FLUXUS ABC a Selection Curated by Henar Rivière

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FLUXUS ABC a Selection Curated by Henar Rivière

GALERIE KRINZINGER SEILERSTÄTTE 16 1010 WIEN TEL +43 1 513 30 06 FAX +43 1 513 30 06 33 [email protected] galerie-krinzinger.at FLUXUS ABC A selection curated by Henar Rivière Eric Anderson, A-Yo, George Brecht, Giuseppe Chiari, Philip Corner, Robert Filliou, Ken Friedman, Al Hansen, Detlev Hartmann, Dick Higgins, Alice Hutchins, Joe Jones, Milan Knížak, Alison Knowles, George Maciunas, Jonas Mekas, Peter Moore, Charlotte Mooreman, Yoko Ono, Robin Page, Nam June Paik, Ben Patterson, Willem De Ridder, Carolee Schneemann, Paul Sharits, Mieko Shiomi, Daniel Spoerri, Ben Vautier, Yoshi Wada, Robert Watts, Emmett Williams and others opening: December 17, 2020, 7pm duration: December 18, 2019 - February 14, 2020 opening speach by Henar Rivière Art historian, Madrid / Vienna Almost 60 years have passed since Fluxus was born in Wiesbaden in 1962. “Until then, what is known as Fluxus today didn't know what it was”. To this statement by Fluxus artist Ben Patterson one should add that also after 1962 (especially after!) a strong and long-lasting controversy over what Fluxus actually was. A firm avant-garde group for some, a rather vague attitude towards life and art for others – Fluxus just did not want to be defined unilaterally. It is precisely this controversy, guided by the artists themselves, that illuminates the nature of Fluxus as an experimental artistic tendency, which opened up new paths for the social organization and aesthetic development of the arts. At a time when the former strategies of the historical avant-garde were being revised, Fluxus emerged as the first international artist network of postmodernism under its own name. As far as the aesthetic level is concerned, the Fluxus artists created an intermedial art that allowed new art practices, such as Action Art and Conceptual Art, to emerge from music. With Fluxus ABC, Galerie Krinzinger offers an insight into the diverse world of Fluxus, where one art form leads into the other. The first part of the exhibition is devoted to the broad field of Fluxus music, through a selection of works ranging from action art to new musical instruments and from scores to experimental poetry. This leads to the second part of the exhibition, which deals with the purely conceptual level of the Fluxus games, in which research and experiments as well as jokes and designs find their place. Finally, a third part of the exhibition shows Fluxus printed matter: diagrams, magazines, leaflets, posters, invitation cards, etc. These original documents provide interesting information about historical facts, but above all they bear witness to the important role that publishing activity in the history of Fluxus played. Since the 1970s exhibitions about Fluxus also became part of this history, including the Fluxus Subject, organized by Galerie Krinzinger in 1990. We would also like to pay tribute to these landmarks of the history of Fluxus with the current exhibition. Henar Rivière .

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Archive Fluxus Heidelberg Center BLOG 2009 06 01
Fluxus Heidelberg Center BLOG: June 2009 pagina 1 van 10 BLOG ZOEKEN BLOG MARKEREN Volgende blog» Blog maken | Aanmelden Fluxus Heidelberg Center BLOG This BLOG is maintained by the FLUXUS HEIDELBERG CENTER. See: WWW.FLUXUSHEIDELBERG.ORG. This FHC BLOG will contain an overview of all news we find and get in connection to Fluxus. Articles, publications, events, celebrations, Biographies, you name it. Every month the collection of the blog will be published on the FHC website as a digital archive THURSDAY, JUNE 25, 2009 Contributors Something Else Press: Exploring the Ways and Means of Communication Litsa Spathi / Nobody Litsa Spathi Ruud Janssen By Steve Clay Fluxus Tomato Fluxus Heidelberg Center Designed, edited and produced by Dick Higgins, Something Else Press books contain offbeat and avant-garde writing in a neat and tidy yet quirky and distinctive form. The Press began in 1964 following Higgins’s break with Links Fluxus founder George Maciunas, and embodied the many of the concerns Fluxus Heidelberg Center which identified the then nascent art movement. Fluxus Heidelberg Center Videos Fluxlist Europe Early titles include Jefferson’s Birthday/Postface (1964), Higgins’s collection Fluxlist BLOG of performance scores about which the jacket copy reads: ‘Jefferson’s Litsa Spathi's Site Birthday consists of all the things Dick Higgins wrote, composed or invented Litsa Spathi's BLOG between April 13th, 1962 and April 13th 1963 inclusive, on the assumption Litsa Spathi's Portfolio that the bad work one does is just as valid as the interesting work. So some IUOMA Site is lousy. So? Some is terrific. Hurrah for the Irish! And hurrah for Thomas Ruud Janssen's TAM & IUOMA Blog Jefferson! And Daniel Webster too!’ Jefferson’s Birthday was produced Fluxus Blog back-to-back with Postface, Higgins’s account of the background and Tomato Times Blog beginning of Fluxus.
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