S H A K E S P E A R E S

T R O I L U S

D C R E S S I D A

F YR S T UA R TO Q ,

FACS I M I L E P H OTO L I TH O G RAP H Y

W I L L IA M G R I G G S ,

- T H I R TE EN YEA R S PH O TO L I T HO G RAPH E R T O T HE I NDI A O FFI CE ,

W I T H AN I NT R O D U C TI O N B Y T H E

T K E . . M R E V S O S , A .

L O ND O N

P U B L I S H T B Y . R I AN V E R TR E ET E C K HAM . . W G G GS , H O S , P , S E

INTR O DUCTIO N .

’ O F o o f the various editi ns Shakespeare s plays , which made their scape am o ng the reading public during the f o f li etime the dramatist , none is of greater interest than the Quarto which is here reprinted No r d o es anything show m o re clearly than the quaint and remarkable Preface o c 0 i e s o f which is f und in some p of this editi n , the di ficulties the bo o ksellers had in pro curing the theatrical manuscripts “ which the grand p o ssessors so carefully guarded 1 6 0 R o Already , i ndeed , in the early part of 3, James berts had made a characteristic attempt t o issue an editi o n o f ” o n o f o the drama the subj ect Tr ilus and Cressida , which ’ the Lord Chamberlain s C o mpany were then 1 acting But ’ the entry o n the Stati o ners R e gister info rms us that “ R o berts was o nly t o issue it when he hath go tten s u ffi au c tho ri t fo r t o cient y y , and this auth rity apparently he o never obtained , for we hear n thing further on the subj ect till s o me S I ! years later a more enterprising publisher made a more successful attempt H enry Walley , a you ng ” o o o o stati ner , who btained his Freed m in the last m nth o f 1 6 0 8 the year , immediately entered into partnership With R o o o 1 6 0 ichard B nian , his seni r by ab ut a year Early in 9 ’ they entered on the S tati o ners R egister certain works by

o s . Shakespeare , Ben J nson , Chapman and other That these entries were made under s o mewhat peculiar C ircumstances is evident from the difficulties which the young publishers o Fo r 2 6th enc u ntered i nstance , January they paid the ’ o f o o fee for the entry Ben J ns n s drama , The Case is r e is t e r e d z o Altered , which had been g some five years bef re S m th ic k o no t o by John y B nian and Walley were , h wever , S I ! o able to issue the play for nearly months , a nd then nly o f 3 o n 2 8th by the aid another publisher Again , January they entered the Q uarto which is here reprinted , this also ,

o . as we have remarked ab ve , had been previously registered I n issuing “ Troilus and Cressida ” our publishers were ’ more successful than With Jonson s play , they had their

1 7th 1602 R o Boo o f o s Cre sse da Feb , Mr berts] The ke Tr ilu and , ’ t w a c te d Lo Chamb e rle n W o y by My s men . hen he hath g tten s utfi me nt auc tho rity fo r yt 2 Thi s also w as o nly a co nditio nal entry 3 B o o o o s on to arth l mew Sutt n, wh se name appear the printed Quar . TWO UA RTG - G C THE Q TITLE PA ES THE PREFA E .

f i o fo r di f culties , h wever , whereas they boldly printed a title “ o o o f Tro lus Cr e s s e id a page ann uncing The H ist rie y and , as it w as acted by the K ings M aie s t ie s S e ru ant s at the ” ' o w n Globe , With Shakespeare s name as the author and their o o names as the publishers , yet they were at nce c mpelled t - N to cancel this authoritative ti le page othing daunted , o o ut h wever , M essrs Bonian and Walley tore the first leaf o f their quarto and inserted a fresh half - sheet With a new ‘ title and a remarkable preface T he n e w z ztl e was not at ’ “ o all in Shakespeare s style , the play is puffed as the Fam us ” H is to r i c o f i- s o o o o f , and the name Pandari f ll ws th se ” “ ” Tr oylus and C re s s e i d The n o to ri o us go - between ” o f o is described as a Prince Licia, an H meric title which o u r Shakespeare never applies to him I ndeed , although ’ ho - aut r s name is retained , the new title page , taken as a o o o o o ld no w wh le , is apparently borr wed fr m s me and lost drama upon the same (or rather up o n a part of the same) P r e a c e l subj ect . The f is a remarkable and interesting pro duction I t states (but the statement must be taken fo r “ ” w as o ne what it is worth) that the play a new , never ’ ” s tal d With the stage it speaks o f the drama (in accordance

- With the new title page) as a comedy , it makes a splendid o f r o f o it prophecy the futu e fame the auth r , incidentally tells us that the price of the Quart o was a testern 2 and it alludes in emphatic terms to the di fficulties the publishers has experienced in issuing the work It Will have been noticed that in the above remarks the “ - o o title page , which pens with the w rds , The Famous ” o o o H ist rie , and which is foll wed by the Preface , is sp ken o f as succeeding and replacing the title - page which men “ tions the perfo rmance at The Gl o b This order o f issue is not that which has usually been adopted by

’ 1 o o ii arto o of o f ike s e are s to The nly ther Q editi n any Sh p plays , which a th e 1 622 o of Oth e llo Preface is prefixed, is c py In that case the preface is ‘ o vValkle wh o r o r Signed by Th mas y , the publisher, emarks that the Auth s n ame is sqiCie nt to vent his w o r ke 2 to of o o f Sixpence seems have been the usual price Single c mes plays, o t o o o and indeed her w rks, which were hawked ab ut at the theatres bef re the ’ ’ ’ Fe nno r s D es c m t l o n s R o J e a l o us L o v e rs H um o ur s play began See p , and lph s , Or d i nar ce &c D o of or d o o , rumm nd Hawth n en n tes that he gave f urpence fo r o o f R o m e o a nd J a l l e t o f o o ur his c py In spite his splendid pr phecy, p i e fac e -writer wo uld prob ably have been s urp i ised had anyo ne predicted of 18 64 o of his o wo u o for o that, in the year grace , a c py Quart ld be s ld ver £1 14 W H I CH TITLE-PAGE WAS THE EARLIER ?

o Shakespearian commentators but , for reas ns given in the o 1 n te below , there can scarcely be a doubt that it is the o correct order , alth ugh it must be allowed that the o o o suggesti n , f rmerly urged by M r C llier and others , was - very plausible , which said that the Preface copy appeared first With its statement that the play was new and unacted o o n foll wed , its production at the Globe , by the necessary suppression o f that statement and the substituti o n of the “ new title -page 2 which mentions the K ings M aie s tie s S e ruants Before leaving the subj ect o f the publicati o n o f o it o this Q uart , sh uld be remarked that , as M essrs

- Walley and Bonian had no printing house themselves , they employed Ge o rge Eld to issue their w o rk It was this w h o same printer , a few months afterwards , saw through ’ ’ the p r e s s Th o mas Thorpe s editi o n o fS h ak e s p e are s S o nnets 3 It should further be remarked that no other issue o f ” Troilus and Cressida w as fo rthcoming until the pro ducti o n o f the First Folio in 1 6 2 3 Ho w the editors o f t hat celebrated collec ti o n came t o terms With Walley and B o nian (if indeed they felt the n ecessity o f consulting them “ “ 1 o o o o s e c o nd In pr f that the Fam us Preface editi n was the , and no t r s t o f th e 1609 o o m ted o ut the fi , issue Quart , it may be p (i ) that the Signature at the bottom o f the first page o f the text o f the pl iy is marked A2 o o o ne o V iz ence in t e i inal iss e t e e was nly leaf ef e t is, t e h h r g u h r ” b r h h - “ o o o i o title pa e, w ic mits t e w Fam s an w c menti ns t e g” h h h rd u d h h h G o n o t o m o ut th e - w as l be , whe , h wever, this was and new half Sheet o fo r ne w Viz 2 intr duced, there was need a Signature, which we find , MIL] H “ 11 E o om t o ut Again ( as the Cambridge dit rs p , the running title, The ’ o o f Tr o l us Cre ss e id a o o - w Hist ry y and , c rresp nds With the title page hich is to the here alleged have been first issued Further, it may be added (iii that a Similar title (o mitting the wo rd Famo us is given in the entry o n ’ o R of o k to o o the Stati ners egister , which, c urse, is li ely c rresp nd With the title first intended 2 o f th e o o I S to The text all extant Quart c pies the same , running Sign . o S r o s to o ne o r two o o f F rmerly, indeed , hakespea ian edit r used give variati ns o ff r o 00 o r o d o not w rds in di e ent Quart pies , but these supp sed va i us readings r o f - a w e eally exist Hence, in Spite the alternative title p ges, may speak of o ne o o 1609 o s to 1607 u Simply Quart editi n ( ) P pe , indeed, refer a iss e, but this is evidently a slip o f th e pen Ste e v e ns and others mentio n an u o a i s i s as o ndated editi n, but this ag in a mistake There , we have said , nly o ne o o t o o o o f t h - Quart editi n , h ugh s me c pies his ave a title page (beginning “ With the wo rds The Famo us Historie and the Preface s o me have this - no t o - same title page, but have the Preface , thers again have a title page With the wor d Famo us o mitted and With the mentio n o f the perfo rmance ’ at the Glo be while Mr H uth s copy apparently gives b oth the title-pages 3 i n th e o f o as the Here, again , as case the Quart here reprinted, and in 1622 o o f Otlze llo av ou r e v e rl i v m Quart , we h e a prefix (preface) praising g o p et . 1 s F A REV ISED EDITION OF Q 9 at all) is no t kn o wn it has been suggested that the well known and anomalous insertion o f Troilus and Cressida between the second and third parts o f the 1 6 2 3 editi o n w as t o c 0 r i ht 1 due some delay in obtaining the py g , but other c o nsiderati o ns (such as the difficulty o f classifying the tragedy - c o medy - h is to ryz ) m o re pro bably led to the peculiar position which it o ccupies Th i s mention o f the First F o lio brings us to the questi o n o o f which is here , as i n every ther case , such peculiar o o o interest . What relati n d es the Foli bear to the Quarto version Are w e permitted to see the growth of Shakes ’ peare s mind in a revisi o n This last query was answered i n the affirmative by some o f the last century commentators ; o e e and , in the present century , the same Opini n has b n a M r held by various Shakespearian schol rs , among others by . o o w ho o f C llier and by the Cambridge Edit rs , speak differences between the Quarto and Foli o editi o ns as

resulting from deliberate correction , first by the author o himself , and sec ndly by some less skilful hand . The writer o f these F o rewords ventures to differ from these high auth o rities There are indeed in the Folio a d o z en o r more o passages inserted which are not found in the Q uart , but a study o f these additi o ns Will sh o w that i n almost every case the state o f the c o ntext in the earlier editi o n suggests o 3 e s me mistake in the printing , which mistake has b en o in o o o c rrected the F lio , wh se edit rs in these cases made a better use o f the c o py o f the play which w as i n their p o s n o t o o o session They did always , h wever , pr ve m re 1 6 0 o fo r successful than the 9 edit r , they make some careless omissions and they give many false readings d l l‘ C Ct ll S 4 v e rs ifi c atio n Their stage , their , and their o no t punctuati n are generally (but always) an improvement , o f o o while , as their false reading vari us w rds and expres o o to S i ns has been menti ned , it is only fair add that in many cases they have given impro ved and correct readings

1 So me o f the many curio us p om ts co nnected With the co pyright of the Quar to s and Fo lio s are discussed in Appendix v of A n A tte mp t to D e te z mm e ’ th e Ckr o no l ogw a l Or d e r of Sh a k e sp e a r e s P l ays 2 Se e o o o to page xi A c rresp nding difficulty seems, als , have been felt by ’ H e nslow e s C o mpany l 3 Or in th e c opy used by G eorge E d . 4 t o o r I t a This seems suggest that Tr ilus and C essida, as ppears in the l st o o was o o F li , printed fr m the Theatre c py IS F A REV ISED EDITION OF Q 9 WAS THERE AN OLDER PLAY ?)

o which , though they do not j ustify the Opini n that we have ’ o o here the author s supervisi n , yet show that a better c py w as better read 1 An o ther mos t i nteresting questi o n usually m o oted o n a comparis o n o f the separate and the c o llected issue o f Shakes ’ — peare s plays is this Has o u r author taken as the fo u nd a o f o tion his drama s me older play Has he . by the magic

1 o fld is us se dfl th at o f th e r o The questi n here brie y c elati n between the o th e o o —is o ne o a Quart and F li a difficult , alth ugh it might h ve been t ho ught easy o f solutio n when we assert that there are s ome alter at io ns o o o r o ' f o in phrase l gy, in spelling, in punctuati n The di ficulty d es not so much he in t he passages which are i nserted in the 16 23 editio n such insertio ns o ccurring in almo st every case where there is s o me manifest o o o f o o z o f o c rrupti n the text There are ab ut a d en these additi ns, k o i n r e s e c t v iz —I 111 70 354 7 mar ed With an Arr whead this p , ( , I iii , , 59-66 8 0 1 97 1 1 24 111 1 6 1-3 II iii II iii , , II iii , III , III — , 9 8 0 146 - 1 50 4 1 32 165 170 7 . 9 IV iv , , IV iv IV v , and , and , and 206 11 6 8 20-23 5 8 t he x 22 no t , V , V iii , and , and end, V ) There is to all t o o k k Space here discuss hese The first, it must be admitted, l s li e a “ o Dr v to the o f es inse ti n , a e , F ni all t in s, split p l ng r h ” r dd d ur h k u speech B ut it Will be no ticed that the co mmencement o f line 75 i s very abrupt and that the autho r at the end o f the Speech ap olo gises fo r i ts 111 1 36 i t o n o length (I Further, might the ther hand be suggested that the Quarto editio n Wished t o short en the Speech by an o miss io n Still f ur ther it should he remarked that in no o ther instance do es the Fo lio adopt “ i ts supposed plan of splitting up lo ng Speeches Ab o ut th e other insertio ns less need be said I 111 354-7 In this c ase there is a difference in line 35 2 a m anife s t preceding, and there is misarrangement in the succeeding o r o o f o o th e o o d o i s three f ur lines the Quart editi n , while F li a diti n itself no t co rrect II 111 59 -66 th e 1 609 printer h ad d o ubtless o mitted these lines by mi s take Owing to the Similarity o f the sentences and to th e repetitio n o f o P o fo ole o o the w rds atr clus is a The inserted w rds are m st natural , w e may be sure Patro clus wo uld have made some answer t o Thersites Indeed “ ” to e x l nn o 8 0—1 they are necessary p the required derivati n II iii , It Will at o nce he noticed that th ose wo rds are r ather an old than a new o 97 os o -d ire c tOi on additi n II iii Th e w rds are perhaps a Stage , in o the Ec h o I S o o o o of such inserti ns, generally the m re c rrect The c rrupti n the 16 1-3 79 8 0 &c So r r to Q, in III iii , IV iv , , are manifest With ega d o o o i n th e o o the passages which are f und in the Quart and mitted F li , they not o o f o o f o o 11- 300 are ises intenti nal , but rather accidental , missi n I “ Po pe at th e commencement o f Shakespearian criticism restored these meces r o o Q o So r t o 105 6 29 sa y w rds fr m the uart With rega d III iii , and IV v , the o miss io ns in these cases being app are ntally due t o the o ccurrence of th e same word o r syllable at the end o f adjacent lines The S tage d w e c tw ns o f 1623 o k o r t r the editi n are, as remar ed ab ve , much bette , he e being so me 50 co rrect additio ns The F0110 is careful to give a separate to o of e a ch s ee c h t o fo r line the c mmencement p , inde ed his f ndness fresh i s s o h as p I S lines great that if Q y mista e a new pa a a , F s e “ b k r gr h ur to s a o 11 1 35 1 147 1 5 1 1 56 11 42 &c y ditt (See I , , III , , , III , ) th e E h o Again c makes a brave, rather than a successful attem pt at better v e rSific ati o n oz e o of , in half a d n cases perhaps t wards the end the play the WAS THERE AN OLDER PLAY ON THE SAM E S UB J E CT ?

o f t touch his genius and sympathy , kindled in o life and beauty and refinement s o me o ld and rude drama ? There o o is not in this case , as s me thers , any direct and external evidence o f such adaptation but there are certain “ indications which make it not at all impro bable The W o ndro us Tale o f Tro y had indeed been familiar t o English listeners and readers fro m the very dawn o f ou r literature It w o uld be o ut of place in this preface to trace “ the variations With w hich the tale o f Troy divine has been t o ld by p o ets and histo rians d o wn fro m the I o nian father ” o f s t o V o w h o the re t , irgil and th se Latin writers shifted o f o o n t o the centre admirati n , and such questionable hist o rians as Dares Phrygius and D ictys Cretensis (no t to menti o n the shad o wy Lo llius) But in connecti o n With our o w n l o o t iterary hist ry , it must with interest be menti ned hat n N - w h o it was an E glish (or rather a orman French) author ,

sc ansmn i s better B ut at the c ommencement the attempt to give ’ o Pand ar us s v 1 32 32 11 1 18 &c of as pr se erse (I , I ) and the printing o ne two 1 1 2 143 &c &c are l not line as (I , , ) , certain y very 1 6 23 i o o i ts o successful The edit n is much superi r in punctuati n , which o to o not w o is revised fr m beginning end , th ugh al ays With c rrect results fo r l 43 44 o o m ts (See examp e IV iv , ) There are certain ther p , such th e o r o us e o f o f a &c as th graphy, the capital letters, br ckets , , in which F is better than Q but these impro vements ( o r failures ) we must attribute to the printer and no t to the great autho r The difficulty do es no t o t o t s th e he in th se things, it lies ra her in the numer us ins ance where t wo editio ns differ in the use o f Single wo rds Do these differences tell o f a revisio n by Shakespear e ? The writer o f this no te says emphatically ‘ no a o o f th e o to In a large m j rity these instances, variati n is due a fairly n th e a o o a o evide t mistake , Qu rt , h wever, being gener lly right In s me o f v o o o t h e to o these ariati ns, and in ther expressi ns Where clue the err r not so o o h as is evident, it must be admitted that the F li a better reading 111 92 111 36 1 362 111 139 140 11 100 &c (e g , I , I , , III , , III , Tho ugh in mo st of these instances there is manifestly some co nfusio n o ar e o i n o o f in Q ) The Quart readings , h wever, a large maj rity cases, d o k o o l o a pted by Sha espearian c mmentat rs, inc uding the Cambridge edit rs Se e fo r 11 260 111 228 293 301 369 11 48 58 71 ( instance I , I , , , , II , , , 111 111 1 11 77 1 30 &c &c II , , ) o Wh o a o r two the o f o o Th se , led by a p ssage at beginning the F li , have to r io r been inclined suspect a Shakespea ian revis n, have gene ally ended by saying With Mr Malo ne I o nce tho ught that the alteratio n was made or o o o o f o th e by the auth , but a m st diligent c mparis n the Quart s and first Fo lio h as co nvinced me that some arbitary alteratio ns were made in th e latte co py y i ts e ito e a to co py of t is play is in ene al r b d r” Th Qu r h g r o o Ec o o Edn 18 21 v ol v ui 277 m re c rrect than the h [Vari rum , , p ] S w e ar e o f o fo r th e o till c urse thankful passages and w rds, which o o r r v o t o us mitted misp inted in Q ha e been rest red in F . M THE Y FORM ER TREAT ENT OF TRO STORY . issued the first of the many modern R omances c o nnected o f with the cycle Troy , Benedict de St M aur by name , a w h o o f 1 2 th troubadour . sang at the end the centu ry e o o G uido d lle C l nna , a Sicilian , a century later , by his o No Latin pr se version of the rman poem , spread the i nterest the o ld story with its new and gathering Y e t o o f additions a century later , the p etic genius B o ccacci o and o f Chaucer gave renewed impetus to the o l o o f o Tr jan tale , and a most l st sight the Camp St ry i n o o f t recou nting the Love St ry tha false lady , whose very w as t o o name u nknown H mer and the ancients Then , i n the early part o f the 1 sth century (m a ted by o u r warlike V o Prince , H enry ) , J h n Lydgate made a translation i n ‘ hero ic verse o f the pro se s zo r ra T7‘ 0j d 726l of Guid o delle ’ o o R le v C l nna . I n this , and i n aoul Fe re s translation of the same work (C irca the hero es o f the Iliad appear as knights o f modern chivalry The printing presses of Caxt o n and VVy nk e n de Werde 1 and Py ns o n s o o n multi plied copies of these versions , and many are the allusions in Sixteenth century writers to the Tro j an Story no t But only have we these histories and these references , there are als o many indicati o ns that the subject had been chosen by ballad writers 3 and by dramatic auth o rs Bale the N o G r i m o ald o biographer says that ich las of M ert n College , o o turned the st ry int a play (if that be , in this case , a ” legitimate rendering of the word c o media ) John Studley I 66 r o d u c e d a d ram a o n in 5 , p the subj ect of Agamemnon , ’ “ o n Ne w Y 1 1 U w as ear s night in 5 7 , Aj ax and lisses o f W ns o r 1 8 performed by the children y , and i n 5 4 the History o f Agamemn o n and Ulysses w as presented and enacted befo re her M aje s tie by the Earle o f O xenford ’ a t n i ht e G re ne w rc h e his boyes , on St John s daie g at Again w e fi nd fro m that storeh o use o f theatrical informa

’ ’ 1 Everybody remembers Pope s spiteful descriptio n o f p oo r Tibbald s 1ibrary o W There Caxt n slept, With ynken at his Side, ’ One cl as d oo o ne o c ow- &c p in w d, and in str ng hide , ’ 2 e th e r to o T ndale s Obe d i e nc e o a See, g eferences the st ry in y f “ C/u zs l l a n M a n I n the G mg eo us G a lle ry of G a ll a nt I n c e nt l o ns &c

3 r B o th e of o i o As rega ds allads up n subject Tr ilus and Cress da, n te ’ o n t h e a o R o f t wo now o ) th e 1 56 5 entries St ti ners e gister ( l st , in years and 1 58 1 B fo r th e Old o , and see the allad printed Shakespeare S ciety by Mr - Halliwell Phillipps . OTHER WORK S ON THE TROJ AN TALE

’ He ns lo w e s 1 tion , Diary , that Dekker and Chettle j ointly 1 t o produced , i n the year 599 , a play which at fi rst was have ” o been called Tr ilus and Cressida , but which eventually “ ” w as known as the Tragedie o f Agamemnon This ’ o 5 drama bel nged to the Lord Admiral Company , and there is evidence Whatever t o c o nnect it (as has been s ugge s te d z ) With the play on the subject o f Troilus and w as Cressida , which , as has been remarked above , entered ’ o o n th 1 6 0 at the Stati ners Hall February 7 , 3 What lead t o the change o f title (an alterat i o n which the inter lineati o n i n the D iary shows to have been deliberate) rs no t ” “ o Bo o c k e kn wn , for the written by M r D ickers and ” harey c he t te ll is no t extant Can it have been that the o o o f title , Tr ilus and Cressida , infringed up n the name o o ld y o o s me pla up n which Shakespeare worked , and up n the early title of which (as has been hinted ab o ve) B o nian “ o o c o m and Walley fell back , when the grand p ssess rs p e lle d them t o cancel the first page o f the Quarto here

’ reprinted ? And ' tll l S o ld play might be that which is alluded t o in the Ballad3 describing the attack o f the Lo nd o n Apprentices on the C o ck - Pit Playhouse in 1 6 1 7 (See below)

Further , it has often been remarked that passages and even ’ ” o scenes in Shakespeare s Tr ilus and Cressida , as printed o t o o in the Quarto and the Foli , seem be boulders fr m an older drama embedded in the newer and m o re celebrated o o o f rmati n . The last Act in particular is evidently w rked

1 o v o I o o to Hensl we , in ari us details, gives interesting nf rmati n as the mo ney paid to these autho rs He definitely mentio ns paying £8 1 5s and o u o o t t d there were apparently ther s ms paid , in c nnecti n Wi h his rama, during th e co mpo sitio n o f “ 11 1011 th e unfo rtunate Chettle w as arrested Dekker h ad been arrested two o r three mo nths previo usly at the instance of ’ Shakespeare s C ompany .

2 B W o o u o . y C llier, Sta nt n, Clark and right, and thers

3 Printe d by C ollier in his A nna ls of the S tag e The ge nuine i ie ss of i s of o o o this , c urse, an pen questi n

’ K r o r oo ing Priam s bes we e s n in rags, And broke his golden scepter ’ Cre SSid s oo s o o o False h d, that was g d When lov ing Troyl us kept her C U AND C THE CLASSIFI ATION OF TROIL S RESSIDA .

1 o u nc e r up from some other sources , and is disj inted and o w as V tain D ubtless when it acted , it would be igorous w e o 2 and popular, know c rresponding scenes in other o f Troj an plays were , but if the various parts this last Act we r e carried o n for the same length of time and in the same manner as these corresponding scenes , the present ’ writer d o es no t wonder that Shakespeare s play (as w e now have it) did not often appear upon the stage , and he is confirmed i n his Opinion expressed elsewhere , that the 1 6 0 9 Quarto represents an amalgamati o n which our author ” “ ” had lately made o f the Love and the Camp Stories connected With Troj an Tale

1 6 0 t o The play , which was thus , i n 9 , presented the a o f z z m world , has lways been somewhat a pu le to comme f t ato rs . w o The riter the remarkable preface , which is given i n this reprint , speaks of the drama as if it were a o c medy and nothing more , and yet he calls it a H istorie o n - o n both title pages , though the variatio ns the second title - page somewhat m o dify this c las s rfi c at i o n The editors o f the First F o lio began by printing it in the midst o f the

Tragedies , but ended by inserting it between the H istories 3 R o w h o and the Tragedies After the estorati n , D ryden ,

’ 1 Mr Halli well-Phillipps quotes th e followrii g h nes fro m Dav enant s Proleg to the Unf m t una te L o v e r s ( 1643) G o o a o d c sie judging s ules, With what delight o i e o r They w uld expect a J gg target fight, ’ u o t of o t o A f ri us ale Tr y, which they ne er h ught ’ W as s o o o weakly written, twere str ngly f ught

2 s o e s as o G on h is See the la t n te, and such stat ment th se made by ayt , in No tes o n D o n ui x o te 1 654 271 w e ar e t o t a Q , , where (p ) ld such e ring r as G r e e ks a nd Tr a ns &c o o ac T agedies oj , , c mm nly end in Six ts, the Spectato rs frequently mo unting th e stage and making a m o re bloody catas t roph e amo ngst thems elves than th e players did

h n VI u of o s rtion o 3 See t e n ote o p . The pec liarities the p and the paginati n o f Tr o l la s a nd CI’ eSS Ld a in the First Fo lio hav e often been dwelt upo n fro m o f o not o the days Farmer d wnwards The drama is menti ned at all, either o o r r of o t o r Ca ta lo ue as under Hist ries T agedies, in the Table C nten s ( g , it is t o the 1623 o r o o called) prefixed celebrated v lume The P l gue, which , te t the o o f w as at th e a o f prin d in large ype, fills wh le what first l st page R o me o a nd J a ll e t t o th e o o f , was apparently written rder Hemmings and o I ts os rt ion i ts o o s o o C ndell p , its length, dicti n, and its mi si n fr m the o o was not e r Quart , Sh w that it written by Shak spea e K K U CC SHA ESPEARE WOR ED PON A EPTED TRADITIONS .

’ was o f Opinion that it was o ne o f Shakespeare s earliest e n d e av o u rs o f , undertook to remove the heap rubbish u nder ’ b ur d which many excellent thoughts lay wholly y , and pro — ” — d uc e d 2 a tragedy a correct tragedy With the alternative “ o To o o o n name of Truth F und Late P pe , the other n o Vi i th o o ha d , c nsidered , and more reas n , that Tr ilus ” ’ and Cressida w as o n e o f o ur author s later productions M odern c o mmentators and edit o rs have been similarly at variance in their estimate of Shakespeare ’ s dramatic render ing o f the Troj an Story I n forming an Opinion upon the o subj ect , it should be remembered that (acc rding to the o o supposition made above) Shakespeare w rked up n a story , o r o o a nd st ries , which he f und ready at hand in some old w as popular drama , and that , as his wont , he accepted this o f undation and built thereupon , filling With refinement the o comedy , and With wisdom the hist ry At any rate , o r whatever we may think as ! to the drama being wholly w e only partly original , must all agree that the materials o f w hich Shakespeare built up his play were such materials

having been handed down by the preceding generations , t were accep ed by his age , and that , if any accusation is levelled against him by lovers of the o ld and dignified o H omeric story , they sh uld remember that Shakespeare is not to be supposed to have purposely presented und ignifi e d o f th e o o f o ld o u r representations her es , but rather that o f author , here as elsewhere , accepted the popular aspects histo ry even if the histo rical rec o rds had degenerated ”

c a m c a t u r e t r a d zt zo ns as . into , M r Gladstone put it s o me time Since in a letter With which he favoured the writer o f this preface

2 so 1707-1718 See al Settle, ( )

’ The Fac-simile following i s fro m Capell s c opy in th e Library of Trinity o r o f r and C llege, Cambridge In the ma gins this eprint, the Acts, Scenes , lines are numbered as in the G lo be editio n Neither in the Quarto nor the Fo lio s are the Acts and Scenes marked All lines of Q which d iffer fro m tho se o f F ar e marked With a dagger (t ) all th e lines which are no t fo und in F are marked With a star and of not o 111 a where lines and passages F are f und Q a is placed , the l st preceding line and the first line fo llo wing being numbered as in the Globe editio n

E R R A T A

I “ i o r i nsert 1 o pposite word ex zt I l l 30 t 37 T 73 T 1 0 9 t

to o f at p corner page , for I read I ii I 111 302 i nsert T f r o I I 11 read I f 1 I I ii 99 insert T

V ' iii I 4 . 1

V ‘ . V ii I 3 1 T H E

Famo us Hlfio ne

r C re e i T oylus and ff d.

' ' Excellentb' ex rcflfn the lie znmn p g g g o th ir lo ues witb the c onc it d o oin f e , e e w g ' o f ende r”: Prin o f ce f Licze.

L O N DO N

Im dntedb H Wal e p y . l y an6. are to be fold at t he fpre dEagle inPaula: C hurc h- eard o ue a ai y , r g nftthe re at No rth g doo re . 1 6 0 9

T H E E P I S T L E.

mat h 44 will make you t hitzhe your tefl hat or o mach wort h “ eaen oore I knowto he f f , p er e u ho abour we in it . I d a s t l a: ll at t e t ef f , he h “ ' Commet ze Tc rc nc e of Plen um And helceue t his fy ; that when hee a} one and hoe Comme die: oat m yozt will feromhlefor t he andfe t v p a ne w ' warm h ond g, of your pleat/e re; ' e not hetfl (t he t hat t h leflh for g of the multitude 3 h ot t it he fi rt ane it hat h made among}?you Since by t I hele e ue yott fhotd d he me And [ 0 1 preydfor ’ that will no t freak et ' Vale.

’ ' ecaufe lh e e s kin me eref r l s n ( faire Poe . B to th o e hee ot 0 es Hal/m am{h e were kin to m eJ he wo uld be as faire aPri a as He llo » as on Sunda bur wha I M care no r and (hee d y , y, t

re blac keamo re ris all o ne mee . we a , to ro Sa I [h e is nor faire T y . y ? ’ art I no t c are w e er o u o r no { s a lc ole P . do h th y do , he to Ra behmde her Fa er let he r the C re c he s and [0 He t ell y th to , her t he ne xt t ime [ fe e he r fo r my part Ile me ddle no: make e ma e r no mo r ith tt .

Tro Swe e re Pa rdon“ . y. n u f e ake no m re me e ill leaue al I Pa . Prayyo p o to I w l as found it and there an e nd

c o n c xo us c l m rs ru e r r . Pe a e uv t a a e ac e ounds T oy y g o , p d ,

r fi . Hcfle n mull n e e s e f r e n des e d b a e Foo l s o bo h i , Whenw it h o ur blond yo u daylne p aint her I c annot figgt v po n this argum e nt: ’ d a fubicfi fo r m fwo d It is too fi aru y r , But Ponde rw O ods 1ho w do yo u pl s ' 1 c anno t c me Creflzd but b Po p ular o to y , ’ e ac h to be w o o d woe And he s as t y to , bo rne c hafi a ainflall fu fi ub rte. As {h e is , , g Tell me c/ fpollo fo r t hy Dophuer loue ‘ ' e id is whar Pando and wharwc W a Cr fl, g h t 1nd“: e re The lie a e arl e Her b ed is th s , p , Be twee ne o ur Hammond wh ere lh e e re id es t he rld d w an r flo o Let it be cald w an d ing d he areh t and is fa m Po nder (elfe t M an , th yl g ,

fu ho e o ur c o nv o and o ur ar s . do ubt l] P , y b k

f n i ne How now rince Tr o lw here ore ot afiel . v . p y m d Be caufe nOt he re t wo mansanfwerfo rts Tmy. t ; , ifh it be f o m t e nc e Fo r wom an is to r h . What newes c/ Eneee fro m t he field t o day?

m T a Pe ri: is re rne me and hurt . v i . h t tu d ho w m e/ Ene aa? Tm . By ho

v ne r lm b m/o ur. i . T y y ( M

24

a 1 7 0 1115 and ( J o eerie ] 1 y/ .

fla r e r he n lew Ir e n s His cre th t p oud t b is b d , e iox c fa if the dull brainleff A ome fe o ff ' ‘ refle him v in v o ic e s 1l he fade We e lo d p , w e v nde r o ur ini n Hll Yet go op o i , e e e r m en but or miffe That w e h au b tt , hit , flu fha e o ff: nce a m e Our pro ieél s life this p ’ hzller l me Aw e implo y d plu cks d o w ne A e p u Ne No w Vlz er I e n relilh t h fl. b i to flg ffo n h ir And l w ill giue a mil e rhereo w noflo e him ll rai hr To d ge m em g w to g l me e ac e r r e al ne Tw o curre s {ha l t a h oth , p id o ez th mafliffs n a w e re a bo ne . Ex mt . re e Mull ar o , s t nter A unt and Thee hes E / .

l fil ll a o er e ne 7 her A ame m oh ho w ifhe had es, , ll u , , g , bi g

d n he e ne Thor : And t ho fe byle s did run (fay di o r t g a o r h c re Au x Do e t he n e re no rt har b c . . rall run , w y o . gg hee T en wo uld c me fo me m a t e r fr m hxm l fe e no ne T . h o t o ,

no w. T bit h o lfs ( o n c anft tho u no t e are fe ele e n No: hou c w h , th , ' " Thar l he la e o fGre e ce v o n the e m n rel] b ee fe . p gu P thou o g e r witt d Lo d . 1 l e iax e ake t he n uv nfalte dle auen f e ake , wil e ar A . Sp tho , p b anfo m ncffe thee into h . her I fh all ( o o ne r ra le e e n wit and ho lme ffc but I T . i th i to , w ut: thanke thy ho rfe w ill foone r cunne an oration itho c anfl: ho o kc e n le arns rale w u o e , th thou p t itho t b ok thou (h e canfl? a re d m rr n arh t h Ia e ric he ik thou u io y d s t s zd -fle r e e e r clamarl A x To de o o l le a n m th ‘ p o o ’ f nkc lcmee hm Do o ll thou thinke I bane no fe nc e thou i t EUs? ’ Thor: Thou art pro claim d fo ol o I thinker: Al ex Do no t Po r cntin do no m fin er c : . p , g y g s it h ’ her e a f re and I had T . I w o uld thou didft i tc h from h d to oo , ' ’ the fcrat chm o f the 1w l ma e e e the lo thfo melt {c ab g , ou d k th in G re e c e w e n uart f rt in the incurfions t Gulrcfi fl, h tho o h hou as o as er w anoth . Aiax fa t he r c . I y p o lamation.

Thar . T ro mblefland a v r lefi e er ure o n A hou g y y ho dd]. le and u art as full o f e n at reatnefle g as Te tho uy his g , ( rém a be aut l ha u bat ldl at him y, t t tho .

He : w l name e e n {h i r ou d p th i to ue s with his 63 as a fa le: ' y breakcs a bislt e t o u ho rfo n curre o ? , y . D do A far : T flle fo r hou oo a witch Thar I Do M e ? f , o dden w e rd , thou itt d Lo thou h all no m re raine en] aue in m ne elbo we s f o b th h i an e/ Ijimc. ' fcuru li afle a an art r y v t , thou h ee e but to art an f l thou bought d o u d among tho fe o fan wit hke a B r y , a bari an {lane Ifthou v fe to be am mee I ill e nne at t h beele and ell what uart b ac t b gi y , t tho y y h s, n o fno e l ou thi g bow l s thou .

' har M ar T . ; Idio t do rudenefle do C amel do his , , , ,do .

A cbtl. h ho w no W y w M me w h e re fore do ye e th Ho w no bfl w T m w a the m a e r m an f h ts tt . Then You fe e him th ere ? do yo u ?

v i e /ail. I wh ats t he ma e r ha , T r: Na loo ke v o tt y p n him. e/ fc ézl: So l do hat s the m ? , w atte r

Tber: But e t o ul c e no t well v o n him for y y o k p , who form ue r o utake him t c zI A I. I n w a fo o le k o th t . ' har T . I but that fo o le knowes no t himfelfe A iax : T ere f re e a e e e h o I b t th . Thar: modicum: o f wit he v tt ers hi , s e na fio ns a e c are lon l aue bo h u s thus g, h bd his braine more th en he as h e a e m nes . It w l bu b t y bo i l y nine fparro we s fo r a n , and his ia mate r n t w r y p is o o th t he ninth part o f a f ar ro w nhis r Ac bzller Aiax who ear Lo d( ) , w es his w it in his lie ! l a y, u s inhis e a I e ll o u w a f fhim ud his g t h d t y h t I ay o . z ip/J W a . . Tber. [fa h t y this Aux .

Will wi h a rum et win o ur Te nt s andTr t t p t oy, o m rr w m rn n call fame Kn arm T o o o i g ight to e s, flo mae andf k t a o ne a dat e , u h th t , ne I kno w no t what t is Maint ai , ( ' Farcwell who {hall anlw e t him , ,

A chil. I n w no r tis ut lo t tr o therwife k o , p to y, , w hi man He kne s . t iax 0 m e an n ou I will o lear e m r o f V . i gy g n o e it. i f arer Pram, and Helena:

' Prim . Afi er ( 0 man ho urcs liues l eche s f e y , , pe p T u nc e a aine faie s N eflor fr m the G reekes: h s o g o liuer ellen and ll dam a e l De H , ( a g e s, ' n r lo fle o ft i e trau ll e s u m e x cnc e A ho o , , , p , ' un fr e n and w a e ls eere c Wo ds, i ds h t d that is onfum d ' In ho t digelho n o fthis co nno rant w arre) ’ Shalbc fi t o ke o il;He fi or wh at fay yo u to t? ’ Hail: Though no man leller fe are s t he C rec hes then

' m e o ft he w rll let Hal/en o Too th botto o g , ' Since t he full lword w as drawne about this q ’ ' e r f le mo n fi m an t ho uland ifmes Eu y tith ou g y d , r s Hal/m I m e ane o fo rs: Hath be ene as d ee e a . u f e haue lo fie [0 man e n e s o fo urs I w y t th , To ar a n not ur no r w r v s gu d thi g o s, o th to , ( Had it o ur nam e) the v ale w o fo ne What me rits in that reafo nwhich d

So gre at as o ut dre ad fathers in O fcommon ounce s will yo uwith Camp ers The pail proportiono fhis infinite 28‘ fl nd uc le in a wa e m ll fatho mles A b k , o , es and i nche s fo dyminut ue : As feare s and re afo ns Pie fo r G odly (h am 0 m arnell though yo u bite (o lh arpe o f reafons You are ( 0 empty o f th em lh o uld no t o ur father; ' o f afiaires wi r o n his th e af , h ath none th at te ll him (0? e ame s and {l m r r e r rtefl P u b e s b oth , f rt e r lo ue s w re afo n he re are r re afo s You u you g ith , you n k now ane nemy intends yo u h arm e ' know a lword imp] oyd e is pe rilous re afo nflie t he o bieét o f all ar s h m ho maruells e n whe n H elm m e l W th b ho ds, C tetian and his f o rd ifhe {c t A w , do v er win o fre afo n he e les y gs to his , fil e lik e c hidde n W a t er] from [ one Or lik e afiarre difo rbd nay ifwe talke o f u r a e an fle m - and o n ur (b t u s d ee an o g t p hood h o , Should haue h are he arts would th ey but fat their t ’ Wi c ram reafo n reafo n th this d , lufhho o d

' is no t w r w at lhee d th o“the o th , h o t

Wha a as tis v alued ts ught but . But v ale w dwells not inperticulet his efiimate and n dig it , As well wh e reintis pre c ious oyit fel As inthe riz er tis ma e I la r p , dd do t y To make the fernice greate r t henthe G o And the will dotes t h at is attribUtiue;

Tw e s ih o rc o traded pilots twixt the d ang rou , Of o e? will andIudgement s ho w may I au yd l e d (A thoughmy will dtfiafi what it elea ) The wife ! c ho o fe there can be no e uafio n , , o l fr T b e nc m and Rand firme b n r h o this to y ho o , W e urne no t h t b ac ke t e [i lke s Vpo n t he m arc hant W e n we a e fo ild t hem no r the h h u , remaind er w ands ’ , We no rt r w in v nre l efi ue fl ue do h o p , Bec aufe we no w are f l “w as u l, thought me ere ‘ - Pm zr [ho uld f me e n e anc e o n t he do o v g G re e kc s . r re w f ll c o nfent e l e You b th ith u b l i d his fade s , The ( e as and winds o ld wran l r ( g e s) to o ke a t ruce And dl d him fe ruic e he e to uc t ’ , ht he ports de fir d n fo r A d an d a n w m the G re e ke s e ld Ca tiue ol u t ho h p , H e r a G re c ian ( i c e ne who fe b ought l , youth and ft Wr nc le s A olloe: a m a i p , nd k e ale t he m rn n s p o i g. Wh kee e w e he r the G r y p e c ians ke epe o ut I s (he w r e e n ? w h lh ee a e arle o th k pi g y is p , ’ ' Who fe r c e a l an : p i h th lh t aboue a rhou land (hips ’ ’ And turn d c ro wn d K in M arc a s to h nts , l f l yo u e auo uch tw as w : dome Paris ' As o u m ll ne e dsfo r o u all c ri d y u y go, go, f o ule c o nf l e he r I y el b ought hom e wo rthy prize As o u m ll ne eds o r o u all c la y u f y pt our hands, ’ y And c ry d inellimable zwhy do yo u no w ' The ue ur r e r w rldo mes ra e l p op t , And a e e a ne e r f r ne do d d th t u o tu did , ’ B r the e flm a io n ic e e i t wh h o u riz d gg , y p ' Ri c her e n ( e a and lan ? 0 hef mo fi le t th d t t ba , T a w e e a e flo lne what we fe are e e e h t h u , do to k p , But t hee ue s v nw o rt h o f a n ( 0 fll y thi g o h e r Tha in e r c n r did t hem a dif race t th i ou t y th t g , feare to warran in o ur nanu l c e t e p a . ' nter Cd m am w am E fi g , CaflCryTro ans c r y y rmm a n l e w P . Wh t o f h at lh rilt e is this ? Tro Tis o ur ma e fille r ] n w he r ce y . dd do k o voi , a :C r Tro ans Heft It is Cr k ndm ! f y y , . fl y ’

Ca . C t Tro ans cr J e nd m e t e n t ho ufand e e s j y y y y , And I w ll fill e m w h hetic eare i th it prop k t s .

fl. He Peac e fille r ace pe .

. 3/

' Pen} lhould nere ret t aét what he , hath done No r faint in t he urfurt e p ,

’ i t W o f in n ra le e e n her p ho o b k pi g , W a ' t re afon were t he ranl ackt n h t it to quee e , lhame d to me,

is, ' yourgenerous bo lomes ? W ithout a h e art to d amp W enH e h le n is d efe nd e d no r no W le lifewere ll fl ho i be o wdp r de ath v nfam ' W e re Helen is t he lubieét. Then 1fa h y, we know we ll

T en ma e V h to k p a free d e te rmination

' Tw xt ri and wro i ght nno r ple afure and Ha e care m re de af u s o e th e n Add e rs to O fan rue de c ifio y t n. Nature c rane s All es be rendred du to their o wnersNow W a ac e re e in all humani h t t d bt tie , T en Wife is t o the h husb and 2 if this lawe Ofna ure be ' t corrupte d through afi eétion 32

a m u e o f at t iall indul th at gt e t i d s p ? en ill r fifi h fifhe xr benumme d w s e t e fame lawe in e ac well-o rderd na There is a h tion, To curhe tho fe raging appetite s th at are ' ' Mol’t dilobe dient and t c fraéturie ; ’ elen en be w fe S arta s Kin If H th i to p g, t no ne {he is thefe m rra l l As i is k w , o l aw Ofnatu re and o fnatio nsfpe alt e alow d ’ To haue her back re turnd : thus to perfilt In in wro n ext e nuat e s no t wr n do g g, o g, e c But mak s it mu h more heauie . HeJlors opinion e t nere the l elie y , to yo u

h no meane e en ance d p d , V o no ur l n and fenerall i n es p oy t d g iti . r 0 h ther o cht t e T . W y e y u to u h life o f o ur de figne f Wet e i t no t l r a m re afl e eéie d g o y th t w o , he f T n the per ormanc e o f o ur he auing fple I w ul no t wilh adm o f Tro anblo ud o d p y , S en m re in her efe nce But w r He p t o d , o thy She is a t he ame o f r an o honou d ren wne, Af urre alian and ma nan m s e e s p to v t g i ou d d , Who fe r p efent c ourage maybe ate downe o ur And fame int ime t o c m can s o e onize v , I re For p fume braue Heél or would no t loo fc S h ’ o ric aduanrage o fapro miid g A fm e s il s s port the fo re -h ead o f For the wi e w rl s rc uene d o d w.

VVill [hnke amaz eme n to eir dro wfie f irits t th p , Iwas adue rtiz d t heir rea e l fle t e n ral , g t g p , Whilfi emulation int he m ic crept This I refume ill a p w w ke him.

38

fo r the w rt h a an v o no ur uarrell VbflfNot o th t h gs p q , fo l e nt fe x A al r in ll w . Aja . p t y o e fcribes h li ‘ Ho w he d im fe c . N fl' i t b C an he no e fo d able . A u x , ' c e fle en e blac kn U lygi The Rau hid s .

lle e um r l n . Amx . t ll his h o ous b o d l e he ad am He e wilbe the hifirio n, t hat {h ou d be t Ag . p p

ll e f m n e . A jax . And a m e n w e r o m d m. y i

' ' i t w l be e o ffafhio n. Vlzfl. W ou d out ? tfl o l no t eare ( a fho nld eate (w r fi A u x : A fh u d b it o, o ds all prid e c arry it ! ’ ’ And t wo o d o w d carr Nefl. y y h l kne him lle w l a e te n ( are I wil ade , v fi ax . A ou d h u h s ’ lc h s no t e t r w arme? make him fupp e y th ough o ure am i n rc e him w raie rs o ure in, , N fl. Fo ith p p his b tio q p is ( hie. ifli e n d k Lord yo ufee d to muc h o this . r noble ge ne rall do no t do (0 ? ’ illes w Yo n m l re are fi w ut A ch . Dra . u t p p to ght itho ’ f him him arme VIM] ? Why t is this naming o do s h , his fac e wilbe filent . Here is aman but tis b e fo re d e re f re fho uld o ufo ? Nefi . Wh o y

i e/9:11“ . He is no t emulous as v is s a lian lz Kn w the w le w rl hee i s a V fl. o ho o d v t ' s ould at i n do a fixall al er wi v s thu mr Am e. A bo o g th t p t th he w ere aTroyan? o f W a a ce were it in Am: no w: N f . h t vi

de . Virfl: Iibec we re pro u Diam O r co ueto us o f r , p

' Vlzfl: l o r furly borne . ' i m r fi ran e o r (d ie afieéte D e . O g et com ofnre ‘ t he heaue ns Lo rd t ho u art o ffwe p Vlifl. Thank , ' : at e e “me a a e ee fuck Praile him t h at g th , th t g u th ’ m d be t h t uto r and t h ar o f na ure Fa y , yp ts t ’ h etuditio n: Thri ce fam d be yond all t y rme fi h But hee th at dife iplind thine a s to g t, l et M ar: diuide Andgiue him hal

40

Kn w o u t he m licians? Pan. o y u M ho la e to ? P . W p y th y

n To t he e arer fir. W a . h s ' alure Fri end? and th e i rs that lo ue mufic ke n mman 1me ane: Pa . Co d ? an Who ( all c mm an (i t W . h I o d Frien w e v nderfiand no : o ne ano rhe r l am c ur PM . d , to o t n at o fe re ueflh fe m e n a ? c nni w h t e l and thou to u g, q do pl y y ’ hat s in ee fir? marr fir at t he re ue fi o f Pa M am T to t d d y , q t h h im t he m o rt al] o ue s inuifible foul e:

t youfinde o ur t hat by he r ar

tribute s . Pan ir fhould fe em e fe llo w afi no t fe e ne t he a . thou h L dy 0 fpe ake with Pan ; From t he Pri nce Tr oy 1m I Wi l m a e a co m l ementall affault v o n him f rm . l k p p o y ’ ufinefle fee th s b . ’ arr o dden bufinelTe the irs a lie w d hrafe in e e W fi , p d d .

Pan Fa re be o u m Lo rd and al faire c m an . i to y y , to this o p y, ' faire defire s in all faire m e afure fa rl e e em e l e ciall i i guid th , p y to yo u faire ( Mem e faire thoughts b e you r tim e p illo H e! De re Lord yo u are full o ffaire w ords

PA”. f e ake o ur fa re le afut e fwe e t O uc e ne You p y i p \ , Faire Prince ere r e n mufic ke h is good b ok . ar a e r e an b m l fe o u {hall P . You h u b ok it cozen d y y i y ' ma e it w le a aine o u lhall e ec e it w a e e ce o f k ho g , y p out ith p r erf rm anc e N el he f ll o f arm n : you p o . . is u h o y Pan: Truely L ady no He/: 0 fir

R e in fo o rh in r er ru e . ud , good ooth v y d

We l ( aid m Lo rd w ell o u fa (0 in fits. l y , , y y

a e bufinefle m o r eere uiet ne ?m r . I h u to y L d d Q y Lo d w l ou v o uchfafe m e a w r i l y o d .

Hel. Na {h all no t e e s o ut weele ere o u Hu ythis h dg v , h y g certaine ly: ' Pa»: Well (weet e ( ecne ouare lealant wi mee , Q y p th , but marr m r m d e e re r and mo flefie em y thus y Lo d y Lo d ed fri e n r r e r Tra lm d you b oth y , al M r Pandarm o n fweet r H . y Lo d m y Lo d,

PM . G o fwee t e e ne o too Qu , g to ' ’ ' m lt afle o n tl o r a u Co me nds himfelfe o ét y to y . H al [h a l no t bo b o f o ur mel . You l vs out ody, r m e a c v o n r e a Ifyo u do o u l n holy p you h d . Pan Swe e ue ene we e t ( een thats . t Q f m q I faith e m e e r fad is a o we r f H l. And a e a(w a f f e nc to k L dy o e. Pan ~ a a flt l fe rne r rn (ha l N a l no t e . y th t you tu that l it no t intruth la ? Nay I c are no t fo r fuc h words Lord he e defire s yo u that if the King call fo r him w ll m a e e xc You i k his ufe . H cl M r an . P dam r y Lo d . ‘ ' Pan W a faie s . h t my ( wee te Queenemqveryve rylwe et

’ r W e Pa . a x l in hand where (u es he t h t p oit s , pp o night? but myLo rd’ fa f t l e s my weet Q ieenelmy c oz en will fall out t h o n. Hdl muli no t n w , k w ere he fii s You o h p . Par lc f , l l a m l e w m dif fe r Cre é i y y i ith y po flda. Pam o ? . N no no (uch m a er o u are w e c me tt y id , o your dif o fe r is fie p ke . ar ell cuf ? P . W ile makes ex e I go o d my Lord why lh ould y r dif o fers li c k Par 1[ ic you p . . p P4» f w a o e o . d u ( ie i c ni iu m . You py h t y p o c, g e ee anin fument no w fwcet e e m : , ( m e

' Hal Wh kinde l . y this is y done? Pan M Ne e c e rr l inlane , y is ho ib y with a thingyo uhaue

all hav e it m r yLo d if it bee no t my Lord

l Pe na Hee no lhe ele n ne o f h , o im they t wo are tawine .

He] . Fallin in af er fallin out ma ma e hemthre e g t g y k t .

ee c e e C mmend me r n . H ll. o to you m e Sammie retreat? e . anel I will fw e e t ( m P , ‘ t he fieldzlet v Priame s Hall Par: Th e i r come from s to rm rs Swe e Hal/en I mufi w o e o u gre et e t he w a e . t y , e flor fiub o rne c le b h e lpe v no arme o ur H his bu s i e e nc haunt m fin e r t o ucht With this you r w h t g g s n the e e o f fi e e le Sh all m ore ob ey th e to dg , kifh finew O r force o fG re e Kin e s Th e n all t he Ilaud g , ant Part?! Hell: Twil m ake vs proud all re c e rue o f in Ye a w h at he (h vs duty,

in e a e n w e a e . G rue s vs m ore p al me b utyth h u lfe Yea o ue rfhine s o ur fe . h l e he r? T ar : Sw ee t aboue thoug t I ou a r Panda ”: Tro lm m tr. 5 ”te . j , ’ ifle r at m t h m a Pand Ho w no w whe s t y , y r o fir Ha e fo r o u co n et him e er ( M a . N y s y to du th th , o mCSrhOWno w ho wno w? Fund: 0 he ere he C , Tr oy: Si rra w alke o ff; l ? Panel: Haue yo u (ee ne my Cou ine (i her re Troy: No Panda ”: I alke about do he to a Grange (oule v Po n t he St igianb ank e s r n S a n fo r w afta e O be um C a . t yi g g , tho y h o ' r le eldes And giuc m e ( w ilt t ranfpo t anc e to th e fi , V Vhere l m ay w allow in t he lilly b e ds ' r e n i Pro po f d fo r t he de fe rue . O g t his p aint e d wings

rflrai ht hard l le brin he . c , g g éiatio n w hitl me r un Tr oy: I am giddysexpe es o d, ’ h m inar r el fh is fo fw e e te T y ag y i , l e Th at it inchaunt s my fenc e zwh at wil it b Wh e n th at t he w art y pallat s talie indee d me Loues th ri c e repu re d Ne éiar?De ath l fe are S n iflruaion r f m e lo 1: ou ding d p o y ’ To fubt ill e n t n t o {har J pot t , u d p i Fo r the cap ac ity o fmy rud e r pow e rs; I ( c are it m c and I doe fearc befides u h ,

46

the re bu r y a r e s I c an t ell yo u theyle liiclte t e hro wne . ’ efle c me m n o s to e no w and brings me heart: h e l e o I au ou d y unight and day r m ne we a y o ths , m i Tr o : Wh was y Crefld he n (0 ard w n? ) y t h to y Har feeme w nne : I w as frej. d to o but wonne my Lo rd e rfllance that e e r ar n With th fi g ; u p do m e ' I f fle m c o u w ll a t he r If co n e an u h y i pl y ty t , I c o u no w but ll no w n0 t ( mu lou y , ti o m I m matlie r n fai I l e H ight it;i th y , r lxk My thoughts w e e e v nbride le d c hildre n grone flro n fo r e r m e r To o he ad g th i oth fe e we e fo o le s ’ lab d VVhyhaue I b who (hall be t ru e to vs en we are ( 0 v nfec ret o ur fe lue s VVh to . ’ h h I l e o u w ell I w o e d o u no t But t oug ou d y , y , f ] r t Andye t good aith w fh my[elfe a m an; Orth at we wome n had m e ns priuile dgc i flSw ee re m f eakin h e l m n ue Of p g , bid ho d y to g , {h l l Fo r in this rapture I a l fure y fpeake The thi ng I (hall re p e nt fe e fe e your fyle ' umbncfle o m eflr e Ge mmi ng ind f r my w e akn e d aw s

fc o unc cll. S Myve ryfoule o top my mout And lhall albeit ( we ermuli ue iffues hence Troy: , q t

b e ech o u ar n me ef y p do , Twas no t my purpo fe thus to be gge a kille ’ l I am alham d ;O He aue ns w h at h aue I done Fo rthis ti me w ill I t ake my le aue myLord . d Tr oy: Your leaue fwe e t e Creffi

ll m rr w m rnin . Pan: Leaue :and yo u tak e le aue ti to o o o g o u c n n o u Tr c dlvhat ffen ou La ? Crej} Prayy o t e t y . y o ds y dy lit m ne o w n c m an i o p y. You canno rfhunyour ( cl Le t me go e and t ry a kind offelle re c ids w ith yo u ’ But an v nkinde felfe t hat fe lie w ll le aue , it i o r fo o le I ul T be anoth e s . wo d b ' i kno w no t w a I l e ake Whe re is myw t I h t p ,

r ll n w e w a e f e ake , t T o . We k o th y h t th y p ( m : Pe rch anc e my Lord l ib ow more c raft t henloue l r e co nfe flio n And ye ll(o rou ndly to a a g . o an le fo r r t s but o u are w fe T g you though , y i , no t zfo r be w fe and l e O r elfe yo u lou e to i ou , m a well Wltl' l a ue Exc ee ds mans ight th t d s gods bo , l m though t it cou d be in a wo an. ' I ll re lume in o u As ifit c an wi p y , '

a fla . To fe e d fo r age he r l ampe nd me s o flo ue co nflanc in t and kee e he r p y pligh youth. t-liuin e a e o ut w ard with a m n gb uti s , i d, rene w f ifte r e n l e c a That doth w th b ood d ys, r f afio n c co nuince me O that per u ould but thus , T a m n e r and r o u h t y i t g ity t uth to y , ' h b e flr o nte d w t he m a c and wai M ig t a ith t h ght, f a n r inl e O fuc h wi now e d pu ity ou , o e re I e n v -lifte dlbut al afle H w w th p , I am as tru e as a n And fimple r th en

Gre In h a ile w ar w o u Tro. e r fi h f. t t ith y , O v tuous g t, al e m flr Wh en right with right wart es w ho (h b o igh t True fw ains in lou e {h all in t he w orld to co h l hen e r t ime s Appro ue t h e i r t rue t by Tr oj m w th i , F l o f ro t eflo f a h and bi c m are ul p , o t g o p , ’ re t a n Wants fim ele s truth tyrd W i th i tio . As r e as fle ele as an a e t o the m ne t u , pl t g oo , s funne d a as t r e t o he r ma e A to y : u tl t , ' s I o n A m n Ear t C n e r A r to da a t as th to h e t , Af e r all co m arifo o f r t p ns t uth . (As truths ant hennque autho r As true as Tr oylm J ball c ro une vp A n h d fanéiifie t e no mbers, ( Ir e Pro het ma o ubee /I p y y , be f ce r fw a r If] e al o rue a hay re from t uth , Wh e n time is o uld o r h ath forgot When wat er d rops h aue wo rne the (l ane s And lin o bliuion{ allo d i le v b d w w G tt s p. Ra e c haraéi er-le s are ra e mighty t s g t d, ' let mem r flno thin , e t u y g y o y fa c e fa ce am n falce ma ds in l ue , From l to l o g y o ’ d m falceho o d w he n t h haue [aid as falce, Vpbrar y , r re as wat e r wind o fand e ar , As ay , , y th be o r W fe He fe r C alfe As Fo x to Lam ; ol to i s , Hind o r lie dame he r S nne Pard to t he , p to o , (lic ke the e r o ffalfehoo d Ye a let th em fay to h a t ,

As fa le as Creflid. l ' ' o a bar aine madc ic ale it fe ale it ile bee the Pand. G to g , , m Co e n ife ue r o u witnes h e re l ho ld your h and h e re y z s y f t aint ro ne faife ne an er finc e I a e ake n p p o , to oth h u t u h to let ll it t full er betw e e ne be cald b ringyo utogeth e r a p t go s f r m n m all e m all Pande rs le t to t he worlds ( 1a te y a e c th , ' ro luffes all falle wo emenCr dr and all c o nfi ant me n he T y efi , ' e we ene ande rs a Am en all broke rs b t p d y ,

m n M. Amen Tro . A e . ( ,

PremAme n. o u C am er w ic bed be Whe rev po n l will ib e w y a h b h h fie t aufe it {h all no r fpe ake o fyour prety encounters pre it to death awa ; y. d ran all to n - i e ma dens ere An Cupid g t g t d y h ,

Be cham er Pan e r ro uide e e e . d, b , d to p this g t A amem Enter V g , ne Cal No w Pri nc e s fo r the fernice I hau e do , ’ Th a ant a e o ft he me r m me al u du g ti p o pts o d, To l fo o enc e za ere m n ca l r rec mp pp it to i d, That through the fight l be are ' I a e abando nd Tro le it m h u y, y Incurd at ra to rs name ex o fd y , p Fr m c er a ne and o llell co nuenie nce s o t i p , To rin fr m me all doubtful! fo rtune sfeque fi g o , That m c flo me and c n i n e ac uaintance u ti q , o dtio , Ma e t ame and mo flfam liar t o m na re d , i y tu And ere do fe rn ce am e c me h to e yo u i b o ,

As new n the wo rld fi ran e v nac uainted. i to , g , q I do befee ch o u a in w a o ft ali y s y , To iue me no w ali le benefit g tt s i 4 O ut o ft hofe m any regifired in prom Whic h yo ufayline to come in my b e ' wo uldll thou oi r s Tro ianimake d emand?

I k now is fuc h a wreli in thei r aEaires T at e ir ne iati n all m ll flacke h th got o s u , Wan in his m anna e and he w ll almofl t g g t y i , G l u e vs a Princ e o fblood 3 50 an e o f him Le t him b e ( c ut re a Prince . g t s , he [hall buymy daught er d he r p re f ltc [h e o fall (c ruise I e ne ik do , ac ce e a ne pt d p i , ’ Le t Diomeder b eare h ' n Cre zd er Calm s {h all a g vs j hith , h ue Wh at he re quc fis o fvs : good Diomed rnilh o ufa el fo r e nt erc han e Fu y t y this g , rthall r n w r If Hefi ar w ll m rr w W b i g o d i to o o , '

e anlwe re d in his challen e A mx re a . B e g , is dy D ia Th (hall I v nde rt ake and a r e n . is , tis bu th re Which I am proud to bea . Ac lle andPatro andin their ext flt . hi s ii chiller fl ands it h en r nce o fhis e n v . A t a t t it o ur generallpail: firange lybyhim: As ifhe were fo r o t and r nce all g , p i s L ne l e n and lo o fe re ar V o nhim ay g ig t g d p ,

I w ll c me lali tis l e be e le ut fi ro nme e . i o , ik g Wh fuch v n auliiue e e are e nt i h urud o n him y p y s b w y t , Iffo I ha e de rifio n me decina e u bl , ' o le be t ee ne o ur flr n d his rid T v w y a gnes an p Which his o wne will {hall h aue defire to drin ' It m do c o o d ride a h he r lalie y , p h t no ot g , ' t elie ri ezf ne es To (ho w i but p d o r fu ple k . ance and are the ans fees Feed arro g proudm . ' e Weels exe cute our ur ole and ut Ag . y p p p

ime is li e a falhio nable ho ali Fo r t k , ' a (li h l (b ake s his ar n ell b t h hand Th t g t y p ti g gu y , And Wit his armes -Gre t cht as he w l die h out ou d , G raf es in t he c mmer the we lc me e e r fmile s p o o u , e ll es u fi h n Le t no t er e e e e And fare w go o r g i g. v tu f k Rem ne ra n fo r the t n w as Fo r be aut it u tio hi g it , y, w , H birt h v i o r o fbo ne defert in fe rnic igh , g , e, Lo ue fi rendfhi charit are fubteél s all , p, y, , o e nulo us and cal mn a in me T u i t g ti . O ne tou c h o fnature make s t he whole wo rld kin a all w o ne co nfe nt raife ne w- rne a e Th t ith p bo g ud s, Tho ughthey are mad e and moulde d o f And o e dufl that is al le l g to , itt gui t, re la t e n il o re- ll e Mo ud h gu t du d , The refe nt e e raifes t he re fe nt o bieél p y p p . The n marnell no t thou gre at and c omple t man all h re e e i Th at t e G kes b g n to wo rfhip 0A Sinc e n in m t n f ne r ca c the e e thi gs o io oo t h y , flt a w a i no . The c r e en c n e e Th t h t ts i w t on e o th , And flill it mi ht and et it ma a aine g , y y g , If t hou wo uldfi no t e ntombe thyfelfe all And c afe t h re t a n in t h e n y pu tio y t t . l r e e in t f el o f la e g o ious d ds but he t fi ds t , M a e e m l m illi n mo n li the em (clues d u ous o s g gods th , And rane re a M ar: faéiio n d g t to .

e/ c zl. O f m riuacte this yp , I a e (ir n re afo ns h u o g . ‘ Vl But ainfi r riuacie gf, g you p , T e f n he r a o s are mo re po t e nt and heroycall Tis kno wne A c hilles th at yo u are inloue W o ne o fPr iams a er ith d ught s , A chil Ha Pkno . wne . Is th at a wond er The ro uide ncc a s in a wat chfull (lat e p th t , Kn we almo ll euer n o s y thi g, Fn e m in t he v ncom reht ufine e h i d s botto p d pt , Ke a epes pl ce with thought and almo fl lik Do s v nuaile in eir um e cra l thought th d b d es. 54

t w m re la n Th ere is a mylierie wi h ho tio le o f flare urflne e r me le in th e f D u dd ) ou , r m re druine Whi c h h ath an op e at ion o , li r Th en b re ath o r pe n c an giue e xpre u e to o u a e had w Tr All t he c o mm erfe th at y h u ith oy, r e rfeéil i s c r a r m , p y u s, s you s y Lo d A chrller m c d be tt er would I t fitt u h ,

flo enPolzx emr. To throw downe He r th uflr ene n Prrbm no w at Bur it m g i you g h f n he r trum e Whe n fame {hall in o ur l lands ou d p i l {hall ri n hu And all t he G re ekilh g r e s t ppi g g, flor s filic r Achilles wmne , 2 G reat He did , re w ne hi But o ur great A m t brauely be a do ur l er f e ake Farewe ll my Lord I as yo ou p , fll dCS o re the Ic e a o u fho uld The foole th t y ' ’ e o u o u a r To elfeét A chilles a I mo d , P r , this h u y ’ m u e n an mannilh ro w ne woman i p d t d g , ’ ’ na man no r more lo th d th en an eficmi te e mnd fo r is I n time o factio n l fiand co nd th ke m l le fio mack the warre Th ey thin y itt to ,

r rea l ue me re(iraines o ut u , And you g t o to , y h s S fe r lfe and the w e ake w an o n E id weere rou you fe , t ( n , ' lo o le his am r fo uld Shall from your ne c k v n o ous , he i n mane And lik e de w d rop from t L o s , e flio o ke a re B to y , Haflor t flab S all A izzx fi w i . . h ght h r re ceiue m ch n r b him Patna ! and pe haps u ho o y . a fla e t k ,

eale ill a men iue themfelues, Tho fe wo unds b , th t do g w a ne celfar O miffio n to do e h t is y. f Se ale s a c o mmiifio n to a blanke o e in s And d anger like an agu fubt ly t a t

funne . Euen the n w h en th eyfit idelyin t he r G o c all Tber ter he he r fwe A c b l. fi t l i (e he fo o le Adam and e lire him e nd t to , d ’ mbat e Tinutt e the Troyan lords aft er the co , To fee v s heere v narmd. l aue a w mans l n in h o o g g, An appetite th at I am lic k with-all; fee great He éh r in his we e d s o fpea l e i him and e l his t a k w th , to b ho d vi ’ E en m f ll o f V e w. A la ur (aud u to y u i bo .

ber A W n er cbtl W a ? T . A fi, o d . h t ‘ ber A iax es v an wn the fi T fi. go p d do e eld asking '

imielfe . Advil Ho ( ? , w 0

m rr w i flor w He an y to o o th , d anheroycall c udgeling t hat

” 7 lac r Wh a fll e v a e . a k s nd wn l e a eaco ck a fi y p do ik p , ' n fl firi e a d a and r mina e l e an ho l hile a a d u t s ik , th t h th no ’ rithmati ue but her ra ne t o ( c do A q b i t wne h er re c ko ning: e his li Wi a o litr ue re ar e as who (11 bit s p th p q g d , o fay ’ t here were witte in this head and ew oo d out and fo th e re

is . But it l e as c l l inhim as fire in afl in y s o d y t , whi ch will no t {h o w wi u kn c in the man v ndo n f tho t o k g, s e o r eue r , fo r ' ’ ’ if Heélor breake no t his nec c m at e k ith o b , hee le b reakt ' himfelfe i ai l r He n v ne g o y e knowe s no t mee I fayd d m w i l goo orro v m And he e rep yes thanke s A gamem ' non W a hi . h t t nke yo u o f this man th at t ake s mee fo r th ’ G enerall ? - a very land fifh l anguageleile a mo nfier a ni n ama ma , o , n y we are it o n bot h fides like a ‘ chi - t A l . T mull be m mbafl A ado r Thea ter hou y fi . ' Tit er i h : / . W o 1 why be e le anlwe r no body he e ro ' p fes not anfwc rin f e a n f g, p ki g is o r be ers he weare s his ’ gg n e in s arme . 1 Will ut o n his re fe nce l to gu s p p , e t Parr oclw ma e eman m e . Yo u fhall fee the a e an o F/ Iirr k d ds to p g t x . A chil To him Parroclza . e ll him fi I humbly defir e the v a lian A w e to n l e the ’ t , i u t v alorous H atte r to c ome v narm d to m ent and r cure (at -c it f y t to p o e ondu or his perfo n o f t he ma nanim u and m alt illufirio us fixc o r g o s , feaue n times ’ ho no ur d Ca ta ne G e er i n all o f the armie. w m mn n p g o , do this. 56

'

r . I c me fr m the w rt b A c hzfle Par o o o y r. har Ha? T f, “ ho mo fll d r arr W m efi es o u P . hu b y y to inuite E c fi or to is t e n (h t. am A nd r c re fafe co nd T to p o u uét from Agamem on her A amemnon T f. g ? m Parr. I r y Lo d .

Thar If m rr w be alaire da b a l f /J to o o y, y e ucn o the clo c k w ll o e o ne wa o r er ho wfo e uer he [ all i g y oth , h pay fo r me ’ ‘ ’ re hee ha s me 7 4rr r anfwe r F . . You Thar :Fa e e e w ell w all m e ar ] t y ith y h t , £ 0t h but he is no r in t s ne 1 he . W y, hi tu , s ei but o o ne a fi Th fi No ut ftu thus . Wh t mu ck will b e in ’ fi or s o ckt o ur hi r him whcn Hc ha kn s a ne . I n no t , b i s k ow . But I am f re n ne v nlcl e the fidler A ollo e t hi fi u o , f p g s nnews e at s o n to mak C hng . ’ Achzl Co me t ho u (hal e are a l et er him firai ht , , t b t to g . Ther Le t me e e are an er ho rfe fo r fi b oth to his , th ats t he

r le l e a f n aine liird is t oub d ik ou t , ' nd I m le f f e no t t he me o f A y l e e botto it. Thar/IWou ld t he fount ai ne o f your mi nd e we re cle e re a aine t hat m w a er anAGE at it l had ra e r be a t ic g , I ight t , th k in afhee e then l ch a al an n ranc e . p , u v i t ig o flt nat rt} t h nt er at one doare e/ E ed sfla her Pa De ho m E , p , mm a iom ed t he C n ema wit h t orc hcf A nD i . ar a} See w ho a t ere 2 P . ho is th t h

‘ D ez h It t he r a f fi rm . p . is Lo d f ne I s t he Pr nce e re in erfo n e/ . i th p good oc caiio n to lye lo ng ’ s r k o t hin he auenl bu finelfe A your p rinc e Pa m gbut y , S ro b m ed m o f m c m an hould y b ate y o p y. ' fi Dia That s m m n e to o m rr w r a f rm . . y i d good o o Lo d Avaliant Gre eke gi mme take his han Witneffe ”C ”9 ‘ l I your fpeec h l l w o e wee ke b You to d h y daies, Did a n o u in t he fie h u t y ld . v f ne He al o u al an fir . th to y v i t , During all que fiio n o ft he gentle truc e ' But when I mee re o u arm d as lac efianc y , b k d e, As e ar c ant hinke o r c ra e e xecu e h t ou g t . raw e o ne a D . Th nd er B iomed e mbrac e s oth , O ur l n are no w incalme and( b o ds , 0 lon helt h: ’ g Lul d w en c n en i n and oc cafio nm h o t t o , e,

manal ne c an l e in fuch a f r No i ou o t,

But inmine i oynt a w ound and th at to morro kno w e ac h Oth er w ell? D iem We and l , do on to know each othe r worfe g . '

Par . T is t he mo fi dei i htfull en le re etin h is p g g t g g, The n le“ hat efull loue at ere I ear o f ob th h d , wh at b Lord ( 0 e arely ? 1was (c ut fo r

the re to rende r him ' Fo r the e nfr e e d A mhem r the ( a re Cr id ed , e a e y r c o m an o r if o u lcaf L ts h u ou p y, y p e, Halt e re e f re I co nfl b . ant l be lee u th o vs y e, r r (O a e r c all m o ac e r a th y th ught t i ne knowledge) l e e re n odg s th to ight, hi m note o fo ur lltywherefore:

9

’ Gre e n ( we e r m o r ile f. Th y L d lt t he a es He e (hall v nbo g t .

r ] r le him no t . T ay . T oub fle e e ill To be d to bed t p k tho nd giue as loft att achment h 5 i nfants e mpty o f all thoug t. r th [ r ef G o od mo ro w e n.

Tr o ] I rithe e no w b ed. y , p to

t hat t he bufie da t y, ro uz d t he rib ald C row m i W i l i e o ur l e no l n er And drea ing n ght l h d oy s o g , e e I would no r from th . r fe re Ni at e e ne e , ( f, ght h h b too b i c 1 i e ne m s { e flaies Tro Be fh re w the w t W us w h . i h th v o ight l ut flie t he ral e s o flo ue t i uflas hel B A s ed o y , s g p , W W in m re m m en ar fwift e n ith gs o o t y th thought, l d e and c urfe m e You w ill cat c h c o , G ra nthe e t arr o u me n w ll ne er ta jZ P y, y i u fo li e é zd l m i a e Fr ll e l o f o fh C r flght h u i h d , ’

e . th n And th e n yo u w ould h au e tarri d Harke er s o e Vp. Pand Wh at s all the doc t es ope n h eere?

him no w will he be moc king ll a ch fe I lha h u e fu a li . fl n h o w now ho w o ma en- e a Pd d Ho w o w , d d , , , g i h s ’ e ere o u m aide w he re s m c o z in Cre t d H y , y fi C re G o an r fe lfe o u nau t m c n f. h g you , y gh y o ki g - en o flo ut e m e m do c and u You b ri ng e to th y to , Pa ul To h at ro w a ? let be rfa w a . do w , do h t y h t, do e Wh at h aue I brought yo u to Cre C o m e co mc be lhre w r he art o ule net c h e fl, , you , y good, ' r u r r no f fi e O th e s . ‘ Fah d Ha ha alas re wr e t c a re chi oc hzzt halt . , poo h poo p hee no r ( a naughty man) let it i re ak e h m. t ’ h he ad w ould he were kno ckt it , o and fe e Om noc r v nckle g . k k , 6 0

c me o u a nine n m c am er o y g i to y h b , 6 and m c me a if me an na il o k , s I t ught y Tro ] Ha y . , h ( Ire I C me o u are dece iue d l t i / o y , h nke o fno ’ How earnelrl e kno ck ra ou c me in y th y , p y y o . I wo uld no t fo r halfe Tr o a e o ufe c h e ere y h u y h , ’ ’ ni e r T a . Who s th e w hat s t he m atter ? will yo ’ wne the re Ho w no w what s the a do doo , m tt e r ? J uaG oo d m rr w Lo rd o o d m rr o o , g o ow . ' PM W e re m r . ho s th y Lo d e/ f nezu by my troth I knew yo u no r t what new e s w ith yo u (0 e arly? ne s no t Pr ce Tr l fi . I in oy us h eere - Pa tt i la c wh at fho uld he do h e re ? q/ f z e Co m e he here m Lo rd do no t e n him , i s . y , d y , I t im r him m c f c ake w e doth po t u h to p ith m . ' ' P4 71 Is be er n? r . h e lay yo its mo e the n I kno w lle be lwo m e at my owh e part 1 c ame in late wh at fho uld he e do e Eere

f n c/ e. Who na e nlCo rne co me o ule him w r n , y th . , y do o g ' ere o u are w are o ule be (0 r e him to be falle him y , y t u to , to . Do no t o n w fhirn b t t o u k o , u v e fe tch him hithe r o y o g , g .

Tr o ] . Ho w no w w a t he ma t er y , h ts t i ne v . M r . I fc arce a e leifure falute ou y Lo d h u to y , M m at te r is ( ralb ere is at an y o th h d , ‘ Pan : r bro the r and D ez hohm you , p , The G re c an B iomed and o ur A nthen i , or ’ Deliuer d t o him and fo r -w , th ith, Ere the firlifacrific e wit hin i ho use , th s , We mufi giue v p to Diomedes hand

ro Is t ( 0 l e T yl. i conc ud d ' exf xe B Pr zam and t he r flar ene all e , y g ‘ T e are at hand and re a t o efi eél: it h y , dy . Tro ] Ho w m at chiuem e nts m c me y , y o k , I w ll o meete e m and m r e/ Ene dx i g th y Lo d , We met b c hanc e o udid no t finde me e re. y , y h efi n G o o d o o d m lo rd the fe cret s o fnei hbar Fah d” , g y , g Haue no t mo re ui c nit ie g ft in ta itur . fli le but l li t he diue l a xd IPr o b l t e Pa . p t o , k a t he n Princ e 0 madde a la e v o n A nthe ” , you g p gu p r w l he had ne c k A nt heno j ou d t y , ' - h t h m t e r? ho a e e re ? Ent er Crefljl Io w no wiw at s e at w w s h

fld. h ah 1 Pa A , ’ f ? re Wh li h o ndl , wher s m Lo rd o ne ( f. y g y y y g r t ell me fw e e et Vnc matte .

an Wo uld I w e re as de e e v nder t he e ar as I am a e . P . p th bou Cr O t he G o ds w hars t he ma e r efi , tt flne re be e n Pand Pra ee e t e e in w l had . y th g th ou d thou

l e fle is e a re en le . n l ne w o u d b h . 0 G bor e , k w thou d th poo t an a la e v o n e/ { nt hm on , p gu p c kle l befc e ch o u o n m nee w a the Gre . G v n f ood , y y k s , h ts matte r ’ an T m uft be ne w e ncb tho u mull be o ne tt ho u P d . hou go , g ’

hm or . T mull to fa r a be e art c hang d fo r Am hou thy th e nd ne fr m Tro lw w ll be his de ath twill bee his ane he e go o y , t i , b , re it c annot hea . o u immo rtall G I Will no r o Crefl0 y ods, g .

e e r re I w ll no r Vncl . I a f m Fa er ( f. i h u o got y th , f co nfan uinitie know no touc h o g , kinne no lo ue no blo ud no f le lo ne ere m e No , , , ou h e t r o /m 0 o u diuine As t e fw e e T y y gods , ‘ c ro ff lf h Mak e Creflezdr nam e th e very wne o a e o o If euer (he le aue Troylm' I ime fo rce and dea Do to thi s body wh at ext re ame s yo u c an: e flro n bafe and l n o fm l e ut th B g , bui di g y ou , as the e r ce n e r o f t he e ar I s v y t th, ll n He o in and w e e e D raw ing a thi gs to it. g p . D Pand. d . o, o Cre Te are m r h a re & fc ratch m raife d c he ke s fi y b ig t h i , y p e , C rac m cle are v o c e w fo bs and break e m e a k y y ith , y h rt, W t f n n r o /m I will nor o fr m Tr i h ou di g T y g o oy. Enter D

Tar . It is re armo rnin and t he re re fixt g g, hou p , Fo r he r deliuer alian Gre eke yto this v t , ’ Come s faft v Pon good my brother Troylus 6 2

VJ L I Vj t u d “1 5 “ V I bfllr i u u o fldo e the a w a u: 1yo u L dy h t is to ,

flhe r t he ur o fe . d ha to p p alke n he r Tro] . W i to e r t e G r c ian refent l He b ring h to h p y hi and w e n I de liuer he r And to s h h , n al ar and t h r her Tro lus Thinke it a t , y b ot y re o fFrin it his w h e e ar A pri e li th e g to o h t . I kn w wh a l e Pam . o t tis to ou , l as I (hal irt I c l el e And wou d , l p y ou d h p m r ? Ple afe yo u w alke in y Lo ds ' e hd nter Pandar w and ( r fla. E ‘ an: Be e rat e be m era e P mod , od t

aufet h it ho w c an l mod e rate ? As th at w hi c h c , it r z e w m alfeéh o ns Il l c ould te mpo i ith y , ake nd c o ulde r allat O r b re w it to aw e a p , c m r e fe The lik e alaym e nt co uld I gi u y g i no ualifiin dro iTe M lou e admit t e s q g , y '

l lle. No more mygri e fe in fuc h a p re c ious o nter Tr o lus E y . t uc an He re he re he re he c me , a fwe e e . P . , , o s d ks

l e e m race t oo be rc , e t m b , e ar h t,

c c d o ffuch av c rfe,

n laine a cafe . Pa . to p flo fr m Tr ? mu ( refi And is it t rue that I g o oy wh e re iniury o fchance k leauc takin iufs lc s r l b , g, ough y y: All ime o f aufe r e e l t p ud lyb gu i es o ur lippes all reioyndure forcibly preneurs ' ' r l c emb ralure s firan le s o ur o k t , g d e re v o wes Eue n in t h r e bi th o fo ur owh e laborin bre ath: We t wo a w h fo man tho ufand i hes th t it y g , Did bu e ac er m li o o rel y h oth , u p y fell o ur ( e l Wi t h r b t e u e reui , and difc har e o fo ne th d y g , I niurio us m e no w Wi a r be r hafl ti th ob s , ’ ’ C am r s his ritch the eu ryv p he e kno w e s no t h As man fare w e ll as be fi arre in heaue n y s s . Wi diliinéi re a h and c o nfi nde k th b t , g ilfcs to the m H f , e umble s VPinto a lo o fe ad ew e : ’ And skants wrrh afi n le familh t kifle vs g , ’ fl Dilta e d w t he (alt o f r en e are ith b ok t s .

e/ f izem Wi hin. M ? t y Lord is t he Lady ready ’ Tr Har o . ke u are ca ll d f rne fa t he i y , y , o y gen al t ie s fo him a inflant l m ull die to th t y , Bid e m a e ac i e nc e (he fhall c me an th h u p o on. T an W e re are r r . m e a e a ne la i in h y t s i to y th s w de, o r h ar e t wilbe blo wne v p by my C refli I muPr en the G r th to Tr o re me ? y . No dy ' full e wo Cr d mo n fi t he merr C reeker fi g y , Wh e n {hall we fe e again Tr a r me e . He e l ue 3be true o f ea y o thou but h rt . C re r flI t ue Pho w no w Pw a w c e deme i h t i k d s this? ’ Tro Na we m l y. y v fe ex o fiulat io n kindel u t p y,

r e as fear n e e t u i g th . r Fo I will r w m lo ue e a himfe fe th o y g to d th l , T a t e re o m h t h is n aculation in t hy h eart: But bee t u true fa I falhro n ho y to in, 64

fla io n be e t w e e ee ro te t rue and I ll f p , thou , i th . fhalbe ex o f (1 m r d an ers ou p y Lo d to g , mm ne : ile be r e nite as i i nt but t u . ile r w frie n w an e r w e re is 06 8 116 And g o d ith d g , th d o u lo ue w en fhall I fe e o u? An y this g , h y I will c rr the G re c ran ce n nell Tro] . o upt ti s , ee n l v ifitatio n et be rue To giue th ight y but y t . ’ re he aue ns be rue a aine? G f. Oh t g h f e ake e Tro He re w I , y, y p it lou f ll f The G reci anyouths are u o qual And [welli ng o re with arts and e xc erc i uelt ma mo ue and ar s w r i n Ho w no y y , p t ith po t o , o fG l iealo uli e Al as a kind e od y , ichl befe e c h o u c al a e r finne (Wh y v tuous , ) rd M ak e s me a fea . o u l ue me e no t ! C refi Oh he aue ns y o a Die I a v illai Tr y . ’ f in lri Inthis I do no t call your aith que o n me ri c ann t [i n So mainely as my t. I o g e le t he l auo lt no r fwc ete n No r be hi gh , ill ame fa re e r e all No r play at fubt g s i v tu s ll m nd re nan To whi c h the G re cians are mo pro pt a p g t, c c o fthe fe But I can te ll th at in e a h gra e e s a h ll and dumbo difc o urfiue diue ll Th ere lurk i ,

fi c nn n l be no t e m e . That t e mpt s mo u i g y, but t pt d hinke I ll? Crefi Do yo u t wi ill or No fo mt hin m a be ne a we w n , ro . T y , but g y do th t r fe l e s Ab dfo me times we are diue lls to o u u m t he frail o fo ur o wer Wh en we will t e pt ty p s, c han f l en Pre fuming o n th e i r ge u l pot within Na m L r ? , y good y o d t r Tro C me kilfe , and le a . y. o vs p t n Bro rhc ro las Pa mwithi . y Tro G r e r c me o u i he r? y, ood b oth o y h t re c an o And b ring Em u and the G i with y u. ? Crefi My Lord Will yo u be t ru e

Tr e Who I ala m v ice m fa l , v. , s it is y , y u t ini n Whiles oth e rs hib with craft fo r great op o ,

all and t heame o fall o ur ( c me o s, c w e o ur e a u l me Fo r whi h h ds to g i d his ho s. ' e fit fi m ad am i l ra . Th was l e i e Pet k th s min ,

s is r m. ( M m . Oh thi t i ‘ ’ aris and “rifle e uermo r f 7 m . P e o r him.

m e . Ile ha e m kiffc fir a b u l s e ( fu u y L dy y yo r e n .

re In llin o u te nder o rrec eiue . ( f. ki g do y

B a e and iue . Paar . oth t k g my matc h to ! ' is e e r e n o u iuetthe re fo re n kiile b tt th y g o , m e Ile ne o u bo o te ile iue o u ree for o M . gi y , g y th ne. ' ' Cre You are an c d man iue e ue n o r iue n ne f. g g o , en An e man a eue r man ( m a odd L dy y is odde . ’ Paris not fo r o u n w t ru Crej. No is y k o tis e uen w ou ith y . h e ad .

z ir we re no ma c o (i bo Vl jf t h , y his rne,

Wh en Hal/m is a re :I am r e r c laime w en due [ ] you d bto , it h tis . ' da an n a ifle d e lr of o u y y, th y . o urfa er th .

a i e a aflin m e T u co w elc e re c mes h t g g o it o . And wide v nclapfe the tables o fth e ir though ' ckliih re a er fer em ne d , th dow ,

Anddaugh 6 8

A ll. The Tro ans r m e y t u p t . exi ent n er c me the g , Yo d o s troup. ne fi . Ha le all t he (la e o fG re ece w a lh albe i t h t do ne. ’ To him a éc r c mm ands o r th t vi o y o , do ' A ct r lh elhe kno wne ill o uthe vi o , w y ha l S l to the e dge o f all extremity Purfue e ac er o r {b ll e be diuide d h oth a th y . B an ce o r r fl e r o ft he fie He or bad P y y voi o d ld , aske Which waywould Hrflor h aue it? exEae He care no t he ele a c o ndic io ns , s , ob y , Age : Tis done like Hatter but fec urely do n A l le ro udl and rea e ale mif rilin itt p y, g t d p g ’ The n O o f k ight pp d . e/ f ne Ifno r e/ I c hiller fir what is ur . , yo Ac hil Ifno r Ac hilles no rhin . g ire : T e ref re A chi lle but w a ere kn t is E h o f, h t ow h , In t he extremity o f great and little : Valour and prid e e xc ell t hemfe lues in Hag ar ’ The o ne lmo lr as nfin e as all a i it , The e e r blankc as no thin wa him we ll th g, y And w l e l ri e is curtefie that hic h oc k s ike p d , id i fe m e o f Heiiors l n This A ) : s h al ad b o d, Inl e alf Heflor fi aie s at me whe reo flh e , ou ho Halfe he arr halfe an alfe Hell er c me feeke : , h d, h o s to

O r e ls a re a the c m a an s ein kin b th, o b t t b g ,

Halfe e r flt ife efo re eir firo lres e in. {t n i ts th i , b th b g Vlzfi es what Troyanis that fame th at loc k e s lo

70

l a e em f ll o nhi Hatter wou d h u th a v p m thus. ll n r e e Cozen a ho o to th , t hanke t ee Hefi or M ime . l h , art e n le and free a man Thou to g t , too , t o i l ee co z en and e are e nce I c am e k l th , b h , h e a ‘ A gre at addition e arne d int y d th H efi No t N eo t al mw fo m ra le , p y i b , ’ ho fe ri cre lr fame w h her lo wdfi 0 es O n w b ght , it y ) o ld ro mifc himfe lfe rie s t his he .c u C , is p to , o f a e ho no r t o rne fr m Hcfi or A thought dd d , o ,

f e e re e x e é h nc e eere fr m the fidcs . u n . Th is p h o both a f r e r o u w ll Wh t u th y i do , e r it Hell . We ele anfw , A i4x farew e ll if e brac eme nt a , The i uc is m , ' Ytax If I m in e ntt e at ie s finde fuc c elfe t/ . ight , he c ance I w l defirc As fe l d I h au e t h , ou d ,

G re c an en . My famous c olin to o ur i t ts ' memnam wilb and re at D iamJ is M ga , g ’ he al an Helior . Doth long to fe e v narm d t v i t -' e il / f uea call m r er I r o lw m . Ha . t yb oth y to ie w And fignifie this louing e nt erv io rs o four Tr an ar To th e expeé oy p t, e G iue me t h an m Co z B ehre th e m hom . y h d y e w th e e and fee r Kn I will go c ar ith , you ight e ere iax G re at A amemnorz c m e me et c h . A . g o s to vs ’ e lt o f them t ell me name name He ti. The w o rt hi , w h e fe archin e e s But fo r A chille s my o g y , nd r l fiz eu Sh all finde him by his large a po t y

r re n m e et me c o nfirm e m r nc e l r e s e g M . L p i y b oth g ti ‘ elc me e e r You brace o fw arlik e b roth e rs w o h th , ’ flm ulr w e anfw e r He Who . ble W e’v e/4m ne . he n «fi T o , t l S Hail 0 o um Lord b M ar: his aun le han . , y y , y g t t ésx0c It no t th affe fi t he v ntrade d y , e arth) r r andam w fe fw e are s Hill b Ve nue lo ue You g i y g , es w ell but h ad m e no t c mmen r he , o d he to M eat Nam e h e r no r no wfir lh , ee s a de adl theam , y e.

Hat} 0 ardo n I ffen . , p , o d ' N e l I a e h allan r j. h u t ou g t T oyan leene th e e a o rin fo r defiin m ake cruel w a L b g y, l y, T r ran es o f G re ekilh o uth and I h ough k y , haue fe ene th ee As he r as Per é m f urre th Phri ianHee / , p y g d, Def ifin man f rfa and fubdume nts p g y o its , ’ ’ W e n all n t h aduance d fw r ith a re h thou h hu g o d y , No t le n e c ne o n t he eclin tti g it d li d e d, T a I a e (aid f me m Han er b h t h u to o y d s y, Lo e I a zrer n e r e a in life p is yo d d l g . d I a e fee n e An e e aufe , and ake th rea h u th p t y b th , W e n a ar n o fG re eke s a e fhru d e e h th t i g h u p th in, l e an l m a ralil n w in . T haue l fe ch e ik O y pi g his , But t h c n enanc e Pull l c in fie e le this y ou t o kt , I n a i l n e u er f w t l o w I kne w t hy A nd nce f w him h o ought ith , e w t b r M Bu y g eat ars t he Capt aine Ne er li e e u k th e : 0 let ano ld man embrace ee th , And w r w arrio ur we lc me o ur n o thy o to te ts. ’ e/ f m . Tis t he o ld N a flr . q H eft Let me e m race b the e good o ld Chto n hat all (0 l n walk and in and wi t ime h o g t h h th , M ll reue re nd Ne flor , I am la claf e o g d to th ee . mare ee in c nte i d th o nt on.

c ard Ide fi ght with thee to mor We ll w e lco m e we lco me , , , l a e fe e ne the ti h u me . Viz :I w u er no w ho w ] o d yonde r C itty Hands W en w e a e ere he r afe a d h h u h b n piller by vs w e ll ,

76

( ( O i n -P “I t ” v 0 Z, A l v r w u .

G o ni fw e e t r ( M emb er Hefi . od ght Lo d . h ' henSwe e t drau t, fwe e t a we et finke lwee t f r T g quoth f , u e . ”G n and w elc me bO th to th f A ria . ood ight o o e that go o r a o o d n x m at Ag fi ight . E a : Agc m: O ld Nefi or tarries and o u B io Add . , y to med.

e ke epe yo u

C om e co me enter m en x a m , , yt t. E fam a e a u m fln hat e Diomeds afalfe e r ro e a o v h t d g , ufiknaue I w l no m re w ill him w en hee le ere e n I i i l o h s, th ll a fe r ent w en he e hilfes he e w ll ( e n m and wi p h , i p d his outh ike ra ler the h un w en he erfo rm es All b h o d but h p , f re ell r i e re Will co m e f me tro nomers o t it, it is p od gious, th o ch ange t he Sonne bo rro we s o f the Moone w h e n B l amed n e ke epe s his word I will rath er le aue to fe e He ” th n no c ' do him t he fa be e kee e s aTr an ra and v les t he to g , y y p oy d b , — ' l t i all t rayto r Calm : te nt Ile aft er nothi ng but e che y

ine n v arl o t s nt er Dmmed . cont t . E ? e C194] Who ll ? Wh at are yo uv p h e re ho fpeak 2 . ca s ’ ' w Dzomed C/mlc as I thinke w e s ur a e r! D . , h t yo d ught

41 She c me o u. C . o s to y ' Stand whe re the rc m a no t dil c o ue rv s. l fi , to h y ' re ia c m e f r Tr o . C fl him. y o s o th to za How no w m c ar e D . y h g

Cre o w m fwe et ardian harke a w rd w o u. fi N y g , o ith y Tro Ye a lo fam ar? y . ili z l fiu an man at f ull li Vl S e e wi l . f, h g y ght ha n a lin her ifhe e c an take her Cliff T r . n ma m And a y y g , , ’ ' h e s in Will o u remernbe r? l n e D . ot d , y

Cal Re me m er es. . b y ' i de be Dzo: Nay but do th en and let your m n

Tr a {hall [he remem er. y . Wh t b m re to f ll Cray: Sweet honyGreeke tempt me no o o y;” a J 71 6 ( J O Q V I J n ar : Ro e r D zo. Na e Th gu y, yth e ll o u w a re e : Ile t h t, C f y '

l o u are fo rlw o m e . D io: Fo fo come t el a pin y In fai I c anno t w hat w ul o u a e me Gr e/T th , o d y h u he be fecretl en Tber : A i ngl ing t ri c to y op , (w ear: o uw l befio w o nme? p m; Wh at did yo u y ou d I hee no t l m e m ine a pret do ho d to o th, an t n a fwe et e G ree ke Bid me do y hi gbut th t , : G n D10 ood ight . : H l a i enc e Troy o d p t .

Ho o Tr a e Dio me d. 774] w n w oy fi fi No no o o d ni Ile be r f lo no mo re . 50m. , , g ght you oo e e r mull Thy b tt . a r in o ur c are Hatke wo d y . ff Troy: 0 plague and madne e ! h ? are m e rince let e art I ra U ] You ou d P , vs d p p y ' ' f call you r dilpleafure fho uld inlarge it fe l e To w rathfull t e arm s dange rous u o c The time right d e a yo g . l I ra o u Tro) : Be ho d p yy . ’' w m r o o lr Vii] ? No good y Lo d g . H re a difi ruéiio n co m e You o w to g t , fla Tr ay: I pret he e y.

e no t aric h e c c me . ”if: You hau p , o I r o ulia b el and all ells t rments Troy: p ayy y; y h l, h o , will no t fpe ake a wo r n Die : And [0 good ight. art in n er a g .

eue t h e c O ith ere tru . , w d th Viz/5 Ho w no w my Lord? e n Trey: By l oue I will be pati t . re g? fDio :F0 ( 0 ou al r Crefi G ardiafi why G ek y p te . r c Cre n fa I do e no t co me e e n e a ainc . f . I ith , h th o g r t (0 methin will o u o e Viz/3 You lh ake my Lo d a g, y g Wil re a b k out,

Tro She Ptro alres c e c e Vli . C me c me . y . his h k . f o , o Tr o Na fia b [ one I will no r ( e a e aw r y. y y, y p k o d . The re is betweene my Will andall olfcnces 78

"J A I al u m! m u b r at/ G n u“

f atience a al le w le o p fi y itt hi . Ho w t he diuell Lax »: his fat t umpe and po fin e r ck e t o e ther5fr t ato g ti l s g y ‘ ? D ia: Will yo u th en ‘ ll lo n er r flm l In fai I w eu t u e e fe . ( refi th i , f me enfo r the furct o f t G iue me o tok y i .

pati enc e r Troy: Feare me no t my Lo d . I Will ne t be myfelfe mo r h au e c ognition I f le l am all at ence Ofwhat e e , p i

a l ue e l it well e v po n th t ( ec b ho d , ’ Hee e d m e c falfe wenc ) iu me a aine: lou ‘ ( h h g t g Dio: Who fe w a m a er no w Gref: It is no tt I will n0t met t e With yo u to ‘ ed v ifit e me no m re . pre the e Diom o lh {h ar n well faid Whet one . Thar: No w e e p e s, fi fli all haue it D20. I . ‘ ’ ? D za: I a . Gr e] ? What th is th t 0 ret re le e CW] : 0 all yo u gods ; p ty p ttyp dg ’ l n n o n his be d hy mailte t no w ye s thi ki g mee and fi ht s and a es m l t , O fthee and , g , t k y g ou 0e he e e mo riall a nt hurt as 11 . ndgiue s m d i y s to it t e o t [mac fr m m . D zo: Nay do n t h it o

a a e m eart withall. ( ref: He that t ake s th at d th t k y h be fo re t his fo llo wes . D io: I had your h e art , it

fwe are a ienc e . Tr o] : I did p t e Diomed laith o u (hall no t, You (hall no t h au it , y I le gine yo u 9 20: l ll e r ( ref: It is no matt . w me ell me w ho fe it was? D . Co t ’ ’ e er hen ouwill Cra as o ns a l u d m b e tt y , f. Tw th t o t o u haue t at now y i tak e lt . $ 20: M o re was it? Craf: And by all Diana; wayting w omen yond nd b her felfe I w l no t e o u w ho fe y il t ll y . - Din: To m rr w w ll I w e are o nm Helme o o i it y , are no t c allen e d s h g it. ’ iuell and wo r fi it o nth me , y ho ,

3 afl and et it is no t p y .

thou neuer{halt moc ke B iomed

Cref: You {hall no t go eto ne c annot (peake aword but it “m flr o a u ight ts y . 3m ] do e no t e F lin 1 lik this oo g. hen I b Pint o but a ha T Nor y ; th t t t likes no t yo u ple afc s e ll m b e . Din: VVhat lhalll c o me h he hou re Cre : I c me 0 I oaezdo c me ] {hall be la ue f o ; o s p g d . o : ar e ll l en F ew ti l th . Cre : G ni ht I re t he e c me f ood g , p o Tro lus fare we ll o ne e e e t l c e o n th y , y y o k s But w m he art t he e r e e t fe ith y oth y do h e, Ah r e o ur ( ex this fa l in find poo , u t vs I , he e rr r o fo ur e e dire l s o urmind T o y é , VVhat erro r l e ads m ull erre :0 th e n conclud e Mi ud e s fw ayd by e ye s are full ha Fe o fflr n th T r: A ro o e i e c u nor ubl fld ifh m re , p g o l p o ’ a e lTe {hee raid m m nd m w r y i is tu d ho e . ’ V II : All ne m r ] s do y Lo d . ’ Vlzfi VVhyflayw e th en? Troy: To m ake a re t ardatio n to my foule O fe ue ry fillable that h e re was (poke : But ifI ell ho w t hefe wo rt t t did Cou , Shall I no t lye in 5 0

V, o . organs were d eceptions funélio ’ a n . rea e o ne l to c l m a e Was [ refleid heere i C t d y u i t nno rc oulure Troyan

m elTe hath no t afle o F adn . ‘ no Creflezd w as hee re b w. ut

To Rubbo rne Cr

t m t ers o h .

har T . Will

e a (oule this is no t {he e e e a él imo ni s w s b f n e ,

If the re be rule in v nit ie it ' ' ' madne lle o f dilcourl e This was no t [hee O , ' nflf fe V i and a ai el That t aufe le ts p w th g it ,

t Gran e nature that a n infe ara , O f this g , thi g p Diuides more wider t héri the ski e and earth h th o f diuifio n And ye t t he fpacic us re d this f btle Admits no orifex fo r a point as u , ’ ' ’ l en er A s A rzd chm s b roke nwo o e to t ,

o f The fraél io ns o f hc r faith, o rt s li es The fra ments fcra s the it s and reaz ie re u , g , p , b t g q

l i b l i fjl U, Ile (land day fo r e e and me and Tr to th oy. l Br er a e Troy . , y u a ce o fm e rc in o u oth ou h vi y y , W c e e r fits a n en am n hi h b tt Lio th a . Heflor W a ic e is ha . h t v t t good Troylus c hide mee

ro hen man t T l. W ime t e G re c an f y y s t iu i alls, Euen in the fanne an w n e re r d i d r fai ( wo d . Yo ubid em t ile and liue th . HM O tis faire la , p y,

Tro ] . P le la b he auen H élo y oo s p y y e r . Hail H no 3h . ow w o w no w ? ’ Tro l Fo r rh lo ue o f y . all the gods l H Lets t ane the ermit Fitty with o ur And w e n we ha e o ur arm rs uc e o n h u o b kl d , ' The v eno md Ven eanc e ri e v o n o ur iw r g d p o ds, S r em rut hfiill worke raine pu th to , th e m from rut h.

wart e s . no t haue yo u fi ht ' g Tro ] Who lho uld - y . with hold m e a No t fat e o b edience mor the hand , ofM ars, Becknin wi fie rie t runchionm re re g th y ti , No t Przamw and Hec aéa o n n e k e s, T e r e es re- all h i y o g e d with re co urfe o ft eare No r o um ro t her with y , your true {word O ofd der me ho uld flo m wa pp to d p y y,

0 a b c k, e r a h ha h t d vifio ns, Aml ke a r he fuddenl e ni a t i p op t y p , To te ll hee ha t t t this day is ominous 8 4»

r c me ack The re fo e o b . am s is a fiel Her . J d, nd I fi and e n a d man G reekes A do , g g to y , n the fa o f al r t o a ear Euen i ith v ou pp e, m rnin e m This o g to th . ‘ ’ I rtam I but thou (h alt

Her . I mull no t Yo uknow m e dutifull th erefore d e ere fir Le t me nor lh ame re fpe éhbut giue m e le aue To a e a ff b r c o nfe nt and c t k th t c ou e y you voi e, ‘ ‘ ic o u r f r me r all r m Wh h y do he e o bid oy P za . o l no t him [ f]:0 Prio r;ye e d to .

A nd Do no t e ere fa e r. . d th - ' Hoe « A ndi armed ”I am ofi e ndc dwi h o u , t y , Vpo n the loue yo u b e are me ge t yo u in Tro T fo o lifh re am n (u et fiinous irle y. his d i g p g ,

Make all e re b d em en . s th o ts‘ [it] :0 farewell d ee re Hector . ’ [ c oke ho w thou dy e lt lo oke ho w thy eye t ome s p Lo c e ho th w n lee at m an v en k w y ou ds do b d y ts, Har e r ro ares ho w Hec ué a cr e o ut k ho w T oy , i s , Ho w re A ndr omacbe fhrils her do lours Fo o rth poo , e e flt uéi o ft enz ie and ama ement d i n B hold , , z , e itl lTe anti e o e an he r m e ere Lik w e qu s n ot , n l e Hect ar Hcc torr ea 0 ect or A d al m , d d , H .

Tro l Aw a awa . y , y, y

Co :Fare we ll e t ( o ft . Hect or I a e m les ne ] , y t k y , ' Thou do fi thy{d ie and all o ur Troy decc aue ? ’ H er Yo u are amaz d m lie e at her e xclaime . y g , , G o e in nd che e re t he wne a to , Wet le forth and Do d e ed s worth

are at it arke roud Diom dbtleeua h , p I n o I J y C U I /

Do o u e e r o rd do o u Paxol. e m L ee re y h y , y h . a no w Tr oy] . Wh t ’ nd He e r ale er c e fr m n Pa , m re ri s tt o o yo d poo gi e . r o Le t me re a T y. d , ' atrol A who rfo n tili c k a who rfo n ralc l P . a ly t ific k {o e an t he fo o lifh f r ne o r b e m , d f irle and h t ou l s o tu this g , w at ’ o ne in w a an e r t a I (hall lt ane o u o n th g, h t oth , h t y e arb s a nd a e a the um e in m ne e e d yes a l h u i y s too and fu t h an ’ ne v nl flm an e ac mm a e e a w re c h e i y bo s, th t u rli l canno g ‘ l w a t hinke o n t What (a e th e er t e l h t to . y s th e r o Wo rds w o rds m e ere wo rds no ma t e r T . , , , as the hear y t t, ' era Th ell eél doth op t e ano t he rw ay. G e to winde t he re rne and c an e o w ind , tu h g togethe r M l e Wi w r s and e rr r Hill {he feedes y ou th o d o s , ut e ihe s an e r w he r e e es B d oth ith d d .

fle art ant le . ( w e aring raskalls ;t hat fi ale o ld Mo ufe-e at e n drye Cheefe ’ Neflor and a fame d e f xe U /i ler is no t roo u d gg fl th t o o p wo r a Blac - e rr T e fer me e v in llic ie t at th k b y, h y p po h ’ ngrill curre eA ztzx againll that dogge o f as bad de A chille s And now is t he t un e A we r e r t he . , p oud - c rre M obil/er and w ll no t arme da . W ere v u , i to y h po G re c i ans b e gan to pro claime barbarifm e and polli c i r n an ll o nio n c m e fle t o we s t i i So fi here e ne 8c o t he r g i o p . o s ,

ro . Pl e n0t fo r lh ouldfi than a e t he riuer S x I T y y t k ti , fw im aft er would , mmed Th do o ll mifcall re re D . ou ti , fli t ar I do e no t e bu aduanta io us c e , g , Vith- re w me fr m the o ds o fmultitude haue at he ? V d o , t e - her Iold th w re G recian: no fo r th w re ro ian T j y ho w y ho T ,

e flre e h r w G e r And there t a y k s ipe fo r his e dge Fa wne ef re him l e a m w e r ( wa ll do b o ik o s th , He re t he re and e uer w he re he leaue s and a e , y , t k s, e er (0 a m a e e D x t ity ob y g pp tit , ’ ’ a he w l he and Th at wh t i l do s, do s fo muc ’ a ro o fe call d im o fli bilir Th t p is p y. V c o ura e c o ura e Pr nc e rea M] , Oh g , g i s, g t s armin we e in c urfin w n en e I g, p g, g, vo i g v g a ' Pat roclus w n a e ro uz d d r wz l d ou d s h u his o y b o u , Toge th e r w ith his mangle d ha no fe le fie handleffe ac and c hi t c me him T t , h kt p o to . ' ‘ C r n o n Heézor A mx a l f a fr e n yi g , h th o t i d , fo ame s at mo ut h and he e is ar c Arid , md and at it: R ar n Fo r Tr lm w ho a h ne da o i g qy , h t do to y, Madd e andfant at ue e xe cut io n ' him f Engagi ng and red e eming o f fel e ' uch c arele fle f rc e and Fo rc eleife c are f a VWth o , , ’ ’ if t hat luft in er f i ht o fcunnin bad him n all As v y p g g , wi .

flrer A ime Tra lm t ho uc ar Tro lus . w E . j , o d y zo t here t he re ? D . I , f r e r i: So o e aw e . Ng/ , , w d tog th nter A chillrr E . c hd W e re is Heéiar ? A . h this C o me co me tho u bo - eller fhew t h fac e , , y qu y , K now wh at it is to m ee re M obil/er angry ' rfl w ll e e flo flet c or n n H He or wh s H I i o but Tr o lus {h aw t h e a d y yh d .

Enter Diom .

w o uldfl inx W a M . h t thou . D iem I w ul c o rrefi him . o d . f o ldfla m c e h u ue ffi hou h y o , Ere th at c o rreéiio n nter Tro l m E j . ' Tr tra to r B iomed rne th falle Face ut ra t or oy, Oh y tu y tho y , e o eflf o l f w me or m h rfe i thou y . thou the re? A i t m Ile fight wi hhimalone Rand Wiomed. 58

I-Ie is m riz e I w ll no r lo o ke v o n Diom . y p , i p e o u r Com e both yo u co u at y bo h .

e ee hah ent er flab”. th , ' ff aufe if u w l . Ho . P tho i t ' r an hil I dildaine t h c urt e fie Tr , A c . do y p oud oy m arme are o m Be h appy th at y s l e nce e frie n ee no w, My refi and neg ig b ds th fme a aine Bur thou anon {halt h ere o g f r n Till wh e n go e ( e eke thy o tu flFare ee well. e H . th m re a fre lhe r man Iwould h aue beene muc h o ,

e auen

Or bri ng him m life da . I wreak e no t though I e nd y to y in armour Enter one . re eke u art a l H fl: S an Il and h G , tho good y e t d t ou l o I li e th arm r w el , No wilt thou n t . k y o ll: Ile frulh it and v nlo clt the riners a fle f t rlt no t be a ab d , But ile be maifie r o i , w thou i fo r th e h e nflie n ile n he e . y W y th o , hu t t hid o it h W nnzal m. Eater Adar/[er w y

Mark e what Strike no t a And wh en I u n r nd ab , Empale him with your weapo s ou o t me I n fellefi manne r e xe c ut your ar s Follow me firs It is d ec re e d H

u le ris l we no w m do b now ll no do e lo we Pa o y bu , w g g e are ’ he llhas the am w en d f art a e Paralo we t bu g p n, low g ‘ mo it Parir and W enel homes ho 2 Ex an and fi Bra/LTurne {l e ght. Thar W a art ? . h t thou fo nne o fprid m-f Ba A Ball ar . fl, d o o I l e baflr flr t Ther : I am a ba a d a ds I ambafl f , ou ard be. ’ aflrd i n m n t (iar nfi ruéced b a e bafl i o , ba d , d , ard in v alo ur g i , in e ue r in illi itimat e ne e are w rl no t e an r yth g g p b bit oth e , and r o l o ne baflard a e w ere f e fh u d ee t h h o t k h d e quarrells m lt m n s v s if t he ( nne o f a o o i ou to o whore figh ho r he e m iud em ent arewe ll bafl w e , f ard t pts g . he diue ll a e ee c w ar T t k th o d ,

.He& Mo ll utrrfie d c re {0 fa re wi t . p o i thou , l arm r t a c o flt h lif Thy good y o hus h th y e ; No w is my daie s worke done ile t ake my b reth Refi (w r all t h fill o f blo ud and e at o d thou h y d h , Ent er c hill s and tfl/ rm ido A e m {j . A 065] : L e Hefi or ho w the S nne e n fer ok u b gi s to , l Ho w o ug y night com e s bre athi ng at his hee le s uenw t he aile and darknin o fthe S nne E ith v g u , ' fl o e lo le t he da v He ors life is ne T y p do . ’ ft I am v narm d fo r o e an a e G r e . c cke H g this v t g . dvil Stri e fell we Ilrike s is t he m I A . k o s thi an So Illi n fa l nex c o me Tr finke wne o l thou g oy do , He re l e th heart t h finnew e s and t h ne i s y , y y bo . n rm dom and c r o u all ama ne O W y y , y y i , dieu a m flr er/a t he i He o flaine A h th ghty , e ar t v o n o ur G r c a ra Hark e ire p e i n p t . One: The Tro ans r m e f n t he l ke m r y t u p t ou d i y Lo d , A rbil: The d ra n w in o f ni o re f re ds t he e ar go g ght p th , nd Iiickle r-l e t he armie s fe ara A ik p tes . M yh alfe fupt ( word th at frankly would haue fe dde ’ Pl eal d w ith this d ainty b ait e t hus goes to bed: C me tie m b rfe s a le o his body to y o t i , Al n t he fiel I w ll t he Tr an t raile o g d i oy .

A 4 Hark harke what is t is? g . , , h

7 m mytory n e a w c c n cie ncc G Ile h au t thee lik i ke d o f ill . ' mo uldeth o blrns lwrft as fi ie nz e s h Th at g thoug ts, re m rc r w c mf r St rike a f e a h , to T oy ith o o t go e o f reuen (h all e o ur nw ar o e Hope g hid i d w . “ - f at ter Panda m.

es Oh w rl o d, Oh traitors and and ho w ill t e and t he per ' a erle for ? hat nc e fo rit? loath e d, wh t v it W infia l et me fe e , m le Bee o lin hu b d th g, n and his (l n his ho y i g. A nd be ing once fubdud e in armed taile S ee ho n and w t y, ainted clo thcs p a ,

w e e t iue f me r ne s O r ifyo u cannot eep y g o g o , Though no t fo r me ye t fo r my akingbones : d fill e rs o ft he l -o re ra e Brethrenan ho d t d , (hall ere be ma e h d , is is th , would bifie .

' t ifeafcs And at tha time be queath yo umyd .

FI N I S .