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TIM WELLSPRING UPM FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS PADDINGTON 2 Paul King David Heyman / Heydey Films / StudioCanal LITTLE MERMAID Sofia Coppola Michelle Wright / Working Title / Universal Concept Tests INFILTRATOR Brad Furman Miriam Segal, Don Sikorski / Good Films PADDINGTON Paul King David Heyman / Heydey Films / StudioCanal TESTAMENT OF YOUTH James Kent Rosie Alison, David Heyman Prep & Add’l Photography Heydey Films / BBC Films ANNA KARENINA Joe Wright Tim Bevan, Eric Fellner, Paul Webster Working Title / Universal TINKER TAILOR SOLDIER SPY Tomas Alfredson Tim Bevan, Eric Fellner, Robyn Slovo Working Title / StudioCanal JOHNNY ENGLISH REBORN Oliver Parker Tim Bevan, Eric Fellner, Chris Clark Add’l Photography Working Title Films / Universal BURKE AND HARE John Landis Barnaby Thompson / Ealing Studios / IFC Films DORIAN GRAY Olly Parker Barnaby Thompson / Fragile Films Ealing Studios CARMEN IN 3D Julian Napier Phil Streather / PLF LONDON EYE 3D Short Julian Napier Paul Kucharski / PLF EASY VIRTUE Stephan Elliott Barnaby Thompson / Ealing Studios Sony Pictures Classic WILD CHILD Nick Moore Tim Bevan Eric Fellner Diana Phillips Working Title Films / Universal MAGICIANS Andrew O’Connor Ollie Madden, Alexandra Ferguson Breakout Films / Universal HALLAM FOE David Mackenzie Gillian Berrie / Sigma Films DRIVING LESSONS Jeremy Brock Julia Chasman / Rubber Tree Plant / ContentFilm CREEP Chris Smith Julie Baines, Jason Newmark / Dan Films BUGS! Short Mike Slee Phil Streather / The Film Consortium STARLIGHT EXPRESS Julian Napier Alexandra Ferguson / Principal Large Format PULSE: A STOMP ODYSSEY Short Luke Cresswell Alexandra Ferguson / Giant Screen Films LEGEND OF LOCH LOMOND Short Mike Slee Alexandra Ferguson, Phil Streather Principal Large Format THE AVENGERS Jeremiah Chechik Jerry Weintraub, Susan Ekins / Warner Bros. VFX Coordinator PAULIE John Roberts Mark Gordon, Gary Levinsohn VFX Coordinator Allison Lyon Segan / DreamWorks SKG FEVER PITCH David Evans Nick O’Hagan, Amanda Posey VFX Coordinator Channel Four Films / Phaedra Cinema SPICE WORLD Bob Spiers Uri Fruchtmann Mark L. Rosen VFX AP Barnaby Thompson / Columbia Pictures TOMORROW NEVER DIES Roger Spottiswoode Anthony Waye, Barbara Broccoli / EON / MGM VFX AP EVENT HORIZON Paul Anderson Jeremy Bolt, Lawrence Gordon, Lloyd Levin VFX AP Paramount Pictures THE SAINT Philip Noyce David Brown, Robert Evans, Mace Neufield VFX AP Paramount Pictures MISSION: IMPOSSIBLE Brian De Palma Paula Wagner, Paul Hitchcock VFX AP Paramount Pictures EXECUTIVE DECISION Stuart Baird Joel Silver, Jim Thomas / Warner Bros. VFX AP Partial List .

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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David
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Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival.
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1 CHAPTER I INTRODUCTION 1.1 Background Movie has become a large product of popular literary that entertains from time to time. The production of movie itself is extremely big, and many people enjoy watching a movie. As Rochani Adi (2011:70) says that the movie also one forms of popular cultural product that is produced on a massive scale. In movie also contains so much thing, some movie just make people laugh, some other movie make people think and some other may make people cry. In many comedy movie, the content that make us laugh appears from irony that shown up by the characters in the movie itself. Most people are getting more attracted to the movie as the modern media of literary works. But however, movie has same power as well as the other media of literature, such as Jinks (1974) in Rochani Adi (2011:53) said: “No one would argue that film and literature are the same medium or even the same kind of experience. The primary thrust of literature is linguistic, hence indirect, while the impetus of film is imagistic and immediate. And yet, despite the obvious differences separating these two narrative forms, there are some rather startling resemblances between them” Movie is one of the best alternatives for someone to feel consoled. Particularly comedy movies, and now the genre of comedy movie combines with other genres, such as romantic-comedy, action-comedy, and many more. However, the combining genre, 2 particularly humor genre and other genres could take humor genre as the main genre of the movie, or occasionally it is only just the addition genre of the movie.
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House of Commons Culture, Media and Sport Committee Funding of the arts and heritage Third Report of Session 2010–11 Volume II Oral and written evidence Additional written evidence is contained in Volume III, available on the Committee website at www.parliament.uk/cmscom Ordered by the House of Commons to be printed 22 March 2011 HC 464-II Published on 30 March 2011 by authority of the House of Commons London: The Stationery Office Limited £20.50 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr John Whittingdale MP (Conservative, Maldon) (Chair) Ms Louise Bagshawe MP (Conservative, Corby) David Cairns MP (Labour, Inverclyde) Dr Thérèse Coffey MP (Conservative, Suffolk Coastal) Damian Collins MP (Conservative, Folkestone and Hythe) Philip Davies MP (Conservative, Shipley) Paul Farrelly MP (Labour, Newcastle-under-Lyme) Alan Keen MP (Labour, Feltham and Heston) Mr Adrian Sanders MP (Liberal Democrat, Torbay) Jim Sheridan MP (Labour, Paisley and Renfrewshire North) Mr Tom Watson MP (Labour, West Bromwich East) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www.parliament.uk. Publication The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the internet at www.parliament.uk/parliament.uk/cmscom.
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Mckinney Macartney ELIZABETH TAGG WOOSTER
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Isona Rigau Production Designer
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10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date.
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Military Wives
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