CELEBRATE! ECU 25TH ANNIVERSARY GALA CONCERT Ainsley Melham Shines As Aladdin Page 4

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CELEBRATE! ECU 25TH ANNIVERSARY GALA CONCERT Ainsley Melham Shines As Aladdin Page 4 Official newsletter of the Western Australian Academy of Performing Arts, Edith Cowan University (Issue 45) September 2016 CELEBRATE! ECU 25TH ANNIVERSARY GALA CONCERT Ainsley Melham shines as Aladdin page 4 WAAPA’s new Spiegeltent page 5 Plus Visiting artists, awards and overseas tours Inside WAAPA Issue 45 Page 1 CELEBRATION KUDOS WAAPA CELEBRATES ECU'S 25TH ANNIVERSARY WITH A NIGHT OF MUSICAL TRIUMPH The Perth Concert Hall was Smith, a Fulbright Scholarship packed to capacity on Friday winner, composed Speak 12 August when WAAPA staff, to honour one of the most students and graduates celebrated remarkable women in Australian Edith Cowan University's 25th history, Edith Dircksey Cowan, for anniversary. her trailblazing work in women’s To the enthusiastic appreciation literacy and education. of the audience, what respected The father-son duo of baritone music critic Neville Cohn Michael Lewis OAM and tenor described as “a veritable torrent of Alexander Lewis performed talent” took to the stage in a night together on stage for the first that showcased the breadth of time, bringing the house down WAAPA’s music programs. with their rendition of Au fond Half of WAAPA’s 1200 du temple saint from Bizet’s The students study music. WAAPA’s Pearl Fishers. Music program offers courses Alexander, a WAAPA Music in classical instrumental music, Theatre graduate, who has already classical vocal studies and performed for Metropolitan opera, composition and music Opera, New York and Komische technology, contemporary music Oper Berlin, will be making his and jazz. Royal Opera House Covent It was this brilliant diversity of Garden debut next month. musical talent that wowed the Michael Lewis OAM is one crowd, with performances by of Australia’s most respected WAAPA ensembles including baritones, highly regarded for his the WAAPA Big Band, Defying command of both operatic and Gravity, Phat Phunk Band, Eneksis, concert repertoire. He is also a the Indian Ocean Ensemble, the visiting voice lecturer at WAAPA. Faith Court Orchestra and the The finale was a rousing, roof- WAAPA Opera Chorus. lifting rendition of Sir Hubert The student contribution Parry’s I was Glad that filled the was peppered by brilliant Concert Hall with the combined performances from staff such voices of the WAAPA Opera as WAAPA’s Head of Strings Chorus, the All Saints’ College Alexandre Da Costa, playing his Choir and John Septimus Roe rare Stradivarius violin. Anglican Community School Choir, with WAAPA’s Associate WAAPA’s high-achieving Dean of Music, Stewart Smith, alumni were also featured: playing the Concert Hall organ. percussionist Marcus Perrozzi led Defying Gravity percussion In his review in The West ensemble through a performance Australian, Cohn wrote: “From of his work Fire in the Sky; jazz traditional Japanese drumming trumpeter Mat Jodrell performed to gospel singing, from big with the WAAPA Big Band; singer/ band favourites to West Side songwriter Helen Shanahan, Story gems, this was an event backed by the WAAPA Gospel to remember – and for all the Choir, performed her song best reasons ... The sheer verve Finding Gold; and award-winning and grandeur that informed this Australian conductor Jessica offering augur encouragingly for Gethin led the Faith Court continuing music achievement Orchestra and choristers through during ECU’s next 25 years.” the world premiere performance of fellow graduate Rebecca Erin Smith’s Speak. Photos by Jon Green Photographer Page 2 Inside WAAPA Issue 45 THE MINCHIN MACHINE ROLLS ON TIM MINCHIN AND JAMES MILLAR WIN HELPMANN AWARDS FOR MATILDA WAAPA alumnus Tim Minchin had a new musical Groundhog Day recently lot to celebrate at this year’s Helpmann opened in the West End to Awards, held at the Sydney Lyric Theatre rave reviews. in July. The production is Matilda The Musical, for which Minchin based on the 1993 wrote the music and lyrics, broke all Bill Murray movie records by winning every one of the 13 about an unfriendly categories in which it was nominated. TV weatherman The Helpmann Awards are the premier who lives the same celebration of Australia’s theatre industry day over and over and recognise excellence across fields as again. varied as comedy, cabaret and dance. Theatre Helpmann 2016 winners. Tim Minchin (above) and James Millar, Minchin, who flew in from Los Angeles publication The Stage Photo by Lightbox Photography for the ceremony, won Best Original awarded Groundhog Score for Matilda. Day: The Musical a five- Broadway, New York in star rating after its premiere Fellow WAAPA graduate James Millar March next year. at London’s Old Vic Theatre, won Best Male Actor in a Musical for his Minchin is currently based in with critic Mark Shenton calling it “an role as headmistress Miss Trunchbull. Hollywood, where he is writing the music absolute musical triumph”. Matilda also picked up awards for Best and lyrics for the DreamWorks Animation The Telegraph’s theatre critic Dominic Musical, Best Director for Matthew comedy Larrikins, which he is also co- Cavendish, who also gave it five stars, Warchus, Best Supporting Actor and directing with Chris Miller. wrote: “A much-loved, ingeniously funny Actress, and awards for music direction, Larrikins tells the story of a bilby who and clever Hollywood film has made choreography, and lighting, scenic, finds himself launched on a musical a triumphant theatrical rebirth – in a costuming and sound design. The award adventure across the Australian outback. show that looks, on first viewing, equal for Best Female in a Musical was shared to, and perhaps better than, the movie Voicing the animated movie will be by the eight young performers who have … Groundhog Day is as funny and as an all-Australian cast including Hugh played the role of Matilda in the Sydney touching as you could wish, and it lands Jackman, Margot Robbie, Rose Byrne, and Melbourne seasons. with the confidence of an instant classic.” Naomi Watts, Jacki Weaver, Ben The Royal Shakespeare Company co- Mendelsohn, Josh Lawson, Damon Groundhog Day reunites the production, based on Roald Dahl’s tale of Herriman, and Ewen Leslie. Minchin will masterminds behind Matilda, with Minchin a schoolgirl who outwits her nasty parents also voice a role. once again penning the music and lyrics, and ogre-like headmistress, has already Matthew Warchus directing and Peter Larrikins is due to be released in 2018. won seven Olivier Awards in the UK and Darling choreographing. Perth audiences will get the opportunity four Tony Awards on Broadway. to see James Millar in his award-winning Groundhog Day will play at the Old Vic If the sweeping international success role when Matilda opens at Perth’s for ten weeks before officially opening on of Matilda wasn’t enough, Tim Minchin’s Crown Theatre in February 2017. SOLO VENTURES During WAAPA’s mid-year break, where he performed with the National WAAPA’s Head of Strings Alexandre Da Orchestra of Argentina, and to Spain Costa performed as a guest soloist with a where he was guest soloist with the Seville number of international orchestras. Royal Symphony in a concert attended by As part of his ongoing relationship with US President Barack Obama. Canada's Orchestre de la Francophonie, At the start of July, Da Costa and jazz the acclaimed virtuoso violinist performed pianist Graham Wood (WAAPA Associate with the orchestra at Lachine and at the Dean of Teaching and Learning) performed Domaine Forget International Festival together in Canada at Montreal’s Maison in St-Irénée. He also appeared with the Trestler, at the Festival des Hautes- Laval Symphony Orchestra and with Laurentides in Mont-Tremblant and at the the Canadian Army’s 22nd Regiment Ottawa Chamberfest. This followed on Orchestra. from their performances in June at the In addition, the northern summer Perth International Jazz Festival. Photo by Elisabeth Cloutier Photo season took Da Costa to Buenos Aires Inside WAAPA Issue 45 Page 3 AINSLEY SHINES AS ALADDIN For Ainsley Melham, performing in one Sydney’s Capitol Theatre in August. of Australia’s most well-known children’s Ben Neutze in The Daily Review wrote: musical groups proved to be the perfect “Of all the Disney films adapted for the training for making the leap to national stage so far, Aladdin is perhaps the most stage shows. magical, requiring the most razzle dazzle After three years with Hi-5, the 2012 ... Melham is still a relative newcomer, but Music Theatre graduate left the singing very comfortably carries the title role, with and dancing group earlier this year to his sweet and slightly dark singing voice.” star in the Australian musical production The stage show of Aladdin debuted on Xanadu at Hayes Theatre Co. Broadway in 2014 and has since toured “Hi-5 was a great training ground,” around the world. Ainsley said in a recent interview. “It was Ainsley appears as Aladdin alongside high octane, but it also was perfect to learn Broadway heavyweights Michael James how to be open and honest and connect Scott as Genie and Arielle Jacobs as with audiences. Jasmine. Scott and Jacobs are original “Kids can sense insincerity. So it’s cast members from the show’s first been good to learn how to be open and performance in the US. vulnerable on stage with the audience.” Also in the Australian cast are fellow That honesty in performance is winning WAAPA graduates Dean Vince, Jakob Ainsley accolades as the title character in Ambrose, Max Bimbi, Ross Chisari and Disney’s musical Aladdin, which opened at Heather Manley. Photo by Deen van Meer by Deen van Photo A COMMAND PERFORMANCE Creating new technique on the drums has been an sounds in the essential element to our business.” world of dance Command Q are keen to build on their music seems a success with another tour planned for next far cry from the year and a desire to move their sound duo’s training into a more melodic area.
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