«PAIDEIA" LXV (Roro)
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Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Phenomenon of Chance in Ancient Greek Thought
THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT by MELISSA M. SHEW A DISSERTATION Presented to the Department of Philosophy and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor of Philosophy September 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Melissa Shew Title: "The Phenomenon of Chance in Ancient Greek Thought" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the degree in the Department ofPhilosophy by: Peter Warnek, Chairperson, Philosophy John Lysaker, Member, Philosophy Ted Toadvine, Member, Philosophy James Crosswhite, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. September 6, 2008 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. 111 An Abstract of the Dissertation of Melissa M. Shew for the degree of Doctor of Philosophy in the Department of Philosophy to be taken September 2008 Title: THE PHENOMENON OF CHANCE IN ANCIENT GREEK THOUGHT Approved: Dr. Peter Warnek This dissertation engages three facets of Greek philosophy: 1) the phenomenon of tyche (chance, fortune, happening, or luck) in Aristotle's Physics, Nicomachean Ethics, and Poetics; 2) how tyche infonns Socrates' own philosophical practice in the Platonic dialogues; and 3) how engaging tyche in these Greek texts challenges established interpretations of Greek thought in contemporary scholarship and discussion. I argue that the complex status of tyche in Aristotle's texts, when combined with its appearance in the Platonic dialogues and the framework of Greek myth and poetry (poiesis), underscores the seriousness with which the Greeks consider the role of chance in human life. -
Fate and Death Through a Daimonic Lens
FATE AND DEATH THROUGH A DAIMONIC LENS FATE AND DEATH THROUGH A DAIMONIC LENS By JASON SOLOMON BINDER, B.A.Sc., B.A. Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Jason Solomon Binder, September 2014 MA Thesis – J. Binder; McMaster University – Classics. McMaster University MASTER OF ARTS (2014) Hamilton, Ontario (Classics) TITLE: Fate and Death through a Daimonic Lens AUTHOR: Jason Solomon Binder, B.A.Sc., B.A. (McMaster University) SUPERVISOR: Dr. Sean Corner NUMBER OF PAGES: vi, 101 ii MA Thesis – J. Binder; McMaster University – Classics. Abstract This thesis is concerned with the ancient Greek conceptualization of fate and death, as explored through the figure of the daimon in literature from Homer and Hesiod to Plato and Euripides. Filling a gap in scholarship, I elucidate the spectrum of meaning inherent in the word daimon, and how it shifts over time. From the Archaic to the Classical period the word daimon is found as a synonym for theos, “god”, as a vocative address, or in reference to “fate” and the generalized “will of heaven.” At the same time, a particular group of divine personifications, including Thanatos, Moira, Ker, and Erinys are counted as daimones. We also find the term used to designate unnamed but individuated lesser divinities, guardian spirits, and demonic possessors, and even as the divine aspect of the self. In the early Archaic poets these latter categories are only nascent. The individuated daimon becomes the focus of the lyric poets and pre-Socratic philosophers; in the later pre-Socratics the daimon begins to be internalized, moving from possessive spirit to psychic force. -
The Hellenistic Archives from Tel Kedesh (Israel) and Seleucia-On-The-Tigris (Iraq)
The Hellenistic Archives from Tel Kedesh (Israel) and Seleucia-on-the-Tigris (Iraq) Sharon C. Herbert Photograph and drawing of a bulla from Kedesh showing Aphrodite represented as a naked figure bathing (fig. 7, no. Aph 1). Scale 4:1. 65 n January 1930, a University of Michigan team excavating in IIraq at Seleucia-on-the-Tigris, the eastern capital of the Hel- lenistic Seleucid kingdom, uncovered a cache of clay sealings that now reside in the Kelsey Museum (McDowell 1931, 26). These are pieces of clay or bitumen, which carry impressions of individuals’ seal rings. Such items, commonly known as bul- lae, were used to close and notarize papyrus documents in the Achaemenid, Hellenistic, and Early Roman eras. The Michigan team’s 1930 finds proved to be the first of two private archives located beneath the second/first century BCE block of Parthi- an houses excavated in their six seasons at Seleucia. The sealings from the two archives came to a total of 166 pieces (McDowell 1935, vii, 10–14).1 Seventy years later another Michigan team discovered a roughly contemporary archive (open from 200 to 145 BCE) of more than 2,000 seal impressions at Tel Kedesh in the Upper Galilee of modern Israel (Herbert and Berlin 2003, 51–53). Meanwhile, an Italian team excavating at Seleucia in the 1960s and 1970s found a large public archive building of Hellenistic date containing upward of 25,000 sealings (In- venizzi 1985; Bollati and Messina 2004); these carried dates of between 257 and 154 BCE (Messina and Mollo 2004, li). -
A Theology of Memory: the Concept of Memory in the Greek Experience of the Divine
A Theology of Memory: The Concept of Memory in the Greek Experience of the Divine Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Classical Studies Leonard Muellner, Advisor In Partial Fulfillment of the Requirements For Master’s Degree by Michiel van Veldhuizen May 2012 ABSTRACT A Theology of Memory: The Concept of Memory in the Greek Experience of the Divine A thesis presented to the Department of Classical Studies Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Michiel van Veldhuizen To the ancient Greek mind, memory is not just concerned with remembering events in the past, but also concerns knowledge about the present, and even the future. Through a structural analysis of memory in Greek mythology and philosophy, we may come to discern the particular role memory plays as the facilitator of vertical movement, throwing a bridge between the realms of humans and gods. The concept of memory thus plays a significant role in the Greek experience of the divine, as one of the vertical bridges that relates mortality and divinity. In the theology of Mnemosyne, who is Memory herself and mother of the Muses, memory connects not only to the singer-poet’s religiously efficacious speech of prophetic omniscience, but also to the idea of Truth itself. The domain of memory, then, shapes the way in which humans have access to the divine, the vertical dimension of which is expliticly expressed in the descent-ascent of the ritual passage of initiation. The present study thus lays bare the theology of Memory. -
Illinois Classical Studies
1 Recognizing Helen i TIMOTHY W. BOYD In Book 4 of the Odyssey, Helen and Menelaus, now home again in Sparta, are entertaining Telemachus, the son of Odysseus. Along with their hospitality, they each offer an anecdote about Odysseus as they saw him in a moment of great stress at Troy. These anecdotes have been the subject of much scholarly speculation, not only about their content, but also about the behavior of the tellers. Froma Zeitlin, for example, sees each of the stories as having two levels. In the upper, they are "tales from the past that seems to have been forgiven, transmuted into a play of symmetrical reversals that charm instead of dismay." In the lower level, they are about Helen as the embodiment of fiction itself. In a less theoretical vein, Douglas Olson concentrates upon the possible function of the stories within the greater narrative, suggesting that the anecdotes "prepare us for what is to come many books later, in another household, between another couple." Another interpretation, that of Charles Rowan Beye, is that these are stories both about a missing hero and about Helen's loyalty—or lack of it.^ That there are so many differing interpretations of these two stories is not surprising. On the surface, they are what they purport to be: tales of Odysseus, told to his son, Telemachus. Just below that surface, however, they do appear to be about something else. Helen's story, for example. My thanks to the following people for their assistance in creating this essay: Carolyn Higbie, Gregory Nagy, Victor Ortiz, David Sansone, and the readers at ICS. -
Stellar Symbols on Ancient Greek Coins (Ii)
STELLAR SYMBOLS ON ANCIENT GREEK COINS (II) ELENI ROVITHIS-LIVANIOU1, FLORA ROVITHIS2 1Dept. of Astrophysics-Astronomy & Mechanics, Faculty of Physics, Athens University, Panepistimiopolis, Zografos 157 84, Athens, Greece 2Athens, Greece E-mail: [email protected]; [email protected] Abstract. Continuing the systematic presentation and description of some ancient Greek coins with stellar symbols we represent some with other deities, than these presented at Part I, together with semi-gods, etc. as well as those with animals and objects. Besides, information about the place they were found, the material they are made of as well as the estimated time is also given. Finally, in some cases the Museum in which they are kept is provided. Key words: Ancient Greek coins – ancient Greek cities – ancient Greek colonies – myths – stellar symbols. 1. PROLOGUE In a previous paper, (Rovithis-Livaniou & Rovithis 2011; hereafter refer as Paper I), a systematic presentation of ancient Greek coins with stellar symbols started. In that paper, the principles as well as the basic elements concerning the numismatic system of the ancient Greek cities-countries were also given. So, we do not repeat them here. In Paper I, we limited to the coins where the main gods/goddesses of the Greek Dodekatheon were presented on observe, combined with various themes on reverse, but always showing a stellar symbol on either side. Besides, in Paper I the god-Helios was included together with Apollo who took his place as god of the light. Furthermore, some coins with Dioskouroi were included in Paper I; but, as only those in which one of the main gods/goddesses was the basic subject, we shall complete their presentation here. -
TYCHE I for TUNA Unlike the Deities Considered Previously, The
CHAPTER FOUR TYCHE I FORTUNA Unlike the deities considered previously, the personification Tyche may not have been represented in Archaic times, or, if she was, no evidence exists today concerning her early appearance. Moreover, there is no indi cation that later artists working in an archaistic style were aware of Ar chaic Tyche figures which could have served as models for imitation. 1 Both known types of archaistic Tyche representations adapt figures from other contexts and transform them into Tyche through the addition of the cornucopia. This recalls neo-Attic practice, and indeed, both types seem to have originated in the eclectically retrospective environment of the se cond and first centuries B.C. Since both were common as well in Imperial times, they can properly be considered here as Roman types. I. Hellenistic "Pergamene" Type The existence of a Tyche type which so closely corresponds to East Greek works of the second century B.C. prompts a brief reconsideration of the chronological questions raised concerning the Chian sculptor Boupalos. 2 Pausanias (IV,30,6) informs us that Boupalos' Tyche at Smyrna was the first to be shown with polos and cornucopia, and he would be correct if this statue was created by the Archaic Boupalos. If, however, this was the work of Heidenreich's Hellenistic Boupalos, it could hardly have been the first with cornucopia. Aside from Pausanias' remark, there is little if any evidence for Tyche representations before the fourth century B.C., but for that period there is an abundance of literary evidence,3 and at least one 1 As was the case for Athena at least. -
Divine Epistemology: the Relationship Between Speech and Writing in the Aithiopika
Divine Epistemology: the relationship between speech and writing in the Aithiopika. KATHRYN CHEW California State University, Long Beach 1. The perspectives presented in the recent Cambridge Studies in Heliodorus (1998) demonstrate how complex and interpretively challenging it can be to read the Aithiopika.1 For instance, John Morgan sees the triumph of Hellen- ism in the novel’s ending as ‘the hero and heroine become Ethiopian [and] Ethiopia becomes ideally Greek’.2 Tim Whitmarsh, on the other hand, argues that the novel contests its own genealogy and identity as it plays with hybrid- ities of genre, culture, and perspective. The dominance of Greek mainstream culture is undermined as the story’s trajectory leads away from Greece to the far side of the world and as Greek culture takes a back seat to the cultures of Egypt and Ethiopia. Whitmarsh ties his reading into the blurring and over- lapping of cultural identities during this period in the broad Roman Empire. Heliodorus’ novel, then, mirrors his culturally diverse society.3 That two such respectable scholars can conceive of such divergent readings shows the novel’s ability to accommodate contradictory orientations. 2. Another facet of culture at this time that surely shares this diversity of orientation is religion. Mystery cults – including those of Mithras, Isis and Christ – joined more traditional state/civic religions and personal cults in the richest variety of creeds yet seen in the empire. That most of these religious options were inclusive instead of exclusive increased the possible configura- ————— 1 I would like to thank Vicky Rimell, Jason König, and the other scholars whose comments on earlier drafts were indispensable. -
Techne, Technology, and the Refashioning of Contemporary Memory Kimberly Lacey Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2011 Making memory: techne, technology, and the refashioning of contemporary memory Kimberly Lacey Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Databases and Information Systems Commons, Other Communication Commons, and the Rhetoric Commons Recommended Citation Lacey, Kimberly, "Making memory: techne, technology, and the refashioning of contemporary memory" (2011). Wayne State University Dissertations. Paper 246. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. MAKING MEMORY: TECHNE, TECHNOLOGY, AND THE REFASHIONING OF CONTEMPORARY MEMORY by KIMBERLY LACEY DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan In partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2011 MAJOR: ENGLISH (Composition Studies) Approved by: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ ____________________________________ © COPYRIGHT BY KIMBERLY LACEY 2011 All Rights Reserved DEDICATION To Mom and Dad ii ACKNOWLEDGEMENTS Remembering to thank everyone who helped me write a dissertation about memory seems a little too cutesy for my tastes, but I want to be sure to give a few shout- outs to those who, without their encouragement, I could not have made it this far. First, I’d like to thank Richard Marback for his honest and helpful advice at every step of the process. I became a stronger and more confident writer, researcher, and professional because of his help, and I am gratefully indebted to him for that. -
Beiträge Zur Alten Geschichte, Papyrologie Und Epigraphik TYCHE
Beiträge zur Alten Geschichte, Papyrologie und Epigraphik TYCHE Beiträge zur Alten Geschichte, Papyrologie und Epigraphik Band 22 2007 Herausgegeben von: Gerhard Dobesch, Bemhard Palme, Peter Siewert und Ekkehard Weber Gemeinsam mit: Wolfgang Hameter und Hans Taeuber Unter Beteiligung von: Reinhold Bichler, Herbert Graßl, Sigrid Jalkotzy und Ingomar Weiler Redaktion: Franziska Beutler, Sandra Hodecek, Georg Rehrenböck und Patrick Sänger Zuschriften und Manuskripte erbeten an: Redaktion TYCHE, c/o Institut für Alte Geschichte und Altertumskunde, Papyrologie und Epigraphik, Universität Wien, Dr. Karl Lueger-Ring 1, A-lOlO Wien. Beiträge in deutscher, englischer, französischer, italienischer und lateinischer Sprache werden angenommen. Bei der Redaktion einlangende wissenschaftliche Werke werden angezeigt. Auslieferung: Holzhausen Verlag GmbH, Holzhausenplatz 1, A-1140 Wien verlagholzhausen @holzhausen.at Gedruckt auf holz- und säurefreiem Papier. Umschlag: IG nZ 2127 (Ausschnitt) mit freundlicher Genehmigung des Epigraphischen Museums in Athen, lnv.-Nr. 8490, und P.Vindob.Barbara 8. © 2008 by Holzhausen Verlag GmbH, Wien Bibliografische Information Der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb .ddb.de abrufbar Eigentümer und Verleger: Holzhausen Verlag GmbH, Holzhausenplatz 1, A-1140 Wien Herausgeber: Gerhard Dobesch, Bernhard Palme, Peter Siewert und Ekkehard Weber, c/o Institut für Alte Geschichte und Altertumskunde, Papyrologie und Epigraphik, Universität Wien, Dr. Karl Lueger-Ring 1, A-lOlO Wien. e-mail: [email protected]@univie.ac.at Hersteller: Holzhausen Druck & Medien GmbH, Holzhausenplatz 1, A-1140 Wien Verlagsort: Wien. - Herstellungsort: Wien. - Printed in Austria. ISBN 3-900518-03-3 Alle Rechte vorbehalten INHALTS VERZEICHNIS Maurizio C 0 10m b 0 (Rom): Le tribu dei Pannoni in Strabone Charilaos Fra g i a d a k i s (Athen): Die böotischen Sklavennamen. -
Hwang Umd 0117E 15489.Pdf (965.1Kb)
ABSTRACT Title of Document: EMPOWERING IMAGES: NEGOTIATING THE IDENTITY OF AUTHORITY THROUGH MATERIAL CULTURE IN THE HELLENISTIC EAST, 140-38 BCE HyoSil Suzy Hwang, Doctor of Philosophy, 2014 Directed By: Professor Marjorie S. Venit, Department of Art History and Archaeology During the late-second to first century BCE, Tigranes II the Great of Armenia (140-55 BCE), Antiochos I Theos of Commagene (ca. 86-38 BCE), and Mithridates VI Eupator of Pontus (134-63 BCE) employed multivalent imagery to legitimize their positions and assert their authority amid the changing political landscape of the Hellenistic East. Each king’s visual program shaped and reflected the political dynamics of his reign, the mixed cultural identity of his population, and the threats posed by foreign powers. As the kings negotiated their positions within an environment rife with military conflict and in territories composed of multi-ethnic populations, they created nuanced visual programs that layered ties to multiple historic precedents and religious authorities. Each king’s program intended to communicate differently to diverse audiences – both foreign and domestic – while simultaneously asserting the king’s position as the ruler of a powerful and unified realm. This dissertation considers the rulers’ creation and dissemination of such imagery, revealing new dimensions of ruling ideologies and visual culture in the Late Hellenistic East. EMPOWERING IMAGES: NEGOTIATING THE IDENTITY OF AUTHORITY THROUGH MATERIAL CULTURE IN THE HELLENISTIC EAST, 140-38 BCE By HyoSil Suzy Hwang Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2014 Advisory Committee: Professor Marjorie S.