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Bruce Beresford's Breaker Morant Re-Viewed
FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam. -
Feedtime and Rachael Leahcar Rise to the Top Spots in the Community Radio Charts
Feedtime and Rachael Leahcar Rise To The Top Spots in The Community Radio Charts By Kate Marning Published April 26th, 2017 www.themusicnetwork.com/news/feedtime-and-rachel-leahcar-rise-to-the-top-spots-in- the-community-radio-charts Amrap Metro and Amrap Regional Charts provide insight into what’s gaining airplay and attention on community radio. The charts show the top ten tracks ordered for airplay by community broadcasters through the Amrap's AirIt music distribution service. This week feedtime move up into the top spot in the Amrap Metro Chart, with Rachael Leahcar rising up to #1 in the Amrap Regional Chart. Sydney-based trio feedtime have taken out #1 in the Amrap Metro Chart with Any Good Thing. Feedtime's latest album Gas, their first release in over 20 years, was PBS FM Melbourne's Feature Record of the Week. Any Good Thing features in Tone Deaf's 'The 7 Best Aussie Songs You Haven't Heard' with PBS FM Melbourne's Music Director Cam Durnsford'. Check out the article here. The post-punk charting track has received airplay support from 6HFM, Radio Goolarri and Harvey Community Radio in WA, OCR FM, 3WAY FM and 96.5 Inner FM in VIC, 5 Triple Z, Three D Radio, PBA FM and Three D Radio in SA as well as 2SEA, Yass FM, Nim FM, 2EAR FM, FBi Radio and Radio Skid Row in NSW. Rachael Leahcar has earned #1 in the Amrap Regional Chart with What They Don't Tell You. Watch the official video teaser for the pop-country track as featured viaAmrap pages, on station websites including Voice of the Avon FM in WA, Fraser Coast FM in QLD, PBA FM in SA, 3WAY FM and 979fm Community radio in VIC, as well as Northside Radio and Valley FM in NSW . -
Making Our Own—Two Ethnographies of the Vernacular in New Zealand Music: Tramping Club Singsongs and the Māori Guitar Strumming Style
Making our own—two ethnographies of the vernacular in New Zealand music: tramping club singsongs and the Māori guitar strumming style by Michael Brown A thesis submitted to Victoria University of Wellington/Massey University in fulfilment of the requirements for the degree of Doctor of Philosophy in Music New Zealand School of Music 2012 ii Abstract This work presents two ethnographies of the vernacular in New Zealand music. The ethnographies are centred on the Wellington region, and deal respectively with tramping club singsongs and the Māori guitar strumming style. As the first studies to be made of these topics, they support an overall argument outlined in the Introduction, that the concept of ―vernacular‖ is a valuable way of identifying and understanding some significant musical phenomena hitherto neglected in New Zealand music studies. ―Vernacular‖ is conceptualised as an informal, homemade approach that enables people to customise music-making, just as language is casually manipulated in vernacular speech. The different theories and applications which contribute to this perspective, taken from music studies and other disciplines, are examined in Chapter 1. A review of relevant New Zealand music literature, along with a methodological overview of the ethnographies is presented in Chapter 2. Each study is based upon different mixtures of techniques, including participant-observer fieldwork, oral history, interviews, and archival research. They can be summarised as follows: Tramping club singsongs: a medium of informal self-entertainment among New Zealand wilderness recreationists in the mid-twentieth century. The ethnography focuses on two clubs in the Wellington region, the Tararua Tramping Club and the Victoria University College Tramping Club, during the 1940s-1960s period, when changing social mores, tramping‘s camaraderie and individualism, and the clubs‘ different approaches, gave their singsongs a distinctive character. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
The Workshop Film Group – a History 1968 – 2018
The Workshop Film Group – A History 1968 – 2018 THE WORKSHOP FILM GROUP A History 1968 - 2018 By Richard Keys, John Lanser and Michael O’Rourke Dedicated to Vi & Laurie Collings and Helen Ramsay. With thanks to all of our members who have contributed so much over the journey. Clockwise from top left: Helen Ramsay, Vi Collings, Laurie Collings First published by the Workshop Film Group, 2018 Workshop Arts Centre, 33 Laurel St, Willoughby, NSW www.workshopfilmgroup.net Copyright © Richard Keys, John Lanser and Michael O’Rourke, 2018 Compiled by Ian Grey 16 July 2018 Printed and bound by Forestville Printing, E4/15 Narabang Way, Belrose, NSW 2085 Page | 1 The Workshop Film Group – A History 1968 – 2018 CONTENTS Background 3 Birth of a film society 4 Programming 5 Technical challenges and significant steps forward 6 Residential film weekends 7 Non-residential film weekends 10 The sound of silents 10 Another dollar, Another Day 12 The Group logo 13 Special guests 14 Committee and membership 19 Appendix 1. Filmography 21 Appendix 2. Milestones 22 Appendix 3. Press clippings 23 Appendix 4 Programs 29 Page | 2 The Workshop Film Group – A History 1968 – 2018 BACKGROUND The Workshop Arts Centre (WAC), established by the artist and teacher Joy Ewart, was officially opened by Australian artist Hal Missingham on August 16, 1963. Prior to this Joy had run an art studio in a two-storey building - a former stable with overhead loft - in Dalton Street, Chatswood. Classes were held there from 1955 until 1961 when the Willoughby Council declared the premises unfit for occupation. -
Festival 30000 LP SERIES 1961-1989
AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR. -
Aacta Award Winners
Media Release: Strictly embargoed until 4.00pm Tuesday 28th January 2014. THE AUSTRALIAN ACADEMY ANNOUNCES THE FIRST GROUP OF 3RDAACTA AWARD WINNERS A full list of nominees and winners announced today can be found at the end of this document. The 3rd AACTA Awards Luncheon presented by Deluxe was held today at Sydney’s The Star Event Centre, where the Australian Academy of Cinema and Television Arts (AACTA) announced the first group of the 3rd AACTA Awards winners. The charming and often hilarious actor Patrick Brammall, who won the AACTA Award for Best Performance in a Television Comedy for his depiction of entrepreneur Sean Moody in ABC1’s comedy series A MOODY CHRISTMAS in 2013, hosted the sold out event. The group of awards presented at the 3rd AACTA Awards Luncheon presented by Deluxe recognised the talent and innovation of practitioners working across television, documentary, short fiction film, short animation and feature film categories. Joining Brammall to present the day’s 22 Awards was AACTA President Geoffrey Rush, and actors Richard Cawthorne & Damian Walshe-Howling (BIKIE WARS), Glen McMillan from WONDERLAND, Abby Earl and Arianwen Parkes-Lockwood (A PLACE TO CALL HOME). WENTWORTH’S Leanna Walsman, and BETTER MAN’s, Remy Hii - just to name a few. 3rd AACTA Awards Winners Announced The Australian feature film category was dominated by BaZ Luhrmann’s THE GREAT GATSBY which won each of the six Awards for which it was nominated, including Best Cinematography, Best Production Design, Best Costume Design, Best Editing, Best Sound, Best Original Music Score presented by APRA AMCOS and the AACTA Award for Outstanding Achievement in Visual Effects. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
History Sydney Film Festival
HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World. -
Sydney Film Festival Award Winners Announced at Closing Night Gala 19/06/2016
MEDIA RELEASE EMBARGOED UNTIL 08:30PM SUNDAY 19 JUNE 2016 SYDNEY FILM FESTIVAL AWARD WINNERS ANNOUNCED AT CLOSING NIGHT GALA The 63rd Sydney Film Festival tonight awarded Aquarius, directed by Kleber Mendonça Filho, the prestigious Sydney Film Prize, out of a selection of 12 Official Competition films. The $63,000 cash prize was awarded at the Festival’s Closing Night Gala awards ceremony and event: the Australian premiere screening of Whit Stillman’s Love & Friendship, held at the State Theatre. Sydney filmmaker Dan Jackson was awarded the Documentary Australia Foundation Award for Australian Documentary, a $15,000 cash prize, for In the Shadow of the Hill; with a special mention going to Destination Arnold directed by Sascha Ettinger Epstein. The Dendy Awards for Australian Short Films were announced; awarding Slapper, directed and written by Luci Schroder, The Dendy Live Action Short Award; The Crossing, directed and written by Marieka Walsh, The Yoram Gross Animation Award; and Goran Stolevski, the Rouben Mamoulian Award for Best Director, for You Deserve Everything. The Event Cinema Australian Short Screenplay Award was awarded to Spice Sisters, written and directed by Sheila Jayadev, who received a $5,000 cash prize, with a special mention to Matthew Vesely for My Best Friend Is Stuck On The Ceiling. The new annual Sydney UNESCO City of Film Prize was awarded to Ms Lynette Wallworth, who received $10,000 prize awarded by Screen NSW, presented by Margaret Pomeranz AM. Sydney Film Festival CEO Leigh Small said, “Cinemas were full again this year with an average of 73% capacity across all sessions and more sellouts than ever before. -
British Cinematographer048
– 062 British Cinematographer – 061 Covering International Cinematography – 060 www.britishcinematographer.co.uk – 059 Issue 048 ––– November 2011 – 058 – 057 – 056 – 055 – 054 – 053 – 052 – 051 – 050 – 049 – 048 – 047 – 046 – 045 – 044 – 043 – 042 British – 041 – 040 048 – 039 – 038 – 037 Cinematographer – 036 – 035 – 034 Covering International Cinematography ROBERT RICHARDSON ASC ON T H E 1 9 3 0 ’ S LOOK AND 3 D STEREO S H O O T I N G OF MARTIN SCORSESE’S FANTASY HOW CHRISTIAN BERGER SET ABOUT LENSING ROYAL GERMAN DRAMA LUDWIG II ––– PLUS CAMERIMAGE 2011 PREVIEW: INCLUDING TRIBUTE TO LIFETIME AWARD WINNER JOHN SEALE ACS ASC STEPHEN GOLDBLATT BSC ASC on THE HELP ––– LARRY FONG ASC on SUPER 8 ––– SLAWOMIR IDZIAK on BATTLE OF WARSAW 1920 IN 3D ––– BSC, IMAGO, GBCT & PRODUCTION NEWS ––– WHO’S SHOOTING WHAT? DARIUSZ KUC PSC ––– REVIEW OF THE LATEST FILMMAKING GEAR AT IBC 2011 ––– JUSTIN BROWN ––– THE LATEST NEWS FROM TINSEL TOWN ––– GILBERT TAYLOR BSC British Cinematographer British Cinematographer Covering International Cinematography Covering International Cinematography www.britishcinematographer.co.uk www.britishcinematographer.co.uk Issue 048 ––– November 2011 22 Issue 048 ––– November 2011 23 For his camera work on The White Ribbon, Berger On the Job received many international awards, including Cinematographer Of The Year/Los Angeles 2009, –––DP Christian Berger AAC the ASC’s 2010 Outstanding Achievement in Cinematography Award, plus nominations from the Ludwig II Academy, and also the BSC. The list of domestic wins also includes German Film Award, the Lola 2010, the Austrian Romy 2010, as well as Diagonale Kamerapreis 2010 from the Austrian Association of Cinematographers.