The Cass School of Art, 59-63 Whitechapel High Street, E1 7PF / [email protected] / www.orianafox.com ORIANA FOX ______PERSONAL INFORMATION

• D.O.B.: 5 January 1978 • Place of birth: New York, NY, USA • UK Permanent Resident • Current CRB check ______EDUCATION

2011 – present GOLDSMITHS COLLEGE, University of London MPhil/PhD in Visual Cultures expected 2015 2002 – 2003 MA in Fine Art with distinction 2000 – 2001 Postgraduate Diploma in Fine Art received October 2001

1996 – 2000 WASHINGTON UNIVERSITY, St. Louis, Missouri, USA Bachelors of Fine Arts Degree with honours ______LECTURING EXPERIENCE

2010 – present THE CASS, London Metropolitan University, London Fine Art Lecturer Tutor to year 2-3 BA students and MA students working across all media, providing individual tutorials, lectures, group critiques, written feedback and assessment 2013 – present Lead tutor for Public Acts Studio focusing on art’s social responsibility 2012-2013 Developed undergraduate curriculum and assessment criteria and taught yearlong Studio Crafting An Artistic ‘Self’

2011 – 2012 SOUTHAMPTON SOLENT UNIVERSITY, Southampton Associate Lecturer in Fine Art Tutored BA Fine Art students engaged in self-directed projects, providing critical feedback one-to- one and in groups. Ran workshops on performance art marrying theory and practice, not only introducing students to key theoretical texts and myriad historical and contemporary practitioners, but also enabling them to make their own live art.

2009 UNIVERSITY of READING, Reading Fine Art Lecturer Taught and assessed Year-1 BA ‘Skills and Processes’ Module in which each student created a fictional body of work by an invented artist alter ego using Photoshop and performance to camera. Alongside technical tuition, I gave lectures on painting post performance and artists’ use of personas and documentation.

2004 – 2013 In addition to the above teaching positions, I have given talks on my work, provided individual tutorials and led group workshops to BA, MA and PhD students at the following institutions:

Byam Shaw/Central St. Martins, Camberwell College of Art and Chelsea College of Art, University of The Arts, London; The Courtauld Institute of Art, London; Goldsmiths, University of London; Leeds Metropolitan University, Leeds; Northumbria University, Newcastle; Nottingham Trent University, Nottingham; Sheffield Hallam University, Sheffield; Central Michigan University, Mt Pleasant; Pratt Institute, Brooklyn ______SELECTED EXHIBITIONS/PERFORMANCES

2014 The Art Party Conference, THE SPA, Scarborough 2013 Happiness Now?, GUEST PROJECTS, London 2012 The O Show (Touring Talk), Remote Control, ICA, London 2011 The Do It All Dating Game, NOTTINGHAM CONTEMPORARY, Nottingham 2010 Happiness Happenings, THE ROYAL FESTIVAL HALL, London 2010 Going Public, TATE BRITAIN, London 2009 Once More with Feeling, , London 2008 Liebe (Love), FOTOGALERIE WIEN, Vienna, Austria 2007 Persona Non Grata, ONE IN THE OTHER, London 2007 Oriana Fox: Toute Ma Vie (solo exhibition), RED DISTRICT, Marseille ______

______ADDITIONAL PROFESSIONAL EXPERIENCE

8/10 – 11/10 THE HAYWARD HUDDLE, The Hayward Gallery, Southbank Centre, London Lead Artist Worked with The Hayward Huddle to create a series of interactive installations in response to the exhibition Move: Choreographing You

1 – 6/09 THE WOMEN’S ART LIBRARY, Goldsmiths College, University of London Recipient of The Women’s Art Library/Feminist Review Bursary Produced an event at Tate Modern called Once More with Feeling Fundraised additional grants from The Arts Council England and The Danish Arts Council to support the event, an accompanying catalogue and the website performfeminism.com

2012/2008 THE LIVE ART DEVELOPMENT AGENCY, London 6-8/12 DIY Workshop Leader (working with Abandon Normal Devices, Manchester) Created and led a workshop for a peer group of performance artists exploring the connections between live art and therapy 1-8/08 Editor and Designer of the monograph entitled Aaron Williamson: Performance/Video/Collaboration

7/06 – 4/07 HAYWARD GALLERY PUBLISHING, Southbank Centre, London Publishing Co-ordinator Assisted the Art Publisher in the scheduling, production and budgeting of all gallery publications including: Antony Gormley Blind Light, Cult Fiction: Art and Comics and How to Improve the World

11/03 – 6/06 BLACK DOG PUBLISHING, London Editor Edited and project managed numerous publications such as LA Artland: Contemporary Art from Los Angeles and Fashioning Fabrics: Contemporary Textiles in Fashion ______AWARDS & HONOURS

2010 Visual Cultures Departmental Bursary, GOLDSMITHS, University of London, London 2009 Grant for the Arts, ARTS COUNCIL ENGLAND 2009 International Visual Art Grant, DANISH ARTS COUNCIL 2003 Best Experimental Film Award, Short Ends World Film Festival, ICA, London ______CONFERENCES, PANELS & SYMPOSIA

2014 Being Visible: Feminism, Art and the Internet, ICA, London (panelist) 2013 Postgraduate Panel, The London Theatre Seminar, Senate House, London (paper given) 2012 Performance Studies International, University of Leeds (paper given) 2012 ‘On Perfection’ Symposium, Whitechapel Gallery, London (video shown) 2012/11 Performance Matters, Whitechapel Gallery, Toynbee Hall & The Yard, London (performances) 2011 Performance Studies International, Utrecht University (performance) 2010 Subjectivity & Feminisms Performance Dinner, Chelsea College of Art, UAL, London (performance) ______RESIDENCIES

10/11 Comedy Lab Residency (with Oreet Ashery), METAL CULTURE, Southend-On-Sea 3/11 Teaching Residency, Drama Department, UNIVERSITY OF HULL, Scarborough 5-7/07 Artist in Residence, TRIANGLE FRANCE, La Friche La Belle de Mai, Marseille, France ______BIBLIOGRAPHY

§ Fox, Oriana, “The Perfect Student”, On Perfection: An Artists' Symposium, Chicago: Intellect Books, 2013 § Fox, Oriana, “The Protagonist” blog on cteditions.posterous.com, contributor 2011–2012 § Fox, Oriana, “All Man, All Woman and Half Bear”, Dance Theatre Journal, Vol. 24, No. 3, 2011 § Fox, Oriana, “Once More with Feeling”, Feminist Review, issue no. 96, 2010 § Fox, Oriana and Charlotte Troy (eds.), The Moon, London: CT Editions, 2009 ______PRESS

§ Grant, Catherine, “Fans of Feminism”, Oxford Art Journal, v 34, no 2, 2011 § Rocks, Nu, “Desires Upside Down”, Devora Ran, No. 5, Dec 2010 § Mulvey, Marianne, “Is There Sincerity In Hollow Speech?”, NOWISWERE, No. 3, January 2009 § Moat, Hollie, “Oriana Fox, The Embodiment Workout”, Vague Paper, Issue 1, Sept 2006 § Weir, Andy, “London: Temporary Contemporary Biennale”, Contemporary, Issue 73, June 2005 § Lippiatt, Matt, “Oriana Fox”, Flux, May/June 2005 ______