GEORGE NELSON (American, 1908–1986) Pretzel Chair, Ca

! ! GEORGE NELSON (American, 1908–1986) Pretzel Chair, ca. 1950 Bentwood 29.75" H x 20" W x 19.25" D; seat 18" H ! ! George Nelson American, 1908 - 1986 George Nelson began his career studying architecture at Yale University before winning the Rome Prize, which offered a two-year stipend to study at the American Academy in Rome from 1932 – 1934. While abroad, he conducted in-depth interviews on 12 important architects, including Le Corbusier, Mies van der Rohe, Walter Gropius, and Gio Ponti, a precursor to Nelson’s career as an associate editor of Architecture Forum before running his own architectural firm in 1936. Through his writing, Nelson drew the attention of the president of furniture manufacturer Herman Miller, with whom Nelson released his first collection in 1945. Nelson was appointed design director of Herman Miller in 1947, transforming the company and designing hundreds of pieces of furniture as well as recruiting other designers like Charles and Ray Eames, Alexander Girard, and Isamu Noguchi. Nelson designed for Herman Miller under the umbrella of his own studio, known as George Nelson & Associates as well as George Nelson and Company. Clients of his own office included General Electric, and by the time the company officially closed in 1980, he had worked with most of the Fortune 500 companies. Nelson continued writing throughout his design career with the intent of communicating the importance of design to students and the general public. He introduced ideas like the “family room” and a “storage wall,” recessed, built-in bookcases or shelves using space previously lost between walls. Nelson also pioneered the idea of the outdoor shopping mall, a part of his attempt to reduce all forms of pollution. .

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News Release Design Consultants
POULIN + MORRIS News Release Design Consultants Richard Poulin Authors Graphic Design and Architecture: A 20th-Century History Contact: Pamela Wong, Marketing Manager As James Stewart Polshek, FAIA states in one 212.675.1332, x: 110 GRAPHIC of the book's two forwards, this volume is [email protected] DESIGN “mandatory reading for every graphic designer and architect, as well as all those that aspire ARCHITECTURE to these two professions, and most importantly A 20TH-CENTURY HISTORY for all who are concerned with the humanizing possibilities inherent in the visual arts." A GUIUIDDE TO TYPEYPE, IMIMAGEE,, SYMBOYMBOLL, AND VISVISUAL STORYTTELELLINGING IINN THHEE MMODODERERNN WORORLD RICHARD POULIN New York, New York, October 2012: For centuries, the intimate relationship between graphic design and architecture has shaped not only cities and their structures but also the lives of their inhabitants. Graphic Design and Architecture: A 20th-Century History is the first historical overview which examines this unique marriage of graphic design and architecture in the context of artistic, social, and cultural movements and influences of the twentieth century. The built environment that we experience everyday integrates graphic design that communicates information and identity, shapes our perceptions and memories of our sense of place, and enriches and humanizes our lives. Graphic Design and Architecture: A 20th-Century History is a compre- hensive reference of visual and narrative material that illustrates and evaluates this unique history which author Richard Poulin hopes that by reflecting on it, we can derive inspiration and insight for the future. About the Author Richard Poulin is cofounder, design director, and principal of Poulin + Morris Inc., an internationally recognized, multidisciplinary design consultancy located in New York City.
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Design by the Yard; Textile Printing from 800 to 1956
INSTITUTION NOIiniliSNI_NVINOSHilWS S3 I a Vy a n_LI BRAR I ES SMITHS0N1AN_INSTITIJ S3iyvMan libraries Smithsonian institution NoiiniiiSNi nvinoshiiws S3iyv S3iyvaan libraries Smithsonian institution NoiiniiJ-SNi nvinoshiiws saiav l"'lNSTITUTION^NOIinillSNl"'NVINOSHiIWS S3 I MVy 8 ll'^LI B RAR I ES SMITHSONIAN INSTITI r- Z r- > Z r- z J_ ^__ "LIBRARIES Smithsonian institution NoiiniiiSNi nvinoshiiws S3IMV rs3 1 yvy an '5/ o ^INSTITUTION N0IiniliSNI_NVIN0SHilWS"S3 I H VM 8 IT^^LI B RAR I ES SMITHSONIANJNSTITl rS3iyvyan"LIBRARIES SMITHSONIAN^INSTITUTION NOIiniliSNI NVINOSHIIWS S3iav ^"institution NOIiniliSNI NviNOSHiiws S3iyvaan libraries Smithsonian instit 9'^S3iyvaan^LIBRARIEs'^SMITHS0NlAN INSTITUTION NOIifliliSNI NVINOSHilWs'^Sa ia\i IVA5>!> W MITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3ldVyan LI B R AR I ES SMITHSONI; Z > </> Z M Z ••, ^ ^ IVINOSHilWs'^S3iaVaan2LIBRARIES"'SMITHSONlAN2lNSTITUTION NOIiniliSNI_NVINOSHill JMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3IMVHan LIBRARIES SMITHSONI jviNOSHiiws S3iavaan libraries Smithsonian institution NoiifiiiiSNi nvinoshii I ES SMITHSONI MITHSONIAN INSTITUTION NOIifliliSNI NVIN0SHilWS"'S3 I ava a n~LI B RAR < |pc 351 r; iJt ^11 < V JVIN0SHilWS^S3iavaan~'LIBRARIES^SMITHS0NIAN"'lNSTITUTI0N NOIiniliSNI^NVINOSHil — w ^ M := "' JMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3iavaan LI B RAR I ES SMITHSONI ^^ Q X ' "^ — -«^ <n - ^ tn Z CO wiNOSHiiws S3iavaan libraries Smithsonian institution NoiiniiiSNi_NviNOSHii _l Z _l 2 -• ^ SMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS SSiavaail LIBRARIES SMITHSON NVINOSHilWS S3iavaan libraries Smithsonian institution NoiiniiisNi nvinoshi t'' 2 .... W 2 v^- Z <^^^x E . ^ ^-^ /Si«w*t DESIGN BY THE YARD TEXTILE PRINTING FROM 800 TO 1956 THE COOPER UNION MUSEUM FOR THE ARTS OF DECORATION NEW YORK ACKNOWLEDGMENT In assembling material for the exhibition, the Museum has received most helpful suggestions and information from the following, to whom are given most grateful thanks: Norman Berkowitz John A.
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Cora Ginsburg Catalogue 2015
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Preservation by Design: Archives and Records Services at Herman Miller, Inc
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International Design Conference in Aspen Records, 1949-2006
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John and Marilyn Neuhart Papers, 1916-2011; Bulk, 1957-2000
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Textiles and Ornamental Arts of India on View at Museum Op Modern Art
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Ruth Adler Schnee 2015 Kresge Eminent Artist the Kresge Eminent Artist Award
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2 Films by Charles & Ray Eames
H THE MUSEUM OF MODERN ART . .« (TBECT MBW VAsr 10 N Y F0R RELEASE: THURSDAY, 11 WEST 53 STREET, NEW YORK 19, N. Y. mtch %$ ^ TEtCPHONI: CIRCLE 3-8900 YOU ARE CORDIALLY INVITED TO A PRESS SCREENING : TWO NEW FILMS BY CHARLES AND RAY EAMES : : • Tuesday, February 28, l*:30 PM : : : • *fth floor Projection Room : • Museum of Modern Art, 21 West 53rd Street • : Please use the enclosed return post card for your reply No. 15 TWO NEW FILMS BY CHARLES AND RAY EAMES AVAILABLE FROM MUSEUM OF MODERN ART FILM LIBRARY Two new color films by Charles and Ray Eames, HOUSE and TEXTILES AND ORNAMENTAL ARTS OF INDIA, will be available for rent from the Museum of Modern Art Film Library, 11 West 53 Street, New York City, beginning March 1. Both films use 35mm slides in a film form, a new technique developed by the Eames in recent years. The rental fee is $10. Inquiries should be directed to Margareta Akermark. HOUSE is a lyrical interpretation of the home these two artist-designers built for themselves five years ago on a hillside in Southern California overlooking the ocean* The film shows in a series of kaleidoscopic views the details that delight their artist eyes — shadows on a corner wall, part of a table laid for breakfast, a bowl of apples, a painting, the stairway seen from above so that the steps form a beautiful and unusual pattern, a group of spools of bright thread, a dish of colored pebbles, flowers - red, pink, yellow and orange - in and outside the house, a neck lace of shells lying on a table, the drafting table in the studio, a ships model, a spinning top and ancient pottery, and kites from India.
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Early Basic Cabinet Series Walnut Sideboard Credenza by George
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