National Museum of American History Receives Esperanza Spalding's

Total Page:16

File Type:pdf, Size:1020Kb

National Museum of American History Receives Esperanza Spalding's Oct 18, 2011 04:44 EDT National Museum of American History Receives Esperanza Spalding’s Nobel Peace Prize Performance Dress In a ceremony today, Grammy Award-winning vocalist and musician Esperanza Spalding donated the dress she wore during her performance at the 2009 Nobel Peace Prize ceremony honoring President Barack Obama to the Smithsonian’s National Museum of American History. Today’s donation is a continuation of the museum’s women in jazz initiative, which began in April during Jazz Appreciation Month. Spalding performed at the 2009 ceremony in Oslo, Norway, at the invitation of President Obama. Though she usually favors vintage outfits on stage—including her two previous performances at the White House—the Nobel ceremony required more formal attire. Spalding purchased the red one- shoulder evening dress in New York at the last minute. The floor-length dress has an embellishment detail on the one shoulder and a ruched bodice top with a simple, flowing skirt. Spalding pursued music from a very early age. She taught herself to play violin well enough that, by age 4, she landed a spot in the Chamber Music Society of Oregon. By 15, Spalding had discovered the double bass and soon she was playing blues, funk, hip-hop and a variety of other music styles on the local club circuit. Her journey as a solo artist began with the album Esperanza, the 2008 best- selling album by a new jazz artist internationally. This release was the first opportunity for a worldwide audience to hear her talents as a composer, instrumentalist and vocalist. Spalding’s music weaves the innovative elements of jazz, folk and world music into the foundations of classical chamber music traditions. She is passionate about making jazz music modern and bringing fresh influences to the genre. In February 2011, Spalding was awarded one of the music industry’s most prestigious prizes, a Grammy for Best New Artist for her Chamber Music Society album. Chamber Music Society, Spalding’s most recent release, is a marriage of string and jazz trio, and a showcase for her eclectic sensibilities along with her vocal and compositional talents. The album, released in 2010, spent 10 weeks at No. 1 on Billboard’s Contemporary Jazz Albums charts. The museum launched Jazz Appreciation Month in 2001 as an annual event that pays tribute to jazz both as a historic and living American art form. It has since grown to include celebrations in all 50 states and 40 other countries. This year’s 10th anniversary programming examined the legacies of women in jazz. The Smithsonian operates the world’s most comprehensive set of jazz programs, and the National Museum of American History is home to jazz collections that include 100,000 pages of Duke Ellington’s unpublished music and such objects as Ella Fitzgerald’s famous red dress, Dizzy Gillespie’s angled trumpet, John Coltrane’s “A Love Supreme” manuscript and Benny Goodman’s clarinet. The National Museum of American History collects, preserves and displays American heritage in the areas of social, political, cultural, scientific and military history. To learn more about the museum, visit http://americanhistory.si.edu. For Smithsonian information, the public may call (202) 633-1000, (202) 633-5285 (TTY). # # # SI-453-2011.
Recommended publications
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
    MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................
    [Show full text]
  • Daniel Lanois
    ESPERANZA SPALDING If “esperanza” is the Spanish word for hope, then bassist, vocalist and composer Esperanza Spalding could not have been given a more fitting name at birth. Blessed with uncanny instrumental chops, a multi-lingual voice that is part angel and part siren, and a natural beauty that borders on the hypnotic, the 25-year-old prodigy-turned-pro might well be the hope for the future of jazz and instrumental music. Spalding was born in 1984 and raised on what she calls “the other side of the tracks” in a multi- lingual household and neighborhood in Portland, Oregon. Growing up in a single-parent home amid economically adverse circumstances, she learned early lessons in the meaning of perseverance and moral character from the role model whom she holds in the highest regard to this day – her mother. But even with a rock-solid role model, school did not come easy to Spalding, although not for any lack of intellectual acumen. She was both blessed and cursed with a highly intuitive learning style that often put her at odds with the traditional education system. On top of that, she was shut in by a lengthy illness as a child, and as a result, was home-schooled for a significant portion of her elementary school years. In the end, she never quite adjusted to learning by rote in the conventional school setting. “It was just hard for me to fit into a setting where I was expected to sit in a room and swallow everything that was being fed to me,” she recalls.
    [Show full text]
  • 2O21-22 Season
    CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things.
    [Show full text]
  • It Takes a Society
    Suze Terwisscha van Scheltinga 5575605 Bachelor Thesis 7 April 2018 Dr. Petra Philipsen 7441 words It takes a society Interactions with dominant discourses on Esperanza Spalding’s Chamber Music Society Table of contents Introduction p. 2 Chamber music and jazz: ideas and definitions p. 4 1.1 Defining ‘chamber music’ p. 4 1.2 Talking about chamber music and jazz: dominant discourses p. 5 Testing the theories: the promotion and reception of Chamber Music Society p. 9 2.1 “This is something serious!”: Spalding and critics on Chamber Music Society p. 9 2.2 On ethnicity, gender and genius p. 10 A musical analysis of Chamber Music Society p. 13 3.1 Chamber Music Society: a general overview p. 13 3.2 Analysing ‘Knowledge of Good and Evil’ p. 14 Conclusion p. 21 References p. 23 Abstract: In 2010, jazz musician Esperanza Spalding released an album with the title Chamber Music Society. On this album, Spalding alludes both musically and conceptually to an idea of chamber music that got its recognizable shape in the nineteenth century with the canonization of classical repertoire, while still delivering a product that can be classified as ‘jazz’. Thus, Spalding positions herself within both discourses. Three issues feature prominently in these discourses that are particularly interesting because of Spalding’s position and background: the issues of ethnicity, gender and creative genius. While Spalding reinforces several elements of the idea of chamber music in her interviews, on issues of ethnicity, gender and genius she mostly does not comply to stereotypes (although some critics assessing her musicianship do).
    [Show full text]
  • A New Generation of Jazz from Japan Featuring Takuya Kuroda and Ensemble
    Asia Society and The Japan Foundation Present A New Generation of Jazz From Japan Featuring Takuya Kuroda and Ensemble Takuya Kuroda (Hiroyuki Seo) Saturday, March 8, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City The performance will last approximately 75 minutes, with no intermission. Asia Society and The Japan Foundation Present A New Generation of Jazz From Japan Featuring Takuya Kuroda and Ensemble THE ENSEMBLE: Takuya Kuroda, trumpet Rashaan Carter, bass Adam Jackson, drums Corey King, trombone Keita Ogawa, percussion Takeshi Ohbayashi, piano/keyboards ABOUT THE ARTISTS TAKUYA KURODA (TRUMPET) Japanese trumpeter Takuya Kuroda is a veteran and mainstay of the New York Jazz scene. A 2006 graduate of The New School’s Jazz and Contemporary Music Program, Takuya has performed alongside some of the best musicians (Junior Mance, Jose James, Greg Tardy, Andy Ezrin, Jiro Yoshida, Akoya Afrobeat, Valery Ponomarev Big Band) at some of the city’s most renowned live music venues including Radio City Music Hall, The Blue Note, The Village Underground, Sweet Rhythm, 55 Bar, and SOBs. RASHAAN CARTER (BASS) Rashaan Carter is entrenched in the New York jazz scene and has worked with Benny Golson, Curtis Fuller and Louis Hayes, Wallace Roney, Marc Cary, Cindy Blackman, Doug and Jean Carn, Antoine Roney, Sonny Simmons, and many more. ADAM JACKSON (DRUMS) Adam Jackson has had the pleasure of working with platinum recording group Destiny’s Child, Ciara, Grammy-nominated Emily King, Frank McComb and on the Tony Award winning musical Memphis. COREY KING (TROMBONE) Since his arrival in New York, Corey King has performed and/or recorded with notable artists such as Dave Binney, Dr.
    [Show full text]
  • Spirit of Black Descendant Encouragement As Reflected in Black Gold Lyric by Esperanza Spalding
    Spirit of Black Descendant Encouragement as Reflected in Black Gold Lyric by Esperanza Spalding a Journal by Renanda Prima Tyasa [A2B009054] English Department Faculty of Humanities Diponegoro University 2013 CHAPTER 1 ± Introduction The slavery era of black people from the 17th until 20th century had inherited wounds toward the descendants of black people. After Civil War (1861-1865), slavery was abolished by the combination of /incoln‘s Emancipation 3roclamation and the 13th Amendment to the Constitution in 1865. However, although the Blacks were no longer slaves, they were still treated as second class citizens and continued to live in poor conditions without many chances to make their life better. It would take a long time before their life would be improved. However today, people of black descendants in the United States are able to blend with society. Indeed, their presence is considered better these days. However, they factually are not totally free from discrimination. News is reporting about discriminations that are faced by black descendants nowadays. As for example is the killing plan that is conducted by white supremacist group Ku Klux Klan that put target into President Barack Obama. News canal thesun.co.uk published it on June 21st, 2013. It is said, Fanatics Glendon Scott Crawford, 49, and Eric Feight, 54, were nicked after a six- month FBI undercover operation. Mr Obama was among those said to have been targeted by the futuristic device that would have fired lethal doses of radiation. Engineer Crawford, a member of the white supremacist group the Ku Klux Klan, told undercover agents his design was —Hiroshima on a light switch“.
    [Show full text]
  • Karaoke Mietsystem Songlist
    Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
    [Show full text]
  • A Woman's Place in Jazz in the 21St Century Valerie T
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School June 2018 A Woman's Place in Jazz in the 21st Century Valerie T. Simuro University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, and the Philosophy Commons Scholar Commons Citation Simuro, Valerie T., "A Woman's Place in Jazz in the 21st Century" (2018). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7363 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A Woman’s Place in Jazz in the 21st Century by Valerie T. Simuro A thesis is submitted in partial fulfillment of the Master of Arts, in Liberal Arts, in Humanities Concentration Department of Humanities and Cultural Studies at the University of South Florida Major Professor: Andrew Berish, Ph.D. Brook Sadler, Ph.D. Maria Cizmic, Ph.D. Date of Approval: June 21, 2018 Keywords: Esperanza Spalding, Gender, Race, Jazz, Age Copyright © 2018, Valerie T. Simuro ACKNOWLEDGMENT I would like to take this opportunity to express my deepest gratitude to, Dr. Brook Sadler who was instrumental in my acceptance to the Graduate Master’s Program at the University of South Florida. She is a brilliant teacher and a remarkable writer who guided and encouraged me throughout my years in the program.
    [Show full text]
  • MSM STUDIO ORCHESTRA Billy Childs, Composer and Pianist
    MSM STUDIO ORCHESTRA Billy Childs, Composer and Pianist FRIDAY, JANUARY 25, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 25, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM STUDIO ORCHESTRA Billy Childs, Conductor PROGRAM Billy Childs Dance of Shiva Quiescence Jerome Gillespie, drums Savannah Harris, drums Houston, TX Oakland, CA Joshua Allen, bass Hwansu Kang, bass Buford, GA Yeosu, South Korea Billy Childs, piano Billy Childs, piano Nicola Caminiti, alto saxophone Nicholas Pennington, guitar Messina, Italy Adelaide, Australia Shun Katayama, flute Rebirth Ichikawa, Japan Jerome Gillespie, drums Dominique Moreno, harp Houston, TX Houston, Texas Joshua Allen, bass Jeehyun Park, violin Buford, GA Seoul, South Korea Billy Childs, piano Sookyung Choi, violin Jack Kotze, trombone Tal Mcgee, viola Chicago, IL Spring, Texas Nicola Caminiti, alto saxophone Nicholas Burkel, cello Messina, Italy Sayville, New York Sabeth Perez, vocals Cologne, Germany Into the Light Rasmus Sorenson, piano Copenhagen, Denmark Savannah Harris, drums Nicholas Pennington, guitar Oakland, CA Adelaide, Australia Hwansu Kang, bass Nicola Caminiti, alto saxophone Yeosu, South Korea Messina, Italy Billy Childs. piano Christian Mehler, trumpet 1 Nicholas Pennington, guitar Cologne, Germany Adelaide, Australia Geoffrey Gallante, trumpet 2 Shun Katayama, flute Alexandria, Virginia Ichikawa, Japan Camerahn Alforque, trumpet 3 Nicola Caminiti, soprano saxophone San Diego, California Messina, Italy Jack Kotze, trombone 1 Dominique Moreno, harp Chicago, Illinois Houston, Texas
    [Show full text]
  • The Good Swimmer
    Brooklyn Academy of Music Adam E. Max, BAM Board Chair William I. Campbell and Nora Ann Wallace, BAM Board Vice Chairs Katy Clark, President Joseph V. Melillo, The Good Swimmer Executive Producer Music by Heidi Rodewald Lyrics by Donna Di Novelli Directed by Kevin Newbury DATES: NOV 28—DEC 1 at 7:30pm Season Sponsor: LOCATION: BAM Fisher (Fishman Space) Leadership support for music programs at RUN TIME: Approx 1hr 10min BAM provided by no intermission the Baisley Powell Elebash Fund This production is made possible with support from the Joseph V. Melillo Fund for Artistic Innovation Support for female choreographers and composers in the Next Wave Festival provided by the Virginia B. Toulmin Foundation #BAMNextWave BAM Fisher The Good Swimmer With World premiere commissioned by BAM. Special thanks to Joe Melillo and the Composer Lead Vocalist: David Driver Produced by KiWi Productions. entire staff at BAM; the staff from the Heidi Rodewald Drums: Marty Beller 2016 PROTOTYPE Festival and Keyboard: Marc Doten Support for the world premiere generously the HERE Arts Center staff; Lyricist Violin, Keyboard, Glockenspiel: Dana Lyn provided by: Terry Eder & Gene Kaufman, Stew, Terry Eder & Gene Kaufman, Donna Di Novelli Bass, Vocalist: Heidi Rodewald Steve Klein/Apple Core Holdings, Steve Klein, Kristy Edmunds, Guitar, Vocalist: Christian Gibbs Linda & Dennis Myers, Christine & Vasi Laurence, Lisa Philp & Bill Bragin, Director Cello, Vocalist: Clara Kennedy W. Michael Garner, Sherwin Goldman, and Liz McCann. Kevin Newbury Trumpet: Linda Briceño Jill & William Steinberg, Woodwinds: Gabrielle Garo Ann Shilling Harrison, David Henry Donna Di Novelli dedicates Music director Jacobs, Susan Bienkowski, Jamie deRoy, The Good Swimmer to the memory of Marty Beller Choral ensemble Dan Shaheen, Oskar Eustis, and Anthony Jack Carlucci, 1949—1969.
    [Show full text]
  • Millions of Teens Show a Taste for 'The Hunger Games'
    22 March 2012 | MP3 at voaspecialenglish.com Millions of Teens Show a Taste for 'The Hunger Games' AP Jennifer Lawrence as Katniss Everdeen in "The Hunger Games" JUNE SIMMS: Welcome to AMERICAN MOSAIC in VOA Special English. (MUSIC) I'm June Simms. On the program today, we hear about a new album from jazz musician Esperanza Spalding … We also talk to a relationship expert … But first, a report about a new movie that millions of book fans are hungry for. (MUSIC) "The Hunger Games" JUNE SIMMS: The book "The Hunger Games" became an international best seller following its release in two thousand eight. It was the first in a three-book series. "The Hunger Games" appeared on the New York Times' Best Sellers list for almost two years. Currently, there are more than twenty-three million copies in 2 print in the United States alone. Now the book has made into a movie, which opens on Friday. Faith Lapidus has more. FAITH LAPIDUS: More than fifteen million tickets to "The Hunger Games" were sold before the film even opened. And the ticket sales website, Fandango, says "The Hunger Games" has become its top selling movie opener of all-time. It says that, by the middle of the week, more than two thousand show times were sold out. AP Jennifer Lawrence at the world premiere in Los Angeles The film stars the Oscar nominated actor Jennifer Lawrence as Katniss Everdeen. She lives in a dark future world where some children are forced to kill or be killed in a competition called The Hunger Games.
    [Show full text]