Reviews for Murder by Decree
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Madonna: Kabbalah with the Kids! the Cast of the Bold Type Are Super Talented, So It’S Not Really Surprising to Madonna Makes a Quick Entrance Into Know That
JJ Jr. RSS Twitter Facebook Instagram MAIN ABOUT US EXCLUSIVE CONTACT SEND TIPS Search Chris Pine & Annabelle Wallis Miranda Lambert Mentions Will Smith & Jada Pinkett Smith You Won't Believe What One Hold Hands, Look So Cute Blake Shelton's Girlfriend Don't Say They're Married Woman Did to Protest Donald Together in London! Gwen Stefani in New Interview Anymore Find Out Why Trump (Hint: It's Terrifying) Older Newer SUN, 10 MARCH 2013 AT 7:30 PM Tweet 'The Bold Type' Cast Really Wants To Do A Musical Episode Madonna: Kabbalah with the Kids! The cast of The Bold Type are super talented, so it’s not really surprising to Madonna makes a quick entrance into know that... the Kabbalah Center while all bundled up for the chilly day on Saturday (March 9) in New York City. 'Free Rein' Returns To Netflix For The 54yearold entertainer was Season 2 on July 6th! Free Rein is almost here again and JJJ is accompanied by three of her children, so excited! The new season will center Lourdes, 16, Mercy, 8, and David, 7. on Zoe Phillips as... Last week, Madonna and Lourdes met up with some dancers from her MDNA tour at Antica Pesa in the Williamsburg Justin Bieber & GF Hailey Baldwin section of Brooklyn, where they dined on Head Out to Brooklyn... Justin Bieber and GF Hailey Baldwin are yummy Italian cuisine. continuing to have so much fun together! The 24yearold... An onlooker commented that Madonna seemed like the “coolest mom in the world,” according to People. -
The Rhetorical Significance of Gojira
UNLV Theses, Dissertations, Professional Papers, and Capstones 5-2010 The Rhetorical Significance of Gojira Shannon Victoria Stevens University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Repository Citation Stevens, Shannon Victoria, "The Rhetorical Significance of Gojira" (2010). UNLV Theses, Dissertations, Professional Papers, and Capstones. 371. http://dx.doi.org/10.34917/1606942 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. THE RHETORICAL SIGNIFICANCE OF GOJIRA by Shannon Victoria Stevens Bachelor of Arts Moravian College and Theological Seminary 1993 A thesis submitted in partial fulfillment of the requirements for the Master of Arts in Communication Studies Department of Communication Studies Greenspun College of Urban Affairs Graduate College University of Nevada, Las Vegas May 2010 Copyright by Shannon Victoria Stevens 2010 All Rights Reserved THE GRADUATE COLLEGE We recommend the thesis prepared under our supervision by Shannon Victoria Stevens entitled The Rhetorical Significance of Gojira be accepted in partial fulfillment of the requirements for the degree of Master of Arts in Communication Studies David Henry, Committee Chair Tara Emmers-Sommer, Committee Co-chair Donovan Conley, Committee Member David Schmoeller, Graduate Faculty Representative Ronald Smith, Ph. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
The Evolution of Sherlock Holmes: Adapting Character Across Time
The Evolution of Sherlock Holmes: Adapting Character Across Time and Text Ashley D. Polasek Thesis submitted in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY awarded by De Montfort University December 2014 Faculty of Art, Design, and Humanities De Montfort University Table of Contents Abstract ........................................................................................................................... iv Acknowledgements .......................................................................................................... v INTRODUCTION ........................................................................................................... 1 Theorising Character and Modern Mythology ............................................................ 1 ‘The Scarlet Thread’: Unraveling a Tangled Character ...........................................................1 ‘You Know My Methods’: Focus and Justification ..................................................................24 ‘Good Old Index’: A Review of Relevant Scholarship .............................................................29 ‘Such Individuals Exist Outside of Stories’: Constructing Modern Mythology .......................45 CHAPTER ONE: MECHANISMS OF EVOLUTION ............................................. 62 Performing Inheritance, Environment, and Mutation .............................................. 62 Introduction..............................................................................................................................62 -
The Cad Hollywood Loves to Hate by Paul Harris the Guardian, London
14 生活時尚 S T Y L E WEDNESDAY, APRIL 7, 2010 • TAIPEI TIMES The Scottish-born star is box office gold, despite being vilified for his film roles and private life. Yet these are the secret of his success Gerard Butler: PHOTO: AFP the cad Hollywood loves to hate BY PAUL Harris THE GUARDIAN, LONDON he latest edition of Architectural Digest was solid but poor, yet Butler’s family was strictly I’m way more paranoid ... I’m nowhere near dropped through America’s letter boxes last Catholic and put a huge onus on education. He won as naughty as I used to be,” he told Men’s T week. On its cover — barefoot, grinning and a place at Glasgow University and graduated to Journal. It is hard to imagine any other stars lounging in a comfy red armchair — was Hollywood’s become a lawyer. It was not a good match. “I never getting away with quotes like that. But Butler hottest leading man. felt fulfilled. I partied a lot and abused the privileges does. “He is single. He can do whatever he Yes, that would be Gerard Butler, the craggily of my firm,” he once told an interviewer. wants,” said Koch. In Hollywood’s complex handsome Scottish actor who has emerged from He resigned on a whim before he could get fired and, ecosystem, Butler has found a niche for the obscurity to star opposite the leading actresses of our after seeing a screening of the movie Trainspotting, he old-fashioned lothario, a place previously time, and whose presence in Hollywood is now as moved to London to try his hand at acting. -
Synesthetic Landscapes in Harold Pinter's Theatre
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2010 Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1645 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa A dissertation submitted to the Graduate Faculty in Theatre in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2010 ii © 2010 GRAÇA CORRÊA All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Theatre in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ______________ ______________________________ Date Chair of Examining Committee Daniel Gerould ______________ ______________________________ Date Executive Officer Jean Graham-Jones Supervisory Committee ______________________________ Mary Ann Caws ______________________________ Daniel Gerould ______________________________ Jean Graham-Jones THE CITY UNIVERSITY OF NEW YORK iv Abstract Synesthetic Landscapes in Harold Pinter’s Theatre: A Symbolist Legacy Graça Corrêa Adviser: Professor Daniel Gerould In the light of recent interdisciplinary critical approaches to landscape and space , and adopting phenomenological methods of sensory analysis, this dissertation explores interconnected or synesthetic sensory “scapes” in contemporary British playwright Harold Pinter’s theatre. By studying its dramatic landscapes and probing into their multi-sensory manifestations in line with Symbolist theory and aesthetics , I argue that Pinter’s theatre articulates an ecocritical stance and a micropolitical critique. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
British Television's Lost New Wave Moment: Single Drama and Race
British Television’s Lost New Wave Moment: Single Drama and Race Eleni Liarou Abstract: The article argues that the working-class realism of post-WWII British television single drama is neither as English nor as white as is often implied. The surviving audiovisual material and written sources (reviews, publicity material, biographies of television writers and directors) reveal ITV’s dynamic role in offering a range of views and representations of Britain’s black population and their multi-layered relationship with white working-class cultures. By examining this neglected history of postwar British drama, this article argues for more inclusive historiographies of British television and sheds light on the dynamism and diversity of British television culture. Keywords: TV drama; working-class realism; new wave; representations of race and immigration; TV historiography; ITV history Television scholars have typically seen British television’s late- 1950s/early-1960s single drama, and particularly ITV’s Armchair Theatre strand, as a manifestation of the postwar new wave preoccupation with the English regional working class (Laing 1986; Cooke 2003; Rolinson 2011). This article argues that the working- class realism of this drama strand is neither as English nor as white as is often implied. The surviving audiovisual material and written sources – including programme listings, reviews, scripts, publicity material, biographies of television writers and directors – reveal ITV’s dynamic role in offering a range of representations of Britain’s black population and its relationship to white working-class cultures. More Journal of British Cinema and Television 9.4 (2012): 612–627 DOI: 10.3366/jbctv.2012.0108 © Edinburgh University Press www.eupjournals.com/jbctv 612 British Television’s Lost New Wave Moment particularly, the study of ITV’s single drama about black immigration in this period raises important questions which lie at the heart of postwar debates on commercial television’s lack of commitment to its public service remit. -
Friday, March 18
Movies starting Friday, March 18 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “The Divergent Series: Allegiant” Rated PG-13 Run Time 2:00 Starring Shailene Woodley and Theo James Start 2:30 5:40 8:45 End 4:30 7:40 10:45 Rated PG-13 for intense violence and action, thematic elements, and some partial nudity. “Zootopia” Rated PG Run Time 1:50 A Disney Animated Feature Film Start 2:50 5:50 8:45 End 4:40 7:40 10:35 Rated PG for some thematic elements, rude humor and action. “London Has Fallen” Rated R Run Time 1:45 Starring Gerard Butler and Morgan Freeman Start 3:00 6:00 8:45 End 4:45 7:45 10:30 Rated R for strong violence and language throughout. “The Lady In the Van” Rated PG-13 Run Time 1:45 Starring Maggie Smith and Alex Jennings Start 2:40 5:30 8:45 End 4:45 7:45 10:30 Rated PG-13 for a brief unsettling image ***Prices*** Matinees* $9.00 (3D $12.00) ~ Adults $12.00 (3D $15.00) Seniors and Children under 12 $9.50 (3D $12.50) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies The Divergent Series: Allegiant (PG-13) • Shailene Woodley • Theo James • After the earth-shattering revelations of Insurgent , Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time ever, they will leave the only city and family they have ever known. -
Pressive Mark on the Small Screen, Starring in Such
METRO-GOLDWYN-MAYER Presents A BOB CLARK Film CHARLES GRODIN KIERAN CULKIN and MARY STEENBURGEN IT RUNS IN THE FAMILY CHRISTIAN CULKIN ALMANCINI TROY EVANS ROY BROCKSMITH GLENN SHADIX DICK O'NEILL WAYNE GRACE TEDDEMOORE WHIT HERTFORD GEOFFREY WIGDOR DAVID ZAHORSKY DARWYNSWALVE FRANK COLLISON MARILYN PITZER ROBERT DICKMAN IDA LEE WILLIAM PRESTON JOHN VOLDSTAD SCOTT THOMSON and JEAN SHEPHERD as "Ralph as an Adult" Casting by Associate Producer MARCILffiOFF GARYGOCH Music Composed by Costume Designer PAULZAZA BETTY PECHA MADDEN Editor Production Designer STAN COLE HARRY POITLE Director of Photography Executive Producer STEPHEN M. KATZ JEAN SHEPHERD Based on the novels "In God We Trust, All Others Pay Cash" and "Wanda Hickey's Night of Golden Memories and Other Disasters" by JEAN SHEPHERD Screenplay by JEAN SHEPHERD & LEIGH BROWN and BOB CLARK Pro,duced by RENE DUPONT Directed by BOB CLARK THE CAST The Old Man .............................................................. CHARLES GRODIN Ralphie . KIERAN CULKIN Mom ................................................................... MARY STEENBURGEN Randy Parker ............................................................ CHRISTIAN CULKIN Zudoc ............................................................................... AL MANCINI Gertz ................. ............................................................. TROY EVANS Assessor ............. ..................................... ................. ROY BROCKSMITH Leopold Doppler ............................................................ -
An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of Dupage
ESSAI Volume 11 Article 12 Spring 2013 An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes Brody Challinor College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Challinor, Brody (2013) "An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes," ESSAI: Vol. 11, Article 12. Available at: http://dc.cod.edu/essai/vol11/iss1/12 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Challinor: An Analysis of the Perennial Big-Screen Representations of An Analysis of the Perennial Big-Screen Representations of the Famed Detective, Sherlock Holmes by Brody Challinor (English 1154) n the 1939 movie, The Adventures of Sherlock Holmes, Conan Doyle‘s famous detective [Basil Rathbone] finds himself up against his greatest nemesis, Professor Moriarty, [George Zucco] I whom he must fight on two different fronts; protecting a young lady and her brother from the deadly implications of a series of cryptic notes, while simultaneously protecting the Crown Jewels. This portrayal of the character was released to a backdrop of a world in tension, hitting theaters on the first official day of World War II, once Nazi Germany invaded Poland. In sharp contrast to its predecessor, however, the 1979 Murder by Decree pitted Holmes [Christopher Plummer] against what some might call the ‗phantom‘ menace of a fictionalized Jack the Ripper, following hot on the heels of both the Watergate scandal as well as the American feminist movement.