DOCSLIB.ORG

The 52Nd Street Project Staff

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The 52Nd Street Project Staff SHOW PROGRAMS 2016 The 52nd Street Project gratefully acknowledges the support of the following foundations and corporations: Brenner Family Foundation; Cantor Fitzgerald; Bull’s Head Foundation; Carnegie Corporation of New York; CBS Foundation; City Winery; Common Sense Fund; Consolidated Edison; Dawkins Family Foundation; The Neil V. DeSena Foundation; Dramatists Guild Fund; Dubin Foundation; Educational Foundation of America; Evercore Partners; Harkness Foundation; HBO; Horace W. Goldsmith Foundation; I. Weiss; Jean & Louis Dreyfus Foundation; Kirkland & Ellis Foundation; Liquid Holdings Group; Ann M. Martin Foundation; Marusi Family Foundation; Newman’s Own; Ninth Avenue Association; PAR Group; Parsons Family Foundation; Pinkerton Foundation; Rockefeller Foundation; The Shubert Organization; Slate Path Capital; Harold & Mimi Steinberg Charitable Trust; Surdna Foundation; Susquehanna Foundation; Tax Pro Financial Network; Tiger Baron Foundation; United Talent Agency; Yorke Construction Corp; ZenithOptimedia. (List current as of 7/1/14) Robert Abrams Penelope Collins Sarah Horowitz Sue Phillips & Cynthia Vance Judith-Ann Corrente & David Venarde Todd Poisson George Ackert Janet Coviello Andrea Johnson Suzanne Poulin Michael Alicastro William Crudup Beth Ifcher Helaine & Michael Pruzan Elton Andrews Kyle Czepiel Carine Joannou Christopher Randolph Richard Anthony Arthur Dantchik Kristen Johanson Helen & Peter Randolph Cecilia Arana Cathy Dantchik Andrea Johnson Jacquelyn Reingold Emily Armstrong Leslie Dantchik Cindy Kaplan & David Froelich Anita A. Rogerson James Armstrong Peter & Judith Dawkins Valerie Kay & Bruce Graham David Ross & Laura Ross Dominick & Ilene Balletta Carolyn & Neil DeSena Louise Klebanoff Dr. Steve Rudin Becky Ann & Dylan Baker Rebecca & Richard Dresser Henry Krieger & Robert Joy Laura Sametz & Anton Fig Ken Bantum Peter Doyle Jacki Ochs & Jan Kroeze Karin & Thomas Schall Carolyn Bechtel Max Dyksterhouse Judy Kuhn & David Schwab Maury Schott Lisa Benavides & David Roady Frances & Fred Langbecker Susan Schroeder & Tim Blake Nelson Doug Eisenberg Gabrielle Lansner & Britt Adams Louisa Benton Lynn Ellenberg & Dean Taucher Whitney Scott Gavin Berger Nora Ephron Brian Lapin & Peter Jacobson & Craig Berggren & Nicholas Pileggi Michael Lawrence Meg Simon Stephanie Berger & Paul King Peter Jay Fernandez & Glen Gillen Chirstopher Solomon Beth & Eric Berman & Denise Burse Fernandez Warren Leight & Karen Hauser Jonathan Soros David Beth Liz Flahive & Jeff Cox Mickey Lemle & Jennifer Soros Lewis Black Wendy Flanagan Jonathan Levine Jenny & Jon Steingart Emily Blavatnik & Chris O’Malley Helen Levy Tracy Straus Allison Blinken Karen & Paul Freitas Melissa Liebling-Goldberg Danny Strong Noah Bogan Sally Froelich & John Barrett Al Styron & Ed Beason Jane Bolster Alexandra Garrison Kay M. Lim Susanna Styron & Steve Wertimer Beverly Gasner Adrianne Lobel Richard Sweren Buzz Bovshow Rose Gasner & Larry Chertoff John Lynch Lili Taylor Blaise R. Box Celia Gerard & Mark McGrath Grace Lyu-Volckhausen Lisa Tilney & Chris Lawrence Becky Browder Christina Gerber Julie & Alex Margolies Merritt Tilney & Douglas Kaden & Ted Neustadt Freddie & Myrna Gershon Ali Marsh Lorraine Tobias & Alex Draper Carlton T. Brown Jenny Gersten & Willie Reale Lin Manuel Miranda Liz Tuccillo Iris A. Brown & Joe White Alexandra Gersten-Vassilaros Frances McDormand Laura Valeroso Justin Brownhill & John Vassilaros & Joel Coen & David Seidman Brian Byrnes Scott Aaron Gewirtz Emily & John Morgan Wendy vanden Heuvel Shawn & Laura Byron & Laura Gewirtz Amanda & Neal Moszkowski & Brad Coley Joseph Capozzi Elizabeth Giamatti Suzen Murakoshi Susan J. Vitucci Leah Carr Robert Goldberg & Mark Temme Mary Pat Walsh Lawrence Catena & Betsy MacIsaac Fred Nelson Dr. Mildred Walton Chris Ceraso Stephen & Cathy Graham Randy & Rona Nelson Brenda Wehle & John C. Lynch Rachel Chanoff Jan Gura & Alan Pickman Ruth Nelson Carol Whitesides Todd Christie Susan Hanson Lori O’Connor Zee Wiener Damien Clancy Jessica Hecht Carol Ochs & Bruce MacVittie Ruth Ann Wynter Matthew Clancy & Adam Bernstein Jacki Ochs & Jan Kroeze J.P. Xenakis Katie Clark Kathy & Jamie Herring Kevin O’Rourke Carole Yass Elizabeth Clemants Peter Herdrich & Karen Trott & Edith Thurber Yildiz Yuksek David Cohen William Holtzman Jane Perlmutter & Richard Blackstone & Sandra Novak Cohen & S. Sylvia Shepard & Greg MacPherson Connie & Marc Zand Larry Cohen Mary Horowitz Elizabeth Peters THE NICK OF TIME: THE PUNCTUAL PLAYS The 2016 Two-on-Twos - Jan. 29-31, Five Angels Theater COOL STUFF ON SALE IN THE LOBBY! Fabulous Flyer Bars ........................................ $2.50 The 52nd Street Project Staff and featuring Shel Silverstein’s “Fivey and Twoey” logo: Gus Rogerson, Artistic Director Carol Ochs, Executive Director Project Hoodies ............................................ $30.00 Natalie Hirsch, John Sheehy, Project Caps ................................................ $20.00 Associate Artistic Director Director of Development & Marketing Molly Coogan, Development Associate Project T-shirts .................................$12.00/$20.00 Garrett Kim, Program Director Liz Bell, Director of Education Project Mugs.................................................. $5.00 George Babiak, Production Manager Johanna Vidal*, Community Coordinator Project Notebook ........................................... $5.00 Tim J. Lord, Technical Director Jennifer Jimenez*, Day Receptionist Project Pencil 3-pack ......................................$1.00 *Alumnae of The 52nd Street Project Consultants: Iris A. Brown, Graphic Designer; Chris Ceraso, Teen Dean Thank you for coming to THE NICK OF TIME. If you are not on our mailing list, Interns: you can join on-line at www.52project.org. If you’re interested in being a volun- Valerie Maybaum, Charles Pisano, Amanda Tralle teer, fill out the form below and hand it to one of our staffers in the lobby. Teen Employees: Receptionists: Maria Martinez, Chayse Peña, Britney Trinidad PLEASE PUT ME ON YOUR LIST: 1/16 Ushers: Britney Trinidad, Maria Martinez, Chayse Peña, and Richard Brea __________________________________________________________________ NAME ____________________________________________________________________________ “THE NICK OF TIME” Production Staff ADDRESS ________________________________ __________________________ ____________________ Composer/Music Director Props city state ZIP Patrick Barnes George Babiak __________________________________________________________________________________ Set Designer Backstage Crew HOME PHONE Kevin Joseph Roach Valerie Maybaum, _________________________________________ _______________________________________ Lighting Designer Charles Pisano, daytime OR MOBILE phone E-MAIL ADDRESS _________________________________________ ____________________________________ Greg McPherson Karen Tineo, MY occupation my HOBBIES Costume Designer Amanda Tralle Jennifer Kirschman Chefs WANT TO BE GREEN AND SAVE THE PROJECT MONEY ON POstaGE? Sound Designer John Sheehy and Liz Bell CHECK THIS BOX TO RECEIVE OUR NOTICES EXCLUSIVELY VIA E-MAIL. Sam Barickman Nyack Weekend-away Hosts Stage Manager Susanna Styron, YES, I WOULD LIKE to BE OF HELP. I CAN: ❏ Help load in and out for shows ❏ Draw and/or paint ❏ Help kids with homework Preeti Nath Wendy vanden Heuvel, ❏ Hang lights ❏ Help with mailings ❏ Teach kids a skill Projection Design: John-Paul Newport and Polly King, ❏ Work on a backstage crew ❏ Do office work ❏ Be a chef at an event George Babiak and and Patricia Kahn ❏ Do graphic design ❏ Design sound ❏ Design and sew costumes The Project Slide Archive ❏ Other (please specify)_______________________________________________________________ MY SCHEDULE IS: ❏ Very flexible. I’m often available during weekdays. ❏ Somewhat flexible. I can help on the occasional morning or afternoon during the week. ❏ Not very flexible at all, but I’ve got some free time on evenings and weekends. The Two-on-Two Program is made possible with public funds from The New York State Council If you would like to mail this (and you’re always welcome to enclose a tax-deductible contribution), you on the Arts, a state agency, and the New York City Department of Cultural Affairs. The 52nd Street can send it to: The 52nd Street Project, 789 10th Avenue, New York, NY 10019. Or fax it to (212) 333- Project is a member of Art/NY and Theatre Communications Group (TCG), the national organization 5598. for the American theatre. The 52nd Street Project Board of Directors THE ANNUAL BENEFIT IS COMING! Lisa Benavides Frances McDormand Rachel Chanoff Noël Mihalow Cathy Dantchik, co-chair Carol Ochs Carolyn DeSena Willie Reale, founder Wendy Ettinger, chair emeritus Gus Rogerson Louis P. Friedman, co-chair Shirley Rumierk, alumni member Alexandra Garrison Alex Gersten-Vassilaros José Soto, Jr., alumni member Robert Goldberg Merritt Tilney Stephen Graham, chair emeritus Wendy vanden Heuvel Valerie Kay Mark Whatley What’s Going On Here? The 52nd Street Project is a non-profit organization that brings children from the Hell’s Kitchen neighborhood together with professional theater artists to cre- ate original theater. THE NICK OF TIME is a production of our Two-on-Two’s program, in which an adult playwright crafts a piece for a pair of 52nd Street Project kids to perform. Another adult directs the kids for a month that includes an intensive three-day weekend in upstate New York. Tonight’s performance is the final result. In-Kind Contributions Abbeville Press; abc cocina; Alvin Ailey American Dance
Load more

Recommended publications
  • Show Programs
    ~ 52ND STREET PROJECT SHOW PROGRAMS 1996-2000 r JJj!J~f~Fffr!JFIEJ!fJE~JJf~fJ!iJrJtrJffffllj'friJfJj[IlJ'JiJJif~ i i fiiii 1 t!~~~~fi Jf~[fi~~~r~j (rjl 1 rjfi{Jij(fr; 1 !liirl~iJJ[~JJJf J Jl rJ I frJf' I j tlti I ''f '!j!Udfl r r.~~~.tJI i ~Hi 'fH '~ r !!'!f'il~ [ Uffllfr:pllfr!l(f[J'l!'Jlfl! U!! ~~frh:t- G 1 1 lr iJ!•f Hlih rfiJ aflfiJ'jrti lf!liJhi!rHdiHIIf!ff tl~![i!r~~ r ' ~ fjl r J' i r J i rf rf UJi[r'J f ~~ lfiJJ'J!(f r f I l f ji.EJ ,. J I f 1 t J r •Jl rrJ1 ~ l !JfJrf!f~!fl~lrJr!f'illfJ!rJrJfrJFf!fJI''IfJflf~'fJjl~rEJ!i 1 f,.JI f t'lflii'i!!'!'l!~f 1!r'jfrfij'~iffrfl' ~J!!1 f; 1 !~fJKri fi'IJaiJ,.Jr1 f; ~ r' u r r ~ Jf · ~ If rt ifl l• I ;f ' i t f,.fJittr 1J f t J ( .. t; J i' ' r r~ f JrlHrJ,.( ~~l[f!rfJ!rft:!fl[(lflrf~ff !jjl fjiJi'IJff'l!f'Jf!J!f!~{Jf !~jJljfj iUrf! ·• ih1;r r'H'i!r~ ;nr · ~ J' rr~1 H .. ~f'!~rr~tr 1 ift(JJ~r ; r ' i n Ef J i F r ~ 1ft, ' J F rJ~'fiU ~ t l f r IdJiuJ • • • • . • • •• • • i. • . • o · .. /J.. ., . {~~ • • • • ..f • . ;'* tOWS'. ' . e l =- '" ...... - ..-~ • • s • • • ..l • . •. • .. .. ..._• • ··.e: • : • = • .._:r ·. ·· .& ~ !r ......._ -teffAIITH • • ....~ --~·L~ ." - .- IS~~:~ ! . ·. • .. .. g c: I _: ·· ..!! .' • ... "A .. J!\aA.-!, I t C! 5' ·.
    [Show full text]
  • Flurry Tale, a Holiday Opera, Was Commissioned by American Opera Project’S Family Opera Initiative, and Presented at the Clarke Studio Theatre, NYC
    CREATIVE TEAM RUSTY MAGEE COMPOSER was an accomplished composer and lyricist for theater, television, lm and commercials. He won the New York Outer Critics' Circle James Fleetwood Award for Moliere's Scapin, which was produced at CSC Repertory Theatre, Yale Repertory Theatre, and American Conservatory Theater. His full-length musical theatre work, The Green Heart, was presented at Variety Arts Theatre, produced by Manhattan Theatre Club. Flurry Tale, a holiday opera, was commissioned by American Opera Project’s Family Opera Initiative, and presented at the Clarke Studio Theatre, NYC. Other credits include music and lyrics for American Repertory Theatre’s Ubu Roi, Servant of Two Masters and Imaginary Invalid. Co-writer of The Czar of Rock and Roll (Houston's Alley Theater), and arranger for The House of Blue Leaves (Lincoln Center and Broadway.) His music has been featured on Comedy Central, Showtime, The Movie Channel, Nickelodeon and the Disney Channel. BILLY ARONSON LIBRETTIST has written plays produced by Playwrights Horizons, Ensemble Studio Theatre, Woolly Mammoth Theatre, and Welleet Harbor Actor's Theatre. Additional credits include original concept and lyrics for the hit musical Rent; Flurry Tale and Fireworks! for Family Opera Initiative; Cartoon Network, Children's Television Workshop (Sesame English and the Sesame Street home video), the Disney Channel, MTV, PBS, Nickelodeon, A&E International, The History Channel, and Comedy Central. Best American Short Plays 1992-1993, 1999-2000, and plays from the Woolly Mammoth. Aronson is a graduate of the Yale Drama School and Princeton University. GRETHE BARRETT HOLBY ORIGIN & DIRECTION has directed, choreographed, performed and collaborated on world premieres at The Kennedy Center, Lincoln Center Festival, Houston Grand Opera and La Scala.
    [Show full text]
  • Become a Season Member! Paid 17 N
    PRSRT STD U.S. POSTAGE BECOME A SEASON MEMBER! PAID 17 N. STATE, SUITE 810 CHICAGO, ILLINOIS 60602 CAROL STREAM, IL SIX SHOWS FOR AS LOW AS $120 PERMIT #1369 ORDER ONLINE OR BY PHONE! BROADWAYINCHICAGO.COM • SUBSCRIPTION 312.977.1717 CONNECT WITH US ONLINE AT GROUPS 312.977.1710 • SINGLE TICKETS 800.775.2000 BROADWAYINCHICAGO.COM/SOCIAL WORLD PREMIERE WORLD PRE-BROADWAY PRE-BROADWAY SEASON SHOW SEASON SHOW PHOTOS: MATTHEW MURPHY PHOTOS: MATTHEW MARCH 8 - 20, 2016 The quintessential backstage musical comedy classic, 42ND STREET is the song-and-dance fable of Broadway with an American Dream story and includes some of the greatest songs ever written, such as “We’re In The Money,” “Lullaby of Broadway,” “Shuffle Off To Buffalo,” “Dames,” “I Only Have Eyes For You” and of course “42nd Street.” Based on a novel by Bradford Ropes and Busby Berkeley’s 1933 movie, 42ND STREET tells the story of a starry-eyed young dancer named Peggy Sawyer who leaves her Allentown home and comes to New York to audition for the new Broadway musical Pretty Lady. When the leading lady breaks her ankle, Peggy takes over and becomes a star. With a book by Michael Stewart and Mark Bramble, music by Harry Warren and lyrics by Al Dubin, this sparkling new production will be directed by co-author Mark Bramble and choreographed by Randy Skinner, the team who Written by staged the 2001 Tony Award®-winning Best Musical Revival. WOODY ALLEN Based on the Screenplay of the Film BULLETS OVER BROADWAY by “OLD-FASHIONED, LAVISH Woody Allen and Douglas McGrath Original Direction and Choreography by SHOWMANSHIP.” —VARIETY SUSAN STROMAN APRIL 19 – MAY 1, 2016 PHOTO: CHRIS BENNION Hailed by Time Magazine as, “Musical Theatre Gold!,” BULLETS OVER BROADWAY is the hilarious musical comedy about the making of a Broadway show.
    [Show full text]
  • Proquest Dissertations
    The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater Item Type text; Thesis-Reproduction (electronic) Authors Gordon, Wendy A. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 05:54:33 Link to Item http://hdl.handle.net/10150/292018 THE MARRIAGE OF MUSICAL THEATER AND THE AVANT-GARDE: THE MUSICAL THEATER OF TINA LANDAU AS EXPERIMENTAL THEATER by Wendy Ann Gordon Copyright © Wendy Ann Gordon A Thesis Submitted to the Faculty of the SCHOOL OF THEATRE ARTS In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2003 UMI Number: 1422479 Copyright 2004 by Gordon, Wendy Ann All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 1422479 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code.
    [Show full text]
  • Download Judy's Resume
    JUDY KUHN AEA SAG-AFTRA www.judykuhn.net Artists & Representatives Jeff Berger Management 630 Ninth Ave., Suite 220 301 W. 53rd St #10J New York, NY 10011 New York, NY 10019 (212) 505-1400 (212) 586-4978 Broadway Fiddler On The Roof Golde Dir. Bartlett Sher Fun Home (Tony, Drama League Noms) Helen Bechdel Dir. Sam Gold She Loves Me (Tony Nom) Amalia Dir. Scott Ellis/Roundabout Two Shakespearean Actors Miss Helen Burton Dir.Jack O’Brian/LCT Chess (Tony, Drama League Noms) Florence Dir. Trevor Nunn Les Miserables (Tony, Drama League Noms) Cossette Dirs. Tevor Nunn & John Caird Rags (Drama Desk Nom) Bella Dir. Gene Saks King David Michal Dir. Mike Ockrent The Mystery of Edwin Drood Ensemble/Rosa Dir. Wilford Leach/NYSF Drood u/s Off Broadway, London & Regional Fiddler on the Roof (London-Olivier Award Nom) Golde Dir. Trevor Nunn Fun Home (Lucille Lortel Award, OCC Nom) Helen Bechdel Dir. Sam Gold/ Public Theater The Visit Mathilde Dir.John Doyle/ Williamstown TF Passion (Drama League Award Nom) Fosca Dir. John Doyle/Classic Stage Co The Cradle Will Rock Sadie/Editor Daily Dir. Sam Gold/Encores! The Three Sisters Olga Dir. Bartlett Sher/Intiman Theater Passion Fosca Dir. Eric Schaeffer/ Kennedy Center The Ballad of Little Jo(Joseph Jeff Award Nom) Jo Dir. Tina Landau/ Steppenwolf Eli’ Comin’ (Obie Award) Emmie Dir. Diane Paulus/ Vineyard Theatre Dream True Madge Dir.Tina Landau/ Vineyard Theatre As Thousands Cheer Multiple roles Dir. Christopher Ashley/Drama Dept. Sunset Boulevard Betty Shaeffer Dir.Trevor Nunn/Los Angeles Metropolis (Laurence Olivier Award Nom) Maria/Futura Dir.
    [Show full text]
  • Allison Leyton Allison Leyton-Brown
    Allison Leyton-Brown M.F.A., Tisch School of the Arts, NYU – Music Theatre Writing Program (Composition) B.F.A., Concordia University, Montréal – Interdisciplinary Fine Arts F I L M / T V S C O R E S . Episode score and songs for Peg + Cat for PBS. 2013 . Misc. music for 20/20, The Good Wife, Primetime, Good Morning America, ABC’s What Would You Do?, Nightline, Katie, The Nate Berkus Show, etc. Staff writer for 4 Elements Music. ’10 – present. The Bicycle (13 min.) Dramatic short. NY Film Festival, dir. Kari Riely. ’13. Rainy Season (25 min.) Documentary film. Screenings across the US and Europe, dir. Joan Widdenfield. ’11. Meet My Boyfriend (12 min.) Comedy short, dir. J. Ruocco, Manhattan Film Fest. ’11. Little Miss Perfect (series) for WE Network.’09 – ’10. The Cooking Loft (theme) for The Food Network. ’08. Custody (90 min.) Television film for Lifetime TV Network. Score selections. ’07. Millions: A Lottery Story (101 min) Documentary feature, dir. Paul LaBlanc, Palm Beach International Film Fest. Official Selection.’07. Head Case (85 min) Dark comedy feature, dir. M. Wakefield, Rio de Janeiro MIX Festival ’05 & New York City MIX Fest.’03. History of the Movies (1 min) dir. S. Donsky, Coca Cola Young Directors’ Competition National Finalist.’04. The Rest (10 min) dir. D. Franco, RIP Fest. NYC ’03. Dog’s Life (90 min) Dramatic feature, dir. J. Knapich, Telluride Film Festival, Brooklyn Underground Film Fest. ’02. T H E A T R E S C O R E S The Narrowing; recorded instrumental score for 2 pianos, cello & violin, produced by Archipelago Theatre, NC.
    [Show full text]
  • Susanna Gellert 817 Powers Street, Baltimore, MD 21211 • 110 Riverside Drive (Apt 14A), NY, NY 10024 • 646-319-4051 • [email protected]
    Susanna Gellert 817 Powers Street, Baltimore, MD 21211 • 110 Riverside Drive (apt 14A), NY, NY 10024 www.wingspace.com/susanna • 646-319-4051 • [email protected] PROFESSIONAL DIRECTING CRIMES OF THE HEART by Beth Henley Everyman Theatre 2014 THE CLAIRE PLAY by Reina Hardy NNPN/ The Kennedy Center 2013 MUD BLUE SKY by Marisa Wegryzn Center Stage Baltimore 2013 THREE PLAYS (workshop) by Thomas Bradshaw Center Stage Baltimore 2013 MY AMERICA (Premiere Event) by Various Center Stage Baltimore 2012 THIS IS MY OFFICE (workshop) by Andy Bragen 24/7 Lab 2010 BAR JOKE (with Dylan McCullough) by S. Allingham (also adapted) Old American Can Factory 2010 OPEN THE DARK DOOR by David Nugent NY Music Theater Festival 2009 THE CHORUS OF LOST PLACES by Lynn Rosen The Women’s Project 2009 III: FUGUE STATES (with Connor Kalista) by C. Kalista and Cara Francis The Human Company 2009 VISITING DAY (workshop) by Andy Bragen Sewanee Writers Conference 2009 THE BOSS IN THE SATIN KIMONO by Blake Hackler New York Int’l Fringe Festival 2008 THE LACY PROJECT by Alena Smith Soho Think Tank Ice Factory 2007 TWO LITTLE ANGELS by Justin Deabler EST Youngblood 2007 THE DUCHESS OF MALFI by John Webster Studio 111 2007 LAYLA & MAJNUN (workshop) by Nastaran Ahmadi Lark Play Development Center 2006 TUESDAYS & SUNDAYS by Arnold & Hahn Woodstock Fringe 2005 INSIDE by Maeterlinck (also adapted) American Living Room 2003 MATCH OR SPOOKY ACTION by Stephanie Fleischmann Lincoln Center Director’s Lab 2002 VALKYRIE by Wagner (also adapted) Target Margin Theater Lab 2002 JOE WHYTE’S NEBRASKOBLIVION by Chris Conry I-80 Drama Co.
    [Show full text]
  • Curriculum Vitae
    Curriculum Vitae Elizabeth Mozer Assistant Professor of Theatre Binghamton University Department of Theatre, Fine Arts 127, PO Box 6000, Binghamton NY 13902-6000 917.703.5750 / [email protected] www.theatreintheflesh.net EDUCATION M.F.A. – Theatre: Performance Pedagogy 2012 University of Pittsburgh Thesis: “Embodied Acting – A Synthesis of the Actor Training Approaches of Sanford Meisner and Stepehen Wangh – An Original Course" Full Merit Scholarship and Teaching Assistantship, MFA Teaching Award Nominated for Elizabeth Baranger Excellence in Teaching Award Stephen Coleman, Holly Thuma, Bruce McConachie, Lisa Jackson-Schebetta B.A. – Dance (political science minor) 1982 S.U.N.Y. College at Brockport Summa Cum Laude, Rose Strasser Award (Service and Achievement) Anna Sokolow, Garth Fagan, Susannah Newman PROFESSIONAL ORGANIZATIONS Screen Actors Guild - American Federation of Television and Radio Artists Actors Equity Association American Guild of Variety Artists Association for Theatre in Higher Education Association of Theatre Movement Educators International Somatic Movement Education & Therapy Association Network of Ensemble Theatres AWARDS, FELLOWSHIPS AND HONORS Artist Space Grant - Stella Adler Studio of Acting Winter 2017 Conference Presentation Travel Grant - Binghamton University Summer 2017 Creator in Residence – Earthdance Fall 2016 Dean’s Research Semester Award - Binghamton University Fall 2016 Integrated Artist Fellowship - Association of Theatre Movement Educators Summer 2016 CV Mozer 1 Artist Space Grant - Stella Adler
    [Show full text]
  • Regie Im Musical.Key
    REGIE IM MUSICAL KONTEXT PROF. DR. DAVID ROESNER SOSE 2015 Einige allgemeine Merkmale I Einige allgemeine Merkmale II •„Das Musical“ gibt es natürlich genauso wenig wie „die Oper“ oder „das • Ökonomische Faktoren sind relativ gesehen stärker mit Drama“. Produktionsästhetik verknüpft als in anderen Gattungen. Lundskaer-Nielsen unterscheidet z.b. explizit zwischen „commercial and non-profit musicals“ • Die Geschichte der Musical-Regie wird vorwiegend in USA und GB geschrieben, die aber punktuell Impulse „europäischer“ Regie mit aufnehmen • Haupt-Genres des Musicals (nach L-N): (Brecht z.B.) •Musical comedy: Kiss me Kate, Guys and Dolls, Anything goes etc. • Regisseure sind vergleichsweise weniger prominent als z.B. im Theater. •Musical play: Show Boat, The Cradle Will Rock, South Pacific Einige Ausnahmen sind wegweisende Regisseure wie z.B. Trevor Nunn (Cats, •Concept musical: Company, Assasins, Avenue Q, Chorus Line Starlight Express), Nicholas Hytner (Miss Saigon), James Lapine (Sunday in the Park with George, Passion), Tina Landau (Floyd Collins), Sam Mendes •Musical drama „combine[s] the fundamental traditions of the Broadway (Assassins, Charlie and the Chocolate Factory) musical plays and concept musicals with dramaturgical and staging approaches from the developments in nonmusical drama“ (L-N, 7): • Lundskaer-Nielsen unterscheidet Musical Regisseure, die aus einer Cabaret, Sweeney Todd, Miss Saigon, Sunday in the Park with George) choreographischen Tradition kommen, von solchen, die vom Sprechtheater • Das Musical ist stets von einer intensiven Diskussion über „U und E“, bzw. stammen „highbrow“ und „lowbrow“ (siehe Savran 2009) begleitet. Mitchell vs. Deer: Regie aus Sicht der Einige allgemeine Merkmale III anglo-amerikanischen Handbücher • Harold Prince und das „Interwing theatre“ - sowohl Katie Mitchell, The Director’s Craft, 2008 (S.
    [Show full text]
  • FOR IMMEDIATE RELEASE CONTACTS: November 21, 2014 Dafina Mcmillan [email protected] | 212-609-5955 Gus Schulenburg [email protected] | 212-609-5941
    FOR IMMEDIATE RELEASE CONTACTS: November 21, 2014 Dafina McMillan [email protected] | 212-609-5955 Gus Schulenburg [email protected] | 212-609-5941 TCG Announces Top 25 Best-Selling Books of 2014 August: Osage County by Tracy Letts Tops List NEW YORK, NY – Theatre Communications Group (TCG) is excited to introduce the inaugural list of the year’s Top 25 Best-Selling Books published by the TCG Books program. Much in the same vein as the widely-anticipated American Theatre’s Top 10 Most-Produced Plays and the new American Theatre’s Top 20 Most-Produced Playwrights lists released annually in October, TCG is now happy to present the most-frequently purchased print and electronic copies of these books over the course of 2014. “The Top 25 Best-Selling Books list reveals the diversity of our publications, with perennial best- selling plays like Angels in America and Topdog/Underdog joined by training favorites like The Viewpoints Book, as well as new hits like the recent Pulitzer Prize-winning titles The Flick and Water by the Spoonful,” said Teresa Eyring, executive director of TCG. “We hope this list will spark conversation and prove a useful guide to educators, theatre-lovers and play-readers everywhere.” The 2014 Top 25 Best-Selling Books Published by TCG: 1. August: Osage County by Tracy Letts 2. Angels in America: A Gay Fantasia on National Themes by Tony Kushner 3. Doubt by John Patrick Shanley 4. The Flick by Annie Baker 5. Into the Woods by Stephen Sondheim and James Lapine 6. Topdog/Underdog by Suzan-Lori Parks 7.
    [Show full text]
  • Past TRC Productions
    TRINITY REPERTORY COMPANY 201 Washington Street, Providence, RI 02903 PAST PRODUCTIONS Counting seasons: In the official count of seasons (1st, 2nd, 3rd, etc.), it may have been decided in 1970 to not count 1963-64 as the first season. Or a mistake in a brochure may have never been caught until it was much too late. Subscription brochures for the 1969-70 Season and 1970-71 Season both refer to the upcoming season as the 7th Season. Brochures for the 1967-68 and 1968-69 Seasons refer to them respectively as the 5th and 6th Seasons, but a brochure for the 1965-66 Season refers to that as the “second full season.” During the 1963-64 Season, Trinity Players on the Square was not a fully professional company and there were no actual performances in 1963. 1964-65 was the first full season with Adrian Hall as artistic director and Equity contracts. The counting of the seasons proceeded consecutively from the second 7th Season. *World Premiere Production **American Premiere Production ***Pre-Season Productions + Booked-In, Rental, or Competition Winner Productions 1963-1964 Season • 1st Director Playwright Designers The Hostage Ira Zuckerman Brendan Behan Sets: Sandra Tilles Costumes: Joyce Anderson Lighting: Thomas J. Aubin Sound: Vincent Vessela The House of Bernarda Alba Ira Zuckerman Frederico Garcia Lorca Sets: Morris Nathanson Costumes: Sue Neely Lighting: Thomas J. Aubin and Catie Calvo Sound: Bud Peltier American Dream Adrian Hall Edward Albee Sets: Richard L. Peterson and Carl Ravenal Costumes: Edith Brown Lighting: Thomas J. Aubin and Catie Calvo Sound: Sandra Tilles Orpheus Descending Adrian Hall Tennessee Williams Costumes: Edith Brown Lighting: Thomas J.
    [Show full text]
  • Flurry Tale, a Holiday Opera, Was Commissioned by American Opera Project’S Family Opera Initiative, and Presented at the Clarke Studio Theatre, NYC
    CREATIVE TEAM RUSTY MAGEE COMPOSER was an accomplished composer and lyricist for theater, television, lm and commercials. He won the New York Outer Critics' Circle James Fleetwood Award for Moliere's Scapin, which was produced at CSC Repertory Theatre, Yale Repertory Theatre, and American Conservatory Theater. His full-length musical theatre work, The Green Heart, was presented at Variety Arts Theatre, produced by Manhattan Theatre Club. Flurry Tale, a holiday opera, was commissioned by American Opera Project’s Family Opera Initiative, and presented at the Clarke Studio Theatre, NYC. Other credits include music and lyrics for American Repertory Theatre’s Ubu Roi, Servant of Two Masters and Imaginary Invalid. Co-writer of The Czar of Rock and Roll (Houston's Alley Theater), and arranger for The House of Blue Leaves (Lincoln Center and Broadway.) His music has been featured on Comedy Central, Showtime, The Movie Channel, Nickelodeon and the Disney Channel. BILLY ARONSON LIBRETTIST has written plays produced by Playwrights Horizons, Ensemble Studio Theatre, Woolly Mammoth Theatre, and Welleet Harbor Actor's Theatre. Additional credits include original concept and lyrics for the hit musical Rent; Flurry Tale and Fireworks! for Family Opera Initiative; Cartoon Network, Children's Television Workshop (Sesame English and the Sesame Street home video), the Disney Channel, MTV, PBS, Nickelodeon, A&E International, The History Channel, and Comedy Central. Best American Short Plays 1992-1993, 1999-2000, and plays from the Woolly Mammoth. Aronson is a graduate of the Yale Drama School and Princeton University. GRETHE BARRETT HOLBY ORIGIN & DIRECTION has directed, choreographed, performed and collaborated on world premieres at The Kennedy Center, Lincoln Center Festival, Houston Grand Opera and La Scala.
    [Show full text]