The 52Nd Street Project Staff
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Flurry Tale, a Holiday Opera, Was Commissioned by American Opera Project’S Family Opera Initiative, and Presented at the Clarke Studio Theatre, NYC
CREATIVE TEAM RUSTY MAGEE COMPOSER was an accomplished composer and lyricist for theater, television, lm and commercials. He won the New York Outer Critics' Circle James Fleetwood Award for Moliere's Scapin, which was produced at CSC Repertory Theatre, Yale Repertory Theatre, and American Conservatory Theater. His full-length musical theatre work, The Green Heart, was presented at Variety Arts Theatre, produced by Manhattan Theatre Club. Flurry Tale, a holiday opera, was commissioned by American Opera Project’s Family Opera Initiative, and presented at the Clarke Studio Theatre, NYC. Other credits include music and lyrics for American Repertory Theatre’s Ubu Roi, Servant of Two Masters and Imaginary Invalid. Co-writer of The Czar of Rock and Roll (Houston's Alley Theater), and arranger for The House of Blue Leaves (Lincoln Center and Broadway.) His music has been featured on Comedy Central, Showtime, The Movie Channel, Nickelodeon and the Disney Channel. BILLY ARONSON LIBRETTIST has written plays produced by Playwrights Horizons, Ensemble Studio Theatre, Woolly Mammoth Theatre, and Welleet Harbor Actor's Theatre. Additional credits include original concept and lyrics for the hit musical Rent; Flurry Tale and Fireworks! for Family Opera Initiative; Cartoon Network, Children's Television Workshop (Sesame English and the Sesame Street home video), the Disney Channel, MTV, PBS, Nickelodeon, A&E International, The History Channel, and Comedy Central. Best American Short Plays 1992-1993, 1999-2000, and plays from the Woolly Mammoth. Aronson is a graduate of the Yale Drama School and Princeton University. GRETHE BARRETT HOLBY ORIGIN & DIRECTION has directed, choreographed, performed and collaborated on world premieres at The Kennedy Center, Lincoln Center Festival, Houston Grand Opera and La Scala. -
Become a Season Member! Paid 17 N
PRSRT STD U.S. POSTAGE BECOME A SEASON MEMBER! PAID 17 N. STATE, SUITE 810 CHICAGO, ILLINOIS 60602 CAROL STREAM, IL SIX SHOWS FOR AS LOW AS $120 PERMIT #1369 ORDER ONLINE OR BY PHONE! BROADWAYINCHICAGO.COM • SUBSCRIPTION 312.977.1717 CONNECT WITH US ONLINE AT GROUPS 312.977.1710 • SINGLE TICKETS 800.775.2000 BROADWAYINCHICAGO.COM/SOCIAL WORLD PREMIERE WORLD PRE-BROADWAY PRE-BROADWAY SEASON SHOW SEASON SHOW PHOTOS: MATTHEW MURPHY PHOTOS: MATTHEW MARCH 8 - 20, 2016 The quintessential backstage musical comedy classic, 42ND STREET is the song-and-dance fable of Broadway with an American Dream story and includes some of the greatest songs ever written, such as “We’re In The Money,” “Lullaby of Broadway,” “Shuffle Off To Buffalo,” “Dames,” “I Only Have Eyes For You” and of course “42nd Street.” Based on a novel by Bradford Ropes and Busby Berkeley’s 1933 movie, 42ND STREET tells the story of a starry-eyed young dancer named Peggy Sawyer who leaves her Allentown home and comes to New York to audition for the new Broadway musical Pretty Lady. When the leading lady breaks her ankle, Peggy takes over and becomes a star. With a book by Michael Stewart and Mark Bramble, music by Harry Warren and lyrics by Al Dubin, this sparkling new production will be directed by co-author Mark Bramble and choreographed by Randy Skinner, the team who Written by staged the 2001 Tony Award®-winning Best Musical Revival. WOODY ALLEN Based on the Screenplay of the Film BULLETS OVER BROADWAY by “OLD-FASHIONED, LAVISH Woody Allen and Douglas McGrath Original Direction and Choreography by SHOWMANSHIP.” —VARIETY SUSAN STROMAN APRIL 19 – MAY 1, 2016 PHOTO: CHRIS BENNION Hailed by Time Magazine as, “Musical Theatre Gold!,” BULLETS OVER BROADWAY is the hilarious musical comedy about the making of a Broadway show. -
Proquest Dissertations
The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater Item Type text; Thesis-Reproduction (electronic) Authors Gordon, Wendy A. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 05:54:33 Link to Item http://hdl.handle.net/10150/292018 THE MARRIAGE OF MUSICAL THEATER AND THE AVANT-GARDE: THE MUSICAL THEATER OF TINA LANDAU AS EXPERIMENTAL THEATER by Wendy Ann Gordon Copyright © Wendy Ann Gordon A Thesis Submitted to the Faculty of the SCHOOL OF THEATRE ARTS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2003 UMI Number: 1422479 Copyright 2004 by Gordon, Wendy Ann All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 1422479 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. -
Download Judy's Resume
JUDY KUHN AEA SAG-AFTRA www.judykuhn.net Artists & Representatives Jeff Berger Management 630 Ninth Ave., Suite 220 301 W. 53rd St #10J New York, NY 10011 New York, NY 10019 (212) 505-1400 (212) 586-4978 Broadway Fiddler On The Roof Golde Dir. Bartlett Sher Fun Home (Tony, Drama League Noms) Helen Bechdel Dir. Sam Gold She Loves Me (Tony Nom) Amalia Dir. Scott Ellis/Roundabout Two Shakespearean Actors Miss Helen Burton Dir.Jack O’Brian/LCT Chess (Tony, Drama League Noms) Florence Dir. Trevor Nunn Les Miserables (Tony, Drama League Noms) Cossette Dirs. Tevor Nunn & John Caird Rags (Drama Desk Nom) Bella Dir. Gene Saks King David Michal Dir. Mike Ockrent The Mystery of Edwin Drood Ensemble/Rosa Dir. Wilford Leach/NYSF Drood u/s Off Broadway, London & Regional Fiddler on the Roof (London-Olivier Award Nom) Golde Dir. Trevor Nunn Fun Home (Lucille Lortel Award, OCC Nom) Helen Bechdel Dir. Sam Gold/ Public Theater The Visit Mathilde Dir.John Doyle/ Williamstown TF Passion (Drama League Award Nom) Fosca Dir. John Doyle/Classic Stage Co The Cradle Will Rock Sadie/Editor Daily Dir. Sam Gold/Encores! The Three Sisters Olga Dir. Bartlett Sher/Intiman Theater Passion Fosca Dir. Eric Schaeffer/ Kennedy Center The Ballad of Little Jo(Joseph Jeff Award Nom) Jo Dir. Tina Landau/ Steppenwolf Eli’ Comin’ (Obie Award) Emmie Dir. Diane Paulus/ Vineyard Theatre Dream True Madge Dir.Tina Landau/ Vineyard Theatre As Thousands Cheer Multiple roles Dir. Christopher Ashley/Drama Dept. Sunset Boulevard Betty Shaeffer Dir.Trevor Nunn/Los Angeles Metropolis (Laurence Olivier Award Nom) Maria/Futura Dir. -
Allison Leyton Allison Leyton-Brown
Allison Leyton-Brown M.F.A., Tisch School of the Arts, NYU – Music Theatre Writing Program (Composition) B.F.A., Concordia University, Montréal – Interdisciplinary Fine Arts F I L M / T V S C O R E S . Episode score and songs for Peg + Cat for PBS. 2013 . Misc. music for 20/20, The Good Wife, Primetime, Good Morning America, ABC’s What Would You Do?, Nightline, Katie, The Nate Berkus Show, etc. Staff writer for 4 Elements Music. ’10 – present. The Bicycle (13 min.) Dramatic short. NY Film Festival, dir. Kari Riely. ’13. Rainy Season (25 min.) Documentary film. Screenings across the US and Europe, dir. Joan Widdenfield. ’11. Meet My Boyfriend (12 min.) Comedy short, dir. J. Ruocco, Manhattan Film Fest. ’11. Little Miss Perfect (series) for WE Network.’09 – ’10. The Cooking Loft (theme) for The Food Network. ’08. Custody (90 min.) Television film for Lifetime TV Network. Score selections. ’07. Millions: A Lottery Story (101 min) Documentary feature, dir. Paul LaBlanc, Palm Beach International Film Fest. Official Selection.’07. Head Case (85 min) Dark comedy feature, dir. M. Wakefield, Rio de Janeiro MIX Festival ’05 & New York City MIX Fest.’03. History of the Movies (1 min) dir. S. Donsky, Coca Cola Young Directors’ Competition National Finalist.’04. The Rest (10 min) dir. D. Franco, RIP Fest. NYC ’03. Dog’s Life (90 min) Dramatic feature, dir. J. Knapich, Telluride Film Festival, Brooklyn Underground Film Fest. ’02. T H E A T R E S C O R E S The Narrowing; recorded instrumental score for 2 pianos, cello & violin, produced by Archipelago Theatre, NC. -
Susanna Gellert 817 Powers Street, Baltimore, MD 21211 • 110 Riverside Drive (Apt 14A), NY, NY 10024 • 646-319-4051 • [email protected]
Susanna Gellert 817 Powers Street, Baltimore, MD 21211 • 110 Riverside Drive (apt 14A), NY, NY 10024 www.wingspace.com/susanna • 646-319-4051 • [email protected] PROFESSIONAL DIRECTING CRIMES OF THE HEART by Beth Henley Everyman Theatre 2014 THE CLAIRE PLAY by Reina Hardy NNPN/ The Kennedy Center 2013 MUD BLUE SKY by Marisa Wegryzn Center Stage Baltimore 2013 THREE PLAYS (workshop) by Thomas Bradshaw Center Stage Baltimore 2013 MY AMERICA (Premiere Event) by Various Center Stage Baltimore 2012 THIS IS MY OFFICE (workshop) by Andy Bragen 24/7 Lab 2010 BAR JOKE (with Dylan McCullough) by S. Allingham (also adapted) Old American Can Factory 2010 OPEN THE DARK DOOR by David Nugent NY Music Theater Festival 2009 THE CHORUS OF LOST PLACES by Lynn Rosen The Women’s Project 2009 III: FUGUE STATES (with Connor Kalista) by C. Kalista and Cara Francis The Human Company 2009 VISITING DAY (workshop) by Andy Bragen Sewanee Writers Conference 2009 THE BOSS IN THE SATIN KIMONO by Blake Hackler New York Int’l Fringe Festival 2008 THE LACY PROJECT by Alena Smith Soho Think Tank Ice Factory 2007 TWO LITTLE ANGELS by Justin Deabler EST Youngblood 2007 THE DUCHESS OF MALFI by John Webster Studio 111 2007 LAYLA & MAJNUN (workshop) by Nastaran Ahmadi Lark Play Development Center 2006 TUESDAYS & SUNDAYS by Arnold & Hahn Woodstock Fringe 2005 INSIDE by Maeterlinck (also adapted) American Living Room 2003 MATCH OR SPOOKY ACTION by Stephanie Fleischmann Lincoln Center Director’s Lab 2002 VALKYRIE by Wagner (also adapted) Target Margin Theater Lab 2002 JOE WHYTE’S NEBRASKOBLIVION by Chris Conry I-80 Drama Co. -
Curriculum Vitae
Curriculum Vitae Elizabeth Mozer Assistant Professor of Theatre Binghamton University Department of Theatre, Fine Arts 127, PO Box 6000, Binghamton NY 13902-6000 917.703.5750 / [email protected] www.theatreintheflesh.net EDUCATION M.F.A. – Theatre: Performance Pedagogy 2012 University of Pittsburgh Thesis: “Embodied Acting – A Synthesis of the Actor Training Approaches of Sanford Meisner and Stepehen Wangh – An Original Course" Full Merit Scholarship and Teaching Assistantship, MFA Teaching Award Nominated for Elizabeth Baranger Excellence in Teaching Award Stephen Coleman, Holly Thuma, Bruce McConachie, Lisa Jackson-Schebetta B.A. – Dance (political science minor) 1982 S.U.N.Y. College at Brockport Summa Cum Laude, Rose Strasser Award (Service and Achievement) Anna Sokolow, Garth Fagan, Susannah Newman PROFESSIONAL ORGANIZATIONS Screen Actors Guild - American Federation of Television and Radio Artists Actors Equity Association American Guild of Variety Artists Association for Theatre in Higher Education Association of Theatre Movement Educators International Somatic Movement Education & Therapy Association Network of Ensemble Theatres AWARDS, FELLOWSHIPS AND HONORS Artist Space Grant - Stella Adler Studio of Acting Winter 2017 Conference Presentation Travel Grant - Binghamton University Summer 2017 Creator in Residence – Earthdance Fall 2016 Dean’s Research Semester Award - Binghamton University Fall 2016 Integrated Artist Fellowship - Association of Theatre Movement Educators Summer 2016 CV Mozer 1 Artist Space Grant - Stella Adler -
Regie Im Musical.Key
REGIE IM MUSICAL KONTEXT PROF. DR. DAVID ROESNER SOSE 2015 Einige allgemeine Merkmale I Einige allgemeine Merkmale II •„Das Musical“ gibt es natürlich genauso wenig wie „die Oper“ oder „das • Ökonomische Faktoren sind relativ gesehen stärker mit Drama“. Produktionsästhetik verknüpft als in anderen Gattungen. Lundskaer-Nielsen unterscheidet z.b. explizit zwischen „commercial and non-profit musicals“ • Die Geschichte der Musical-Regie wird vorwiegend in USA und GB geschrieben, die aber punktuell Impulse „europäischer“ Regie mit aufnehmen • Haupt-Genres des Musicals (nach L-N): (Brecht z.B.) •Musical comedy: Kiss me Kate, Guys and Dolls, Anything goes etc. • Regisseure sind vergleichsweise weniger prominent als z.B. im Theater. •Musical play: Show Boat, The Cradle Will Rock, South Pacific Einige Ausnahmen sind wegweisende Regisseure wie z.B. Trevor Nunn (Cats, •Concept musical: Company, Assasins, Avenue Q, Chorus Line Starlight Express), Nicholas Hytner (Miss Saigon), James Lapine (Sunday in the Park with George, Passion), Tina Landau (Floyd Collins), Sam Mendes •Musical drama „combine[s] the fundamental traditions of the Broadway (Assassins, Charlie and the Chocolate Factory) musical plays and concept musicals with dramaturgical and staging approaches from the developments in nonmusical drama“ (L-N, 7): • Lundskaer-Nielsen unterscheidet Musical Regisseure, die aus einer Cabaret, Sweeney Todd, Miss Saigon, Sunday in the Park with George) choreographischen Tradition kommen, von solchen, die vom Sprechtheater • Das Musical ist stets von einer intensiven Diskussion über „U und E“, bzw. stammen „highbrow“ und „lowbrow“ (siehe Savran 2009) begleitet. Mitchell vs. Deer: Regie aus Sicht der Einige allgemeine Merkmale III anglo-amerikanischen Handbücher • Harold Prince und das „Interwing theatre“ - sowohl Katie Mitchell, The Director’s Craft, 2008 (S. -
FOR IMMEDIATE RELEASE CONTACTS: November 21, 2014 Dafina Mcmillan [email protected] | 212-609-5955 Gus Schulenburg [email protected] | 212-609-5941
FOR IMMEDIATE RELEASE CONTACTS: November 21, 2014 Dafina McMillan [email protected] | 212-609-5955 Gus Schulenburg [email protected] | 212-609-5941 TCG Announces Top 25 Best-Selling Books of 2014 August: Osage County by Tracy Letts Tops List NEW YORK, NY – Theatre Communications Group (TCG) is excited to introduce the inaugural list of the year’s Top 25 Best-Selling Books published by the TCG Books program. Much in the same vein as the widely-anticipated American Theatre’s Top 10 Most-Produced Plays and the new American Theatre’s Top 20 Most-Produced Playwrights lists released annually in October, TCG is now happy to present the most-frequently purchased print and electronic copies of these books over the course of 2014. “The Top 25 Best-Selling Books list reveals the diversity of our publications, with perennial best- selling plays like Angels in America and Topdog/Underdog joined by training favorites like The Viewpoints Book, as well as new hits like the recent Pulitzer Prize-winning titles The Flick and Water by the Spoonful,” said Teresa Eyring, executive director of TCG. “We hope this list will spark conversation and prove a useful guide to educators, theatre-lovers and play-readers everywhere.” The 2014 Top 25 Best-Selling Books Published by TCG: 1. August: Osage County by Tracy Letts 2. Angels in America: A Gay Fantasia on National Themes by Tony Kushner 3. Doubt by John Patrick Shanley 4. The Flick by Annie Baker 5. Into the Woods by Stephen Sondheim and James Lapine 6. Topdog/Underdog by Suzan-Lori Parks 7. -
Past TRC Productions
TRINITY REPERTORY COMPANY 201 Washington Street, Providence, RI 02903 PAST PRODUCTIONS Counting seasons: In the official count of seasons (1st, 2nd, 3rd, etc.), it may have been decided in 1970 to not count 1963-64 as the first season. Or a mistake in a brochure may have never been caught until it was much too late. Subscription brochures for the 1969-70 Season and 1970-71 Season both refer to the upcoming season as the 7th Season. Brochures for the 1967-68 and 1968-69 Seasons refer to them respectively as the 5th and 6th Seasons, but a brochure for the 1965-66 Season refers to that as the “second full season.” During the 1963-64 Season, Trinity Players on the Square was not a fully professional company and there were no actual performances in 1963. 1964-65 was the first full season with Adrian Hall as artistic director and Equity contracts. The counting of the seasons proceeded consecutively from the second 7th Season. *World Premiere Production **American Premiere Production ***Pre-Season Productions + Booked-In, Rental, or Competition Winner Productions 1963-1964 Season • 1st Director Playwright Designers The Hostage Ira Zuckerman Brendan Behan Sets: Sandra Tilles Costumes: Joyce Anderson Lighting: Thomas J. Aubin Sound: Vincent Vessela The House of Bernarda Alba Ira Zuckerman Frederico Garcia Lorca Sets: Morris Nathanson Costumes: Sue Neely Lighting: Thomas J. Aubin and Catie Calvo Sound: Bud Peltier American Dream Adrian Hall Edward Albee Sets: Richard L. Peterson and Carl Ravenal Costumes: Edith Brown Lighting: Thomas J. Aubin and Catie Calvo Sound: Sandra Tilles Orpheus Descending Adrian Hall Tennessee Williams Costumes: Edith Brown Lighting: Thomas J. -
Flurry Tale, a Holiday Opera, Was Commissioned by American Opera Project’S Family Opera Initiative, and Presented at the Clarke Studio Theatre, NYC
CREATIVE TEAM RUSTY MAGEE COMPOSER was an accomplished composer and lyricist for theater, television, lm and commercials. He won the New York Outer Critics' Circle James Fleetwood Award for Moliere's Scapin, which was produced at CSC Repertory Theatre, Yale Repertory Theatre, and American Conservatory Theater. His full-length musical theatre work, The Green Heart, was presented at Variety Arts Theatre, produced by Manhattan Theatre Club. Flurry Tale, a holiday opera, was commissioned by American Opera Project’s Family Opera Initiative, and presented at the Clarke Studio Theatre, NYC. Other credits include music and lyrics for American Repertory Theatre’s Ubu Roi, Servant of Two Masters and Imaginary Invalid. Co-writer of The Czar of Rock and Roll (Houston's Alley Theater), and arranger for The House of Blue Leaves (Lincoln Center and Broadway.) His music has been featured on Comedy Central, Showtime, The Movie Channel, Nickelodeon and the Disney Channel. BILLY ARONSON LIBRETTIST has written plays produced by Playwrights Horizons, Ensemble Studio Theatre, Woolly Mammoth Theatre, and Welleet Harbor Actor's Theatre. Additional credits include original concept and lyrics for the hit musical Rent; Flurry Tale and Fireworks! for Family Opera Initiative; Cartoon Network, Children's Television Workshop (Sesame English and the Sesame Street home video), the Disney Channel, MTV, PBS, Nickelodeon, A&E International, The History Channel, and Comedy Central. Best American Short Plays 1992-1993, 1999-2000, and plays from the Woolly Mammoth. Aronson is a graduate of the Yale Drama School and Princeton University. GRETHE BARRETT HOLBY ORIGIN & DIRECTION has directed, choreographed, performed and collaborated on world premieres at The Kennedy Center, Lincoln Center Festival, Houston Grand Opera and La Scala.