20 th CENTURY & CONTEMPORARY 9th I 9th SEPTEMBER 2020 CC04

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU 20th Century & Contemporary 01392 413100 I [email protected] I www.BHandL.co.uk Wednesday 9th September 2020 SALEROOM St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

MANAGING DIRECTOR C.J. Hampton, A.S.F.A.V. FORTHCOMING SALE DATES 2020 DIRECTORS D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. SEPTEMBER VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tuesday 15th Antiques & Interiors EX253 Department offer a complete and comprehensive service to Executors, Solicitors and Bank Trustees administering an Estate containing all forms of art and antiques including Books, Tuesday 29th Antiques & Interiors EX254 Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps.

Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience in preparing insurance valuations and inventories for the purpose of substantiating claims in the OCTOBER event of losses resulting from accident, fire or theft. Tuesday 13th & Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or Wednesday 14th Quarterly Fine Art FS48 obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. Tuesday 27th Antiques & Interiors For further information please contact: Andrew Thomas or Christopher Hampton including Jewellery EX255

ADMINISTRATION Operations Director: Rachel Littlewood Company Secretary: Susan Tharby NOVEMBER

SPECIALIST DEPARTMENTS th Books, Manuscripts and Photographs Rachel Littlewood, Wednesday 11 Roger Collicott (Consultant) & Thursday 12th Sporting & Collectors SC32 Ceramics and Glass Nicholas Saintey, Andrew Thomas Clocks Leigh Extence Tuesday 24th Antiques & Interiors EX256 Furniture Christopher Hampton, Gillian Westell (Consultant) Jewellery Lucy Marles, Jethro Marles

Maritime, Sporting and Collectors Brian Goodison-Blanks IMPORTANT: Pictures Daniel Goddard, Please note this list DECEMBER Martin Scadgell (Consultant) is printed only as a st Silver Martin McIlroy guide and clients are Tuesday 1 Antiquarian Books BK24 Works of Art Martin McIlroy requested to contact Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton Tuesday 8th Antiques & Interiors Christopher Hampton, & Littlewood for including jewellery EX257 confirmation of sale SALE ADVICE dates and special Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. Alternatively a representative will be pleased to call by appointment without charge or obligation. Catalogue production by Acanthus Press Ltd Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 01823 663339 Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 Registered Office: St. Edmund’s Court, Okehampton Street, Exeter © Bearnes Hampton & Littlewood 2020 Ref CC04 St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

20th Century & Contemporary

Wednesday 9th September 2020 Auction commences at 12.00 noon

ON VIEW: Friday 4th September 9.00am to 5.15pm Saturday 5th September 9.00am to 12.00 noon Monday 7th September 9.00am to 5.15pm Tuesday 8th September 9.00am to 5.15pm Wednesday 9th September 9.00am to 12.00 noon

SALE ENQUIRIES: Dan Goddard: [email protected] Nic Saintey: [email protected]

Illustrated Catalogue £8 - (£10 by post)

Members of the Society of Fine Art Auctioneers Front cover lot 83. Back cover lots 19-25 When leaving commission bids this sale may be referred to as CC04

In line with Government guidelines there is a limited safe capacity within our building, so please be patient at busy times. Please wear a face covering at all times. For additional images please visit our website www.bhandl.co.uk

1 • Justin Knowles [1935-2004] WD.31.ii.03; yellow, green, red, blue, initialled J.K. and dated 2002/3 papier collé on graph paper with printed signature and date 2002 42 x 59cm. *£100 - 200

2 • Justin Knowles [1935-2004] WD.87.03; yellow, green, blue, red, papier collé on graph paper with printed signature and date 2002 42 x 59cm. *£100 - 200

3 • Justin Knowles [1935-2004] WD.49.03; black quarters, dated ‘03 papier collé on graph paper with printed signature and date 2002 41 x 59cm. *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 2 4 • Justin Knowles [1935-2004] WD..55.ii.03; red, yellow, green, blue, initialled J.K. and dated 2002/3 papier collé on graph paper with printed signature and date 2002 42 x 59cm. *£100 - 200 Justin Knowles [1935-2004] was born in Exeter and after National Service worked in industry and advertising travelling extensively on the continent and in Africa. In the 1960s his interest focussed on free-standing sculptural shapes, two of which the Arts Council acquired. Mixed exhibitions included John Moores Liverpool in 1965 and Plymouth City Art Gallery in 1967. A major studio fire in 1973 caused the loss of most of his uninsured collection and led to what Knowles called his ‘silent time’, and after the 1973 show at Waddington Galleries it would be over twenty years before he exhibited again. A chance meeting with Patrick Heron and the art collector David Thomson sparked a return to serious art production in a range of materials. He gained a series of awards and there were commissions from both Exeter and Winchester cathedrals, and shows at The City of Bath College, Michael Wood Fine Art in Plymouth, Austin Desmond Fine Art and The Lemon Street Gallery in Truro. The Museum of Modern Art in Oxford, the Arts Council of Northern Ireland and University of Warwick are among the institutions that hold examples of his work.

* All lots subject to a buyers premium of 23% plus vat @ 20% 3 5 • Justin Knowles [1935-2004] ‘S.28.02’, Yellow & Black, initialled, numbered and dated J.K. 21/25 ‘02 screenprint, sheet size 50 x 65cm, unframed, together with three similar. [4] *£200 - 300

See website for further images www.bhandl.co.uk

6 • Justin Knowles [1935-2004] S.149.01, Yellow, Green, Red initialled, numbered and dated J.K. 23/25 ‘02 screenprint, sheet size 50 x 66cm, unframed, together with three similar. [4] *£200 - 300

7 • Justin Knowles [1935-2004] DR.LS.44, Laos 12/97, initialled, inscribed and dated ‘97 oil pastel on paper, 19 x 27.5cm, together with a similar graphite drawing. [2] *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 4 8 • Justin Knowles [1935-2004] S.109.01, linear form, initialled, numbered and dated J.K. 1/7 ‘02 screenprint, sheet size 50 x 65cm, unframed, together with five similar. [6] *£200 - 300

9 • Justin Knowles [1935-2004] S.157iv.01, initialled, numbered and dated J.K. 3/25 ‘02 screenprint, sheet size 50 x 65cm, unfarmed, together with three similar, including a duplicate. [4] *£150 - 200 10 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 5 11 • Justin Knowles [1935-2004] Three Forms, initialled and dated 1969 on the base, numbered 1/75 acrylic, 20cm high. *£150 - 250

12 • Justin Knowles [1935-2004] ‘Simulation’ stainless steel linear cube 16 x 16 x 16cm, together with similar linear form Artform Concept . [2] *£100 - 150

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 6 13 • Justin Knowles [1935-2004] Simulation Two Circular Forms. 1998, stainless steel on marble stand, 22cm overall. *£300 - 500

14 • Justin Knowles [1935-2004] Vertical Form, initialled and dated J.K. 01.01. stainless steel and marble 29.5cm high. *£250 - 350

* All lots subject to a buyers premium of 23% plus vat @ 20% 7 15 • Justin Knowles [1935-2004] Kinetic Forms - a group of five, numbered I, II, IV, V,& VII each further numbered 00/0I painted wood with battery powered motors each 38cm. [5] *£300 - 500 Note Machettes for stainless steel editions of 7.

16 • Justin Knowles [1935-2004] Two Forms, initialled and dated 1969 on the base, numbered 1/75 acrylic, 14.5cm high. *£150 - 250

17 • Justin Knowles [1935-2004] Cube, initialled and numbered J.K. 1/1 70/97 grey marble and slate 18cm high. *£300 - 500

18 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 8 20 21 23 24

19 22 25 19 23 • Justin Knowles [1935-2004] • Justin Knowles [1935-2004] Cube Within Cube, C IN C/B01, AC2/B01, initialled and numbered 4/7 on the base initialled and numbered 3/7 on the base cast bronze in an edition of seven, cast bronze in an edition of seven, 10.5cm. *£150 - 250 19cm. *£150 - 250 20 24 • Justin Knowles [1935-2004] • Justin Knowles [1935-2004] AC6/B01, AC12/B01, initialled and numbered 3/7 on the base initialled and numbered 3/7 on the base cast bronze in an edition of seven, cast bronze in an edition of seven, 23cm. *£150 - 250 19cm. *£150 - 250 21 25 • Justin Knowles [1935-2004] • Justin Knowles [1935-2004] AC8/B01, ‘SC11/B01’, initialled and numbered 4/7 on the base initialled and numbered 4/7 on the base cast bronze in an edition of seven, cast bronze in an edition of seven, 6cm. 19cm. *£150 - 250 high. *£150 -250 22 26 No Lot • Justin Knowles [1935-2004] Artform Concept, AC4/B01, initialled and numbered 4/7 on the base cast bronze in an edition of seven, 11.5cm high. *£150 - 250

* All lots subject to a buyers premium of 23% plus vat @ 20% 9 Val Barry, Crouch End,1970s

Val Barry [1937-2018]

Born into a Barnsley mining family, at the age of 29, Val Barry left nursing and moved to Crouch End in London with her husband, and a passion for studio pottery was realised. Recognition came in 1971 with a solo exhibition in Gallery 273, Queen Mary’s College. Throughout the 1970s and 80s her work was well received and taken into collections by a number of major museums including the Victoria & Albert. In addition she was awarded a Gold Medal in the 1975 Florence International Ceramics Competition. As well as solo exhibitions, she exhibited in Hong Kong with Bernard, David and Janet Leach, Katherine Playdell-Bouverie, Michael Cardew, Colin Pearson, Henry Hammond and John Maltby amongst others.

The greatest influence on Val Barry’s work was a Craftsman Potters Association sponsored trip to China in 1978 where she drew inspiration from the Oriental aesthetic. An exhibition of Chinese jades inspired sword-form narrow pieces with dynamically cut rims and a blade-like appearance that looked as if they had received a precision strike from steel. From this came a series of flattened geometric forms, often with a discrete curve, primarily in muted colours, sparse brushwork or wax resist decoration. Produced in varying sizes and forms they were intended to be seen in groups, the spaces between them being equally important as the objects themselves.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 10 27 • Val Barry [1937-2018] three stoneware vessels of narrow profile and rounded, tapering form with arcing rim one under matt brown finish and two with black speckles on a white ground, impressed personal seal, 36 - 43cm high. *£100 - 150

28 • Val Barry [1937-2018] seven porcelain cups of compressed circular form with stained rims on ivory or blush grounds, impressed personal seals, 7 - 9cm high. *£60 - 80

29 • Val Barry [1937-2018] five stoneware ‘compressed spheres’ of thrown form, two with wax resist decoration in green, grey and cream, the remainder with textured finish, impressed personal seals, 7 - 10cm high. *£120 - 180

30 • Val Barry [1937-2018] six bowls of thinly thrown circular form comprising three porcelain variously decorated and three stoneware bowls each differently decorated, impressed personal seals, 13.5 - 18cm diameter. *£80 - 120

* All lots subject to a buyers premium of 23% plus vat @ 20% 11 31 • Val Barry [1937-2018] a porcelain and a stoneware ‘sword form’ each of narrow slab built form with distorted profile and notched margins and an angular rim, the former under pale brown and celadon streaked glaze, the latter with black speckles on a white ground, impressed personal seals, 30 - 33 cm high. *£80 - 120 32 No Lot

33 • Val Barry [1937-2018] four stoneware vessels of narrow profile and rounded, tapering form with arcing rim, two under matt brown finish and two with black speckles on a white ground, impressed personal seal, 28 - 43cm high. *£120 - 180

34 • Val Barry [1937-2018] five stoneware vessels of narrow slab built profile, one with angular rim, one decorated with black speckling on ivory, the remainder under matt brown, impressed personal seals, 25 - 44cm high. *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 12 35 • Val Barry [1937-2018] three stoneware ‘sentry’ vases each of narrow profile with notched margins decorated with black speckles on white, impressed personal seals, 38 - 44.5cm high. *£80 - 120

36 • Val Barry [1937-2018] five stoneware ‘sentry’ vases each of narrow profile with notched margins, one under matt brown and four with black speckles on white, impressed personal seals, 43 - 44.5cm high. *£150 - 200

37 • Val Barry [1937-2018] four stoneware ‘sentry’ vases and a double sentry vase each of narrow profile with notched margins, two under matt brown and three with black speckles on white, impressed personal seals, 44 - 45cm high. *£150 - 200

* All lots subject to a buyers premium of 23% plus vat @ 20% 13 38 • Val Barry [1937-2018] three porcelain ‘chimney’ vases and three stoneware boxes and covers the former of thrown and squashed tapering form under vertically banded white and grey dolomite glazes, banded bronze and satin banded decoration respectively impressed personal seals, 23 - 28cm high, the boxes of circular form decorated with wax resist bands, impressed personal seals, 8.5 - 9cm diameter. *£80 - 120

39 • Val Barry [1937-2018] three stoneware ‘spheres’ and two porcelain ‘egg’ vessels the former of thrown form with narrow circular aperture, one with banded wax resist decoration, one under speckled brown glaze and one with textured finish, the latter with narrow serrated apertures under ivory glazes impressed personal seals, 7 - 9cm high. *£100 - 150

40 • Val Barry [1937-2018] five stoneware ‘compressed spheres’ of thrown form, one with wax resist decoration in grey, two under grey glazes and two with textured finish, impressed personal seals, 6 - 10cm high. *£100 - 150

41 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 14 42 • Val Barry [1937-2018] two stoneware vessels of narrow slab built profile with angular rims, one under banded bronze glazes the other with matt brown finish with brown interiors, impressed personal seals, 28 - 30cm high. *£120 - 180

43 • Val Barry [1937-2018] three stoneware ‘flattened bowls’ of narrow profile on demi-lune bases, with shouldered, notched or flanged rim, under speckled white or matt brown, impressed personal seals, 10.5 - 21cm high. *£50 - 80

44 • Val Barry [1937-2018] four stoneware vessels of narrow slab built profile with angular rims, each with black speckling on ivory with brown interiors, impressed personal seals, 13 - 25cm high. *£100 - 150

45 • Val Barry [1937-2018] five stoneware ‘sail’ vases of narrow slab built form with distorted profile, one with a notched rim decorated variously with ivory, russet and green glazes, the smallest with wax resist landscape decoration, impressed personal seals, 15 - 31cm high. *£100 - 150

* All lots subject to a buyers premium of 23% plus vat @ 20% 15 46 • Val Barry [1937-2018] six bowls of thinly thrown conical form comprising three porcelain variously decorated and three stoneware bowls each differently decorated, impressed personal seals, 17 - 20cm diameter. *£80 - 120

47 • Val Barry [1937-2018] a miscellany of vessels including stoneware, terracotta and porcelain bowls, plates, vases and jugs under various glazes, impressed and incised marks. *£80 - 120

48 • Val Barry [1937-2018] seven bowls of thinly thrown hemispherical form comprising three porcelain variously decorated and four stoneware bowls each differently decorated, impressed personal seals, 10 - 19cm diameter. *£80 - 120

49 • Val Barry [1937-2018] a miscellany of glaze testing tiles and pot fragments, most with annotation, various sizes and shapes. (a lot) *£30 - 50

50 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 16 Val Barry, Crouch End,1970s

* All lots subject to a buyers premium of 23% plus vat @ 20% 17 51 • Emmanuel Cooper [1938-2012] two porcelain jugs of flattened elliptical form with raised spout, one with two flat handles, the companion handle less, under pale celadon and ivory glaze, 23 and 22cm high respectively. *£800 - 1000 Provenance - gifted by the artist to the vendor in June 2011

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 18 52 • Sarah Watson [b.1945] two stoneware jars and covers of squat circular form with lug handles, the larger with narrow finely incised radial bands of opposing diagonals under pale grey salt glaze; the smaller under broad finely incised diagonal bands under brown salt glaze, both with green glazed interior and with impressed personal seals, 19 and 14cm wide. *£80 - 120

53 A small group of studio pottery comprising a Virginia Graham beaker and stand transfer decorated with birds and grey resist stripes together with a pair of Philip Wood terracotta bowls, the exterior sprigged with birds and foxes below a cream band and interior, applied personal and Nunney pottery seals. *£40 - 50

54 A small group of studio pottery comprising two earthenware jugs by Sophie McCartney, one of vertically faceted form under ivory glazes the smaller tapering example under blue and yellow, 17 and 10cm high, together with two pieces by Josie Firmin comprising a jar and cover painted with circus performers and a bowl wax resist and painted with a cat and bird.(4) *£40 - 60 55 • Michael Leach [1913 - 1985] a collection of stoneware domestic items comprising two pitchers and a teapot, fifteen cups, nineteen saucers, milk jug, nine various bowls, two small plates and a crock, most under ash glazes, the jug and teapot with finger trailed decoration and the crock under tenmoku, impressed personal and Yelland Pottery seals. *£200 - 300

* All lots subject to a buyers premium of 23% plus vat @ 20% 19 56 • Hilary Roberts [b.1962] a graduating set of six porcelain jugs of tapering cylinder form with strap handles and pinched spouts under white glaze, impressed personal seal under foot, 19.5 - 12.5cm high. *£60 - 90

Provenance - purchased directly from The North Light Studio, Hebden Bridge

57 • Hilary Roberts [b.1962] a graduating set of four porcelain jugs of tapering cylinder form with strap handles and pinched spouts incised and applied in low relief with leafy fronds under white glaze, impressed personal seal under foot, 18 - 22cm high. *£100 - 150

Provenance - purchased directly from The North Light Studio, Hebden Bridge

58 • Hilary Roberts [b.1962] three porcelain jugs and a teapot the former of tapering cylinder form with strap handles and pinched spouts with sparse resist decoration on white, the barrel shaped teapot with sparse raised floral decoration under white, all with impressed personal seal under foot, 28 and 11cm high. *£60 - 90 Provenance - purchased directly from The North Light Studio, Hebden Bridge

59 No Lot.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 20 60 61 Susan Disley [Contemporary] a Susan Disley [Contemporary] three stoneware teapot of egg shaped stoneware vessels of slender elongated form with flat elliptical cover with a jug-like form with small black lug handle disproportionately small handle and on a textured ivory ground with lime spout with textured ivory ground and interior, incised signature to base, matt black cover, 12cm high. *£60 - 90 43, 44 and 44cm high. *£70 - 90

Provenance - purchased Rufford Crafts Provenance - purchased Rufford Crafts Centre, Newark Centre, Newark

62 Lorraine Ditchburn [Contemporary] five porcelain vessels of slip cast construction of various forms, four with vertical resist decoration on a matt blue ground and one with vertically incised blue decoration on a white ground, signed under bases, 25 - 12cm high. *£80 - 120

63 Lorraine Ditchburn [Contemporary] four porcelain vessels of slip cast construction comprising two slender swelling vases and two oviform examples with asymmetric neck all with fabric textured finish with some coloured detail to rims, two signed under base, 33 and 23cm high. *£60 - 90

* All lots subject to a buyers premium of 23% plus vat @ 20% 21 64 Motoko Wakana [b.1962] five stoneware bowls and a vase incised with fine and intricate linear designs or impressed ‘spots’ and foliate motifs on a pale green or grey ground filled with cream clips, impressed personal seals, bowls 14 - 32cm diameter, vase 11.5cm high. (6) *£100 - 150

Provenance - purchased from the potter whilst at Goalyard Pottery, St. Ives

65 Alison Gautrey [Contemporary] three eggshell spun porcelain bowls of faceted hemispherical form applied with trails of coloured slip, 17.5cm diameter. *£50 - 70

66 Alison Gautrey [Contemporary] four eggshell spun porcelain bowls of faceted hemispherical form applied with trails of coloured slip, 9 - 9.5cm diameter *£50 - 70

67 Karen Bunting [Contemporary] two stoneware bowls of thinly potted circular form, the interior with a finely incised spiral, the exterior of the largest incised with linear banding in white on an oatmeal ground, incised Karen Bunting London, 13 and 18.5cm diameter. *£50 - 70

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 22 68 David Cleverly [Contemporary] a matching earthenware teapot, bowl and jug decorated in blue and red with sea shells, seaweed and starfish on a yellow ground, impressed mark to foot, teapot 17cm high. *£50 - 80

69 Louise Block [Contemporary] two terracotta jugs and a vase one of tapering cylindrical form with large spout decorated with coloured resist spots on an oatmeal ground; one of bellied form with large spout decorated with resist blue bands on an ivory ground; the vase with tapering pink tinged body with russet ribbed neck and yellow angular handles, each signed and dated ‘83, 19, 27 and 25cm high. *£50 - 80

Provenance - purchased at the artist’s degree show, Bath Academy of Arts, Corsham

70 Ray Bradshaw [Contemporary] two white stoneware jugs under yellow and green glazes together with three further stoneware jugs, including a raku fired example, by unknown hands. (5) *£40 - 60

71 • Richard Godfrey [1949-2014] a plate and two mugs each vividly glazed in either red, purple, yellow or orange and decorated with trailed slip and brushwork, the plate signed under the base, plate 20cm wide. *£60 - 80

* All lots subject to a buyers premium of 23% plus vat @ 20% 23 72 • Clare Conrad [b.1948] a white stoneware vase of thinly thrown form with a scooped rim, the exterior applied with patches of matt coloured vitreous slips on a textured ground, the interior under a satin blue glaze, impressed personal seal close to the foot, 21cm high. *£50 - 70

73 • Anna Lambert [b.1957] a white earthenware bowl of circular form with applied rim, the exterior decorated in low relief with fish upon waves on a matt white textured ground with green rim and glossy interior, incised signature on foot rim, 30cm diameter. *£50 - 70

74 • Ned Heywood M.B.E. [b.1947] three stoneware bowls of thinly potted flaring form under pale green wood ash glazes, the largest impressed Ned Heywood, Chepstow, 22 Oct 2000, 23 - 32cm diameter. *£50 - 70

75 • Siddy Langley [b.1955] three glass vases one of oviform, the white body with arbitrary green stripes and purple swirls, another of similar form the iridescent body incised with wave bands and another of flattened globular form with short raised neck, the red body with arbitrary bands of green, yellow and orange, diamond point signatures and dated 2001, 2008 and 2011, 16, 14 and 14cm high. *£120 - 180 76 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 24 77 • Sarah Watson [b.1945] a stoneware bowl of footed circular form, the exterior with an incised spiral under mottled brown salt glaze, 23cm high, impressed personal seal to the foot. *£50 - 80

78 • Sarah Watson [b.1945] three stoneware bowls one of circular form, with incised bands to the interior and exterior, another of compressed footed form the interior incised with arcing linear designs, the exterior with vertical bands, together with a compressed footed bowl with lug handles, all under pale brown salt glaze with impressed personal seals, 16.5, 16.5 and 23cm wide. *£80 - 120

79 • Sarah Watson [b.1945] three stoneware boxes and covers of square form set on peg feet one with incised linear decoration all under grey or brown salt glazes, impressed personal seals to base, 5.5cm square. *£50 - 70

80 Paul Bradley [Contemporary] four stoneware bowls and three jugs three of the bowls and the jugs decorated with narrow linear bands in blue on an ivory ground, the remaining bowl with incised radial decoration to the border under matt white glazes, impressed personal seals, bowls 22 - 32cm diameter, jugs 14 - 17cm high. (7) *£60 - 90

* All lots subject to a buyers premium of 23% plus vat @ 20% 25 81 • Michael Neville Seward Snow [1930-2012] ‘Falling, 1964’, inscribed on reverse with artist’s name and title oil on canvas 121 x 91cm unframed *£500 - 700

82 • Michael Neville Seward Snow [1930-2012] ‘Triad 2, June ‘63’, signed, inscribed and dated on the reverse oil on canvas 60 x 44cm. *£500 - 700

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 26 83 • Michael Neville Seward Snow [1930-2012] ‘Earth Slip, December ‘63’, signed and inscribed on reverse oil on canvas 120 x 63cm, unframed. *£600 - 900

Michael Neville Seward Snow [1930-2012] professional artist and writer, was born in Manchester 1930 and educated at Lawrence Sheriff School, Rugby. He settled in Cornwall, 1951-1980, and was elected to The Penwith Society of Arts in St Ives in 1953 becoming closely associated with Ben Nicholson, Terry Frost, Denis Mitchell and Roberts Adams. Snow exhibited widely and held one-man shows in The Rowan Gallery, London, in Manchester and St Ives. Taught at Exeter College of Art, 1965-1983.

* All lots subject to a buyers premium of 23% plus vat @ 20% 27 84 • Michael Neville Seward Snow [1930-2012] ‘Black White and Grey November ‘54’, inscribed on reverse oil on canvas board 35 x 25cm, unframed *£400 - 600

85 • Michael Neville Seward Snow [1930-2012] ‘May ‘62’, dated bottom left charcoal and watercolour 76 x 55cm. *£250 - 350

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 28 86 • Michael Neville Seward Snow [1930-2012] ‘Edge, January ‘64’, signed and inscribed on reverse oil on canvas 152 x 91cm. *£600 - 900

* All lots subject to a buyers premium of 23% plus vat @ 20% 29 87 • Peter Thursby [1930-2011] Architectural Concrete; Metal Structure in Space, two, both signed, dated ‘56 and 1957, further signed and inscribed on the reverses watercolours, each 39 x 58cm, unframed. [2] *£100 - 200

88 • Peter Thursby [1930-2011] Splintered Sun, signed and dated ‘59 bottom left oil on board, 20.5 x 26cm, unframed. *£60 - 90

89 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 30 90 • Peter Thursby [1930-2011] Sienna, signed and dated ‘56 oil on board, 51 x 64cm, unframed. *£250 - 350

91 • Peter Thursby [1930-2011] Standing figures, homage to Henry Moore, signed and dated ‘55 bottom left oil on board, 33 x 40cm. *£250 - 350

Peter Thursby [1930-2011], born in Salisbury and raised in Jamaica. After National Service he studied at St Pauls Cheltenham and latterly with Paul Feiler and Ernest Pascoe at the West of England College of Art. Throughout the 1950s Thursbys’ output was largely in the form of paintings, and by 1957 his career became textural and fully abstract. From the early 60s his work was almost exclusively sculpture, winning his first major award in 1962. Solo exhibitions at Plymouth Art Gallery in 1964 and the Marjorie Parr Gallery led to Podmen Sculptures in the 1970s followed by the Sarum and Flight series. Thursby’s monumental works, cast by the Morris Singer Foundry, came in the 1980s. He gave generously of his time to art education and organisation including the West of England Academy of which he was President for five years [1995-2000]. In 1995 be received an honorary doctorate from the University of the West of England, Bristol. His career culminated in his Optimism series, one of which is in the Queen’s Collection.

* All lots subject to a buyers premium of 23% plus vat @ 20% 31 92 • Peter Thursby [1930-2011] Moored Yacht at Juan Les Pins, signed and dated ‘57 bottom right oil on board, 83 x 61cm. *£200 - 300

93 94 • Peter Thursby [1930-2011] • Peter Thursby [1930-2011] Autumn Abstract, Blue Green Emerging, signed and dated ‘59 bottom left signed bottom right oil on board, 37.5 x 15.5cm, unframed. oil on board, 121 x 60cm. *£150 - 250 *£60 - 90

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 32 95 • Peter Thursby [1930-2011] Beyond The Light, signed and dated ‘56 bottom right oil on board, 45 x 59cm. *£150 - 250

96 • Ron Caines [20/21st Century] Bonnard’s Room, signed bottom right oil on board, 24 x 37.5cm. *£150 - 200

97 • Camilla Nock [b.1944] Landscape, oil on board, 22 x 35.5cm. *£60 - 90 98 No Lot.

* All lots subject to a buyers premium of 23% plus vat @ 20% 33 99 After Pablo Picasso L’Odalisque Portrait of Genevieve Laporte, giclee print, published by The Giclee Gallery, Cheltenham number 304 from an edition of 1000 image size 33 x 43cm, with certificate. *£50 - 80

100 • John Stanton Ward [1917-2007] Fiona - a study, signed and dated 1986, pencil drawing heightened with white and wash 35 x 49.5cm, together with one volume The Paintings of John Ward. [2] *£80 - 120

101 • Calvin Waller Burnett [1921-2007] Reclining Nudes, signed bottom centre, oil on canvas, 59 x 91cm. *£150 - 200

102 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 34 103 104 • Leo Davey [1924-1987] • Leo Davey [1924-1987] Half-length figure study, Fisherman’s catch, signed and dated ‘59 bottom right signed bottom right oil and wash on paper heightened with pen and ink drawing heightened with white white 24 x 17.5cm. *£120 - 180 36 x 26cm. *£250 - 350

105 British School, 20th Century Clown and Children, indistinctly signed John*** bottom left oil on canvas, 44 x 90cm. *£80 - 120 106 • Rodolfo De Sanctis [b.1936] La Prova Maschere, 1961 signed and dated ‘61 bottom right, watercolour and mixed media, 47 x 35cm, together with Sebastian 1961, Foro Immaginario 1961, Portrait of Mrs Rocke, three pencil portraits by the same hand, various sizes, and a 1963 exhibition catalogue. [8] *£100 - 200

Provenance. Arthur Jefferies Gallery, Davies St., London; RWS Galleries, Conduit St., London.

* All lots subject to a buyers premium of 23% plus vat @ 20% 35 107 • Terry Frost [1915-2003] 3 Graces, signed and dated ‘86 bottom right further signed and inscribed on a label attached to the backboard, mixed media and collage, 41 x 58cm. *£800 - 1200

108 • Howard Hodgkin [1932-2017] Girl on a Sofa, (from Five Rooms). signed, inscribed AP and dated ‘68 bottom right lithograph, 52 x 64.5cm. *£800 - 1000

109 • Michael Roy [20th Century British] Reclining Harmonic, signed and dated 1960 bottom right further signed, inscribed and dated 19 March 1960 on the reverse oil on panel, 24 x 34.5cm *£150 – 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 36 110 • Terry Frost [1915-2003] May June, inscribed as titled, signed and dated ‘68 on the reverse, further signed on the stretcher, oil on canvas, 123 x 92cm, accompanied by a letter from Terry Frost authenticating the painting and a signed Polaroid photograph. *£8000 - 12000 Sir Terry Frost, R.A. [1915-2003] was born in Leamington Spa and left school at 14 to work in a bicycle shop. During army service he met and was tutored by Adrian Heath and subsequently attended Camberwell School of Art where a major influence was Victor Pasmore. In 1950 he moved, with his wife Kathleen, to Quay St in St Ives and worked as assistant to Barbara Hepworth. His career included teaching at the Bath Academy, serving as Gregory Fellow at the University of Leeds and becoming resident Professor of Painting at the Department of Fine Art at the University of Reading. In 1992 he was elected R.A., and was knighted in 1998.

* All lots subject to a buyers premium of 23% plus vat @ 20% 37 111 • Janet A. Freeman [b.1933] Red and Diamonds, signed bottom right, further signed and inscribed on the reverse oil on board, 38 x 44.5cm. *£250 - 350

112 • Camilla Nock [b.1944] Fruit Fantasy, signed with initials, pastel drawing, 50 x 55cm. *£60 - 90

113 • Susan Caines [b.1935] Red jug on windowsill, signed with initials bottom right oil on board, 18 x 24cm. *£80 - 120

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 38 114 • Mary Fedden [1915-2012] The Red Table, signed and dated 1987 bottom left, further signed and inscribed with title on reverse, oil on canvas, 50 x 60cm. *£8000 - 12000

Provenance. Lady Isabel Throckmorton [1917-2008], daughter of the Duke of Rutland, who acquired directly from the artist’s studio.

* All lots subject to a buyers premium of 23% plus vat @ 20% 39 115 • Fred Yates [1922-2008] The Flood, oil on board, 120 x 90cm. *£2000 - 3000 Provenance. Sold Bonhams, Modern British & Irish Art Sale, September 2015.

116 • Fred Yates [1922-2008] Garden border, signed lower left oil on board, 27.5 x 23cm, unframed. *£200 - 300

117 • Fred Yates [1922-2008] Girl and two ladies, signed bottom left, further signed on the reverse oil on board, 40.5 x 12.5cm, unframed. 116 117 *£200 - 300

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 40 118 • Simeon Stafford [b.1956] Having Fun, signed and dated Simeon 07.3.6 bottom left oil on canvas, 44 x 59cm. *£400 - 600

119 • Simeon Stafford [b.1956] All The Fun of The Fair, signed and dated Simeon 06.12.12 bottom right oil on board, 35.5 x 77cm. *£400 - 600 Simeon Stafford [b.1956] born in Duckingfield, Pennines. Stafford won the Robert Owen School Award for art and the Manchester News Portrait Award; the consequence was an introduction to L.S. Lowry who became a family friend and encouraged the young Stafford to study. His early work depicted gritty northern landscapes and character studies. In 1996 he moved to Cornwall where the strong colours and light had a big influence on his work.

* All lots subject to a buyers premium of 23% plus vat @ 20% 41 120 • Fred Yates [1922-2008] The Boudoir Interior, signed twice bottom right, oil on board, 104 x 104cm. *£4000 - 6000

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 42 121 • Fred Yates [1922-2008] Sailor Boy; The Sailor’s Homecoming, signed centre right, oil on board, 105 x 120cm. *£4000 - 6000

* All lots subject to a buyers premium of 23% plus vat @ 20% 43 122 • David McClure [1926-1998] Girl in a Blue Chair, signed bottom right, further signed, inscribed and dated 1987 on the reverse, oil on board, 62 x 74.5cm. *£4000 - 6000

123 • John Randall Bratby [1928 -1992] Diane, Nude, signed on the overlap, inscribed on the stretcher, oil on canvas, 76 x 152cm. *£2000 - 3000

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 44 124 • John Randall Bratby [1928-1992] Self-portrait playing the trumpet in the scullery, Chiswick, signed and dated John Bratby 1956 bottom right, further signed on the reverse, oil on board, 123 x 99cm. *£5000 - 7000

* All lots subject to a buyers premium of 23% plus vat @ 20% 45 125 Georg Jensen. A silver modernist pendant design number 119, the oval pendant, embossed with circular and wave decoration, the reverse with London import marks for 1971 and maker’s mark, approximately 56mm diameter and on un- marked chain. *£100 - 200

126 Abraham Paz. A 20th Century amethyst single-stone ‘mask’ ring stamped with maker’s mark ‘A P’ also ‘Sterling Mexico’, approximately 9gms gross weight, ring size M. *£100 - 150

One of Paz’s earliest pieces ‘mask’ is minimally carved to denote the eyes, nose and mouth. Paz was considered to be a master silversmith, his designs are recognised for their unique modern style and sculptural stones.

127 Vivianna Torun for Georg Jensen. A ‘Mobius’ brooch design number 374 the reverse stamped ‘TORUN’, ‘925 S DENMARK’ and with maker’s mark, approximately 67mm diameter, 47gms gross weight. *£100 - 150

128 Hans Hansen. A silver torque bangle design number 220, of elliptical design with London import marks for 1967 and ‘Hans Hansen’ signature, stamped ‘DENMARK’, approximately 47gms gross weight, 67mm inside diameter. *£100 - 200 129 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 46 131 130 A Danish silver bracelet stamped Anne Farag. A white metal, turquoise ‘SCF’ for S. Christian Fogh of elliptical coloured howlite, dalmation jasper and lozenge-shaped design, the clasp with lapis lazuli beaded necklace composed London import marks possibly for 1983 of cylindrical and spherical beads, the together with a cornelian mounted tag signed ‘Anne Farag’, approximately necklace stamped ‘950’ and a cornelian 46cm overall length. *£50 - 100 mounted single-stone ring. *£80 - 100

132 A Mexican white metal torque collar of interlocked deign. *£50 - 80

133 N E From. A Danish silver bracelet and pendant of modernist design both signed and with London import marks for 1979, the bracelet measures approximately 17.5cm long. *£150 - 200

134 Jane Wiberg. A 20th Century Danish chrysoprase mounted, stylized brooch stamped ‘701 Jane Wiberg 925S’ approximately 60mm overall length, 14.5gms gross weight. *£100 - 150

* All lots subject to a buyers premium of 23% plus vat @ 20% 47 135 • Craigie Aitchison [1926-2009] Dusty in a green coat, signed, inscribed as titled and dated APV/X 2002 on the reverse mixed media on paper, 29 x 24cm. *£1200 - 1800

136 • Richard Bawden [b.1936] Aldeburgh, signed and dated ‘93, watercolour, 37 x 54cm. *£400 - 600

137 • John Brunsdon [1933-2014] Print Room, coloured etching , signed, inscribed and numbered 1/50 in pencil in the margin image, 45 x 59cm. *£100 - 150

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 48 138 • Joan Gilchrist [1918-2008] St Buryan Church, Winter Time, signed with a monogram bottom right oil on board, 75 x 89cm. *£4000 - 6000

Provenance. Wren Gallery [Gill Mitchell] 2002, anon purchaser. W.H. Lane, Penzance 2003 where purchased by the present owner. Literature. This painting is illustrated in Joan Gilchrist, A Life in Pictures. St Buryans’ 14th century church is a distinctive landmark for miles around with a circular graveyard surrounded by granite built cottages.

* All lots subject to a buyers premium of 23% plus vat @ 20% 49 139 • Anthony Amos [1950-2010] Busy harbour scene, signed bottom right, oil on board, 33 x 36cm. *£100 - 150 Provenance. Purchased directly from the artist.

140 • Jorge Aguilar-Agon [b.1936] The Quayside, signed, oil on canvas, 74 x 49cm. *£80 - 120 141 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 50 142 • Anthony Amos [1950-2010] Moored trawlers, signed bottom centre right oil on board, 102 x 73.5cm. *£1500 - 2000

* All lots subject to a buyers premium of 23% plus vat @ 20% 51 143 • Margaret Gregory [1927-2011] A Summer Day, signed bottom right, further signed and inscribed on the reverse oil on board, 21 x 42cm. *£80 - 120

144 • Susan Caines [b.1935] Italian landscape with Black Horse, oil on canvas, 90 x 75cm. *£100 - 200

145 • Ronald Caines [b.1944] Spanish Still Life, signed bottom left oil on board, 24 x 26cm. *£60 - 90

Exhibited. RA Summer Exhibition, 2008.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 52 146 • Charles James McCall [1907-1989] Buckie Trawlermen, signed and dated ‘50 top right, oil on canvas, 59 x 49cm. *£300 - 500

147 • Barrington Tabb [b.1934] The Dock Workers, signed with initials bottom right oil on board, 23 x 27cm. *£150 - 250

148 • Robin Leonard [b.1960] Boats at Lerryn, signed, oil on board, 14 x 19cm. *£50 - 80 149 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 53 150 • Gabrielle Bellocq [1920-1999] Robes Printanieres, signed bottom right pastel drawing, 31 x 24cm. *£50 - 80

Exhibited. The artist’s selling exhibition, Hazelwood House, Loddiswell. December 1990 - January 1991.

151 • Michael Emmett [b.1945] Still life; Jug of Flowers in an Interior, signed, watercolour, 43 x 52cm. *£50 - 80 152 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 54 153 • John Piper [1903-1992] Boissy-en-Dronais, screenprint, block- stamped signature John Piper JECP numbered II/XXVI in pencil image size 42 x 52cm. *£500 - 700

154 155 • Duncan Grant [1885-1978] • John Piper [1903-1992] Corn stooks, Figures from a seal, signed with initials and dated DG/77 in etching, block-stamped signature John the bottom margin Piper JECP pastel drawing, 26 x 17cm. *£200 - 300 plate size 21 x 15.5cm. *£100 - 150

Provenance. The Estate of Peter Waught [1938-2014], Busbys Fine Art Auction, October 2016.

* All lots subject to a buyers premium of 23% plus vat @ 20% 55 156 • Janet Watson [Contemporary] Haven, circa 1998 signed bottom left oil on board, 61 x 61cm. *£150 - 250

157 • John Wells [1907-2000] Untitled inscribed on reverse ‘Christmas 1960, best wishes from Johnny, Newlyn’ monotype 12 x 14cm. *£150 - 250 Provenance. Michael S. Snow Esq.

158 • Alan Green [1932-2003] No.5; abstract, signed in pencil bottom right numbered and dated No.5 ‘67 bottom left etching and mixed media sheet size 59 x 79cm. *£50 - 70 159 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 56 160 • Ken Jones [Contemporary] Icarus, signed bottom right acrylic and mixed media on board 61 x 61cm. *£80 - 120

Provenance. The Gallery - Hornseys, Ripon, Yorkshire.

161 • David Toner [b.1944] Harbour Wall - Clydeside, signed bottom right signed and inscribed with title on the reverse, further inscribed Glasgow School of Art oil on canvas, 92 x 97cm. *£300 - 500

162 • Susan Caines [b.1935] Beach and Boats with Curtain, oil on canvas, 73 x 89cm. *£100 - 200 163 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 57 164 • Elisabeth Cummings [b.1934, Australian] Nature, abstract signed Cummings bottom left oil on board, 59 x 52.5cm. *£3000 - 5000

165 166 • Alfred Stockham [b.1933] Gerald S. Pitchforth [20th Century] Corfu, Figure on a beach, a pier in the signed and inscribed on the reverse, distance, oil on board, 28 x 43cm. *£80 - 120 signed, mixed media drawing, 17 x 23cm, unframed. *£60 - 90

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 58 167 • Ann Atkin [20/21st Century] Untitled, ‘The essence of life is built into all the structures of Nature....., ‘ signed with a monogram and dated ‘92 bottom right artist’s statement attached to the reverse watercolour and pencil drawing, 28 x 32cm. *£80 - 120 Provenance. High Cross House Collection, Dartington Hall Trust. Bearne’s, Exeter sale, 2007.

168 • Barrington Tabb [b.1934] Kingswear, Devon, signed, inscribed and dated 1990 on the reverse oil on board, 39.5 x 50cm. *£200 - 300

169 • Barrington Tabb [b.1934] Morgan Lewis Mill, Barbados; View of Antigua two, mixed media on paper, 46 x 31cm & 42 x 28cm. [2] *£100 - 200

* All lots subject to a buyers premium of 23% plus vat @ 20% 59 170 • Alan Cotton [b.1936] River Otter, signed and dated 1980, inscribed on the reverse oil on canvas, 30 x 25cm. *£200 - 300

171 • Adrian Sykes [b.1970] The Bee Keepers, signed and dated ‘12 bottom right oil on board, 38 x 49cm. *£80 - 120

172 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 60 173 • George Rowlett [b.1941] Sunset, oil on canvas, 62 x 77cm. *£800 - 1200

174 • George Rowlett [b. 1941] Autumn Stubble Fields and Beeches at Coldblow with Mongeham Church, signed, inscribed and dated 1992-93 on the reverse, oil on canvas, 46 x 66cm. *£500 - 700

* All lots subject to a buyers premium of 23% plus vat @ 20% 61 175 176 Studio of Salvador Dali • Ludwig Bemelmans [1898-1962] Capricorn, Walking The Dog, bears pencil signature and numbered signed, Hammer Galleries New York 225/250 stamp to reverse lithograph, sheet size 73 x 53cm. pen, ink and watercolour drawing, *£150 - 200 27 x 20cm. *£500 - 700

177 178 • Susan Jayne Hocking [b.1962] • Colin Melbourne [b.1928] Dancer in My Head, Divided Waters, mixed media, 29 x 20cm, signed and dated 2000, inscribed on together with two smaller figure studies the backboard by the same hand. [3] *£50 - 70 mixed media, 47 x 35.5cm. *£80 - 120

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 62 179 Karen Howse, British, late 20th/early 21st - ‘Fern’ mixed media on fabric, mounted and framed, 63 x 44cm. *£50 - 70

180 • Paul Stephenson [b.1976], after Warhol Little Electric Chair - Cadmium Yellow, silkcreen print on linen stamped ‘UNDENIED’ to reverse 56 x 71cm, unframed. *£200 - 300

Stephenson is a follower of Andy Warhol. Researching and recreating practices first established by Warhol in New York, London-based artist Stephenson is dedicated to creating After Warhol. Inspired by Warhol’s [1964] Electric Chair the present lot references a press photograph of the death chamber at Sing Sing Prison in New York. Here Julius and Ethel Rosenberg were executed for passing details about the atomic bomb to Russia during World War Two. The original work was created at Warhol’s studio in New York and forms part of his Death and Disaster series. Warhol is said to have quipped “You’d be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background colour matches the drapes”

181 • Glenys Cour [b.1924] Still Life with fish, signed and dated, 96 bottom right mixed media collage, 30 x 39cm. *£80 - 120 Provenance. Contemporary Art from Wales Exhibition. Holland, 1994-1995.

* All lots subject to a buyers premium of 23% plus vat @ 20% 63 182 Edward Ardizzone [1900-1979] Shelter Scene, 1941, lithograph in colours published by the Baynard Press for the National Gallery, 77 x 102cm, unframed. *£50 - 70

183 • Ahmed Moustafa [b.1943] Untitled, screenprint signed and dated ‘76 in pencil bottom right sheet size 63 x 89cm. *£50 - 70

184 • Ken Hildrew [b.1934] The Ashdown; Park Bench II; High Rock II; Landscape II; Evening Landscape I; March Holly II, a group of six lithographs in editions of 75, [Landscape II Artist’s Proof], each signed and inscribed in pencil, each sheet size 49 x 48cm. [6] *£100 - 200

185 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 64 186 One of nine in the lot A Jean Dubuffet Paintings Tate Gallery Arts Council Exhibition poster, April- May 1966, 76.5 x 51cm, unframed. *£50 - 70 187 • Ti Parks [b.1939] Roxane; 10,000 Collages. No.1637, May 1986, signed and numbered 1637, inscribed and dated 1986 on the backboard mixed media collage, 15 x 10.5cm, together with a group of eight more from the same series [9] and two small sketch book pamphlets titled As Well II and Thirty Folded Drawings 1991. *£150 - 250 188 A 1956 Marcel Mouly [1918-2008] Berri-Lardy & Cie., Rue Des Beaux-Arts, Paris, exhibition poster, signed and numbered 7/30 in pencil bottom right, 67 x 51cm, unframed. *£30 - 50

* All lots subject to a buyers premium of 23% plus vat @ 20% 65 189 • Maurice Cockrill [1936-2013] ‘Generation’ - blue - first group, signed and inscribed on the reverse oil on canvas, 81 x 100cm, together with one volume Maurice Cockrill by Marco Livingstone & Nicholas Alfrey. [2] *£300 - 500

190 • George Manzana- Pissarro [1871-1961] Ducks, stencil print, heightened with colour signed bottom left and numbered 15/100, 28 x 43cm. *£100 - 150

191 • Susan Caines [b.1935] The White Horse, signed bottom right oil on board, 40 x 54.5cm. *£100 - 150 192 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 66 193 • Derek Menary [b.1943] Two Vessels, signed with a monogram bottom left further signed, inscribed and dated ‘10 on the reverse mixed media on board, 80 x 54cm. *£200 - 300

194 • Ann Thornycroft [b.1944] Four etchings, titled Image; Three Planets; Walk in Space; Morocco, all signed and inscribed, sheet sizes 72 x 53cm and larger, unframed. [4] *£100 - 150 195 No Lot Part lot showing, see website for further images

* All lots subject to a buyers premium of 23% plus vat @ 20% 67 196 • Jane Mitchell [20th/21st Century] ‘Landscape 2004’, mixed media together with another similar 14 x 22cm. and 9.5 x 13cm. (2) *£150 - 250 Jane Mitchell was the wife of the sculptor Dennis Mitchell (1912-1993) Provenance Michael S. Snow Esq.

197 • Michael J. Praed [b.1941] Overlooking The Bay, oil on canvas, 61 x 122cm, unframed. *£100 - 150

198 • Jack Seymour [20/21st Century] Zennor; Kelidjack Valley, a pair, oils on board, each 13.5 x 35cm. [2] *£60 - 90 199 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 68 200 • Derek Menary [b.1943] Big Wave; [Series 3, No.2], signed with a monogram bottom left oil on board, 61 x 79.5cm. *£120 - 180

201 • Richard Snowden [1950-2014] Summer tree plantation,- signed, oil on canvas, 76 x 101cm. *£80 - 120

202 • Charles Howard [b.1922] Bather and Three Boats, signed and dated ‘79, oil on board, 21 x 26cm. *£60 - 80

* All lots subject to a buyers premium of 23% plus vat @ 20% 69 203 • William Gear [1915-1997] Untitled, signed and dated ‘85 bottom left oil on canvas, 121.5 x 81 cm. *£4000 - 6000

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 70 204 • William Gear [1915-1997] Untitled, signed and dated ‘85 bottom left, oil on canvas 121.5 x 81cm. *£4000 - 6000

William Gear [1915-1997] was born in Methil, south east Fife, Scotland. Gear studied at Edinburgh College of Art and travelled to Paris to study under Fernand Leger. He served in Egypt, Palestine, Cyprus and Italy during the war. In 1947 he settled in Paris, and exhibited at the Cobra in Amsterdam in 1949. In the same year held a one-man show at Gimpel Fils in London, the first of eight exhibitions there. He was curator of the Towner Gallery in Eastbourne from 1958-1964, after which he became head of the Faculty of Art at Birmingham College of Art.

* All lots subject to a buyers premium of 23% plus vat @ 20% 71 205 • William Gear [1915-1997] Floating Forms, March 1976, signed and dated bottom right acrylic on card, 39 x 49cm. *£200 - 300

206 • William Gear [1915-1997] Untitled, February 1967, signed and dated bottom right mixed media, 36 x 55cm. *£200 - 300

207 • William Gear [1915-1997] Yellow Crosses, December 1963, signed and dated bottom right mixed media, 34 x 50cm. *£200 - 300 208 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 72 209 • Tony Wild [b.1941] Chasing Time, 210 signed, inscribed and dated 2002 on • Dillwyn Smith [b.1958] the reverse, Untitled, oil on canvas, 91 x 71cm. *£100 - 150 signed and dated 1992 on the reverse oil on canvas, 95 x 65cm. *£80 - 120

211 • Richard Freeman [b.1932] Winter landscape, signed on the reverse oil on board, 77 x 92cm. *£60 - 90

* All lots subject to a buyers premium of 23% plus vat @ 20% 73 212 213 • Peter Worswick [b.1960] • Derek Menary [b.1943] British Summer; girl with umbrella, Siobhan, signed, oil on canvas, 88.5 x 28.5cm. signed with a monogram bottom left *£200 - 300 mixed media, 83 x 58cm. *£80 - 120

214 • Robert O. Lenkiewicz [1941-2002] Painter with Esther, Aristotle / Phylis, Project 18, signed in pencil in the margin bears title inscription and numbered 96/295 image size 74 x 61cm, with Washington Green certificate. *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 74 215 • Paul Brason [b.1952] Portrait of Sir Roy Strong, (Young Man Among Roses), signed and dated ‘88 bottom right oil on canvas, 100 x 70cm. *£400 - 600

Sir Roy Strong [b.1935], Art Historian & Museum Director.

* All lots subject to a buyers premium of 23% plus vat @ 20% 75 217 216 A Kosta Boda Fidji bottle vase by Kjell A James Powell & Sons Whitefriars Engman of slender elongated form in glass vase of indented cylindrical form pale amber, pink and grey, diamond decorated with bands of encased point etched Kosta Boda K. Engman bubbles in meadow green, circa 1950, and 2048839, with factory label, 37cm 40cm high. *£50 - 80 high. *£50 - 70

218 • Siddy Langley [b.1955] a glass scent bottle and stopper and two paperweights the former of flattened tear drop form with applied textured bands on an amber ground, the weights of pebble-shaped form, the iridescent body with arbitrary decoration,diamond point etched signatures and dated 2004, 2003 and 2007, 16cm high and 10 and 13cm wide. *£100 - 120

219 • Malcolm Sutcliffe [b.1954] two glass bowls both of ‘U’ shaped form the larger of graduating white blue colour, the exterior sand blasted with an encircling band of white Polar Bears, the smaller of graduating blue amethyst colour sand blasted with an encircling band of black and white flecked Elephants, diamond point signatures, 15 and 13.5cm high. *£70 - 90

220 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 76 221 222 An art glass vase of flattened oviform Stuart Ackroyd [Contemporary] a glass with asymmetric neck and wedge vase of indented cylindrical form, the shaped profile, the pale green body pale green body applied with large containing scattered green and white green spots, diamond point etched canes, diamond point signature to base, signature and dated 19-5-1996, with 34cm high. *£50 - 80 paper label, 30cm high. *£50 - 80

223 Ed Burke [Contemporary] a glass vase and scent bottle the former of flattened oviform, the blue, yellow and red banded vase case in glossy amethyst and acid etched to reveal a pastoral scene of deer in a landscape, diamond point etched signature and EM, the latter of cased clear blue and purple pebble shaped form with frill rim and clear stopper diamond point etched EM, 23 and 12cm high. *£50 - 70

224 A Mdina glass ‘fish’ vase of heavy cased construction the blue body with white veining, diamond point mark to base, circa 1975, 20 cm high together with a Mdina vase and bottle both of red colour with trailed decoration, 11.5 and 13.5cm high. (3) *£70 - 90

* All lots subject to a buyers premium of 23% plus vat @ 20% 77 225 • Siddy Langley [b.1955] two ‘Peacock’ vases the first of tapering cylindrical form, the latter of flattened form with applied blue wings each decorated pea green and blue spots joined by dark green trails on a light green body, diamond point etched signature and 2006 to bases, 24 and 15cm high. *£100 - 150

226 An Okra glass vase by Richard P. Golding and two other studio vases the former of oviform with short neck the pale amber body with arbitrary iridescent surface decoration, diamond point signature and dated 2011, 12cm high, the companion vases of ‘U’ shaped form one with abstract patches of multicoloured glass on a blue ground, the other with a lattice of narrow coloured trails on a matt sandy ground, 10.5 and 14cm high. *£80 - 120

228 Lucy Brown [Contemporary] a slab built white stoneware jug of oval profile with 227 beaded handle and ‘riveted’ spout the A Swedish silver modernist vase, body applied on one flank with wings stamped marks Norgren, 830 of under banded and spotty decoration, cylindrical form with planished body 23.5cm high. *£50 - 70 and flared rim, 16cm. high, 356gms, 11.47ozs. *£50 - 80 229 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 78 230 Lalique Cristal stemware twelve Barsac flutes, diamond point etched under foot Lalique France, 18.5 cm high. *£200 - 250

231 A clear glass decanter and a carafe the form of Scandinavian influence and of oval profile with pouring lip and a fluted lemon squeezer stopper, 28.5cm high the carafe of tapering wrythen fluted form with a tooled collar, the body with a notched trail, 20.5cm high. *£60 - 80 232 No Lot

233 Two James Powell & Sons Whitefriars textured glass vases after designs by Geoffrey Baxter, one of square profile in Aubergine, the companion of swelling form under Pewte, 18 and 14cm high. *£40 - 60

* All lots subject to a buyers premium of 23% plus vat @ 20% 79 234 235 • Svend Bayer [b.1946] a monumental • Svend Bayer [b.1946] a monumental stoneware garden pot of squat circular stoneware garden pot of squat circular form with bold rim and four ‘basket form with bold rim and four ‘basket weave’ handles, the shoulders applied weave’ handles, the shoulders applied with four ‘maze’ motifs and a personal with four ‘maze’ motifs and a personal seal on a textured ground, 75cm wide seal on a textured ground, 63cm wide. [small chip under rim] *£400 - 500 *£300 - 400

236 • Alan Wallwork [1931 - 2019] a stoneware vessel of ‘U’ shaped form with combed decoration front and verso flanked by a narrow band of impressed circles under pale green and russet staining, incised ‘AW’ to base, 29.5cm high. *£150 - 250

237 No Lot

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 80 *£3000 - 5000 238 Adam Christian Graddon [Contemporary] ‘Skulduggery’ mixed media still life composition comprising a unique arrangement under a multitude of glazes, oxides and decals with some skulls, twelve pears and icosahedrons of twelve earthenware incised detail, contained within a wooden matrix, 56 x 122cm.

* All lots subject to a buyers premium of 23% plus vat @ 20% 81 239 David Cleverly [Contemporary] two earthenware figures of a displaying turkey stag on an upturned plant pot with two snails under polychrome decoration, together with a swimming duck on an upturned plant pot decorated with fish and the caption ‘Ducks will not lay till they have drunk March water’, also under polychrome decoration, 22 and 25cm high. *£60 - 90

240 Jennie Hale [Contemporary] a hand built raku fired Lapwing with incised detail picked out with coloured glazes, incised signature to base, 30cm high. *£60 - 90

241 Jennie Hale [Contemporary] two hand built raku fired birds comprising a Long-tailed Tit and Firecrest with incised detail picked out with coloured glazes, incised signatures to bases, 20 and 14cm long. *£50 - 80

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 82 242 • Lawson Rudge [b.1965] a raku fire Old Spot Sow modelled in standing position decorated in crazed white with wax resist spots, 24 cm long, incised signature and 243 caption. *£50 - 80 • Lydia Corbett [b.1934] a stoneware figure of a seated cat with incised decoration under manganese and blue glaze, initialled L.C. to the interior, 12cm high. *£80 - 120

244 Jane Adams [Contemporary] a stoneware figure of a grazing cow with pale brown spots on an ivory body, 30cm high. *£40 - 60

245 No Lot

246 C. Alan Johnson four pottery Eskimo figures Isaac, Naya, Nutchuk and Emma, painted marks to under side and various dates circa 1975, tallest 16cm high. *£60 - 90

* All lots subject to a buyers premium of 23% plus vat @ 20% 83 247 • Peter Hayes [b.1946] ‘Three Crosses’ a ceramic resin square plaque mounted on a wooden frame, with three red crosses on a textured and weathered ground, 32cm square. *£100 - 150

248 No Lot

249 • Lydia Corbett [b.1934] a stoneware plate of circular form boldly painted with a mermaid and fish, initialled L.C. with a flower on the reverse, 24cm diameter. *£100 - 150

250 Jane Muir [Contemporary] ‘Marine Roundel’ a multi media mosaic panel containing smalti, gold leaf and glass fusions, 53cm diameter. *£100 - 200

249

251 • Elaine M. Goodwin [b. 1951] Atlantic Sea Poem 1 a rectangular mixed marble, stone and glass abstract mosaic, framed, 61 x 91 cm. *£150 - 200 Now resident in Burgundy, France, Elaine Goodwin lived and studied in Exeter for over 40 years. She was responsible for many large civic mosaics including the 5 x 15 m St Thomas Railway Arches ‘Pigeon’ Mural adjacent 250 to the sale rooms.

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 84 252 A Pilkingtons Royal Lancastrian pottery vase of oviform incised with a band of foliage picked out in green 253 and reserved on a blue ground, impressed marks and model no.202 Tilly Young [Contemporary] a terracotta of lobed oviform under with incised monogram for William S. jar and cover green glazes, impressed Washfield Mycock and datecode for 1933, Devon, close to foot, 30cm high. 16cm high. *£100 - 150 *£40 - 50

255 Mougin Freres [Nancy] a pottery vase 254 of slender oviform decorated with • Ray Finch [1914 - 2012] a stoneware a green crystaline glaze on an ivory jug of oviform with raised ribbed neck ground, the base incised Mougin and a ribbed strap handle the body Nancy, 20.5cm high. *£80 - 120 with a central band of incised linear decoration and impressed circles under ivory glazes, impressed personal seal close to foot, 23cm high *£60 - 80 256 Linda Styles [Contemporary] two terracotta slab built vessels one of fish head form, the other of pillow shaped form brightly and chaotically decorated in vivid colours, the larger signed Styles 09, 13cm high and 27cm long. *£80 - 120

* All lots subject to a buyers premium of 23% plus vat @ 20% 85 257 • Pietro Cascella [Italian 1921-2008] Abstract sculpture, bronze signed and dated Pietro Cascella ‘89 43cm diameter. *£200 - 300 Provenance. Awarded to the present owner by the European Commission for his prize winning TV documentary.

258 • Angelo Bordonari [b.1951] Never The Same Day Twice bronze mask, signed on the backboard in gilded wood case, 30 x 30cm overall. *£100 - 150

259 A Fornasetti Architettura metal table lamp of square profile printed in the form of an Italian tower, 44cm high. *£150 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 86 260 • Emma Rodgers [b.1974] a porcelain sculpture Raging Bull formed from torn slabs with blue, white and rust staining, 33 cm long, with polished marble stand, [glue repair to tip of horn] *£200 - 300 Provenance. Marshall Arts Totnes 2002

261 • Emma Rodgers [b.1974], A bronze ‘beach dancer’ from her series in 2006 unsigned, on a triangular base, 54cm high. *£1300 - 1500 Provenance. The Where I Fell in Love Gallery, Shipston-on-Stour.

262 • Emma Rodgers [b.1974], A bronze ‘beach dancer’ from her series in 2006 unsigned, on a triangular base, 27cm high. *£1300 - 1500 Provenance. The Where I Fell in Love Gallery, Shipston-on-Stour.

263 • Emma Rodgers [b.1974], A bronze ‘beach dancer’ from her series in 2006 unsigned, on a triangular base, 26cm high. *£1300 - 1500 Provenance The Where I Fell in Love Gallery, Shipston-on-Stour.

* All lots subject to a buyers premium of 23% plus vat @ 20% 87 264 A tan leather and chrome swivel chair, circa 1970. *£120 - 180

Originally purchased from Maskreys of Bristol circa 1969/70. Robert Maskrey (1940-2016) was a prominent Welsh business figure and supporter of the arts, In the 1950s and 60s he began to introduce Scandinavian furniture in his stores in Cardiff, Newport and Bristol and is considered to be one of the leading trend setters of furniture product design.

265 No Lot

266 A mid to late 20th Century Danish teak dining table and eight chairs, the table raised on square leg supports, 136 x 90cm, the chairs with upholstered back and seats on shaped legs *£100 - 200

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 88 267 Mobelmontage, Sweden. A pair of Innovator chairs with chrome plated steel frames and single section suspended upholstery, label as per title to back, (2). *£60 - 100

Originally purchased from Habitat in the late 1960s.

268 A late 20th Century black and white leather ‘Pop-art’ style two seater settee and armchair both with shaped backs and seat, the settee raised on short ebonised leg supports (2) *£150 - 250

269 Flexform Italia. A black leather and chrome ‘Scissor’ chair by Antonio Citterio [b.1950-] and Paul Tuttle [1912- 2002], the black leather single section seat held in a cross frame by six side cylinders. *£150-200

270 No Lot

* All lots subject to a buyers premium of 23% plus vat @ 20% 89 271 A Danish teak dresser with an arrangement of open shelves and cupboards with sliding doors, together with a matching book case and a similar chest of drawers (3) *£100 - 200

272 A Scandinavian teak and ebonised side cabinet unsigned, having adjustable shelving over a drinks cabinet section with base fitted sliding doors, raised on tapering legs, 96cm wide shelving unit. *£50 - 100

273 A 20th Century carved gilt wood standard lamp, the two stage column raised on a floral carved domed base and circular foot, unsigned, 173cm high. *£80 - 120

274 No Lot 272 273 • denotes lots affected by Artist’s resale rights - refer to conditions of sale. 90 275 Acerbris International, Italy. A ‘Sheraton’ credenza after Giotto Stoppino and Lodovico Acerbis, in Chinese red lacquer finish with ‘scivolorotante’ (sliding pivot) doors enclosing shelves and drawers, raised on circular feet, 280cm x 49cm x 79cm. *£200 - 300 Originally designed in 1977, the Sheraton credenza has remained unchanged in its simple form and has won numerous awards. An example is held in the Victoria & Albert Permanent Design collection.

276 A mid 20th Century Scandinavian teak and chrome desk, circa 1960s, the rectangular top with three frieze drawers opposed by an open shelf, raised on square section chrome end supports, 127 x 69cm. *£80 - 120

277 A late 20th Century cherry wood desk by Tracy Byles, the plain rectangular top with single bowfront frieze drawer, raised on shaped outswept square leg supports, 100 x 66cm. *£400 - 600

* All lots subject to a buyers premium of 23% plus vat @ 20% 91 Artist Index

ARTIST LOT NUMBER ARTIST LOT NUMBER ARTIST LOT NUMBER Ackroyd (S.) 222 Freeman (R.) 211 Paz (A.) 126 Adams (J.) 244 Freres (M.) 255 Piper (J.) 153, 155 Aguilar-Agon (J.) 140 Frost (T) 107, 110 Pitchforth (G. S.) 166 Aitchison (C.) 135 Gautrey (A.) 65, 66 Praed (M. J.) 197 Amos (A.) 139, 142 Gear (W.) 203, 204, 205, Roberts (H.) 56, 57, 58 206, 207 Ardizzone (E.) 182 Rodgers (E.) 260, 261, 262, Gilchrist (J.) 138 263 Atkin (A.) 167 Godfrey (R.) 71 Rowlett (G.) 173, 174 Barry (V.) 27, 28, 29, 30, 31, 33, 34, 35, Goodwin (E. M.) 251 Roy (M.) 109 36, 37, 38, 39, Graddon (A. C.) 238 Rudge (L.) 242 40, 42, 43, 44, 45, 46, 47, Grant (D.) 154 Sanctis De (R.) 106 48, 49 Green (A.) 158 Seward Snow 81, 82, 83, 84, Bawden (R.) 136 (M. N.) 85, 86 Gregory (M.) 143 Bayer (S.) 234, 235 Seymour (J.) 198 Hale (J.) 240, 241 Bellocq (G.) 150 Smith (D.) 210 Hansen (H.) 128 Bemelmans (L.) 176 Snowden (R.) 201 Hayes (P.) 247 Block (L.) 69 Stafford (S.) 118, 119 Heywood (N.) 74 Bordonari (A.) 258 Stanton Ward (J.) 100 Hildrew (K.) 184 Bradley (P.) 80 Stephenson (P.) 180 Hocking (S. J.) 177 Bradshaw (R.) 70 Stockham (A.) 165 Hodgkin (H.) 108 Brason (P.) 215 Sutcliffe (M.) 219 Howard (C.) 202 Bratby (J. R.) 123, 124 Sykes (A.) 171 Howse (K.) 179 Brown (L.) 228 Tabb (B.) 147 Jensen (G.) 125 Brunsdon (J.) 137 Tabb (B.) 168, 169 Johnson (C. A.) 246 Bunting (K.) 67 Thornycroft (A.) 194 Jones (K.) 160 Burke (E.) 223 Thursby (P._ 87, 88, 90, 91, Knowles (J.) 1, 2, 3, 4, 5, 6, 7, 92, 93, 94, 95 Burnett (C. W.) 101 8, 9, 10, 11, 12, 13, 14, 15, 16, Toner (D.) 161 Caines (R.) 96, 145 17, 19, 20, 21, Torun (V.) 127 Caines (S.) 113, 144, 162, 22, 23, 24, 25 Wakana (M.) 64 191 Lambert (A.) 73 Cascella (P.) 257 Wallwork (A.) 236 Langley (S.) 75 Cleverly (D.) 68 Watson (J.) 156 Langley (S.) 218, 225 Cleverly (D.) 239 Watson (S.) 52, 77, 78, 79 Leach (M.) 55 Cockrill (M.) 189 Wells (J.) 157 Lenkiewicz (R. O.) 214 Conrad (C.) 72 Wiberg (J.) 134 Leonard (R.) 148 Cooper (E.) 51 Wild (T.) 209 Manzana-Pissarro 190 Corbett (L.) 243, 249 (G.) Worswick (P.) 212 Cotton (A.) 170 McCall (C. J.) 146 Yates (F.) 115, 116, 117, 120, 121 Cour (G.) 181 McClure (D.) 122 Young (T.) 253 Cummings (E.) 164 Melbourne (C.) 178 Davey (L.) 103, 104 Menary (D.) 193 Disley (S.) 60, 61 Menary (D.) 200 Ditchburn (L.) 62, 63 Menary (D.) 213 Emmett (M.) 151 Mitchell (J.) 196 Farag (A.) 130 Moustafa (A.) 183 Fedden (M.) 114 Muir (J.) 250 Finch (R.) 254 Nock (C.) 97, 112 Freeman (J. A.) 111 Parks (T.) 187

• denotes lots affected by Artist’s resale rights - refer to conditions of sale. 92 The art of insurance

From fine art and precious jewellery to antiques and collectables, Lycetts has nearly 60 years’ experience of protecting clients’ most treasured possessions.

We offer specialist, impartial advice on your personal insurance requirements, in addition to an extensive range of products and services for estates, farms, equestrian and commercial enterprises.

01392 479 111 [email protected] www.lycetts.co.uk

Lycetts is a trading name of Lycett, Browne-Swinburne & Douglass Limited which is authorised and regulated by the Financial Conduct Authority. Lycetts is a trading name of Lycetts Financial Services Limited which is authorised and regulated by the Financial Conduct Authority.

Proud to protect your home and your valued possessions Forthcoming Fine Art Sale 13th & 14th October 2020

Two Royal Worcester fruit painted jars and covers Estimate £600 – £800 each

Enquiries to Nic Saintey; [email protected] Entries invited for the forthcoming Antiquarian Book Auction 1st December 2020

Enquiries to Rachel Littlewood [email protected] Information for Buyers 1. Introduction. The following informative notes are intended whether an export licence is required and (b) whether there is to assist Buyers, particularly those inexperienced or new any specific prohibition on importing goods of that character to our salerooms. All sales are conducted on our printed because, e.g. they may contain prohibited materials such as Conditions of Sale which are readily available for inspection ivory. Ask us if you need help. and normally accompany catalogues. Our staff will be happy 9. Bidding. Bidders may be required to register before the to help you if there is anything you do not fully understand. sale commences and lots will be invoiced to the name and 2. Agency. As auctioneers we usually contract as agents for address on the registration form. Some form of identification the seller whose identity, for reasons of confidentiality, is may be required if you are unknown to us. Please enquire in not normally disclosed. Accordingly if you buy your primary advance about our arrangements for telephone bidding. contract is with the seller. 10. Commission bidding. Commission bids may be left with 3. Estimates. Estimates are designed to help buyers gauge the auctioneers indicating the maximum amount to be what sort of sum might be involved for the purchase of a bid excluding buyers’ premium. They will be executed as particular lot. The lower estimate may represent the reserve cheaply as possible having regard to the reserve (if any) and price and certainly will not be below it. Estimates do not competing bids. If two buyers submit identical commission include the Buyer’s Premium or VAT (where chargeable). bids the auctioneers may prefer the first bid received. Please Estimates are prepared some time before the sale and may enquire in advance about our arrangements for the leaving of be altered by announcement before the sale. They are in no commission bids by telephone. sense definitive. 11. Methods of Payment. If a purchaser is unknown to the 4. Buyer’s Premium. The Conditions of Sale oblige buyers auctioneers and is intending to pay by credit or debit card we to pay a buyer’s premium at 23% + VAT (27.6%) which shall will require the card holder to attend in person with suitable include VAT on the premium at the rate imposed by law (see photographic identification, otherwise payment is required by below). There is a surcharge when bidding on the internet. BACS/CHAPS or electronic bank transfer. As a general rule any cheques tendered will need to be cleared before removal of the 5. VAT. A ‘dagger’ symbol indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the goods is permitted. Please discuss with our Office in advance of hammer price as well as being an element in the buyer’s the sale if other methods of payment are envisaged. premium. This imposition of VAT is likely to be because the Card payments where the card holder is not present will only seller is registered for VAT within the European Union and is be accepted for transactions up to £1,000 not operating the Dealers Margin Scheme or because VAT is Collection and storage. Please note what the Conditions of Sale due at 15% on importation into the UK. The double ‘dagger’ state about collection and storage. It is important that goods are symbol indicates that the lot has been imported from outside paid for and collected promptly. Any delay may involve the buyer the European Union and the present position is that these in paying storage charges. lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols Methods of Payment indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin All payments by mail, bank transfer, etc, must be made in Scheme and it should be noted that the VAT included within sterling. The following methods of payment are available: the Premium is not recoverable as input tax. CASH (up to a sterling equivalent of the EU limit) CHEQUE; STERLING BANK DRAFT; ELECTRONIC 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may BANK TRANSFER IN STERLING; CREDIT CARD inspect lots and act reasonably in taking a general view about (VISA AND MASTERCARD ISSUED IN THE UK them we are normally unable to carry out a detailed or any ONLY); DEBIT CARDS (SWITCH, CONNECT, ETC) examination of lots in order to ascertain their condition in the Cheques and drafts should be made payable to way in which it would be wise for a buyer to do. Intending Bearnes, Hampton & Littlewood . buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and ELECTRONIC BANK TRANSFERS should be made to: investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of National Westminster Bank, lots contained in the Conditions of Sale. Neither the seller 59 High Street, Exeter. EX4 3DP nor we, as the auctioneers, accept any responsibility for their Sort Code: 56-00-49 condition. In particular, mechanical objects of any age are For all the account of Bearnes, Hampton & not guaranteed to be in working order. However, in so far Littlewood. as we have examined the goods and make a representation Account Number 32303483 about their condition, we shall be liable for any defect which IBAN Number GB88 NWBK 560049 32303483 that examination ought to have revealed to the auctioneer SWIFT Number NWBK GB2L but which would not have been revealed to the buyer had Card payments where the card holder is not present will the buyer examined the goods. Additionally, in specified only be accepted for transactions up to £1,000 circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). Clearance Times Sterling cheques drawn on UK banks and supported by 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with a cheque card valid for the amount due can be cleared safety regulations by a qualified electrician first. immediately. All other sterling cheques drawn on UK banks will generally clear on the fifth working day after receipt. 8. Export of goods. The export of any lot from the UK or import into any other country may be subject to one or more Sterling bank drafts drawn on UK banks can generally be export or import licences being granted. It is the buyers cleared immediately. responsibility to obtain any relevant export or import licence. Bank transfers clear as soon as our bank receives funds The denial of any licence required or delay in obtaining such (which does not happen instantaneously after payment licence cannot justify the cancellation of the sale or any delay instructions are given). in making payment of the total amount due. Credit and debit card payments can be cleared immediately, Buyers intending to export goods should ascertain (a) subject to paragraph 11 above. Glossary of cataloguing terms Any statement as to authorship, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of representation of fact. 1. SIDNEY RICHARD PERCY – In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.) 2. ATTRIBUTED TO SIDNEY RICHARD PERCY – In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. 3. STUDIO OF SIDNEY RICHARD PERCY – In our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed by under the artist’s direction. 4. CIRCLE OF SIDNEY RICHARD PERCY - In our opinion a work by an as yet unidentified but distinct hand – closely associated with the named artist but not necessarily his pupil. 5. STYLE OF . . . ; FOLLOWER OF SIDNEY RICHARD PERCY - In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. 6. MANNER OF SIDNEY RICHARD PERCY – In our opinion a work in the style of the artist and of a later date. 7. AFTER SIDNEY RICHARD PERCY – In our opinion a copy of a known work of the artist. 8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. 9. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. 10. Dimensions are given height before width. Artist’s resale right (“droit de suite”) If a lot is affected by this right it will be identified by the symbol ”•” next to the lot number. The buyer agrees to pay Bearnes Hampton & Littlewood an amount equal to the resale royalty and we will pay such amount to the artist’s collecting agent. Resale royalty applies where the hammer price is 1,000 Euro or more and the amount cannot be more than 12,500 Euro per lot. The amount is calculated as follows: Royalty for the portion of the Hammer Price (in Euro) 4.00% up to 50,000 3.00% between 50,000.1 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 00.25% in excess of 500,000 Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro ratio rate of exchange will be European Central Bank reference rate on the day of the sale. Post 1950 Upholstered Furniture All items of furniture included in this sale are offered for sale as works of art. The items may not comply with the Furniture and Furnishings (Fire) Safety Regulations 1988 and for this reason, they should not be used in a private dwelling. Cites Regulations Furniture made of Brazilian Rosewood (Dalbergia Negra) To comply with CITES Regulations on Post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates. If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate. You would need to contact the Animal Health and Veterinary Laboratories Agency (‘AHVLA’) and, as part of the process of obtaining your document, it is a requirement that you have seen sight of the Bearnes Hampton & Littlewood certificate or are aware of its reference number. It is therefore the responsibility of commercial buyers to ensure that they obtain a copy of the appropriate certificate, or the certificate reference number, after purchase from Bearnes Hampton & Littlewood Fine Art Auctioneers. Items are clearly marked with their certificate number where appropriate. Conditions of Sale Bearnes, Hampton & Littlewood carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS S. VALUE ADDED TAX In these Conditions: Value Added Tax on the hammer price is imposed by law on all items affixed with a ‘dagger’ or double ‘dagger’. Value Added (a) “auctioneer” means the firm of Bearnes, Hampton & Tax is charged at the appropriate rate prevailing by law at the Littlewood or its authorised auctioneer, as appropriate; date of sale and is payable by buyers of relevant lots. (Please (b) “deliberate forgery” means an imitation made with the refer to “Information for Buyers” for a brief explanation of the intention of deceiving as to authorship, origin, date, age, VAT position). period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator 6. PAYMENT and SHIPPING and which at the date of the sale had a value materially less (1) Immediately a Lot is sold you will: than it would have had if it had been in accordance with the (a) give to us, if requested, proof of identity, and description; (b) pay to us the total amount due in cash or in such other way as is agreed by us. (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the (2) Any payments by you to us may be applied by us towards hammer; any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether (d) “terms of consignment” means the stipulated terms and express or implied. rates of commission on which Bearnes Hampton & Littlewood accepts instructions from sellers or their agents; (3) Unfortunately Bearnes Hampton and Littlewood are unable to provide any other wrapping, packing and despatch service (e) “total amount due” means the hammer price in respect of their own but can provide a list of Companies to contact. of the lot sold together with any premium, Value Added Competitive rates have been negotiated with Mail Boxes Etc., Tax chargeable and any additional charges payable by a specialist in the provision of wrapping, packing and despatch defaulting buyer under these Conditions; services to the Antiques and Fine Art business sector. They (f) “sale proceeds” means the net amount due to the seller, provide for all services for lots purchased from our saleroom. being the hammer price of the lot sold less commission at Mail Boxes Etc. collect items weekly from our saleroom, the stated rate, Value Added Tax chargeable and any other though special collections can be arranged if required. They amounts due to us by the seller in whatever capacity and offer a professional, domestic and International service by however arising; post, courier, road, air and sea, depending on the lot size, (g) “You”, “Your”, etc. refer to the buyer as identified in destination and speed required. Bespoke cases can also Condition 2. be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing (h) The singular includes the plural and vice versa as appropriate. is agreed after wrapping and packing prior to despatch. 2. BIDDING PROCEDURES AND THE BUYER The minimum cost with Mail Boxes Etc., is £24.50 plus VAT, which will include collection, professional (a) Bidders are required to register their particulars before wrapping, packing and domestic delivery. bidding and to satisfy any security arrangements before Payment can be made with all major credit and debit cards. entering the auction room to view or bid; (b) The maker of the highest bid accepted by the auctioneer 7. TITLE AND COLLECTION OF PURCHASES conducting the sale shall be the buyer at the hammer (1) The ownership of any Lots purchased shall not pass to you price and any dispute about a bid shall be settled at the until you have made payment in full to us of the total amount auctioneer’s absolute discretion by reoffering the Lot during due. the course of the auction or otherwise. The auctioneer shall (2) You shall at your own risk and expense take away any lots act reasonably in exercising this discretion. that you have purchased and paid for not later than 3 working (c) Bidders shall be deemed to act as principals. days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be (d) Our right to bid on behalf of the seller is expressly reserved responsible for any removal, storage and insurance charges. up to the amount of any reserve and the right to refuse any bid is also reserved. (3) No purchase can be claimed or removed until it has been paid for. 3. INCREMENTS 8. EXPORT Bidding increments shall be at the auctioneer’s sole discretion. The export of any lot from the UK or import into any other country 4. THE PURCHASE PRICE may be subject to one or more export or import licences being The buyer shall pay the hammer price together with a premium granted. It is the buyers responsibility to obtain any relevant of 23% + VAT (27.6%), which shall include VAT on the premium export or import licence. The denial of any licence required or at the rate imposed by law. There is a surcharge when using delay in obtaining such licence cannot justify the cancellation of internet bidding. the sale or any delay in making payment of the total amount due. 9. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT 14. TERMS OF SALE PURCHASES The seller acknowledges that Lots are sold subject to the (1) If any Lot is not paid for in full and taken away in accordance stipulations of these Conditions in their entirety and on the with these Conditions or if there is any other breach of Terms of Consignment as notified to the consignor at the time these Conditions, we, as agent for the seller and on our of the entry of the lot. own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to 15. DESCRIPTIONS AND CONDITION exercise one or more of the following rights and remedies: (1) Whilst we seek to describe lots accurately, it may be impractical (a) to proceed against you for damages for breach of contract; for us to carry out exhaustive due diligence on each lot. (b) to rescind the sale of that Lot and/or any other Lots Prospective buyers are given ample opportunities to view and sold by us to you; inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy (c) to resell the Lot (by auction or private treaty) in of any description applied to a lot. Prospective buyers also which case you shall be responsible for any resulting bid on the understanding that, inevitably, representations or deficiency in the total amount due (after crediting statements by us as to authorship, genuineness, origin, date, any part payment and adding any resale costs). Any age, provenance, condition or estimated selling price involve surplus so arising shall belong to the seller; matters of opinion. We undertake that any such opinion (d) to remove, store and insure the Lot at your expense shall be honestly and reasonably held and accept liability and, in the case of storage, either at our premises or for opinions given negligently or fraudulently. Subject to the elsewhere; foregoing neither we the auctioneer nor our employees or (e) to charge interest at a rate not exceeding 1.5% per agents nor the seller accept liability for the correctness of month on the total amount due to the extent it such opinions and all conditions and warranties, whether remains unpaid for more than 3 working days after the relating to description, condition or quality of lots, express, sale; please note there will be an additional late implied or statutory, are hereby excluded. This Condition is payment penalty of £40 if your account is unpaid subject to the next following Condition concerning deliberate after 28 days. forgeries and applies save as provided for in paragraph 6 “information to buyers”. (f) to retain that or any other Lot sold to you until you pay the total amount due; (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any 16. FORGERIES such bids shall be accepted; Notwithstanding the preceding Condition, any Lot which proves (h) to apply any proceeds of sale of other Lots due or in to be a deliberate forgery (as defined) may be returned to us future becoming due to you towards the settlement by you within 21 days of the auction provided it is in the same of the total amount due and to exercise a lien (that is condition as when bought, and is accompanied by particulars a right to retain possession of) any of your property in identifying it from the relevant catalogue description and a our possession for any purpose until the debt due is written statement of defects. If we are satisfied from the evidence satisfied. presented that the Lot is a deliberate forgery we shall refund the (2) We shall, as agent for the seller and on our own behalf money paid by you for the lot including any buyer’s premium pursue these rights and remedies only so far as is provided that (1) if the catalogue description reflected the reasonable to make appropriate recovery in respect of accepted view of scholars and experts as at the date of sale or breach of these conditions (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. 10. THIRD PARTY LIABILITY The right of return provided by this Condition is additional to any All members of the public on our premises are there at their right or remedy provided by law or by these Conditions of Sale. own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor GENERAL our employees or agents shall incur liability for death or personal 17. We shall have the right at our discretion, to refuse admission injury (except as required by law by reason of our negligence) or to our premises or attendance at our auctions by any person. similarly for the safety of the property of persons visiting prior to or at a sale. 18. (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these 11. COMMISSION BIDS Conditions and any exclusions provided by them shall be Whilst prospective buyers are strongly advised to attend the available to the seller and/or the auctioneer as appropriate. auction and are always responsible for any decision to bid (2) Such rights and exclusions shall extend to and be deemed for a particular Lot and shall be assumed to have carefully to be for the benefit of employees and agents of the seller inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. and/or the auctioneer who may themselves enforce them. Neither the auctioneer nor our employees or agents shall be 19. Any notice to any buyer, seller, bidder or viewer may be given responsible for any failure to do so save where such failure is by first class mail or Swiftmail in which case it shall be deemed unreasonable. Where two or more commission bids at the same to have been received by the addressee 48 hours after posting. level are recorded we reserve the right in our absolute discretion 20. Special terms may be used in catalogue descriptions of to prefer the first bid so made. particular classes of items in which case the descriptions must 12. WARRANTY OF TITLE AND AVAILABILITY be interpreted in accordance with any glossary appearing at The seller warrants to the auctioneer and you that the seller the commencement of the catalogue. is the true owner of the property consigned or is properly 21. Any indulgence extended to bidders buyers or sellers by us authorised by the true owner to consign it for sale and is able notwithstanding the strict terms of these Conditions or of the to transfer good and marketable title to the property free from Terms of Consignment shall affect the position at the relevant any third party claims. time only and in respect of that particular concession only; in all 13. AGENCY other respects these Conditions shall be construed as having full force and effect. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 22. English law applies to the interpretation of these Conditions. Wrapping, Packing and Despatch

Preferential rates have been negotiated with Mail Boxes Etc., specialist in the provision of wrapping, packing and despatch services to the Antiques and Fine Art business sector. They provide for all services for lots purchased from our saleroom.

Unfortunately Bearnes Hampton & Littlewood are unable to provide any other wrapping, packing and despatch service of their own.

Mail Boxes Etc. collect items regularly from our saleroom, though special collections can be arranged if required. They offer a professional, domestic and International service by post, courier, road, air and sea, depending on the lot size, destination and speed required. Bespoke cases can also be made up for your lot or lots. While indicative pricing is always obtainable by contacting Mail Boxes Etc., firm pricing is agreed after wrapping and packing prior to despatch. The minimum cost with Mail Boxes Etc. is £15.00 plus VAT for small, lightweight non fragile items under 2kgs. This will include collection, professional wrapping, packing and domestic delivery. Payment can be made with all major credit and debit cards.

Insurance If you do not have your own transit insurance, enhanced compensation cover is available from Mail Boxes Etc., to provide either full cover or loss only, as required. For any further information please call the team at Mail Boxes Etc. Tel: 0800 783 1381 or 01752 257224 Email: [email protected] Fax: 01752 257225 Website: www.mbeplymouth.co.uk Mail Boxes Etc., 91 Mayflower Street, Plymouth PL1 1SB

Delivery instructions Please complete the following and leave or return to: Bearnes Hampton & Littlewood St. Edmund’s Court, Okehampton Street, Exeter EX4 1DU. Telephone 01392 413100 or send direct to Mail Boxes Etc.

Name

Address

Postcode

Telephone Mobile

Lot No. Description

Lot No. Description

Lot No Description Mail Boxes Etc. will call you after collecting prior to despatch to confirm costs and payment instructions SALEROOM St Edmund’s Court, Okehampton Street, Exeter EX4 1DU Telephone 01392 413100 [email protected] | www.bhandl.co.uk

MANAGING DIRECTOR C.J. Hampton, A.S.F.A.V. FORTHCOMING SALE DATES 2020 DIRECTORS D.J.K.Goddard, B.A. (Hons), A.S.F.A.V., R.E. Littlewood, B.A. (Hons), N.J. Saintey, A.S.F.A.V. SEPTEMBER VALUATIONS Inheritance Tax Assessment and Probate: Bearnes Hampton & Littlewood Probate Valuation Tuesday 15th Antiques & Interiors EX253 Department offer a complete and comprehensive service to Executors, Solicitors and Bank Trustees administering an Estate containing all forms of art and antiques including Books, Tuesday 29th Antiques & Interiors EX254 Ceramics, Clocks, Furniture, Jewellery, Pictures, Silver, Works of Art including collections of coins and stamps.

Insurance: Bearnes Hampton & Littlewood are specialists with over sixty five years experience in preparing insurance valuations and inventories for the purpose of substantiating claims in the OCTOBER event of losses resulting from accident, fire or theft. Tuesday 13th & Bearnes Hampton & Littlewood will be pleased to give preliminary advice, without charge or Wednesday 14th Quarterly Fine Art FS48 obligation to clients considering a valuation for Insurance, Capital Gains Tax, Family Division or other purposes. Tuesday 27th Antiques & Interiors For further information please contact: Andrew Thomas or Christopher Hampton including Jewellery EX255

ADMINISTRATION Operations Director: Rachel Littlewood Company Secretary: Susan Tharby NOVEMBER

SPECIALIST DEPARTMENTS th Books, Manuscripts and Photographs Rachel Littlewood, Wednesday 11 Roger Collicott (Consultant) & Thursday 12th Sporting & Collectors SC32 Ceramics and Glass Nicholas Saintey, Andrew Thomas Clocks Leigh Extence Tuesday 24th Antiques & Interiors EX256 Furniture Christopher Hampton, Gillian Westell (Consultant) Jewellery Lucy Marles, Jethro Marles

Maritime, Sporting and Collectors Brian Goodison-Blanks IMPORTANT: Pictures Daniel Goddard, Please note this list DECEMBER Martin Scadgell (Consultant) is printed only as a st Silver Martin McIlroy guide and clients are Tuesday 1 Antiquarian Books BK24 Works of Art Martin McIlroy requested to contact Valuations for Probate and Insurance Andrew Thomas A.S.F.A.V., Bearnes, Hampton Tuesday 8th Antiques & Interiors Christopher Hampton, & Littlewood for including jewellery EX257 confirmation of sale SALE ADVICE dates and special Bearnes Hampton & Littlewood make no charge for giving verbal advice on items brought to advisory days. their offices which are open: Monday to Friday 9.00am to 5.15pm and Saturdays when on view 9.00am to 12 noon. Alternatively a representative will be pleased to call by appointment without charge or obligation. Catalogue production by Acanthus Press Ltd Dorset Representative: Sally Bartlett can be contacted on 01308 456208 www.acanthuspress.ltd.uk Cornwall Representative: Richard Hamm can be contacted on 01208 813593 01823 663339 Bearnes Hampton & Littlewood Ltd. Registered in England No. 3857887 Registered Office: St. Edmund’s Court, Okehampton Street, Exeter © Bearnes Hampton & Littlewood 2020 Ref CC04 20 th CENTURY & CONTEMPORARY 9th I 9th SEPTEMBER 2020 CC04

ST. EDMUND’S COURT I OKEHAMPTON STREET I EXETER EX4 1DU 20th Century & Contemporary 01392 413100 I [email protected] I www.BHandL.co.uk Wednesday 9th September 2020