TRO [KO VE TROTROTRO [KO [KO [KO VI VI VI PROPROPRO BI BI BI JE JE JE NI NI NI Nanana Pla Pla Pla Ta Ta Ta Ma Ma Ma I I I Pupuputo to to Vawima Vawima Vawima Strana 3

Total Page:16

File Type:pdf, Size:1020Kb

TRO [KO VE TROTROTRO [KO [KO [KO VI VI VI PROPROPRO BI BI BI JE JE JE NI NI NI Nanana Pla Pla Pla Ta Ta Ta Ma Ma Ma I I I Pupuputo to to Vawima Vawima Vawima Strana 3 Proizvedeno www.glassrpske.com DNEVNI LIST REPUBLIKE SRPSKE, BAWALUKA U SRPSKOJ na{e je Subota i nedjeqa, 6. i 7. jun 2015. Broj 13.751 Godina LXXII Cijena 0,80 KM BOQE VIJESTI HRONIKAVIJESTI strana 6 DRU[TVO HDZ za novog Pa pa Frawo Gruji}:Be bu partnera, Bruco{imaza ko pa le SDA jo{ no si po ru ke mawepo 800 red ~eka na DF po mi rewa indeksagrobqa strana 6 strana 2 strana 612 TRE ]I NA IN STI TU CI JA BiH LA NI PO VE ]A LA TRO [KO VE TROTROTRO [KO [KO [KO VI VI VI PROPROPRO BI BI BI JE JE JE NI NI NI nanana plaplapla ta ta ta ma ma ma iii pupupu to to to vawima vawima vawima strana 3 Fun kci ja Central nog regis tra Sje dni ca Eko nom sko Tu `i la{ tvo BiH kre di ta u Cen tral noj ban ci BiH Sje dni ca Eko nom sko pri vo di kra ju no vi -so-so ci ci jal jal nog nog sasa vje vje ta ta slu ~aj pro tiv RS pre ki nu ta ve} di re kto ra SI PA pri li kom ras pra ve Zup ca ~e ka o dne vnom re du op tu `ni ca Boqe po slo vne zbog otka za ra dni ku odlu ke uz strana 11 re gis tar kre di ta strana 5 Po li ci ja pri ja vi la tu `i la{ tvu Sla ve na Ma ri }a i Mi lo {a O`e ga " e k s Ras plam san p Ras plam san r S u s a l susu kob kob zbogzbog G " u s Di re ktor ~as tio a zaza ko ko na na oo rara du du n a strana 7 ot pre mni nom strana 8 D 2 6. i 7. jun 2015. GLAS SRPSKE Zva ni ~ni ci SP-a i SNSD-a upo zo ra va ju Vijesti dana @ele da pre ne su kri zu u RS UGQEVIK - FBiH se po - I de le gat SNSD-a u Do mu pri li ~no quqa i ne ko `e li da na ro da BiH Ne boj {a Ra dma no - Pra vo su dnu in sti tu ci ju napustio stra ni ka dar pro je ktu je ta kvo stawe i u RS i vi} oci je nio je da je ve oma te - da ka `e da su pro blem BiH {ka i kom pli ko va na si tu aci ja Ne ma vi {e stra na ca weni en ti te ti, upo zo rio je u na ni vou BiH, jer tem po di kti - pe tak li der SP-a Pe tar \o - ra Ize tbe go vi}, ko ji ima ja san u Tu `i la{ tvu BiH ki}. an ti dej tonski kon cept. SA RA JE VO - U Tu `i la{ tvu BiH ne ma vi {e ni je dnog stra nog NI KO IZ HDZ-a SE NI JE - Sa da po tpu no vje ru jem da - Na `a lost, s vre me na na dr`avqani na ko ji obavqa bi lo ka kvu fun kci ju u ovoj pra vo su - PO NU DIO, JA SAM TRA @IO je to pro je kat, da se stawe ka - vri je me, odno sno sva kih de set dnoj in sti tu ci ji. TER MIN ZA RAZ GO VOR, RE KAO kvo je u Fe de ra ci ji `e li pre - go di na po ja vi se i ne ka srpska Ka ko je re kao por tpa rol Tu `i la{ tva BiH Bo ris Gru be {i}, SAM DA @E LIM MJES TO ni je ti i na Srpsku i u~i ni ti eki pa ko ja pri hva ta ta kvu kom - posqedwi stra ni dr`avqanin ko ji je ra dio u ovoj in sti tu ci ji je GE NE RAL NOG KON ZU LA U nes ta bil nim sve wene in sti tu - bi na ci ju - is ta kao je Ra dmano - tu `i lac iz Slo ve ni je. Objasnio je da je radi la pri wema ~kom ^I KA GU I NA KRA JU GA DO BIO. ci je - na gla sio je \o ki}. pred sje dni ka Ba ki ra Ize tbego - vi}. Oci je nio je da se, zbog pro je ktu obra zo vawa odra slih (GIZ) u Po se bnom odjeqewu za or - On sma tra da bi po tom bi - vi }a. kri ze vlasti u FBiH, stva ra ga ni zo va ni kri mi nal, ali ne kao tu`i lac na pre dme ti ma ve} kao IVAN [U[WAR, lo pro gla {e no da je do {lo vri - - Ize tbe go vi} se da nas kre - nes ta bil nost u ci je loj BiH. kon tak tna ta ~ka za ve zu i sa radwu s par tner skim in sti tu ci ja ma. NO VO IME NO VA NI je me da se ova kav sis tem }e u ci pe la ma svo ga oca Ali je - Dio opo zi ci je u RS po ku - Me |u na ro dnim tu `i oci ma an ga `man je pres ta jao to kom 2010, GE NE RAL NI KON ZUL or ga ni za ci je u BiH na pu {ta, i ka `e da nas tavqa tim is tim {a va da ta kvu si tu aci ju na pra vi 2011. i 2012. i pos te pe no su za mi jeweni do ma }im tu `i oci ma. BiH U ^I KA GU {to pot vr|u ju sta vo vi sa kon - pu tem, u is tim ci pe la ma - i u Srpskoj, {to je ne mo gu }e - G. M. gre sa SDA i po ru ke wenog zakqu~io je \o ki}. sma tra Ra dma no vi}. (Agen ci je) KO M[I]: Ne na zi re No va li} ne }e po kre ta ti pro ce - Fer gu son NE KA du ru za smje nu mi nis ta ra iz OZBIQNO se rje {ewe DF-a ni ti }e SDA tra `i ti Ra zo ~a ran RA ZMI[QAJU O no ve ko ali ci one par tne re. kri zom u po li ti ~ke Ize tbe go vi} sma tra da je pro - RA DON ^I ]U blem nas tao pri li kom ra spo - FBiH kri ze ni dje le fo teqa te da ga SDA ni ka ko ni je prou zro ko va la. SA RA JE VO - Am ba sa - po sli je - Ne ka vrsta ko ali ci je s dor Ve li ke Bri ta ni je u DF-om jo{ je aktu el na. DF mo - BiH Edvard Fer gu son raz go vo ra ra pri hva ti ti da su ko ali ci ja izra zio je ra zo ~a rewe i ne mo `e mo se sa da po na {a ti posqedwom kri zom u Vla - Dra ga na kao da ni smo dio vlas ti i kao di FBiH, sa op {te no je da smo ne vla di ne or ga ni za ci je. iz bri tan ske am ba sa de. ^o vi }a i Ne mo `e mo se po na {a ti i kao Po zvao je sve stran ke da da je u to ku izbor na kam pawa pres ta nu sa me|u so bnim Ba ki ra pa da vi di mo ko }e ko me vi {e pre pir ka ma o pi tawu po - na ni je ti {tete. DF se mo ra zi ci ja i po li ti ~kih na - Ize tbe go vi }a pri hva ti ti po sla i ra di ti na mje {tewa te da se re for ma ma ka ko smo i obe }a li usred sre de na re for me i - rekao je Izetbe go vi} do dav {i wiho vo spro vo |ewe ka ko da sa zva ni ~ni ci ma DF-a ni je su obe }a li u za je dni ~koj raz go va rao i odba civ {i ide ju izja vi. (Srna) o ulas ku SBB-a u vlast, re kav - {i da to SDA ne `e li. Li der DF-a @eqko Ko- Mi tro vi} m{i} re kao je "Gla su Srpske" HDZ zove SBB, da Vla da FBiH ne ma po dr{ku In sti tut za DF-a i da vi {e ne pos to ji mo - nes ta le sa mo gu }nost dogo vo ra sa SDA i HDZ-om. na pa pi ru ZVOR NIK - In sti tut za MI NIS TRI IZ nes ta la li ca BiH je "pro - SDA ~e ka DF {i re na fe de ral na ko mi - DF-a TRA @E DA [TO PRI JE BUDU si ja", jer se sta vio u fun kci ju pro na la `ewa Tre ba ju nam no vi re kao da o to me tre ba raz go va - SMI JEWENI Bo{waka ra di pri - La gumyija: Na pus ti te svu da vlast ra ti i da se za la `e za to, ali par tne ri, ova - Mi slim da im je naj boqe kupqawa doka za za even tu - da ni je kon ta kti rao s li de rom al ne ra tne zlo ~i ne ko je su par la men tar na te stran ke Fa hru dinom Ra don - da po ~nu ozbiqno ra zmi{qati Biv {i pred sjednik SDP-a Zlat ko La gumyija, ko men ta ri {u }i na vo dno Srbi ~i ni li, re - ~i }em.
Recommended publications
  • Author-As-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan As Historical Branded Entertainment
    53 Chapter 3 Author-as-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan as Historical Branded Entertainment Matthew Freeman University of Nottingham, UK ABSTRACT This chapter explores the historical relationship between the branded media entertainment of Tarzan and the rise of consumer culture in the 1920s and 1930s. It argues that the transmedia licensing of this property across pulp magazines, comics, and radio reflected the growing embrace of brand-franchise logics throughout the business landscape of America at that time. I offer the metaphor of ‘stepping stones’ to understand the brand linkages between these different media products in which consumption of one product led to the consumption of another. More importantly, I analyse the function of Tarzan creator Edgar Rice Burroughs and his company, suggesting that his visibility as franchise-author played a crucial role in constructing these brand linkages between media products. Contextualised as part of the very different cultural landscape of 1920s and 1930s consumer culture, I demonstrate how an autho- rial name operated commercially as much as a corporatised component of the branded entertainment products of Tarzan as the Tarzan character himself. INTRODUCTION By 1975, Edgar Rice Burroughs, Inc., a family-owned corporation founded in March 1923, was reported to be earning in the region of $1 million annually from the sales of texts and products based on the fic- tional character Tarzan. ‘The world-wide gross of Tarzan products sold under license to us is at least $50 million a year,’ asserted Robert M. Hodes, the man in charge of the Tarzan empire at that time (The New York Times, 1975, p.
    [Show full text]
  • The Son of Tarzan
    THE SON OF TARZAN I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R.
    [Show full text]
  • The Tarzan Series of Edgar Rice Burroughs
    I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture.
    [Show full text]
  • Tarzan the Untamed
    TARZAN THE UNTAMED I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R.
    [Show full text]
  • TARZAN of the APES SERIES - Complete 25 Book Collection (Illustrated): the Return of Tarzan, the Beasts of Tarzan, the Son of Tarzan, Tarzan and the Jewels
    mV6Rq (Read ebook) TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more Online [mV6Rq.ebook] TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more Pdf Free Edgar Rice Burroughs audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #85650 in eBooks 2017-04-20 2017-04-20File Name: B0727RRBNH | File size: 57.Mb Edgar Rice Burroughs : TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more before purchasing it in order to gage whether or not it would be worth my time, and all praised TARZAN OF THE APES SERIES - Complete 25 Book Collection (Illustrated): The Return of Tarzan, The Beasts of Tarzan, The Son of Tarzan, Tarzan and the Jewels ... Lion, Tarzan the Terrible and many more: 0 of 0 people found the following review helpful. Good readingBy Jim NussbaumerWell written - but dated of course. It is nice having all of the books in one place - but they sound a lot alike after a while.0 of 0 people found the following review helpful. Five StarsBy Edward TuckerNice to find them all in one place.0 of 0 people found the following review helpful.
    [Show full text]
  • Tarzan the Censored
    TARZAN THE CENSORED by Jerry L. Schneider Forward In "Edgar Rice Burroughs: Master of Adventure" by Richard A. Lupoff, the author stated that the Ballantine Books' versions of the Tarzan series were edited (evidently for political correctness), not the "all complete and unabridged" as Ballantine stated on the paperbacks. So, armed with the earliest hardcover editions that I owned in my collection (McClurg, A. L. Burt, Grosset & Dunlap, Burroughs Inc., and Canaveral Press) and post 1969 Ballantine editions, I scanned through them for discrepancies and changes. There were changes from the early hardcovers that I found in some of the paperbacks. Some of the books in the Tarzan series were edited for "political correctness" with regards to ethnicity dialects and derogatory terms. Hard to read dialects (or hard to typeset) were changed to an easier form (i.e. hit's changed to it's, heat to eat, and hour to our), while extremely derogatory terms such as Jew (see Tarzan and the Golden Lion) and nigger were altered or eliminated (not for the betterment of the story as the alteration in the words has lessened the impact the originals imparted to the reader—the level of anger toward the character who spoke the words has been lessened). The term "black" remained in place in some books but removed from others—no rhyme or reason to the changes. Esmeralda's original dialect in "Tarzan of the Apes" remained in place through 1969, then edited downward to an easier and friendlier version. Because of these changes, an in-depth look at the various editions of "Tarzan of the Apes" is shown below, while the other books in the Tarzan series are only compared by using an early hardcover version and the first version that was edited, usually the Ballantine edition.
    [Show full text]
  • Tarzan in the Early-20Th Century French Fantasy Landscape By
    Wesleyan University The Honors College The Missing Link: Tarzan in the Early-20th Century French Fantasy Landscape by Medha Swaminathan Class of 2019 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in French Studies Middletown, Connecticut April, 2019 Table of Contents Introduction ................................................................................................................... 1 Embracing the Invented in the “Benevolent” Colonial ................................................ 9 Imagining “Africa” ..................................................................................................... 19 Le Tour du Monde en Un Jour: Tarzan and the 1930s Paris Colonial Exhibitions .... 36 “Civilization” vs. “Civilized” vs. “Savage” ................................................................ 49 Homme Idéal or Missing Link? Fetish, Fascination, and Fear in French Eugenics ... 57 Sex, Youth, Beauty, Valor, and the Légionnaire ........................................................ 70 Saturnin Farandoul: Tarzan’s French Foil? ................................................................ 81 “Comment dit-on sites de rêve en anglais ?” .............................................................. 96 References ................................................................................................................. 100 Acknowledgements This project would not have been possible without an incredible amount
    [Show full text]
  • Comics the Univseral Language Part 2
    Edgar Rice Burroughs’ Art Chronology -- Comics: The Universal Language -- Part 2 !In just the 1950s alone, more Tarzan comic books were made in Britain than all the Tarzan comics that have ever made in America. That was how popular the apeman was in the country that Burroughs gave Tarzan’s fictional heritage. !About the time that U.S. publishers finished their Big Little Book run of daily strips reprints, two different British publishers started reprinting the U.S. newspaper strips at the same time. !One revamped a syndicated mini-newspaper reprint service that ran many of the black & white U.S. dailies as color comics for the first and only time. !The other turned old color Sunday strips into black & white comic books. !Soon, images of Tarzan film actors Johnny Weissmuller, Lex Barker, and Gordon Scott began appearing on comic book racks all across England. These included many completely new color images rarely seen by American readers. 214 Westworld Publications Tarzan the Grand Adventure Comic a similar 8 page bi-weekly series that had been running internationally since 1946 under !On September 15, 1951, Westworld the simple title of Tarzan, and opened with the Publications Limited of London debuted their Maxon dailies from 1943 (the French edition of first issue of the 12 page Tarzan issue #4 from October 10, 1946, the Grand Adventure Comic. is shown center page). The These bi-weeklies were mini- Tarzan feature was in color, but newspapers, initially sized at only on the front and back 11 & 1/4” x 15 & 13/16”, and page.
    [Show full text]
  • Tarzan's Quest
    Tarzan's Quest By Edgar Rice Burroughs Tarzan's Quest 1. THE PRINCESS SBOROV "My dear Jane, you know everyone." "Not quite, Hazel; but one sees everyone in the Savoy." "Who is that woman at the second table to our right?—the one who spoke so cordially. There is something very familiar about her—I'm sure I've seen her before." "You probably have. Don't you remember Kitty Krause?" "O-oh, yes; now I recall her. But she went with an older crowd." "Yes, she's a full generation ahead of us; but Kitty'd like to forget that and have everyone else forget it." "Let's see—she married Peters, the cotton king, didn't she?" "Yes, and when he died he left her so many millions she didn't have enough fingers to count 'em on; so the poor woman will never know how rich she is." "Is that her son with her?" "Son, my dear! That's her new husband." "Husband? Why, she's old enough to—" "Yes, of course; but you see he's a prince, and Kitty always was— er—well, ambitious." "Yes, I recall now—something of a climber; but she climbed pretty high, even in aristocratic old Baltimore, with those Peters millions." "But she's an awfully good soul, Hazel. I'm really very fond of her. There isn't anything she wouldn't do for a friend, and underneath that one silly complex of hers is a heart of gold." "And kind to her mother! If anyone ever says I'm good-hearted, I'll —" "S-sh, Hazel; she's coming over." The older woman, followed by her husband, swooped down upon them.
    [Show full text]
  • Tarzan and the Golden Lion (810.82 B972 1924A)
    What the Footprints Told 51 opposite side of the clearing, while the bulls, bris«. tling and growling, faced the intruder. “ Come,” cried Tarzan, “ do you not know me? I am Tarzan of the Apes, friend of the Mangani, son of Kala, and king of the tribe of Kerchak.” “We know you,” growled one of the old bulls; “ yesterday we saw you when you killed Gobu. Go away or we shall kill you.” “ I did not kill Gobu,” replied the ape-man. “ I found his dead body yesterday and I was following the spoor of his slayer, when I came upon you.” “ We saw you,” repeated the old bull; “ go away or we shall kill you. You are no longer the friend of the Mangani.” The ape-man stood with brows contracted in thought. It was evident that these apes really believed that they had seen him kill their fellow. What was the explanation? How could it be ac¬ counted for? Did the naked footprints of the great white man whom he had been following mean more, then, than he had guessed? Tarzan wondered. He raised his eyes and again addressed the bulls. “It was not I who killed Gobu,” he insisted. “ Many of you have known me all your lives. You know that only in fair fight, as one bull fights another, have I ever killed a Mangani. You know that, of all the jungle people, the Mangani are my best friends, and that Tarzan of the Apes is the best friend the Mangani have. How, then, could I slay one of my own people? ”.
    [Show full text]
  • The Son of Tarzan by Edgar Rice Burroughs
    www.freeclassicebooks.com The Son of Tarzan By Edgar Rice Burroughs www.freeclassicebooks.com 1 www.freeclassicebooks.com Contents Chapter 1.................................................................................................................................................3 Chapter 2...............................................................................................................................................10 Chapter 3...............................................................................................................................................18 Chapter 4...............................................................................................................................................26 Chapter 5...............................................................................................................................................33 Chapter 6...............................................................................................................................................42 Chapter 7...............................................................................................................................................50 Chapter 8...............................................................................................................................................58 Chapter 9...............................................................................................................................................66 Chapter 10.............................................................................................................................................74
    [Show full text]
  • Tarzan of the Apes
    TARZAN OF THE APES I am grateful to see my grandfather’s works made available in the Edgar Rice Burroughs Authorized Library, the first-ever uniform editions of his entire literary catalog. Now readers everywhere can enjoy these timeless stories of wonder and adventure in a way they have never been presented before. These new editions represent the ultimate ERB experience, featuring magnificent cover art and frontispieces by legendary artist Joe Jusko, forewords and afterwords by noted authors and celebrities, and a bounty of rare and previously unpublished treasures straight from the archives of Edgar Rice Burroughs, Inc., in Tarzana, California. Whether a reader is new to my grandfather’s works or has spent a lifetime enjoying them as I have, the Edgar Rice Burroughs Authorized Library opens a unique window into extraordinary worlds of imagination, standing as an unparalleled landmark in an already historic legacy. John Ralston Burroughs Tarzan® Series Tarzan the Invincible Tarzan of the Apes Tarzan Triumphant The Return of Tarzan Tarzan and the City of Gold The Beasts of Tarzan Tarzan and the Lion Man The Son of Tarzan Tarzan and the Leopard Men Tarzan and the Jewels of Opar Tarzan’s Quest Jungle Tales of Tarzan Tarzan the Magnificent Tarzan the Untamed Tarzan and the Forbidden City Tarzan the Terrible Tarzan and the Foreign Legion Tarzan and the Golden Lion Tarzan and the Madman Tarzan and the Ant Men Tarzan and the Castaways Tarzan, Lord of the Jungle Tarzan and the Tarzan Twins Tarzan and the Lost Empire Tarzan: The Lost Adventure (with Tarzan at the Earth’s Core Joe R.
    [Show full text]