Radio Station Workers Meeting (Student Radio), Romy Suszko (Stir), Daniel Hammond (Local Noise), Ela Smith (Staff/Open Range); Apricot Saturday, 5 April 2008 Pie: John Johnston (Classical), Chris Koufalas (Hip Hop Minutes Mania), Matt Lindquist (The Angry Hour), Jane Brooks (Expanding Horizons); Ice Backers: Don Balaz (Staff), ATTENDING: Graham Clarke (Nostalgia/Roundabout), Anthony Gibbs Meg Abbott, Darren Andrews, Don Balaz, Logan Bold, (Staff), Steve Sokvari (Out of This World) Jane Brooks, Christine Brown, Jonathan Brown, Tristan Brown, Julie Cavanagh, Graham Clarke, Tom Peter 1. Election of Station Worker Rep Changarathil, Sam Fanning, Becky Gallman, Anthony Nominations closed Friday April 4 Gibbs, Peter Godfrey, Liam Goodfellow, Bruce Guerin Two nominations received – Logan Bold, Raymond Zada Lee Guerin, Terry Haezelwood , Daniel Hammond, Annie Raymond Zada elected by ballot of those in attendance Hastwell, Max Hicks, Diana Hopkinson, John Johnston, Term – 12 months, until next Station Worker Meeting Dan Jovanovic, Chris Koufalas, Peter Kuller, Bill Lawson, Matt Lindquist, Nikki Marcel, Roy Mandalain, Kat 2. Topic 1 – License renewal: showing our McCarthy, Alex McFarlane, Kat McGuffie, strengths Nicholas Miller, Beri Mohamed, Mirsada Mohamed, needs to provide evidence the station and Morteza Mohammadzaheri, Myk Mykyta, Jeff Oates, its broadcasters are serving its community of interest and Nicky Page, Cezary Pawlisz, Lisa Pellegrino, Tom Peters fulfilling its role as a community broadcaster. Does Adam Rehn, Baqir Rezaie, Ewart Shaw, Ela Smith, anyone know what the station’s community of interest is Graham Smith, Michelle Smith, Steve Sokvari, Wally on our license? Sparrow , Mike Stock, Romy Suszko, Clare Thackray, In August we have to document a whole week of Sarah Tomlinson , Peter Trevaskis, Joe Tungaraza, Deb broadcasts as proof that we do things like play Australian Welch, Clayton Werner, Clemmie Wetherall, Raymond music, present community service announcements, and Zada, Catherine Zengerer. give information about complaints procedures. This is a great opportunity to show how great we are and to create Apologies: Malcolm Elliott (Roundabout), Robyn Lidgett a time capsule, of a week in the life of Radio Adelaide. (Classical), Julia Terreu (Back Story), Grahame Dudley There’ll be lots more about that closer to the time but we’ll (Ear to the Ground), David M Green, Patsy & Geoffrey need to make sure we’re doing our best work. Mildred (Roundabout), Richard Ensor (Represent), Deanna Rohsheim (Open Range), Greg Fisher (Jazz till Question 1 (From B66 Q29) - What sequence of events Dawn), Paul Scott (Top Brass), John Watts (Jazz), Ryan led you to become involved in Radio Adelaide? Jones ,Sam Deere (Represent) ,Jake Wishart Question 2 (Form B66 Q30) - List your favourite (Backstory), Wendy Joseph, Lisa Downie (Classical), experience of community participation at Radio Adelaide Cath Kenneally (Staff), Tristan Lintern (Reel Time), in the last few years. Jordan Rush (Friday Fry Up), John Murch (Jazz) Question 3 (Form B66 Q19) - List the ways in which you identify and monitor your show’s audience needs. How do The meeting was divided into working groups and you find out what they want? invited to name themselves after a favourite dessert. Question 4 – What additional information do you think The groups were: should be collected for the time capsule?

Crème de Caramel: Raymond Zada (Aqueerium), Crème Brulee Michelle Smith (Rhythm Stick), Mike Stock (Beats Q1 - Clemmie – 2004 – B Media – heard about student Working!), Clayton Werner (Song Catcher), Tom Peter radio – involved through B Media – Ozzie Rules – Changarathil; Banana Pavlovas: Tristan Brown & Sam Internship – job; Christine – 2003 – knew people involved Fanning (Zap!), Peter Trevaskis (Beats Working!), Julie – accidental – got roped into Nunga Wangga in 2004; Cavanagh (The Folk Show); Don’t Trifle: Nicky Page Claire – listening to 5UV for years – working at Arts (Staff/ Aqueerium), Diana Hopkinson (Aqueerium), Logan Access – started in 2006 – show started Sep 06 Radio Bold (Aqueerium), Joe Tungaraza (Afroworld/NEO Cool – 2007 Songcatcher; Darren – another station – met Voices), Lisa Pellegrino (The Little Big Show); Nicky Page through training and moved to Radio Adelaide Gobi&Cream: Roy Mandalain (Jazz), Graham Smith – Radio Cool – now AchieveAbility; Dan – was asked to (Classical/Jazz), Peter Kuller (Jazz), Jeff Oates join the team by show producer 2003; Annie – 1999 – (Classical); Self-saucing Lemon Puddings: Kat arrived in Adelaide and asked to present Undercurrents McCarthy(Reel Time), Max Hicks (Staff), Bruce Guerin Q2 – Christmas parties, Festival/Fringe time; receptionist, (JTalk/Gastronaut), Myk Mykyta (State of Play); The Live Music Fest, Club Cool, 2004 NAIDOC Tarts: Bill Lawson(Jazz/ Bluegrass Unlimited), Terry Q3 - Voice of Serbia, Nunga Wangga, Radio Cool – talk Heazelwood (Saturday Blues), Wally Sparrow (Country to the community, directly involved/feedback; Brekky), Sarah Tomlinson (Staff/ Country Café), Liam Feedback through subscriptions; Christine – would like to Goodfellow(Friday Live Sessions); Chocolate Sluts: have more feedback, how can you plan without enough? Catherine Zengerer(YR@N/Staff), Peter Godfrey (Staff), Q4 – Pie graph of the variety of music, sponsorship, talk, Alex McFarlane (Piping Shrike Hour), Ewart Shaw(On interviews (of a week); photo of every program that is on Campus/ State of Play); Crème Brulee: Dan Jovanovic that week! Identify sound byte for each show; (Voice of Serbia), Annie Hastwell (Staff), Christine Brown feedback/calls from that week (Nunga Wangga), Clemmie Wetherall (Staff), Claire Thackray (Radio Cool/ Songcatcher), Darren Andrews( Tarts Achieveability/Radio Cool); The Tiramisus: Jonathan Q1 – Terry – 1974 – through uni magazine – Blues – Brown (Student Radio/Friday Life Sessions), Adam Rehn Saturday Rock; Bill – 1985 – Bluegrass program talked

Page 1 of 6 about Union Hotel – presenter needed back up, Bill Graham – listeners phoning in with opinions & questions volunteered! – Bluegrass Unlimited – Jazz; Liam – 2007 – (Lisa Downie main recipient of this) heard through a friend at school – contacted Jonathan Q4 – samples (audio) form all programs including relevant Brown – The Friday Range – Training; Wally – 2005 – photos; sound bites of all programs, esp. live Radio Adelaide need country presenter – started Country performances Brekky; Sarah – 2002 – Lecture by Deb at uni – Country Café Barrel Girl – country host – range fill in - trainer – Banana Pavlovas Breakfast producer – staff Q1 – Sam&Tristan – 2005 – FUSR – RA summer radio Q2 – Bill: Live Music Fest; Sarah: Pollywaffle, sign show; Julie – met 5UV staff member – Fold Show language performers on the Big F in 2008; Liam: Writers’ presenter – got talked into joining; Peter – always wanted Week; Wally: listeners coming into Country Brekky at to be on radio – it’s now my post retirement interest. Christmas time; Terry – Live Music Fest Q2 – Live Music Fest – all; some great interviews; live Q3 – Wally and Sarah: our listeners bloody well tell us! studio performances; Represent (6pm Fri); Guest We all have specialist audiences; phone calls during participation; ‘Celebrity’ hosts show – requests; attending gigs & picking sessions; Q3 – Interaction with listeners at folk shows, festivals, etc; myspace & emails emails and phone calls; phone calls to station & personal Q4 – Playlists which show the source used, eg. CD, LP, contacts; interned promotion – myspace, website, email computer, etc; interview with “new up and comers” at the and forums time; Ewart Shaw Q4 – volunteer demographics; range & diversity of shows and volunteers’ motives Don’t Trifle Q1 - Logan – 1996 – friend worked at 5UV – joined 1997 Tiramisus – 2001 several grants, Aqueerium; Joe – 2000 – Q1 - Adam – 2005 – listnened to RA – was interested in friend/student radio – 2002 trained – slot from summer working in CD library – student radio – Left, Right and program – own program; Lisa – 2003/4 – student radio Centre; Jonathan – 2006 – walked past station – info (2005 started) involved in Local Noise – Don worked with night – producing breakfast radio – Student Radio her – more involvement; Nicky – 1984 – on air 3D – Director; Ela – 2005 – website – got involved in work Roxby Blocade using RA equipment – better equipment behind the scenes – admin – job; Dan – 2006 – uni for recording interviews & broadcasting – somehow got 2 advertising – FUSR – Local Noise; Romy – 2006 – Vision mornings a week paid Breakfast producer – contract for generation – interested in radio – Stir Radio producing of series- trainer – training manager; Diana – Q2 – recording Tiger Tiger; Watching deaf art group live ad in Blaze – came to a meeting in 2001 – joined on air – translation on The Big F; 5 Tables for 5 project & Aqueerium – trained – on air – done other small projects launch – involving ageing GLTBIQ community; contact Q2 – Womad broadcasts – bigger audience who can’t with local musicians; Live Music Fest afford tickets; Aqueerium outside broadcasts esp. Pride Q3 - feedback on subs forms; give-aways; feedback from march in 2007, Carclew; talking to young people about bands/artists; contact with artists; social networking sites their issues within role as NEO Voices mentor; Local and the internet; calls for feedback on air; voting for Noise broadcasts make everyone more connected – favourite songs – audience contact and interaction musos, presenters & audience; just listening to Radio Q4 – interview recordings; audio recordings; breakfast Adelaide, hearing diverse people; Student Radio – also running sheets; subscriber feedback – subscribed that builds community – presenters progress on air. week; live music recordings; program promos Q3 – Feedback (listen) – phone, verbal in person; Approaching people when the community came together; Apricot Pies on air inviting feedback; email – used to advertise, Q1 – John – 1983 5MMM (3D) – 5UV 1986 PNG Report - feedback, email contact list, what’s on; Calls, talking 1996 5MBS Volunteer both stations; MC Frost – Late 90s directly to the community, people approaching – 2004 support local hip hop and other people; Matt – Q4 – Contact list; CD with people invoived pic, how 1996 Gas Meter Files – 2002 Angry Hour (FUSR) – now; invoived in RA (personal stories), personal bio, show Jane – 2000 Expanding Horizons snapshot; Paraphernalia (stickers, flyers, badges, etc); Q2 – RA Christmas party blooper tape – mobile phone examples of docs like running sheet; photos going off while announcing; Festival of Ideas, Fringe, Festival of Arts, Womadelaide Gobi & Cream Q3 – Station survey, phone calls, letters, emails, Q1 - Roy – listened to jazz on 5UV – sat in with Peter requests, ticket giveaways, myspace (community sites); Kuller & Greg Fisher then finally learned how to panel for Matt – play CDs sent to me, gig requests; MC Frost – play himself; Peter – 1980 was guest on Jazz at Six – became the local hip hop that won’t get played on any other 5UV presenter/operator; Graham – from 5EBI – 1989 – station wanted more involvement; Jeff – listened in 1970s – Q4 – RA station workers photo; current PG; lock of station learned from Hugh Cunningham (also a boyhood dream manager’s hair (unshampooed!); samples of a day’s to be an announcer) programs; the programs that support local music; photos Q2 – Peter – Live music fest; sharing my passion for jazz of the radio station with as many people as possible worldwide; Graham – live concert recordings, Live Music Fest; Jeff – last 2 Live Crème de Caramel Music Fests, especially Allans shop window Q1 – Clayton – pre 2000 Scala - guest presenter – friends Q3 – Roy – wait for someone to complain about my invited on 2006 – Peace of the Action – Summer 08 – choice of music; Peter – phone calls during program with Songcatcher; Raymond – 1996 – ALKM – Aboriginal either positive of negative feedback; Jeff – CD giveaway – Message – 2000 The Range & from 2002 Aqueerium; ask friends – is the audience inclined to feedback? Mike – 2006 retirement, more time for radio listening &

Page 2 of 6 heard RA – 2007 enrolled in RA training – Summer 07/08 different years; snap frozen bacterial culture from Beats Working – show continues to Autumn; Tom – microwave plate arrived 2007 from India – Media/TV/stage background – factory work – wanted to get back into Choc Sluts media – contacted RA and currently enrolled in training; Q1 - Catherine – got approached to get in union radio, Michelle – early 2005 listener/won CDs – found training said yes please!; Alex – 1997/8 was a listener and joined info – mid 2005 training – summer 05/06 Rhythm Stick – a programme Folk Show and rhythm method; Ewart – show continues 5UV days – knew of station, was working in theatre at Q2 – Raymond – OB – Feast, Feast opening party, OB at Adel Uni, was looking for a cast member in 1977, came to first (something illegible); The Big F program; Peace of RA, was offered clerical work, then go involved on air; the Action birthday party (50 people including listeners); Peter – loved listening to radio, was disillusioned with presence at Peace Festival, Light Sq commercial radio – discovered community radio – got Q3 – I have a couple key listeners – (something) for involved in Coast FM, Wow FM, than RA feedback; Aqueerium hotmail address – get feedback, Q2 – Peter – LMF, hanging out with musos; Alex – LMF, ideas; Rhythm Stick – give-aways – yes, people are enjoyed getting to know all the other teams and listening; Beats working – none; APOTA – management programmes; Ewart – University Open Day, getting out of group meeting – presenters group – feedback, etc, some the studio and into the community; Catherine – getting out phone calls with contacts doing vox pops in the community Q4 – CD with 5 min of each on-air program; scan display Q3 – Alex – Piping Shrike Hour - modelled show on other photos (we need some new ones of new and modern shows and existing demand, check feedback from people); historical interviews, etc, eg. Apology & how it listeners in everyday conversation; Peter – emails from was covered on community radio, Nunga Wangga; live listeners; Catherine – myspace, hotmail, on air requests performers in the station of up and running artists. to give feedback; Ewart – arts, through press releases and requests for interviews, anecdotal conversation with Ice Backers listeners Q1 – Sox – 1998 – – 5UV – here I am – OOTW Q4 – Log every call – name, no, reason for call; keep a (Sat); Don – 1993 – 5UV – Audio Production – Staff; complete playlist of a week; playlists of music and every Graham – 1998 – retirement interest; Anthony – 2004 – IT interview; list of everey person involved in every way for coordinator job advertised the week, eg. Not just on air, presenters, panel, Q2 – Meeting diverse people; provide audio services to researchers, producers, etc; photos of everyone; massive community in Adelaide; Womad, Safety for Seniors; Any group photo; selected newspaper headlines; record of outside broadcasts – from Victor Harbor Folk Festival – what technology we are using; shots of inside the studio Tropicana; mixing with Radio Adelaide presenters; Live and outside the building Music Fest; Setting up/installing Dinesat! Q3 – Phone calls, programme research; Personal 3. Topic 2 – Subscriber Calls: Update and Process contacts; Feedback via email, phone calls, update music Having each program present a live subscriber call has base; Keep in touch with local/international artists; Log been very effective in generating new subscribers. book Results? 2005 $16,552, 2006 $29,561, 2007 $36,672, Q4 – feedback from listeners; a copy of the Nostalgia 2008 target $45,000. But why not aim higher? It would be show; A copy of Out of This World – a best of maybe! great to have 10% of our listeners subscribing = 8000 subscribers. How can we get there? Lemon Self-Saucing Puddings Q1 – Kat – 2001 – heard of radio station that does Question 1 – Think up new subscriber calls to be read on training – presenting, producing, panelling, writing, air. recording, reception, etc; Myk – 1975 – Ukrainian Radio, Question 2 – What other strategies? forming EBI – 1983 Theatre Billboard – began by rewriting a piece for Ukrainian program, then started big; Crème Brulee Bruce – Geoff Newcort/ conlon – journo did stories for & Q1 - We know you’ve been thinking about it. The idea’s about 5UV in early days – 1996 Aust Japan Association been sitting there in the back of your mind. It’s time to put wanted show – joined J-Talk 1997; Max – came in for an those thoughts into action! Subscribe to radio Adelaide interview as a student in 1976 and support the shows you love! Q2 – Kat – enjoys all background support and facilitation, Q2 – subscribers receive keyring & sticker upon eg. Arts Council Quiz night, Writers Week, Festival of subscription – incentives; Generic promo for Ethnic Ideas, Fringe, LMF, OBs, etc; Bruce – vox pops for J- programs; some access shows already have a large Talk, MCing at Annual Japan Festival, selling RA t-Shirts, quota of sponsorship and feel a bit of conflict; Daily subs Gastronaut – personal canvassing listeners; Myk – all prize – need full time sales person aspects of working with RA & programming Q3 – Myk – Feedback about prog at live performances, The Tarts Theatre Association AGM – ask feedback, face to face, Q1 – Liam: Sick of subscriber calls? Subscribe! Bill: We ongoing, also with industry, all reviews to the people know you’ve been thinking about it. Now’s the time to stop reviewed; Kat – Reeltime has email feedback for thinking and subscribe! Wally: Put your money where suggestions, etc, wide range of topics to interest all your music ears are! Sarah: Did you know that every listeners; Bruce – J-Talk website consistent feedback, presenter here is a Radio Adelaide subscriber? We’re on Japan feedback, also get news from there, Membership the bandwagon too!; During June emphasise tax Japan Association Gastronaut – chat central market, etc deductibility. Liam: here’s another tax dodge for you… Q4 – Selection of program guides over many years; Subscribe to Radio Adelaide. Terry & Liam: We know you photos & bios of whole volunteer base; photos of station want it, we can give it to you (said in a sexy voice)

Page 3 of 6 Q2 – sending Wally around at 4am to people’s houses; Apricot Pies Other incentives to what a subscriber receives each year, Q1 - Relate the call to something you have been talking eg lanyard, stickers, etc; More branding at community about in your program. If there has been a really good events; Subscriber sign up booths at OBs; Please, no world affairs interview, point out that such views can only radiothons! be heard on independent community radio and that the station would cease to exist without financial support from Chocolate Sluts listeners. Q1 - It takes x amount of dollars to run this station per Q2 - Aim for car radio listener ship. year, your $52 can help. An ideal present: buy your Mum Online subscriber form, tout for subscribers in The a subscription to Radio Adelaide, it’s the ultimate Adelaidian, flyer drops in music venues, book stores, environmentally friendly present. You don’t have to wrap functions. Promote your program at the highest possible it, and we deliver! level and make sure you are in it for the right reasons and Q2 - using the stats eg. It takes $700, 000 to run the the more you promote the higher chance of getting people station, give the listeners a target and they will help. to support the station. Something tangible could be useful, eg. “10 subscriptions buys a new digital recorder” Compare the values. Tiramisus Make the Radio Adelaide subscription available as a gift Q1 - Update book according to inflation rate. Guilt-trips, voucher. Eg. “family subscription, “single subscription” stress that we are independent media, pre-record sub Random prizes, “golden tickets for subscribers like calls for each program, better prepared (start recording “Charlie and the Chocolate Factory”. those in addition to station and program IDs) “You wouldn’t think twice about buying a daily newspaper – Self-Saucing Lemon Puddings that’s about $1.50 per day supporting a media mogul. RA Q1 - Tax deductible – especially good to play up in June! subs are just a dollar a day for independent news, “Each subscription comes with a quality set of earplugs interviews – and music!” for you to place in the ears of your non-subscribing Q2 - Relating your subs calls to your program (eg. If you friends” want to keep hearing live music, you have to support us) Q2 - feedback for show, requests etc. Publication of new band subscriptions and incentives eg. Recordings, subscribers in Program Guide or read names out on air. promotion, selling multitrack, package, EP in library, could “Adopt a program” with a separate field on form. be $60-$100) Some sort of fundraiser which allows for immediate, open-ended donation. Banana Pavlovas Have an on-going “Idea’s register” online. Q1 - Emphasise Internet connection, web address. More comedy, unique to shows, eg. Voice of performer/artist Ice Backers from show genre. “If I can do it – so can you! Subscribe!) Q1 - “Keep your eyes on the road, hands on the wheel Q2 - Radiothon, haven’t had one in years. Live B/cast and ears tuned to Radio Adelaide 101.5fm” from Royal Adelaide Show, Quiz night – on air! Get each “Subscribe now or I’ll play another piano accordion track” team to contact a business relevant to their show and ask “Subscribe now or I’ll stop presenting this show” them to sign up their employees. Play promos for different Q2 - Open Days, have subscribers select music for a shows each week on brekky. programme and co-host. Gobi & Cream Crème de Caramel Q1 - “If you return a book late to the library, you will be Q1 - use the numbers eg. 80 listeners / 2000 subscribers fined. Not so with Radio Adelaide! If you have been / Involvement how we get people involved. listening for 10 years or five minutes, it does not matter – Support OUR community involvement that supports join now! After promo ask listeners to phone in for an Womad, Help us to help the community… Benefits for application forms. More emphasis on personal subscribers eg. Discount cards..vouchers etc. Keep involvement of presenter, presenter offers to take presenters and their live subscriber calls coming. Much subscriber details after on air call, even during business more powerful than pre-records. Evangelical-style hours. subscriber call? (but needs to be done In good taste and Q2 - OBs, Volunteers can approach public listeners at the humour) We do need people with conviction, and who venues. Womad, Fringe, Adelaide Show? Any incoming sound genuine. call relating to the program, use the opportunity to ask, Q2 - OBs with community events are a chance for ‘are you a subscriber?’ publicity. Could subscribers get a “voice” by naming segments and songs. Having input into why and when Don’t Trifle they listen? Q1 - “how much does it cost for a cup of coffee? “it’s Less staff = less overheads. priceless to be a subscriber” Use vox pops to find out Ethnic and group “ownership” – more people calling in – what people like and what they want to hear – B.Media more involvement – more likes – partner with a telephone students might do this. Use interviews to do a subs tag. provider and have call ins – some shows would work Eg. Pre-records, at the end of program etc. Use grabs of better with phone call ins…new younger audience. well known people. Use old style subs ad like a carnival. Keeping subscribers and having and new relationship Cards to give out with subscription message. building with the subscribers. OBs – have a higher profile Q2 - equate costs with other things you do in life. at the time and give an opportunity to become involved, Postcards with subs application on the back, website, a discuss stuff with subscribers. More stalls at community section for subscribers requiring a log-in or password eg. events? Band bios, playlists, message board – make them feel a sense of belonging to the station. Discounts and vouchers

Page 4 of 6 – newsletter with these in them? Sponsors for online; Tiramisus Cross-promoting programs; mandatory to promote Q1 - Streaming, podcasts, feedback, bios, download program coming up afterwards; Subs promos for each interviews, streaming on demand, facebook/MySpace, program? ukulele challenge. Q2 - iPod generation. Niche audience for very specific 4. Topic 3 - Online Audience Building: What’s types of music and content. The Best Way? Q3 - Refer to question 3. The word Radio is taking on new meaning. Some of you will remember when it was synonymous with the word, Crème de Caramel Wireless. Now you can have a wireless mouse, Q1 – podcasting, audio on demand, usually ABC browse headphones, a Bluetooth and so forth. Nowadays the & listen; The Wire, other news and current affairs – sound word radio and the services a radio station offers goes bytes for show; news updates – Indian and Reuters; beyond sounds through the airways and includes Watch You Tube – news, current affairs, controversial podcasts, live streaming, streaming on demanding, Q2 – Peace of the Action – 5 groups, all have own sites; exclusive downloads, audience interaction, sms we don’t really want to duplicate this but place stuff n interactivity, blogging, playlists. these websites; Aqueerium – specific audience already – Your audience is now made up of ‘listeners’ and ‘users’ want to grow the numbers; mailing list expansion, hits at and so as broadcasters we need to start thinking about web site ourselves as online content makers as well. This poses a Q3 – Aqueerium proposal – partnership with Blaze to do challenge for us all to learn new skills, but also offers online and share news and other stuff, music, tv and huge potential to reach new audiences. reviews, will have subs and mailing list, shared content Question 1: In what ways do you use/listen to radio distribution; www – propose interaction, opportunity for content online? voice & participation in the show; a lot of time, IT input, Question 2: Who do you want to reach through your hours! online presence? Question 3: What online features will attract your Apricot Pies Audience? Q1 – BBC world radio online service – pick your shows; listen back to a weekly show to hear what was missed on The Tarts the show and match with playlists Q1 - Terry – not much. Internet connection is slow so it’s Q2 – people who can’t receive RA where they live; people annoying. Wally – listens online to other programs just to around the state that cannot get the FM broadcast hear their format. Sarah: listens to quite a lot, overseas Q3 – an on-air forum for request, ask questions & get broadcasts to hear their tracks, news and interviews via shout outs read over the air (live update); playlists & broadcasts and podcasts, online newspapers and news guests, books to sign & comment services for production. Liam, not much, maybe tunes on MySpace. Bill – Not at all. Gobi & Cream Q2 - Depends on the program..new people, overseas Q1 – RM – have listened to radio Adelaide and various shows, ex-pat aussies, under 25s, bring them back to US and European stations while using the computer; GS listening to the radio as trend suggests they don’t – don’t have a computer; PK – listen to Internet radio anymore. More people listening to us around the country occasionally; JO – listen to RA on the Internet so that we become a major media source. occasionally Q3 - Bill and Sarah – playlists and requests. Q2 – RM - ? Terry, Archives to play ‘on demand’. Q3 – Possibly – track listings, composer, Cd info, etc; Liam: Make it an interactive experience – games? podcasts; interactivity Wally: Requests, then they come in BEFORE the program is prepared! Banana Pavlovas Q1 – To listen to interviews missed, or check playlists Self-Saucing Lemon Puddings (ABC); Upload playlists to focus groups; Don’t; To listen Q1 - Kat - 3 people this week have tried to set up online to a show when the radio reception is not very good; listening and have been unsuccessful. Bruce – Advertise our own shows via internet occasionally checks out Radio Adelaide online to help communities/forums/websites O/seas listeners to tune in. Ad hoc use of ABC site. Q2 – Folk aficionados around the world; International Q2 - Virtually all existing and other similar groups. Make it audiences; People of like mid beyond our transmission more generally accessible, especially if they can listen in zone at a different time. Theatre workers, both professionals Q3 – A selection on the Radio Adelaide website where and amateurs who want to catch our interviews and listeners can download a particular segment (review, reviews. Many have complained about not being able to interview, etc) from a show & listen to it in their own time; catch ‘State of Play’ at it’s usual air time. Currently my Also the ability to listen to the show without having to tune parents and other Iranians in Iran listen to our program in at the specific time that it airs; Playlists (Persian program) via the Internet. Q3 - Podcasts, feedback, and interactive chats, blogs, Ice Backers other information not used in broadcast, studio photos, Q1 – check various websites, music downloads; New listener originated audio or print that could be used in ideas, listening to the station around the world show. Reminders of events etc. by email, playlists. Q2 – new listeners, people who are into same sort of music; new listeners around the world Q3 – giveaways; see playlist, blog comments

Page 5 of 6 Chocolate Sluts Crème Brulee Q1 – What’s available online? Radio Adelaide website – Q1 – Download other shows, news & music; re-listen to podcasting; / – dowloads; random other shows (nationally, internationally & locally); internet search for radio stations streaming; Insin person myspace page for shows, artists, presenters – with checked and Autlaust turtourism (huh?) by listening playlist online; listen to BBC for time difference Q2 – Ethnic communities; special genre communities; Q2 – Young people, shift workers, people who can’t listen new audience to what they want because of the time it’s on; broad Q3 – Webcam; re-listen to stored shows (logger access) national and international audience through time zones; – vols/staff; podcasting/streaming; playlists; for volunterrs People with common interests, using myspace, etc for – forum/feedback/updates; What’s coming up; Digital contact and audience development Music Library – access from home for vols Q3 – More information/contact details, briefings, playlist emailed, recording details, whole show and segment Don’t Trifle podcasts; photos & czito (huh?), face to the voice; clear Q1 – downloads, streaming; goes online and listens to design and layout; easily navigated, good user-friendly Radio National; podcasts from BBC/website transcripts; I interface & translation facility; Use or the best useful don’t media player & baby photos Q2 – GLBTIQ community, particularly younger; everyone – global audience as well as local; those who don’t normally engage with traditional radio; email contact list Q3 – message boards to share info; audio on demand; transcripts; links; program website

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