Report of Colonel Charles Barry
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Palace of Westminster and Westminster Abbey Including Saint
Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre This is a cache of http://whc.unesco.org/en/list/426 as retrieved on Tuesday, April 09, 2019. UNESCO English Français Help preserve sites now! Login Join the 118,877 Members News & Events The List About World Heritage Activities Publications Partnerships Resources UNESCO » Culture » World Heritage Centre » The List » World Heritage List B z Search Advanced Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Description Maps Documents Gallery Video Indicators Palace of Westminster and Westminster Abbey including Saint Margaret’s Church Westminster Palace, rebuilt from the year 1840 on the site of important medieval remains, is a fine example of neo-Gothic architecture. The site – which also comprises the small medieval Church of Saint Margaret, built in Perpendicular Gothic style, and Westminster Abbey, where all the sovereigns since the 11th century have been crowned – is of great historic and symbolic significance. Description is available under license CC-BY-SA IGO 3.0 English French Arabic Chinese Russian Spanish Japanese Dutch Palace of Westminster and Westminster Abbey including Saint Margaret’s Church (United Kingdom of Great Britain and Northern Ireland) © Tim Schnarr http://whc.unesco.org/en/list/426[04/09/2019 11:20:09 AM] Palace of Westminster and Westminster Abbey including Saint Margaret’s Church - UNESCO World Heritage Centre Outstanding Universal Value Brief synthesis The Palace of Westminster, Westminster Abbey and St Margaret’s Church lie next to the River Thames in the heart of London. With their intricate silhouettes, they have symbolised monarchy, religion and power since Edward the Confessor built his palace and church on Thorney Island in the 11th century AD. -
Native American Paleontology: Extinct Animals in Rock Art
Peter Faris Native American Paleontology: Extinct Animals in Rock Art A perennial question in rock art is whether any help. Wolf ran round and round the raft of the animal imagery from North America por- with a ball of moss in his mouth. As he trays extinct animals that humans had observed ran the moss grew and earth formed on it. and hunted. A number of examples of rock art Then he put it down and they danced illustrating various creatures have been put around it singing powerful spells. The earth grew. It spread over the raft and forth as extinct animals but none have been ful- went on growing until it made the whole ly convincing. This question is revisited focus- world (Burland 1973:57). ing upon the giant beaver Castoroides. Based upon stylistic analysis and ethnology the author This eastern Cree creation tale is a version of suggests that the famous petroglyph Tsagaglalal the Earth Diver creation myth. The role played from The Dalles, Washington, represents Cas- by the giant beavers is a logical analogy of the toroides, the Giant Beaver. flooding of a meadow by beavers building their dams; and the description of the broad expanse GIANT BEAVERS of water surrounding the newly-created earth on its raft is a metaphor for a beaver’s lodge sur- The Trickster Wisagatcak built a dam of rounded by the water of the beaver pond. stakes across a creek in order to trap the The Cree were not alone in granting a promi- Giant Beaver when it swam out of its nent place in their mythology to the giant bea- lodge. -
The Industrial Revolution: 18-19Th C
The Industrial Revolution: 18-19th c. Displaced from their farms by technological developments, the industrial laborers - many of them women and children – suffered miserable living and working conditions. Romanticism: late 18th c. - mid. 19th c. During the Industrial Revolution an intellectual and artistic hostility towards the new industrialization developed. This was known as the Romantic movement. The movement stressed the importance of nature in art and language, in contrast to machines and factories. • Interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote and the mysterious. CASPAR DAVID FRIEDRICH Abbey in the Oak Forest, 1810. The English Landscape Garden Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England William Kent. Chiswick House Garden. 1724-9 The architectural set- pieces, each in a Picturesque location, include a Temple of Apollo, a Temple of Flora, a Pantheon, and a Palladian bridge. André Le Nôtre. The gardens of Versailles. 1661-1785 Henry Flitcroft and Henry Hoare. The Park at Stourhead. 1743-1765. Wiltshire, England CASPAR DAVID FRIEDRICH, Abbey in the Oak Forest, 1810. Gothic Revival Architectural movement most commonly associated with Romanticism. It drew its inspiration from medieval architecture and competed with the Neoclassical revival TURNER, The Chancel and Crossing of Tintern Abbey. 1794. Horace Walpole by Joshua Reynolds, 1756 Horace Walpole (1717-97), English politician, writer, architectural innovator and collector. In 1747 he bought a small villa that he transformed into a pseudo-Gothic showplace called Strawberry Hill; it was the inspiration for the Gothic Revival in English domestic architecture. -
Lt. Aemilius Simpson's Survey from York Factory to Fort Vancouver, 1826
The Journal of the Hakluyt Society August 2014 Lt. Aemilius Simpson’s Survey from York Factory to Fort Vancouver, 1826 Edited by William Barr1 and Larry Green CONTENTS PREFACE The journal 2 Editorial practices 3 INTRODUCTION The man, the project, its background and its implementation 4 JOURNAL OF A VOYAGE ACROSS THE CONTINENT OF NORTH AMERICA IN 1826 York Factory to Norway House 11 Norway House to Carlton House 19 Carlton House to Fort Edmonton 27 Fort Edmonton to Boat Encampment, Columbia River 42 Boat Encampment to Fort Vancouver 62 AFTERWORD Aemilius Simpson and the Northwest coast 1826–1831 81 APPENDIX I Biographical sketches 90 APPENDIX II Table of distances in statute miles from York Factory 100 BIBLIOGRAPHY 101 LIST OF ILLUSTRATIONS Fig. 1. George Simpson, 1857 3 Fig. 2. York Factory 1853 4 Fig. 3. Artist’s impression of George Simpson, approaching a post in his personal North canoe 5 Fig. 4. Fort Vancouver ca.1854 78 LIST OF MAPS Map 1. York Factory to the Forks of the Saskatchewan River 7 Map 2. Carlton House to Boat Encampment 27 Map 3. Jasper to Fort Vancouver 65 1 Senior Research Associate, Arctic Institute of North America, University of Calgary, Calgary AB T2N 1N4 Canada. 2 PREFACE The Journal The journal presented here2 is transcribed from the original manuscript written in Aemilius Simpson’s hand. It is fifty folios in length in a bound volume of ninety folios, the final forty folios being blank. Each page measures 12.8 inches by seven inches and is lined with thirty- five faint, horizontal blue-grey lines. -
Professional Land Surveyors
PROFESSIONAL LAND SURVEYORS Abraham, William Spero 02006 Akker, James Alan 02618 Allen, Timothy John 02625 Anglin, John Charles 02865 Universal Ensco Inc GF Young Inc Apache Louisiana Minerals Clearpoint Engineers Survey Supervisor VP/Surveying Asst. Gen. Mgr. Project Engineer 135 Sawmill Ct. 13925 Gull Way 1246 Bayou Blue Road 4741 Hwy 49 Bastrop, TX 78602- Clearwater, FL 33762-4518 Houma, LA 70364 Mt. Olive, MS 39119 (512)581-0558 (727)822-4317 (985)879-3528 (601)261-2609 Achee, Kristie Marlene 02950 Aldred Jr, Lewis Connell 01993 Allen Jr, Thomas Earl 02820 April IV, Archibald Earl 02690 Quad Knopf, Inc Aldred Surveying Co Pritchard Engineering Wink Engineering Associate Surveyor Owner Project Engineer Drafting Manager 5400 Planz Road #25 PO Box 2201 717 Park Circle 2436 Martin Road Bakersfield, CA 93309 Pascagoula, MS 39569-2201 West Point, MS 39773 Biloxi, MS 39531 (661)301-4960 (228)762-7374 (662)324-2205 (228)385-0474 Achee Jr, Lloyd Joseph 02048 Alexander, Glen Wood 02536 Alston, Kenny Lenaz 02529 Armstrong, John 02870 Jackson Cty Port Author Self Employed Self Richard Port Engineer Surveyor President Pickering Firm Inc PO Box 982 2481 Mooresville Pike 4602 Kendall Avenue Proj Surveyor/Assoc Pascagoula, MS 39568-0982 Culleoka, TN 38451 Gulfport, MS 39507 Pickering Firm Inc. (225)769-3400 (931)987-0736 (228)864-2645 6775 Lenox Ctr Court #300 Memphis, TN 38115 Adams, Jonathan Eric 02879 Alexander Jr, George 02052 Anderson, David Larry 02054 (901)726-0810 HL Foley Jr & Assoc Edward State of Mississippi Engrg Technician Alexander Engineering Dir. Bureau of Bldg. Armstrong, Scott 01919 1073 CR 261 610 Highway 44 President Douglas Blue Springs, MS 38828 Sumrall, MS 39482 346 South Gamwyn Engrg Associates, Inc. -
1 the Stones of Science: Charles Harriot Smith and the Importance of Geology in Architecture, 1834-1864 in the Stones of Venice
1 The Stones of Science: Charles Harriot Smith and the importance of geology in architecture, 1834-1864 In The Stones of Venice England’s leading art critic, John Ruskin (1819-1900), made explicit the importance of geological knowledge for architecture. Clearly an architect’s choice of stone was central to the character of a building, but Ruskin used the composition of rock to help define the nature of the Gothic style. He invoked a powerful geological analogy which he believed would have resonance with his readers, explaining how the Gothic character could be submitted to analysis, ‘just as the rough mineral is submitted to that of the chemist’. Like geological minerals, Ruskin asserted that the Gothic was not pure, but composed of several elements. Elaborating on this chemical analogy, he observed that, ‘in defining a mineral by its constituent parts, it is not one nor another of them, that can make up the mineral, but the union of all: for instance, it is neither in charcoal, nor in oxygen, nor in lime, that there is the making of chalk, but in the combination of all three’.1 Ruskin concluded that the same was true for the Gothic; the style was a union of specific elements, such as naturalism (the love of nature) and grotesqueness (the use of disturbing imagination).2 Ruskin’s analogy between moral elements in architecture and chemical elements in geology was not just rhetorical. His choice to use geology in connection with architecture was part of a growing consensus that the two disciplines were fundamentally linked. In early-Victorian Britain, the study of geology invoked radically new ways of conceptualizing the earth’s history. -
The Portcullis Revised August 2010
Factsheet G9 House of Commons Information Office General Series The Portcullis Revised August 2010 Contents Introduction 2 Other uses for the Portcullis 2 Charles Barry and the New Palace 3 Modern uses 4 This factsheet has been archived so the content City of Westminster 4 and web links may be out of date. Please visit Westminster fire office 4 our About Parliament pages for current Other users 5 information. Styles 5 Appendix A 7 Examples of uses of the Portcullis 7 Further reading 8 Contact information 8 Feedback form 9 The crowned portcullis has come to be accepted during the twentieth century as the emblem of both Houses of Parliament. As with many aspects of parliamentary life, this has arisen through custom and usage rather than as a result of any conscious decision. This factsheet describes the history and use of the Portcullis. August 2010 FS G 09 Ed 3.5 ISSN 0144-4689 © Parliamentary Copyright (House of Commons) 2009 May be reproduced for purposes of private study or research without permission. Reproduction for sale or other commercial purposes not permitted. 2 The Portcullis House of Commons Information Office Factsheet G9 Introduction Since 1967, the crowned portcullis has been used exclusively on House of Commons stationery. It replaced an oval device, which had been in use since the turn of the twentieth century, on the recommendation of the Select Committee on House of Commons (Services). The portcullis probably came to be associated with the Palace of Westminster through its use, along with Tudor roses, fleurs-de-lys and pomegranates, as decoration in the rebuilding of the Palace after the fire of 1512. -
Westminster World Heritage Site Management Plan Steering Group
WESTMINSTER WORLD HERITAGE SITE MANAGEMENT PLAN Illustration credits and copyright references for photographs, maps and other illustrations are under negotiation with the following organisations: Dean and Chapter of Westminster Westminster School Parliamentary Estates Directorate Westminster City Council English Heritage Greater London Authority Simmons Aerofilms / Atkins Atkins / PLB / Barry Stow 2 WESTMINSTER WORLD HERITAGE SITE MANAGEMENT PLAN The Palace of Westminster and Westminster Abbey including St. Margaret’s Church World Heritage Site Management Plan Prepared on behalf of the Westminster World Heritage Site Management Plan Steering Group, by a consortium led by Atkins, with Barry Stow, conservation architect, and tourism specialists PLB Consulting Ltd. The full steering group chaired by English Heritage comprises representatives of: ICOMOS UK DCMS The Government Office for London The Dean and Chapter of Westminster The Parliamentary Estates Directorate Transport for London The Greater London Authority Westminster School Westminster City Council The London Borough of Lambeth The Royal Parks Agency The Church Commissioners Visit London 3 4 WESTMINSTER WORLD HERITAGE S I T E M ANAGEMENT PLAN FOREWORD by David Lammy MP, Minister for Culture I am delighted to present this Management Plan for the Palace of Westminster, Westminster Abbey and St Margaret’s Church World Heritage Site. For over a thousand years, Westminster has held a unique architectural, historic and symbolic significance where the history of church, monarchy, state and law are inexorably intertwined. As a group, the iconic buildings that form part of the World Heritage Site represent masterpieces of monumental architecture from medieval times on and which draw on the best of historic construction techniques and traditional craftsmanship. -
Northwest Coast Traditional Salmon. Fisheries Systems
NORTHWEST COAST TRADITIONAL SALMON. FISHERIES SYSTEMS OF RESOURCE UTILIZATION by PATRICIA ANN BERRINGER B.A., The University of British Columbia, 1974 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Anthropology & Sociology) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September 1982 (c) Patricia Ann Berringer In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Anthropology & Sociology The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 October 18, 1982 e - ii - Abstract The exploitation of salmon resources was once central to the economic life of the Northwest Coast. The organization of technological skills and information brought to the problems of salmon utilization by Northwest Coast fishermen was directed to obtaining sufficient calories to meet the requirements of staple storage foods and fresh consumption. This study reconstructs selective elements of the traditional salmon fishery drawing on data from the ethnographic record, journals, and published observations of the period prior to intensive white settlement. To serve the objective of an ecological perspective, technical references to the habitat and distribution of Pacific salmon (Oncorhynchus sp.) are included. -
A Victorian Architectural Controversy
A Victorian Architectural Controversy: Who Was the Real Architect of the Houses of Parliament? A Victorian Architectural Controversy: Who Was the Real Architect of the Houses of Parliament? Edited by Ariyuki Kondo Assisted by Yih-Shin Lee A Victorian Architectural Controversy: Who Was the Real Architect of the Houses of Parliament? Edited by Ariyuki Kondo This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Ariyuki Kondo and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3944-X ISBN (13): 978-1-5275-3944-0 To our families in Tokyo and Taipei in gratitude TABLE OF CONTENTS List of Illustrations ..................................................................................... ix Preface ........................................................................................................ xi Acknowledgements ................................................................................... xv PART I INTRODUCTORY CHAPTER ............................................................................ 3 A Victorian Architectural Controversy: Who Was the Real Architect of the Houses of Parliament? -
Emma Bell Miles's Appalachia and Emily Carr's
49 th Parallel , Vol.20 (Winter 2006-2007) Prajznerová Emma Bell Miles’s Appalachia and Emily Carr’s Cascadia : A Comparative Study in Literary Ecology Kate řina Prajznerová Masaryk University Brno, Czech Republic Emma Bell Miles (1879-1919) and Emily Carr (1871-1945) both belong to the turn of the twentieth century generation of North American women writers and painters, but they lived at almost the very opposite sides of the continent and there is no evidence that they were ever in personal contact or ever aware of each other’s work. Nevertheless, a comparison of Miles’s The Spirit of the Mountains (1905) and Carr’s Klee Wyck 1 (1941) from an ecocritical perspective 2 shows that the two story collections employ strikingly similar narrative strategies. Namely, they blend the genres of the travel narrative, environmental history, and cultural history to create stories of place that dramatize the ways in which the natural environment functions as an agent in economic and cultural development. At the heart of Miles’s literary portrait are the woods of Walden Ridge, near Chattanooga, Tennessee, on the Cumberland Plateau in Southern Appalachia, and, for Carr, at the centre lies the forested British Columbia shoreline where the Pacific meets the Cascade and Coast Mountains in Central Cascadia. An examination of the generic hybridity of The Spirit of the Mountains and Klee Wyck and of the rootedness of these texts in specific landscapes indicates that Miles’s and Carr’s particular narrative strategies allow the authors not only to expose the ecological and social abuses that have shaped the regions’ history but also to unveil the multicultural native elements that have been interwoven into the regions’ heritage. -
Influence of Geomorphology and Land Use on Distribution and Abundance of Salmonids in a Coastal Oregon Basin
AN ABSTRACT OF THE THESIS OF John Steven Schwartz for the degree of Master of Science in Fisheries Science presented on November 20. 1990. Title:Influence of Geomorpholoay and Land Use on Distribution and Abundance of Salmonids in a Coastal Oregon Basin Abstract approved:Redacted for privacy %t\InleyV. Gregor The basin morphology of a fifth-order coastal Oregon stream was analyzed across a hierarchy of spatial scales which included segments, reaches, and channel units. These scales represent valley and channel characteristics based on functional processes of geomorphology and attempt to organize heterogeneity of stream habitat within a drainage network. Four segments were associated with major geologic influences on the landscape, and boundaries were selected by basin patterns of the valley corridor observed by indices of valley floor width. Segments provided a template for reach characteristics. Narrow valley segments had greater reach lengths of multiple channels, and densities of boulders than wide valley segments. Within wide valleys of alluvium, incision of the channel occurred in three reaches and had reduced multiple channel lengths and bedforms composed of bedrock. Reach boundaries were selected by major shifts in active channel width and condition of geomorphic surfaces along basin longitudinal profiles, and these boundaries coincided with changes in bedform gradient. Reach composition of channel unit types was associated with gradient; percent length of pools and glides was inversely related to gradient. Basin patterns of salmonid distribution and abundance were examined at the different hierarchical scales. Juvenile chinook and coho salmon exhibited strong basin gradients of abundance within a upstream-downstream continuum. Juvenile chinook dominate the lower basin and juvenile coho dominate the upper basin, and the transition in abundances occurred between the two mid basin segments.