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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
OPPONENTS ATLANTA HAWKS Centennial Tower 101 Marietta St., Suite 1900 Atlanta, GA 30303 Phone: (404) 878-3800
OPPONENTS ATLANTA HAWKS Centennial Tower 101 Marietta St., Suite 1900 Atlanta, GA 30303 Phone: (404) 878-3800 www.hawks.com Principal Owner & Chair of Board of Directors/NBA Governor Tony Ressler Head Athletic Trainer . Scottie Parker Vice Chair of Board of Directors . Grant Hill Head Strength & Conditioning Coach . Michael Irr Alternate NBA Governor . Steven Price Senior VP of Public Relations . Garin Narain CEO/Atlanta Hawks Basketball Club/State Farm Arena . Steve Koonin Senior Director of Media Relations . Jon Steinberg General Manager and Head of Basketball Operations . Travis Schlenk Manager of Media Relations . Jelani Downing Head Coach . Lloyd Pierce Team Colors . Torch Red, Georgia Granite Gray, Volt Green Assistant Coaches . Melvin Hunt, Chris Jent, Greg Foster, Home Court . State Farm Arena (16,600, 1999) Marlon Garnett, Matt Hill Radio . Steve Holman (WZGC/92 .9 The Game) Special Assistant to the Head Coach . Nate Babcock Television . Bob Rathbun, Dominique Wilkins, Executive Dir . of Athletic Performance and Sports Medicine . Chelsea Lane Andre Aldridge, Rebecca Kaple (FOX Sports Southeast) 2017-2018 SEASON SERIES (3-1) CLEVELAND CAVALIERS VS. ATLANTA -FIELD GOALS- -3-POINT FG-- -FREE THROWS- --REBOUNDS-- PLAYER G GS MIN FG FGA PCT FG FGA PCT FT FTA PCT OFF DEF TOT AST PF DQ STL TO BLK PTS AVG HI James 4 4 154 37 61 .607 5 15 .333 18 22 .818 5 25 30 61 13 0 5 14 4 97 24.3 26 Wade 2 0 55 14 30 .467 4 10 .400 12 14 .857 3 10 13 9 7 0 4 3 3 44 22.0 25 Korver 4 0 100 25 48 .521 20 38 .526 8 9 .889 2 10 12 3 5 0 1 7 3 78 19.5 30 -
Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre). -
Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz, 1960-1974
Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz, 1960-1974 Duncan Heining Sheffield and Bristol, CT: Equinox, 2013. ISBN: 978-1-84553-405-9 (HB) Katherine Williams University of Plymouth [email protected] In Trad Dads, Dirty Boppers and Free Fusioneers, British Jazz 1960–1974, Duncan Heining has made a significant contribution to the available literature on British jazz. His effort is particularly valuable for addressing a period that is largely neglected; although the same period is covered from a fusion perspective in Ian Carr’s Music Outside (1973, rev. 2008) and Stuart Nicholson’s Jazz-Rock (1998), to my knowledge Heining has provided the first full-length study of the period from a jazz angle. Trad Dads provides a wealth of information, and is packed densely with facts and anecdotes, many of which he gained through a series of original interviews with prominent musicians and organizers, including Chris Barber, Barbara Thompson, Barry Guy, Gill Alexander and Bill Ashton. Throughout the monograph, he makes a case for the unique identity and sound of British jazz. The timeframe he has picked is appropriate for this observation, for there are several homegrown artists on the scene who have been influenced by the musicians around them, rather than just visiting US musicians (examples include Jon Hiseman and Graham Bond). Heining divides his study thematically rather than chronologically, using race, class, gender and political stance as themes. Chapters 1 to 3 set the scene in Britain during this period, which has the dual purpose of providing useful background information and an extended introduction. -
1 Dead, 1 Hurt in 2 A.M. Crash Driver Injured, Passenger Killed When Pickup Flips on US 441 Early Saturday
A3 SUNDAY, NOVEMBER 25, 2018 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $2 Lake City Reporter LAKECITYREPORTER.COM SUNDAY + PLUS >> Friday Bustling The odd morning Black story of rollover Deborah Friday Pittman bargains 1C Opinion/4A Big plans for mill 2A See 2A 1 dead, 1 hurt in 2 a.m. crash Driver injured, passenger killed when pickup flips on US 441 early Saturday. From staff reports Renovation site a A Lake City man died treasure trove of Saturday morning after a pick- Lake City history. up truck he was traveling in flipped over on US Highway 441, according to a Florida By CARL MCKINNEY Highway Patrol press release. [email protected] Dead is Andrew Powell III, Glass shards form a sheet on the the release said. ground as Benny Smollack sifts At about 1:57 a.m. Saturday, a through what the crew unearthed 2008 Ford F-350 pickup driven in the past couple weeks. by John Ray Beasley, 29, of Lake A miracle cure purchased at the City, was traveling north on 441, MORE drug store that approaching the intersection INSIDE used to be down the n of County Road 240, when it Blanche street, old soda bot- left roadway onto the shoulder, renovation update, 1D. tles from back when striking multiple objects, includ- Lake City still had a ing a culvert, which caused the Coca-Cola plant — there’s no tell- truck to overturn and land on ing what other secrets lie below the its roof. Blanche Hotel. Beasley suffered serious “What is that?” Smollack says, injuries and is being treated picking up a rectangular piece of at Shands UF Health at the debris. -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)
Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs. -
A Promise Is a Promise
A PROMISE IS A PROMISE WHITLEY COUNTY COMMUNITY FOUNDATION 2013-2014 BIENNIAL REPORT Cross my heart. Pinky swear. Scout’s honor. It doesn’t matter how you say it... A PROMISE IS A PROMISE. During 2013-14, our Unfortunately, sometimes While we don’t claim A portion of annual us determine the best use You might be wondering organization or hear about Community Foundation the spirit of who we are perfection, we aim for it. returns are distributed as of foundation resources. who the “we” is when it a Foundation supported grew to encompass a total and how we operate gets grants while at the same comes to commitments program that made a of 140 endowed funds. lost in the legal jargon. A promise to honor donor time we maintain – and A promise to be made on behalf of the difference to someone That translates into a lot So please allow me to intent – we understand even grow – our base of transparent – we believe Community Foundation. in our community, of generous people who share five promises that that through endowments assets to carry us into the there is no better way A four-person professional we hope you will take chose to work with the are the foundation of our we are charged with being future. to gain public trust than staff, a well-respected pride in knowing that Community Foundation to Foundation. caretakers of legacies. Every being open in regard to board of directors and your generosity to the carry out their charitable person motivated to give – A promise to identify our governance, policies over fifty volunteer Community Foundation aspirations. -
Order of the British Empire (Obe)
OFFICER - ORDER OF THE BRITISH EMPIRE (OBE) X - OBE - 2019 Updated: 27 December 2020 Current to: 26 December 2020 CG PAGES: 78 Prepared by Surgeon Captain(N) John Blatherwick, CM CStJ OBC CD MD FRCP(C)LLD Governor General’s Foot Guards Royal Canadian Air Force / 107 University Squadron / 418 Squadron Royal Canadian Army Medical Corps HMCS Discovery / HMCS York / HMCS Protecteur 12 (Vancouver) Field Ambulance 1 OBE (military) awarded to the CANADIAN ARMY in WW1 (OBE) LG+ / CG NAME RANK UNIT DECORATIONS / 05/07/19 ACHESON, Thomas Stuart Hon Capt 7th Bn Manitoba Rifles OBE 08/02/19 ALDERSON, William Frederick Major CASC OBE 05/07/19 ALEXANDER, Kay Major Cdn Railway Troops OBE 05/07/19 ALLEN, Jesse Captain Canadian Infantry OBE 10/05/19 ALLEY, Herbert Rutton Major 1st Central Ontario Reg OBE 31/05/19 ANDERSON, Charles Harrison M. Major Canadian Forces OBE 29/03/19 ANDERSON, Frederick Walter Gale LCol Cdn Forestry Corps OBE 08/02/19 ARCHIBALD, George Grassie Major 1st Cent Ontario Reg OBE 05/07/19 ARMOUR, John Douglas Major Canadian Artillery OBE 08/02/19 ARMSTRONG, Nevill Alexander D. Captain 16th Bn Manitoba Reg OBE 09/02/18 ARMSTRONG, Francis Logie LCol In Charge of Cdn Forces OBE 05/07/19 BALL, John Clements Major Canadian Artillery DSO OBE 12/07/19 BAXTER, David Lionel MacKenzie Major CASC OBE 10/05/19 BELL, James MacKintosh Major Quebec Reg - for North Russia OBE 05/07/19 BENNETT, Allan Edward Kingston LCol CAMC OBE 12/05/19 BENTLEY, William Joseph LCol CADC OBE (MBE) 08/02/19 BIRCH, George Russell A/Major Cdn Ordnance Corps OBE 09/02/18 BIRKS, Gerald Walker LCol Canadian Forces OBE 05/07/19 BISSETT, James Captain CASC OBE 17/01/20 BLACKSTOCK, George Gooderham A/LCol Cdn Field Artillery OBE MC 05/07/19 BOVEY, Wilfred T/LCol 42nd Bn Cdn Infantry OBE 20/07/18 BROTHERS, Orlando Frank LCol British Columbia Regiment OBE 12/05/19 BROWN, Claude LCol CADC OBE 08/02/19 BROWN, Percy Gordon LCol CAMC OBE 08/02/19 BURGESS, John Frederick Major CAMC OBE 05/07/19 BURKE, Edmund Albert Captain Quebec Regiment OBE 29/03/19 BURTON, Robert Bruce Stalker Major Man. -
Rhodesian Action Brings Warnings
' i m '"M' The weather '■'y, Inalde today Cloudy today with scattered showers Area news . ,1-3-B Family.......3-4-C or thundershowers developing this •Business.......10-B Kitchen............2-C a fte i^ n and likely continuing tonight Classified .. .6-8-B Obituaries ... 10-A A?"'! High today In 70a, low Comics..........9-B Second ThoughttC tmighi near 60, High Thursday again in Dear Abby .... 9-B Sr, Citizens ,., gC Chance of rain 70% tonight, 60% • V'1 Editorial ........4-A Sports........ 4-6-B TOursday. National weather map on Page 6-B. )t., flfilKffiSOAy/j PRItEi t-'iKi'REIN CENTS i m Rhodesian action brings warnings By United Press International In London, the British Foreign Of Rhodesia’s military commander Britain and the United States are fice spokesman said: “The U.S. said Tuesday the forces will stay in considering possible joint action, in government shares our concern over side Mozambique until they cluding an appeal to the U.N. Securi the seriousness of this development “eliminate” the guerrillas. ty Council, to compel Rhodesia to and its possible effect on U.S.-British In London, Owen said he was withdraw its troops from Mozam peace initiatives.” “deeply concerned” not only about bique, the British Foreign Office said He said Owen also sent a message the invasion but by Rhodesia’s pledge today. to South African Foreign Minister to keep its forces inside Mozam A spokesman said the British Pik Botha. He said Britain also has bique. government always has ruled out informed the presidents of the five so 'The United States and Britain have major military action against called “Frontline” states — Tan proposed that Rhodesia’s white Rht^esia, “but an appeal to the zania, Mozambique, Botswana, Zam minority regime draft a new con Security .Council is a possibility.” bia and Angola — of Britain’s ‘v- stitution providing for black majority The Foreign Office statement concern” and of the message to rule in. -
The Museum of Modern Art Presents a Discussion of the HBO Series the Sopranos with the Series Writer/Director David Chase and No
MoMA | press | Releases | 2001 | Discussion on The Sopranos Page 1 of 3 For Immediate Release February 2001 THE MUSEUM OF MODERN ART HOSTS DISCUSSION ON THE SOPRANOS Discussion with David Chase and media writer Ken Auletta February 12, 2001 The Sopranos February 3-13, 2001 The Roy and Niuta Titus Theatre 1 The Museum of Modern Art presents a discussion of the HBO series The Sopranos with the series writer/director David Chase and noted media writer and author Ken Auletta, February 12, 2001 at 6:00 p.m. at the Roy and Niuta Titus Theatre 1. Recording the domestic dramas and business anxieties of family living the bourgeois life in a pleasant New Jersey suburb, The Sopranos is a saga of middle-class life in America at the turn of the century. Chronicled in twenty-six hour-long episodes, the first two seasons from the series will be shown in two four-day sequences at The Museum of Modern Art, from February 3-13 at the Roy and Niuta Titus Theatre 1. "The Sopranos is a cynical yet deeply felt look at this particular family man," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the program. "David Chase and his team have created a series distinguished by its bone-dry humor and understated, quirky, and stinging perspective - not usually seen on television." Renowned for his savvy profiles of power players in the media, Ken Auletta will join David Chase for a discussion of The Sopranos at The Museum on February 12. The Department of Film and Video gratefully acknowledges HBO for making the series available for public viewing. -
Tweet,New Nike Nfl Jerseys 2012 Bobby Simmons Signed a $47
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