C. “Composition and Computation.” Lightning Lunch. Jackman Humanities Institute. University of Toronto. September 20, 2019

Salter C. “Research-Creation in Montreal and Canada.” Institute of Advanced Studies. UCL. London, UK. September 2019.

Salter C. “The Production of Monsters.” MixtuRe: Digital Arts and Compositional Realities. University of Toronto Mississauga. September 2019.

Salter C. “AI and the Arts.” Keynote Address. UCL Innovation Conference. Barbican Centre. London, UK. September 2019.

Salter C. “From Turntable to Neural Net: Sound Art, Technoscience, Craft and the Instrument.” (with Alexandre Saunier). Re:Sound: 8th International Conference on the Histories of Media, Art, Science and Technology. University of Aalborg. Aalborg, Denmark. August 2019.

Salter C. “Cyborg Senses: Q and A with Neil Harbisson and Moon Ribas.” Barbican Centre. London, UK. August 2019.

Salter C. “Hexagram: Canadian Research-Creation in Action.” Gamma Pro. Gamma Festival. Saint Petersburg, Russia. June 2019.

Salter C. “Patterns that Perpetuate: Sensors, Tracking and Un-quantified Selves." Sensing symposium. Center for European Media Studies. University of Potsdam. Potsdam, Germany. June 2019.

Salter C. “Media Studies and Histories of Science: From a Praxis Perspective.” 1st Symposium of the MediaScience Network. Bauhaus Universitaet. Weimar, Germany. June 2019.

Stolow J. “Reflections on the Prospects of a Post-Secular Media Studies,” Into the Air, Carleton University, 16-17 January 2020.

Unger M. “Violence, Misrecognition, Place: The Skeena River Uprising and Law’s Reach” Presented at Law Culture and the Humanities Conference, New Haven, March 2020.

Unger M. “Ricoeur, Freud, and Forgetfulness: Hermeneutics of Religious Symbols and Dostoyevsky’s The Idiot.” Paul Ricoeur Association Meeting, October 2019, Montreal, QC.

By Student Members Akbari E. Exploring Place with Sense Walks, Sense Maps and Mobile Photography. Presented at the International Society of Education through Arts World Congress. Vancouver, BC, June 2019.

Akbari E. Critical and Creative Cartography as an Educational Tool to Connect Youth to Place. Presented at the International Society of Education through Arts World Congress. Vancouver, BC, June 2019.

Blanchard M.-J. "La sensation participante comme méthodologie de choix dans l’analyse du rasa" – Sensorialité, émotion et esthétique en recherche qualitative : la participation des acteurs dans la production, l’analyse et la diffusion de ces connaissances, Association pour la recherche qualitative (ARQ, Acfas), Université du Québec en Outaouais, Gatineau, QC, May 2018.

Blanchard M.-J. “Circles of Conversation within Classical Indian Dance: Transcending Words with Rasa" – Annual meeting of the Canadian Society for the Study of Religion (CSSR, at Congress 2019), University of British Columbia, Vancouver, BC, June 2019.

Enriquez L. “Licking, Gutting, Peeling: On the Gustatory Manifestation of Skin.” Global Skins in Early Modern Europe, 1400-1700. Symposium sponsored by the “Renaissance Skin” research group (King’s College London-Wellcome Trust). London, UK, 19-20 September 2019.

Enriquez L. “Drinking and Thinking Tea: The Making of Taste in the Eighteenth Century.” A Feast of the Senses: European Food and History, 18th-20th Century. International Congress by the International Commission for Research into European Food History (ICREFH). Albi, France, 3-6 September 2019.

Enriquez L. “Cooking, Making, Knowing: On the Epistemological Value of Taste in the Early Modern Low Countries.” 8th Gewina Meeting of Historians of Science: Towards a History of Knowledge. Zeist, The Netherlands, 21-22 June 2019.

Peña G. "After transparency," PowerPoint presentation, The Robert M. Minkoff Foundation Academic Symposium at UrbanGlass, New York, October 26, 2019.

Stahl D. Book as Body: Artists’ Books and the Health Humanities,” College Art Association (CAA) Poster Session, Chicago, IL. February 2020.

Stahl D. “Binary ReVisions” (keynote), 2020 Black Box Neuroscience and Arts Talk, Montreal General Hospital. January 2020.

Stahl D. “Expressions of Disability and Faith through the Arts" (panel), American Academy of Religion (AAR), San Diego, CA. November 2019.

Stahl D. “Book as Body,” Hybrid Bodies/Hybrid Minds conference, 4th Space, Concordia University, Montreal. August 2019.

Stahl D. “Research-Creation at the Borders of the Body” (panel), CHCI Medical Humanities Network, Columbia University Global Center, Paris, France. June 2019.

Darian Stahl was an Artist In Residence at the McGill University Health Centres: Centre for Research in Reproduction and Development, September-November 2019. During this past year she led a series of artists’ books workshops, including “Art/Sci Artists’ Books” as part of the “Convergence: Perceptions of Neuroscience” course, Concordia University October 2019; “Artists’ Books as Participatory Media” as part of the Bauhaus Milieux Open House. November 2019; “Artists’ Books as Patient Body” for students of the CHCI Medical Humanities Network Summer Institute, Paris France, June 2019; Artists’ books workshop, for members of the Centre for Sensory Studies, as part of the Talking Sense Seminar series, Concordia University. February 2020.

Lambert R. “The figure of Edvard Munch for Norwegians experiencing Agoraphobia in Oslo, Norway,” First Conference on the Anthropology of Painting, University of Yunnan, Kunming, China, December 2019.

Longman M. “Exorcising Shame: Gender, Containment, and Creativity in Tracey Emin’s ‘Exorcism of the Last Painting I Ever Made’ (1992) and Carmen Maria Machado’s ‘The Resident’ (2017).” Concordia Interdisciplinary Humanities Conference. May 22, 2019. Concordia University, Montreal.

Longman M. “On Touching: Tactility and Bodily Presence in the Fiber Art of Judith Scott.” Close at Hand: Touch and Tactility in Art; The Third Biennial Graduate Student Art History Symposium. February 20, 2020. Washington University, St. Louis.

Ruschiensky C. “Translating the Memory of Trauma: Marie-Célie Agnant’s Le livre d’Emma.” Translating Cultural Memory in Fiction and Testimony – Memory Studies and Translation Studies in Dialogue, University of Innsbruck, Austria, October 10–11, 2019.

Ruschiensky C. “Translation as Memory in Québécois Culture.” Translating Each Other/Translating the Other: The Global City as a Site of Translation, International Graduate Summer School, Concordia University, July 4, 2019.

Ruschiensky C. “(Re)membering Maria Chapdelaine: Retranslations and Adaptations of a Québécois Classic.” Retranslation in Context IV, Comillas Pontifical University, Madrid, May 23–24, 2019.

APPENDIX F Posters, Uncommon Senses III: The Future of the Senses

Planned posters for the international interdisciplinary conference and keynote speaker, originally planned for May 2020.

APPENDIX G Posters, Public Lectures

APPENDIX H Posters, Talking Sense Seminar

APPENDIX I Troubling Law’s Sensorium