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`Holt Atherton Special Collections Ms4: Brubeck Collection Series 4: Audio Materials Subseries 4B: Db Personal Audio Recordings

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`HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 4: AUDIO MATERIALS SUBSERIES 4B: DB PERSONAL AUDIO RECORDINGS [RED INDICATES THAT TAPE HAS BEEN DUBBED TO CD] BOX 1: BRUBECK’S PERSONAL AUDIO RECORDINGS, 1942-50 **TAPES ARE REEL-TO-REEL 1/4" ON 7" REELS UNLESS OTHERWISE NOTED 4B.1.1: “Lullaby (1942)---save for choral arr.” [Ampex 672 C-60 cassette] 4B.1.2: Camp Hahn Band, April 1944 [cassette] 4B.1.3: Bernice Carvalho & Barbara Grutze---Artist’s Concert, Tape #1, 4-17-49 [Scotch plastic; 1200 ft., ?ips] 4B.1.4: Bernice Carvalho & Barbara Grutze---Artist’s Concert, Tape #2, 4-17-49 [Scotch plastic; 1200 ft., ?ips] 4B.1.5: “Laura” & “Indiana” [Fantasy 3-1], 9-49 [unident. brand cassette] 4B.1.6: Trio [DB, Cal Tjader, Ron Crotty]---“You stepped out of a dream,” “Lullaby in rhythm,” “Singin’ in the rain,” “I’ll remember April,” “Body & Soul,” “Let’s fall in love”, “Laura,” “Indiana” [unknown brand, 1200 ft.?; compare commercial recording FANT 3-1 (9-49; 3-50); 2nd copy, Scotch 111 acetate; 1200 ft., 7.5 ips] 4B.1.7: Trio---“September Song,” “Sweet Georgia Brown,” “Spring is Here,” “Swonderful,” “Blue Moon,” “Tea For Two,” “Undecided,” “That Old Black Magic” [unknown brand, 1200 ft.?; compare commercial recording FANT 3-2 (9-49; 6-50); 2nd copy, Scotch 111 acetate, 1200 ft.; 7.5 ips] 4B.1.8: Octet---“Way You Look Tonight,” “Love Walked In” (Van Kriedt), “What Is This Thing Called Love?” (Smith), “September In the Rain” (Van Kriedt), “Prelude & Fugue on Bop Themes” (Van Kriedt), “Let’s Fall In Love” (Van Kriedt), “IPCA” (Smith) [brand?; 1200 ft., ?ips; compare commercial recording FANT 3-3 (7-50); 2nd copy on Scotch 111 acetate, 1200 ft.; 7.5 ips] 4B.1.9: Trio---“Lullaby of Broadway,” (1:30); “Give Me Something to remember you by,” (2:55); “Indian Summer” (3:22), 11-50 [Scotch plastic; 1200 ft., 7.5 ips, mono; DB says these are bad, were never released, saved for 3/4 w/ 4/4] 4B.1.10: “A Sampler of Unreleased Recordings” (1949-1958) October 31, 1949: “Lady be good,” “I only have eyes for you,” I get a kick out of you,” Perfidia.” Eugene, Oregon: “There’s a Small Hotel,” “Sweet Georgia Brown,” “How high the Moon,” “Theme Song,” “I may be wrong,” “They didn’t believe me.” Trio Tape #10 (No date) “All God’s Children.” Tehran May 6, 1958: “St. Louis Blues.” Octet July 19, 1953: “Happy in Love.” November 5, 1953 Eugene, Oregon: “Lover come Back To Me (with Chet Baker),” How High the Moon (Chet Baker, Shelley Mann, Carson Smith, Jimmy Rowles, Charlie Parker).” Gerry Mulligan Quartet: “Moonlight in Vermont.” BOX 2: BRUBECK’S PERSONAL AUDIO RECORDINGS, 1942-1956 4B.2.1: “Very Old Records”---“These Foolish Things” [12-51 or 3-53; Alto 711]; “Body & Soul” [3-50; Fant. 3-1?]; “I Found A New Baby” (“no recording listed in Fischer, c.1942”[note: published on Jazz at the College of the Pacific Vol. 2 bonus track 2002]; “On the Alamo” [12-53; Col CL-590]; “Laura” [9-49; Fant 3-1 or 12-53, Fant 3-13]; “Dance Suite” [no recording listed in Fischer]; “Recitation” [no recording listed in Fischer] [Scotch, ca1000 ft., ?ips] 4B.2.2: Trio---“Crazy Chris” [“dub of Fantasy Master”---Fant 3-5?], 8-51 [Scotch RB plastic, ca 400 ft.; 1.5 ips] 4B.2.3: Trio---“Over the Rainbow,” “You go to my head,” “Whistlestop,” n.d. [10-52?] [Scotch 111A plastic; 200 ft.?, 7.5 ips; compare commercial recording FANT 3-8] 4B.2.4: “Sax Rainbow/not used,” n.d. [Reeves Soundcraft; 200 ft.?, ?ips] 4B.2.5: “Centennial Suite/from Farmer, Shawnee Press/bad performance,” n.d. [Scotch plastic; 200 ft.?, ?ips, 5" reel] 4B.2.6: “Solo Piano/Heartwood Drive/For History Album/1954" [Scotch RB-5, ca600 ft., 7.5 ips, 5"reel] 4B.2.7: La Clede Musical Showcase, St. Louis---“Oh, Danny Boy,” “Take the A Train,” “Audrey,” “Brother, can you spare a dime,” “Lover,” “Trolley Song,” “The Duke,” 3-4-56 [Scotch 111A-12 plastic; 1200 ft., ?ips] 4B.2.8: “RTTE Canada/”Star Dust”/ “I’m in a dancing mood”/ “The Duke---Miles Davis,” 3-8-56 [Scotch 111A-12 plastic; 1200 ft., ?ips] *4B.2.9: “RTTE Canada/”Out of nowhere”/”In your own sweet way” (8:07)/”Two Part Contention” (9:40), 3-8-56 [Scotch 111A-12 plastic; 1200 ft., ?ips] 4B.2.10: “Blue Note---“Two Sleepy People,” “Masquerade is over,” “Lover come back,” “One moment worth years,” 3-23-? [c1956] [Audiotape plastic-base; 1200 ft., ?ips] *4B.2.11: “Blue Note---“Blues” (13:00); “Masquerade is over” (8:00); “Brother’s Tune” (9:00); “Two Sleepy People” (no timing),” 3-24-? [c1956] [Scotch 190 plastic; 1800 ft., ?ips] 4B.2.12: “Modern Jazz Rm,” 4-6-? [c1956] [Scotch 190 plastic; 1800 ft., ?ips] 4B.2.13: “RTTE Canada broadcast/”Gone with the wind” (12:27), “Fare thee well,” “Brother, can you spare a dime?” “Audrey (portion), 8-1-56 [Scotch 111A-12 plastic; 1200 ft., ?ips] 4B.2.14: Stratford Ontario (Playboy Allstars), 8-3-56 [Canadian Broadcasting Corp.; 1200 ft.?; ?ips] 4B.2.15: : “Aircheck of 3 selections/on Crusade Kickoff...,” KLX radio, Oakland CA---unknown blues, “I’m in a dancing mood,” “Trolley Song,” 10-1-56 [Scotch 111A-6 plastic; 600 ft., ?ips; 5" reel] 4B.2.16: “Will Moyle Tape /Rochester NY --- tape of DBQ with Joe Dodge & Nopedin Bates [inc. “In Yr Own Sweet Way” & “Lover” in ¾ against 2/4 for first tune] n.d. (c1954) BOX 3: BRUBECK’S PERSONAL AUDIO RECORDINGS---Time Out session 1959 4B.3.1: Time Out session [mislabeled as “Live performances #1/Old Tapes/Blue Note/Ravinia/Stratford/La Clede/Showcase,” n.d. [1956?] [Columbia; 1200 ft.?, ?ips] 4B.3.2: Time Out session [mislabeled as “Live performances #2/Old Tapes/Blue Note/Ravinia/Stratford/La Clede/Showcase,” n.d. [1956?] [Columbia; 1200 ft.?, ?ips] 4B.3.3: Time Out session [mislabeled as “Live performances #3/Old Tapes/Blue Note/Ravinia/Stratford/La Clede/Showcase,” n.d. [1956?] [Columbia; 1200 ft.?, ?ips] 4B.3.4: Time Out session [mislabeled as “Live performances #4/Old Tapes/Blue Note/Ravinia/Stratford/La Clede/Showcase,” n.d. [1956?] [Columbia; 1200 ft.?, ?ips] 4B.3.5: Time Out session [mislabeled as “Live performances #5/Old Tapes/Blue Note/Ravinia/Stratford/La Clede/Showcase,” n.d. [1956?] [Columbia; 1200 ft.?, ?ips] 4B.3.6: “Playmate/The Blues from concert” (9:06), n.d. [9-56?] [Audiotape plastic-base; c500 ft., 7.5ips] BOX 4: BRUBECK’S PERSONAL AUDIO RECORDINGS---MISCELLANY, 1953-April 1957 [10" REELS] 4B.4.1: “Wilshire Ebell Master?”---n.d. [6-20-53?] [Scotch 111A-24R plastic, 2400 ft., 10" reel] 4B.4.2: “730123 SW/DB 4/Fantasy 8081 (F-2067)” [Jazz At the Black Hawk]---“Jeepers Creepers,” “On a Little Street,” “Trolley Song,” “I May Be Wrong,” n.d. [1953?] [Scotch 206 Polyester, 2500 ft., 15 ips, pseudo-stereo, 10" reel] 4B.4.3: “DB from Storyville”---Jeepers,” “Don’t Worry Bout Me,” “Blues,” 3-30-54 [Scotch 111A, 2400 ft., 15 ips] 4B.4.4: [Brubeck Time & Jazz Red Hot & Cool]---“Fare Thee Well, Annabelle/Basin Street/October,” “Love Walked In/Basin Street/October,” “Indiana/Basin Street/October,” “Fare Thee Well, Annabelle/30th St. Studio [2 takes],” “Sometimes I’m Happy/Basin Street/October,” “Taking A Chance on Love/CO 52624,” n.d. [1954?] [Scotch 111A-24R, 2400 ft., ?ips] 4B.4.5: [Brubeck Time]---“Why Do I Love You?/edited version/3 takes” 4B.4.6: “Basin Street Columbia Broadcast”---“Stompin for Mili,” “Pennies From Heaven,” “The Duke” (used as a sign-off), [Out of] “Nowhere,” “The Duke” again, [In Your Own] “Sweet Way,” “Blues,” “Sounds of the Loop before Morello,” “You Go To My Head into The Duke,” n.d. [2-56] [most of Jazz Band Records EB402 1987 release: “Live From Basin Street, NYC”] [Scotch 111A Plastic, 2400 ft., ? ips, 10" reel] 4B.4.7: “Job 21238B/Reel 1,” 3-12-56 [Fischer lists this date as a “Brubeck Plays Brubeck” session [Scotch 111A-24R Plastic, 2400 ft., 7.5 ips, 10" reel] 4B.4.8: “Job 21238B/Reel 2,” 3-12-56 [Fischer lists this date as a “Brubeck Plays Brubeck” session [Scotch 111A-24R Plastic, 2400 ft., 7.5 ips, 10" reel] 4B.4.9: “Solo Piano for Fantasy Album/Blues at home”---“Too Far Out Blues,” n.d. [1956 or 1957] “R.S. Blues recorded Heartwood 54?” [Scotch 111A-24R plastic; c600 ft.; 10" reel] 4B.4.10: “Dave Van Kriedt [Reunion]”---“Shouts,” “Death Shall Have No Dominion,” 2-57 [Audiotape 2551-R Plastic Base, 2500 ft., ?ips, 10" reel] 4B.4.11: “Dave Van Kriedt [Reunion]”---“Leo’s Place,” “Divertimento,” “Krikorian’s Mode/Darien Mode,” “Shouts,” “Bach Chorale I & II,” 2-57 [Scotch 111A-24R Plastic, 2400 ft., 7.5 ips, 10" reel] 4B.4.12: [“Dave Brubeck Plays and Plays”]---“I’m Old Fashioned” (5:00), “I See Your Face Before Me” (5:00), “The Masquerade Is Over” (3:50), “You’d Be So Nice To Come Home To” (2:25), “Two Sleepy People” (3:25), “Our Love Is Here To Stay” (2:45), 2-8-57 [Scotch 111A-24R Plastic, 2400 ft., 15 ips, 10" reel] 4B.4.13: [“Dave Brubeck Plays and Plays”] “Dave Brubeck Piano Solos #2"---“Indian Summer” (4:50), “Falling In Love With Love” (2:45), “Imagination” (6:10), “Sweet Cleo Brown” (3:55), “In Search of a Theme” (2:28), 2-26-57 [Scotch 111A-24R Plastic, 2400 ft., 7.5 ips, 10" reel] 4B.4.14: “Carleton College Concert/KARL Radio Station” (reel 1)---“Gone With the Wind,” “Lover,” “Jeepers Creepers,” “Star Dust,” “Trolley Song,” “I Want To Be Happy (drum solo),” 4-57 [Audiotape 1551-R, 2500 ft., ?ips, 10" reel] 4B.4.15: “Carleton College Concert/KARL Radio Station” (reel 2)---“Lady Be Good,” “Out of Nowhere,” “The Duke,” “Take the A Train,” “Your Own Sweet Way,” “I’m In A Dancing Mood,” “Diary of a Boyscout,” “Two Part Contention,” “Audrey,” 4-57 [Audiotape 1551-R, 2500 ft., ?ips, 10" reel] BOX 5: BRUBECK’S PERSONAL AUDIO RECORDINGS---HOLLYWOOD SESSION, (MAY 1/2, 1957) [10" REELS] 4B.5.1: “Reel 1-A/Long Beach”---“Blues,” “Take the A Train,” “Plain Song,” “Masquerade,” 5-1-57 [Audiotape 2551-R, 2500 ft.; 10" reel, 1.5 ips; compare Columbia recording, “Jazz Goes to Junior College”] 4 tracks 4B.5.2: “Reel 1-B”---end of “Blues,” “Take the A Train,” “Plain Song,” “Masquerade,” “Ode to a Cowboy,” “One Moment Worth Years,” 5-1-57 [Audiotape 2551-R, 2500 ft.; 10" reel, 1.5 ips; compare Columbia recording, “Jazz Goes to Junior College”] 5 tracks [“Masquerade removed] 4B.5.3: “Reel 2-A”---“Ode to a Cowboy,” “One Moment Worth Years,” “Way Down Yonder,” “St.
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    Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide Eli Yamin Celebrates the Dave Brubeck Quartet Overview These six videos are presented and performed by jazz and blues pianist, composer, singer, producer and educator Eli Yamin. The videos vary in length from 3 to 12 minutes. The title of the series aptly denotes the content because Eli Yamin and his group of master musicians truly do “celebrate” 5 songs of Dave Brubeck. Each video examines and performs a specific song and its unique qualities. Although the focus is always the music, the lessons easily apply to literacy and language arts standards, grades 6-12. The amount of time spent on the lessons can be decided by the teachers, depending on students’ interest, needs, and planning. Below is a brief summary of the content of each video to help teachers decide which best suits their curriculum. It is recommended that all the videos be studied in order to provide a full scope of Brubeck’s music, but the lessons and videos can each stand alone. Dave Brubeck Brief Background Dave Brubeck was a famous jazz pianist, composer, and bandleader who lived from 1920 to 2012. He founded the Dave Brubeck Quartet in 1951 after playing for several years in his group called the Dave Brubeck Octet. His group became very popular in the 1950s, most notably for his combination of great melodies, strong sense of swing, and unusual meters and rhythms from around the globe. Some of his more popular songs are "Blue Rondo a la Turk," "In Your Own Sweet Way" and "The Duke." He collaborated with quartet member Paul Desmond on numerous compositions; Desmond’s “Take Five” became the first jazz instrumental to sell more than one million copies.
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: Jdream@Email.Dp.Ua Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web

    166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web

    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
  • The Art of Lyric Improvisation

    The Art of Lyric Improvisation

    THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan ..................................................................................................................................
  • Flamenco Sketches”

    Flamenco Sketches”

    Fyffe, Jamie Robert (2017) Kind of Blue and the Signifyin(g) Voice of Miles Davis. PhD thesis. http://theses.gla.ac.uk/8066/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Kind of Blue and the Signifyin(g) Voice of Miles Davis Jamie Robert Fyffe Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Culture and Creative Arts College of Arts University of Glasgow October 2016 Abstract Kind of Blue remains one of the most influential and successful jazz albums ever recorded, yet we know surprisingly few details concerning how it was written and the creative roles played by its participants. Previous studies in the literature emphasise modal and blues content within the album, overlooking the creative principle that underpins Kind of Blue – repetition and variation. Davis composed his album by Signifyin(g), transforming and recombining musical items of interest adopted from recent recordings of the period. This thesis employs an interdisciplinary framework that combines note-based observations with intertextual theory.