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1. accented NCT that appears on the 26. diminished triad comprised of a minor 3rd and triad diminished 5th 2. accented NCT that is approached by step, left by step neighboring in opposite direction, occurs on the beat 27. disjunct motion using leaps tone motion 3. acronym for I Don't Play Loud Music at Lunch 28. dissonance unpleasant to the ear naming the 29. dominant 5th scale degree modes 30. dorian mode mode built on 2nd degree of Major scale 4. aeolian mode mode built on 6th degree of Major scale, also natural minor scale 31. duple meter meter that uses two beats per measure 5. anacrusis pick-up 32. embellishment melodic decoration 6. anticipation NCT that is approached by step or leap, 33. escape NCT that is approached by step, left by leap anticipates next chord tone, unaccented tone/echappee in opposite direction, unaccented 7. NCT that is approached by leap, left by step, 34. focal point highest note of the melody most often accented 35. four times 6/4 arpeggiated, cadential, pedal, passing 8. arpeggiated type of 6/4 chord that is an arpeggiation of can be used 6/4 chord the triad in the bass 36. half cadence progression that ends in V 9. notes that outline a chord 37. hemiola two bars in simple triple time are articulated 10. asymmetrical meter that has an odd number of as if they were three bars in simple duple meter subdivisions time 11. Augmented triad comprised of a Major 3rd and 38. hidden/direct results when the soprano and bass move in triad Augmented 5th 5ths similar motion into a 5th with the leap in the soprano 12. cadence chords used at the end of a phrase 39. hidden/direct results when the soprano and bass move in 13. cadential 6/4 type of 6/4 chord that precedes the similar motion into an with a leap in dominant, usually at the cadence the soprano 14. changing tone NCT's that step above the main tone, 40. imperfect cadence progression of V or V7 to I, any followed by step below main tone, return to authentic inversion the main tone cadence 15. chromatic chords that contain notes not found in the 41. ionian mode mode built on 1st degree of Major scale scale 42. leading tone 7th scale degree in Major, harmonic minor 16. common tone tone shared by two or more chords and melodic minor 17. compound meter where the beats divide into three 43. locrian mode mode built on leading tone meter equal parts 44. lower NCT that steps below the main tone, steps 18. conjunct motion using steps neighboring back up to the original tone 19. consonance pleasing to the ear; 3rd, 6th, P5, P8 tone

20. contour shape of the melody 45. lydian mode mode built on 4th degree of Major scale 21. contrary motion that has voices moving in different 46. Major triad triad comprised of a Major 3rd and Perfect motion directions 5th 22. cross rhythm meter that uses a simultaneous combination 47. mediant 3rd scale degree of contrasting rhythms 48. minor triad triad comprised of a and Perfect 23. cross voicing one voice overtakes another 5th 24. deceptive cadence progression of V to anything but I 49. mixolydian mode built on 5th degree of Major scale cadence (usually vi) mode 25. diatonic chords that contain only notes found in the 50. neighboring NCT's that step above the main tone, scale group followed by step below main tone, return to the main tone 51. oblique motion that has one voice staying the same 77. triple meter meter that uses three beats per measure motion and the other one moving 78. interval that contains 3 whole steps 52. parallel fifths results when two voices a 5th apart moving 79. unaccented NCT that appears on the off-beat by parallel motion to a 5th apart 80. unaccented NCT that is approached by step, left by step 53. parallel motion that has voices moving in same neighboring in opposite direction, occurs on the off-beat motion direction by same interval tone 54. parallel results when two voices an octave apart move 81. unequal 5ths results when a P5 is followed by a octaves by parallel motion to an octave apart diminished 5th or vice versa 55. passing 6/4 type of 6/4 chord that harmonizes the bass as 82. same note a passing tone 83. upper NCT that steps above the main tone, steps 56. passing tone NCT that is approached by step, left by step neighboring back down to the original tone in same direction tone 57. pedal 6/4 type of 6/4 chord that occurs when the bass is 84. V7 chord/Mm7 chord comprised of a Major triad and minor stationary and becomes nonharmonic every 7th other beat

58. NCT that is a chord tone followed by a nonchord tone followed by a chord tone 59. perfect cadence using V or vii to I, root position, tonic authentic in soprano cadence

60. phrygian half cadence progression of iv6 to V in minor key cadence

61. phrygian mode built on 3rd degree of Major scale mode 62. preparation tone that precedes the suspension (same pitch) 63. quadruple meter that uses four beats per measure meter 64. resolution tone that follows the suspension (2nd below it) 65. retardation NCT that is approached by same tone, left by step up 66. similar motion that has both voices moving in the motion same direction but not by the same intervals 67. simple meter meter where the beats divide into two equal parts 68. static motion no movement 69. subdominant 4th scale degree 70. submediant 6th scale degree 71. subtonic 7th scale degree in natural minor 72. supertonic 2nd scale degree 73. suspension NCT that is approached by same tone, left by step down 74. suspension resolution of one suspension that then serves chain as preparation for another

75. syncopation stress on normally unstressed beat 76. tonic 1st scale degree