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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Anal Cunt • Deceased • Executioner Fistula • Panzerbastard • Psycho Rampant Decay/Kruds • Rawhide Revilers • Slimy Cunt & the Fistfucks Strong Intention
PRESENTS RELEASES FROM: ANAL CUNT • DECEASED • EXECUTIONER FISTULA • PANZERBASTARD • PSYCHO RAMPANT DECAY/KRUDS • RAWHIDE REVILERS • SLIMY CUNT & THE FISTFUCKS STRONG INTENTION Now Exclusively Distributed by ANAL CUNT Street Date: Fuckin’ A, CD AVAILABLE NOW! INFORMATION: Artist Hometown: Boston, MA Key Markets: Boston, New York, Los Angeles, Portland OR For Fans of: GG ALLIN, NAPALM DEATH, VENOM, AGORAPHOBIC NOSEBLEED Fans of strippers, hard drugs, punk rock production and cock rock douchebaggery, rejoice: The one and only ANAL CUNT have returned with a new album, and this time around, they’re shooting to thrill –instead of just horrifically maim. They’re here to f*** your girlfriend, steal your drugs, piss in your whiskey, and above all, ROCK! (The late) Seth Putnam channels Sunset Strip scumbags like MOTLEY ARTIST: ANAL CUNT CRUE and TWISTED SISTER to bring you a rock’n’roll nightmare fueled TITLE: Fuckin’ A by their preferred cocktail of sex, violence, and unbridled disgust. From LABEL: PATAC ripping off theCRUE’s cover art to the massive hard rock riffs of “Hot Girls CAT#: PATAC-011 on the Road,” “Crankin’ My Band’s Demo on a Box at the Beach,” and “F*** FORMAT: CD YEAH!” and tender ballad “I Wish My Dealer Was Open,” Fuckin’ A is an GENRE: Metal instant scuzz rock classic. BOX LOT: 30 SRLP: $10.98 UPC: 628586220218 EXPORT: NO SALES TO THE UK Marketing Points: • 1ST PRESS LIMITED TO 1000 COPIES. Currently on its third pressing! • Final album before the passing of ANAL CUNT frontman Seth Putnam Tracklist: • Print ads in Maximumrocknroll, Decibel, Short Fast & Loud and Chips & Beer 1. -
ASTRA MILITARUM SOLDIERS of the IMPERIUM These Datasheets Allow You to Fight Apocalypse Battles with Your Astra Militarum Miniatures
ASTRA MILITARUM SOLDIERS OF THE IMPERIUM These datasheets allow you to fight Apocalypse battles with your Astra Militarum miniatures. Each datasheet includes the characteristics profiles of the unit it describes, as well as any wargear and special abilities it may have. KEYWORDS Throughout these datasheets you will come across the <Regiment> keyword. This is shorthand for a keyword of your choosing, as described below. <REGIMENT> Most Astra Militarum units are drawn from a regiment. Some datasheets specify which regiment the unit is drawn from (e.g. Mukaali Riders have the Tallarn keyword, so are drawn from the Tallarn Regiment), but where a datasheet does not, it will have the <Regiment> keyword. When you include such a unit in your army, you must nominate which regiment that unit is from. You then simply replace the <Regiment> keyword in every instance on that unit’s datasheet with the name of your chosen regiment. For example, if you were to include an Atlas Recovery Tank in your army, and you decided it was from Vostroya, its <Regiment> Faction keyword is changed to Vostroyan and its Recovery Vehicle ability would then read: ‘At the end of the Action phase, this unit can to repair one friendly Vostroyan Vehicle unit in base contact with it. If it does, remove one damage marker from that Vehicle unit. Only one attempt to repair each unit can be made each turn.’ ATLAS RECOVERY TANK 5 An Atlas Recovery Tank is a unit that contains 1 model. It is equipped with: Heavy Bolter; Armoured Hull. M WS BS A W Ld Sv Atlas Recovery Tank 12" 6+ 4+ 1 2 5 6+ WEAPON TYPE RANGE A SAP SAT ABILITIES Heavy Bolter Heavy 36" 1 7+ 9+ - Heavy Stubber Heavy 36" 1 8+ 10+ - Storm Bolter Small Arms 24" 1 9+ 10+ Rapid Fire Armoured Hull Melee Melee User 10+ 10+ - WARGEAR OPTIONS • This unit can also be equipped with one of the following (Power Rating +1): 1 Heavy Stubber; 1 Storm Bolter. -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
Bolt Thrower War Master Mp3, Flac, Wma
Bolt Thrower War Master mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: War Master Country: Ukraine Released: 2003 Style: Death Metal MP3 version RAR size: 1568 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1442 mb Rating: 4.8 Votes: 183 Other Formats: AU MOD AA AIFF MP4 WAV DTS Tracklist A1 Intro ... Unleashed (Upon Mankind) A2 What Dwells Within A3 The Shreds Of Sanity A4 Profane Creation A5 Destructive Infinity B6 Final Revelation B7 Cenotaph B8 War Master B9 Rebirth Of Humanity B10 Afterlife Companies, etc. Record Company – Moon Records Phonographic Copyright (p) – Earache Copyright (c) – Earache Copyright (c) – Одиссей Notes Ⓒ & Ⓟ 1991 Earache Records Для продажи на территории Украины. For the sales in the territory of Ukraine only. The tracks are consecutively numbered. Barcode and Other Identifiers Barcode (Text): 4 601250 317861 Barcode (String): 4601250317861 Other versions Category Artist Title (Format) Label Category Country Year Bolt War Master (LP, MOSH 29 Earache MOSH 29 UK 1991 Thrower Album) Bolt War Master (LP, MOSH 29 Earache MOSH 29 UK 1991 Thrower Album, Gat) Bolt War Master (CD, MOSH 29CD Earache MOSH 29CD Europe 1991 Thrower Album, Ora) War Master (LP, Bolt Painkiller PKR - 079 Album, Ltd, Pic, PKR - 079 Belgium 2009 Thrower Records RE) Unsilent URCD019, Bolt War Master (CD, Records, URCD019, Brazil 2009 PLCD53243 Thrower Album, RE) Heavy Metal PLCD53243 Rock Related Music albums to War Master by Bolt Thrower Bolt Thrower - Live At Bradford - Queen's Hall 12.1.91 Adrenalin Junkies - Outcry Entombed - Crawl Pitch Shifter - [The Remix War] Napalm Death - Greed Killing Bolt Thrower - The Peel Sessions 1988-90 Bolt Thrower - Concession Of Pain Bolt Thrower - The IVth Crusade Terrorizer - World Downfall Bolt Thrower - ...For Victory Bolt Thrower - The Peel Sessions Bolt Thrower - Realm Of Chaos. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
CAPTAIN AMERICA–THE WINTER SOLDIER CHARACTER CARDS Original Text
CAPTAIN AMERICA–THE WINTER SOLDIER CHARACTER CARDS Original Text ©2014 WizKids/NECA LLC. © MARVEL PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple>Pages per sheet select Custom and enter 1 by 2. 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. ©2014 WizKids/NECA LLC. © MARVEL TABLE OF CONTENTS Agent 13™, 16 Agent Sitwell™, 17 Batroc™, 7 Black Widow™, 6 Brock Rumlow™, 13 Captain America™ (Present), 4 Captain America™ (WWII), 15 Captain America™ and Black Widow™, 20 Captain America™ and Bucky™, 21 Falcon™, 9 Maria Hill™, 14 Nick Fury™, 18 S.H.I.E.L.D. Agent™, 8 S.H.I.E.L.D. Commander™, 10 S.H.I.E.L.D. Soldier™, 5 Steve Rogers™, 12 Winter Soldier™, 11 Winter Soldier™ (Shield), 19 ©2014 WizKids/NECA LLC. © MARVEL Captain America™ (Present) 001 CAPTAIN AMERICA™ NOT BAD WITH OTHER THINGS, EITHER Avengers, S.H.I.E.L.D., Soldier, Strike Team (Super Strength) THE COSTUME IS A LITTLE OLD-FASHIONED… (Toughness) You Aren’t the Mission …BUT IT GETS THE JOB DONE (Invulnerability) Espionage: Fight On Our Terms If Captain America is part of a themed team, opponents do not modify the result of the roll to establish the first player. -
Slayer Haunting the Chapel
Slayer haunting the chapel Continue Much better sound - not being fabulous either, that is the instrumental quality that caused us, all of us, shape to enjoy at the bottom! - that previous founding album is a myth, this E.P. four track will consolidate the legend already in motion after just this famous first stone in the purring building in the sweet title Show Without Mercy, released a year earlier ... which we can call a historical album, by the way! For most fans of us, know that a re-release dating back to 2004 (and still in effect today) will allow you to accumulate on the same album the mythical Live Undead and Ghosts of the Chapel mentioned in this column. In the same vein as the Show is not mercy for the first two titles and a significant evolution for the following that discover, relative I agree, slower and at the same time more worked or complex, while continuing his dark dark studies. Ghosts Chapel tends to be more resolute in the mad rush of sound and quality aggression in order to establish undeniable fame in the genre. Indeed, every SLAYER enthusiast should know how we feel listening to the damningly excellent cult song that is Chimicale - which is becoming now, the emblem of the slayerian paw without any references to different bands. SLAYER has just found its personal niche always copied and never matched today! What is then his brother's blood that is the impetuous Sin Thief, if not the fascinating melodic line that sends us valdinguer to the wall if we don't care about him so much his effectiveness is enormous. -
Imperial Vehicles
IMPERIAL VEHICLES Name Crew Spd Def W Res Traits Weapons Value Keywords Arvus lighter 1 Pilot, 40m 5 12 14 Hover, None usually Imperium, Imperial 12 Passangers Vacuum Navy Hardened Atlas Recovery 1 Commander, 24m 3 14 15 Sealed, Heavy Bolter Imperium, Astra Vehicle 1 Driver, Tracked Militarum 1 Operator Avenger strike 1 Pilot 50m 5 16 16 Sealed Avenger bolt cannon, Imperium, Imperial fighter 2x Lascannons, Navy heavy stubber, other two Astraeus Super- 1 Pilot, 24m 3 36 19 Void Shield Twin Heavy Bolter, Imperium, Adeptus Heavy Tank ? Gunners 1, Hover, Storm Bolter, Ironhail Astartes, Primaris Sealed Heavy Stubber, 2x Las Rippers, Twin Macro-accelerator cannon Aquila lander 1 Pilot, 40m 5 18 16 Hover, Heavy Bolter Imperium, Imperial 7 Passangers Vacuum Navy Hardened Baneblade 1 Commander, 20m 3 38 18 Sealed, Autocannon, Imperium, Astra 1 Driver, Tracked Banblade cannon, Militarum 3 Gunners, Demolisher cannon, 3 Loaders, Twin Heavy Bolter, 2- 1 Comms- 4 sponsons, Operator, Lascannon and a 1 Engineer Twin Heavy Bolter or Twin Heavy Flamer Baneblade, 1 Commander, 20m 3 38 18 Sealed, Tremor cannon, Twin Imperium, Astra Banehammer 1 Driver, Tracked Heavy Bolter, 2-4 Militarum 1 Main Gunner, sponsons as above 1 Remote Gunner, 1 Comms- Operator, 1 Engineer Baneblade, 1 Commander, 20m 3 38 18 Sealed, Quake Cannon, Twin Imperium, Astra Banesword 1 Driver, Tracked Heavy Bolter, 2-4 Militarum 1 Main Gunner, sponsons as above 1 Remote Gunner, 1 Comms- Operator, 1 Engineer Baneblade, 1 Commander, 20m 3 38 18 Sealed, Magma Cannon, Imperium, Astra Doomhammer -
American Sniper"
"AMERICAN SNIPER" by Chris Kyle with Scott McEwen and Jim DeFelice Screenplay By Jason Hall Second Draft 07.17.13 All gave some. Some gave all. OVER BLACK The groan of tank treads drowns out THE CALL TO PRAYER as an entire MARINE COMPANY advances over the top of us. EXT. STREET, FALLUJAH, IRAQ - DAY The sun melts over squat residences on a narrow street. The MARINE COMPANY creeps toward us like a cautious Goliath. FOOT SOLDIERS walk alongside Humvees and tanks. COMMANDING OFFICER (OS) (radio chatter) Charlie Bravo-3, we got eyes on you from the east. Clear to proceed, over. EXT. ROOFTOP, “OVERWATCH” - SAME Sun glints off a slab of corrugated steel. Beneath it-- CHRIS KYLE lays prone, dick in the dirt, eye to the glass of a .300 Win-Mag sniper rifle. He’s Texas stock with a boyish grin, blondish goatee and vital blue eyes. Both those eyes are open as he tracks the scene below, sweating his ass off in the shade of steel. CHRIS KYLE Fucking hot box. GOAT (24, Arkansas Marine) lies beside him, woodsy and outspoken, watching dirt-devils swirl in the street. GOAT Dirt over here tastes like dog shit. CHRIS KYLE I guess you’d know. Goat balks and fixes his M4 on the door. CHRIS SCOPE POV TRACK ACROSS bombed-out buildings, twisted metal and golden-domed mosques. Ragged curtains flutter out a window. Cat-tails on the river sway the same direction. We are seeing what he’s thinking as-- SFX: A LOW FREQUENCY BUZZ escalates over picture as his concentration deepens. -
THE PUNISHER WAR JOURNAL by Luis Filipe Based on Marvel Comics
THE PUNISHER THE PUNISHER WARWAR JOURNALJOURNAL by Luis Filipe Based on Marvel Comics character Copyright (c) 2017 This is just a fan made [email protected] OVER BLACK The sound of a POLICE RADIO calling. RADIO All units. Central Park shooting, requiring reinforcements immediately. CUT TO: CELL PHONE POV: Filming towards of Central Park alongside more people. Everyone horrified, but we don't know for what yet. CUT TO: VIDEO FOOTAGE: Now in Central Park where the police and CSI surround an entire area that is filled with CORPSES. A REPORTER talks to the camera. REPORTER Today New York witnessed the biggest outdoor massacre. It is speculated that the victims are members of the Mafia or even gangs, but no confirmation from the police yet. CUT TO: ANOTHER FOOTAGE: With the cameraman zooming in the forensic putting some bodies in black bags. One of them we notice that it's a little girl, and another a woman. REPORTER (O.S.) Apparently there was only one survivor. The victim is in serious condition but the paramedics doubt that he will hold it for long. CUT TO: SHAKY FOOTAGE: The only surviving man being taken on the stretcher to an ambulance. An oxygen mask on his face. His body covered in blood. He still uses his last forces to murmur. MAN My family... I want my... family. He is placed inside the ambulance. As the paramedics slam the ambulance doors - CUT TO BLACK: 2. Then - FADE IN: INT. CASTLE'S APARTMENT - DAY A small place with little furniture. The curtain blocks the sun from the single window of the apartment, allowing only a wispy sunlight to enter. -
The Lawyer As Superhero: How Marvel Comics' Daredevil Depicts
Barry University School of Law Digital Commons @ Barry Law Faculty Scholarship Spring 5-2019 The Lawyer as Superhero: How Marvel Comics' Daredevil Depicts the American Court System and Legal Practice Louis Michael Rosen Barry University School of Law, [email protected] Follow this and additional works at: https://lawpublications.barry.edu/facultyscholarship Part of the Entertainment, Arts, and Sports Law Commons, Law and Society Commons, and the Legal Ethics and Professional Responsibility Commons Recommended Citation 47 Capital U. L. Rev. 379 (2019) This Article is brought to you for free and open access by Digital Commons @ Barry Law. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of Digital Commons @ Barry Law. THE LAWYER AS SUPERHERO: HOW MARVEL COMICS’ DAREDEVIL DEPICTS THE AMERICAN COURT SYSTEM AND LEGAL PRACTICE LOUIS MICHAEL ROSEN* TABLE OF CONTENTS I. INTRODUCTION ................................................................................. 380 II. BACKGROUND: POPULAR CULTURE AND THE LAW THEORIES ....... 387 III. DAREDEVIL––THE STORY SO FAR ............................................... 391 A. Daredevil in the Sights of Frank Miller ....................................... 391 B. Daredevil Through the Eyes of Brian Michael Bendis ................ 395 C. Daredevil’s Journey to Redemption by David Hine .................... 402 D. Daredevil Goes Public, by Mark Waid ........................................ 406 IV. DAREDEVIL’S FRESH START AND BIGGEST CASE EVER, BY CHARLES SOULE ...................................................................................... 417 V. CONCLUSION .................................................................................... 430 Copyright © 2019, Louis Michael Rosen. * Louis Michael Rosen is a Reference Librarian and Associate Professor of Law Library at Barry University School of Law in Orlando, Florida. He would like to thank Professor Taylor Simpson-Wood, his mentor, ally, advocate, cheerleader, and ever-patient editor as he wrote this article.