Cantinflas pelicula online subtitulada

Continue SEE NOW DOWNLOADCantinflas - Mr. Photographer (1953) - (Synopsis) As traveling photographer, confused with the assistant scientist who develops a formula for the production of a new nuclear pump. For this reason, a group of thugs kidnap him to get information that leads them to obtain secrets. While Penongo, the scientist suffers from the action of the car that generates memory loss. Then comes a lot of incidents and entertainment. (HD) No, no, no, no. Download Cantinflas - Gentleman Photographer Full online Film In Latin 4k Original title: Mr. PhotographerAnzamiento: 1953-09-02Duaration: 100 minutesVotar: 6.8 per 5 usersQualit: 1080pGenerals: Comedy, ThrillerStars: Cantinflas, Rosita Arenas, Angel Garasa, Rebekah Iturbide, Fernando Wagner, Julio Villarreal, Wolf RuvinskisEstudio: Posa FilmsPa's: MexicoNord Language: SpanishBrooms: photographer, amnesia, atomic bomb, professor, gangster , chemist, manicurist, psychiatric clinic , an eccentric Broadway producer, arrives in with a rather far-fetched film project, Around the World in 80 days, with which he wants to shake up the Hollywood star system. Mario Moreno is a comedian who makes a living in City tents. His character Cantinflas leads him to become an icon of Mexican cinema, and one of the most important characters in the film industry. His paths intersect in the film, which will eventually win five Oscars, and the Golden Globe for Mario.Watch Cantinflas Film 2014 Full in spanishFull title: CantinflasLaunch: 2014-08-29Duration: 100 minutesVotar: 5.6 per 44 usersAcvalability: 720pGenerals: DramaStars: Oscar Michael Imperioli, Luis Gerardo Mendes, Joaquin Cocio, Teresa Ruiz, Ilse Salas, Ximena RubioEstudio: BulletPa's Films: Mexico Original Language: EnglishPalabras Key: Biography, Mexican, Hollywood Star Reviews -Cantinflas Movie 2014 Watch online GnulaCantinflas Movie 2014 Watch for free online on EnglishCantinflas Movie 2014 Watch online SubtitledCantinflas Movie 2014 Watch Full MovieSee Cantinflas 2014 Full Film in SpanishSee Cantinflas 2014 Full Film on Spanish LatinoSee The Cantinflas 2014 Full Film in Spanish Latino RepelisVer el Cantinflas 2014 Full Film Spanish LatinoSee Cantinflas 2014 Full Film FreeSee Cantinflas 2014 Full Film LatinSee The Cantinflas 2014 Full Film Online See Canftinlas Full Film Spanish Latin 2014 OnlineVer Cantinflas 2014 Full Film Full Film with audio LatinoVer Cantinflas 2014 Full Film in Chile - RepelisVer Cantinflas 2014 Full in Chille - RepelisVer Cantinflas 2014 Full Film in Spanish DubladoVer Cantinflas 2014 Full Film in Spanish LatinoVer Cantinflas 2014 Full Film on Spanish Latino OnlineVer Cantinflas 2014 Full Film on Spanish Latino Online RepelisVer Cantinflas 2014 Full Film in Spanish Latino PelisplusVerVer Cantinflas 2014 Full film in Latin Spanish RepelisVer Cantinflas 2014 Full Film RepelisVer Cantinflas 2014 Online Film CastellanoVer Cantinflas Full Film Sub Spanish 2014Ver Cantinflas 2014 Full Film in Spanish FreeSee Canstinflas 2014 Full Film in Spanish Latin HdVer Cantinflas 2014 Full Film in Spanish Latino MegaVer Cantinflas Full Film Sub Spanish 2014Ver Cantinflas 2014 Full Film in SpanishSee Cantinflas 2014 Full Film in SpanishSee Cantinflas 2014 Full Film in Spanish HdVer Cantinflas 2014 Full film in Latin Spanish FreeSee Cantinflas 2014 Full film in Spanish Latino Repelis HdVer Cantinflas 2014 Full film on Spanish OnlineVer Cantinflas 2014 Full film OnlineVer Cantinflas 2014 Full film with subtitles in SpanishSee Canflas Clown Full film in Spanish 2014See Cantinflas Clown Full Film in Latin Spanish 2014See Cantinflas Movie 2014 in SpanishSee Cantinflas Movie 2014 SpanishSee Cantinflas Movie 2014 Premiere Spanish LatinVer Cantinflas Movie 2014 Premiere HdVer Cantinflas Movie 2014 Premiere subtitles in SpanishSee film 2014 Online FreeSee caneein Can0 Can0ff The Spanish Movie 2014 Sub SpanishSee Cantinflas Movie 2014 Subtitled in SpanishSee Cantinflas Movie 2014 Watch OnlineVer Cantinflas Full Movie 2014 PremiereSee Full Cantinflas Movie 2014 in Spanish LatinSee Movie Completes Cantinflas 2014 Full Cantinflas 2014 Internet FreeSee Cansee Canseeflas Film 2014 Full in SpanishSee Cantinflas Film 2014 Free in SpanishSee Cantinflas Film 2014 Online FreeSee Film Cantinflas 2014 Full in Latin SpanishSee Film Cantinflas 2014 Full in Latin Spanish FreeSee Film Cantinflas 2014 in SpanishSee Movie Cantinflas 2014 Premiere FreeSee Film Cansee Cantintin Cantinflas 2014 Premiere FreeSee Film Cantintin Cantintin Cantintin Cantin cantinflas 2014 Premiere FreeSee Film Cansee Cantintin Cantintin Cantin cantinflas 2014 Premiere FreeSee Film Cantintin cantintin Cantintin Cantintin Cantin 2014 SubtitledSee Film Cantinflas 2014 PremiereWatch movie Cantinflas 2014 Free in SpanishSee Movie Cantinflas 2014 Free OnlineSee Movie Cantinflas 2014 Online Free in SpanishSee Movie the Cantinflas 2014 Online Free HdVer Movie Cantinflas 2014 Full in Spanish LatinSee Cantinflas Film 2014 in Latin Spanish Free 2014 ShareFavorito Reparto:Oscar Jaenada , Adrian Herrera , Michael Imperio , Full CastGener:Comedy, Drama, from AmoPa's: MX RepartoFotosInformation, offered by Mike Todd, arrives in Los Angeles with a pretty crazy project. Mario Moreno is a comedian. His paths intersect in the film, which will eventually win an Oscar and a Golden Globe for Mario.... Full-color programming item: Mike Todd, an eccentric Broadway producer, arrives in Los Angeles with a rather crazy film project, Around the World in 80 Days, with which he wants to shake up Hollywood's star system. Mario Moreno is a comedian who makes a living in Mexico City tents. His character Cantinflas leads him to become an icon of Mexican cinema, and one of the most important characters in the film industry. His paths intersect in the film, which will eventually win five Oscars, and the Golden Globe for Mario.Climbing the sun of RiccioneBerlin, Berlin: The Bride avoids a pastry shop in Notting HillStudent of the year 2Safari on ChristmasHistory of marriagePerdrixRemember me (Remember Me) (Head Music) Oscar Jaenada dares to play one of the great comedians. He's alive. A new version of the cinematic myth that does not go out of fashion. Another story that the movie has made world famous and that is now coming out in version 3.1. No, no. Hey whats up? Good night. Welcome to the movie days. I know it's not a clock, but I'm going to start tonight's show with you story. But not someone, and one of the most loved by the public. The Jungle Book. A classic that Kipling wrote 50 years ago and which returns to the big screen, as its author certainly imagined, with a real child, a real jungle and some animals that speak for real. It is true that it is a bit exaggerated, but the special effects are so impressive that its vision gives us an absolutely organic and realistic experience. The Jungle Book is the latest film to add to this fashion real- life image adaptation of the great animated works of cinema, allowing us to immerse ourselves once again in the ever-fascinating universe of Kipling. No, no. The Disney Factory takes over the Jungle Book, animated film classics and summit work of one of the most important creators of the 20th century. In fact, his last film. The animated version, with which we have grown generations and generations of children, young people and adults from all over the world, for almost 50 years, was an adaptation of the book of Indian origin by the British writer Rudyard Kipling. He was a human puppy. Walt Disney asked its regular staff if they had read the book and were refused a response. This ignorance turned out to be the starting point I was looking for. His idea was not to be true to the work, but to use it as a create your own allegory of growth. One, by the way, is very beautiful. I'll take you to this man's village. But why? -Because Shere Khan is back in this part of the jungle. The Jungle is like the freedom of a precious childhood. Panther Bagheera as a nascent adult side. But what a silly song. Come on, Bagheera, stick to the rhythm. Baloo Bear as a projection of a children's fantasy that resists extinction. Mowgli! Come back, come back. Let's go, let's go. And tiger Shere Khan, as what we have to face to reach the village of man. In other words, maturity. Are you crazy? You said you weren't going to get angry. This new installment remasters this version. It changes it in the presence and updates it on technology. The most remarkable thing is its overwhelming technical quality. Undeniable, undeniable and firm step on the way to the film, in which you can recreate absolutely the entire infographic to the end. The film firm is competent by Jon Favreau, the director admired by hordes of fans from the comic book world, for his brilliant adaptation of the Iron Man saga. For a director it's a lot of fun to create everything you see on screen except for the person who stars in the film. This is what Walt Disney did even before its famous steamer Willie. It was an adaptation of Alice in Wonderland, filmed with a real girl, but whose environment was a cartoon. It was his first commercial success as an animator. In our case, it was very interesting to get to the moment when the viewer watched the film, not knowing what is real and what does not surround the main character. -Bears are not winter in the jungle. What did you teach him? -Invernate is completely gone, but I sleep a lot. This hyperrealism can become grotesque, applied to the pregnancy of talking animals. And wonderful when it comes to creating a natural environment. It reminds us of the landscapes of Arlo's Journey. Recently released Pixar-Disney. Then we wondered if that minor work of the great Pixar would be done as a test camp for a more ambitious one. This new release may be the answer. Throughout my life I have seen the Walt Disney version hundreds of times over and over again. I know the songs by heart. Of course, the idea was to bring our atmosphere into this adaptation. -You are a puppy of a man who wants to live in the jungle. In our opinion, he didn't do it. This Jungle Book has a lovely baby and some of the original songs, there's no doubt about it. Forget the anxiety. What is this? -It's a song about the good life. But they are hollow because the soul of both projects like water and oil. Look for the most vital, the most. What you should indicate is nothing more. work must be abused. The wonderful melody of the Sherman brothers ceases to have the empathy they had. They are in the service of another bear, whom they convinced, than a friend. Do you know who I am? And the terrible King Louis looks more like King Kong than a sympathetic orangutan voiced by jazz singer Louis Prima. I have a jazz go to go, the most mono king of swing. Jon Favreau is more interested in creating a mastodonical superhero hit with this mesian taste, which modern fiction seems incapable of escaping. Of course, there are difficulties. How you bring now what is so in our brain. How to turn this children's musical into something more intergenerational. More for all kinds of audiences. And at the same time give him more action, more sense of danger. You can save the original by giving a more exciting and dangerous character. 20 years ago, in which Disney signed, there is another key adaptation that is more closely related to the Favreau wager. This is the one that zoltan Korda signed and starred in Sabu. It contained exoticism, adventure and risk. Great superproduction of the time. Free script, but hypnotic as just staging. This is its wonderful special charm, which resists over time. Kipling was, along with Julio Werner, or Stevenson, the most adapted author in sci-fi and adventure films. Her Majesty's servant to the queen was the best I've ever known. And not to his novels or stories, but even to one of his most famous poems, such as Gunga Din. See what to compare the treasure map ... Products that may not be taken for true original work, but are caristic. Could this be the case with this jungle book? Time will tell. To this day, it gives us the feeling that the iconic references to the movie will remain the one imagined by Walt Disney and directed by Wolfgang Reiterman. Or dubi du I want to be like you ... I want to walk like you, walk like you. Congratulations to all the friends of Kinoday, who are already 25 years old and we are very old, friends. Anyway, congratulations. Keep doing your job because it's absolutely fundamental, really. You do a very important job of broadcasting and enjoy that movie. Thank you. You know, this year's Movie Days is celebrating their silver wedding. Thank you very much to Alex from the Church. We'll be watching the premiere of your next movie, Bar. But you'll still have to wait a few months. The one that makes the premiere a secret obsession. Argentine American remake of The Mystery of His Eye. Here, the action moves from Buenos Aires to Los Angeles. From the last tails of Peronism to the aftermath of 9/11. The thriller is right. But in movie days that you know we get wet, we keep the original Campanella. For many reasons. One, for example, is that ricardo Daron is here. Directed by two esteemed films, Price of Truth and Spy, screenwriter exceptional Captain Phillips, among others, Billy Ray decided to adapt one of the great films of recent times. The Argentine mystery of his eye. When he came to the conclusion that there was an American view of history worth exploring and telling. See. Be a good terrorist delivering yellow uranium in daylight and we will be ready. Police found the woman's unidentified body in a garage container. Paradoxically, what convinced him was that it made this film unnecessary, much less compared to the original. The action takes place in Los Angeles, after the terrorist attacks of September 11. Thus, the motives that support the murderer's impunity are more than justified. Whether it was Campanella, his connection to the actress, they were guilt-free, in Ray we met with a protected federal witness. A key part in the fight against terrorism. Help! Caroline was the one who made me. I'll find him. Whatever it is. Generally speaking, the plot is the same. A man obsessed with a violent crime in a hostile environment. He covered the victim with bleach to destroy DNA evidence. But the need for Americans to justify everything on personal grounds diminishes the shock of the tragedy. Without it being a disaster, an undeclared love story between the main characters is not enough, even in any case, the shocks of the duo Ricardo Darin and Soledad Villamil. You're still alive. Yes. I need to talk to you. No, no. Because while comparisons are inevitable, the truth is that cinema has always looked colossal in the past. Even the most recent past, such as the REC and the quarantine, are just a year apart between them. Who is this? It's me, Tindel. I don't know any Italian named Tindel. -Tindola him. -Tindolele But in the intangible universe of adaptation ... That's right, up. Some of them have a feature that sets them apart from the rest. Rarely has his own actor starred in the original and remake. Ingrid Bergman failed when she earned her Hollywood passport with Intermezzo and Tyrone Power didn't need to cross borders to repeat, 11 years later, love and journalism in This is a wonderful boost. It's not true, it's a lie. If Hitchcock, Macari and William Weller didn't resist adapting to themselves, then for years dry Hollywood ideas imported filmmakers into self-government, copying the original almost flat. This is the case of Japanese Takashi Shimizu with Scream. Dane Ole Bornedal with the Night Watchman. Or Michael Haneke with shocking and identical two versions of Funny Games. -Your sister has been missing for a long time? He left Phoenix a few weeks ago without saying where he was going. And there are those who, flirting with modernity, decided to copy, because how is it improved? Stop kissing my nephew, or you'll make him take his pants off. -Uncle Jota! For charming remakes, the ones that include a nod to the original, no matter how small. I'm Jack Carter. His name is Carter! Just like me! The appearance of the face of the past evokes nostalgia, and even more so when the remake is light years away from its predecessors. They're here! You'll be the first! You're next. You're next. Then it will be you. They're here, they're here. -Invasion ultratel embroidered it. Not only did he save still terrified Kevin McCarthy from the original, but don Siegel, the former director received his well-deserved tribute. I'll give you a warning. Get out of my house day and night. - It would be unethical of me to offer a citizen that justice be done on my own. And Scorsese curled up, changed terror to fear, and featured all three main characters. You can quit your job, change your name, drop the car, and I'll still find it. Returning to the film that is currently coming out, The Secret of Obsession may interest those who don't know about the existence of the Campanella movie, because it hasn't really become a disaster for the crazy Criminal. American remake of the brilliant Nine queens. But if we enter the comparison box, the film falls apart. The mistake is to want to bring another vision, but not straying far enough from the link to dilute the memory of that one. However, it is worth noting the good work of its main trio. A particularly brilliant composition by Julia Roberts that seems to have much more to say. What does Count Dracula and frankenstein's monster have in common? In most cases, they never die in the movies. We also saw them on being together in fiction. This week the creature created by Mary Shelley returns to the halls in a version that takes a lot of freedom from the novel, perhaps to give some originality to a topic that never seems exhausted. Victor Frankenstein is an American production starring Daniel Radcliffe and James McAvoy. You know the story. Lightning. Crazy genius. The world, of course, remembers a monster, not a man. What's striking about this tape is that the authors conveyed the fame of the monster assistant Dr. Frankenstein. The sadness, misunderstanding and loneliness she suffered in the original story suffers here Igor, poor hunchback and circus clown who plays Radcliffe. I dream of a world where hope replaces fear. Where the cripple can walk again. Igor was rescued from a state of half-slavery by some crazy genius of Frankenstein James McAvoy. It gives you a new life as an assistant. Except that it heals the hump. What if we could give every living time the opportunity it deserves? Help me change the world. For those looking for addiction, classic or original makeovers, this is not their film. The monster does not occupy the center of history, but helps him in its outcome and loses its essence and humanity. With so far an Achilles heel adaptation that, moreover, also enjoys good tricks. Victor, he promised me it was because of life. It's much more than that. First, the director, Paul McGuigan, who shows good taste and know-how has already been proven, especially in BBC series such as Sherlock. He's alive. Do you understand how important this is? -I get a little idea. Secondly, a luxurious production design that recreates Victorian London to our great delight. We're about to create a life of death. The third is the main pair. To which the main female counterpoint is added. Both Daniel Radcliffe and James McAvoy give him a point of hissing, which, however, also threatens to overflow. Beautiful Jessica Brown Findlay, as it is a sad custom, has a slightly less clear role, but she does her best to give her a soul. But if we apply a bit of science ... -Life. Originality of the plot change can be considered a bottle, half full or half empty. To tastes and preferences. But we must admit that while it does not haunt the poetry and depth of myth, at least this Frankenstein is not a routine. Be careful, Mr. Frankenstein. He's playing with the training. There is no mercy in nature. I set out to come up with a story that would make the reader need to look around. Dr. Frankenstein and his monster, of all known, the creation of Mary Shelley, who published the first edition of his Gothic novel in 1817. Mary Shelley and her feverish imagination about the life of our cinema from master Gonzalo Suarez in her most nationally and internationally dedicated film. Although the first version dates back to 1910, in countless adaptations brought to the screen we owe James Whale two considered classics made in the 1930s. He's alive, he's alive! Henry, for God's sake. -Frankenstein's girlfriend. In both, Boris Karloff embodies the unfortunate created in the laboratory. Keith himself became a endearing character and his being reflected in Tv. I only ran the first two, the others made them directors. After the two-part whale, Boris Karloff remains in his role in the chess series sequels in which Bela Lugosi joined as Igor. Bullets, two in the heart. And he's still alive. And already laid, the paroxysm of exploitation and loss of reference leads to the shutdown of monsters that has nothing to do with the miracle of Tod Browning, something that will be repeated on numerous occasions over the years. I swear I can't sleep. Oh, poor thing. You can see that you are almost, almost dead. This grotesque ugliness club also has a branch in and its treasurer is the ineffective Jesus Franco. My strength is confirmed. These two vampires obey my orders and make terror reign. He also signed up for Terence Fisher's fair. Who made five batches with the unmistakable seal of Hammer Factory, from his great success in the field of terror. The curse of Frankenstein. There hasn't been a year that a new mutation hasn't been born. Sometimes with a respectful calling. A sea of ice. See you there. And others with an irreverent look. You're a son of a bitch, a son of a bitch! You're going to pay for what you did to me. But perhaps the most beautiful story, beautifully inspired by the tragic fate of a man who never wanted to be a monster, is what Victor Eric told us in the Spirit of The Hive. Interestingly, time does not pass. Why does a monster kill a girl and why do they kill him later? They don't kill him. So is the girl. Directed for years by Cahiers du Cinema and, until recently, the French cinematheca is undoubtedly an authority in the world of cinema. Taking advantage of two weeks ago we were with him to talk about the magnificent Hitchcock/Truffo documentary, we asked him about his favorite sequence. He went to the classics. Chaplin. Something obvious. But the sequence you choose may surprise you. She is not one of the most famous, much less. He doesn't even belong to one of his most recognizable films. There are so many movies that I love... I recently re-watched the movie as beloved as it was misunderstood, which is Chaplin's last. Countess of Hong Kong. Chaplin's last film with two great actors. Marlon Brando and Sophia Loren. He's an ambassador on a boat, and she's a polyczone prostitute. He hid it in his cabin, like an apartment. She has nothing to wear to sleep. So it gives him a huge yellow man's pajamas. There's a lot of fuss because she's stranded on the boat. At some point he has to go to the bathroom. He has to go to the bathroom and he puts the music very loudly so you don't hear the noises he will make. You'd think Chaplin was a genius. Shoot two great actors, it also removes their bodies, people, noises, smells. I think it's in those things that you see chaplin's great genius. That is how she finds a cinematic way to tell things seemingly more trivial, such as going to the bathroom and a woman without hearing a noise. He suddenly asked me about my favorite sequence, and it's true that I love the Countess of Hong Kong. It's a pretty misunderstood movie. Normally he doesn't like it very much. This is Chaplin's last film, in which he appears himself. And finally, I would like to thank you, because such an interview of the director on any television is not very common. Thank you so much. Pairs of a variety of furs with very different conflicts. Characters of the elderly, middle-aged and in the midst of maturity are the heroes of the three films that are waiting for us below. French, English and Argentinian. Look, it looked like a joke to me, but it's not. Inspired by real events, the British production of Lady in the Van is primarily a pike car for veteran and undisputed Maggie Smith. He exhibits the best of his repertoire to play an elderly asocial woman who parked her lame van in a ford of the writer's house in an elegant London suburb. Set as a pictorial life lesson in an ironic and friendly comedy, it focuses on the typical relationship established between writer Alan Bennett, the author of the supposedly autobiographical play in which he is inspired, and this woman of a difficult, stubborn and brazen character, with the vocation of a persistent squatter and a mysterious past. In Lady in the Van, the writer unfolds in constant conversation with himself, alternately positioning himself in favor of fiction or realistic precision against an awkward guest. Overshadowed, however, by the talent and magnetism that Maggie Smith was radiating forever. A genius and figure like this charismatic uncomfortable and grumpy character who maintains for himself the most stimulating proposition as an unhost voluntary. Nearly a year ago, the featured a French production of My Love featuring Vincent Cassel and the grieving Emmanuel Bercot, who took the new award for Best Actress by surprise. The story of a tortuous relationship from the point of view of a woman doesubly recover from a ski accident and this stage of her life. Restoring his knee and learning to walk again, he remembers all the important stages of his relationship with Giorgio and tries to reborn. Starting with the work of observing yourself from within. He works his body, but he feels like his There are many drawings that show how she digests it all to heal herself. A tumultuous and haunting romantic drama around that decomposes a couple caught up in a destructive passion, My Love is a new feature film idiosyncratic Ma'wenn, a model and prodigy who became known as a director with Polisse, a kind of life every day on the police child protection brigade. Melissa, you better not start with rape or paedophiles, you'll start small and small. From this almost documentary and sociological concept of cinema, he now undergoes a brazenly intimate story, smug excesses that define the destructive relationship of his characters. I wanted a love story with a very beautiful and seductive man who falls in love with a woman quite opposite to the one he used to love. To create an addiction, he had to not understand why he loved this woman. Giorgio himself was a victim. I think men don't suffer the same way women, women scream and cry, everything is visible, where while in men everything goes inside, it's like an escape. Always say that men don't cry, that they hide their sensitivity, and that makes it difficult for them to externalize it all. I see him as a surfer, he's a guy who surfs so he doesn't fall. He survived. She suffers because she needs more security because she is pregnant the moment everything starts to fall apart. In this story, two wins and they both lose. His love story is at least a love story. There is a dialogue that says: Gift - to love. I mean, someone lives, it's not bad. Some people fall in love and get bored, and one day they die. At least they lived it. No, no. Lucia hasn't slept in a long time. In a few hours, he and Marcelo say goodbye to the apartment they shared, and close the purchase of their first floor in the hotel that both dreamed of, where they would grow up as a couple. She should be happy, but suddenly she looks at Marcellus, who is still sleeping next to her, and her look is filled with questions. Foreshadowing the fire that gives the film its name. Hello. Yes, yes, I just heard what was going on, we were at the bank. What's going on? But is there no way to do it today? Tell him we'll be there, wait for us there, now we're talking. A small unforeseen event, which forces to postpone the purchase of an apartment for 24 hours, will be enough for all that supported their relationship to fall apart, emphasizing the fragility of love and how close it is to its antipodean, hatred, as so often counted all sorts of works of creation. What does it confirm? What was to be confirmed? It was to be confirmed, yes, I told you this morning when you woke up You'll call, and you won't. -What should he do if you told me at 9am and the guy stayed now. What the fuck does this have to do with something? They're out of life, that's all. The fire, the demanding debut opera by Argentine Juan Schnittmann, continues to reflect on the disintegration as a violent process of decomposition undertaken by related titles such as 10,000 kilometers or the theatrical performance Closing Love, to name only two recent examples. Also in Fire there are a couple of virtuous actors, Pilar Gamboa and Juan Barberini, who, in addition to the play, embody their characters with a level of engagement that becomes painful for the viewer. This contributes to the discomfort, the proximity with which the camera interferes with the intimacy of the couple. Using direct sound as a soundtrack, a long flat sequence that make watching Fire a very physical experience. I'm not afraid of you. Unsurprisingly, this grim chronicle of grief has given way to festivals in Berlin, Malaga or Buenos Aires for its strict official proposal, which foreshadows the emergence of an author who will have to watch closely, to stay with his name, Juan Schnittman. Are you afraid I'm going to tell you to break up? Yes, of course I'm afraid, I'm terrified. But I'm not staying with you out of fear. -Department of beach items, please. -First floor, miss, going down. What do you mean, come down? It's abuse. Up. I'm in a hurry, sir. Going down. No, no. Oscar Jaenada says he considers himself an accurate actor. It's not enough reason because it takes a lot of precision and courage, I'd say to get into shoe myths as recognizable and expensive as shrimp or now Cantinflas. The choice of the Spaniard to implement the icon of Mexican popular culture at first was not well received in Mexico, but in the end and after its premiere there seems to convince everyone. We didn't know if it would be released here in Spain, there was a lot of uncertainty, but finally he was doing this weekend that movie called Cantinflas, and that shows us two faces of Mario Moreno. Now it's about being looked after, so they'll tell us to tell them to tell them. No, no. Mario Moreno Cantinflas has been elevated to a peculiar phenomenon of mass resounding popular success as well as in Spain. The film Cantinflas tells the parallel story of the life of Mario Moreno, while eccentric producer Mike Todd tries to launch in Hollywood an ambitious project Circle of the World in 80 Days, a film for which Cantinflas would win a Golden Globe actor and will be the highest paid. The color film Around the World in 80 Days will be rolled out in Chinchon Square. Its chief executive, Cantinflas, who will alternate in this imaginary run with Luis Miguel Dominguean. No, no. Oscar Jaenada takes on the enormous task of bringing this universal icon of Mexican culture to life. With him we spoke widely and gave him the floor, not without one pointing out as one of the most controversial and interesting aspects of the difficult separation between one character, Cantinflas, and the actor who embodies it, Mario Moreno Reyes. Look at you, Mario Moreno and Cantinflas are the same person. Something that also reminds us of the case of Peter Sellers, which also reflects his biographical film Call Me Peter. Even though I'm such a chicken, I have more feathers than a rooster. -The work of Cantinflas was locked in my studio, in my small apartment in DF, on Hamburg Street. I was locked there, I wallpapered flat with script, photos and so on, burned four DVDs watching all his movies for 24 hours until I found in Mario Moreno's eyes at what point Cantinflas begins to improvise. I need total creative freedom. -You have talent, I have capital. If we partner, Cantinflas will be the most important comedian on the continent. -I hired a foniatra, Cantinflas simulator, the most popular in Mexico and a dance teacher, a personal friend of Mario. I tried to be with the best, I tried to do different work with each of them. Did you finish the coffin? -Yes, sir, and in the weeping willow of the wood in the match of the mourners. I think it was a very correct decision not to go to imitation when it was the easiest thing to do with Cantinflas. I did not want to emulate Cantinflas, I wanted to go to Cantinflas and then go to Mario Moreno. (Music) I can't take it anymore. -Living with a character for so long, more than 50 films all your life with the same character, you have to study it not only as an actor, but also in a psychiatric hospital. I think the sequence of 41 of this movie, which I think I will always remember, is that, it will collide at once, at some point there must be an argument, a paranoid debate. It must be, yes or yes. Sometimes it happens to me with a two-week temper, how can he not have it with a 50-year-old character? No, no. Upper and lower registers. Capital letters are those that are used to making big, and tiny, because of lack of vitamin, literary unwinding, remain chaparrits. Very well? -Small more or less. It is inevitable in the artist's life... When you spend all your time in the world, you have very little time left to be at home, you are devoted to the world, not dedicated to the house. There is a very wild dichotomy that every artist has suffered, then there are two options, or B, you will never succeed. No, no. (LL) I NOT Anyone who wants to be a philosopher should know Kanta, Hume and so on; anyone who wants to be an actor should meet Cantinflas or Mario Moreno and his character Cantinflas. I'm an actor, obviously I know who he is and I knew who he was, but I remember when I was little, my parents were watching a 3pm movie that they threw on TVE and laughing with this guy, I didn't understand half. Little else did I hear from him until my profession was like this and I was very interested in improvisation. One of the pioneers, but the master of this was Mario Moreno. No, no. The freedom to talk about what one wants, you have no you, neither this master, nor the other, nor this today. He had it and at that time he gave it to his character. He used his character to do this to really say what people, the audience thought, and it was the genius of Cantinflas, the shield he was riding. -Democracy, look, according to Spanish, translated into Spanish means demo, as the one who says what we said, if we continue with what we left with, and thank you that Sergi Huang goes, because it is not the same Don Proculo goes to democracy that we thank Don Proculus leaves. Yesterday's fog when you forget me. No, no. Look how well Susan Sarandon sings, this is what this actress is doing right, really. I'm sure you will. We heard the soundtrack to the Rocky Horror Picture Show, it sings amazingly well, it's a cult movie. I get hives about the cult, but it's a very good movie, a tribute to series B and monsters of the 1930s. We're doing great with Frankenstein, here's the tape, darling. I just saw this in a video we just saw. Since you're talking about Series B, I can see that you brought the book Hammer. Well, look, Hammer, who is a British producer who has done a lot of series B and reviewed the myths of Universal 30s, because he has a musical part that shows this book by Antonio Pineda, which soundtracks to the films Hammer, which are not quite a few. By the way, or without so many chances, here we have Peter Cushing who was the guy who played Frankenstein in the Frankenstein mansion, and we said film after film all the music that accompanied it. We can see it both ways, musically and cinematically. You make recommendations to do something with the premieres of the week, in this case with Victor Frankenstein, which we have already talked about. What should you see in cinemas, movies that are far enough left to keep them on display? Well, in the rooms I would recommend Love is there stronger than bombs. I didn't see her; I've heard very mixed reviews. Well, it's from Joachim Trier, Larsson Trier's cousin, maybe it's not that intense, but it's very exciting. It's a movie that's probably not as good as your previous one, Oslo, august 31, but it's a great movie about those things that happen in life, pain, despair, crying, laughter. I'm curious. Gabo is going to talk about it here in Cineteca because we can watch a documentary. From Gabo, Gabriel Garcia Marquez. On the 22nd day of the Night of the Books, before Book Day, you will be able to see here in Cineteca, in Sala Azcona, at 22:30, the documentary Gabo, Gabriel Garcia Marquez, the creation. It counts its universe fabulation. We don't usually use recommendations to congratulate people, but there is a genius who has fulfilled how much? 93 this week. 92 now. I'm here because we're here, but I'd be on my knees, it's Stanley Donen, he was born at 24, he's 92. He's the guy who made The Rising Anchors since the age of 22, the assistant address, which he then made with 25, One Day in New York, with Orson Velez, then Singing in the Rain, Two on the Road, Deep in My Heart. Real little gems. Have you been watching any series, out of curiosity, lately? I always watch TV series, now I watch House of Cards, season five, and the BBC miracle that is War and Peace, which is a take-out. No doubt we can say that this 21st century is a great moment, a golden age for television fiction. That's what they say, I think, too. Sanchez Tabernero was in Barcelona, in the third edition of the Festival Serialized, and this is what he brought us, with a presence to emphasize. No, no. Television fiction lives on, from the end of the last century, an addictive Golden Age that fascinates critics by the complexity of its plots, and keeps the audience hooked on their favorite series with enthusiastic cult affiliation. Who was going to tell us that the stupid box ended up being a treasure chest? Shelter from some of the best talents in modern cinema, on his escape from Hollywood movies. The golden age of television is a commentary, it's a common word, because in the 1950s there were good TV series like The Twigt zone in the 70s, and in the 80s, too, perhaps in the 90s began the golden age of the author's series, that is, as the author, screenwriter, takes all the main characters of the series and it is with David Lynch with Twin Peaks David Mills , David Simon, with The Wire, and David Chase in The Sopranos, is davids' golden age almost. - As a spectator, this is the best time to see things. In fact, there have never been so many productions, so many platforms, so many content to be able to enjoy. -No HBO or no others for pay, Show Time, Hulu, , all these platforms, we won't talk about the TV we have now because suddenly PD 13 is over, which is allowed for all audiences and you can curse, sex, there is violence. I think the advent of pay TV, the idea that someone is going to pay to watch a movie or TV series, and the financial fabric that gives you the economic opportunities that it gives you to change everything. No, no. Serialized, the Barcelona International Festival series, last weekend offered some good good reasons to follow updates on the small screen. It is a festival of TV series, which is not only based on projections of chapters, but also accepts television fiction as an important social and cultural phenomenon. Thus, TV series are an occasion to talk about other things. - That's why we screen six unpublished documentaries in Spain, we project other things that may have a lot to do with watching chapters, but with the phenomenon of television and the impact of television on people's lives. National fiction was hardly represented by the Ministry of Time and its reverse experience of virtual reality, which puts this TVE series, again, at the forefront of Spanish productions. Attempts are being made to change what traditional television is in Spain. Yes, it is true that the Ministry of Time is an example of trying to innovate, and not only in the type of series and trying to do one European thing, but it is very good for public television to make a chapter that will not be broadcast on television, but devote it to making a virtual reality chapter and let's try to see how this experiment goes. -Go to Angustias' office and give it to him, who is waiting for you. No, no. There is reason to believe that television fiction here also lives a golden age. If you make a creator who has so much time to create such a story and it should be, with an advertising model that also makes you who your series possibly lasts 70 minutes when actually with 40 you have enough that actually has limitations that ultimately has an impact on the quality of the product. So when creators, writers, are given notoriety, it will be when Spanish television fiction takes a step forward. This was undoubtedly the year OF HBO guru David Simon, author of The Mythical Wire and other link titles such as Murder or Treme. David Simon is probably number 1, but he's number 1 for ambition and courage, not audience. I think it's number 1 because it's the first one who dares to fix all the rules and change them. To say: I will be ambitious. Look at the audience. His famous phrase: If you ask audience what they want, they will always ask you for an ice cream basket. The idea that you don't have to be kind because people want to see something, but that you can be ambitious, and that at some point the audience will follow you. Simon poured out the most charismatic Serialized quotes, where he sat a chair on the art of telling good stories and gave more than one reason for Donald Trump to honk his ears. He spoke to Movie Days about all this, in a juicy interview that you can try here next week. No, no. You are the best. -The fastest man on Earth. The story of Jesse Owens is one of those that cross into the twentieth century with as epic as honor. Already have! Jesse Owens, a black athlete who told Hitler in just 10 seconds that the Aryan race was not higher at the Berlin Olympics, but that in his own country he ended up running against horses to earn a living for being black. He has the film Hero of Berlin, well meaning Canadian film, which meets the commandments, but gets the figure of the first great hero of black American sport. No, no. Within those ten seconds you are completely free. Redemption is the third installment in the Scandinavian police saga Of Cases Of The Department of Justice No. Detective Carl Molk of the Copenhagen Police Department receives a strange message, a piece of paper inside a bottle that has been forgotten at a police station in a remote location in Scotland. The first word, Help, is written in Danish with blood. Together with his comrades, he discovers that the message was sent by two brothers kidnapped in the barn of the boat, not far from the sea. Now you have to find out who they are if they are still someone and why their disappearance has never been reported. No, no. The next minutes we dedicate the Sant Jordi Awards, which were delivered last Monday. 60 years of awards. We're also talking about a short week of cinema community Madrid and the next preview of Movie Days. A new date with French cinema. This edition, number 60, stories ... Last Monday, the ceremony of the 60th edition of the Sant Jordi Awards took place in Barcelona, at the former Estrella Damm factory. One of the winners was Fernando Colomo for Beautiful Island. On Movie Days, we're glad to share the criteria with the Sant Jordi Awards in several sections, for example, as far as performances are concerned. Pedro Casablanca, best actor, for B, film, and Natalia de Molina, actress Marjor for Techo y Food. Also this week, the finalists of the third edition of the Platinum Ibera-American Film Awards were announced in Santo Domingo. Out of a total of more than 800 works came five finalists for each category, which to be awarded next July in Punta del Este, Uruguay. No, no. Until this Sunday, April 17, will be held at the Cinestudio de Bellas Artes in Madrid, the 18th week of short films of the community of Madrid. To celebrate the age of most of the festival, the 2016 edition presents news on content and awards. The projections of the official section are enriched with special sessions, tributes and children's sessions. All is well? Yes, yes, I can waste my time. A program that will bring short films to more than 60 municipalities. Professional meetings are also expanding. You look very beautiful. This week we invited you to watch Memories and we have to say that even with the knockout stages of the Champions League, the movie burst. Memories will be released next week, but we've already progressed our next preview, another French film, Mr. Chocolat, the story of 's first black clown, which Omar Shy plays, whom we saw in The Untouchables. It will be next Tuesday, the 19th, at 20 o'clock, at Cine Proyecciones. If you want to go, you know, write a letter with names [email protected] with the word chocolate in matter. The mailbox is waiting for you. No, no. Moby Dick, Herman Melville, Captain Hub, and the narrator who told us about the fight against the leviathan, the one who asked us to call him Ishmael, has long been part of the best this world has left for posterity. He was fascinated a long time ago by what Herman Melville would have done to tell his wonderful story, and the result was a wonderful novel that brought to the screen last year by Ron Howard, Heart of the Sea, a film that fascinated us to reteer one of those stories that seem fixed in our childhood, that of men who go to sea to play our lives and run amazing adventures. Ben Wishaw was a young Herman Melville and Brendan Glees, a sailor who saw the great whale. From there, a great movie. No, no. Storms can occur on the high seas or in everyday life. Celine Sciamma delicately told Tomboy the adventure of a girl who wants to be a boy when with her parents she changes her house and meets new friends. Because she wanted to be him from the first moment. In just 80 minutes, without fuss, and with the difference of naturalness, the French director, whom we recently saw Bande de files, told us as if nothing else that matters much, thanks to her work does not seem so. No, no. The Spanish miracle of the 1960s was about tourism, development and some other things that lifted the GDP and well-being of Spaniards after years of hardship. No, no. A miracle it is also translated into films such as Give Me a Little Love, directed by Jose Maria Forque, the beloved glory of Los Bravos, following the pattern of other films of the time, such as Help, by The Beatles, but leaving for posterity, absurd arguments aside, some of the great moments of Spanish pop music of those years. (Song in English) From the same credits start to that unique moment that ends with that Bring me loving, which in Spanish gives the title of the film Give Me a Little Love, and it was associated with the signature of Francisco Massiani, with a technique called tecnofantasy, and it was nothing but that years later was used under the name roboscopy. But first, and in a big way, it was Francisco Massiani. (Song in English) No, no. It marks the 70th anniversary of the premiere of Dragonwyck Castle, Joseph Leo's first film as director Ofkiewicz. Before that, he worked as a screenwriter, and it was, a short time before, that he left The Goldian Mayer's Metro to go to FOX so he could direct his own scripts. In his premium opera, the story is halfway between fantastic and gothic. Vincent Price and Gene Tierney contributed to this report. Thus began the career of director and screenwriter, which would leave us great jewels. That's how movie days ended today. See you in seven days. If you miss us, you know there's a website as well as twitter, and I'm sure we'll see you in some of our previews. Until then. No, no. (Music credits) credits)

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