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01-03_44_Cov_Intro_consumer 2/12/04 12:38 PM Page 1

2004 CATALOG

ARTIST ROSTER Electric Guitars, Electric Basses, Amplifiers, Effects & Accessories

GUITARS Vaughan Rhea VonRay Keith Aazami Bad Acid Trip Pete Ricci Lo-Pro Dave Aguilera Bleed The Dream Steve Richards Taproot Russell Ali Ka Mana Matt Roberts 3 Doors Down Lance Arny Flaw Omar Rodriguez The Mars Volta Eric Sands Rob Balducci Cold/ Todd Schlafer ion George Benson Al Schnier moe. Jag Panzer John Scofield Bronson Arthur Seay Unida Norman Brown Gizz Butt The More I See Dwight Sills Chris Camozzi Michael Bolton Erik Carlsson 3rd Strike Ken Susi Noah Carpenter Skinless Steve Swanson Six Feet Under Dino Cazares /Brujeria Mike Szuter Magna-Fi Audley Chisholm Maxi Priest/Big Mountain John Conley Scar Culture Fredrik Thordendal Tre Thorstad Trik Turner Jason Daunt Olivia Newton-John Jim Davies Pitchshifter Greg Trammell 12 Stones Jason DeCosta Rumblefish Craig “Squirrel” Tyler Crazy Town/Ringer Todd Deguchi Dave Uhrich Rob DeHaven Still Naïve Brad Delson Linkin Park Dave Weiner Steve Vai Mike DeWolf Taproot Wes Dominic Pulse Ultra David Williams Michael Jackson Doug Doppler Doppler, Inc. Fletcher Dragge Pennywise BASSES Eddie The Kydd Darwin’s Waiting Room Jett Beres Sister Hazel Ed Faris Level Nelson Braxton The Braxton Brothers Mordy Ferber Terry Butler Six Feet Under Jon Finn Jon Finn Group Bryan Campbell Droid David Fiuczynski Screaming Headless Torsos Mark Clayden Pitchshifter David Fransson Division of Laura Lee Creature Deadsy Mike D’Antonio Fuzz Deep Banana Blackout Rob Derhak moe. Rocky George Barry Donaghy Harem Scarem Racer X Dungus Rumblefish Chad Ginsburg CKY Shawn Economaki Stone Sour Gravy Mushroomhead Faydoedeelay Crazy Town Graziadei Biohazard Fieldy Jon Greasley Apartment 26 Matt Fisher Eyes of Fire Marten Hagstrom Meshuggah Jason French Paul Hanson Bill Gaal Nothingface Head Korn Roland Guerin Marcus Roberts Trio Gabe Hammersmith Steve Holt 36 Crazyfists Gustaf Hielm Meshuggah Rob Johnson Magnitude 9 Jeno Dragpipe Jon Kita Diecast Percy Jones Tunnels Kirk Kolaitis Diecast Greg K. The Offspring Eric Krasno Soulive Joe Keyser Skinless Nik Lawhorn ion Dan Kurtz The New Deal Robbie Merrill Migwell Neurotica Tarver Marsh The Keep Josh Moates TRUSTcompany Andy Martin Rufus Philpot Down To The Bone/JVR Trio (hed)pe Benny Rietveld Santana Buz McGrath Unearth Paul Romanko Shadows Fall Pat Metheny Joe Sego ion Steve Miloszewski Reveille Hannah Tosco Justincase Larry Mitchell Gerald Veasley Monte Dragpipe Pete Way UFO/The Plot Munky Korn Gary Willis Tribal Tech Doug Wimbish Living Colour Noodles The Offspring Mark Young (hed)pe Ramon Ortiz Ankla/Puya Kevin Palmer TRUSTcompany ELECTRONICS Mike Sarkisyan Lukas Previn The A.K.A.s Traa P.O.D. Josh Rand Stone Sour Michael Ward

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1726 Winchester Road, Bensalem, PA 19020 · 327 Broadway, Idaho Falls, ID 83402 · In Canada: 2165-46th Avenue, Lachine, Quebec, H8T-2P1 · In Australia: 88 Bourke Road, Alexandria, , NSW2015 · In New Zealand: 148 Captain Springs Road, Onehunga, Auckland In Mexico: AV.Toluca No. 323, Col. Olivar De Los Padres, Mexico D.F., 01780, Mexico · $5.00 in U.S.A. ($8.00 in Canada, Australia/New Zealand) ©2004 Printed in the U.S.A. (65m) 01-03_44_Cov_Intro_consumer 2/12/04 12:38 PM Page 2

SOMEWHERE… If you're going to make it, you've got to start somewhere, right? That “somewhere” is the theme of this Ibanez catalog, as Ibanez artists from all over give us a look at where they got started doing the best job in the world—playing music. Of course, the best job in the world hardly ever starts with the best job. For some, it's a talent show in the school auditorium. For others, the corner dive. Often you get paid next to nothing. More often nothing at all. Some first gigs are downright scary or embarrassing. Of course, they're the ones that are the most fun to tell about later. A whole lot later. No matter what, it's worth it. Because there really is nothing else in the world like playing guitar or bass. Whether it's something you do full-time. Or something you do to get to escape what you do full-time. We've also been looking back at where we started. To create TABLE OF CONTENTS our 2004 line-up, we've been revisiting our deep roots in rock and Daron Malakian Signature Model 3 guitars. The Ibanez Destroyer is back. The Iceman bass is back. Classics 4-5 We're building on our considerable heritage in making jazz guitars MMM Signature/SZ 6-7 NDM Signature/JTK 8-9 with the largest selection of full- and semi-acoustic guitars in our AX/GAX 10-11 history.We've got reissues of our famous ’80s effects, the TS808 JEM/JS/PGM Signatures 12-13 Tube Screamer, the FL9 Flanger, and CS9 Stereo Chorus. But not RG Prestige/K7 Signatures/RG7 14-15 everything is a bow to where we've been. Our amp line, which S/SA/AT Signature 16-17 now includes 100 watt heads and bass amps, was inspired strictly Artcore Guitars 18-21 by where are NOW and where they're headed . JSM/PM/GB Signatures 22-23 Artcore Basses 24 And why have we done this? So somewhere in these pages Iceman Bass 25 you'll find what you play.Whether it's for playing in your Roadgear 26 living room or on the other side of the world. It's doesn't really Soundgear ProActive 27 matter where. As long as it's somewhere you can play. Soundgear Xtreme 28-29 Soundgear 30-31 BTB 32 Ergodyne 33 K5/GWB/DWB Signatures 34-35 Amplifiers 36 Effects 37 Jumpstart Packages 38 Cases & Accessories 39 New Tremolos 40-41 P/U & Neck Dimensions 42-43

Ibanez Prestige guitars and basses are “My first gig was when I was three years old in Ibanez is very proud crafted in of premium woods by my living room in front of my family with a tennis racket to present the Daron our most experienced luthiers using the ‘You Ain't Nothing But A Hound Dog.’ My first Malakian Signature DMM1 perfect blend of New World technology real gig was at my 8th grade school talent show playing Iceman. For complete and Old World craftsmanship. Identifiable details on this extremely in this catalog by the Prestige logo, Prestige the Sam Kinison version of ‘Wild Thing.’ Today my favorite place to play is in my living room.” limited edition instrument, models feature necks with the comfortable, visit ibanez.com rounded feel previously found only in vintage instruments broken in by years of dedicated playing. Prestige instruments Daron also feature high-end electronics and Malakian precision-crafted deluxe appointments. system of a down 04-23_guitars_consumer 2/12/04 12:50 PM Page 1

CLASSICS CLASSICS dt/ic artists

ar basics • 2004 AR models return to the Artist’s original thicker body DT200VA dimensions for fat ‘70s • dt neck mahogany tone. • mahogany body • medium frets • Both the new AR3000 Prestige and • br-eg bridge AR300 models feature the original • psnd1 neck pu ‘70s Artist square fret inlays. The • psnd2 bridge pu AR3000 Prestige also features the • colors: va ‘70s-style decorated tailpiece. • New AR200 is the most affordable set-neck Artist in Ibanez history.

Matt Roberts Chad I. 3 doors down Ginsburg cky

AR3000VV • 3pc ar set neck • aaa flamed maple top/mahogany back IC400BK • medium frets • 3pc ic set neck Ramon • gibraltar II bridge •mahogany body Ortiz • super 58 neck pu • super 58 bridge pu • medium frets ankla/puya • br-eg bridge • colors: vv • ah1 neck pu • ah2 bridge pu • colors: bk

David Fiuczynski

Rob 4 Patterson see more IC/AR guitars at ibanez.com 5 otep 04-23_guitars_consumer 2/12/04 12:50 PM Page 2

MIKE MUSHOK SZ signature series

“My first gig was in somebody's basement in Ludlow, sz basics , around '84 or '85. I remember somebody spilled a beer all over my old Tube Screamer and ruined it. • Thru-body staggered stringing compensates for My first real gig was at a bar called Catinas with a band different string thicknesses and provides superior named Tera Shock. For favorite venues, Houses of is tonal balance, feel, articulation and sustain. the first place that comes to mind, but thinking about it, I'd • 3pc set-in neck for better upper fret access and sustain. have to say it's a place back called the Hippodrome. It's a great old theater.” -Mike Mushok • Quilted and flame maple tops and thick S-shaped mahogany body provide incredibly full tone with a wide range of overtones. • New Gibraltar III bridge offers fixed bridge simplicity and sustain. No sharp edges for longer mmm basics string life and playing comfort. • Matte finished mahogany body and thru-neck provide gargantuan tone and sustain. SZ520QMGAB • 28” scale baritone neck offers the ability to achieve • 3pc sz set-neck all kinds of low tunings. Factory tuning is A-D-A-D-G-B. • quilted maple top/mahogany back • medium frets • Super 58 pickups custom wound for baritone. Marty • gibraltar III bridge Friedman • sz1 neck pu • sz2 bridge pu • Tuning machines feature low string posts for higher • colors: gab, bb, bbl tension off the nut.

Mike Mushok staind MMM1MOL • 3 pc mmm thru-neck • mahogany/purple wood body • jumbo frets • mm bridge • super 58 neck pu • super 58 bridge pu • colors: mol

SZ720FMTG Matt • 3pc sz set-neck Bachand • flamed maple top/mahogany back shadows fall • medium frets Barry • gibraltar III bridge Stock • sz1 neck pu three days grace • sz2 bridge pu • colors: tg

“Hands down, my favorite venue is the in . It's kind of our home crowd, so we sell it out every time. Funny story—one night we were playing this rather small Aaron club. The stage, which was nothing more than a big drum riser, Lewis had a big steel support beam right through the middle. About staind half-way through the set, I decided I was going to pole dance, so I swung my guitar around my back, grabbed the pole, threw one leg around and proceeded to slide down. That was when I lost my grip, fell backwards and busted my a--. Fortunately, I didn't Greg land on my guitar and was able to finish the rest of the set.” Trammell -Greg Trammell 12 stones Pete Rici 6 see more SZ guitars at ibanez.com 7 lo-pro 04-23_guitars_consumer 2/12/04 12:51 PM Page 3

NOODLES JET KING signature series

“Duct tape is so much a part of what we musicians do on the road. Since each guitar is individually wrapped in duct tape, you’re not going to find another guitar like it. And on top of all that, it’s just an easy playing guitar that you can get a bunch of great sounds out of.” -Noodles

ndm basics • Based on the classic Ibanez Talman models that Noodles has played since 1993.

• Basswood body hand-wrapped in duct tape and finished in poly.

• Fixed bridge with steel saddles offers durability, simplicity and strong sustain. David • Special 5-Way switching provides a Lowery wide variety of pickup combinations. cracker JTK2BS • jtk2 neck • mahogany body • medium frets • br-eg bridge • psnd 1 neck pu • psnd 2 bridge pu • colors: bs, cp

jtk basics JTK1BRS • jtk1 neck • Funky mid-60s looks with today’s tonal versatility and playability. • basswood body • medium frets • Old-style rocker tone switches are actually modern coil-taps for • br-eg bridge instant switching between classic single coil and humbucking tones. • psnd 1 neck pu NDM1TSG • psnd 2 bridge pu • 3 pc ndm neck • String-thru-body construction provides greater sustain, and tighter tension • colors: brs, bt • basswood body • medium frets Lukas Al • JTK1 features basswood body and thinner neck for light weight • fixed bridge Previn and easy playability. • inf1 neck pu the A.K.A.s Schlafer moe. • inf1 bridge pu • JTK2 body features larger mahogany body with a thicker neck • infs2 middle pu • colors: tsg for warmth and sustain.

“ My first gig was in the local pub in my home town, Trollhattan. I had a band with my cousins. We played Bob Dylan, the David Clash, and some originals. My youngest Noodles Fransson cousin was nine years old at the time and the offspring division of laura lee had written some pretty good songs.” -David Fransson

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AX series

“In TapRoot, our first gig was in 1997, at the Palladium in Roseville. It's gone now. It had a 1000 person capacity, but only 80 AX120WK people showed up. We won the Battle of the • ax neck Bands, but didn't win anything. Just .” • mahogany body • large frets -Mike DeWolf • fixed bridge • ah3 neck pu • ah4 bridge pu • colors: wbr, wk

ax basics • Raw simplicity and double-humbucker power in a crystal-cut mahogany body. • Available in 6- and 7-string models and models with set-on or bolt-necks. • D-tuner models offer the simple solution for achieving alternate tunings.

Rob DeHaven still naïve

AXS32DRF AX220QMASB • 3pc ax set neck • ax neck • mahogany body • quilted maple top/ • large frets mahogany back • full tune II bridge • large frets • ah3 neck pu • fixed bridge • ah4 bridge pu • ah3 neck pu • colors: tkf, drf • ah4 bridge pu • colors: asb

Billy Graziadei Mike biohazard DeWolf taproot 10 see more AX guitars at ibanez.com 11 04-23_guitars_consumer 2/12/04 12:51 PM Page 5

SIGNATURE guitars

“ “ There’s a lot of responsibility that goes along with having “I’ve always felt that the tone you get When I pick up any other brand a signature guitar. My goal was to transcend my own name. comes from your skin touching the fretboard, of guitar, I have to think of so many Obviously it had to be good for me to play, but it also had to not just strings on frets. I wanted a guitar things… the volume knob is in the wrong be good for other players. The guitar had to be good looking, with a modern sound, but with a vintage place; the frets are too small; there are very playable, very friendly. We achieved that. The JEM is the feel, with smaller frets and more radius on too many controls; the balance isn’t guitar for me, a warm place to be. Any other guitar seems the fingerboard. It had to be subtle enough right; the body shape poke me in the strange; it just doesn’t have the vibe. Anywhere in the world I to catch nuances, fast and easy to play, ribs. These are things I don’t have to can go into a music store, take a JEM off the wall, and it’s my and you had to be able to wear it.” - Joe worry about with my Ibanez.” guitar, my voice.” - Steve Vai in Ibanez. The Untold Story Satriani, describing the genesis of the JS - Paul Gilbert in Ibanez. The Untold Story in Ibanez. The Untold Story.

jem basics • Contoured basswood or alder bodies with 24-fret js basics pgm basics Prestige JEM neck provides easy access to all registers. • Available in both fixed bridge (JS2000) • The fixed bridge PGM301 is • Deep routed tremolo cavities allow pitches to be and tremolo versions (JS1200, JS1000, the model Paul is currently lowered or raised. and JS100) playing for the majority

® of his work. • Vai's choice of specific DiMarzio pickups for each • Multi-radius Prestige neck (JS1000, model, combined with Ibanez Split-5 wiring, provide JS1200, and JS2000) is an exact digital • Features Paul's choice of incredible tonal versatility. rendering of the neck on Joe's favorite axe. maple fingerboard, and DiMarzio pickups. • Steve Vai's Universe–the guitar that ignited the 7-string • Lightweight, aero-foil shaped basswood revolution–allows almost effortless transition from body provides comfort, upper fret access • 24-fret PGM Prestige neck is 6- to 7-string techniques. and expressive singing tones. 2mm thicker than our super- thin Wizard necks. • High pass filter on JS1000, JS1200, and JS2000 volume pots maintains highs at low volumes. • Combination of 25 1/2” inch neck scale and DiMarzio or Ibanez Axis pickups provide wide dynamic range and versatility.

JEM7VWH UV777BK • jem neck • uv neck • alder body • basswood body • W/6105 frets • large frets • edge-pro bridge • edge-pro 7 • evolution bridge PGM301WH (h) neck pu • dimarzio blaze JS1200CA • pgm neck • dimarzio custom (h) neck pu • js neck • basswood body (s) mid pu • dimarzio blaze • basswood body • jumbo frets • dimarzio evolution (s) mid pu • W/6105 frets • fixed bridge (h) neck pu • dimarzio blaze • edge-pro bridge • dimarzio paf pro neck pu • colors: wh (h) bridge pu • dimarzio paf-pro • dimarzio jem single mid pu • colors: bk neck pu • dimarzio paf pro bridge pu • dimarzio fred • colors: wh bridge pu • colors: ca

12 see more JEM guitars at ibanez.com see more JS guitars at ibanez.com 13 04-23_guitars_consumer 2/12/04 12:51 PM Page 6

RGT3020FMDS RG K7/RG7 • 3pc ultra thru-neck prestige models 7-string models • flamed mapletop/ mahogany back rg prestige basics • jumbo frets “We kept the integrity of the original classic • dimarzio paf pro • DiMarzio® and DiMarzio IBZ pickups combined with the right placement neck pu 7-string model we started the band with and made • dimarzio paf pro provide hard-edged, cutting tone. a few changes that enhanced the guitar overall.” bridge pu - Munky in Ibanez. The Untold Story. • colors: ds • Thin, flat, and fast Wizard necks as well as slightly rounder Ultra thru-neck on the RGT3020. “Creating our own signature model was as exciting • Wide variety of bridges including Roland® GK-compatible, Double Edge as ‘making it’….a dream come true. I still use that (featuring both magnetic and piezo pickups), synchronized, standard, and fixed. thing every night.” - Head in Ibanez. The Untold Story. • Crafted in Japan by Ibanez’s most experienced luthiers using the finest materials and electronics available.

k7 & rg7 basics • Ibanez has more experience with solid-body 7-strings than any other guitar maker.

• DiMarzio® and Ibanez pickups designed exclusively for 7-strings.

• The right bridge and nut spacing is why Ibanez 7-string guitar necks feel like guitar necks—not like bats. Transition from 6- to 7-string playing techniques is effortless. Lance • K-7 features A-D-G-C-F-A-D factory-tuning for Korn’s signature Arny low-end crunch. flaw

RG1527CB • 3pc wizard-7 neck • basswood body • jumbo frets • edge-pro-7 K7BG bridge RG2570EXVSL • v7-7 neck pu • 3pc • K-7 neck • mahogany body • v8-7 bridge pu wizard neck • colors: cb • basswood body • jumbo frets • jumbo frets • lo pro-edge • edge-pro bridge w/ U-bar • dimarzio ibz neck pu • dimarzio paf 7 • dimarzio ibz mid pu neck pu • dimarzio ibz bridge pu • dimarzio paf 7 • colors: vsl Terry bridge pu Balsamo • colors: bg, fb cold/evanessence Noah Carpenter skinless

Head & Munky korn

Frederik Thordendal & Marten Hagstrom meshuggah Dextor Holland see more guitars at ibanez.com 14 the offspring RG 15 04-23_guitars_consumer 2/12/04 12:51 PM Page 7

ANDY TIMMONS S/SA signature model series

“ at basics The first thing you notice when you s basics “Although Stone Sour already had pick up the AT300 is how great the neck three sold out shows in Des Moines, • Offers the wide range of tones • Fat and heavy tone without a fat and heavy body. feels—like an old friend. Then, of course, the I would have to say my first real gig was needed by a guitarist who plays Super-sleek S guitars provide complete playing tone! Warm, punchy, focused low-end, crystal The Whiskey in , where we gut-bucket Texas blues one freedom and comfort. day and six different kinds of clear top – just beautiful. I require a lot of sonic shot the video footage for the song ‘Get studio sessions the next. variety for my guitar and the AT300 delivers!” Inside’. Not bad for my fourth show.” • Thin, fast and flat Wizard and Wizard II necks -Andy Timmons - Josh Rand • AT multi-radius neck offers allow effortless fretwork. incomparable playability and feel. • All S models are equipped with the ZR Zero • Two DiMarzio® Cruiser DP186 Resistance tremolo, a major advance in tremolo single coil pickups with a technology. The ZR features roller bearings DiMarzio AT1 humbucker made instead of a knife-edge for smoother movement, specifically for Andy and a die-cast bridge plate for signature Ibanez Timmons (an Ibanez exclusive). Josh tone. The ZR incorporates the Zero Point system for Rand • Sperzel® locking tuners and consistent return to center point after arm use. stone sour Wilkinson/Gotoh VSVG Tremolo. • SA models feature the silhouette and curved top of an S, but with a standard flat black.

AT300AV • at neck • mahogany body • jumbo frets • wilkinson-gotoh vsvg tremolo • dimarzio cruiser neck pu • dimarzio cruiser mid pu • dimarzio at special bridge pu • color: av

Andy Eddie The Timmons Kydd SA160QMAM S470DXQMNF darwin’s waiting room • sa neck • wizard II neck • quilted maple/ • quilted maple/ mahogany body mahogany body • jumbo frets • jumbo frets • sat 30 bridge • zr bridge • as2 neck pu • psnd1 neck pu • as2 mid pu • psnds mid pu • ah4 bridge pu • colors: am, tr • psnd2 bridge pu • colors: nf, cn Buz McGrath unearth

Ken Kevin Susi Palmer trust company unearth

16 see more S/SA/GSA guitars at ibanez.com 17 04-23_guitars_consumer 2/12/04 12:51 PM Page 8

ARTCORE series

“ afs/ag basics af/ak basics I played my first gig at seven years old in a local talent show in Portola Valley, CA. I played Peter, Paul • Huge assortment of styles…both true full hollow guitars and • Huge assortment of styles…both and Mary's "If I Had A Hammer." My first "real" gig semi-acoustics in all different sizes, thicknesses and shapes true full-hollow guitars and semi- was on the Sergeant Sacto television show in acoustics in all different sizes, Sacramento. We were called the "Juveniles," and I • Original design Vintage Vibratos with roller saddle bridge. thicknesses and shapes was ten years old. My favorite venue today is the All the great vibe of the classic trems –with none of their Greek Theater in Los Angeles. It has a great vibe.” • Original design Vintage Vibratos traditional tuning glitches. -Chris Camozzi with roller saddle bridge. All the AK85DVS • Medium output Artcore pickups produce clean, clear full- great vibe of the classic trems– • 3pc artcore dx neck and semi-acoustic tones AND work well with the effects. with none of their traditional • spruce top/flamed tuning glitches. maple back/sides • The great upper fret access and sustain of a set-in neck… • full-acoustic at of a bolt-on. • Medium output Artcore pickups • large frets • rosewood bridge produce clean, clear full- and • ach1 neck pickup semi-acoustic tones AND • ach2 bridge pickup united basics work well with the effects. • color: dvs • Resonant Artcore maple bodies in three traditional styles. • The great upper fret access and • Japanese craftsmanship, finishing and set-in Japanese sustain of a set-in neck… at the Ibanez necks. price of a bolt-on. • Ibanez’s famous Super 58 pickups offer classic warm and sweet humbucking sound.

Chris Camozzi michael bolton

AS193AV AF85VLS AFS77TMG AG85TRD • 3pc artcore • 3pc artcore • 3pc artcore • 3pc artcore Eric united neck dx neck dx neck dx neck Krasno • flamed maple • flamed maple • maple • figured bubinga soulive top/back/sides top/back/sides top/back/sides top/back/sides • artcore united • full-acoustic • full-acoustic • semi-acoustic • semi-acoustic • large frets • large frets • large frets • medium frets • art1 bridge • art2 bridge • art1 bridge • gibraltar III bridge • ach1 neck • ach1-s neck pickup • ach1 neck pickup • super 58 neck pickup • ach2-s bridge • ach2 bridge pickup • ach2 bridge pickup pickup • super 58 bridge pickup • color: mg • colors: trd pickup • color: vls • color: av

Corey Taylor stone sour

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ARTCORE series axd/txd basics as/am basics • For full hollow sound in super-compact size, the original design AXF provides players a style and • Huge assortment of styles…both true full-hollow guitars and playability you won't find anywhere else. semi-acoustics in all different sizes, thicknesses and shapes • Heavy tones without the heavy weight. The new • Original design Vintage Vibratos with roller saddle bridge. Ibanez AXD offers the rock and roller semi-acoustic AXD81VLS All the great vibe of the classic trems–with none of their sound, sustain, and comfort. • 3pc artcore neck traditional tuning glitches. • flamed maple top /maple back/sides • The Talman TXD and FTM offer semi-acoustic tones • semi-acoustic • Medium output Artcore pickups produce clean, clear full- in a thin-bodied format that make them especially • large frets and semi-acoustic tones AND work well with the effects. suited for both rock and country. • art1 bridge • ach1 neck pickup • ach2 bridge pickup • The great upper fret access and sustain of a set-in neck… • color: vls at the price of a bolt-on.

Fuzz deep banana blackout

AM77NBK AS73TCR “ • 3pc artcore dx neck • artcore neck My first gig was kind of a • maple top/back/sides • maple top/back/sides 'real' gig. I was 15 years old, in • semi-acoustic • semi-acoustic • large frets • large frets some heavy rock and we TXD71BK • art1 bridge • art1 bridge played at a club in St. James, • 1pc artcore neck • ach1-s neck pickup • ach1 neck pickup NY called 'The Third Rail'. The • maple top/back/sides • ach2-s bridge pickup • ach2 bridge pickup club was literally gone the next • semi-acoustic • color: nbk • colors: bs, tcr • large frets day after some drunk guy • art1 bridge Omar drove through the front window • ach1 neck pickup Rodriguez and wrecked the place. They • ach2 bridge pickup the mars volta sold it after that. -Fuzz • color: bk

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SIGNATURE boxes

“ “ “The GB10’s smaller body doesn’t When Ibanez wanted to reintroduce I started coming to Japan in the late 70's. I have a lot of resonance, but it has a lot of my original AS200 guitar with the original was very flattered when some representatives of articulation. The notes don’t melt together specs they had to fly me to the Ibanez Ibanez came to one of our concerts and showed like on softer guitars. It maintains the tone R&D facility in L.A., where detailed meas- me some of their guitars. At that time, I had never while articulating each note. No other guitar urements were taken of every conceivable even met someone from a guitar manufacturing gets that sound. It’s a guitar that really dimension. This became the basis for the company, let alone had them be really nice to me shows off chops—especially for today’s JSM John Scofield Model introduced in and offer to build me an instrument. It took some young players who have all the chops!” 2001, which reproduced the original time, several prototypes and perseverance from - George Benson from Ibanez.The Untold Story. guitar plus added some improvements all corners, but the final results are excellent - I such as a side-mounted jack.” love playing all of the various Ibanez PM models - John Scofield from Ibanez. The Untold Story. and am quite proud to be associated with them.” - Pat Metheny from Ibanez. The Untold Story

gb basics • Pure jazz tone at any volume. jsm basics pm basics • Succeeds the classic AS200 with designs • Floating pickups, a thicker top and • Like the artist who inspired them, firmly and features ordained by the AS200’s a smaller body reject feedback. rooted in the jazz guitar tradition, but most famous player. able to go far beyond. • Special ebony bridge completely • AR/AS style headstock for better balance. transfers tone from strings to the top. • Large, full hollow design but slimmer for better comfort, projection and • Gotoh 510 machines, Super 58 pickups • Die-cast bridge allows separate feedback rejection. tension adjustment of treble and untraditional side output jack. and bass strings. • Double cutaway with 17th fret neck • Classic Ibanez half-brass, half-bone nut body joint for easier upper fret access. for perfect balance of highs and lows.

GB10BS • gb neck • spruce top/ maple back/sides JSM100VT PM100BK • full-acoustic • jsm neck • pm neck • medium frets • flamed maple • maple top/back/sides • ebony bridge top/maple back/sides • medium frets • gb special neck pu • semi-acoustic • full-acoustic • gb special bridge pu • medium frets • gb103b bridge • colors: bs, nt • g510bn bridge • super 58 neck pu • super 58 neck pu • colors: bk, nt • super 58 bridge pu • colors: vt

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ARTCORE ICEMAN series model

artcore basics iceman basics • Set-in necks offer superior sustain than the compared • The right bass for both Old and New School Rockers. to bolt-neck models usually found in this price range. • Traditional passive electronics for pure, straight, fat sound. • 34” scale neck for better articulation. • Thick neck and massive mahogany body deliver • Higher output pickups than most semi-acoustic basses. absolutely huge tones. • B10 bridge with die-cast saddles provide maximum string-to-body vibration transfer. • Gold hardware, large pearloid inlays, and late ‘70s-style knob indicators augment the incomparable Iceman vibe.

ASB140BS • 3pc artcore bass neck • maple top /back/sides • semi-acoustic • jumbo frets • gibralter III bass bridge • achb-1 pickup • passive eq • color: bs

AGB140TBR • 3pc artcore bass neck • maple top/back/sides ICB200BS • semi-acoustic • 1pc icb neck • jumbo frets • mahogany body • gibralter III bass bridge • medium frets • achb-1 pickup • b-10 bridge • passive eq • mhc4 neck pu • color: tbr • mhc4 bridge pu • passive eq • color: bs

Pete 24 Way 25 UFO/the plot 24-43_basses_consumer 2/16/04 11:55 AM Page 2

ROADGEAR SOUNDGEAR models proactive model

rd basics srp basics • J/M pickup configuration offers a wealth of tones and • Premium grade ash provides traditional tones with plenty of punch. excellent sustain. • RD500 deluxe model offers the simplicity and power of the • Thin, fast Soundgear neck offers modern easy Ibanez 2-Band Active EQ. playability and upper-fret access. • RD300 standard model features passive EQ and an even • New PHAT II active bass boost combines traditional more affordable price. simplicity with modern active power. • Neck is thin in the lower frets like a Soundgear, but thicker towards the upper frets like a traditional bass for fatter tone. • Massive Accu-Cast B200/B100 bridges provide strong sustain.

Hannah Tosco justincase

SRP400TFB • 1pc srp4 neck • ash body • medium frets • mr3 bridge • psnd p pu • phat II eq RD500SB • colors: tfb, wb • 1pc rd neck • quilted maple top /basswood back • medium frets • accu-cast b-200 bridge • epj4 neck pu • eph4 bridge pu Greg K. • eqb-2d eq the offspring • color: sb

Mark Young hed(pe)

“My favorite venue to play is the Live or House Of Blues anywhere, particularly in Orlando. Great clubs, great stages, and even in December I can trade a couple of guest passes for a ride to the ocean.” - Mark Young

Bill Creature Gaal 26 see more RD basses at ibanez.com see more SRP basses at ibanez.com 27 deadsy nothingface 24-43_basses_consumer 2/16/04 11:55 AM Page 3

SOUNDGEAR xtreme series

srx basics • Powerful and simple. • Super high output Passive Full Range pickups with exposed pole pieces redefine the meaning of loud. • Simple-to-operate 2-band EQ or PHAT active bass boosts let you play more bass “ and less controls. Our first real gig was at a bar in Buffalo called Broadway Joe's. We • 5-string offers wide string pitch and neck width. opened for a friend’s band called Monkey Wrench, and I feel eternally grateful to them for giving us that opportunity. That is why we still try to Nelson Braxton give up-and-coming bands a break the braxton brothers whenever we can.” - Rob Derhak

“First gig? Do you mean the first time I got some money for playing bass? Well, actually, it was outside of a Church’s Chicken in Fairfield, where I grew up. I was in my first high school band; the restaurant was across the street. There was a guy in a BIG chicken suit standing next to us when we played, and ALL of our friends were walking by the place after school and laughing at us! What an intro to the music biz!” - Nelson Braxton

SRX400MO SRX705NT • 3pc srx4 neck • 5pc srx5 maple • soft maple /walnut neck thru • medium frets • light ash wing • accu-cast • medium frets b-100 bridge • accu-cast b-205 • pfr-al4n pu • pfr-al5n neck pu • phat II eq • pfr-al5b bridge pu • colors: dsf, mo • eqb-2dx • color: nt

Paul Romanko shadows fall

SRX500TFB • 3pc srx4 neck • flame maple top /basswood back • medium frets • accu-cast b-200 bridge • pfr-4n neck pu • pfr-4b bridge pu • eqb-2dx • colors: hs, tfb

Rob Joe Derhak Keyser see more SRX basses at ibanez.com 29 moe. skinless 24-43_basses_consumer 2/16/04 11:55 AM Page 4

SOUNDGEAR 4/5/6 string series

sr basics • Thinner necks with thinner nuts than traditional basses. • Sleek bodies that are lightweight, balanced and “ My first gig was a backyard comfort contoured. party in Bradford, New Hampshire. I • Active EQ’s perfectly matched with the right choice can't even of of passive or active pickups. the band. My first real gig was at the Ratskeller in Massachusetts, with some guys I played around with locally. My favorite venue now would be Red Rocks in Colorado.” - Robbie Merrill Gerald Veasley

Jeff Beres sister hazel

SR905NTF • 5pc sr5 maple/bubinga neck thru • figured maple wing curved body • medium frets • accu-cast b-25 bridge • bartolini mk1-5 neck pu • bartolini mk1-5 bridge pu • bartolini mk1 3 band eq • color: ntf

SR900AM SR506BM • 5pc sr4 maple • 5pc sr6 wenge /bubinga neck thru /bubinga neck • figured maple • mahogany body wing curved body • medium frets • medium frets • accu-cast • accu-cast b-106 bridge b-20 bridge • bartolini mk1-6 • bartolini mk1-4 neck pu neck pu • bartolini mk1-6 • bartolini mk1-4 bridge pu bridge pu • bartolini mk1 • bartolini mk1 3 band eq 3 band eq • color: bm • color: am

Josh Moates trust co.

Robbie 30 Merrill see more basses at ibanez.com 31 godsmack SR 24-43_basses_consumer 2/16/04 11:55 AM Page 5

BTB ERGODYNE BTB400QMHS series • 5pc btb4 maple eda/edb series /walnut neck • quilted maple top /basswood back btb basics • medium frets eda basics • mr-2 bridge • 35” neck scale provides superior articulation. • dfr-n4 neck pu • Futuristic Luthite body offers unprecedented Perfect for 5-strings and detuned 4-strings. • dfr-b4 bridge pu comfort and balance. Standard 34” scale available on the BTB300. • vm-3b eq “ y first gig was with a band I • color: hs • Smaller headstock provides much more consistent M • Custom Bartolini active EQ’s and passive fret-to-fret response. put together for my friend's ‘big’ 13th humbucking pickups (on BTB1000 models) party. He had rented a hall • Low profile bridge and wider neck provide optimum designed specifically to complement and expected all the cool kids to spacing for right and left-hand fingering. the BTB’s 35” neck scale. come, except it was only us nerds • Reversed tuning machines allow straight line • 18-volt circuitry provides much greater who played music and a few others. stringing from nut to post for better tuning, and more headroom than found on standard My first real gig was the Diamond consistent string-to-string tension. active EQ’s (except BTB300/305). Club in , when I was 14. We rocked it out, playing covers of Elton • Off-center line neck shape (BTB1000) Gustaf edb basics John, Boston, and Zep. My favorite Heilm makes upper-fret work as easy as playing the lower frets. places to play are the House of Blues meshuggah • Luthite is a man-made material designed specifically in , the Bowery Ballroom in NYC, for electric stringed instruments. Ergodyne Luthite and the Trocadero in Philadelphia. bodies provide ergonomic comfort and dynamic tone. Of course, there are all the stadium • Strong, slender two-octave maple neck shows I've played, but they're too offers fast and easy fretwork. numerous to mention!” - Dan Kurtz • Passive pickups and active EQ’s are specifically selected to enhance the resonant Luthite body material.

BTB305BGWNF • 5pc btb5 maple /walnut neck • bubinga top /mahogany back • medium frets EDA905NMS EDB600GP • mr-2 bridge • 3pc eda5 neck • 3pc edb4 neck • spj-5n neck pu • luthite body • luthite body • spj-5b bridge pu • medium frets • medium frets • eqbII-b • dfr-n5 neck pu • accu-cast • color: wnf • mrII bridge with b20 bridge Terry fishman® piezos • dxh2n neck pu Butler • eqa-pz eq • dxh2b bridge pu six feet under • color: nms • eqb-III eq • colors: gp, wp

Mike D’Antonio Shawn killswitch engage Economaki stone sour Dan Kurtz the new deal

see more BTB basses at ibanez.com see more EDA/B basses at ibanez.com 33 24-43_basses_consumer 2/16/04 11:55 AM Page 6

SIGNATURE basses

“ My sound came about so I could be heard through “It took about two years to come out “My 5-string represents five long all the low end from the7-string guitars. A lot of the sound with my signature model. I was impressed years of research and development. It’s comes from the bass itself, the active pickups. Another that Ibanez didn’t sell the bass right away. truly a work of art. One of the best 5-string part of my sound is that I just dump all the mids; I really They made it the way I wanted first. In basses Ibanez has ever made—and that don’t like midrange. the end, my bass says what I want it to says something! I designed it so I could say. It has its own sounds, but it’s also get a wide and different range of sounds “ I’ve played all kinds of basses. I’ve got other companies transparent; you get sounds out of your with ease, both and in the studio. It’s that want me to endorse, but I don’t like any other basses. hands. When you can dial in an instrument got a great dynamic and great fundamentals. I’m not like some people who play an instrument because to this level of performance, it’s amazing.” I think players will find it very easy, very of a contract. I’m playing it because I love it. The K5 is a - Gary Willis in Ibanez. The Untold Story. useful and very, very fun to play— masterpiece.” - Fieldy in Ibanez. The Untold Story. because we nailed it.” - Doug Wimbish

k5 basics gw basics dw basics • Powerful ADX active pickups and • Gary Willis is the unchallenged name • The wide range of tones needed by the the original Vari-Mid EQ sweepable in 5-string fretless playing and 5-string first call N.Y. session artist who's played midrange allow you to dial in or dial GWB35KBF fretless basses. with everyone from Living Colour to out any kind of bass sound (or as • 3pc gwb5 the Rolling Stones. Fieldy says, “Take the midrange and maple neck • New GWB35BKF model offers the core • 5 pc maple/bubinga neck with quarter turn that $%#@$ off”). • basswood body features of the Gary's original GWB1 • fretless Prestige Signature model at -sawn bubinga fret board offers superior • Body of padauk and mahogany • b-105 bridge one-half the price. strength, tone and response. provides the tremendous low-end • sfr-gwb custom • Neck-thru body with ash wings allows and sustain needed for Korn's brand bridge pu • Bartolini NTBT 2-band EQ with bypass unlimited upper fret access. of heavy rock. • eqb-gw2 switch (active/passive) on the GWB1 • color: bkf matches any kind of amplification. • Hipshot® licensed tuners provide tuning • GWB1 lightweight swamp ash body stability combined with lighter weight for provides an extremely open sound. better neck/body balance. • Curved Bartolini Willis pickup provides • 2-band EQ customized for Doug Wimbish separate coils for precise string offers wide and rapid tone adjustments. balance. • EMG® 35P4 and 35J4/40J active pickups. • Detachable ramp/finger finger-rest designed by Gary Willis refines right hand technique and prevents players from digging into the strings (“the worst thing you can do on a fretless”). • Sure Grip tuning knobs inspired by Gary Willis allow fast restringing and precise fine tuning even during the heat of a gig. K5OL DWB35BBL • 5pc k5 wenge • 5pc dwb maple /walnut neck /bubinga neck • padauk/mahogany • light ash wing /padauk body • medium frets • medium frets • eb10 bridge • die-cast 5 bridge • emg 40j • adx5n pu • emg 40j • adx5b pu • eqb-dw2 2band eq • vari-mid • color: bbl • color: ol

34 see more GW basses at ibanez.com see more DW basses at ibanez.com 24-43_basses_consumer 2/16/04 11:55 AM Page 7

AMPLIFIERS EFFECTS guitar and bass amps

There are already plenty of amps dedicated to the thrilling sounds of yesteryear. (Not that there’s anything wrong with that.) But Ibanez amps are spec’d and voiced for today's tones. The fact that Ibanez amps pump out the right tones for the times It’s back—the incomparable overdrive pedal that’s been has received critical acclaim from Guitar World, Guitar One and Guitar Player describedts808. as “the Holy the Grail of originalTube screamers.” Our 2004 TS808 magazines. And it's definitely why the guitar and bass playing public has made reissuetube features thescreamer. same famous standout square footswitch of Ibanez the fastest growing new line of amplification. the original and the even more famous warm tones of the JRC4558 chip used in most of the original TS808's. Ignore any For 2004, we’re expanding the newest name in amplifiers with our first 100 watt over-the-counter lookalikes. If your tone is suffering from a lack bass amp and bass extension cabinet. of real warmth, the TS808 is the real, non-generic prescription.

TB100H Tone Blaster • 100 watt @ 8ohms • 120 watt @ 4ohms • Two footswitchable discrete channels (clean and crunch) w/independent active nine series 3-band EQ and level controls • Footswitchable mid-shift on When it comes to compact effects, the overdrive channel nine is the magic number. By popular • "Crunch" circuit available demand (and the understandably on the clean channel escalating prices of the originals), we're • Reverb with independent level controls on the clean and reissuing two of the most popular overdrive channels Ibanez 9-Series effects, the FL9 Flanger • Effects loop and CS9 chorus. If you missed out on • Headphone jack getting one of these classics the first • Footswitch jacks • Four button metal footswitch time around, now is the time. Both our TS9 Tube screamer reissue and TB412A Tone Blaster • Angled front speaker cabinet TS9DX Turbo Tube screamer feature the • 4-12" "POWER JAM" speakers TA75558 chip used in most of the original • Switchable mono/stereo TS9's with the TS9DX adding three settings FL9 Flanger for increased low-end crunch. CS9 Stereo Chorus TB412S Tone Blaster • Straight front speaker cabinet • 4 12" "POWER JAM" speakers • Switchable mono/stereo

Heavy Duty Metal Footswitches Many 100 watt amps feature plastic footswitch assemblies, but Ibanez 100 watt Tone Blaster amps come standard with heavy-duty metal TB100R Tone Blaster footswitch units with LED indicators. • 100 watt @ 8 ohms using internal speaker • 120 watt @ 4 ohms using optional extension speaker • 2-12" "POWER JAM" speakers. • Two footswitchable discrete channels SW100 Sound Wave (clean and crunch) w/independent • 100 watt @ 8ohms using internal speaker active 3-band EQ and level controls • Footswitchable mid-shift on the • 145 watt @ 4ohms using optional TS9 Tube Screamer extension cabinet TS9DX overdrive channel Turbo Tube Screamer • "Crunch" circuit available on the • Tilt-back design clean channel • 15" speaker and piezo tweeter • Reverb with independent level controls with on/off switch on the clean and overdrive channels • Active 4-Band EQ with selectable • Effects loop midrange (250hZ/500hZ/800hZ) • Headphone jack • Limiter with LED indicator • Footswitch jack • Sensitivity switch with effect blend control • Closed-back cabinet design • Master Volume Control • Speaker extension jack • CD Inputs • Four button metal footswitch • Headphone out • Transformer balanced DI (XLR type) with Larry pre/post switch and ground lift switch Mitchell TB212 Tone Blaster • Extension Cabinet • Line out • 2 - 12" "POWER JAM" speakers • Effects send and return weeping demon • Extension speaker out (145 watts at 4ohms) The most variable and controllable guitar wah you • Closed back cabinet can get. The Weeping Demon’s shrieks, cries, wails and seductive siren songs will have your audience screaming for more. The Weeping Demon features SW115S Sound Wave (not shown) Tone-Lok spring and normal footboard action, selectable • Bass extension speaker cabinet CF7Chorus/Flanger Tone-Lok wah range, fine tuning controls and more. • 15" Speaker and piezo tweeter DE7Delay/Echo with on/off switch • Closed back cabinet 36 see more TB/SW amps at ibanez.com • Heavy duty casters see more EFFECTS at ibanez.com 37 24-43_basses_consumer 2/16/04 11:56 AM Page 8

JUMPSTART CASES/ACCESSORIES packages

It’s time. Time to get out of the crowd and get up there on the stage where you belong. Jumpstart guitar and bass packs have everything to do it and WorldTour™ Sling Bags fast: axe, amp, electronic tuner, instruction DVD, a gig bag and a whole The ultimate gig bag for players on the go. lot more. And every Jumpstart guitar and bass is inspected and set up Adjustable sling-style strap (across chest) according to the same standards as the most expensive Ibanez axes. with cell phone mesh pocket. Top panel pocket for cable and wires. Outer pocket with sections for string winders, tools, flash- lights, pens, etc. Inner pocket for sheet music, pedals or small 4-track recorders. Exterior all-purpose mesh pocket. Soft quick- pickup handle for fast escapes from fans. BBP Now Featuring BSB (Brown) Instruction DVDs! Bass Sling Bag 2004 Jumpstart package now features instructional GSB (Red) DVDs in both English and Guitar Sling Bag Spanish. You’ll be schooled by legendary artists who teach as well as they play (and there are few who play as well): Paul Gilbert on guitar and Gerald Veasley on bass. RGCB Guitar Shoulder Bag IJS40 Jumpstart • Features GRX electric guitar and Guitar Package Accessories

IJS50 Power Pack GBP • Features GAX IJSB190 Jumpstart electric guitar, • Features GSR electric bass and Ibanez distortion Bass Package Accessories stompbox and The ingenious Ibanez GBP guitar and Guitar Package Accessories. BBP bass combination bags feature a separable backpack and heavy- padded gig bag.

IGB Guitar Bag LU10 (IBB available for bass) Wide-size easy-to- read LED tuner RG140C

MU30 Metronome/tuner M100C with LCD display UV1000C IBZ10B • 10 watt dedicated bass amplifier IBZ10G • 6.5" Speaker • 10 watt guitar amp • 6.5" speaker GU20 • 3-band EQ with presence control Guitar and bass tuner. Manual • Headphone out • Active 3-band EQ and automatic tuning. Output • Enlarged closed-back cabinet • Tone Blaster distortion jack for effect board use. for "phatter" bass tone • CD inputs for jamming AF200C

Jumpstart Bass Jumpstart Guitar Package Accessories Package Accessories • IBZ10B 10 Watt Bass Amp • IBZ10G 10 Watt Amp • Headphones • Headphones • Instruction DVD • Instruction DVD IS5BK • Electronic Tuner • Instruction Book • Gig Bag • Chord Chart • Bass Guitar Strap • Electronic Tuner • Picks • Gig Bag IPICK1T,M,H,XH • Accessories Pouch • Guitar Strap • V-Resin picks DC3 & DC5 AC109 • Picks Splitter cords to Standard 9-volt 200mA • Accessories Pouch IPICK3T,M,H,XH power 3 or 5 pedals adaptor for Ibanez 39 PT32 Guitar Stand • Delrin Resin picks from one adaptor. compact effects. IS10BS 24-43_basses_consumer 2/16/04 11:56 AM Page 9

EDGE-PRO/EDGE-PRO II ZR “ZERO RESISTANCE” bridges tremolo

In the last 20 years , no other guitar maker has done as much to advance the art and science of the tremolo. The ZR tremolo may be the most significant advance in locking tremolos since the first locking tremolo. Most floating tremolos The Edge-PRO and Edge-PRO II bridges represent another huge step in the evolution of the locking trem. use a knife-edge system, but the ZR tremolo uses a ball-bearing based system for precision and friction-free smooth action.

edge-pro edge-pro II

ZR Built-In Intonation Adjustment Tool Just unscrew the built-in intonation adjustment tool from the base and screw it into the bottom of each saddle for quick adjustments.

Sliding String Holder One of the biggest complaints about the ordinary locking tremolo was string holder blocks getting lost during string changes. The EDGE-PRO's and EDGE-PRO II's SLIDING STRING HOLDERS are actually part of the bridge and will not drop from the saddle units.

ZERO POINT System This unique system stabilizes the bridge and insures tuning stability by consistently returning the tremolo to the center point (or zero point). In addition to the usual tremolo springs, the ZERO POINT system features two additional springs which insure the bridge’s return to the center point. Easy String Changes There's no need to cut off the ball of your strings when changing strings on the EDGE-PRO or EDGE-PRO II.

Gravy mushroomhead

Intonation Stabilty When Using Fine Tuners Bronson Unlike older style locking tremolos, the EDGE-PRO and mushroomhead EDGE-PRO II feature a STATIONARY STRING SUPPORT SYSTEM that prevents intonation changes during fine Offset Saddle Locking Bolt Arm Torque Adjuster tuner adjustments. The locking bolt is offset from the center The arm torque is easily adjusted by of the saddle, which allows easy access tightening or loosening the screw to the bolt without loosening the strings. located in the arm holder.

Sound Metal Chip Arm Height and Torque Adjustment Ball Bearing Pivot Easy Spring Adjustment Access The EDGE-PRO features a unique SOUND METAL CHIP The EDGE-PRO II features two screws in the arm pocket Smoother than smooth. The ZR tremolo's Spring tension can be easily adjusted on each saddle. This helps increase sustain right at the which allow easy adjustment of the arm height and torque. ball bearing pivot system allows ultra-smooth without removing the back plate. Dino arm control.The pivot's precise movement (S470/S470DX/S470DXQM) most critical area, the intonation point. Cazares 41 virtually guarantees tuning stability. fear factory/brujeria 24-43_basses_consumer 2/16/04 11:56 AM Page 10

ELECTRONIC PICKUPS & NECK specifications dimensions RG(HSH)/JEM/UV/PGM/NDM/S(HSH) SA(SSH)/AT/GRX(SSH) RG(HH)/MMM/S(HH)/SC/SA(HH) Bartolini® Custom Bartolini® MK1 (SR) Bartolini® NTBT (GWB) (BTB) Volume Volume Bass Boost/Cut Bass Boost/Cut Volume/EQ Bypass Balance Mid Boost/Cut Mid Boost/Cut Balance TOP: Treble Boost/Cut NECK CENTER BRIDGE Treble Boost/Cut Treble Boost/Cut BOT: Bass Boost/Cut NECK CENTER BRIDGE HUMBUCKER IS NECK CENTER BRIDGE PARALLEL CONNECTED

EQB-GWII (GWB) EQA-PZ (EDA) WIDTH WIDTH THICKNESS THICKNESS AX/GAX/AR/AS/AM/AF SCALE MODEL NO. NAME DESCRIPTION KEY MODEL NO. NAME DESCRIPTION KEY NECK MODEL LENGTH AT AT LAST AT AT RADIUS Magnetic Volume NUT FRET 1ST FRET 12TH FRET RECOMMENDED POSITON: (B) BRIDGE, (M) MIDDLE, (N) NECK RECOMMENDED POSITON: (B) BRIDGE, (M) MIDDLE, (N) NECK AFS/AXF/AXD/TXD/FTM/JS Volume w/ EQ CONSTRUCTION: (H) HUMBUCKING, (S) SINGLE COIL CONSTRUCTION: (H) HUMBUCKING, (S) SINGLE COIL K7/GB/PM/JSM/IC/JTK/DT Piezo Volume (BASS ONLY): (A) ACTIVE, (P) PASSIVE Bypass Switch (BASS ONLY): (A) ACTIVE, (P) PASSIVE CONSTRUCTION MAGNET CONSTRUCTION MAGNET RECOMM. POSITION GUITAR NECK DIMENSIONS MAGNET: (AL) ALNICO, (C) CERAMIC RECOMM. POSITION MAGNET: (AL) ALNICO, (C) CERAMIC Pull: Bypass Magnetic Bass Tone IBANEZ GUITAR PICKUPS IBANEZ BASS PICKUPS AS/AR/AX/GAX 628mm/24.75" 43mm 57mm 20mm 22mm 305 TOP: Treble Boost/Cut AH1 AXIS HUMBUCKER 1 N H C Very responsive and full sounding; medium output with lots of character. DX5 DYNAMIX 5 Two different sized bobbins provide even string output. ARTCORE (TM/AS/AM) 628mm/24.75" 43mm 58.5mm 21.5mm 23mm 305 Excellent for chording. Full range, passive bass sound with plenty of punch. BOT: Bass Boost/Cut Piezo Treble Boost/Cut B/N H/P C AH2 AXIS HUMBUCKER 2 B H AL Full bass sound. Alnico-5 magnet provides excellent clarity in DX6 DYNAMIX 6 Same as DX4 for 6-string basses. ARTCOREARTCORE (AK/AXF/AXD) (AF/AG) 628mm/24.75"628mm/24.75" 43mm43mm 58.5mm58.5mm 21.5mm20mm 26.5mm22mm 305305 harmonics and individual notes. B/N H/P C AH3 AXIS HUMBUCKER 3 N H C Responsive full sounding pickup with added output. DXJ DYNAMIX J Designed to be used with or without eq system for tight high-end. 628mm/24.75" 42.5mm 58.5mm 20mm 22mm 305 B H/P C ARTCORE (FTM/TXD) Designed to be used with or without an eq system for more EQB-DW II (DWB) (BTB) AH4 AXIS HUMBUCKER 4 B H C Increased treble response with added output. DXP DYNAMIX P punch in the neck position. EQB-II B AT 648mm/25.5" 40.5mm 56mm 21mm 23mm 305 N H/P C NECK CENTER BRIDGE Traditional sounding single coil pickup with increased output. PSNDJ POWERSOUND J High output with added highs. Volume w/ Gain Boost AS2 AXIS SINGLE 2 M S C B S/P C Switch - Pull: Boost Volume GB SPECIAL GB SPECIAL B H AL Floating pickup co-designed by George Benson for hollow bodies at higher PSNDP POWERSOUND P High output with plenty of punch. GB 628mm/ 24.75" 43mm 57mm 20mm 23mm 305 volumes. Warm, well rounded output with less feedback. N H/P C GB SPECIAL N H AL SFR4 SONIC FULL RANGE High output passive pickup with quick attack and superior dynamics. Balance GB SPECIAL Neck version of above. B/N H/P C Balance IC/DT 628mm/ 24.75" 42mm 56mm 20mm 22mm 305 SZ N H C Versatile and responsive with warm classic tone and added output. SFR5 SONIC FULL RANGE B/N H/P C High output passive pickup with quick attack and superior dynamics. Bass Boost/Cut INF1 TOP: Treble Boost/Cut JEM 648mm/ 25.5" 43mm 56mm 19mm 21mm 430 Enhanced midrange output. Alnico-5 magnet for individual string clarity. INF2 B H AL Excellent dynamics. Added more high range to SFR5. BOT: Bass Boost/Cut SFR-GWB SFR-GWB CUSTOM B H/P C Treble Boost/Cut JS 648mm/ 25.5" 42mm 56mm 20mm 22.3mm 240 PSND2 POWERSOUND B H C DXP-M6 DYNAMIX M6 High output with enhanced harmonics. B/N H/P C High output passive pickup with quick attack and superior dynamics. JSMJTK II 628mm/648mm/ 24.75" 25.5" 43.5mm42mm 57mm56mm 20.2mm21.5mm 23.3mm23mm COMPOUND305 PSND-S POWERSOUND M/N S AL DFR Medium output passive pickup with quick attack and superior dynamics. High output with complete clarity. DYNAMIX FULL RANGE B/N H/P C NECK CENTER BRIDGE (SR) JTK I 648mm/ 25.5" 43mm 56mm 20mm 22mm 305 PSND1 POWERSOUND N H C EQB-II C EQB-II D (RD) High output in the neck position with no “muddiness.” DFR5 DYNAMIX FULL RANGEB/N H/P C Five-string version of DFR4. QM1 QUANTUM 1 N H C Medium output with full clarity. Complements S-series body. DXH2 Volume w/ Push-Pull ERGO-DYNAMIX B/N H/P C Powerful with good midrange punch. Designed to work with the Luthite body. Volume Pickup Coil Selector Switch MMM 712mm/ 28" 43mm 56mm 21.2mm 23mm 400 QM2 QUANTUM 2 B H C Higher output and enhanced harmonics for tight, even tone with slightly less high-end. DXH25 ERGO-DYNAMIX B/N H/P C Five-string version of DXH2. Balance 648mm/ 25.5" 42mm 56mm 20mm 22mm 240 S1 SINGLE 1 M/N AL NDM Traditional sounding, but high output single coil with Alnico-5 polepieces for PFR-AL4 PASSIVE FULL RANGE B/N H/P AL Powerful Alnico magnet pickup with exceptional clarity and response. Balance S even string output. Designed to work with humbuckers in the split position. PGM 648mm/ 25.5" 43mm 56mm 17mm 20mm 430 S58 SUPER 58 A11 H AL Classic, warm and versatile. Handles both jazz and rock without feedback. PFR-4 PASSIVE FULL RANGE B/N H/P C Powerfull full range pickup with added low mids. JS (WHEN COIL TAP IS ENGAGED) TOP: Treble Boost/Cut Bass Boost/Cut 628mm/ 24.75" 43mm 57mm 21mm 23mm 305 V1 VINTAGE 1 N H AL BOT: Bass Boost/Cut PM Slightly overwound for beefy, traditional rhythm sound. PFR-AL5 PASSIVE FULL RANGEB/N H/P AL Five-string version of PFR-AL4. Treble Boost/Cut V2 VINTAGE 2 B H AL GRX/SA/GSA/DMM1 648mm/ 25.5" 42mm 56mm 19.5mm 21.5mm 400 Even toned with tight leads, smooth top-end and added sustain. PFR-5 PASSIVE FULL RANGE B/N H/P C Powerfull full range pickup with added low mids. NECK CENTER BRIDGE SA PRESTIGESZ 648mm/638mm/ 25.5" 25.1" 41mm43mm 56mm57mm 21mm21mm 23mm23mm 250305 V6 VINTAGE 6 B/N H C Medium output with complete clarity. DIMARZIO GUITAR PICKUPS (INDIVIDUAL DIMARZIO PICKUPS ARE NOT SOLD BY IBANEZ) V7 VINTAGE 7 N H C 48mm 66mm 19mm 21mm Tight, but bright. Very dynamic for chording and rhythm. DP151 PAF-PRO B/N H AL Classic humbucking sound with added presence, output and clarity. EQB-II DX (SRX) EQB-III (EDB) UV/K7/WIZARD7 648mm/ 25.5" 430 V8 VINTAGE 8 B H AL 648mm/ 25.5" 43mm 56mm 17mm19mm 430 Warm yet articulate lead pickup with enhanced overtones. DP153 FRED B H AL Strong mids and a wide range of harmonics and overtones. Volume WIZARD Good harmonics without excessive brightness. Designed for Joe Satriani. Volume BASS NECKWIZARD DIMENSIONS II 648mm/ 25.5" 43mm 56mm 19mm 21mm 400 V77 VINTAGE 77 N H C Seven-string version of V7 pickup. DP155 TONE ZONE B H AL Very big, warm tone with good overtones and harmonics. Bass Boost/Cut EVOLUTION N H C Balance VINTAGE 87 B H C Seven-string version of V8 pickup. DP158 Calibrated to DP159, fat punchy and loud. Designed for Steve Vai. Balance V87 Dimarzio PAF7 A clean-sounding, lower-output pickup that performs like ARTCORE(ASB/AGB)BTB4-34 864mm/34" 42mm41mm 56mm63mm 23.5mm20mm 26mm22mm 380305 AH17 AXIS SEVEN 1 N H C Seven-string version of AH1 pickup. PAF-7 B/N H C Bass Boost/Cut Mid Boost/Cut DP759 the classic humbuckers of the late '50s. BTB5 PRESTIGE 889mm/35" 47mm 76mm 20mm 22mm 500 AH27 AXIS SEVEN 2 B H C Seven-string version of AH2 pickup. DPS1 EVOLUTION N S C Bright, clean tone. Treble Boost/Cut Treble Boost/Cut BTB5 889mm/35" 47mm 76mm 20mm 22mm 500 STDH1 STANDARD 1 N H C Clean with a smooth midrange. DP159 EVOLUTION B H C Tight, aggressive and louder. Wide range of overtones. BTB6 PRESTIGE 889mm/35" 54mm 90mm 20mm 22mm 1000 STDH2 STANDARD 2 B H C Bridge version of STDH1. DP700 BLAZE N H C Medium power, warm, clean tone. Bright, clean tone. PHAT II Style Sweeper (SR) BTB6 889mm/35" 54mm 85mm 20mm 22mm 500 SZ1 SZ1 N H C High output with added bass response. DP701 BLAZE M S C (GSR) DWB 864mm/34" 39mm 60mm 20.5mm 23mm 305 SZ2 SZ2 B H C High output with added bass response. DP702 BLAZE B H C High power, punchy bass and treble, clean mids. Volume Designed for Steve Vai. Classic 50's smooth and fluid humbucking tone. Phat EQ Boost ACH1 ARTCORE 1 N H C Clean sounding with a slight overdrive. DP165 BREED N H AL Hotter than a PAF-PRO, but not as hot as an Evolution. Style Sweeper JEM exclusive. Classic single coil tone. Calibrated for perfect ACH2 B H C Bridge version of ACH1. N/A CUSTOM SINGLE M S AL Front Pickup Volume Finger - Slap DWB35EDA4 864mm/34" 45mm38mm 69mm62mm 20.5mm21mm 22mm23mm 305400 ARTCORE 2 balance with Breed humbuckers. B AL Bridge version of the DP165. Tone Balance EDA5 864mm/ 34" 45mm 76mm 20.5mm 22mm 305 ACH1-S ARTCORE 1-S N H C Tight and trebly tone. DP166 BREED H TOP: Treble Boost/Cut DIMARZIO IBZ Harmonically with medium high output. Rear Pickup Volume EDB4 864mm/ 34" 38mm 62mm 20.5mm 22mm 305 ACH2-S ARTCORE 2-S B H C Bridge version of ACH1-S. N/A B/N H C BOT: Bass Boost/Cut EDB5 864mm/ 34" 45mm 67mm 20.5mm 22mm 305 IBANEZ BASS PICKUPS JEMSING JEM SINGLE M S A Ibanez exclusive. True classic Alnico V single coil. CRUISER N/M C Dead quiet twin blade single. ACHB1ADX5 ACTIVEARTCORE DYNAMIX BASS 1 5 B/N H/PH/A C Quiet,High output dynamic, with punchy added sound bass andon all mid 5 strings.range. Two different sized bobbins DP186 S Bright clean definition with modern single coil tone. provide even string output. Individually calibrated for neck and bridge positions. Tone Character SW AT1 AT CUSTOM Full size, chunky humbucker. Great harmonics and sustain. Vari-Mid Hi-Fi (SR) GAXBGSR4 812mm/32"864mm/34" 41mm 62mm 21mm 22mm 305 B H A (GAXB) Powerful sound with alnico magnet's clarity. EMG BASS PICKUPS (INDIVIDUAL EMG PICKUPS ARE NOT SOLD BY IBANEZ) GSR5 864mm/ 34" 45mm 67mm 21mm 22mm 305 EPJ4 EPJ4 N S/P AL Dual coil features two offset coils that give its sound more EPH4 B AL Powerful sound with alnico magnet's clarity. EMG-35P4 EMG N H/P AL Volume GWB 864mm/34" 45mm 67mm 19mm 21mm 305 EPH4 H/P low end with brilliant highs. Volume BOT: Bass Boost/Cut PSNDM POWERSOUND M B H/P C High output with rich tone. EMG-35J4 EMG B H/P AL Single coil design that has less low end but an expanded midrange. TOP: Treble Boost/Cut ICB 864mm/34" 40mm 64mm 20mm 24.5mm 350 EMG Balance MHC4 MINI HUMBUCKER B/N H/P C Classic, warm, traditional passive tone. EMG-40J B/N S/P AL Big bottom with smooth high range. Tone Character DCS4 DUAL COIL SOAP BAR B/N H/P C Powerful wide-range tone. BARTOLINI BASS PICKUPS (INDIVIDUAL BARTOLINI PICKUPS ARE NOT SOLD BY IBANEZ) Switch BOT: Mid Frequency K5 864mm/34" 45mm 67mm 19.5mm 21.5mm 305 TOP: Mid Frequency Boost / Cut RD 864mm/ 34" 41mm 63mm 21.5mm 23.5mm 250 Features separate coils for each string to allow more precise DXS-1 DYNAMIX S-1 N S/P C High output with added highs. BWBB BARTOLINI WILLIS B H/P string-to-string volume. SR4 PRESTIGE 864mm/ 34" 38mm 60mm 20.5mm 22.5mm 305 Humbucking passive soapbar pickup. Excellent clarity with DXS-2 DYNAMIX S-2 B S/P C Bridge version of DXS-1. SR BASS BARTOLINI CUSTOM B/N H/P well balanced tonal response. Vari-Mid III (K5) Vari-Mid III B (BTB) SR4 864mm/ 34" 38mm 62mm 20.5mm 22.5mm 305 Dual coil humbucking passive soapbar pickup especially designed for 35 SPJ4 SPLIT PASSIVE J B/N H/P C Humbucking J style pickup with added mid-range. BTB BASS BARTOLINI CUSTOM B/N H/P inch scale BTB basses. Enhanced low end, warm and deep voicing. SR THRU-NECK 4 864mm/ 34" 38mm 62mm 21.5mm 23.5mm 305 C SPJ5 SPLIT PASSIVE J B/N H/P C Five-string version of SPJ4. MK1-4 BARTOLINI MK1 B/N H/P High output with well balanced tone. Volume Volume SRX4/SRP 864mm/ 34" 38mm 62mm 21mm 23mm 305 Fletcher C Humbucking neck J style pickup with added mid-range. MK1-5 BARTOLINI MK1 B/N H/P C Five-string version of MK1-4. BOT: Bass Boost/Cut Bass Boost/Cut SPJ4N SPJ4N N H/P Dragge SR5 PRESTIGE/SR5 864mm/ 34" 45mm 67mm 21.5mm 23mm 305 SPJ4B SPJ4B B H/P C BARTOLINI MK1 B/N H/P C Six-string version of MK1-4. TOP: Treble Boost/Cut Balance Humbucking bridge J style pickup with added mid-range. MK1-6 pennywise Balance Treble Boost/Cut SR THRU-NECK 5 864mm/34" 45mm 67mm 21.5mm 23.5mm 305 BOT: Mid Frequency BOT: Mid Frequency SRX5 864mm/ 34" 45mm 73mm 21mm 23mm 400 All specifications are subject to change without notice. 43 TOP: Mid Boost / Cut TOP: Mid Boost / Cut SR6 PRESTIGE 864mm/34" 54mm 83mm 21.5mm 23mm 500