Taoist Song of Rootless Tree: Annotation and Translation Jianan Liu International Education College of Zhejiang University, China [email protected]
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The Historical Origin of the Chinese Taoist and Tai Chi
DOI: 10.7763/IPEDR. 2012. V58. 25 The Historical Origin of the Chinese Taoist and Tai Chi Jian-sheng Wen1and Min Su Department of Physical Education of Northwestern Polytechnical University, ShaanxiXi´an, 710072 Abstract. Chinese martial arts and Taoism has a long historical origin, this article reveals that the formation of tai chi means traditional Chinese Taoist culture having a clear external expression form, at the same time having bidirectional authentication method (inward regimen validated and outward fighting verified). When Chinese Taoists to Zhang Sanfeng, Inner life cultivation and life formed holographic deduction in the universe had been completed. Marking the Taoist introverted experience practicing was already clear and maturation. But the Taoist within the practice also needs external practicing avenue and intuitive form. Finally in the right historical period, Taoism and the martial art met. Keywords: Taoism, Chinese Martial Art, Tai Chi, Life Cultivation, Zhang San-feng. 1. Introduction Yang style, etc. every style tai chi respects Zhang San feng for the founder. Either from tai chi name or from the statue of the founder, Taoist and tai chi both have a deeply historical origin,and means that The two value orientations are convergence. In modern times, many tai chi practitioners, tai chi has become one of the world's most widespread categories of traditional Chinese culture. People can generally feel the the Taoist culture behind it, but the Taoist culture system is still to make people feel mysterious. What the intrinsic link is between the two? Whether can have a glimpse of the true face of the Taoist culture through tai chi? This article reveals that the formation of tai chi means traditional Chinese Taoist culture having a clear external expression form, at the same time having bidirectional authentication method (inward regimen validated and outward fighting verified). -
Download Heroic Grace: the Chinese Martial Arts Film Catalog (PDF)
UCLA Film and Television Archive Hong Kong Economic and Trade Office in San Francisco HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Front and inside cover: Lau Kar-fai (Gordon Liu Jiahui) in THE 36TH CHAMBER OF SHAOLIN (SHAOLIN SANSHILIU FANG ) present HEROIC GRACE: THE CHINESE MARTIAL ARTS FILM February 28 - March 16, 2003 Los Angeles Heroic Grace: The Chinese Martial Arts Film catalog (2003) is a publication of the UCLA Film and Television Archive, Los Angeles, USA. Editors: David Chute (Essay Section) Cheng-Sim Lim (Film Notes & Other Sections) Designer: Anne Coates Printed in Los Angeles by Foundation Press ii CONTENTS From the Presenter Tim Kittleson iv From the Presenting Sponsor Annie Tang v From the Chairman John Woo vi Acknowledgments vii Leaping into the Jiang Hu Cheng-Sim Lim 1 A Note on the Romanization of Chinese 3 ESSAYS Introduction David Chute 5 How to Watch a Martial Arts Movie David Bordwell 9 From Page to Screen: A Brief History of Wuxia Fiction Sam Ho 13 The Book, the Goddess and the Hero: Sexual Bérénice Reynaud 18 Aesthetics in the Chinese Martial Arts Film Crouching Tiger, Hidden Dragon—Passing Fad Stephen Teo 23 or Global Phenomenon? Selected Bibliography 27 FILM NOTES 31-49 PROGRAM INFORMATION Screening Schedule 51 Print & Tape Sources 52 UCLA Staff 53 iii FROM THE PRESENTER Heroic Grace: The Chinese Martial Arts Film ranks among the most ambitious programs mounted by the UCLA Film and Television Archive, taking five years to organize by our dedicated and intrepid Public Programming staff. -
Yi Tian Tu Long Ji
Unedited Version Yi Tian Tu Long Ji (Heavenly Sword Dragon Slaying Saber) by Jin Yong Translators: Athena, Meh, Faerie Queen, Huang Yushi, SmokeyTheBear, Qiu Shuyi, Efflix, Hugh (aka IcyFox), Huang Rong, Frans Soetomo Editors: Han Solo Elif Kaya Disclaimer This work is an unofficial fan translation of Jin Yong’s Yi Tian Tu Long Ji. The Copyright owner is Jin Yong and the publisher of his original Chinese text. The copyright owner of the English translations posted here is the respective translator(s). No part of this translation may be reproduced or stored in a retrieval system, or transmitted in any form or by any means without the prior written permission of the copyright owner(s) nor be otherwise circulated for commercial purpose. This translation is from the 2nd Edition. Unedited Version Table of Contents Chapter 11 - A woman whose tongue is sharp as spear ................................................. 235 (Translated by Meh and Huang Yushi*) ....................................................................... 235 Chapter 12 - Needles and Prescriptions for Diseases Beyond Cure ............................... 259 (Translated by Huang Yushi*) ...................................................................................... 259 Chapter 13 - No Regrets for Second Chances ................................................................ 297 (Translated by Huang Yushi*, SmokeyTheBear and Qiu Shuyi) .................................. 297 Chapter 14 - Meeting Zhongshan Wolf* Along the Way ................................................. -
Moscow Wushu Stars 2017
International Wushu Tournament MOSCOW WUSHU STARS 2017 17-22 February, 2017 Moscow (Russia) REGULATIONS 1. DATE AND PLACE International tournament "Moscow Wushu Stars" will be held from 17th to 22nd February 2017 in Moscow (Russia). Teams must arrive the 17th February 2017 prior to 14:00 (see Competition schedule). 2. COMPETITION VENUE Moscow Wushu Palace (address: 30/2, b. 1, Khersonskaya str, Moscow). 3. PARTICIPANTS 3.1 Those eligible to participate are national teams from EWUF member countries and IWUF member countries. 3.2 All applications shall bear the signature of the respective team manager. 3.3 There is no limitation for the number of teams from one country. 3.4 There is no limitation of team size. 4. PARTICIPATION FEE 20 Euro - for the 1st event. 10 Euro - for the 2nd and 3rd event if any. 5. JUDGES Each team may send a qualified judge. 6. EVENTS 6.1 TAOLU 6.1.1 AGE CATEGORIES “Children B”: full age 7-8; "Children A": full age 9 – 11; "Cadets": full age 12 – 14; "Juniors": full age 15 – 17; "Adults": full age 18 – 35; “Senior”: full age 36-60 (only for traditional events). The age calculation is based on the age on the 1st January 2017. 6.1.2 MODERN TAOLU Category "Children B" (age 7-8) Basic routines: Changquan, Daoshu, Jianshu, Qiangshu, Gunshu, Nanquan, Nandao, Nangun (16, 18, 20 forms). Category "Children A" (age 9-11) Compulsory routines: Changquan (No 3 Elementary Routine), Daoshu, Jianshu, Qiangshu, Gunshu, Nanquan, Nandao, Nangun (Elementary Taolu 32 form), Taijiquan (24 forms), Taijijian (32 forms). -
Introduction 1
NOTES Introduction 1. One immediately encounters a “term problem” in discussing a phenomenology of race. Terms such as “Chinese” and “white” suddenly become woefully inadequate (as if they were not so already). I try to address this problem in a straightfor- ward way: when I wish to call attention to the term problem within the context of my arguments, I place quotation marks around terms like “Chinese,” “Euro-American,” “foreigner,” “white,” et cetera. When I momentarily ask that the reader accept these categories, for example, in my discussion of Chinese history and Chinese American immigration, I refrain from using quotation marks. 2. Gongfu, commonly written in English as “kung fu,” also refers to “skill,” “work,” or “time.” The “kung fu” that has become part of American vernacular functions in English as a kind of catch-all term for Chinese martial arts, but it is more often used this way in Chinese, for example, when the conversation revolves around foreign practice of martial arts or when the term wushu is avoided. Wushu is the term for “martial arts” in Mandarin Chinese, but it has acquired a complicated associa- tion with performance-oriented martial arts that have little or nothing to do with combat training. Practitioners will usually refer to a particular art by its style name or family association. 3. The style is properly referred to as “Wu style taijiquan” (Wu shi taijiquan). When I conflate “Wu” and “Ma” family names, my purpose is to specify the lineage that has developed through the married couple of Ma Yueliang and Wu Yinghua. -
Daoism and the Internal Martial Arts Sophie Kerman SIT Study Abroad
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Fall 2006 Climbing the Limitless Mountain: Daoism and the Internal Martial Arts Sophie Kerman SIT Study Abroad Follow this and additional works at: https://digitalcollections.sit.edu/isp_collection Part of the History of Religions of Eastern Origins Commons Recommended Citation Kerman, Sophie, "Climbing the Limitless Mountain: Daoism and the Internal Martial Arts" (2006). Independent Study Project (ISP) Collection. 297. https://digitalcollections.sit.edu/isp_collection/297 This Unpublished Paper is brought to you for free and open access by the SIT Study Abroad at SIT Digital Collections. It has been accepted for inclusion in Independent Study Project (ISP) Collection by an authorized administrator of SIT Digital Collections. For more information, please contact [email protected]. Climbing the Limitless Mountain: Daoism and the Internal Martial Arts By Sophie Kerman SIT Independent Study November 2006 Sophie Kerman SIT Independent Study November 2006 Climbing the Limitless Mountain: Daoism and the Internal Martial Arts Of the many religions practiced in China, Daoism is the only one which is indigenous to the country - yet it is one of the least written-about and least understood of the world’s major religions (Wang, 1). The term “Daoism” can, in fact, be misleading, because it can be used to refer to two different practices: Daoist philosophy, daojia, and Daoist religion, daojiao. Although the two are often taught and practiced side by side, daojia and daojiao have separate roots. Daoist philosophy is studied and followed by many who know little about daojiao; and Daoist religion includes a multitude of sects with entirely different practices and sets of rules. -
Modern Daoism 149 New Texts and Gods 150 Ritual Masters 152 Complete Perfection 154 Imperial Adaptations 157 an Expanded Pantheon 161
Contents Illustrations v Map of China vii Dynastic Chart viii Pronunciation Guide x Background to Daoism 1 Shang Ancestors and Divination 2 The Yijing 4 Ancient Philosophical Schools 8 Confucianism 10 Part I: Foundations 15 The Daoism That Can’t Be Told 16 The Text of the Daode Jing 17 The Dao 20 Creation and Decline 22 The Sage 23 Interpreting the Daode Jing 25 Lord Lao 28 Ritual Application 30 At Ease in Perfect Happiness 35 The Zhuangzi 36 The World of ZHuang ZHou 38 The Ideal Life 41 Poetic Adaptations 43 The Zen Connection 46 From Health to Immortality 50 i Body Energetics 51 Qi Cultivation 52 Healing Exercises 54 Magical Practitioners and Immortals 59 Major Schools of the Middle Ages 64 Celestial Masters 65 Highest Clarity 66 Numinous Treasure 68 The Theocracy 70 The Three Caverns 71 State Religion 74 Cosmos, Gods, and Governance 80 Yin and Yang 81 The Five Phases 82 The Chinese Calendar 85 Deities, Demons, and Divine Rulers 87 The Ideal of Great Peace 92 Cosmic Cycles 94 Part II: Development 96 Ethics and the Community 97 The Celestial Connection 98 Millenarian Structures 100 Self-Cultivation Groups 103 Lay Organizations 105 The Monastic Life 108 Creation and the Pantheon 114 Creation 115 Spells, Charts, and Talismans 118 Heavens and Hells 122 ii Gods, Ancestors, and Immortals 125 Religious Practices 130 Longevity Techniques 131 Breath and Sex 134 Forms of Meditation 136 Body Transformation 140 Ritual Activation 143 Part III: Modernity 148 Modern Daoism 149 New Texts and Gods 150 Ritual Masters 152 Complete Perfection 154 Imperial -
Phoenix Tai Chi.Pdf
Table of Contents What is Tai Chi ....................................................................................................................................... 1 T’ai Chi Ch’ua................................................................................................................................... 2 The Practice of Tai Chi ...................................................................................................................... 3 Tai Chi By the Numbers .................................................................................................................... 4 History of Tai Chi ................................................................................................................................... 5 Schools of Tai Chi .................................................................................................................................. 9 Chen ................................................................................................................................................... 9 Yang ................................................................................................................................................. 10 Wu (Hao) ......................................................................................................................................... 10 Wu.................................................................................................................................................... 11 Sun .................................................................................................................................................. -
Chapter I: Introduction
CHAPTER I: INTRODUCTION “Let us learn from one another! We are all students, Taiji is the teacher.” --Jou Tsung Hwa Purpose This is a report of research conducted in 1988 into Taijiquan instruction in America. Taijiquan is an art of movement that originated in China. While the external appearance and even the purpose of its practice differs from individual to individual and among various “styles,” each style tracing its history through a different lineage and having unique traditions, the art of Taijiquan is unified by certain principles. Its aim is to embody these principles through practice, until they cease to be isolated exercises and become part of a player’s way of moving through everyday life. A primary mode of practice is the regular performance of predetermined sequences of movements, called “forms.” The present study was grounded in the belief that Taijiquan might be many things to many people. The purpose of this research was to develop a descriptive characterization or profile of the state of the art in this country. To 2 this end, a questionnaire was sent to Taijiquan teachers to gather personal data, and information on their training, views, and instructional approach. Both qualitative and quantitative analyses were conducted on the data from the 216 questionnaires which were returned. It was hoped that documentation of some of the great variety of perspectives on Taijiquan might lead to a more inclusive definition of the art, and foster an attitude of mutual respect among all players, especially between those who are at variance over approaches that might seem mutually exclusive. -
White Crane Spreads Its Wings and Snow Rabbit Digs the Earth
Volume 4 Number 1 Voices of Notators: Approaches to Creating Article 3 a Score 2018 White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气功) Keith McEwing National Library of New Zealand, [email protected] Author Credentials Keith McEwing, BMus, MA Editor-in-Chief: Teresa Heiland Follow this and additional works at: http://digitalcommons.uncg.edu/jmal Part of the Alternative and Complementary Medicine Commons, Sports Sciences Commons, and the Sports Studies Commons Recommended Citation McEwing, Keith (2018) "White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气功)," Journal of Movement Arts Literacy: Vol. 4 : No. 1 , Article 3. Available at: http://digitalcommons.uncg.edu/jmal/vol4/iss1/3 This Article is brought to you for free and open access by the Dance at Digital Commons @ University of North Carolina at Greensboro. It has been accepted for inclusion in Journal of Movement Arts Literacy by an authorized administrator of Digital Commons@University of North Carolina at Greensboro. For more information, please contact [email protected]. White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气 功) Abstract Taijiquan is a Chinese martial art that developed in the 17th century from a base of traditional forms from earlier centuries. -
The Legend of the Internal Martial Arts—And by Extension, T'ai Chi—Usually Claims Two Different Sacred Mountains As Th
Two Mountains: The Spiritual Legacy of T’ai Chi Ch’uan The origin of internal martial arts claims two mountains as sacred sites for the development and proliferation of T’ai Chi Ch’uan: the Shaolin Temple, the famous Buddhist Temple, and Wudang Temple, the equally famous Taoist Temple. Contemporary narratives frequently mention T’ai Chi’s link to these two spiritual centers, but despite those historical associations with Buddhism and Taoism, the spiritual side of T’ai Chi often remains in the shadow of martial training and the overall health benefits. Proper T’ai Chi training, though, includes training the mind and generating Chi—all of which originate in Buddhist and Taoist sources—and are central to spiritual cultivation as well. The two figures that link T’ai Chi with the Shaolin and Wudang Temples—Bodhidharma and Zhang Sanfeng, respectively—may be more legend than historical truth, but these two figures offer insights into the spiritual legacy of T’ai Chi Ch’uan as well as how the potential for spiritual growth can be actualized in present day practice. Bodhidharma and Chang Sanfeng Bodhidharma was an Indian Prince and the 26th lineage holder of Shakyamuni, the Historical Buddha, who arrived at the Shaolin Temple circa 530 CE. When he first came to Shaolin, he encountered Buddhist monks who were sickly and weak, so much so that they were incapable of maintaining the high level of energy required for sustained meditative practice. Bodhidharma retreated to a cave for seven or nine years (depending on the version of the story). When he emerged, he had developed a number of Chi Kung (qigong) exercises to be incorporated into daily practice, namely “Yi Jin Jing” (Muscle Change Classic) and “Xi Sui Jing” (Marrow Washing Classic). -
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ISSUE 10 EDITORS Fall 2020 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES EDITORIAL PAUL BOWMAN & BENJAMIN N. JUDKINS Five Years and Twelve Months that Changed the Study of Martial Arts Forever ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/mas.i10 Accepted for publication 30 October 2020 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 10 ARTS STUDIES FALL 2020 1 Editorial Five Years and Twelve Months that Changed the Study of Martial Arts Forever Paul Bowman and Benjamin N. Judkins ARTICLES 9 Tàolù – The Mastery of Space Daniel Mroz 23 Marx, Myth and Metaphysics China Debates the Essence of Taijiquan Douglas Wile 40 Rural Wandering Martial Arts Networks and Invulnerability Rituals in Modern China Yupeng Jiao 51 The Construction of Chinese Martial Arts in the Writings of John Dudgeon, Herbert Giles and Joseph Needham Tommaso Gianni 66 The Golden Square Dojo and its Place in British Jujutsu History David Brough 73 Wrestling, Warships and Nationalism in Japanese-American Relations Martin J.