Class of 1969 50Th Reunion
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Alumnae Colleges and Universities
Alumnae Colleges and Universities Alaska: Florida: • University of Alaska • Eckerd College • Florida Atlantic University Alabama: Georgia: • Auburn University • Augusta University Arizona: Iowa: • Northern Arizona University • Prescott College • Grinnell College • University of Iowa California: Idaho: • American Music and Dramatic Academy • University of Idaho • California Polytechnic State Illinois: University • City College of San Francisco • Northwestern University • Loyola Marymount University • Mills College Kansas: • Pitzer College • San Francisco State University • University of Kansas • Scripps College • Stanford University Kentucky: • University of California – Berkeley • Frontier Nursing University Colorado: Louisiana: • Art Institute of Colorado • Colorado College • Tulane University • Colorado State University • Colorado University Boulder Massachusetts: • Denver School of Nursing • Naropa University • Assumption College • University of Colorado • Boston College • University of Denver • Boston University • Hampshire College Connecticut: • Harvard University • Mount Holyoke College • Wesleyan University • Tufts University • Yale University Maryland: • University of New Mexico • St. John’s College New York: Maine: • Barnard College • Colgate University • Bates College • Columbia University • Bowdoin College • Cornell University • College of the Atlantic • Global College of Long Island University Michigan: • Hamilton College • New York School of Interior Design • Kalamazoo College • New York University • Michigan State University -
Discipleship Series: Called and Equipped by Clayton Imoo
This Youth Ministry Access session is provided by the Center for Ministry Development. To learn about Youth Ministry Access and resources like these, please visit us online at www.YouthMinistryAccess.org or email Angel Barrera at [email protected]. Discipleship Series: Called and Equipped By Clayton Imoo Purpose In this session, participants will be encouraged to become better witnesses for Jesus by living lives of truth. As well, participants will be invited to share their gifts with the world; no matter how unprepared or unqualified they may feel. This session is the final installment of a four-part series themed on discipleship based on Building Blocks of Faith by Laura Keeley and Robert J Keeley: ‘I Belong’, ‘I Understand/Know’, ‘I Have Hope’, and ‘I am Called and Equipped’. Component: Evangelization Session at a Glance 7:00 p.m. Welcome and Opening Prayer 7:08 p.m. Community Builder: 2 Truths and a Lie 7:20 p.m. Video: Telling the Truth 7:25 p.m. Presentation: Being a Witness 7:40 p.m. Small Group Discussion: Truth & Witnessing 7:55 p.m. Presentation: Called and Equipped 8:05 p.m. Closing Prayer 8:20 p.m. Announcements and Refreshments Materials Needed ● Bible ● Audio & Visual equipment: ○ Computer ○ LCD projector ○ Projection screen ○ MP3/CD player and speakers ● Resource 1, Small Group Discussion Guide, one per small group ● Internet access to YouTube videos: ○ “Telling the Truth” by Outside Da Box ■ https://www.youtube.com/watch?v=p3ctq4Zu8qc ○ “Lose My Soul” by TobyMac: ■ https://www.youtube.com/watch?v=coHKdhAZ9hU ○ “Fish with Me” by Ken Canedo ■ https://www.youtube.com/watch?v=_RCfTPgkDEo Discipleship Series: Called and Equipped Copyright © Center for Ministry Development, 2016. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Online-2020-Stallion-Directory-File.Pdf
2020 PENNSYLVANIA STALLION & BOARDING FARM DIRECTORY UPTOWNCHARLYBROWN Photo by Alix Coleman 2020 PENNSYLVANIA STALLION & BOARDING FARM DIRECTORY Pennsylvania Horse Contents Breeders Association Pennsylvania, An Elite Breeding Program 4 Breeding Fund FAQ’s 6-7 Officers and Directors PA-Bred Earning Potential 8-9 President: Gregory C. Newell PE Stallion Roster 10-11 Vice President: Robert Graham Stallion Farm Directory 12-13 Secretary: Douglas Black Domicile Farm Directory 14-15 Treasurer: David Charlton Directors: Richard D. Abbott Front Cover Image: Uptowncharlybrown Elizabeth B. Barr Front Cover Photo Credit: Alix Coleman Glenn Brok Peter Giangiulio, Esq. Kate Goldenberg Roger E. Legg, Esq. PHBA Office Staff Deanna Manfredi Elizabeth Merryman Joanne Adams (Bookkeeper) Henry Nothhaft Jennifer Corado (Office Manager) Thomas Reigle Wendi Graham (Racing/Stallion Manager) Dr. Dale Schilling, VMD Jennifer Poorman (Graphic Designer) Charles Zachney Robert Weber (IT Manager) Executive Secretary: Brian N. Sanfratello Assistant Executive Secretary: Vicky Schowe Statistics provided herein are compiled by Pennsylvania Horse Contact Us Breeders Association from data supplied by Stallion and Farm Owners. Data provided or compiled generally is accurate, but 701 East Baltimore Pike, Suite E occasionally errors and omissions occur as a result of incorrect Kennett Square PA 19348 data received from others, mistakes in processing, and other Website: pabred.com causes. Phone: 610.444.1050 The PHBA disclaims responsibility for the consequences, if any, of Email: [email protected] such errors but would appreciate it being called to its attention. This publication will not be sold and can be obtained, at no cost, by visiting our website at www.pabred.com or contacting our office at 610.444.1050. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
DIRECTORS GUILD of AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8
The Museum of Modern Art For Immediate Release November 1986 DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8 Elaine May and Louis Malle will be honored by The Museum of Modern Art as part of the ongoing DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIVERSARY TRIBUTE. Ms. May, film director, playwright, actress, and comedienne, is the subject of a tribute on Monday, November 17, at 6:00 p.m., when her 1976 revisionist buddy-movie Mikey and Nicky will be screened. Mr. Malle, a provocative director of sensual images who has experimented with a variety of film forms, will present his 1980 film Atlantic City, starring Burt Lancaster and Susan Sarandon, on Monday, December 8, at 6:00 p.m. In Mikey and Nicky Ms. May tailors the framing and dialogue to the personalities of the actors John Cassavetes and Peter Falk. Convinced that a contract is out for him, Nicky (Cassavetes), a small-time hood, calls his childhood friend Mikey (Falk), a syndicate man. Their one night encounter is the focus of the film. A seemingly casual approach cleverly disguises a tight, carefully-planned structure. From a screenplay by John Guare, Mr. Malle's Atlantic City uses the transitory character of the boardwalk town as a backdrop for a tale of decay and corruption. Mr. Lancaster plays the aging friend and protector of an ambitious nightclub croupier, played by Ms. Sarandon. As a child Ms. May appeared on stage and radio with her father, Jack Berlin. After collaborating with Mike Nichols on stage, radio, and television through the mid-sixties, she made her film acting debut in Clive - more - 11 West 53 Street, New York, N.Y 10019 Teh 212-708-9400 Cable: MODERNARI Telex: 62370MODART - 2 - Donner's Luv (1967) and Carl Reiner's Enter Laughing (1967). -
2018 APOSTOLIC PRAISE CHORUSBOOK Richard W. Smith
2018 APOSTOLIC PRAISE CHORUSBOOK The 2018 Apostolic Praise© Chorusbook combines a unique compilation of 130 choruses, written chiefly for those who have gone through the Apostolic Praise© series who wish to enlarge their repertoire of songs. It contains a wide variety of songs, from old standards such as “Wonderful Peace” to Gospel choruses such as “Saved” “Power” and “Breakthrough” to more contemporary songs such as “Jesus Messiah.” However, what makes this chorusbook different is the fact that the songs are not written with just the basic, easy, boring chords, as most lead sheets are. Instead, the songs have been totally rewritten with advanced, fullsounding chords, giving the musician that plays them a very professional sound. When the musician plays “O I Want To See Him” the Apostolic Praise© way, it won’t be with just the simple IIVV chords. Instead, it is going to have a variety of complex, beautifulsounding chords that will make the song sound more modern. Also included are some resources on how to transpose songs to different keys, as well as an explanation page for some of the unique symbols that this chorusbook uses. Richard W. Smith www.ApostolicPSOM.com Email: [email protected] 6508772473 © 2018 Richard W. Smith Apostolic Prais e How To Transpose Songs To Different Keys Imagine that you are the main pianist for your church. One day an evangelist comes to your church and you have to play “Amazing Grace” for his wife, who is going to sing a solo that night. Unfortunately, she wants you to play it in the key of Ab and your church always sings it in F. -
Pwc in the Caribbean 2018 © 2018 Pwc
PwC in the Caribbean 2018 © 2018 PwC. All rights reserved. PwC refers to the PwC network and/or one or more of its member firms, each of which is a separate legal entity. Please see www.pwc.com/structure for further details. Serving the Caribbean with purpose To say the least, 2017 was a busy year! Looking back, our of services in every line of service and business unit. By economies had their ups and downs and the financial continuing to fortify the core of our business, we have markets experienced significant swings. 2017 also saw an positioned ourselves to look to 2018 with confidence and introduction of many new and inspirational opportunities, optimism. as well as political and economic changes – sweeping The theme for 2018 is “what’s our potential”. This is a year across the globe. in which we want to set records; record growth, record 2017 – A year of uncertainties, inspiration and change client service, record brand recognition, and at the same maintain our status of being employer of choice. We From a new President in the United States to artificial surveyed our people and clients in 2017 about how PwC intelligence, which will soon drive the way leading firms can reach its full potential, we listened, made appropriate provide everything from customer service to investment changes based on many of your suggestions and we believe advice; from blockchain, and its ability to store information these changes will make a difference. data on distributed ledgers without a central clearinghouse to cyber security that assists our clients hold off threats These improvements will make PwC in the Caribbean that come from multiple directions to risk management, achieve the goals to which we all aspire, by working culture, ethics and trust. -
„As Always the Lunch Is Naked‟ Jack Kerouac‟S
Universiteit Gent Academiejaar 2006-2007 „AS ALWAYS THE LUNCH IS NAKED‟ FORMAL EXPERIMENTS OF THE BEAT GENERATION FOCUSSING ON JACK KEROUAC‟S SPONTANEOUS PROSE AND WILLIAM BURROUGHS‟S CUT-UPS Promotor: Gert Buelens Verhandeling voorgelegd aan de faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad licenciaat in de taal- en letterkunde: Germaanse Talen door Lien De Coster 2 ACKNOWLEDGEMENTS I‟d like to thank Gert Buelens, my promoter, Ishrat Lindblad, Olga Putilina, and Rickey Mantley for their revisions, useful comments, enthusiasm and interest. 3 DEDICATION Last year, when I lived in Sweden, I caught a lung inflammation after I went swimming in the ice. One day during my long recovery, a friend of mine brought me a book. It was The Dharma Bums by Jack Kerouac. When I finally got better we talked about it, and for the first time I heard about the Beats. Back then my friend had a hard time defining who they were and my understanding did not come that evening – it came gradually through frequenting Wirströms, the wonderful jazz bar where the musicians made „IT‟ happen every week during the Tuesday jam session, through a lot of walking and talking in the everchanging everlasting woods, through travelling by myself, with my backpack as my only companion. Gradually it came - till the day the friend who had given me the book sent me a letter. When I read it, I knew I understood; 4 Monday, March 6, 2006, 4:53 AM last night i meet a old man(60 i think) spanish man in that party where i invite you... -
%HQQLQJWRQ &Ollege
BENNINGTON COLLEGE BULLETIN at Bennington College Summer 1935 · BENNINGTON COLLEGE BULLETIN ISSUED QUARTERLY AT BENNINGTON, VERMONT Volume Three :: February 1935 ::Number Three The Bennington School a/ the Dance The Bennington School of the Dance, established in the summer of 1934 as a center for the study of the modern dance in America, will hold its second session at Bennington College, Bennington, Ver- mont, from July 5 through August 17, 1935. The School, organized and conducted as an autonomous division of Bennington College, represents a plan for the integrated study of the modern dance. The plan is based upon the belief that the modern dance is made up of a number of distinct expressions, each independent and significant in itself, which together constitute the contemporary form of the art. Therefore, for the student of the modern dance, a well founded individual point of view and sound critical judgment of his own and other's work must rest upon a comprehensive understanding of all of the influences shaping the development of the dance today. The work of the School comprises an impartial analysis of those approaches to the technique and choreography of the modern dance best established in this country. It includes a survey of the historical background of the dance and a critical interpretation of modernism in the dance. It relates to the dance those aspects of music and of the theatre arts which are indispensable to an under- standing of the whole structure of the art. The organization of work allows for differences of emphasis, thus making it possible to unite in one group, with the consequent desirable interchanges, students of a variety of interests and abilities. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................