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JOB TITLE: Brierley Resident Company Member (Core) DEPARTMENT: Artistic REPORTS TO: Artistic Producer PREPARED DATE: June 28, 2021 CLASSIFICATION: FLSA: Exempt

MISSION STATEMENT The mission of Theater Center is to engage, entertain and inspire our diverse community by creating experiences that stimulate new ways of thinking and living. We will do this by consistently producing plays, educational programs, and other initiatives that are of the highest quality and reach the broadest possible constituency.

EQUITY, DIVERSITY AND INCLUSION STATEMENT ALL ARE WELCOME! At Dallas Theater Center, we want to be the best place to work and see theater, and to be a positive and transformational force in Dallas and beyond. We stand up for equity, diversity and inclusion across our company and community. As a leading national theater, we recognize that building an equitable, diverse, and inclusive environment is central to our relevance and sustainability in the community we serve and love. *For complete statement, please see final page of this posting.

POSITION SUMMARY: Dallas Theater Center (DTC) seeks experienced and versatile to join our Diane and Hal Brierley Resident Acting Company (BRAC). Resident Actors will be Core members of our company engaged full-time by DTC. They will be cast in multiple productions (plays and musicals) each season under AEA contracts with AEA health and benefits. Resident actors will also will be engaged in the development of new works and participation in special projects over the course of the DTC season. DTC seeks candidates who will work in support of our mission and values and who share our commitment to equity, diversity and inclusion.

Core BRAC members will report directly to the Associate Artistic Director and will serve as actors and members of the Artistic team at DTC. Duties include: acting in plays and musicals; assisting in development of new work; participating in new play development and special projects through our Innovation Lab; teaching in DTC’s Public Works programs (education & community engagement); participating on the Season Planning Team, and Artistic Staff; and serving as an artistic advocate and leader in the community. Along with all other full-time staff they will attend company and departmental meetings, attend institutional events and will be engaged on staff committees.

Each Core BRAC member will have a mid-year and annual review with the Associate Artistic Director to determine individual goals and future opportunities that are mutually beneficial to the company member and DTC.

KEY RELATIONSHIPS: ● Artistic Director ● Associate Artistic Director ● Artistic Producer ● Resident Playwright/Literary Manager ● Resident and Guest Artists (Directors, Designers, Actors, Playwrights, Musical Director) ● Senior Staff leadership including Director of Education, Director of Public Works, Director of Marketing, and Director of Development

ESSENTIAL DUTIES: ● Act in at least three mainstage plays, musicals and/or community-based touring productions over the course of each season.

● Act in readings of plays and musicals ● Participate in development of new work, special projects and readings (including on digital platforms) as assigned ● Participate as an active member of the broader Artistic team: o Participate as an active member of the Season Planning Team (programming); and Artistic Staff (policy and evaluation) o Provide council to the Artistic director and Artistic Producer in determining artistic goals, programs, policies and season planning o Provide creative feedback for directors & playwrights throughout the creative process as requested ● Mandatory attendance at institutional staff meetings including but not limited to full-company meetings and all company-wide Equity/Diversity/Inclusion initiatives ● Mandatory attendance at regularly scheduled or ad-hoc company class (professional development) and resident artistic company meetings ● Around your acting priorities you will support the Institution through one of the following additional duties as mutually agreed upon for the season: o Teaching artist in signature Education department classes, workshops, talkbacks and panel discussions o Teaching artist in Public Works Dallas (PWD) programs with our community partner organizations o Co-leader of BRAC Professional Development Program o Member of Play Selection Committee (read, discuss and recommend scripts in support of season planning) o Embedded artist within another department (such as marketing, PR or development) o Fight Coordinator/Director o Choreographer/ Captain o Member of EDI Committee ● Serve as an Artistic Ambassador for DTC: o Participation in development programs and marketing events o Attendance at Opening Nights o Attendance at first rehearsal meet and greets o Participation in Company-wide volunteer days ● Be an active participant in DTC’s work towards equity, diversity and inclusion and becoming an anti-racist organization by: o Participating in all DTC-wide EDI trainings, workshops or experiences o Activating and participating in EDI work within the Artistic Department ● Maintain safe working conditions in keeping with DTC health and safety guidelines; including all applicable COVID Compliance protocols. ● Other duties as assigned

This job description is not exhaustive and is subject to review in conjunction with the post holder and according to future changes/developments.

ADDITIONAL INFORMATION: ● BRAC members will maintain a residence in Dallas at their own expense and will be considered local hires under AEA contracts ● BRAC members will be employed full-time by DTC and will be issued appropriate union contracts for any work governed by the unions under the LORT collective bargaining agreement earning insurance benefits through AEA. ● DTC health insurance plan will be available to full-time BRAC members should they not be eligible for AEA health benefits ● Presumes a 40-hour work week most weeks. Institutional responsibilities will take place around rehearsal and performance schedules without infringing upon rehearsal requirements.

● Any work outside of DTC must be pre-approved by the Associate Artistic Director and must not conflict with your designated acting and institutional responsibilities.

SKILLS AND KNOWLEDGE: ● Candidates should have versatile acting skills, including voice/speech, basic to advanced dance ability and musical theater singing experience. ● Candidates should be members of Actors Equity Association (AEA) or have the equivalent professional experience with a minimum of three years of training or experience working as a professional ● Plays a musical instrument a plus ● Bilingual/fluent in Spanish a plus ● Broad knowledge of theatrical production processes and acting techniques ● Ability to work effectively in a co-operative and approachable manner ● Ability to work effectively in a co-operative and approachable manner working collaboratively, positively and productively with all DTC staff including production departments, directors, actors, designers, Musical Director, Resident Playwright/Literary Manager, technicians and administrators within the confines of time and allocated resources ● Must be able to work under the stress of deadlines and adapt to changing priorities ● Must be able to handle a high volume of work and attend to numerous projects concurrently

EXPERIENCE/EDUCATION REQUIREMENTS: ● Member of Actors Equity Association (AEA) or have equivalent professional experience ● 3+ years of training or experience working as a professional actor

TO APPLY: • Please submit a link to view: 2 monologues – 1 comedic and 1 dramatic – at least one should be contemporary 1 musical theater song of your choice • Tapes should be no longer than 5 minutes total. Must be sent as a link to view on a site (check privacy settings before sending), we will not download video files. • Include a resume (PDF) and headshot (JPG or PDF). • Please submit by July 5, 2021. • Submit materials to: [email protected]

ABOUT DALLAS THEATER CENTER DTC is a leading regional theater and the 2017 Regional Tony Award® recipient. DTC is one of only two theaters in Texas that is a member of the League of Resident , the largest and most prestigious non-profit professional theater association in the country. Dallas Theater Center (DTC) performs to an audience of more than 70,000 North Texas residents annually in two extraordinary buildings designed by legendary architects, As a resident company of the AT&T Performing Arts Center , DTC presents mainstage productions at the Dee and Charles Wyly Theatre - designed by Joshua Prince-Ramus and Rem Koolhaas as a unique multi-form, flexible theater, which can easily transform between proscenium, thrust, arena stages - and DTC’s original home, the - the only freestanding theater designed and built by Frank Lloyd Wright.

Founded in 1959 under the artistic leadership of Paul Baker, DTC is one of the country’s oldest regional theatres. For close to 60 years, DTC’s innovative, dynamic programming has made a significant mark on the Dallas community as well as the American theater at large, highlighted by its sustained focus on producing new works, supporting a resident acting company, utilizing theatrical space in surprising ways, and engaging deeply with the diverse Dallas community. From classic scripts to new plays, from epic to intimate, DTC continues its tradition of excellent theater well into the 21st century.

MORE ABOUT DALLAS THEATER CENTER Under the leadership of Enloe/Rose Artistic Director Kevin Moriarty and Managing Director Jeffrey Woodward, DTC produces a mainstage subscription series of contemporary plays, classic play, musicals and new plays (including recent world premieres by Douglas Carter Beane, Lewis Flinn, Kirsten Childs, Samuel Hunter, Will Power, Jonathan Norton and many others), as well as an annual production of A Christmas Carol. DTC’s extensive education programs include the Award-winning Project Discovery and partnerships with Southern Methodist University’s Meadows School of and Booker T. Washington High School for the Performing and ; and many community collaboration efforts with local organizations. In 2017, DTC launched Public Works Dallas, a groundbreaking community engagement and participatory theater project designed to deliberately blur the line between professional artists and community members, culminating in an annual production featuring over 200 Dallas citizens performing a Shakespeare play. The long-standing Diane and Hal Brierley Resident Acting Company demonstrates DTC’s abiding commitment to supporting a core group of Resident Artists.

Expanding our company of Resident Artists to include resident directors and designers allows Dallas Theater Center to be a place where people from across our region can come together to share ideas, to be challenged by new voices, and to be inspired by beautiful performances. We will bring the best artists to work at Dallas Theater

Center—artists from across the country and from our own backyard. We will commission and produce brand new plays written by the best playwrights from across the country specifically for our Dallas audiences. And we will contribute to the theater field at large by expanding the theatrical repertoire. Through our education programs, we engage teens and young adults in exciting conversations about theater—both through school-oriented programs and individual classes. We make a space for our patrons to engage with one another in meaningful conversation after every performance, recognizing that theater is a catalyst for new ideas to be expressed and shared. We collaborate with other organizations to ensure that the entire Dallas community is receiving the best theater experiences possible. Most of all, we will continue to produce work that is fresh, innovative, relevant, fun, and engaging so that every person in our city can find something that they like—something that will challenge and inspire them. And we will do it with unsurpassed artistic excellence for many years to come.

ABOUT THE DALLAS COMMUNITY Dallas is a richly diverse modern metropolis in north Texas and is a commercial and cultural hub of the region. Over the years it has become a melting pot of cultures, religions and lifestyles. This important convergence of uniqueness and differences is reflected throughout the sights and sounds of the city. Dallas' authentic arts, music, food, places of worship, historic landmarks and urban lifestyle all contribute to the city's makeup. Located in the northeast corner of downtown Dallas, the Dallas Arts District is the largest contiguous urban arts district in the nation, spanning 68 acres and 19 contiguous blocks. This iconic neighborhood has more buildings designed by Pritzker award-winning architects than any location in the world. Dallas Arts District unifies culture and commerce with integrated and exemplary artistic, residential, cultural, educational, recreational, religious and commercial life Downtown’s Sixth Floor Museum at Dealey Plaza commemorates the site of President John F. Kennedy’s assassination in 1963. In the Arts District, the Dallas Museum of Art and the Crow Collection of Asian Art cover thousands of years of art. The sleek Nasher Sculpture Center showcases contemporary sculpture. The Perot Museum of Nature and Science sparks the imagination through a world of scientific wonders. Performing arts venues based in the Arts District include the AT&T Performing Arts Center, Moody Performance Hall, Meyerson Symphony Center, Winspear House, Montgomery Arts Theater, and the Wyly Theater. These beautiful venues feature the work of such notable Dallas-based performing companies as the Dallas Opera, Dallas Symphony, Titas/Dance Unbound, Dallas Black Dance Theatre and the Dallas Theater Center as well as touring productions from across the nation. Dallas is home to six professional sports teams including the Dallas Cowboys, Dallas Mavericks, Dallas Stars, Dallas Wings and FC Dallas. It is also host to several major sporting events like the Mexico National Team, college football games, e-sports competitions and more. In addition, the State Fair of texas which takes place for over three weeks each fall at Fair Park in Dallas is the longest running fair in the nation as well as one of the largest.

DALLAS THEATER CENTER’S EQUITY, DIVERSITY AND INCLUSION STATEMENT

ALL ARE WELCOME!

At Dallas Theater Center, we want to be the best place to work and see theater, and to be a positive and transformational force in Dallas and beyond. We stand-up for equity, diversity, and inclusion across our company and community. As a leading national theater, we recognize that building an equitable, diverse, and inclusive environment is central to our relevance and sustainability in the community we serve and love.

• EQUITY means recognizing that not everyone starts at the same place, addressing inequities in access and opportunity, and allowing for full and fair participation.

• DIVERSITY means acknowledging and respecting human qualities that are different from our own and outside the groups we are a part of or with which we are associated. These qualities include but are not limited to: ethnicity, race, color, country of origin, sex, gender, gender identity or expression, age, sexual or relationship orientation, family structure, religion, beliefs, political affiliations, experiences and ability differences.

• INCLUSION means honoring and accepting the gifts, backgrounds, experiences, and wisdom that every individual brings with them, so that every stakeholder feels valued by Dallas Theater Center. Our stakeholders are staff, artists, board members, donors, audiences, and community members.

We will strive to create a culture of inclusion where individuals can thrive and succeed, are able to participate in and contribute to the progress and success of Dallas Theater Center while growing both professionally and personally.

We recognize and value individual differences, and we acknowledge structural and systemic racism and other access barriers that prevent full and fair participation of people outside the dominant culture and power dynamics. We acknowledge the complexities of becoming a fully inclusive and anti-racist organization, and we accept the challenge to build an organization where full and fair participation is the norm.

We commit to providing fair treatment, access, opportunity, and advancement and to creating space for culturally diverse voices to be heard and power to be shared. Together, we are even better.

NOTE: All actors must be able to provide documentation of full vaccination of a US-government approved COVID19 vaccine regimen forCOVID19, at the time of hire.

DALLAS THEATER CENTER Resident Actor Audition Information:

Dallas Theater Center is a LORT (League of Resident Theaters) regional theater. Our contracts are LORT B, C, and D. Dallas Theater Center functions under the rules set forth by Actors Equity Association governing LORT theaters.

We welcome Union (AEA) and Non Union actors. AEA members are given priority for audition appointments.

Dallas Theater Center (DTC) seeks experienced and versatile actors to join our Diane and Hal Brierley Resident Acting Company (BRAC). Resident Actors will be core members of our company engaged full- time by DTC. They will be cast in 4 – 6 mainstage productions (plays and musicals) each season under AEA contracts with AEA health and benefits. Resident actors will also will be engaged in the development of new works and participation in special projects over the course of the DTC season. DTC seeks candidates who will work in support of our mission and values and who share our Commitment to Anti-Racism.

When casting productions, DTC looks first to the Diane and Hal Brierley Resident Acting Company to fill roles. DTC also maintains a relationship with Meadows School of the Arts at SMU and Booker T. Washington High School for the Visual and Performing Arts. As part of this relationship DTC often casts students from these programs in mainstage productions. Additionally, DTC casts actors from the region and nationally for a variety of roles. for these roles occur on an as-needed basis throughout the year.

SEEKING THE FOLLOWING FULL-TIME RESIDENT ACTORS: Male, 20’s, Black Female, 20’s, Latina Male, 40’s, Black Male, 50’s+, White

We seek versatile acting skills, including voice/speech, basic to advanced dance ability and musical theater singing experience. Candidates should be members of Actors Equity Association (AEA) or have the equivalent professional experience with a minimum of three years of training or experience working as a professional actor.

ABOUT DALLAS THEATER CENTER: Dallas Theater Center works under the League of Regional Theatres (LORT) contract with Actors Equity Association (AEA), the union of actors and managers. The union determines the number of Equity and non-Equity actors cast in each production.

Our 2 primary locations are:

The Dee and Charles Wyly Theater 2400 Flora St. Dallas, Texas 75201 (This is our primary address and all correspondence should be sent here)

The Kalita Humphreys Theater 3636 Turtle Creek Blvd. Dallas, Texas 75219

Personnel: Artistic Director: Kevin Moriarty Casting Director: Eisenberg/Beans Casting Artistic Producer: Sarahbeth Grossman

All dates subject to change.

MISSION, VISION AND VALUES

Our Mission Dallas Theater Center will engage, entertain, and inspire our diverse community by creating experiences that stimulate new ways of thinking and living. We will do this by consistently producing plays, educational programs, and other initiatives that are of the highest quality and reach the broadest possible constituency.

Dallas Theater Center strongly believes that an effective workforce includes employees from different and diverse backgrounds and experiences that together form a more creative, innovative, and productive environment. As a leading national theater, DTC recognizes that building an equitable, diverse and inclusive environment is the key ingredient to its relevance and sustainability in the community it serves. EQUITY, DIVERSITY AND INCLUSION STATEMENT

ALL ARE WELCOME! At Dallas Theater Center, we want to be the best place to work and see theater, and to be a positive and transformational force in Dallas and beyond. We stand up for equity, diversity and inclusion across our company and community. As a leading national theater, we recognize that building an equitable, diverse, and inclusive environment is central to our relevance and sustainability in the community we serve and love.

DIVERSITY is acknowledging and respecting human qualities that are different from our own and outside the groups we are a part of or associated with, yet are present in other individuals and groups. These qualities include but are not limited to: ethnicity, race, color, country of origin, sex, gender, age, sexual orientation, marital status, religion, beliefs, political affiliations, socioeconomic status, experiences and any form of disability.

An INCLUSIVE work environment is one where all employees are engaged and supported by the leadership of the institution, beginning at the highest level. Dallas Theater Center strives to create a culture of inclusion where employees of diverse human qualities can thrive and succeed and are able to participate in, and contribute to, the progress and success of the institution, while growing both professionally and personally.

21-22 SEASON: Tiny Beautiful Things Based on the book by Cheryl Strayed Adapted for the stage by Nia Vardalos Directed by Joel Ferrell Set/Projection Design: John Slauson Lighting Design: Nicole Iannaccone Costume/Hair/Makeup Design: Micheal Waid : Kyle Jensen Venue: Potter Rose

Rehearsals Begin: 8/3/21 First Preview: 9/8/21 Opens: 9/14/21 Closes: 10/17/21

Based on the best selling book by Cheryl Strayed (author of Wild), Tiny Beautiful Things follows Sugar, an online advice columnist who uses her personal experiences to help the real-life readers who pour their hearts out to her. Rich with humor, insight, compassion – and absolute honesty – Tiny Beautiful Things is about reaching when you’re stuck, healing when you’re broken, and finding the courage to take on the questions that have no answers. Tissues recommended.

Cake Ladies A world premiere by DTC resident playwright, Jonathan Norton Directed by Kevin Moriarty Set/Projection Design: John Slauson Lighting Design: Nicole Iannaccone Costume/Hair/Makeup Design: Micheal Waid Sound Design: Kyle Jensen Venue: Potter Rose

Rehearsals Begin: 8/3/21 First Preview: 9/9/21 Opens: 9/17/21 Closes: 10/17/21

This world premiere , from playwright-in-residence Jonathan Norton (penny candy), was written specifically to welcome audiences back to the theater. It features tour de force performances by members of our Diane and Hal Brierley Resident Acting company originating roles created specifically for them.. In CAKE LADIES, the Scott County Community Playhouse is the pride of Cedar Oak, Texas, a city recovering from the second largest drug-fueled HIV outbreak ever to hit small town America. With the launch of their first ever "AidsFest!" it seems the town is finally turning a corner for the better. When the COVID-19 pandemic shuts down the playhouse production of , the loss is a devastating blow to a city desperately looking to mend. That’s when best friends LeAnne (Sally Vahle) and Tweedy-Bird (Liz Mikel) – affectionately known as “the cake ladies” – leap into to make Angels soar again in their home town. However to do so they must confront Cedar Oaks dark past and their own carefully buried secrets. Cake Ladies is a deeply heart-warming exploration of family, friendship and the joys of community theater!

The Supreme Leader A world premiere by Don X. Nguyen Directed by Kevin Moriarty Set/Projection Design: Yu-Hsuan Chen Lighting Design: Clifton Taylor Costume/Hair/Makeup Design: Mara Blumenfeld Sound Design: Melanie Chen Cole Venue: Kalita Humphreys Theater

Rehearsals Begin: 9/22/21 First Preview: 10/28/21 Opens: 11/3/21 Closes: 11/21/21

While in boarding school in Switzerland, Kim Jong-Un learns he’s next in line to be the Supreme Leader following his older brother’s career-ending trip to Tokyo Disneyland. But he must prove himself. Under the watchful eye of his minder, he sets his paintbrush aside to spy on his pretty American friend Sophie. Will “Oony” get the girl? Will he make his father proud? Set in the snow globe world of stinky cheese and mountain climbing, this coming-of-age comedy imagines Kim Jong-Un’s final throes of youth before his fateful return to North Korea.

A Christmas Carol Adapted by Kevin Moriarty Based on the novel by Creative Team Director: Christie Vela Music Director: TBD Choreographer: Joel Ferrell Voice/Speech Coach: TBD Fight Director: TBD

Rehearsals Begin: 10/26/21 First Preview: 11/24/21 Opens: 12/1/21 Closes: 12/26/21

Thornton Wilder’s (Multilingual) By Featuring translated passages by Nilo Cruz and Jeff Augustin Directed by: TBD Set/Projection Design: TBD Lighting Design: TBD Costume/Hair/Makeup Design: TBD Sound Design: TBD Venue: Kalita Humphreys Theater

Rehearsals Begin: 12/2/21 First Preview: 1/27/22 Opens: 2/2/22 Closes: 2/20/22

Described by Edward Albee as “the greatest American play ever written,” Our Town follows the Webb and Gibbs families as their children fall in love, marry and eventually – in one of the most famous scenes in American theatre – die. Narrated by a stage manager and performed with minimal props and sets, Our Town depicts the small town of Grover’s Corners, New Hampshire, through three acts: “Daily Life,” “Love and Marriage” and “Death and Eternity.” In the next step for a play that Wilder conceived from the beginning as a play about everywhere, this version is for the first time in three languages—English, Spanish and Creole. Infused with layers of culture and community, this new edition celebrates Grover’s Corners as an international address.

Native Gardens By Karen Zacarias Directed by: TBD Set/Projection Design: TBD Lighting Design: TBD Costume/Hair/Makeup Design: TBD Sound Design: TBD NOTE: This will be a pilot touring production. Up to three weeks of performances in community locations followed by 2 week sit down (16 performances) in the Studio Theater at the Wyly.

Rehearsals Begin: 1/11/22 Community Tour: 1/31/22 Opens: 2/21/22 Closes: 3/6/22

In the suburbs of Washington D.C., a high-powered lawyer named Pablo and his very pregnant doctoral candidate wife named Tania, have just purchased their dream home. It’s a bit of a fixer-upper, but luckily Tania is a brilliant gardener and plans to transform their outdoor space into a beautiful native garden. Their new next-door neighbor, Frank, is a gardener himself and spends most of his time nurturing his non-native garden to win the annual gardening competition in the neighborhood. Frank and his wife Virginia have lived here for a long time and welcome Pablo and Tania with open arms. However, when Pablo invites his whole law firm over for a BBQ, Tania and Pablo set to work on building a fence and discover that their property line is 2 feet into Frank’s beloved garden. This creates friction between the neighbors and an all-out border dispute erupts. The two couples show their true colors and it is unclear who will win the war.

The Sound of Music Music by Lyrics by Oscar Hammerstein Book by Howard Lindsay and Russel Crouse Directed by: Kevin Moriarty Set Design: Beowulf Boritt Lighting Design: TBD Costume/Hair/Makeup Design: TBD Sound Design: TBD Venue: Potter Rose

Rehearsals Begin: 2/8/22 First Preview: 3/25/22 Opens: 3/31/22 Closes: 4/24/22

Based on the true story of the Von Trapp Family Singers, this play captures a personal tale of growth and hope amidst the horrors of World War II. tells the tale of young postulant Maria Rainer, whose free spirit has trouble fitting into the rules and regulations of Nonnberg Abbey. Commissioned by the Mother Abbess to serve as the governess for seven motherless children, Maria transforms the Von Trapp family home from a place of dour rules and regulations to one filled with joy, with laughter, and with music. In the process, Maria wins the hearts of all seven children--and their widower father, Captain Von Trapp. With the Mother Abbess’ blessing, and to the children’s delight, Maria follows her heart, and Maria and the Captain marry. Upon returning home from their honeymoon, Maria and the Captain learn that their beloved Austria has been taken over by the Nazis, and the retired Captain is asked to report for immediate service in the Nazi Navy. When the Nazis show up at their door to take Captain Von Trapp away, it is a family singing engagement (wily navigated by their friend Max) that buys the family time to make their narrow escape.

Trouble in Mind By Alice Childress Directed by: TBD Set/Projection Design: TBD Lighting Design: TBD Costume/Hair/Makeup Design: TBD Sound Design: TBD

Rehearsals Begin: 4/12/22 First Preview: 5/26/22 Opens: 6/2/22 Closes: 6/19/22

The year is 1957. On the stage of a Broadway theater, an acting company has gathered for their first day of rehearsal. When the black actress in the starring role confronts her white director about his interpretation of the play, everything explodes. Filled with warmth and razor sharp humor, Trouble in Mind is a provocative look at the way people talk about race—and a hilarious backstage about artists at work. Public Works Dallas Pageant – title TBD Directed by: TBD Set/Projection Design: TBD Lighting Design: TBD Costume/Hair/Makeup Design: TBD Sound Design: TBD Large community-based production in the Potter Rose Theater at the Wyly featuring BRAC members an over 150 local community members. ------

TO PREPARE: Please submit a link to view: 2 monologues – 1 comedic and 1 dramatic – at least one should be contemporary 1 musical theater song of your choice

Tapes should be no longer than 5 minutes total. Must be sent as a link to view on a site (check privacy settings before sending), we will not download video files.

Include a resume (PDF) and headshot (JPG or PDF).

Please submit by July 5, 2021. Submit audition materials to: [email protected]