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Pro 2 OS 1.4 Addendum
Pro 2 OS 1.4 Manual Addendum Pro 2 OS version 1.4 adds a number of new features not covered in the main Operation Manual. These features are described in the following addendum in the order shown below. New Features in OS 1.4 • Linear frequency modulation for classic DX-style FM. • Arpeggiator Beat Sync. This Global parameter quantizes keyboard perfor- mance of the arpeggiator so that notes are triggered precisely on the beat. • Sequencer Direction parameter, which provides new options for sequencer playback direction: forward, reverse, ping-pong, and random. • Rest/tie note input during step recording on track 1 of the Sequencer. • Lock sequence, which allows you to continuously run the same sequence while changing presets/programs. • MIDI CC output from the Pro 2 sequencer. • Trigger/Gate CV output, which gives you the ability to send a per-step gate signal from the CV output of the Pro 2 Sequencer. • Alternate Tunings. The Pro 2 now ships with 16 preset alternative tunings ranging from Equal temperament to Indonesian Gamelan tunings. Other tuning sets can be downloaded if desired. 1 Checking Your Operating System Version If you’ve just purchased your Pro 2 new, OS 1.4 may already be installed. If not, and you want to use the new features just described, you’ll need to update your OS to version 1.4 or later. To update your Pro 2 OS, you’ll need a computer and a USB cable, or a MIDI cable and MIDI interface. To download the latest version of the Pro 2 OS along with instructions on how to perform a system update, visit the Sequential website at: https://www.sequential.com/download-latest-pro-2-os/ To check your OS version: 1. -
Digital Developments 70'S
Digital Developments 70’s - 80’s Hybrid Synthesis “GROOVE” • In 1967, Max Mathews and Richard Moore at Bell Labs began to develop Groove (Generated Realtime Operations on Voltage- Controlled Equipment) • In 1970, the Groove system was unveiled at a “Music and Technology” conference in Stockholm. • Groove was a hybrid system which used a Honeywell DDP224 computer to store manual actions (such as twisting knobs, playing a keyboard, etc.) These actions were stored and used to control analog synthesis components in realtime. • Composers Emmanuel Gent and Laurie Spiegel worked with GROOVE Details of GROOVE GROOVE System included: - 2 large disk storage units - a tape drive - an interface for the analog devices (12 8-bit and 2 12-bit converters) - A cathode ray display unit to show the composer a visual representation of the control instructions - Large array of analog components including 12 voltage-controlled oscillators, seven voltage-controlled amplifiers, and two voltage-controlled filters Programming language used: FORTRAN Benefits of the GROOVE System: - 1st digitally controlled realtime system - Musical parameters could be controlled over time (not note-oriented) - Was used to control images too: In 1974, Spiegel used the GROOVE system to implement the program VAMPIRE (Video and Music Program for Interactive, Realtime Exploration) • Laurie Spiegel at the GROOVE Console at Bell Labs (mid 70s) The 1st Digital Synthesizer “The Synclavier” • In 1972, composer Jon Appleton, the Founder and Director of the Bregman Electronic Music Studio at Dartmouth wanted to find a way to control a Moog synthesizer with a computer • He raised this idea to Sydney Alonso, a professor of Engineering at Dartmouth and Cameron Jones, a student in music and computer science at Dartmouth. -
The Definitive Guide to Evolver by Anu Kirk the Definitive Guide to Evolver
The Definitive Guide To Evolver By Anu Kirk The Definitive Guide to Evolver Table of Contents Introduction................................................................................................................................................................................ 3 Before We Start........................................................................................................................................................................... 5 A Brief Overview ......................................................................................................................................................................... 6 The Basic Patch........................................................................................................................................................................... 7 The Oscillators ............................................................................................................................................................................ 9 Analog Oscillators....................................................................................................................................................................... 9 Frequency ............................................................................................................................................................................ 10 Fine ...................................................................................................................................................................................... -
User Manual Keystep - Overview 4 1.1.2.2
USER MANUAL Special Thanks DIRECTION Frederic BRUN Nicolas DUBOIS Jean-Gabriel Philippe CAVENEL Kévin MOLCARD SCHOENHENZ ENGINEERING Sebastien COLIN Olivier DELHOMME INDUSTRIALIZATION Nicolas DUBOIS DESIGN Glen DARCEY Sébastien ROCHARD DesignBox TESTING Benjamin RENARD BETA TESTING Marco CORREIA Paul BEAUDOIN Gustavo LIMA Tony Flying Squirrel (Koshdukai) Boele GERKES Guillaume BONNEAU Tom HALL Jeff HALER Mark DUNN MANUAL Leo DER STEPANIAN Minoru KOIKE Jose RENDON (author) Vincent LE HEN Holger STEINBRINK Randy Lee Charlotte METAIS Jack VAN © ARTURIA SA – 2019 – All rights reserved. 26 avenue Jean Kuntzmann 38330 Montbonnot-Saint-Martin FRANCE http://www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be reproduced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A. All other products, logos or company names quoted in this manual are trademarks or registered trademarks of their respective owners. Product version: 1.1 Revision date: 21 August 2019 Thank you for purchasing the Arturia KeyStep! This manual covers the features and operation of Arturia’s KeyStep, a full-featured USB MIDI keyboard controller complete with a polyphonic sequencer, arpeggiator, a robust set of MIDI and C/V connections, and outfitted with our new Slimkey keyboard for maximum playability in the minimum space. -
American Pop" Featuring “The Grass Roots, the Buckinghams and the Box Tops” 2020
Page | 1 "AMERICAN POP" FEATURING “THE GRASS ROOTS, THE BUCKINGHAMS AND THE BOX TOPS” 2020 1. BILLING ARTISTS SHALL RECEIVE CO-HEADLINE BILLING IN 100% SIZE TYPE IN ALL ADVERTISING, LIGHTS, DISPLAYS, PROGRAMS, AND ANY AND ALL OTHER ADVERTISING AND PUBLIC MEDIA, UNLESS AGREED TO BY ARTISTS. 2. PERSONAL REQUIREMENTS A.) DRESSING ROOMS PURCHASER SHALL PROVIDE AT LEAST THREE (3) PROPERLY-MAINTAINED, CLEAN, ADEQUATELY- VENTILATED, WELL-LIGHTED AND CLIMATE-CONTROLLED DRESSING ROOMS FOR THE EXCLUSIVE USE OF THE ARTISTS. EACH ROOM MUST HAVE WORKABLE LOCKS WITH KEYS GIVEN TO THE ARTISTS OR ARTISTS’ REPRESENTATIVE UPON REQUEST, AND MUST BE AVAILABLE FROM LOAD-IN TIME UNTIL ARTISTS’ DEPARTURE. EACH DRESSING ROOM MUST BE EQUIPPED WITH MIRRORS, WASHING FACILITIES, SOAP, SIX (6) CLEAN TOWELS, AT LEAST ONE (1) DRESSING TABLE, ONE (1) IRONING BOARD WITH IRON, AT LEAST ONE (1) 20-AMP/110-VOLT AC SINGLE PHASE 60 CYCLE CIRCUIT, AND COMFORTABLE SEATING FOR A MINIMUM OF SIX (6) PEOPLE PER DRESSING ROOM. PURCHASER AGREES TO PROVIDE A MINIMUM OF TWO (2) CLEAN LAVATORY FACILITIES WITHIN THE DRESSSING ROOM AREA. LAVATORY FACILITIES MUST BE PRIVATE (NOT FOR PUBLIC USE) AND MUST BE ACCESSIBLE TO ARTISTS WITHOUT HAVING TO ENTER PUBLIC AREAS. B.) THE GRASS ROOTS ..ALL FOOD FOR ALL ACTS IN COMMON AREA!!!!! THE FOLLOWING ITEMS ARE TO BE PLACED IN THE ARTISTS DRESSING ROOM: **PROVISIONS AND CONDIMENTS FOR TURKEY AND HAM AND ROAST BEEF SANDWICHES NO PROCESSED MEAT- MUST BE "REAL" (CARVED MEATS) TO SERVE EIGHT -----INCLUDING TOMATO, LETTUCE, ONION, CHEESE, MUSTARD, MAYONNAISE---- ** VEGGIE TRAY, TORTILLA CHIPS, AND HUMMUS **BBQ POTATO CHIPS, REGULAR POTATO CHIPS, CASHEWS, PEANUTS, PISTACHIOS **WHOLE FRUIT (NOT SKINNED OR SLICED) 4 BANANAS, 4 APPLES, 4 ORANGES **POT OF REGULAR (STRONG) COFFEE (INCLUDING: CREAMER, EQUAL AND SUGAR) **ONE QUART OF APPLE JUICE AND ONE QUART OF ORANGE JUICE **ONE SIX-PACK EACH: DIET COKE, REGULAR COKE, DIET DR. -
SH-01A Manual.Pages
MONOPHONIC / POLYPHONIC / CHORD MACHINE SYNTHESIZER ローランド SH-01Aのユーザーガイド A USER’S GUIDE TO THE ROLAND SH-01A !1 !2 ACKNOWLEDGEMENTS: This manual was assembled, illustrated, and written by Sunshine Jones. All of the content is taken from either his personal experience, existing documentation, and techniques submitted and found in the public domain. The document is intended as a companion guide for the Roland SH-01A Synthesizer Module. It is in no way offered as a criticism, or intended to be an authoritative guide to replace the official documentation which accompanies the commercial purchase of Roland Boutique, or Roland AIRA musical instruments. Rather, this manual is intended to support the musician, the user of these and other synthesizer modules and inspire them to create music, share sounds, and fully realize the synthesizers in front of them. In the tradition of owner’s manuals, rarely are they opened until problems arise. We tell you over and over again to RTFM, but do you listen? No, no you don’t. Manuals should be both tools for reference and instruction, as well as inspirational guides to possibility. An owner’s manual should be equally a pre purchase discovery, meant to inspire the curious with capability and possibility, and a post purchase celebration of depth, technique, guidance, and surprises. But this is by no means the last word. So many people have read and re read a manual only to still have no idea what the manual was attempting to suggest. This owner’s manual is offered free of charge to anyone curious, or frustrated by the tiny little leaflet which covers the operations of the SH-01A in several languages, as a legible alternative to the official documentation. -
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P. -
Creation and Performance of Music Structures
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1987 Creation and performance of music structures Charles J. Zacky The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Zacky, Charles J., "Creation and performance of music structures" (1987). Graduate Student Theses, Dissertations, & Professional Papers. 1933. https://scholarworks.umt.edu/etd/1933 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUBSISTS. ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR, I^TANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE : 19 87 THE CREATION AND PERFORMANCE OF MUSIC STRUCTURES Charles J. Zacky B.A., University of California, 1974 M.M., University of Montana, 1983 Presented in partial fulfillment of the requirements for the degree of Master of Science University of Montana 1987 Approved by Chairman,Board of Examiners Date UMI Number: EP35196 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
Fender Tube Amp GT Pre Amp Tube Sampler 3 Pack Nov Dec 2012
Purchase any qualifying Fender® Tube Amp and receive a FREE GT® Pre Amp Tube Sampler 3 Pack as a gift with purchase. PLEASE CHECK YOUR PURCHASED ITEM ❏ 2230000000 Fender Hot Rod Deville 212 lll 60 Watt 2x12 Tube ❏ 2230300 000 Fender Pro Junior III 15 Watt 1 x 10 Tube Amp ❏ 2230100000 Fender Hot Rod Deville 410 lll 60 Watt 4x10 Tube ❏ 2230500 000 Fender Blues Junior III 15 Watts 1 x 12 Tube Amp ❏ 2230200000 Fender Hot Rod Deluxe lll 40 Watt 1x12 Tube Amp ❏ 2231010 000 Fender Hot Rod Deluxe 112 Enclosure 80 Watts ❏ 2230200 033 Fender FSR Hot Rod Deluxe III Wine/Vanilla C Rex ❏ 2232200 000 Fender Blues Deluxe Reissue 1x12 Inch Combo 40W ❏ 2230200 052 Fender Ltd Ed Hot Rod Deluxe III 1x12 Tweed 40W Name: Address: City: State: Zip: Country: Day Phone: Email: TERMS AND CONDITIONS The following Terms and Conditions govern the “Fender® Tube Amp” Mail-In Promotion (“Promotion”). By participating in this Promotion, you agree to be bound by these Terms and Conditions: SPONSOR: Fender Musical Instruments Corporation (“Fender” or “Sponsor”). GIFT DESCRIPTION: One (1) GT® Pre Amp Tube Sampler 3 Pack (the “Gift”). The MSRP of the Gift is $74.97. GIFT LIMIT: One (1) Gift per qualifying Fender® Tube Amp purchased through http://www.zzounds.com/ during the eligible period (“Qualifying Product”). Qualifying Products are identified above. Offer valid while supplies last. No substitutions or rain checks. Purchases made from anyone other than http://www.zzounds.com/ are not eligible for this Promotion. Gift is not available for any returned products. -
OB-6 Operation Manual Getting Started 1 Sound Banks the OB-6 Contains a Total of 1000 Programs
Operation Manual ® Operation Manual Version 1.1 Feb 2019 Sequential LLC 1527 Stockton Street, 3rd Floor San Francisco, CA 94133 USA ©2019 Sequential LLC www.sequential.com Tested to Comply With FCC Standards FOR HOME OR OFFICE USE This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful inter- ference and (2) this device must accept any interference received, including interference that may cause undesired operation. This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numerique de la classe B respecte toutes les exigences du Reglement sur le materiel brouilleur du Canada. For Technical Support, email: [email protected] Table of Contents A Few Words of Thanks . ix Getting Started . 1 Sound Banks ...........................................2 Selecting Programs ......................................2 Stepping Through Presets Using the Inc/Dec Buttons. .3 Editing Programs ........................................3 How to Check a Parameter Setting in a Preset .................4 Comparing an Edited Program to its Original State ..............4 Creating a Program from Scratch ............................5 Live Panel Mode. 5 Saving a Program ........................................6 Canceling Save. .7 Using Poly Chain ........................................8 Moving to the Next Level ..................................8 Connections . 9 Global Settings . 11 Globals - Top Row ......................................12 -
Prophet-5 User's Guide
POLYPHONIC ANALOG SYNTHESIZER User’s Guide Version 1.3 Feb, 2021 Sequential LLC 1527 Stockton Street, 3rd Floor San Francisco, CA 94133 USA ©2020 Sequential LLC www.sequential.com Tested to Comply With FCC Standards FOR HOME OR OFFICE USE This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful inter- ference and (2) this device must accept any interference received, including interference that may cause undesired operation. This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numerique de la classe B respecte toutes les exigences du Regle- ment sur le materiel brouilleur du Canada. For pluggable equipment, the socket-outlet must be installed near the equipment and must be easily accessible. For Technical Support, email: [email protected] CALIFORNIA PROP 65 WARNING This product may expose you to chemicals including BPA, which is known to the State of California to cause cancer and birth defects or other reproductive harm. Though indepen- dent laboratory testing has certified that our products are several orders of magnitude below safe limits, it is our responsibility to alert you to this fact and direct you to: https://www.p65warnings.ca.gov for more information. Table of Contents Welcome Back, Old Friend .................................. x Chapter 1: Getting Started ...................................1 Rear Panel Connections .......................................2 Using USB ................................................4 Setting Up the Prophet-5 .......................................5 Calibrating the Oscillators and Filters. .5 Sound Banks ..............................................6 Selecting Programs .........................................6 Editing Programs ...........................................7 How to Check a Parameter Setting in a Preset ....................7 Comparing an Edited Program to its Original State .................8 Creating a Program from Scratch. -
Prophet Rev2 User's Guide
8/16-Voice Polyphonic Synthesizer User’s Guide Version 1.2 Feb 2019 Sequential LLC 1527 Stockton Street, 3rd Floor San Francisco, CA 94133 USA ©2019 Sequential LLC www.sequential.com Table of Contents A Few Words of Thanks . ix Tested to Comply Getting Started . 1 Sound Banks ...........................................1 With FCC Standards Selecting Programs ......................................2 Editing Programs ........................................2 FOR HOME OR OFFICE USE Comparing an Edited Program to its Original State ..............3 Creating a Program from Scratch ............................3 Saving a Program ........................................4 Canceling Save. .4 Naming a Program .......................................5 Working with Stacked or Split Programs ......................6 Moving to the Next Level .................................10 This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful inter- Connections . .. 12 ference and (2) this device must accept any interference received, including interference that may cause undesired operation. Global Settings . 14 Oscillators . 20 Oscillator Parameters. .21 Filter . 23 This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Filter Envelope . 25 Amplifier Envelope . 27 Auxiliary Envelope . 29 Cet appareil numerique de la classe B respecte toutes les exigences du Low Frequency Oscillators . 31. Reglement sur le materiel brouilleur