Rose Hill Alum Found Slain Federal Prosecutor, Fordham Grad Is Brutally Beaten and Buried by Anthony Hazefl, FCLC '06 NEWS EDITOR

Total Page:16

File Type:pdf, Size:1020Kb

Rose Hill Alum Found Slain Federal Prosecutor, Fordham Grad Is Brutally Beaten and Buried by Anthony Hazefl, FCLC '06 NEWS EDITOR Students USG undermines help charity own authority Features, Page 16 Opinion, Page 6 The rver The Student Voic$ &>at Lincoln Center December 11, 2003 Volume XXII, Issue 7 Starting the holiday season Rose Hill alum found slain Federal prosecutor, Fordham grad is brutally beaten and buried By Anthony Hazefl, FCLC '06 NEWS EDITOR FCRH - Jonathan P. Luna, a Fordham University alumnus, was found murdered in a small town just outside Lancaster, Pennsylvania on Dec. 4. The 38- year-old assistant U.S. attorney was buried face'downin a field in" Lancaster County, nearly 70 miles away from his Baltimore- area home, according to reports. His car, covered in blood, was U.S. Department of Justice fosund; nearby in a creek Jonathon Luna Luna was involved in the trial officials, Luna was brutally beat- of rapper Deon Lioiiftel Smith en, stabbed 36 times, and shot. At the time of his death, Continued on page 4 CAB gets funds, SABC makes call ByMonkp]eDnnan,FCLC'o6 I See related editorial I STAFF WRITER Opinion, Page 6 FCLC - Following a dispute reached a resolution. The por- over the school-wide referen- tion of the money going to Caitlin Dillaway/The Observer dum that resulted in a $40 raise CAB, which was the source of On Tuesday, Dec. 2 the Lincoln Center community gathered for the annual tree lighting in the student activities fee, half contention, will in fact go to ceremony. To celebrate the tradition, many Upper West Side establishments served of which went to the Campus CAB, the committee decided. free food and beverages. Activities Board (CAB), the The dispute arose as to Student Activities Budget Committee (SABC) has Two-credit courses may Continued on page 4 Exorcisms: the new hurt graduating seniors Twinkie defense? By K.C. Johnston, FCLC '04 help fulfill a student's credit dents were informed recently that although they have com- STAFF WRITER requirements, do not count CONTRIBUTING WRITER Features toward the required number of pleted the credit requirements, Pages 12 to 17 FCLC - Several seniors were three- or four-credit courses they do not have at least 36 surprised to find out recently needed for graduation. three- or four-credit courses. What a convenient scape- "Traditionally virtue is the that although they have fulfilled Thirty-six of these three- or Instead, many of them, espe- , goat - Satan. After all, he is habit of doing good rather the credit requirements needed four-credit courses are needed cially those with natural sci- the cause of all evil. No, than the habit of doing evil; for graduation, they have not to graduate, according to the ences, psychology, or commu- that's too easy. Ever hear of the virtuous person almost completed the required number 2002-2004 Undergraduate nications majors, have tran- free will? According to the spontaneously docs the next of courses that would allow Bulletin, in addition to a total of scripts that are filled with two- Rev. Damien O'Conncll S.J., good tiling. The person who them to graduate on time. no less than 124 credits. This credit labs, workshops, or other it's not fair to blame the Devil makes bad choices can get to The problem, which was information is stated explicitly "add-on" courses. These cours- for human actions. "The tra- the point that the evil sponta- addressed by the College in the Bulletin, according to the es do not help fulfill the require- ditional teachings in what's neously docs the self-aggran- Council at its meeting on Nov. Rev. Robert Grimes, S.J., dean ment of 36 courses. called Original Sin is that the dizing thing." Basically, you 19, is caused by two-credit of the College at Lincoln human heart is chipped away courses, which, although they Center. However, many stu- Continued on page 4 from the good," he explains, Continued on page 16 imriv.fclcobs' News 2 The Observer December 11, 2003 E How does the Ram Van compare Opinion 6 Features 12 Arts & Culture. 18 to other universities' services? Classifieds 25 Literary 26 By Giselle Isner, FCLC '05 IA CLOSER LOOK Sports 28 CONTRIBUTING WRITER Campus Issues How does Fordham measure up? MISSION STATEMENT The Observer is an independent- FORDHAM - Jacqueline ride the city buses for free, accord- For further comparison of Fordham's intercampus transporta- minded student newspaper serv- Portela, FCLC '04, takes classes at ing to the Office of Transportation tion services and those of other schools: ing the Fordham College at both Fordham's Rose Hill and and Parking Services. Lincoln Center (FCLC) communi- Lincoln Center campuses. She ty. The Observer's mission is to "We are a very busy spread out School: New York University seek and present the unbiased relies heavily on the university's campus, about 2,000 acres, com- Type of service: Intercampus, student residence halls and off- truth while simultaneously foster- intercampus transportation service posed of 10 colleges," said Eric campus apartments buses during the day, on-call van service in ing journalism experience among to get to class, but many times, it Kraus, an analyst of Transportation evening students enrolled at FCLC and leaves her disappointed. and Parking Services at UC Santa Hours of service: Seven days a week, 24 hours a day promoting and supporting the "It is bad because sometimes Cruz. 'Students can't make classes ethical principles denned in the Cost: Free with valid NYU ID First Amendment of the United you don't have time to sign up for by walking from one side of the Source: www.nyu.edu/infocenter/ride/ States Constitution pertaining to the van and if it is full, you can't get campus to another. We have shut- the freedom of speech and of the in, so I get late to class often," said tles running all around the campus .School: University of California Santa Cruz s press. Portela "It's a hassle." within every 10 minutes. There are Type of service: Intra-campus, downtown and shopping shut- Commonly known as the Ram day shuttles from 7:30 am to 6 tles; ' • CONTACTING US The Observer office is located on Van, the maroon vans marked with p.m. and night shuttles from 6 p.m. Cost: Free city bus service with student ID the FCLC campus in room SL-19 the Fordham logo and Ram mascot, to 12:15 am, seven days a week. Hours of service: 7:30 a.m. to 6 p.m., every 10 minutes; 6 p.m. of the Leon Lowenstein building is Fordham University's intercam- Anyone on campus can board for to 12:15 a.m,, every 15 to 20 mm. at 113 West 60th Street, New pus transportation service. free. It is a very helpful service." Cost: Free when boarding York, NY. Address all mail to The According to the Ram Van office, Source: www2.ucsc.edu/taps/ Observer, Fordham College at While the shuttle is free for the Lincoln Center, 113 West 60th there are 12 vehicles, including five students at boarding time, the ser- Street, Room 408, New York, NY athletics vans, which are occasion- vice is not completely without cost School: Georgetown University 10023. Call us at 212-636-6015 or ally used for transporting students for the students. Type of service: Bus, five routes: Intercampus, university send e-mail to editor@fclcobserv- when they are not used for sporting "Students assess themselves a offices, Metro station, parking garages, off-campus stops er.com. Send all faxes to 212-636- events. Each van seats 14 passen- 7047. To reach a specific editor, transit fee as part of tuition that Hours of service: Seven days a week, 6 a.m. to 11 p.m. please see the individual contact gers and one driver. The vans, in allows access to both public transit Cost: Free with valid Georgetown ID, $1 without ID information posted in our mast- intervals of 30 minutes, run service and the shuttle," said Julie Source: otm.georgetown.edu/guts.cfm head on the Opinion page. The between 6:30 am and 10:30 p.m. Tanner, assistant director of trans- Observer holds open staff meet- at Rose Hill and between 7:15 am portation at UC Santa Cruz. ings every Tuesday at 1 p.m. in and 11:30 p.ra in Lincoln Center. 'Tarking fees and $3 of every park- state, unlike Fordham, which is a Some students' biggest com- room 406 of the Leon Lowenstein The vans have extended hours from building. ing fine go toward funding the ser- private university. • plaints about the Ram Van are not Thursday to Sunday and have vice. The Metro Transit District "Not without tuition going up so much about its price as it is about HOW TO PLACE AN AD abbreviated services during the allows students to show their ID could it be free," said Canton. its service. To reserve advertising space, or summer. Usually, two vans leave and board any of the buses through- Canton feels that other school's 'Tt was horrible. I was waiting for rates and information, contact each campus at the same time. out Santa Cruz County for free. transportation services do not com- there and the van didn't come," said the business manager at business- manager@fclcobserver- A fare hike last fall that brought There are also shopper shuttles that pare to Fordham's. '"No one has a Luis Hernandez, FCLC '05, Who .com or call us at 212-636-6016. the cost of transportation between go off campus and shuttles that go service that is as extensive as ours. has classes at Rose Hill and Lincoln campuses to $2.50 was the third downtown." Theirs are similar to our security Center.
Recommended publications
  • Black Lives Matter
    ( NEWS COVID-19 UPDATES SOCIAL SELECTS HOLIDAY GIFT GUIDE CALENDAR SHOWS ' JOBS ' SHOP MENU DECEMBER 1, 2020 & LATEST NEWS MOST READ -50% -64% -64% -50% -50% -50% Raúl Esparza, Krysta Rodriguez, More Will Star in A Christmas Carol, Co-Adapted by In the News: A Sneak Peek of Samantha Barks as Queen Elsa, Amanda Kloots to Co Snoop Dogg, Loretta Devine, Joaquina Kalukango, More Tapped for Virtual Free Shipping + Free Returns Compete at Broadway Trivia Night, Stage Rugs.com Door With the Cast of Company, and More Watch the Of/cial Trailer for the Laura ! " # $ BENEFITS AND GALAS Benanti-Produced Documentary Special #WhileWeBreathe: A Night of Creative Protest Bene/t 41 NEW STORIES % Premieres July 29 BY OLIVIA CLEMENT JUL 29, 2020 The eveninG of creative protest features Patina Miller, Lynn Whit#eld, Marcus self-injecting SUBLOCADE into a vein (intravenously), it is only available through a restricted program called the SUBLOCADE REMS Program. Henderson, and more in world-premiere short works. • SUBLOCADE is not available in retail pharmacies. • Your SUBLOCADE injection will only be given to you by a certified healthcare provider. In an emergency, you or your family should tell the emergency medical staff that you are physically dependent on an opioid and are #WhileWeBreathe: A Night of Creative Protest | Premiering Wednesday, July 29 at 9PM E… being treated with SUBLOCADE. Watch later Share #WhileWeBreathe: A Night of Creative Protest, an eveninG of virtual world premieres bene#tinG justice-focused orGanizations, premieres July 29. The roster of performers for the one-night only bene#t includes Tony winner Patina Miller (Pippin, Madam Secretary), Emmy winner and Golden Globe nominee Lynn Whit#eld (Greenleaf, The Josephine Baker Story), Obie Award winner Ale Fuller (BLKS, Is God Is), Tony nominee Will Swenson (Jerry Springer: The Opera, Hair), and Get Out's Marcus Henderson.
    [Show full text]
  • June 1-3,2(>(>7
    Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................
    [Show full text]
  • Nichols Resume 8-2018
    Patricia Marie Nichols p a t r i c i a n i c h o l s . c o m 16 Morgan Drive, Succasunna, NJ 07876 [email protected] Lighting Design 07/18 An Act Of God W.H.A.T., Massachusetts Dir. Daisy Walker 07/18 Hair Berkshire Theatre Group, Massachusetts Dir. Daisy Walker 02/18 The Diary of Anne Frank Drexel University, Philadelphia Dir. Bill Fennelly 09/17 Lost Lake Berkshire Theatre Group, Massachusetts Dir. Daisy Walker 06/17 Painting Churches W.H.A.T., Massachusetts Dir. Daisy Walker 05/17 Sex With Strangers W.H.A.T., Massachusetts Dir. Jeffry George 12/15 How Alfo Learned to Love 59E59 Theatres, New York Dir. Daisy Walker 06/15 Outside Mullingar Cape Rep Theatre, Massachusetts Dir. Daisy Walker 04/15 Broken Horizon Productions, New York Dir. Daisy Walker 04/15 Dreamgirls Skyline Theatre Company, New Jersey Dir. Sam Scalamoni 05/13 The 39 Steps Skyline Theatre Company, New Jersey Dir. Sam Scalamoni 10/11 A Splintered Soul The Mint Theatre, New York Dir. Daisy Walker 09/11 The Gazillion Bubble Show First National Tour Dir. Sam Scalamoni 05/11 Barefoot In The Park Skyline Theatre Company, New Jersey Dir. Sam Scalamoni 05/08 Fidelity Future Stage New World Stages, New York Dir. Sam Scalamoni 03/07 Irish American – Awards Ceremony The Hilton Theatre, New York Prod. Carl Pasbjerg 01/05 Safety Urban Stages, New York Dir. Daisy Walker 12/04 Because I Can Greenwich Street Theatre, New York Dir. Daisy Walker 02/04 I Ain’t Yo’ Uncle Mandell Weiss Theatre, San Diego Dir.
    [Show full text]
  • Welcome Back to Paper Mill Playhouse's 80Th
    WELCOME FROM THE PRODUCING ARTISTIC DIRECTOR elcome back to Paper Mill Playhouse’s 80th anniversary season and to our groovy, world- Wpremiere production of My Very Own British Invasion! Any fan of popular music is sure to enjoy this nostalgic and energetic trip down memory lane as told through the eyes of Peter Noone, who struck fame at age fifteen as the lead singer for Herman’s Hermits. Lovingly crafted by Tony-nominated book writer Rick Elice ( Jersey Boys, Peter and the Starcatcher, The Cher Show) and Tony winner Jerry Mitchell (Half Time, Kinky Boots, Pretty Woman), who directs and choreographs, this blockbuster retrospective features a rarely heard story, a Paper Mill Playhouse received the 2016 song list jam-packed with favorites, and a cast of the Regional Theatre Tony Award. absolute best actors and musicians of Broadway. Paper Mill recently announced the appointment of our new Managing Director, Michael Stotts, after a nationwide search, and he officially joins the staff as of the opening night of this production. Friends of the New Jersey theatrical community may remember Mike from his previous engagements in leadership roles with the Shakespeare Theatre of New Jersey and George Street Playhouse. He comes to Paper Mill after serving thirteen years at Hartford Stage in Connecticut, where some of his notable projects included the new musicals Anastasia and A Gentleman’s Guide to Love & Murder, which both transferred to Broadway. Mike is a dedicated, passionate, and well-respected arts administrator who brings an incredible skill set to our organization. As Paper Mill prepares for our next phase of growth, he is exactly the coleader I was hoping to find, and we all could not be more thrilled to welcome him back to the Garden State.
    [Show full text]
  • To the Baum Bugle Supplement for Volumes 46-49 (2002-2005)
    Index to the Baum Bugle Supplement for Volumes 46-49 (2002-2005) Adams, Ryan Author "Return to The Marvelous Land of Oz Producer In Search of Dorothy (review): One Hundred Years Later": "Answering Bell" (Music Video): 2005:49:1:32-33 2004:48:3:26-36 2002:46:1:3 Apocrypha Baum, Dr. Henry "Harry" Clay (brother Adventures in Oz (2006) (see Oz apocrypha): 2003:47:1:8-21 of LFB) Collection of Shanower's five graphic Apollo Victoria Theater Photograph: 2002:46:1:6 Oz novels.: 2005:49:2:5 Production of Wicked (September Baum, Lyman Frank Albanian Editions of Oz Books (see 2006): 2005:49:3:4 Astrological chart: 2002:46:2:15 Foreign Editions of Oz Books) "Are You a Good Ruler or a Bad Author Albright, Jane Ruler?": 2004:48:1:24-28 Aunt Jane's Nieces (IWOC Edition "Three Faces of Oz: Interviews" Arlen, Harold 2003) (review): 2003:47:3:27-30 (Robert Sabuda, "Prince of Pop- National Public Radio centennial Carodej Ze Zeme Oz (The ups"): 2002:46:1:18-24 program. Wonderful Wizard of Oz - Czech) Tribute to Fred M. Meyer: "Come Rain or Come Shine" (review): 2005:49:2:32-33 2004:48:3:16 Musical Celebration of Harold Carodejna Zeme Oz (The All Things Oz: 2002:46:2:4 Arlen: 2005:49:1:5 Marvelous Land of Oz - Czech) All Things Oz: The Wonder, Wit, and Arne Nixon Center for Study of (review): 2005:49:2:32-33 Wisdom of The Wizard of Oz Children's Literature (Fresno, CA): Charobnak Iz Oza (The Wizard of (review): 2004:48:1:29-30 2002:46:3:3 Oz - Serbian) (review): Allen, Zachary Ashanti 2005:49:2:33 Convention Report: Chesterton Actress The Complete Life and
    [Show full text]
  • 16, 2019 • Merrill Auditorium
    PRESENTS MAY 15 - 16, 2019 • MERRILL AUDITORIUM BAKER NEWMAN NOYES AD Best of luck with your 2019 season JS MCCARTHY AD You dream it we print it. jsmccarthy.com 888 465 6241 JSM_Portland Ovation_Neverland Ad.indd 1 4/30/19 10:04 AM NETworks Presentations LLC presents BOOK BY MUSIC AND LYRICS BY James Graham Gary Barlow & Eliot Kennedy Based on the Miramax Motion Picture written by David Magee and the play The Man Who Was Peter Pan by Allan Knee STARRING Jeff Sullivan Ruby Gibbs WITH Conor McGiffin Emmanuelle Zeesman Brody Bett Seth Erdley Caleb Reese Paul Paul Schoeller Josiah Smothers Ethan Stokes AND Emilia Brown Marie Choate Josh Dunn Ashley Edler Joshua William Green Daniel S. Hayward Benjamin Henley Elizabeth Lester Michael Luongo André Malcolm Spenser Micetich Melody Rose Kelsey Seaman Adrien Swenson Josh McWhortor SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER PROJECTION DESIGNER Scott Pask Suttirat Anne Larlarb Kenneth Posner Shannon Slaton Jon Driscoll HAIR & MAKE UP DESIGNER ILLUSIONS AIR SCULPTOR FLYING EFFECTS Bernie Ardia Paul Kieve Daniel Wurtzel Hudson Scenic Studio ORIGINAL MUSIC SUPERVISION VOCAL DESIGNER MUSIC DIRECTOR MUSIC COORDINATOR AND DANCE AND INCIDENTAL MUSICAL ARRANGER AnnMarie Milazzo Patrick Hoagland John Mezzio David Chase ANIMAL DIRECTOR CASTING TOUR BOOKING TOUR PRESS & MARKETING William Berloni Stewart/Whitley The Booking Group Anita Dloniak & Meredith Blair Associates, Inc. GENERAL MANAGER COMPANY MANAGER PRODUCTION STAGE MANAGER PRODUCTION MANAGER GENTRY & ASSOCIATES NETWORKS PRESENTATIONS LLC Jamey Jennings Heather Moss David D’Agostino Evan Rooney EXECUTIVE PRODUCER ASSOCIATE CHOREOGRAPHER Trinity Wheeler Camden Loeser ORCHESTRATIONS Simon Hale MUSIC SUPERVISION Fred Lassen CHOREOGRAPHY Mia Michaels DIRECTION RECREATED BY Mia Walker ORIGINAL DIRECTION Diane Paulus Finding Neverland was developed and premiered at The American Repertory Theater at Harvard University, Diane Paulus, Artistic Director, Diane Borger, Producer.
    [Show full text]
  • PDF File, Size 197KB
    Ozma of Oz Ozma of Oz Frank L. Baum Ozma of Oz Other Titles by L. Frank Baum Ozma of Oz The Wonderful Wizard of Oz The Patchwork Girl of Oz The Scarecrow of Oz The Marvelous Land of Oz The Magic of Oz Glinda of Oz The Emerald City of Oz Dorothy and the Wizard of Oz by L. Frank Baum Compass Rose Horizons www.compassrose.com Frank L. Baum Ozma of Oz Copyright © 006. All rights reserved. Contents ISBN: 0-0000000-0-0 Library of Congress Catalog Number: 0000000000 Author’s Note ........................................................ 7 . The Girl in the Chicken Coop .......................... 9 Compass Rose Horizons PO Box 0909 . The Yellow Hen ............................................... 00 Chicago, IL 6060 3. Letters in the Sand ........................................... 00 www.compassrose.com . Tiktok, the Machine Man ............................... 00 Interior Design by Joanne Asala . Dorothy Opens the Dinner Pail ..................... 00 6. The Heads of Langwidere .............................. 00 Printed in the United States of America 7. Ozma of Oz to the Rescue .............................. 00 8. The Hungry Tiger ........................................... 00 9. The Royal Family of Ev .................................. 00 0. The Giant with the Hammer ....................... 00 . The Nome King ............................................. 00 Frank L. Baum Ozma of Oz Author’s Note My friends the children are responsible for this new “Oz Book,” as they were for the last one, which was called The Land of Oz. Their sweet little letters plead to know “more about Dorothy”; and they ask: “What became of the Cowardly Lion?” and “What did Ozma do after- ward?”— meaning, of course, after she became the Ruler of Oz. And some of them suggest plots to me, saying: “Please have Dorothy go to the Land of Oz again”; or, “Why don’t you make Ozma and Dorothy meet, and have a good time together?” Indeed, could I do all that my little friends ask, I would be obliged to write dozens of books to satisfy their demands.
    [Show full text]
  • 67Th Annual Tony Awards
    The American Theatre Wing's The 2013 Tony Awards® Sunday, June 9th at 8/7c on CBS 67TH ANNUAL TONY AWARDS Best Play Best Performance by an Actress in a Leading Role in a Musical Best Costume Design of a Musical The! Assembled Parties (Richard Greenberg) Stephanie! J. Block, The Mystery of Edwin Drood Gregg! Barnes, Kinky Boots Lucky Guy (Nora Ephron) Carolee Carmello, Scandalous Rob Howell, Matilda The Musical The Testament of Mary (Colm Toíbín) Valisia LeKae, Motown The Musical Dominique Lemieux, Pippin Vanya and Sonia and Masha and Spike (Christopher Durang) Patina Miller, Pippin William Ivey Long, Rodgers + Hammerstein’s Cinderella Laura Osnes, Rodgers + Hammerstein’s Cinderella Best Musical Bring! It On: The Musical Best Performance by an Actor in a Featured Role in a Play Best Lighting Design of a Play A Christmas Story, The Musical Danny! Burstein, Golden Boy Jules! Fisher & Peggy Eisenhauer, Lucky Guy Kinky Boots Richard Kind, The Big Knife Donald Holder, Golden Boy Matilda The Musical Billy Magnussen, Vanya and Sonia and Masha and Spike Jennifer Tipton, The Testament of Mary Tony Shalhoub, Golden Boy Japhy Weideman, The Nance Best Book of a Musical Courtney B. Vance, Lucky Guy A! Christmas Story, The Musical (Joseph Robinette) Best Lighting Design of a Musical Kinky Boots (Harvey Fierstein) Best Performance by an Actress in a Featured Role in a Play Kenneth! Posner, Kinky Boots Matilda The Musical (Dennis Kelly) Carrie! Coon, Who’s Afraid of Virginia Woolf? Kenneth Posner, Pippin Rodgers + Hammerstein’s Cinderella (Douglas Carter
    [Show full text]
  • Black Women's Music Database
    By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006),
    [Show full text]
  • Page 1 MMD Resume, 2020 1
    M A R C I A M I L G R O M D O D G E SDC Director & Choreographer, Teacher Tony Award Nominated Freelance Director and Choreographer of classic and world premiere plays and musicals with a track record of success working in Broadway, Off-Broadway, Regional, Summer Stock and University venues in the United States and Abroad. I am committed to the principles of Equity, Diversity and Inclusion. I recognize that every person, organization, and community is unique. I listen carefully, discuss options, seek to understand, and endeavor to build accord so that every interaction with staff, artists and students is a learning opportunity. --------------------------- Skills --------------------------- • Director • Lecturer • Choreographer • Master Instructor • Teacher • Consultant • Playwright • Strong Leader --------------- Complete Professional Experience ------------- I approach revivals as if they are new works and I bring extensive knowledge of classical form and structure to my collaborations with new writers. I work in large venues from 11,000-seat outdoor theatres to tiny venues such as 60-seat black box theatres 2020 SHERLOCK HOLMES & THE WEST END HORROR, A Radio Drama, Co-Author, ©2001, 2020 www.allclassical.org/Broadway Rose Theatre, Portland, OR, Broadcast Dates: 10/1 & 2, 10/30 & 31 BUDDY THE BUDDY HOLLY STORY, Director & Choreographer, Cincinnati Playhouse in the Park DISNEY+ ENCORE! with Kristen Bell, “Theatre Director” S1/Ep1 Annie and S1Ep12Ragtime https://disneyplusoriginals.disney.com/show/encore **Five 2020 stage productions postponed
    [Show full text]
  • 2010 Tony Award Nominee Reactions! Printer-Friendly (Broadwayworld.Com) Page 1 of 8
    Print 2010 Tony Award Nominee Reactions! Printer-Friendly (BroadwayWorld.com) Page 1 of 8 2010 Tony Award Nominee Reactions! Back to the Article by BWW News Desk The Tony Awards Nominations were announced this morning on Tuesday, May 4th. The Tony Awards will be broadcast in a live three-hour ceremony from Radio City Music Hall on the CBS television network on Sunday, June 13, 2010. Click here for the full list of nominations! BroadwayWorld.com will be talking to nominees throughout the day so keep checking back! "Well I woke up to phone ringing and a friend leaving me a message singing into my machine. And then I went to breakfast with my daughter and told her about the nomination and she started screaming. This is a special show. It is not like any other show that has been on Broadway from what I know and different from any show I have been a part of in the past. I was hopeful people would "get it" and I think they did. We're a hard working cast and it's amazing to me that we can do as many shows as we do each week. Everyone pulls their weight and I expected us be noticed for the excellence. The highlight of this show for me is being in a cast people who are so dedicated. The music is great to listen to every night and we have a crew that is great to us. It's nice to be back on Broadway." Lillias White, nominee for Best Featured Actress in a Musical for Fela! "My wife called me this morning with the news.
    [Show full text]
  • 30Th ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED
    FOR IMMEDIATE RELEASE Press Contacts: Chris Kanarick: [email protected] Felicia Pollack: [email protected] Megan Brophy: [email protected] 30th ANNUAL LUCILLE LORTEL AWARDS RECIPIENTS ANNOUNCED Hamilton receives record 10, including Outstanding Musical Between Riverside and Crazy receives 3, including Outstanding Play New York, NY (May 10, 2015) – The 2015 Lucille Lortel Awards for Outstanding Achievement Off-Broadway were handed out this evening to recipients in 18 categories, and three special honors were bestowed. The Lortel Awards were distributed in a ceremony at NYU Skirball Center hosted by Emmy nominated actors Anna Chlumsky and Jesse Tyler Ferguson. This year's event was once again a benefit for The Actors Fund. Award presenters this year included some of the biggest and brightest stars from stage and screen, including: F. Murray Abraham, Uzo Aduba, Christian Borle, Steven Boyer, Jason Robert Brown, David Burtka, Anna Camp, Geneva Carr, Michael Cerveris, Sutton Foster, Lisa Howard, James Monroe Iglehart, Andy Karl, Marc Kudisch, Judy Kuhn, Swoosie Kurtz, Tony Kushner, Norm Lewis, Justin Long, Ruthie Ann Miles, Gretchen Mol, Elisabeth Moss, Brad Oscar, Elizabeth Reaser, Alex Sharp, Alicia Silverstone, Micah Stock, Amber Tamblyn, Max von Essen and Tony Yazbeck. The Off-Broadway League’s Lortel Awards Producing & Administration Committee (Terry Byrne, Dean Carpenter, Denise Cooper, Margaret Cotter, Carol Fishman, George Forbes, Michael Page, Catherine Russell and Lindsey Sag) produces the Lortel Awards ceremony. Acclaimed writer/director Michael Heitzman returned to direct the Lortel Awards for the fifth consecutive year. The Lucille Lortel Awards is produced by special arrangement with the Lucille Lortel Foundation.
    [Show full text]