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PETER PAN Or the Boy Who Would Not Grow Up
PRESS RELEASE NORTH HIGH SCHOOL to present PETER PAN or The Boy Who Would Not Grow Up The Appleton North High School Theatre Department will present the play PETER PAN or The Boy Who Would Not Grow Up on May 16th through the 19th in the North High School Auditorium, 5000 North Ballard Road. This new version adapted from the original J.M. Barrie play and novel by Trevor Nunn and John Caird for the Royal Shakespeare Company and the National Theatre of London enjoyed phenomenal success when first produced. The famous team known for their productions of THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY and the musical LES MISERABLES have painstakingly researched and restored Barrie’s original play. “. .a national masterpiece.”—London Times. This is the beloved story of Peter, Wendy, Michael, John, Capt. Hook, Smee, the lost boys, pirates, and the Indians, and of course, Tinker Bell, in their adventures in Never Land. However, for the first time, the play is here restored to Barrie’s original intentions. In the words of adaptor, John Caird: “ We were fascinated to discover that there was no one single document called PETER PAN. What we found was a tantalizing number of different versions, all of them containing some very agreeable surprises….We have made some significant alterations, the greatest of which is the introduction of a new character, the Storyteller, who is in fact the author himself.” North’s theatre director, Ron Parker, states, “This is a very different PETER PAN than the one most people are familiar with. It is neither the popular musical version nor the Disney animated recreation, but goes back to Barrie’s original play and novel. -
The Journal of William Morris Studies
The Journal of William Morris Studies volume xx, number 4, summer 2014 Editorial – Pearls for the ancestors Patrick O’Sullivan 3 William Morris’s unpublished Arthurian translations, Roger Simpson 7 William Morris’s paternal ancestry Dorothy Coles†, revised Barbara Lawrence 19 The ancestry of William Morris: the Worcester connection David Everett 34 Jane Morris and her male correspondents Peter Faulkner 60 ‘A clear Xame-like spirit’: Georgiana Burne-Jones and Rottingdean, 1904-1920 Stephen Williams 79 Reviews. Edited by Peter Faulkner Linda Parry, William Morris Textiles (Lynn Hulse) 91 Mike and Kate Lea, eds, W.G Collingwood’s Letters from Iceland: Travels in Iceland 1897 (John Purkis) 95 Gary Sargeant, Friends and InXuences: The Memoirs of an Artist (John Purkis) 98 the journal of william morris studies . summer 2014 Barrie and Wendy Armstrong, The Arts and Crafts Movement in the North East of England (Martin Haggerty) 100 Barrie and Wendy Armstrong, The Arts and Crafts Movement in Yorkshire (Ian Jones) 103 Annette Carruthers, The Arts and Crafts Movement in Scotland. A History (Peter Faulkner) 106 Laura Euler, Arts and Crafts Embroidery (Linda Parry) 110 Clive Bloom, Victoria’s Madmen. Revolution and Alienation (Peter Faulkner) 111 Hermione Lee, Penelope Fitzgerald: A Life (Christine Poulsom) 114 Carl Levy, ed, Colin Ward. Life,Times and Thought (Peter Faulkner) 117 Rosalind Williams, The Triumph of the Human Empire. Verne, Morris and Stevenson at the end of the world (Patrick O’Sullivan) 120 Guidelines for Contributors 124 Notes on Contributors 126 ISSN: 1756-1353 Editor: Patrick O’Sullivan ([email protected]) Reviews Editor: Peter Faulkner ([email protected]) Designed by David Gorman ([email protected]) Printed by the Short Run Press, Exeter, UK (http://www.shortrunpress.co.uk/) All material printed (except where otherwise stated) copyright the William Mor- ris Society. -
Simon Russell Beale Photo: Charlie Carter
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre, -
FX's 'Legit', Jim Jefferies Embraced by Disabled Community
Follow Like 153k Subscribe Industry Tools Newsletters Daily PDF Register Log in Blocked Plug-in MAR -./$0123$2456782$95:;<5$8=5$&;>?7@6$.A$8=5 22 2 DAYS &73;B?5C$).<<D@78E 8:00 AM PDT 3/22/2013 by Aaron Couch SHARE (/pri 28 Comments (#comments) (3 (http://www.hollywoodreporter.com/node/430325#disqus_thread) )nt/4 0 Like 133303 (=5$:.<5CE23$:>5;8.>3$/.>>75C$783$C73;B?5C$:=;>;:85>3$<76=8 25) .AA5@C$F75/5>3G$BD8$A.D@C$8=.35$H.>8>;E;?3$=;F5$5;>@5C$8=5$3=./$3.<5$.A$783 A75>:538$A;@3I FX From left: Dan Bakkedahl, D.J. Qualls and Jim Jefferies in "Legit" Drugs, prostitution and masturbation are among the topics tackled by FX’s freshman comedy Legit. Despite those edgy plot points, it was the show’s multiple characters with disabilities that had co-creators Jim Jefferies and Peter O’Fallon worried they might offend viewers. From series regular Billy (DJ Qualls), a 30- !"#$%&'(!#$#%)!**%+&, something with muscular dystrophy, to Rodney (Nick Daley), a party hound with an intellectual disability, the world of Legit is full of characters trying to make it no matter their circumstances. 'Legit'(http://www.hollywoodreporter.com/live- Creators Spill Secrets of Theirfeed/legit-creators-spill-secrets-abrasive- Abrasive Yet Kind “We were kind of nervous,” Jefferies, the show’s star, Comedy tells The Hollywood Reporter (http://www.hollywoodreporter.com/live- (http://www.hollywoodreporter.com) . “We know we’re not feed/legit-creators-spill-secrets-abrasive- 417069) being nasty, but maybe people won’t see it the same way we see it.” STORY: 'Legit' Creators Spill Secrets of Their Abrasive Yet Kind Comedy Season(http://www.hollywoodreporter.com/live- Finale Scheduler: Your Guidefeed/2013-season-finale-schedule- to What Ends When (http://www.hollywoodreporter.com/live-feed/legit-creators-spill- 429839) (http://www.hollywoodreporter.com/live- secrets-abrasive-417069) feed/2013-season-finale-schedule-429839) But since premiering in January, it’s the characters with disabilities who have won the show some of its fiercest fans. -
Biographies (396.2
ANTONELLO MANACORDA conducteur italien • Formation o études de violon entres autres avec Herman Krebbers à Amsterdam o puis, à partir de 2002, deux ans de direction d’orchestre chez Jorma Panula. • Orchestres o 1997 : il crée, avec Claudio Abbado, le Mahler Chamber Orchestra o 2006 : nommé chef permanent de l’ensemble I Pomeriggi Musicali à Milaan o 2010 : nommé chef permanent du Kammerakademie Potsdam o 2011 : chef permanent du Gelders Orkest o Frankfurt Radio Symphony, BBC Philharmonic, Mozarteumorchester Salzburg, Sydney Symphony, Orchestra della Svizzera Italia, Scottish Chamber Orchestra, Stavanger Symphony, Swedish Chamber Orchestra, Hamburger Symphoniker, Staatskapelle Weimar, Helsinki Philharmonic, Orchestre National du Capitole de Toulouse & Gothenburg Symphony • Fil rouge de sa carrière o collaboration artistique de longue durée avec La Fenice à Venise • Pour la Monnaie o dirigeerde in april 2016 het Symfonieorkest van de Munt in werk van Mozart en Schubert • Projets récents et futurs o Il Barbiere di Siviglia, Don Giovanni & L’Africaine à Frankfort, Lucio Silla & Foxie! La Petite Renarde rusée à la Monnaie, Le Nozze di Figaro à Munich, Midsummer Night’s Dream à Vienne et Die Zauberflöte à Amsterdam • Discographie sélective o symphonies de Schubert avec le Kammerakademie Potsdam (Sony Classical - courroné par Die Welt) o symphonies de Mendelssohn également avec le Kammerakademie Potsdam (Sony Classical) • Pour en savoir plus o http://www.inartmanagement.com o http://www.antonello-manacorda.com CHRISTOPHE COPPENS Artiste et metteur -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these wUl be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Ifowell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 TELEVISUAL REPRESENTATION, SCHIZOPHRENIC EXPERIENCE, AND APOCALYPTICISM IN LATE TWENTIETH-CENTURY DRAMA AND THEATRE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Roger Dee Freeman, B.A., M.A. -
Race in the Age of Obama Making America More Competitive
american academy of arts & sciences summer 2011 www.amacad.org Bulletin vol. lxiv, no. 4 Race in the Age of Obama Gerald Early, Jeffrey B. Ferguson, Korina Jocson, and David A. Hollinger Making America More Competitive, Innovative, and Healthy Harvey V. Fineberg, Cherry A. Murray, and Charles M. Vest ALSO: Social Science and the Alternative Energy Future Philanthropy in Public Education Commission on the Humanities and Social Sciences Reflections: John Lithgow Breaking the Code Around the Country Upcoming Events Induction Weekend–Cambridge September 30– Welcome Reception for New Members October 1–Induction Ceremony October 2– Symposium: American Institutions and a Civil Society Partial List of Speakers: David Souter (Supreme Court of the United States), Maj. Gen. Gregg Martin (United States Army War College), and David M. Kennedy (Stanford University) OCTOBER NOVEMBER 25th 12th Stated Meeting–Stanford Stated Meeting–Chicago in collaboration with the Chicago Humanities Perspectives on the Future of Nuclear Power Festival after Fukushima WikiLeaks and the First Amendment Introduction: Scott D. Sagan (Stanford Introduction: John A. Katzenellenbogen University) (University of Illinois at Urbana-Champaign) Speakers: Wael Al Assad (League of Arab Speakers: Geoffrey R. Stone (University of States) and Jayantha Dhanapala (Pugwash Chicago Law School), Richard A. Posner (U.S. Conferences on Science and World Affairs) Court of Appeals for the Seventh Circuit), 27th Judith Miller (formerly of The New York Times), Stated Meeting–Berkeley and Gabriel Schoenfeld (Hudson Institute; Healing the Troubled American Economy Witherspoon Institute) Introduction: Robert J. Birgeneau (Univer- DECEMBER sity of California, Berkeley) 7th Speakers: Christina Romer (University of Stated Meeting–Stanford California, Berkeley) and David H. -
Who Would You Trust to Tell Your Story?
WHO WOULD YOU TRUST TO TELL YOUR STORY? Who would you trust to tell your story? That was the question that Cleveland activist Johanna Orozco-Fraser and journalist Rachel Dissell had to contemplate when playwright and director Tlaloc Rivas contacted them. His first email, sent on New Year's Day 2014, said in part: Your story came to my attention years ago. As you know, [Johanna's] story is an inspiration to many Latinos and young women across the country. I share your belief that stories and storytelling have the potential for social change. The plays I create aim to tell stories that provoke a conversation about important subjects between artists and audiences. I believe that Johanna's story has that potential. As it happens, I will be traveling to Cleveland [soon]... I'd like to talk with you about whether a play inspired by your articles can happen. The three met just a couple of weeks later. Orozco-Fraser, who survived a near-fatal attack by her ex-boyfriend and became a leading advocate for change in Ohio's domestic violence laws, had become lasting friends with Dissell, a Plain Dealer reporter, as Rachel wrote a series of articles chronicling Johanna's recovery in 2007 (the complete 9-part series is available here). Both friends decided that Rivas deserved their trust. They gave their blessing to his effort to bring their story to the stage. Just hours later, CPT Executive Artistic Director Raymond Bobgan offered the project a home at this theatre. As Rivas began to shape the script, Orozco-Fraser and Dissell became treasured advisors and collaborators on this new telling of the story. -
The Point, Summer 2019
The Magazine of Point Park University | SUMMER 2019 POINTTHE Steel City Showdown Great Entertainment Point Park and pro sports teams Playhouse presents new season kick off premier esports event of world-class productions Last Print Issue Going all digital! See page 33. One of the most vibrant aspects of our premieres, dazzling dance and compelling community of students, faculty, staff and speakers. The new Playhouse is a one-of- alumni is our shared commitment to making a-kind interdisciplinary center for all facets a positive impact in our own neighborhood of entertainment management, including and beyond. For example, the new Center our nationally ranked Conservatory of for Veterans Excellence at the Rowland Performing Arts. We hope you’ll join us for School of Business recently partnered with a performance or speaking event this fall Pittsburgh Hires Veterans to host an all- or spring. day workshop for active duty veterans and 12 their spouses. “The Starting Point to a New Finally, you’re holding the last print issue of Career” gave participants an opportunity The Point, which is undergoing an exciting CONTENTS to build job-fnding skills while networking transformation into a fully digital magazine. with business professionals. The University’s The new online version, which will be 2 News and Views 22 True Pioneer Center for Media Innovation recently produced twice a year in fall and spring, Anna Shields, Point Park’s most will enable us to continue to share Point announced the All Abilities Media Project, 12 Going Green decorated student-athlete, runs in which people with disabilities can receive Park stories and profles in a creative and School of Education students toward her professional dreams. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Darrel Wanzer-Serrano EDUCATION PROFESSIONAL APPOINTMENTS
CURRICULUM VITAE Darrel Wanzer-Serrano Department of Communication Studies [email protected] 117 Becker Communication Studies Building http://clas.uiowa.edu/commstudies The University of Iowa http://uiowa.academia.edu/dwanzerserrano Iowa City, IA 52242 http://darrel.wanzerserrano.com (319) 335-0743 http://twitter.com/DoctorDWS Dr. Darrel Wanzer-Serrano is an Assistant Professor of Rhetoric and Public Advocacy in the Department of Communication Studies at the University of Iowa. His research is focused on the relationships between race, discourse, and politics in public culture, primarily in the United States. He teaches courses in rhetoric, cultural studies, critical theories of race/ethnicity, and social movements. He has a particular interest—for teaching and research—in Latin@ studies and the coloniality of power/knowledge/being. EDUCATION Indiana University, Bloomington, IN PhD, Communication and Culture, 2007 Dissertation: “The Intersectional Rhetoric of the Young Lords: Social Movement, Ideographs, Demand, and the Radical Democratic Imaginary” (Director: John Louis Lucaites) Minor: Political Theory MA, Communication and Culture, 2001 University of Puget Sound, Tacoma, WA BA, Communication, 1999 PROFESSIONAL APPOINTMENTS University of Iowa, Iowa City, IA Assistant Professor, Department of Communication Studies, July 2012 – present University of North Texas, Denton, TX Assistant Professor, Department of Communication Studies, August 2009 – July 2012 University of Illinois, Urbana-Champaign, IL Postdoctoral Research Associate, -
BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district.