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BY MOLIÈRE. A NEW VERSION BY . DIRECTOR LEE LEWIS. Ethical banking

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Teachers Mutual Bank is delighted to partner with Bell Shakespeare to support the Regional Teacher Mentorship.

Proud partner of Bell Shakespeare’s National Schools Program Bell Shakespeare’s National Schools Program inspires thousands of school children across Australia to learn and love Shakespeare. Only four banks in the world have been named as a 2018 World’s Most Ethical Company.1 And we’re one of them for the 5th year in a row! Believing that all Australians should have access to Shakespeare, Foxtel is proud to have supported Bell Shakespeare’s educational Find out more today* program since 1999. tmbank.com.au/wme Foxtel marks are used under licence by Foxtel Management Pty Ltd.

*Membership is open to citizens or permanent residents of Australia who are current or retired employees of the Australian education sector or family members of members of the Bank. 1 The Ethisphere Institute is a global leader in defining and advancing the standards of ethical business practice. The World’s Most Ethical Company assessment is based upon the Ethisphere Institute’s Ethics Quotient (EQ) framework and honours superior achievements in transparency, integrity, ethics and compliance. Worlds Most Ethical Companies and ‘Ethisphere’ names and marks are registered trade marks of Ethisphere LLL. www.ethisphere.com Teachers Mutual Bank Limited ABN 30 087 650 459 AFSL/ Australian Credit Licence 238981 | 00711-CSR-0518-WME-BS-297x210

00711-CSR-0518-WME-BS-210x148-1-2.indd 1 25/05/2018 3:03:00 PM COR0023_Bell_Shakespeare_FPC_A5_FA.indd 1 7/02/2018 12:21 PM 4 Bell Shakespeare

ABOUT BELL SHAKESPEARE SHAKESPEARE’S WORK EXPLORES HUMAN EXPERIENCE AT ITS LIMITS. IT WAS WRITTEN TO BE PERFORMED.

We ensure Shakespeare's work lives and INDIGENOUS ACKNOWLEDGEMENT breathes in , schools and regional venues throughout Australia, where his words We acknowledge the people of the land on which can be truly appreciated. we rehearse and perform across Australia.

We value the beauty of Shakespeare’s ideas, will be presented at language and imagery. His work helps us find House, and we acknowledge the Gadigal modern perspectives on timeless truths. People of the Eora Nation, the traditional custodians on whose ancestral land it sits. We believe Shakespeare and other great works are not stuck in the past. They are the lens The First Peoples of this nation expressed their through which we can explore and question culture through music, dance and storytelling, the present, and imagine the future. and it is a privilege to continue a tradition of storytelling and performance in this country. These plays are not static. They’re constantly helping us make sense of who we are, where We acknowledge custodians and elders, past we’ve been, and where we’re going. And we’re and present, and pay respect to the cultural not static either. authority and traditions of this land.

We’ve been travelling the country for more than 27 years, bringing classic theatre to Australia, looking for new ways to inspire, imagine and ignite.

Shakespeare and the other classic plays we present challenge our beliefs and urge us to see ourselves in a new light. Their ability to discover the things that make us human inspires us to make work that challenges preconceptions and encourages new interpretations and contemporary parallels — work that speaks to every age. The Misanthrope 5

ABOUT GRIFFIN IF YOU’VE EVER SAT IN THE THEATRE AND THOUGHT, ‘THOSE ACTORS ARE JUST TOO DAMN FAR AWAY’, THEN GRIFFIN IS FOR YOU.

Concrete Playground

Located in the heart of Kings Cross—in the GRIFFIN THEATRE COMPANY historic SBW Stables Theatre—Griffin has been 13 CRAIGEND ST dedicated to bringing the best Australian stories KINGS CROSS NSW 2011 to the stage for the better part of four decades. 02 9332 1052 We’re passionate about theatre that’s written by [email protected] Australians, about Australians, for Australians to GRIFFINTHEATRE.COM.AU enjoy. Iconic Aussie plays such as The Boys, Holding the Man and The Heartbreak Kid all had SBW STABLES THEATRE their world premieres at Griffin. And many of our 10 NIMROD ST nation’s most celebrated artists started their KINGS CROSS NSW 2011 professional careers with us—, BOOKINGS , Michael Gow and Louis Nowra to GRIFFINTHEATRE.COM.AU name a few. 02 9361 3817 Homegrown inspiration. By you, for you. 6 Bell Shakespeare

FROM THE EXECUTIVE DIRECTOR AND ARTISTIC DIRECTOR OF BELL SHAKESPEARE

Shakespeare said it best when he wrote “With As always, we would like to express gratitude mirth and laughter let old wrinkles come.” for the support we receive from government The trick to life is making sure we find joy and and corporate partners, trusts and foundations, jollity along the way, and this production of and our dedicated donors who together help us The Misanthrope – presented in association bring our performances to the stage. We are also with our friends at Griffin Theatre Company – thankful to you, our audience, whose support will certainly fill your evening with belly laughs and attendance continues to inspire us. and masterful storytelling.

When making the decision to present Justin Fleming’s take on Molière’s The Misanthrope, there was never a question in our minds that we needed to partner up with Griffin and hand the reins of the production over to Lee Lewis. Gill Perkins Our last collaboration with Griffin was The Literati Executive Director in 2016, which was a roaring success, staged at the historic SBW Stables Theatre. In 2018 we are delighted to welcome Griffin audiences to , our Sydney home.

Presenting great writing sits at the heart of both Bell Shakespeare and Griffin. Whilst our focus is the work of Shakespeare and his peers, Griffin’s remit is to develop and present new Peter Evans writing. The opportunity to collaborate on Artistic Director The Misanthrope, with friends who share a passion for storytelling, was too good to resist.

We have long been fascinated by Molière’s razor-sharp storytelling, keen characterisations and satirical depictions of human frailty. Justin Fleming’s translations bring a wickedly witty, distinctly Australian edge to Molière’s work through his flair for rhythm and rhyme, and his ability to give great works of the past a distinctly contemporary edge delivering wonderfully entertaining theatre. The Misanthrope 7 8 Bell Shakespeare

SYNOPSIS

The witty Alceste is irritated by humanity. Arsenio accuses Cymbeline of moral turpitude, She hates false flattery and social niceties. and Cymbeline repays the favour by telling Her BF Philippa is trying to keep her out Arsenio that people think he’s uptight. of trouble – and out of jail due to a malicious law suit looming over her. Orton arrives to right the wrong done against his lyrics, wanting to stage a public debate with Alceste meets with Orton, a sycophant with Alceste about her earlier feedback. Orton and two million online followers, who wishes to Alceste’s fight ends with Alceste offending Orton earn Alceste’s admiration with his songwriting even further. skills. When Alceste gives Orton her honest feedback on his lyrics of love, Orton storms off. Cymbeline’s sister Eleanor tells Philippa that should, would or could there be a chance to win Alceste’s love interest, the hunky musician Alceste’s heart from her brother, she would take Cymbeline, is known for his gossiping and it. In response Philippa professes her own sleeping around. He adores his admirers as feelings for Eleanor, and her hopes that maybe – much as he adores being admired. Alceste one day – it might be reciprocated. accuses Cymbeline of being false and a flirt, but Cymbeline assures Alceste he only has Alceste uncovers Cymbeline’s dastardly eyes for her. Bang on cue, two of Cymbeline’s transgressions, and when confronting Cymbeline admirers show up for a natter. is astonished that he confirms her suspicions that he is indeed a love-rat. More cheating deeds Angus and Cleveland have all the inside emerge and Alceste gives Cymbeline a final gossip and they aren’t afraid to embellish it. ultimatum, all the while waiting to see if the long After Alceste takes umbrage at their behaviour arm of the law will catch her. and rails against their chatty ways, Cleveland and Angus challenge each other to a gentleman’s Bruised egos and broken hearts are littered pact to see who can ensnare Cymbeline’s across the stage, but true love prevails when affection. Eleanor and Philippa agree to marry one another.

In the meantime, the influential Arsenio arrives. He’s smitten with Alceste, and hasn’t hidden it well, much to the ire of Cymbeline. The Misanthrope 9

CAST, CREATIVES AND CREW

CAST ORIGINAL SONGS

Alceste Danielle Cormack Lyrics Justin Fleming Arsenio Simon Burke Music Max Lambert and Roger Lock Eleanor Catherine Davies Cymbeline Ben Gerrard CREW Philippa Orton / Cleveland Hamish Michael Stage Manager Khym Scott Angus Anthony Taufa Assistant Stage Manager Georgie Deal Head Electrician Andrew Hutchison CREATIVES Head Mechanist Bob Laverick Head of Costume Hannah Lobelson By Molière Costume Assistant Brooke Cooper-Scott Writer Justin Fleming Costume Assistant Alana Canceri Director Lee Lewis Dresser Brooke Cooper-Scott Designer Dan Potra Production Assistant Matthew Schubach Lighting Designer Matthew Marshall Lighting supplied by Chameleon Touring Systems Composers and Sound Designers Max Lambert and Roger Lock PHOTOGRAPHY Voice Coach Jess Chambers Choreographer Kelley Abbey Cover image Pierre Toussaint Rehearsal images Brett Boardman 10 Bell Shakespeare

MY ADVENTURES WITH MOLIÈRE. BY JUSTIN FLEMING.

This is an edited extract of the article 'My Adventures with Molière' by Justin Fleming, originally published on Saturday 4 August, 2018 in The Sydney Morning Herald.

My first foray into adapting a French classic that Michael Worton, Fielden Professor of French for the stage was Zola's Au Bonheur des Language and Literature at UCL visited Sydney Dames, which I called The Department Store, when I had finished a draft of with this produced by Parnassus' Den Theatre Company adventurous rhyming scheme. Over a drink in at the Old Fitzroy in Sydney, successfully The Rocks, he generously agreed to read the directed by Christopher Hurrell. Some time later, translation on the train to Canberra the next day. Bell Shakespeare asked me if I were interested He then sent me an email: Go for it! in translating Molière’s Tartuffe. To illustrate, when translating The Misanthrope, In approaching a translation of a Molière play this is how I varied the rhyming scheme: Where in verse, I was struck by a sense of relentless the scene is principally about insincerity, I have rhyming couplets. This was not a problem for used the rhyming couplets (AABB). When the a French audience as they were used to them main thrust is brutal truth, the rhymes are on and in French they have less intensity: the alternate lines (ABAB). Where the subject is love, reason being that it is easier to rhyme in the rhymes fall on the first and fourth lines, and French. Unlike English, French repeats a the second and third lines (ABBA). Where letters comparatively limited number of word endings, are read, I use the couplets. The advantage is and though spellings are different, the sound is that the audience stops knowing where the often the same – a feature shared with English. rhyme will land and listens to what is being said. My concern was for the ear of a modern When the rhyme does arrive, it’s a kind of Australian audience, with most of us pay-off. unaccustomed to rhyming plays. French has French people are curious about why exactly about 100,000 words in usage and English has Molière is so popular in Australia. I believe it is 172,000 – approaching twice the vocabulary. because Australians have several things in A reason for this is that English has, with an common with Molière: a mistrust for the pillars almost lecherous lingual lust, acquired words of society, a loathing of hypocrisy and a distaste from Angles, Saxons, Jutes, Frisians, Celts for the extreme. All of the plays I have translated (Welsh, Irish, Bretons), Old Norse, Normans have at least one, if not all, of these protests as (which, e.g., gave us mug, with all its colourful their theme, and this is why they have continuing Australian meanings), Dutch, Italian, Indian, relevance to modern Australians. German, Hebrew, Yiddish, Arabic, Latin, Greek and, yes, French. There is something else, too. Molière gives a voice to those who are under the thumb of a Yet despite this rich variety, to avoid the intensity higher power – and it is a daring voice for reason, of five acts of rhyming couplets, most translators wisdom, moderation. His working class women, deliver the text in blank verse – the rhythm but for example, are a momentous moral force and not the rhyme. I did consider this option, but I felt Molière gives them huge roles. When Lee Lewis it may deny an Australian audience our innate joy asked me if Alceste, the misanthrope, could be of rhyme. As an experiment, I made a bold a woman, I asked myself: What would Molière say decision: to vary the rhyming scheme. I had if he were right here, right now? spent a wonderful year of postgraduate study at University College London, and it so happened The answer came back: Vas-y, fais-le! – Go for it! The Misanthrope 11 12 Bell Shakespeare

COSTUME DESIGN BY DAN POTRA

ALCESTE AND PHILIPPA The Misanthrope 13

ANGUS AND ARSENIO 14 Bell Shakespeare

CREATIVE TEAM

LEE JUSTIN LEWIS FLEMING DIRECTOR WRITER

Lee is the Artistic Director of Griffin Theatre Justin is an award-winning playwright. For Bell Company and one of Australia’s leading directors. Shakespeare he has previously adapted Molière’s Her directing credits for Bell Shakespeare include Tartuffe, and The Literati. His The Literati, The School for Wives and Twelfth translation of will open our 2019 Night. Her other directing credits include The season. His other plays include Dresden, Hammer, Bleeding Tree, Kill Climate Deniers, The Call, The Cobra, Harold in Italy, The Ninth Wonder, A Emerald City, A Hoax, Masquerade (co-directed Land Beyond the River, Junction, Burnt Piano, Coup with Sam Strong), The Nightwatchman, A Rabbit D’Etat, The Department Store and His Mother’s for Kim Jong-il, Replay, The Serpent’s Table Voice. Justin’s librettist credits include The Merry (co-directed with Darren Yap) and Silent Disco for Widow for /State Opera Griffin Theatre Company; David Williamson’s Companies; Crystal Balls for Compact Opera/ Rupert for Melbourne Theatre Company, which Sadler’s Wells; Tess of the D’Urbervilles for Thor toured to Washington DC as part of the World Productions/Savoy Theatre, London; and Satango Stages International Arts Festival; Gloria and for Griffin Theatre Company/Riverside/Cockroach Hayfever for Melbourne Theatre Company; Theatre. His book credits include Stage Lines – Honour, Love Lies Bleeding and ZEBRA! for Sydney Writing Scripts for the Stage and A Molière Theatre Company and That Face, This Heaven, Anthology. Justin’s numerous awards for his plays Half and Half and A Number for Belvoir. Lee’s include the New York New Dramatists’ Award; awards include Best Director at the 2016 selection for the inaugural MTC/Centaur Theatre Helpmann Awards. Exchange in Montréal; shortlisted for the Patrick White Award; the Banff PlayRites Residency; and the Mitch Mathews Award on two occasions. The Misanthrope 15

DAN MATTHEW POTRA MARSHALL DESIGNER LIGHTING DESIGNER

Dan designs across the full spectrum of the arts, Matthew Marshall is a graduate from WAAPA, who and is a graduate of the National Institution of has earnt critical acclaim and recognition Dramatic Art. This is his second production with including The Helpmann Awards (Best Lighting Bell Shakespeare. His other theatre and Design nominations 2012 & 2017) and Australian international opera productions include Turandot Production Design Guild (Lighting Design for Opera Australia; Dracula for the Royal Swedish nominations 2013 & 2014). His work spans Theatre, Opera; Cyrano De Bergerac for the National Opera, Dance and events with companies Theatre of Greece; Sweeney Todd for Southbank including Belvoir, Griffin, Pinchgut Opera, Sydney London; The Barber of Seville for Houston Grand Theatre Company, Sydney Dance Company and Opera; A Streetcar Named Desire and Norma for St every major Festival in Australia. For Bell Gallen Opera; La Boheme for Staatsopera; and Shakespeare he has previously designed The Idomeneo and Theodora for Pinchgut Opera. His Winter’s Tale. His other theatre credits include 8 large-scale sporting and cultural events credits Gigabytes of Hardcore Pornography for Griffin include Deep Sea Dreaming and Tin Symphony for Theatre Company; the Handa Opera on Sydney the Sydney 2000 Olympic Games Opening Harbour La Boheme for Opera Australia; American Ceremony; 2006 Melbourne Commonwealth Idiot for Shake & Stir/QPAC; Askungen for Royal Games; and 2010 Delhi Commonwealth Games. Swedish Opera; The Barber of Seville for Seattle Dan has received six Helpmann Award Opera; Velvet (the 2017 Australian/NZ Tour); La nominations for his design work in opera and Cenerentola for Oper Leipzig & San Diego Opera; theatre in Australia of which he has won three, Band of Magicians at the Tropicana Casino, Las including Best Scenic Design for Dead Man Vegas; and Billy Elliot opening the new ASB Walking at Sydney’s State Theatre. Waterfront Theatre for Auckland Theatre Company. 16 Bell Shakespeare

CREATIVE TEAM

MAX ROGER LAMBERT LOCK COMPOSER COMPOSER AND SOUND AND SOUND DESIGNER DESIGNER

Max is one of Australia’s most talented Roger Lock is a guitarist, composer and producer. composers, arrangers, musicians and musical He is a graduate of the University of Salzburg’s directors. For Bell Shakespeare he has previously Mozarteum. For Bell Shakespeare he has composed for The Literati. His other composing previously created music for The Literati. His other credits include for , theatre credits include Diving for Pearls for Griffin Melbourne Theatre Company, Company and Letters to Lindy for Theatre, Sydney Dance Company and The Merrigong Theatre Company. As a classical Australian Ballet. His musical theatre credits guitarist Roger has played throughout Europe, include David Atkins’ Hot Shoe Shuffle. Max’s Australia and Japan, and has been active as a musical directorship credits include the Opening recording artist. In 2012 his band Roger Vs. The and Closing Ceremonies of Sydney 2000 Olympic Man released their debut album entitled Black Games; the 2002 Commonwealth Games Pearl. As a producer he has composed for and (Manchester) and the 2006 Asian Games (Doha, produced twelve independent studio albums with Qatar). His musical supervisor credits include The many different artists including Laetitia Ribeiro, Boy From Oz, Hairspray, Fame, King Kong and Emma Sholl & Lindsey Nolan. Strictly Ballroom. The revival of Max’s musical (co-written with ) was a runaway success at The Hayes Theatre in 2014. Max’s film credits include George Millar’s and Gillian Armstrong’s The Last Days of Chez Nous. The Misanthrope 17

JESS KELLEY CHAMBERS ABBEY VOICE CHOREOGRAPHER COACH

Jess works internationally as a voice and dialect This is Kelley’s first production for Bell coach. For Bell Shakespeare she was voice coach Shakespeare. As a director and choreographer, for Julius Caesar, Antony and Cleopatra, The her other live performance credits include Merchant of Venice, Richard 3, Othello, Romeo and Salome, Carmen, Jesus Christ Superstar, Funny Juliet and the 2014 national tour of Henry V. Her Girl, Cabaret, Follies, Footloose, Grease the Arena other theatre credits include; as voice and dialect Spectacular, Hedwig and The Angry Inch, Xanadu, coach: Matilda the Musical in Australia for The Miracle City, Fame the Musical, and The Boy from Royal Shakespeare Company and Louise Withers; Oz. Kelley’s television credits include and Alice in Wonderland, Sweet Charity, You Never choreography for the AFI Awards, MTV Awards, Can Tell and Pygmalion for The Shaw Festival Aria Awards, The Voice, X Factor, TV Week Logies, Theatre (Canada); as voice coach: Power Plays, A So You Think You Can Dance (Australia and USA), Midsummer Night’s Dream and Battle of Waterloo Superstars of Dance (USA), and as the creative for Sydney Theatre Company; and Matilda the director of Dancing With The Stars (Australia). Her Musical in London for The Royal Shakespeare film credits include In Her Skin, Goddess and Company; as assistant voice coach: Noises Off, Happy Feet. She was also the artistic director on Romeo and Juliet and Storm Boy for Sydney John Farnham and Olivia Newton John’s Two Theatre Company; as dialect coach: Jersey Boys Strong Hearts tour, and associate director to Baz for Rodney Rigby, TEG Dainty and The Dodgers; as Luhrmann on Strictly Ballroom the Musical. Kelley children’s dialect coach: Les Misérables for was awarded the US Choreography Media Cameron Mackintosh and Michael Cassel; The Honours for her work in Happy Feet and has Sound of Music for John Frost and The Really received two Helpmann Awards for Best Useful Group; and Made in Dagenham the Musical Choreography in a musical. for the Adelphi Theatre in London. Her television credits in The Unlisted for ABC and Aquarius Films. Her film credits include dialect assistance on Hacksaw Ridge. Jess trained at Central School of Speech and Drama, London.

20 Bell Shakespeare

CAST

DANIELLE SIMON CORMACK BURKE AO ALCESTE ARSENIO

Danielle Cormack has had an extensive career in Simon Burke AO is a critically acclaimed actor, film, theatre and television across both Australia singer and producer. This is his first production and New Zealand. This is her first production with with Bell Shakespeare. His other theatre credits Bell Shakespeare. Danielle’s television credits include over 130 stage production in Australia include ‘Bea Smith’ in , ‘Kate Leigh’ and the UK, most recently The Homosexuals for in Underbelly: Razor, Rake, Deep Water, Xena, Griffin/Malthouse; Strangers in Between for Miss Fisher’s Murder Mysteries, , East fortyfivedownstairs and Noises Off for Melbourne West 101 and Secret City. Danielle’s film credits Theatre Company/Queensland Theatre. His include Separation City, Topless Women Talk musical theatre credit highlights include Marius About Their Lives, The Price of Milk and Siam in the original Australian cast of Les Misérables, Sunset. Danielle’s numerous awards include Billy in , and on London’s West End winner of the 2015 Logie Award for Most Captain von Trapp in and Outstanding Actress, Best Actress at the 2010 Raoul in Phantom of the Opera. Simon’s television New Zealand Film and TV Awards, and Most credits include Devil’s Playground, Dead Lucky, Outstanding Performance by a Female Actor at Rake, Studio A with Simon Burke and Playschool. the 2015 ASTRA Awards. She has also been His film credits include Devil’s Playground, nominated for numerous awards at the TV Week Passion and Super Awesome. Simon received an Logie Awards, AACTA Awards, ASTRA Awards, AFI Best Actor award for his acting debut at age Monte Carlo Television Festival and the Sichuan 13, and has since received numerous awards, TV Festival. Danielle is an active ambassador for including an Officer of the Order of Australia for SHINE for Kids, ChildFund Australia and NZ, and is distinguished service to the performing arts. a patron and mentor for the Bridge the Gap Project NZ. She is a proud member of MEAA. The Misanthrope 21

CATHERINE BEN DAVIES GERRARD ELEANOR CYMBELINE

Catherine graduated from QUT with a BFA (Acting) Ben is a graduate of the National Institute of in 2006 and trained at HB Studio, New York in Dramatic Art (NIDA). For Bell Shakespeare Ben 2010. For Bell Shakespeare she has performed in performed in the 2009 The Players ensemble. His The Merchant of Venice. Previous theatre credits other theatre credits include Buyer and Cellar for include Turquoise Elephant for Griffin Theatre Ensemble Theatre; You’re a Good Man Charlie Company; Going Down for Sydney Theatre Brown for Hayes Theatre Company; I Am My Own Company/Malthouse Theatre; Back At The Dojo for Wife for Oriel Group/Red Line Productions/Old Belvoir; The Happy Prince, Dracula and Dangerous Fitz; Hidden Sydney – The Glittering Mile for Liaisons for Little Ones Theatre; The Myth Project: Working Management; Songs for the Fallen for Twin, Cut Snake, Superhero Training Academy and Critical Stages and Shakespeare’s R & J for Waltzing Wooloomooloo: The Tale of Frankie Jones Riverside. His television credits include Deep for Arthur; sex.violence.blood.gore for MKA; and No Water, A Place to Call Home, Open Slather, Molly, Place Like, Full Circle, Unfinished, Secrets, Running Gallipoli VS Specials, Jack Irish: Dead Point, Outland Blind and Brigitte, Bracken and Box for Milk Crate and All Saints. Ben’s film credits include Wolf Theatre. Her television credits include For the Creek 2. Ben was nominated for an AACTA Award Love of Bruno, The Fighting Season and Precinct 13. for Best Supporting Actor in a Television Drama Catherine is a member of MEAA. (Molly) and nominated for a Sydney Theatre Award for Best Actor in an Independent Production (I Am My Own Wife). 22 Bell Shakespeare

CAST

REBECCA HAMISH MASSEY MICHAEL PHILIPPA ORTON / CLEVELAND

For Bell Shakespeare Rebecca has previously This is Hamish’s first production with both Bell performed in Henry IV (Parts 1 & 2). A Green Room Shakespeare and Griffin. His other theatre credits and Glug Award winner for best actress, her other include Straight White Men, The Beast, Ray’s theatre credits include Kill Climate Deniers for Tempest and Two Brothers for Melbourne Theatre Griffin Theatre Company; Dinner, Chimerica, After Company; Children of the Sun for Sydney Theatre Dinner, Perplex and Travesties for Sydney Theatre Company; The Trial and Optimism for Sydney Company; Vere for Sydney Theatre Company/ Theatre Company/Malthouse; Woyzeck, Moving State Theatre Company of South Australia; Target and Eldorado for Malthouse; Death of a Tartuffe for Malthouse and Cat on a Hot Tin Roof, Salesman and As You Like It for Belvoir and The The Book of Everything, Exit the King, It Just Rasputin Affair for Ensemble Theatre. His Stopped, Stuff Happens, The Underpants, television credits include Janet King, Rosehaven, Macbeth, , The Small Poppies, The Doctor Doctor, Ready for This, Black Comedy, Seagull, WASP and The Alchemist for Company B. , Miss Fisher’s Murder Mysteries, Her television credits include Utopia, Deep Water, Power Games: The Packer-Murdoch Story, Howzat! Pacific Heat, The Principal, Winter, Tricky Business, Kerry Packer’s War and others. His film credits Packed to the Rafters, City Homicide, My Place, include The Great Gatsby, Lucky Miles, EM 4 JAY Chandon Pictures and Lowdown. Rebecca’s film and Tom White. Hamish has received Green Room, credits include Bad Girl, Backyard Ashes, Helpmann, TV Week Logie and AACTA award Accidents Happen and The Black Balloon. nominations for his work across theatre and TV. In 2015 Hamish was awarded the Equity Atlantic Scholarship to study at the Atlantic Acting School in New York. The Misanthrope 23

ANTHONY TAUFA ANGUS

Anthony is a graduate of the National Institute of Dramatic Arts (NIDA). For Bell Shakespeare Anthony has previously performed in The Merchant of Venice, The Comedy of Errors and Actors at Work. His other theatre credits include Saint Joan, Black is the New White, Cloud Nine, The Golden Age and Orlando for Sydney Theatre Company; Love and Information for Sydney Theatre Company/Malthouse; An Octoroon for Queensland Theatre; A Man With Five Children and 10,000 Beers for Darlinghurst Theatre Company; The Brothers Size for Griffin Theatre Company; Monkey: Journey to the West for Kim Carpenter's Theatre of Image; and Mash Up for Q Theatre. His television credits include Top of the Lake: China Girl. His film credits include Down Under and Jimmy Tennison. THE FEATHER IN THE WEB

GRIFFIN THEATRE COMPANY griffintheatre.com.au PRESENTS 02 9361 3817 Production Partner SBW Stables Theatre THE FEATHER IN THE WEB 10 Nimrod Street BY NICK COYLE Kings Cross Supported by 5 OCTOBER-17 NOVEMBER BY MOLiÈRE A NEW VERSiON BY jUSTiN FLEMiNG

SYDNEY OPERA HOUSE BOOK NOW 2 MARCH – 6 APRIL BELLSHAKESPEARE.COM.AU

CANBERRA THEATRE CENTRE 11–20 APRIL

ARTS CENTRE MELBOURNE 25 APRIL – 12 MAY 26 Bell Shakespeare

BELL SHAKESPEARE DONORS

FOUNDING BENEFACTOR

The late Anthony Gilbert AM We also thank the following generous donors or their contributions: LEADING BENEFACTORS Sandra & Bill Burdett AM Andrew & Catherine Caro La Trobe Financial Tim Cox AO & Bryony Cox Michael S Diamond AM MBE LIFE MEMBERS Diane & John Dunlop Justice François Kunc & Ms Felicity Rourke Ilana Atlas Bill Hayward OAM & Alison Hayward John Bell AO OBE Linda Herd Tim Cox AO & Bryony Cox Greg Hutchinson AM & Lynda Hutchinson Martin Dickson AM & Susie Dickson Bruce Meagher & Greg Waters Graham Froebel Peter & Felicia Mitchell Virginia Henderson AM David & Jill Pumphrey David Pumphrey Charlie & Sandy Shuetrim Serow-Neijts Family INFINITE SPACE Eva & Timothy Pascoe Lady Potter AC CMRI Thank you to our Infinite Space capital campaign Kenneth Reed AM donors who are helping us build a future for Bell Jann Skinner Shakespeare where the possibilities are infinite… George & Sabrina Snow starting with our new permanent headquarters at Ezekiel Solomon AM Pier 2/3 as part of Sydney’s Walsh Bay Art Precinct Helen Williams AO from 2020. Anonymous We would also like to thank our donors who “I could be bounded in a nutshell and contribute up to $1,000 – every gift makes count myself a king of infinite space…” a difference to what we are able to achieve. Hamlet, Act 2, Scene 2

THE DREAMERS ARTISTIC DIRECTOR’S CIRCLE Special thanks to our major donors for giving us the space to dream. Thank you to our 2018 Artistic Director’s Circle members who are passionate about the process of Ilana Atlas & Tony D'Aloisio AM Dr Kimberly Cartwright & Mr Charles Littrell making theatre and are supporting and observing Kevin Cosgrave this year’s mainstage and education seasons. Darin Cooper Foundation Martin Dickson AM & Susie Dickson Lachlan & Rebecca Edwards Beau Deleuil Lachlan & Rebecca Edwards Kathryn Greiner AO Anne Loveridge Shannon Finch Nick & Caroline Minogue David Friedlander Dr S Anne Reeckmann & Dr Gary S Holmes Jinnie & Ross Gavin Julia Ritchie Kathryn Greiner AO Ruth Ritchie Linda Herd Gene Tilbrook Alden Toevs & Judi Wolf Alden Toevs & Judi Wolf The Misanthrope 27

SUPPORTING CAST

We are incredibly grateful for every dollar our QC & Sally Heerey, Jane Hemstritch, Natalie Hickey, Supporting Cast donors contribute towards our Ken & Lilian Horler, Fiona Hulton, Vincent Jewell, essential operating costs, ensuring that we’re able Anne Swann & Robert Johanson, Cam & Caroline to focus our efforts on finding new ways to educate, Johnston, In Loving Memory of Dr Serge Kunstler, collaborate and recreate. Marcus & Jessica Laithwaite, Owen Lennie, Dr Kimberly Cartwright & Mr Charles Littrell, Richard & $50,000+ Elizabeth Longes, Linda Lorenza, Peter & Maryclare Tom & Elisabeth Karplus, Sue Maple-Brown AM Los, Hon Ian MacPhee AO & Julie MacPhee, $20,000+ Maple-Brown Abbott Limited, Justice Jane Mathews Low Family Foundation, Neil & Rachel Sinden, AO, Diane Matthews, Julianne Maxwell, Banjo Andrew Sisson AO, Smith Charitable Fund, McLachlan, Andrew McWhinnie, Mr Robert Milliner & Alden Toevs & Judi Wolf Dr Diana Milliner, Dr Alana Mitchell, Annabelle $10,000+ Moone, NAB Private Wealth, Naylor-Stewart Ancillary Robert Albert AO & Libby Albert, Susan Burns, Philip Fund, Patricia Novikoff, Tom & Ruth O'Dea, Kathy Crutchfield QC & Amy Crutchfield, Martin Dickson AM Olsen & Bruce Flood, Mr Pieter Oomens & Mrs & Susie Dickson, Vic & Katie French, Jinnie & Ross Elizabeth Oomens, Conrad Oppen & Alice Oppen OAM RAN Gavin, John Hindmarsh AM & Rosanna Hindmarsh , Gill Perkins & Family, CMDR Warwick Potter , OAM, Greg Hutchinson AM & Lynda Hutchinson, Jane J & K Preedy, David & Jill Pumphrey, Bill & Katharine Hansen & Paul Little AO, Anne Loveridge, Kenneth Ranken, Mary & Michael Regan, Greg J Reinhardt, Reed AM, Jacqui Scheinberg, Sally White OAM Bob Richardson, Tim & Lynne Sherwood, Peter Stirling & Kimberley Kane, Alan & Jenny Talbot, David $5,000+ & Jenny Templeman, Thales Australia, Mr Mike Ilana Atlas & Tony D'Aloisio AM, Sandra & Bill Burdett Thompson, Sylvia Falzon & Geoff Tomlinson, Janet AM, Philip Chronican, Robert & Carmel Clark, Kathryn Whiting AM, George M Wilkins, Helen Williams AO, Greiner AO, Dr Sue Kesson, Justice François Kunc & Annabel Williamson, The Hon Ralph Willis AO & Mrs Ms Felicity Rourke, Penelope & John McBain AO, J R Carol Willis, Anonymous (10) Nethercote, Rebel Penfold-Russell OAM, Diane Sturrock, Peter Sturrock, Dick & Sue Viney $500+ Bill & Kate Anderson, Alan Bardwell, Loretta Barnard, $1,000+ Edward & Lucy Batrouney, Mrs Kay Beatton, Lewis & Fiona Archer, Dr Margaret Barter, Helen Baxter, Berg Sally Bell, Renee Boundy, Rick Burrows, The Hon Family Foundation, Binns & Moore Generosity Fund, Joseph C Campbell QC, Jane Caro & Ralph Dunning, Gail & Duncan Boyle, Dr John Brookes, Virginia Yola & Steve Center, George Clark, Michael & Brown, Jan Burnswoods, John & Alison Cameron, Christine Clough, Zoë Cobden-Jewitt & Peter Jewitt, Jenny & Stephen Charles, Darren Cook, Kevin Allan W Donald, Gilles Du Puy & Vicki Arbes, Michael Cosgrave, Russ & Rae Cottle, Professor A T & Roslyn Dunn, Ernst & Young, Jeanmaree Furtado, F Craswell, Daniel & Laura Crennan, Joanne & Sue J Gale, Leigh & Adele Gordon, Andrew & Pam Dalton, Antony de Jong & Belinda Plotkin, Beau Hagger, Elizabeth M Hamilton, Lesley Harland, Tom Deleuil, Dr Antonio Di Dio, Jane Diamond, Michael S Harley, Dr David Howell & Mrs Sarah Howell, Diamond AM MBE, Diane & John Dunlop, Lachlan & Reverend Bill & Mrs Rosemary Huff-Johnston, Rebecca Edwards, Elizabeth Evatt AC, Jean Finnegan Mathilde Kearny-Kibble, Peter & Elizabeth Kelly, Dr & Peter Kerr, Diana & Richard Fisher, Chris Fox & Angela Kirsner & Dr Richard Kirsner, Cheryl Lo, Natalie Hickey, David Friedlander, Graham Froebel, Ardelle Lohan, Carol & Rod Mackenzie, Aneka Jennifer Giles, Sharon Goldschmidt, Louise Gourlay Manners, Brian & Helen McFadyen, J Norman, , OAM, Richard & Anna Green, Andy & Jill Griffiths, Mark Rodney & Donna Ravenscroft, Bryce Raworth & & Patricia Grolman, Leigh Hammond, Steven & Isobel Williams, Mr Stephen Rebikoff & Ms Amy Kristina Harvey, Catherine Parr & Paul Hattaway, Joe Boyd,Debra Reinecke & Stuart Le May, Rodney & Hayes & Jacinta O'Meara, The Hon Peter Heerey AM Racquel Richardson, Annabel Ritchie, Mr Greg 28 Bell Shakespeare

Robinson & Dr Tricia Desmond, Martin and Maria Cosgrave, Ms Patsy Crummer, Philip CrutchfieldQC & Ryan, Penelope Seidler AM, Ms Andreé Harkness & Amy Crutchfield, Ilana Atlas & Tony D'AloisioAM , Mr Richard Sewell, Jann Skinner, Michael Sloan, Coles Danziger Foundation, Graham Froebel, Galvin Warren & Penelope Swain, Helen Swift & Les / O'Meara Family, Mary-Jane Gething, Louise Gourlay Neulinger, Robin Syme AM & Rosemary Syme, Robert OAM, Michael & Tatty Happell, The Hon Peter Heerey & Kyrenia Thomas, Jane Turner, Kerryn Underwood, AM QC & Sally Heerey, In memory of Armon Hicks Jnr, Honourable Justice Anthony Whealy & Mrs Anne Ken & Lilian Horler, M Horne, Dr David Howell & Mrs Whealy, David & Marie Whiting, Capt W Graham Sarah Howell, Mike & Stephanie Hutchinson, Cam & Wright RAN ret, Anonymous (6) Caroline Johnston, Michael Kingston, John Knowles OAM, Marcus & Jessica Laithwaite, Julie & Michael BEQUESTORS Landvogt, Jennifer Ledgar & Bob Lim, In memory of The Late Brian Timothy Carey Lucy Lim, Linda Lorenza, Anne Loveridge, Low IN-KIND SUPPORTERS Family Foundation, Sarah Lowe, Ian & Wendy Sam Sheppard Macoun, Miss Carina Martin, Banjo McLachlan & Paul Mahony, Luke Merrick, Holly Mitchell, Belinda Gibson & Jim Murphy, Lorraine Murphy, J R SHARING SHAKESPEARE Nethercote, Gill Perkins & Family, Lady Potter AC CMRI, Dr Susan Pugh, Paul & Jacqueline Pryor, David & Jill We would like to thank our Sharing Shakespeare Pumphrey, Bill & Katharine Ranken, Bryce Raworth & donors whose support provides life changing Isobel Williams, Rodney & Racquel Richardson, Mark opportunities through our learning and outreach & Anne Robertson, Vio Samson, Keiko Schmeisser, programs, including the John Bell Scholarship, Ms Andreé Harkness & Mr Richard Sewell, Geoffrey Hearts In A Row experiences, The Players A Starr, Diane Sturrock, Rob & Kyrenia Thomas, performances and Student Masterclasses. Helen Williams AO, Oliver & Jacque Yates, Anonymous (9) $20,000+ Dr S Anne Reeckmann & Dr Gary S Holmes, Annie $500+ and John Paterson Foundation Adrianne Anderson, Lewis & Sally Bell, The Hon Joseph C Campbell QC & Mrs Campbell, Annabel $10,000+ Dulhunty, Michael & Roslyn Dunn, Justin Gardener, Robert Albert AO & Libby Albert, Louise Christie, Elizabeth M Hamilton, M. Hargraves, Georgia Lynch, Rosanna Hindmarsh OAM, La Trobe Financial, Jane Mr & Mrs D R Meagher, Peter & Felicia Mitchell, J Hansen & Paul Little AO, Nick & Caroline Minogue, Norman, Trudie Rogers, Jane Sandilands, Maria Mrs Roslyn Packer AC, John B Reid AO & Lynn Stafford, Douglas Sturkey CVO AM, Helen Swift & Les Rainbow Reid AM, Simon Lee Foundation, Gene Neulinger, Naum Tered, Suzanne & Ross Tzannes Tilbrook. AM, Sally White OAM, Peter Willis SC & Eleneth $5,000+ Woolley, Carolyn Wright, Anonymous (3) The Calvert-Jones Foundation, Robert & Carmel We would also like to thank our family of donors who Clark, Michael & Christine Clough, Linda Herd, Julia generously contributed up to $500 – every gift & Nick Holder, The Alexandra & Lloyd Martin Family makes a difference to what we are able to achieve. Foundation, Conrad Oppen & Alice Oppen OAM, Kate Spargo, Maureen Wheeler AO & Tony Wheeler AO, All donor lists correct as of 26 July 2018 Janet Whiting AM, Anonymous (2)

$1,000+ Colin Adams & Richard Adams, Brett Archer, Atlas D'Aloisio Foundation, Keith Bayliss, Helen Bauer & Helen Lynch AM, Paul Bedbrook, The staff of Bell Shakespeare, John Bell AO OBE & Anna Volska, Collarts, Virginia Brown, Christopher Campbell, Mr John Cauchi AM SC & Ms Catherine Walker PSM, Kevin The Misanthrope 29

GRIFFIN DONORS

STUDIO DONORS Merilyn Sleigh & Raoul de Ferranti Christine Dunstan Ros & Paul Espie FINAL DRAFT $2,000-$4,999 Gil Appleton John & Libby Fairfax Gae Anderson Darin Cooper Foundation Peter Gray & Helen Thwaites Baly Douglass Foundation Limb Family Foundation Judge Joe Harman Lisa Barker and Don Russell Peter Graves James Hartwright & Kerrin D'Arcy Helen Bauer & Helen Lynch AM Ken & Lilian Horler John Head Ellen Borda Rhonda McIver Mary Holt Marilyn & David Boyer Pip Rath & Wayne Lonergan Peter Ingle G Carrick Geoff & Wendy Simpson Margaret Johnston Bernard Coles Danielle Smith Jennifer Ledgar & Bob Lim Alan Colletti Walking up the Hill Foundation Richard & Elizabeth Longes Bryony & Tim Cox Carina G. Martin 2018 Lachlan Edwards John McCallum Elizabeth Fullerton PRODUCTION DONORS Elaine & Bill McLaughlin Kathy Glass Dr Wendy Michaels KILL CLIMATE DENIERS Priscilla Guest Catriona Morgan-Hunn Production Patrons Sue Hackett Tommy Murphy Andrew Bell & Joanna Bird Libby Higgin Ian Neuss Robert Dick & Erin Shiel Ro & John Knox Martin Portus Richard McHugh & Kate Morgan Kiong Lee & Richard Funston Steve & Belinda Rankine Bruce Meagher & Greg Waters David Marr & Sebastian Tesoriero Steve Riethoff Production Partners David Nguyen Annabel M. Ritchie Anonymous Pip Rath & Wayne Lonergan Sylvia Rosenblum Tea Uglow John Mitchell Geoffrey Starr Penelope Wass Anthony Paull Robyn Stone Julia Pincus Adam Suckling & Pip McGuinness SEASON DONORS Sue Procter Augusta Supple Chris Reed MAIN STAGE DONOR $5,000 Peter Talbot Tea Uglow - $10,000 Stuart Thomas Anonymous (2) WORKSHOP DONOR Mike Thompson Louise Christie $1,000-$1,999 Daniel P. Tobin Darin Cooper Foundation Anonymous (3) Janet Wahlquist Lyndell & Daniel Droga Brian Abel David West Peter Graves Antoinette Albert Paul & Jennifer Winch Helen & Abraham James & Family Amanda Bishop Simone Whetton Lee Lewis & Brett Boardman Michael & Charmaine Bradley Elizabeth Wing Anthony & Suzanne Maple-Brown Jane Bridge Griffin would also like to thank all Sophie McCarthy & Antony Green Corrine & Bryan our other donors, who are simply Bruce Meagher & Greg Waters Iolanda Capodanno too numerous to be listed here! Peter & Dianne O’Connell Elaine Chia and Ettore Altomare Don & Leslie Parsonage Sally Crawford The Robertson Foundation Cris Croker and David West Geoff & Wendy Simpson Nathan Croft & James White The Sky Foundation Carol Dettmann 30 Bell Shakespeare

BELL STAFF AND BOARD

ARTISTIC DIRECTOR ADMINISTRATION

Peter Evans Executive Director Gill Perkins Deputy General Manager John Henderson BOARD OF DIRECTORS Associate Director James Evans Writing Fellow Kylie Bracknell Anne Loveridge Chair Artistic Administrator Imogen Gardam Sally Basser Head of Education Joanna Erskine Jane Caro Education Company Manager Caitlin Brass Philip Crutchfield QC Head of Production Daniel Murtagh Lachlan Edwards Deputy Production Manager Sarah Sebastian Peter Evans Artistic Director Company Manager Charlotte Barrett Natalie Hickey Technical Supervisor Andrew Hutchison Andrew Low Operations Coordinator Monique Johnstone Jason Murray Production Assistant Matthew Schubach Gill Perkins Finance Manager Jeanmaree Furtado Gene Tilbrook Personnel Manager Susan Howard Alden Toevs Finance Officer Nirali Parikh Accounts Assistant Amanda Carter ARTISTIC ADVISORY PANEL Head of Development Debra Reinecke Annual Giving Manager Sytske Hillenius Jane Caro Corporate Partnerships Manager Alexa Woldan Peter Evans Community Partnerships Advisor Rebecca Huntley Amy Hardingham Fran Kelly Development and Events Executive Benjamin Law Brooke Shelley Sandra Levy Development Coordinator Harriet Lugsdin Nakkiah Lui Development Coordinator Elle Hrobat Head of Marketing Fiona Hulton Marketing & Communications Manager Sally Buckingham Marketing & Communications Coordinator Jen McGrath Ticketing & Data Manager Amelia Stubbs Education Marketing Sales Coordinator Liz Carr Marketing Assistant Julia McNamara Customer Service Assistant Alex Kelly The Misanthrope 31

GRIFFIN STAFF AND BOARD

PATRON PRODUCTION

Seaborn Broughton & Walford Foundation Production Manager Kirby Brierty Production Coordinator Dana Spence BOARD FINANCE Bruce Meagher Chair Simon Burke Finance Manager Kylie Richards Lyndell Droga Finance Consultant Tracey Whitby Tim Duggan Lee Lewis Artistic Director WEB DEVELOPER Mario Philippou DevQuoll Lenore Robertson Simone Whetton BRAND AND GRAPHIC DESIGN

ARTISTIC Alphabet

General Manager Karen Rodgers PHOTOGRAPHY Associate Producer, Development Will Harvey Associate Producer, Marketing Estelle Conley Brett Boardman Associate Producer Nicole La Bianca Publicist Dino Dimitriadis COMMISSIONED WRITERS Marketing & Development Coordinator Lucy McNabb Melissa Bubnic, Travis Cotton, Katie Pollock Communications Coordinator Ang Collins Program & Administration Coordinator Madeline Parker Strategic Insights Consultant Peter O’Connell

CUSTOMER RELATIONS

Customer Relations Manager Elliott Wilshier Bar Manager Grace Nye-Butler Customer Relations Team Ell Katte, Julian Larnach, Stephen Moore, Dominic Scarf 32 Bell Shakespeare

BELL SHAKESPEARE PARTNERS

MAJOR PARTNERS PROGRAM PARTNERS

National Schools Partner Perth Season Partner Regional Teacher Mentorship Partner Celebrating 20 Years

PREMIUM COMPANY PARTNER

Corporate Partner

COMPANY PARTNERS

Accommodation Wine Partner Accommodation Partner Melbourne Partner Canberra

Accommodation Public Affairs Advisors Printing Partner Partner Sydney

Official Catering Partner Community Partner Media Partner The Misanthrope 33

CORPORATE MEMBERS

AFG EY GILBERT + TOBIN NAB PRIVATE RICHMOND ASSOCIATES

COMMUNITY PARTNERS

BILL & PATRICIA SCULLY FUND RITCHIE FOUNDATION

GOVERNMENT PARTNERS

The Company is assisted by the Australian Government through the Australia Council, its arts funding and advisory body, and by the NSW Government through Create NSW.

INDUSTRY PARTNERS

The design and printing of this program has been made possible thanks to the generous support of the following: 34 Bell Shakespeare

GRIFFIN SPONSORS

GRIFFIN THEATRE COMPANY WOULD LIKE TO THANK THE FOLLOWING

GOVERNMENT SUPPORTERS

PATRON 2018 SEASON

PRODUCTION PARTNER PRODUCTION SPONSOR

GRIFFIN AWARD GRIFFIN STUDIO

GRIFFIN AMBASSADORS AND ARTISTIC ASSOCIATE SPONSOR The Misanthrope 35

COMPANY LAWYERS ASSOCIATE SPONSORS

COMPANY SPONSORS

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