Lady Gaga Ticket Prices
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Soundtrack Walt Disney
TOP BILLBOARD CHARTS200 TOP billboard 2011 ALB no.1 FROZEN Soundtrack Walt Disney POS / TITLE / ARTIST / LABEL 2 BEYONCEBeyonce Parkwood/Columbia 3 1989 TaylorSwilt Big Machine/BMW 4 MIDNIGHT MEMORIES OneOgrecuon SYCO/Columbia THE MARSHALL MAINERS LP 2 Emlnem Web/Shady/Aftermath/ Interscope/IGA 6 PURE HEROINE Lade Lava/Republic 7 CRASH MY PARTY Luke Bryan Capitol Nashville/UMGN 8 PRISM KutyPenyCapitol BLAME IT ALL ON MY ROOTS: FIVE DECADES OF INFLUENCES 9 Garth Brooks Pearl 10 HERE'S TOTHE GOODDMES RaidaGeogiaLine Republic Nastwille/BMLG 11 IN THE LONELY HOUR Sam Smith Capitol 12 NIGHT VISIONS imaginegragons KIDinaKORNER/interscope/IGA 13 THE OUTSIDERS Eric Church EMI Nashville/UPAGN 14 GHOST STORIES ColciplayParlophone/Atlantic/AG 15 NOW 50 Various Artists Sony Music/Universal/UMe 16 JUST AS I AM BrantleyGilben Valory/BMLG 17 WItAPPED IN RED KellyClarkson 19/RCA 18 DUCK THE HALLS:A ROBERTSON FAMILY CHRISIMAS TheRobertsons 4 Beards/EMI Nashville/UMGN GUARDIANS OF THE GALAXY: AWESOME MIX VOL.1 19 Soundtrack Marvel/Hollywood 20 PARTNERS Barbra Streisand Columbia 21 X EdSheeran Atlantic/AG 22 NATIVE OneRepublic Mosley/Interscope/IGA 23 BANGERZ MileyCyrus RCA 24 NOW 48Various Artists Sony Music/Universal/UMe 25 NOTHING WAS THE SAME Drake Young money/cash Money/Republic 26 GIRL Pharr,. amother/Columbia 27 5 SECONDS OF SUMMER 5Seconds MummerHey Or Hi/Capitol 28 OLD BOOTS, NEW DIRT lasonAldean Broken Bow/BBMG 29 UNORTHODOX JUKEBOX Bruno Mars Atlantic/AG 30 PLATINUM Miranda Lambert RCA Nashville/SMN 31 NOW 49 VariousArtists Sony Music/Universal/UMe SAM SMITH 32 THE 20/20 EXPERIENa (2 OF 2) Justin Timberlake RCA The singer's debut album, 33 LOVE IN THE FUTURE lohnLegend G.O.O.D./Columbia In the Lonely Hour, is the 34 ARTPOPLadyGaga Streamline/Interscope/IGA highest-ranking rookie release 35 V Maroon5222/Interscope/IGA (No. -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Miley Cyrus Debuts at #1 on the Top Rock Albums Chart with Plastic Hearts Get It Here
MILEY CYRUS DEBUTS AT #1 ON THE TOP ROCK ALBUMS CHART WITH PLASTIC HEARTS GET IT HERE December 7, 2020 - Artist and trailblazer Miley Cyrus’ critically acclaimed seventh studio album, Plastic Hearts has debuted at #1 on Billboard’s Top Rock Albums chart, her first number 1 on this chart, and 6th number 1 album. The album also debuted at number 2 on the Billboard 200, giving Miley the most top 10 album debuts on the chart for female artists this century. The album has debuted in the Top 10 in more than 10 countries. Tracks on Plastic Hearts have been streamed cumulatively over 750 million times worldwide. Plastic Hearts is out now via RCA Records - listen here Her raw and raucous album has earned high praise: “Maybe rock’s not dead — it’s just in the capable hands of Miley Cyrus.”-The New York Times “Miley Cyrus’ Glam Throwback ‘Plastic Hearts’ Is Her Most Self-Assured Record Yet.”-Rolling Stone “Cyrus’ glam-rock pivot draws upon her decade of delivering whip-smart lyrics and enormous hooks to arrive fully formed and often spectacular.”-Billboard “Reflecting on her worst times from the distance that maturity allows, Miley Cyrus has come through with her best album.”-Vulture “The message is clear: Miley Cyrus rocks.”-Stereogum “What Miley does with her voice throughout the album is really its main attraction.”-Nylon “Plastic Hearts, Cyrus’s incendiary new record, punctuates the 28-year-old singer’s greatest sonic reinvention yet — a retro-charged tribute to no-nonsense frontwomen: Debbie Harry and Heart’s Ann Wilson, Stevie Nicks and Joan Jett.”-SPIN “Miley Cyrus Is Perfect for the Rock-and-Roll Revival.”-The Atlantic Miley will be performing her hit single, “Prisoner,” on Jimmy Kimmel Live! on December 7th. -
The Best Totally-Not-Planned 'Shockers'
Style Blog The best totally-not-planned ‘shockers’ in the history of the VMAs By Lavanya Ramanathan August 30 If you have watched a music video in the past decade, you probably did not watch it on MTV, a network now mostly stuck in a never-ending loop of episodes of “Teen Mom.” This fact does not stop MTV from continuing to hold the annual Video Music Awards, and it does not stop us from tuning in. Whereas this year’s Grammys were kind of depressing, we can count on the VMAs to be a slightly morally objectionable mess of good theater. (MTV has been boasting that it has pretty much handed over the keys to Miley Cyrus, this year’s host, after all.) [VMAs 2015 FAQ: Where to watch the show, who’s performing, red carpet details] Whether it’s “real” or not doesn’t matter. Each year, the VMAs deliver exactly one ugly, cringe-worthy and sometimes actually surprising event that imprints itself in our brains, never to be forgotten. Before Sunday’s show — and before Nicki Minaj probably delivers this year’s teachable moment — here are just a few of those memorable VMA shockers. 1984: Madonna sings about virginity in front of a blacktie audience It was the first VMAs, Bette Midler (who?) was co-hosting and the audience back then was a sea of tux-wearing stiffs. This is all-important scene-setting for a groundbreaking performance by young Madonna, who appeared on the top of an oversize wedding cake in what can only be described as head-to-toe Frederick’s of Hollywood. -
Snarky Puppy's Eye-Popping New Animated Video Is a Surreal Visual
Snarky Puppy’s Eye-Popping New Animated Video Is A Surreal Visual Adventure 68-date 2019 World Tour currently hits 19 countries, more shows to be added Watch the video for “Bad Kids to the Back” here New album Immigrance out March 15th on GroundUP Music February 22, 2019 – Inspired by films like Richard Linklater’s Waking Life, Ralph Bakshi’s American Pop and Disney’s 1937 classic Snow White and the Seven Dwarfs, the surreal video for Snarky Puppy’s “Bad Kids To The Back” utilizes rotoscoped visuals to turn an in-studio performance into one of the wildest animated videos you will see this year. Animator/co-director Michaël Alcaras drew frame-by-frame over live footage of the band recording the song in studio (shot by the video’s other co- director, Stella K), and turned it into an eye-popping four minutes and forty-five seconds. The Snarky horn section suddenly have animal heads; band members shoot lasers from their eyes and tall buildings dance along to the song’s hypnotic grooves. “Bad Kids to the Back,” a “crisp, strutting” (Rolling Stone) track written by Snarky Puppy member Justin Stanton, comes from the group’s upcoming album Immigrance, out March 15th on GroundUP Music. A global touring dynamo who have played to thousands of fans at shows on six continents, Snarky Puppy will embark on another ambitious world tour in 2019. This weekend, the band will be accompanied by the Los Angeles Philharmonic at Walt Disney Concert Hall in Los Angeles before officially kicking off the 68-date world tour April 11th in Osaka, Japan. -
From Disney to Disaster: the Disney Corporation’S Involvement in the Creation of Celebrity Trainwrecks
From Disney to Disaster: The Disney Corporation’s Involvement in the Creation of Celebrity Trainwrecks BY Kelsey N. Reese Spring 2021 WMNST 492W: Senior Capstone Seminar Dr. Jill Wood Reese 2 INTRODUCTION The popularized phrase “celebrity trainwreck” has taken off in the last ten years, and the phrase actively evokes specified images (Doyle, 2017). These images usually depict young women hounded by paparazzi cameras that are most likely drunk or high and half naked after a wild night of partying (Doyle, 2017). These girls then become the emblem of celebrity, bad girl femininity (Doyle, 2017; Kiefer, 2016). The trainwreck is always a woman and is usually subject to extra attention in the limelight (Doyle, 2017). Trainwrecks are in demand; almost everything they do becomes front page news, especially if their actions are seen as scandalous, defamatory, or insane. The exponential growth of the internet in the early 2000s created new avenues of interest in celebrity life, including that of social media, gossip blogs, online tabloids, and collections of paparazzi snapshots (Hamad & Taylor, 2015; Mercer, 2013). What resulted was 24/7 media access into the trainwreck’s life and their long line of outrageous, commiserable actions (Doyle, 2017). Kristy Fairclough coined the term trainwreck in 2008 as a way to describe young, wild female celebrities who exemplify the ‘good girl gone bad’ image (Fairclough, 2008; Goodin-Smith, 2014). While the coining of the term is rather recent, the trainwreck image itself is not; in their book titled Trainwreck, Jude Ellison Doyle postulates that the trainwreck classification dates back to feminism’s first wave with Mary Wollstonecraft (Anand, 2018; Doyle, 2017). -
View Annual Report
Full Year 2013 Results - Record Performance • Concert Attendance Up 19% - Total Ticketmaster 400 Million Fans Delivering Over $17 Billion GTV • 900 Million Fans Visit Ticketmaster, Creating User Database of 250 Million Fan Preferences • Revenue Up 11% to $6.5 Billion • AOI Increased 10% to $505 Million • Moved to Profitability in Operating Income off $140 Million • Reported Net Income Improved by $120 Million TO OUR STOCKHOLDERS: 2013 Results We had a record year in 2013 and are well positioned for continued growth in 2014 and beyond. During 2013, we further grew our unmatched concerts global fan base by 10 million fans, attracting almost 60 million fans to our concerts. This tremendous growth fueled our sponsorship and ticketing businesses with Ticketmaster managing nearly 4400 million total tickets in 2013. Combined, we delivered a record year for revenue, AOI and free cash flow. Our results demonstrate the effectiveness of our business model, establishing Live Nation as what we believe to be the number one player in each of our businesses, with concerts driving our flywheel, which is then monetized across our high margin on-site, sponsorship and ticketing businesses. Strong Fan Demand for Live Events We continue to see the tremendous power of live events, with strong global consumer demand. Research shows that live events are a high priority for discretionary spending, and over 80% of our fans surveyed indicate that they plan on attending the same or more events in 2014 as in 2013. Another sign of the strength of our business is that 85% of Live Nation’s fan growth came organically, from our promoting more shows in amphitheaters, arenas and stadiums; from launching new festivals; and from establishing operatioons in new markets. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MAY 17, 2021 | PAGE 1 OF 18 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Grand Ole Opry Moves Toward The Old Normal THIS As U.S. Reemerges From COVID-19 ISSUE It likely won’t have the shelf life of Throwback Thursdays or In ideal Opry fashion, the lineup reflected a variety of styles Taco Tuesdays, but “full-capacity Friday night” had an oddly and eras. Lorrie Morgan opened with her chart-topping 1990 Sam Hunt’s ‘90’s’ special ring to it on May 14. single “Five Minutes,” and the rest of the talent parade fea- Breaks Out Grand Ole Opry announcer tured current hitmaker Michael Ray, >page 4 Bill Cody uncorked the phrase as Western vocal quartet Riders in the the WSM-AM Nashville show had Sky, comedian Aaron Weber, Nash- every ticket in the 4,400-seat Opry ville actor Charles Esten and new- House available for the first time comer Brittney Spencer, who sang Underwood, since March 10, 2020, when the a new song, “Sober & Skinny,” for the Aldean, Brooks coronavirus pandemic forced live first time in public. In Play entertainment off the stage. Some Spencer’s appearance was a >page 10 2,400 tickets were sold, according personal milestone, for she made to Opry vp/executive producer Dan her Opry debut. While she felt its Rogers, as the reboot coincided significance (she conceded that her with an unexpected bonus: Barely breathing was more pronounced Makin’ Tracks: 24 hours before the show’s start, the during “Sober” as she fought off a Drew Parker’s city of Nashville dropped face-mask case of nerves), she was still present ‘BP PBR’ Song mandates. -
Vogler Quartet
Vogler Quartet Tim Vogler, violin Frank Reinecke, violin Stefan Fehlandt, viola Stephan Forck, cello The Grammy-nominated Vogler Quartet celebrated its 30th anniversary during the 2015/2016 season, and, with all four of its original members, continues to build upon its reputation as one of the finest quartets of its generation. Mastering a repertoire of over two hundred works from all periods and musical styles, founding members Tim Vogler, Frank Reinecke, Stefan Fehlandt, and Stephan Forck are widely recognized for their uncommon musical intelligence, homogeneous sound, insightful interpretations, and unconventional programming. They have created a vibrant ensemble spirit, as well as a unique string quartet sound which consistently offers new insights into the genre. Formed in East Berlin in 1985, the quartet continues to pursue an ambitious international schedule of concerts and master classes in prestigious venues around the world. In spring 2012, the Vogler Quartet returned to North America for a special collaboration with cabaret artist Ute Lemper and clarinetist/pianist Stefan Malzew, which not only included highly acclaimed concerts in Carnegie Hall and the Kennedy Center, among many others, but also resulted in a Grammy-nominated recording entitled “Paris Days/Berlin Nights” on the Sony label. This lively collaboration continued into the 2015/2016 season. Highlights of their most recent North American tour included a multi-concert residency at Chamber Music San Francisco and an appearance at Friends of Chamber Music Vancouver, in collaboration with pianist Ian Parker. The 2015/2016 season also featured additional engagements with Mr. Parker in selected venus throughout the Pacific Northwest. The four musicians are as much at home in the musical centers of Europe as they are in America, Japan, Australia, and New Zealand, and have enjoyed a series of successes in expanding chamber music audiences worldwide. -
"Eustace the Monk" and Compositional Techniques
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor Samuel Howard Stokes Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Stokes, Samuel Howard, "An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor" (2013). LSU Doctoral Dissertations. 1053. https://digitalcommons.lsu.edu/gradschool_dissertations/1053 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. AN ORIGINAL COMPOSITION, SYMPHONY NO. 1, "EUSTACE THE MONK" AND COMPOSITIONAL TECHNIQUES USED TO ELICIT MUSICAL HUMOR A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The School of Music by Samuel Stokes B.M., University of Central Missouri, 2002 M.A., University of Central Missouri, 2005 M.M., The Florida State University, 2006 May 2013 ACKNOWLEDGMENTS I would like to thank Dinos Constantinides for his valuable guidance and enthusiasm in my development as a composer. He has expanded my horizons by making me think outside of the box while leaving me enough room to find my own compositional voice. -
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times -
Copyrighted Material
I INTRODUCTION 1 The Concept of Strategy COPYRIGHTED MATERIAL c01TheConceptofStrategy.indd 1 09/11/15 12:35 PM c01TheConceptofStrategy.indd 2 09/11/15 12:35 PM 1 The Concept of Strategy Strategy is the great work of the organization. In situations of life or death, it is the Tao of survival or extinction. Its study cannot be neglected. —SUN TZU, THE ART OF WAR To shoot a great score you need a clever strategy. —RORY MCILROY, GOLF MONTHLY, MAY 19, 2011 Everybody has a plan until they get punched in the mouth. —MIKE TYSON, FORMER WORLD HEAVYWEIGHT BOXING CHAMPION OUTLINE ◆ Introduction and Objectives ● Corporate and Business Strategy ◆ The Role of Strategy in Success ● Describing Strategy ◆ The Basic Framework for Strategy Analysis ◆ How Is Strategy Made? The Strategy Process ● Strategic Fit ● Design versus Emergence ◆ A Brief History of Business Strategy ● The Role of Analysis in Strategy Formulation ● Origins and Military Antecedents ● Applying Strategy Analysis ● From Corporate Planning to Strategic Management ◆ Strategic Management of Not-For-Profit Organizations ◆ Strategy Today ◆ Summary ● What Is Strategy? ◆ Self-Study Questions ● Why Do Firms Need Strategy? ◆ Notes ● Where Do We Find Strategy? c01TheConceptofStrategy.indd 3 09/11/15 12:35 PM 4 PART I INTRODUCTION Introduction and Objectives Strategy is about achieving success. This chapter explains what strategy is and why it is important to success, for both organizations and individuals. We will distinguish strategy from planning. Strategy is not a detailed plan or program of instructions; it is a unifying theme that gives coherence and direc- tion to the actions and decisions of an individual or an organization.