2006 Conference Program Pages.Qxp
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
MAY 2010 We Will Need Help with the Assem- Prez Sez
Charlotte Gem & Mineral Club MAY 2010 we will need help with the assem- Prez Sez ... bly and take down of this big and heavy line. The Colburn has used this device as a fund raiser at their There is a unique partnering oppor- this event heavily to the list of their annual shows for years with much tunity for our community coming members as well as Discovery success. up on Saturday June 5th. We will Place members. This list includes join with the Charlotte Nature over SEVEN THOUSAND MEM- We need volunteers who can put Museum for one day when we will BERS! our flyers around town. This is an take over the entire museum for opportunity for our club to gain a rock, gem, mineral and jewelry In addition to the museum’s promo- much needed exposure to a large day. tion of the event with signage and part of the Charlotte community advertising, we hope to gain some and a chance for our club to gain This is will be our way of show- free radio and TV promotion. We new families as members. casing the depth of what our club will have our club showcases set up does. Danny Jones will set up ta- in the main rotunda of the building bles and sell his mineral specimens. and we need our members to fill Table of Contents We will cut geodes to sell and for these cases with their collections of the first time ever we will set up a fossils, gems, and minerals. 1-2 Prez Sez water sluice line where folks can buy bags to search for gemstones The success of this event and the 2 Upcoming Club Shows like they do at the mines in Hid- possibility of us being asked to do denite, Franklin and Spruce Pine. -
Ten Minute Mabe Earrings Wire Jewelry Making Pattern #108
Ten Minute Mabe Earrings Wire Jewelry Making Pattern #108 More Jewelry Making Patterns at http://wire-sculpture.com/patterns/ NOTE: Mabe pearls come in many different shapes, sizes, and grades. Their wholesale price can range anywhere from $15 to $100 and I have seen many pairs of mabe earrings with a very simple setting that cost over $400. Here is where you enter the real world of jewelry pricing. You not only must consider the price you paid for the mabe pearl but you must also take into consideration the size, the grade, the lustre, the imperfections (if any), the nacre, and its color shadings. Also you should know a little about price comparisons. In other words, what does the same size and same quality mabe sell for down at the mall? Naturally, your earrings made with gold filled wire in the most simple setting going won't fetch the price of some of these higher end mabes but you must realize what is the customer's alternative if they want a pair of nice mabe pearl earrings----You just might have the best deal going! Supplies Needed * 6 inches of 14kt. gold filled 22 gauge square half hard wire or brass practice wire * 2 - 13mm round mabe pearls A Grade, all white * 2 safety earring clutches Tools Needed * Flat nose pliers * Chain nose pliers * Wire cutter or flush cutter * Needle file * E-6000 adhesive Step 1 Select two matching mabe pearls with flat backs. For this project I will be working with 13mm round white mabe pearls Grade A. -
Alexander Calder James Johnson Sweeney
Alexander Calder James Johnson Sweeney Author Sweeney, James Johnson, 1900-1986 Date 1943 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2870 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art THE MUSEUM OF RN ART, NEW YORK LIBRARY! THE MUSEUM OF MODERN ART Received: 11/2- JAMES JOHNSON SWEENEY ALEXANDER CALDER THE MUSEUM OF MODERN ART, NEW YORK t/o ^ 2^-2 f \ ) TRUSTEESOF THE MUSEUM OF MODERN ART Stephen C. Clark, Chairman of the Board; McAlpin*, William S. Paley, Mrs. John Park Mrs. John D. Rockefeller, Jr., ist Vice-Chair inson, Jr., Mrs. Charles S. Payson, Beardsley man; Samuel A. Lewisohn, 2nd Vice-Chair Ruml, Carleton Sprague Smith, James Thrall man; John Hay Whitney*, President; John E. Soby, Edward M. M. Warburg*. Abbott, Vice-President; Alfred H. Barr, Jr., Vice-President; Mrs. David M. Levy, Treas HONORARY TRUSTEES urer; Mrs. Robert Woods Bliss, Mrs. W. Mur ray Crane, Marshall Field, Philip L. Goodwin, Frederic Clay Bartlett, Frank Crowninshield, A. Conger Goodyear, Mrs. Simon Guggenheim, Duncan Phillips, Paul J. Sachs, Mrs. John S. Henry R. Luce, Archibald MacLeish, David H. Sheppard. * On duty with the Armed Forces. Copyright 1943 by The Museum of Modern Art, 11 West 53 Street, New York Printed in the United States of America 4 CONTENTS LENDERS TO THE EXHIBITION Black Dots, 1941 Photo Herbert Matter Frontispiece Mrs. Whitney Allen, Rochester, New York; Collection Mrs. -
CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected]
CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected] www.charonkransenarts.com AUGUST. 2020 A JEWELER’S GUIDE TO APPRENTICESHIPS: HOW TO CREATE EFFECTIVE PROGRAMS suitable for shop owners, students as well as instructors, the 208 page volume provides detailed, proven approaches for finding , training and retaining valuable employees. it features insights into all aspects of setting up an apprenticeship program, from preparing a shop and choosing the best candidates to training the apprentice in a variety of common shop procedures. an mjsa publication. $ 29.50 ABSOLUTE BEAUTY – 2007catalog of the silver competition in legnica poland, with international participants. the gallery has specialized for 30 years in promoting contemporary jewelry. 118 pages. full color. in english. $ 30.00 ADDENDA 2 1999- catalog of the international art symposium in norway in 1999 in which invited international jewelers worked with jewelry as an art object related to the body. in english. 58 pages. full color. $ 20.00 ADORN – NEW JEWELLERY - this showcase of new jewelry offers a global view of exciting work from nearly 200 cutting-edge jewelry designers. it highlights the diverse forms that contemporary jewelry takes, from simple rings to elaborate body jewelry that blurs the boundaries between art and adornment. 460 color illustrations. 272 pages. in english. $ 35.00 ADORNED – TRADITIONAL JEWELRY AND BODY DECORATION FROM AUSTRALIA AND THE PACIFIC adorned draws on the internationally recognised ethnographic collection of the macleay museum at the university of sidney and the collections of individual members of the oceanic art society of australia. -
Rockhound Ramblings
Rockhound ramblings DECEMBER 1, 2 011 THE NEWSLETTER OF THE PASADENA LAPIDARY SOCIETY - PASADENA, CALIFORNIA INSIDE THIS ISSUE President’s 2 Message Club News & 2 Information Ed’s Corner, 3 Workshop, More Club News Feature Articles: 4 Pyrite and Ammolite Museums and 5 Member –To - Member Field Trips, 6 Federation News December 2011 7 Dinner Meeting, Shows & Local Events Calendar of 8 Monthly Events PYRITE The very glimpse of it raises the specter of GOLD! This beautiful and fascinating mineral with its yellow color and metallic luster has the nickname of "Fool's Gold" because it has a history of being mistaken for gold - as it can resemble the physical appearance of gold. The ancient Greek named the mineral from their word "pyr" meaning "of fire". This was because they found that sparks would fly from it if struck against another hard mineral, such as iron. Archaeologists have found that burial mounds in South America often contain chunks of pyrite, perhaps so one would have fire in the next world. Aztec ceremonial masks have also been discovered where the eye sockets had been filled with pyrite along with large, flat, polished pieces of pyrite. Speculation is that these were used as early mirrors by early Aztecs and Incans. Continued on page 4 Page 2 ROCKHOUND RAMBLINGS December 2011 President’s Message The club is in sound financial condition, Don‘t forget that your dues for next year has a solid meeting place, and has a new must be submitted by the December meet- Happy holidays to every- slate of incoming club officers that will do ing to avoid any penalties. -
Jewelry Making & Beading
Jewelry Making & Beading by Chris Franchetti Michaels Teach Yourself VISUALLY™ Jewelry Making & Beading Copyright © 2007 by Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. Published by Wiley Publishing, Inc., Hoboken, New Jersey No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per- copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http://www.wiley.com/go/permissions. Wiley, the Wiley Publishing logo, Teach Yourself VISUALLY, and related trademarks are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates. All other trademarks are the property of their respective owners. Wiley Publishing, Inc. is not associated with any product or vendor mentioned in this book. The publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifically disclaim all warranties, including without limitation warranties of fitness for a particular purpose. No warranty may be created or extended by sales or promotional materials. -
Northeast Miami Page 27
AT THE UNIVERSITY OF MIAMI SPRING SESSION I SCHEDULE Jan 22 - Mar 1, 2013 Coral Gables Page 5 Northeast Miami Page 27 THE OSHER LIFELONG LEARNING INSTITUTE (OLLI) The Osher Lifelong Learning Institute at the University of Miami was founded in 1984. Previously known as the Institute for Retired Professionals, the name was changed upon the awarding of a grant from the Osher Foundation. A department of the Division of Continuing and International Education, the Institute welcomes all members of the community who are 50 years old or better and who consider learning an integral part of life. Membership is open to all those who wish to continue their pursuit of learning, new ideas, and social and cultural opportunities. The Institute’s programs are designed to accommodate a relaxed learning style and make it easy for anyone who may have been away from the formal learning environment for many years. Classes included in this schedule are offered with no tests and in most cases, no homework. Classes are designed to spark your curiosity and to encourage your participation. Classes are structured to fit a flexible schedule. Our member students include men and women whose backgrounds are varied, and may OSHER LIFELONG LEARNING INSTITUTE AT THE UNIVERSITY OF MIAMI include the legal and medical professions, teachers, homemakers and volunteers as well as social workers and business owners. In other words, our members are everyday people who are interested in keeping their minds active and engaged. BENEFITS OF MEMBERSHIP Memberships are payable once every -
Collectibles Gert Voorjans
LIVE ONLINE AUCTION BERNAERTS AUCTIONEERS Verlatstraat 18, 2000 Antwerp, Belgium T +32 (0)3 248 19 21 [email protected] live.bernaerts.eu 1. BY ‘LIVE BIDDING’ There are 3 platforms: Invaluable, Auction Mobility and Drouotonline. 1. Go to www.bernaerts.be 2. Auctions > Online Live + Live Bidding 3. Create an account + accept the terms and conditions of sale using the link in your mailbox 4. The webcast will open 15 minutes before the start of the auction 5. Log in + Enter Auction 6. Place your bid(s) You can follow the auction via the ‘Watch Only’ function, without bidding. The auction fee is 28%. 2. BY ‘ABSENTEE BIDDING’ OR ‘PREBID’ Send the online ‘absentee bidding form’ by e-mail ([email protected]), at least 12 hours prior to the start of the auction. The auction fee is 22%. Or place a prebid online (Invaluable, Auction Mobility en Drouotonline). The auctioneer will try to purchase the item for you at the most beneficial price. The auction fee is 28%. 3. BY TELEPHONE Send the online ‘absentee bidding form by phone’ by e-mail ([email protected]), at least 12 hours prior to the start of the auction. One of our staff members will call you during the auction to bid in real time. You can instruct them whether or not you agree with the bid. The auction fee is 22%. BERNAERTS AUCTIONEERS Verlatstraat 18, 2000 Antwerp, Belgium T +32 (0)3 248 19 21 [email protected] | live.bernaerts.eu 645-1049351-40 | IBAN BE02 645104935140 | BIC/SWIFT JVBABE22 MONDAY OCTOBER 12TH, 2020 2 PM CET LOTS 1—212B 1 2 3 A plaster model of Saint George A three-piece Chinese-style lacquered settee A 1970s five-panel screen in Moorish style. -
Alexander Calder-Inspired Wire Sculpture Written by Amy Briere, Museum Educator
Alexander Calder-Inspired Wire Sculpture Written by Amy Briere, Museum Educator Calder at his workbench. © Gordon Parks Introduction Alexander Calder was a 20 th century American sculptor and artist most famous for inventing the mobile, a type of sculpture that moves. In addition to creating mobiles, he coined the term stabiles to refer to his immobile sculptures. Calder also made paintings, lithographs, toys, tapestries, and jewelry. In his first critically important work, Le Cirque de Calder (Calder’s Circus ), the artist magically brought inanimate objects and a band of circus characters to life using wire and recycled materials. Calder’s Circus was a miniature reproduction of an actual circus, and is considered to be the start of his lifelong interest in both wire sculpture and kinetic art. These art forms would typify much of his later sculptural work, including the over 1,800 examples of jewelry made throughout his lifetime, approximately ninety of which are currently on view at the San Diego Museum of Art in the exhibition Calder Jewelry thru January 3 rd , 2010. Two mini lessons are offered as a jumping off point for discussing with K-12 th grade students the sculptural art found within the Calder Jewelry exhibition. The techniques of manipulating wire and found materials are explored through two sculpture projects, wire circus figures and wire jewelry , both inspired by Calder’s imaginative and whimsical investigations with forms in space. 1 Pre-Lesson Information Objectives Students will . • learn about the life and work of the artist Alexander Calder • create sculpture works inspired by the work of Alexander Calder as well as the work on display in Calder Jewelry • create a wire figure following a circus theme as a warm up activity and introduction to the work of Alexander Calder • explore various techniques for bending and manipulating wire • reflect on the art they have created • present their works in a collaborative presentation Art Terms Abstract – A style of art that is not realistic. -
The Forming of the Metal Arts Guild, San Francisco (1929-1964)
Metal Rising: The Forming of the Metal Arts Guild, San Francisco (1929-1964) Jennifer Shaifer Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts. The Smithsonian Associates and Corcoran College of Art + Design 2011 © 2011 Jennifer Shaifer All Rights Reserved ACKNOWLEDGEMENTS This thesis is a project I hold dear to my heart. A milestone in my life in which I will never forget. My research started as a journey across the United States to tell a story about the formation of the Metal Arts Guild, but has ended with a discovery about the strength of the human spirit. I was not fortunate to meet many of the founding members of the Metal Arts Guild, but my research into the lives and careers of Margaret De Patta, Irena Brynner, and Peter Macchiarini has provided me with invaluable inspiration. Despite the adversity these artists faced, their strength still reverberates through the trails of history they left behind for an emerging scholar like me. Throughout this project, I have received so much support. I would like to thank Heidi Nasstrom Evans, my thesis advisor, for her encouragement and patience during the thesis writing process. It was during her Spring 2007 class on modernism, that I was introduced to a whole new world of art history. I also want to thank Cynthia Williams and Peggy Newman for their constant source of support. A huge thank you to Alison Antleman and Rebecca Deans for giving me access to MAG’s archives and allowing me to tell their organization’s story. -
What Is Masieraad Masieraad Takes a Broad View of Jewellery
What is MASieraad MASieraad takes a broad view of jewellery. Questioning jewellery critically as art or design is essential for the future of the jewellery profession. MASieraad recognizes the making of jewellery, in its intimate, symbolic, human and material facets, as a learning model for contemporary design in a broad sense. The initiators Gijs Bakker, Ruudt Peters and Ted Noten, represent 50 years of contemporary Dutch jewellery design at its best, while Liesbeth den Besten is the author of a bestselling and frequently quoted, reference book on contemporary jewellery. Together they, along with architect Leo Versteijlen, the former director of Design Academy Eindhoven and AMFI, Liesbeth in ‘t Hout, in collaboration with PXL- MAD School of Arts Hasselt, founded the international two-years Masterclass Program MASieraad Hasselt – Amsterdam, or MASieraad H-A. GIJS BAKKER is an all-round RUUDT PETERS is a visual artist LIESBETH DEN BESTEN is an art TED NOTEN’s designs act as a designerFor Whom and one of the pioneers with a strong focus on jewellery historian specialising in crafts, critique on contemporary life and of contemporary jewellery design. design. His work revolves around curator and author of a great the history of jewellery, as well HeThe was smallamong the-scale first to make concentration themes of alchemy, of sexuality,jewellery ,many and publications the rela on tionshipcontem- betweenas the wider context people, of product their jewellery about individuals and religion and spirituality. His range porary jewellery design. Her design. Challenging conventions thebodie humans body. and His internationaltheir environment, of expression is extraordinaryshould arouseand bestselling our On participant’s Jewellery. -
American Craft / Jewelry / New Materials
material culture “When artiws play wix or subvert xe idea of jewelry, xey are playing wix or subverting how we communicate.”—Sienna Payi Constanze Schreiber designs collars and brooches shaped like classical fine jewelry but cut from fur and filled with lead. They sit on the chest with the weight of an animal because a mink coat, Schreiber says, takes the lives of 200 minks, which would weigh about 352 pounds. New York conceptual designer Tobias Wong makes flower brooches from bulletproof Kevlar. British artist Keren Cornelius winds 50 meters of linen thread thickly about the neck. And in London, Netherlands-born Greetje van Helmond “grows” cocktail rings in crystal- line clusters by saturating string in a liquid story by sugar solution. Shonquis Moreno This is jewelry? New Jewels: Yes, this is jewelry. Today’s studio jewelry is usually made Taking in small series or as one-offs, the work of both artists and designers and still others who don’t draw any distinction. It reflects Materials to experimentation with forms and concepts, including the conventions surrounding how Extremes and why we wear it, as well as materials. 038 american craft feb/mar 08 Opposite: Above: Right: Constanze Schreiber Karin Seufert Adrianne Smelko Katharina, 2005, Rings, 2004, Heavy Hearted, 20 07, fur, lead, silver. silver, Colorit. brass, hairnet, elastic, nylon, adhesive, Plasti Dip. “While most of these jewelers have a back- Neuman oversees a collection that in- ground in traditional techniques and using cludes pieces made from marshmallows, precious materials, some of their most inter- wrapping tissue for South African oranges esting work is done while using their skills and eggshell.