Fall 2019 Contents

New Titles 5

Collector’s Editions 53

Toiletpaper 75

Backlist 81

Photography 82 Fashion & Lifestyle 91 Contemporary Art 92 Architecture & Design 95 Antiques & Collectibles 95

Spazio Damiani 96

Distributors 98

Contacts 100

Notes 102 New Titles Photography

Michael Stipe with Douglas Coupland Our Interference Times: a visual record

For this second book in an ongoing exploratory series, multifaceted artist Michael Stipe has collaborated with the writer and artist Douglas Coupland on and investigation of how analog imagery is crashing on the shores of our digital future. For Stipe the signature mark of this phenomena is the moiré pattern. Culled from Stipe’s vast archive of personal images the book is a contemplation on the tug of war between pixels and halftone, between past memory and new memory, and their vagaries of representation.

As an undergraduate studio art major at the University of Georgia, Michael Stipe (born 1960) studied photography and painting before leaving school upon the formation of R.E.M., the band for which he served as frontman and singer/songwriter until its dissolution in 2011. The sensibility that he began to develop during his time as an art student transferred to the spectrum of his work for R.E.M., from art directing all graphic, video and stage design, to writing, composing and performance, and his iconoclastic Text by Douglas Coupland personal style. Stipe’s visibility as a media figure in the 24.5 x 33 cm | 9 ¾ x 13 inches popular culture of the 1980s and ‘90s left an indelible mark 200 pages, 150 color and b&w, hardbound ISBN 978-88-6208-678-3 on the aesthetic trends of the time, many of which have November 2019 trickled down to contemporary culture. $60 | £45

Collector's edition of 20 copies with a signed and numbered print ISBN 978-88-6208-681-3 $600 | £400

New Titles 7 Photography

Dennis Hopper In Dreams. Scenes from the Archive

In Dreams. Scenes from the Archive adds to our understanding of Dennis Hopper’s personal vision as an artist by tracing the threads of Hopper’s life through photography, and connecting his roles as an actor, husband, father, and photographer. In Dreams eschews Hopper’s iconic stand- alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper’s photographic output was especially concentrated in the ‘60s, a period in which his film career had cooled off. During these years Hopper’s primary creative outlet was his photography. The Nikon camera his wife 23.5 x 20.3 cm | 9 ¼ x 8 inches Brooke Hayward gifted him hung so prominently around his 132 pages, 97 b&w, clothbound ISBN 978-88-6208-643-1 neck that friends jokingly called him ‘the tourist.’ While In November 2019 Dreams, which references Roy Orbison’s song by the same $49.95 | £40 name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper’s peripatetic life and his everyday use of the camera. Hopper was very much an insider — at ease with celebrities and artists of his day — but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it’s this unique duality that allowed Hopper to view the world in his unique way.

Dennis Hopper (1936–2010) was born in Dodge City, Kansas. He first appeared on television in 1954 and quickly became a cult actor, known for films such as Rebel Without a Cause, Easy Rider, The American Friend, Apocalypse Now, Blue Velvet and Hoosiers. In 1988, he directed the critically acclaimed Colors. Hopper was also a prolific photographer and published now-classic portraits of celebrities such as Andy Warhol and Martin Luther King, Jr. His works are housed in the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and the Los Angeles County Museum of Art, among others.

New Titles 9 Photography

Arthur Elgort I Love...

In his latest book, the great American fashion photographer Arthur Elgort presents photographs of women that he has taken throughout his career, in homage to their power, their beauty, their joy and their strength. Depicting a variety of subjects, from young ballerinas at the Vaganova Academy of Russian Ballet in St Petersburg to snapshots of fashion’s most influential women, this collection portrays many aspects of femininity across generations. Beautifully designed by Steve Hiett, who also collaborated on Arthur Elgort’s Models Manual, this title includes photographs in one seamless flow, deploying a rich range of color with graphic snap. Idols such as supermodels Gia Carangi, Cindy Crawford, Karen Elson, Linda Evangelista and Christy Turlington, and legendary editors such as Franca Sozzani, the former editor-in-chief of Vogue Italia, and Polly Allen Mellen, a former editor at Vogue, Harpers Bazaar and Allure are amongst those featured.

16.5 x 21 cm | 6 ½ x 8 ¼ inches Arthur Elgort (born 1940) studied painting at Hunter College 208 pages, 208 color and b&w, flexibound but quickly transitioned to photography, finding painting too ISBN 978-88-6208-673-8 slow and solitary. Elgort attributes much of his spontaneous September 2019 $45 | £35 and liberated style to his lifelong love of music and dance, especially jazz and ballet. In his long career he has worked on many major advertising campaigns, including for Chanel, Valentino and Yves Saint Laurent, shot countless fashion spreads and published several books; his most recent publication is Jazz (2018).

Collector's edition of 30 copies with a signed and numbered print ISBN 978-88-6208-674-5 $850 | £600

10 New Titles 11 Photography

Hiroshi Sugimoto Architecture

In 1997, Hiroshi Sugimoto began a series of photographs of significant works of modernist architecture, intending “to trace the beginnings of our age via architecture.” One of the hallmarks of Sugimoto’s work is his technical mastery of the medium. He makes photographs exclusively with an 8 x 10” view camera, and his silver gelatin prints are renowned for their tonal range, total lack of grain, wealth of detail and overall optical precision. In making the Architecture photographs, however, he inverted his usual process: “Pushing out my old large-format camera’s focal length to twice-infinity... I discovered that superlative architecture survives the onslaught of blurred photography. Thus I began erosion-testing architecture for durability, completely melting away many of the buildings in the process.” The language of architectural modernism is distilled in photographs of Le Corbusier’s Villa Savoye, Mies van der Rohe’s Seagram Building, and Frank Gehry’s Text by Hiroshi Sugimoto Guggenheim Bilbao. By virtue of their blurriness and 25.2 x 27.8 cm | 10 x 11 inches 160 pages, 90 b&w, clothbound with jacket lack of color, the images strip down buildings to their ISBN 978-88-6208-658-5 essence, what we might imagine was the architect’s October 2019 first, pure vision of form. The details of construction $60 | £45 and imperfections that are a natural result of a massive, collaborative human undertaking, are absent, and instead light and shadow define the forms of these buildings. The Architecture photographs continue the artist’s longstanding investigations of the passage of time and of history. Are these monuments to human ingenuity and the power of the industrial age as eternal as they seem? Architecture contains 90 photographs, 19 of which are previously unpublished.

Hiroshi Sugimoto (born 1948) has helped define what it means to be a multidisciplinary contemporary artist, his photographs blurring the lines between photography, painting, illustration, and architecture. Sugimoto divides his time between Tokyo and New York City.

New Titles 13 Photography

Andrew Moore Blue Alabama

Andrew Moore’s new book, Blue Alabama, focuses on the American South, depicts the economic, social and cultural divisions that characterize the South and the love of history, tradition and land that binds its citizens. Following upon in-depth explorations of the economically ravaged city of Detroit (2007 – 2009) and the mythic high plains region along the 100th Meridian (2011 – 2014), Blue Alabama continues the artist’s investigation of “the inner empire” of the United States.

Moore’s photographs have been acquired by numerous museums in the United States and internationally, including Preface by Imani Rerry Story by Madison Smartt Bell the Metropolitan Museum of Art, the Whitney Museum of 34.5 x 27 cm | 13 ⅗ x 10 ⅗ inches American Art, the Library of Congress, the Israel Museum, 180 pages, 78 color, hardbound the San Francisco Museum of Modern Art, the Los Angeles ISBN 978-88-6208-654-7 September 2019 County Museum of Art, Yale University Art Gallery, and $60 | £45 the Detroit Institute of Arts, among others. This new book will be his seventh monograph, alongside Inside Havana, Russia, Detroit Disassembled, Cuba and Dirt Meridian.

New Titles 15 Photography

Peter Berlin Icon, Artist, Photosexual

Peter Berlin was a self-created icon. With his trademark pageboy haircut and his skin-tight costumes that put every detail of his anatomy on display (designed and tailored by Berlin himself to accentuate his already naturally defined physique), he became a gay sex symbol and a walking work of art. Cruising was his career, and with a background in photography, Berlin began taking thousands of erotic self-portraits in the parks, train stations and streets of Berlin, Rome, Paris, New York and San Francisco, where he settled in the early 1970s. As Berlin put it, “One day I looked at a camera and said, ‘I have found my dream lover.’” Berlin’s ’70s and ’80s self-portrait photography graced the covers of gay magazines, defining a look and a re-imagined masculinity in a changing gay male culture. Spotlighting Berlin’s significant body of work alongside images by Tom of Finland, Robert Mapplethorpe and Andy Warhol, Icon, Artist, Photosexual pays tribute to the man who revolutionized the landscape of gay male eroticism and became an international sensation. The book is designed by Omar Sosa, Creative Director of Apartamento Magazine and is edited by Michael Bullock, a writer and publisher of Edited by Michael Bullock BUTT, Pin-Up, Fantastic Man, and Gentlewoman magazines. Text by Carl Swanson, Jonathan David Katz, Evan Moffitt Carl Swanson, Editor-at-Large for New York Magazine 22.9 x 30.5 cm | 9 x 12 inches 176 pages, 200 color and b&w, hardbound contributes a biographical text. ISBN 978-88-6208-655-4 October 2019 Artist, model and filmmaker Peter Berlin, née Armin Hagen $50 | £40 Freiherr von Hoyningen Huene (born 1942), created some of the most legendary erotic imagery of his day. What began as studies in self-portraiture and fashion design in the name of cruising, by the early 1970s had turned into a robust artistic practice that included the creation of two films—Nights in Black Leather (1973) and That Boy (1974)— and innumerable photographs, paintings and illustrations.

Collector's edition of 50 copies with a signed and numbered print ISBN 978-88-6208-675-2 $700 | £500

New Titles 17 Photography

Walt Cassidy New York: Club Kids

New York: Club Kids is a high-impact visual diary of New York City in the 1990s, seen through the eyes of Walt Cassidy, known as Waltpaper, a central figure within the Club Kids. The Club Kids, a term coined by New York Magazine in 1988 were an artistic and fashion-conscious youth movement that crossed over into the public consciousness through appearances on daytime talk shows, magazine editorials, fashion campaigns and music videos, planting the seeds for popular cultural trends such as reality television, self- branding, influencers and the gender revolution. Known for their outrageous looks, legendary parties and sometimes- illicit antics, the Club Kids were the hallmarks of Generation X and would prove to be the last definitive subculture group of the analog world. The ‘90s, whose 30th year anniversary is quickly approaching, has come to be known as the last discernible and cohesive decade, cherished by those who experienced it and romanticized by those who missed it. The first comprehensive visual document of ‘90s nightlife and street culture, New York: Club Kids grants special access to an underground providing exclusive insight into the lifestyle of Foreword by Mark Holgate this celebrated and notorious clique. Featuring rare and never 22.9 x 28 cm | 9 x 11 inches 352 pages, 315 color and 85 b&w, hardbound before seen photographs, along with magazine editorials ISBN 978-88-6208-657-8 and ephemera, the book culls from the personal archives of October 2019 various photographers and artists, some highly celebrated $55 | £40 and many others whose recognition is long overdue.

Walt Cassidy (born 1972) is a multimedia artist and designer based in Brooklyn, New York. Throughout the 1990s, as Waltpaper, he was at the center of the New York City Club Kids movement. In 2014, Walt Cassidy Studio was established as a jewelry brand and has expanded to include interiors-based murals. Cassidy’s explorative and allegorical work incorporates photography, drawing, sculpture, painting and jewelry, and has been exhibited at MASS MOCA, Paul Kasmin Gallery, Deitch Projects, 303 Gallery, Torrance Art Museum, Watermill Center, Miami Basel Art Fair, Leslie- Lohman Museum and Invisible Exports.

New Titles 19 Toiletpaper

Maurizio Cattelan and Pierpaolo Ferrari Toiletpaper 18

Toiletpaper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari and born out of a shared passion for images. The magazine contains no text. Each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. Since the first issue, in June 2010, Toiletpaper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery. The result is a publication that is itself a work of art which, through its accessible form as a widely distributed magazine, challenges the limits of the contemporary art economy.

Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. Cattelan also founded the art

25.5 x 29 cm | 8 ⅞ x 11 ½ inches magazines Permanent Food and Charley. Since retiring from 40 pages, 22 color, softcover art, after the acclaimed 2011 retrospective at the Guggenheim ISBN 978-6208-88-683-7 Museum in New York City, he has committed himself to November 2019 publishing Toiletpaper magazine. In 2018 Cattelan curated the $16 | £10 exhibition The Artist is Present at the Yuz Museum in Shanghai.

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007, he began a collaboration with L’Uomo Vogue which offered him the chance to explore the portrait’s potential and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper.

Collector's edition of 1000 copies with a surprise... ISBN 978-6208-88-684-4 $45 | £35

20 New Titles 21 Toiletpaper

Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari ToiletMartin PaperParr Calendar 2020

ToiletMartin PaperParr Calendar 2020 is the follow-up to the first issue 2019 calendar, an unprecedented success signed by the special crew including Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari. Three artists, 12 months and 13 unique images will ensure fun for every day of 2020!

Martin Parr is one of the best-known documentary photographers of his generation. He published over 100 books and edited another 30. He has curated two photography festivals, Arles in 2004 and Brighton Biennial in 2010. In 2016 Parr curated the Barbican exhibition, Strange and Familiar. He has been a member of the Magnum agency since 1994 and was President from 2013 to 2017. Parr’s work has been collected by many major museums. Parr established the Martin Parr Foundation in 2017.

Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. Cattelan 21 x 28 cm | 8 ¼ x 11 inches also founded the art magazines Permanent Food and 13 pages, 13 color, Wire-o ISBN 978-88-6208-670-7 Charley. Since retiring from art, after the acclaimed 2011 September 2019 retrospective at the Guggenheim Museum in New York $22 | £17.99 City, he has committed himself to publishing Toiletpaper magazine. In 2018 Cattelan curated the exhibition The Artist is Present at the Yuz Museum in Shanghai.

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007, he began a collaboration with L’Uomo Vogue which offered him the chance to explore the portrait’s potential and radically change its codes. In 2009, he teamed with Maurizio Cattelan to create Toiletpaper.

New Titles 23 Fashion & Lifestyle

Brigitte Niedermair Me and Fashion

Me and Fashion is an emotional constellation of fashion photographs made by Brigitte Niedermair over the past twenty years. They show how she continues to query – informed by her parallel creative path as an independent art photographer – and utilize her female vantage point to stretch out the conventional limits and biases of the fashion image system. Niedermair’s photographic collaborators and subjects tend to have trained as dancers and can activate their whole physical form to transform themselves into the material expression of the body as a language, framed by but independent from fashion. Niedermair’s women embody an “attitude of resistance” towards the camera, intentionally at odds with typically compliant fashion archetypes. Me and Fashion is published for Brigitte Niedermair’s exhibition at the Museo di Palazzo Mocenigo during the 2019 Venice Biennale. Working with acclaimed photography curator Charlotte Cotton, Niedermair responds to the atmosphere of each room of the Palazzo Mocenigo, replacing historic paintings with her Edited with text by Charlotte Cotton Text by Gabriella Belli fashion and still-life photographs to both amplify and counter 27 x 33 cm | 10 ⅗ x 13 inches the embedded subtexts of gender and identity that permeate 278 pages, 112 color, clothbound these predominantly 17th-century interiors. ISBN 978-88-6208-679-0 September 2019 $70 | £55 Brigitte Niedermair (Merano, 1971) has made photographs for over twenty years, spanning independent artistic enquiry and fashion image-making. Since the 1990s, her projects have centered on the meaning of identity, the affect of representing the female body, and the agency of viewership. Her work has been shown internationally, with monographic exhibitions including Madame Hirsch, Museion, Bolzano (2009); Horizon, Transition: Giorgio Morandi - are you still there, MAMbo Museo Morandi, Bologna (2015); Eccehomo, Castel Tirolo, (2018). Her fashion images have been featured in international publications including CR Fashion Book by Carine Roitfeld, Wallpaper*, Dior Magazine and Vogue Italia. Her works are included in private collections, museums and public institutions in Italy and abroad. She lives in Merano and works in Paris, Milan, London and New York.

New Titles 25 Photography

Lee Gap-Chul

Lee Gap-Chul creates formidable, intense black & white photographic images that perfectly capture the spirit of Korean culture. Lee’s audacious camera work conveys an oppressed primal impulse and world of shamanism rooted deep in Korea’s collective unconscious. This stems from his characteristic manner of work; approaching subjects intuitively and directly and by depending on contingency, free from aesthetic consideration; and also by preferring rough cropping to a tidy finish or meticulous composition, drawing out chaotic force rather than a harmonious virtual world. This book includes Lee Gap-Chul’s most iconic series of works, Conflict and Reaction (1990-2002) and Energy-Qi (2002-2007), as well as his ongoing projects (2008-present) which represent more than half of the bookend which are previously unpublished. This exhaustive monograph is published to coincide with a major retrospective exhibition at The Museum of Photography in Seoul (MOPS).

Lee Gap-Chul was born in 1959 in Jinju, South Korea. He currently lives and works in Seoul, South Korea and has travelled to various corners of the country and photographed images that portray the joy and sorrow of Text by Sujung Song 25.2 x 27.8 cm | 8 ¼ x 10 inches his ancestors, their cheerful nature and persistent vitality. 176 pages, 90 b&w, clothbound A graduate in Fine Art & Photography from the University ISBN 978-88-6208-686-8 of Shingu, he has participated in many solo and group November 2019 $60 | £45 exhibitions at prestigious venues in Korea such as the Gallery Lux in Seoul, the Kumho Museum of Art, The Museum of Photography, Seoul (2001), the GoEun Museum of Photography (2012) and the National Museum of modern and contemporary Art, Gwacheon (2008). He was invited to participate in international fairs and festivals such as FOTOFEST 2000 in Houston, U.S.A., the Photographie Contemporaine Coréenne in 2002, in Montpellier, France, Paris Photo in 2005, France, the Daegu Photo Biennale (2006, 2014), and Jimei x Arles International Photo Festival 2018 in Xiamen, China.

New Titles 27 Photography

Ben Hassett Color

Printed with ultraviolet ink in a hand-numbered, slipcased edition of 1,000 copies, Color is the first monograph by British photographer Ben Hassett. In keeping with his acute sense of the powerful language of color photography, Hassett invites us into his world of constant photographic experimentation and to experience the possibilities of this chromatic medium. Color draws together Hassett’s iconic fashion and beauty images, studio still-lifes, abstract in-camera works, and landscape photographs to create his unique lexicon of color photography. By putting aside the conventions of chronological and project-by-project sequencing, a dynamic reading that surveys the past ten years of Hassett’s standing as an influential image-maker comes into play. Color brings us into close proximity to the essence of this artist’s creative practices and photographic fascinations. This book is designed by veteran art and creative director Fabien Baron and includes an essay by Text by Charlotte Cotton renowned curator and writer Charlotte Cotton. Edition of 1000 hand-numbered copies 21.6 x 26.7 cm | 8 ½ x 10 ½ inches Photographer Ben Hassett, (born London 1974), who lives 148 pages, 87 color and 9 b&w, softcover with slipcase ISBN 978-88-6208-663-9 and works in New York City, has established a reputation September 2019 as one of the most important photographers working $60 | £45 today. Experimenting with shadow and light — color and form — he follows in the tradition of Irving Penn and Irwin Blumenfeld, as a commercial photographer who also creates Fine Art. His work is held in the collection of the National Portrait gallery in London and he is a regular contributor to Vogue magazines worldwide. Alongside his commercial studio practice, he creates experimental still life and landscape photography.

28 New Titles 29 Photography

Jean Pigozzi The 223 Most Important Men in my Life

Collector and photographer Jean Pigozzi is well known for his eclectic art collection and for his social circle, which includes film icons, directors, authors and artists, rock stars, fashion designers and titans of industry. Following on from his previous bestselling book ME+CO: The Selfies 1972-2016, his latest collection introduces us to the men and mentors who influenced his life. From his father Enrico Pigozzi - who passed away when Jean was just a teenager - to Italian entrepreneur Gianni Agnelli, from rockstar Mick Jagger to architect Ettore Sottsass to name just a few, Pigozzi travelled the world and met many of these men during gallery openings, parties, or dinner conversations. Through The 223 Most Important Men in my Life, we are reminded of the power of single individuals of the 20th and 21st centuries who became true icons in their fields.

Johnny Pigozzi was born in Paris in 1952. He attended Harvard University, where he studied film and photography.

17.3 x 23 cm | 6 ⅘ x 9 inches After graduating, he worked in film and television. He 512 pages, 375 b&w, hardbound began keeping a visual journal of his friends, family, travels, ISBN 978-88-6208-671-4 and surroundings in the 1960s. His first solo exhibition of October 2019 $55 | £44 photography was at Musée d’Art Moderne, Paris, and his photographs have since been exhibited worldwide.

30 New Titles 31 Photography

Edward Keating MAIN STREET. The Lost Dream of Route 66

*Paperback reprint*

The hardback edition of MAIN STREET by Edward Keating sold out immediately, and is now available in paperback. MAIN STREET. The Lost Dream of Route 66 comprises 84 photographs taken by Keating along Route 66 from 2000 to 2011. Also known as the “Mother Road,” Route 66 was the only direct road to California, until the 1950s—when the interstate highway system created a bypass that shut off its lifeblood, forcing thousands of shops and motels into bankruptcy over the next 50 years. Between the twin pressures of harmful trade treaties and lower wages abroad, the national economy had changed as well, and entire industries began to dry up, sending countless jobs to Asia Text by Charlie LeDuff and south of the border. Western-bound job seekers now 31.1 x 24.8 cm | 12 ¼ x 9 ¾ inches 180 pages, 84 b&w, softcover bumped shoulders with Mexican immigrants heading east. ISBN 978-88-6208-688-2 This book is about those who traveled the length of the May 2019 highway and those who settled along the way. $45 | £30 Edward Keating has lived and worked as a photographer in New York City since 1981. After ten years of learning to photograph on the streets he was hired as a Staff Photographer at The New York Times where he covered national and international news and was a regular contributor to the Sunday The New York Times Magazine. He co-founded “Vows,” The New York Times wedding column and shared in a Pulitzer Prize for his photographs of 9/11. He has also been a regular contributor to Time Magazine, Rolling Stone, W Magazine and New York Magazine. Keating’s work is held by the permanent collections of major museums.

32 New Titles 33 Photography

Simon Burstall '93: Punching the Light

The images included in '93: Punching the Light were all shot in Sydney in 1993 when Simon Burstall was just 17 years old. He was very involved with the rave scene and culture at that time and was drawn to capturing the people and style that surrounded that way of life. He also found time to keep a journal and details of his life, his friends and their experiences. Looking back at this material some 25 years later, Burstall has now created a sort of intimate diary and reflection on the rave culture lifestyle in Australia in the early ‘90s. His photos and diary entries reveal the wonderment of youth and adolescence, a feeling that what they were experiencing as a group was life altering, and that this moment in time would shape them all, not just as friends but in their own individual paths.

Simon Burstall was born in Darwin in 1975, and was raised in Sydney, Australia. He started taking his first photographs of his friends while surfing at age 15. He then studied photography in his final years of High school at The Scots 21 x 27.3 cm | 8 ¼ x 10 ¾ inches 116 pages, 12 color and 50 b&w, hardbound College, with his first thesis was on the rave culture in the ISBN 978-88-6208-676-9 early 90s in Australia. This then led to Simon to becoming a September 2019 photo assistant working in many aspects of award winning $50 | £35 advertising photographers throughout Australia. His childhood dream was to be a working photographer in New York City, which he moved to 2000. Simon’s very first years in Manhattan he assisted the likes of David Sims, Steven Klein, to Herb Ritts. Simon has worked for a wide range of magazines such as V magazine and Harper’s and fashion campaigns for Gap, Hugo Boss and Lancôme. Over the past two years he has been shooting film on people and places that he loves, a series titled 645 projects love and life through an 80mm lens. Ranging from summers in Cape Cod to a Bed-Stuy block parties in Brooklyn.

34 New Titles 35 Photography

Nathaniel Goldberg

This is Nathaniel Goldberg first self titled publication, it traces back 25 years of his photographic career condensed in a collection of photos which include fashion, celebrity portraits, beauty, landscapes and a preview of personal projects that he has been working on for several years which examines an Aghori Sadhu in West Bengal and the other explores the friendship of a group of male prostitutes in Bangkok. He navigates between fashion photography and his passion for documentary photography with ease which transpires thru the pages of this book, juxtaposing these different worlds, far apart from each other but when seen together reflect the correlation between fashion and documentary photography. Nathaniel Goldberg’s classic approach to photography expands beyond fashion where the lines are blurred between the subjects that he feels passionate about.

Nathaniel Goldberg grew up in France from a French father and an American mother. From the early age of 15 Text by JérÔme Neutres years old, his passion for photography is revealed and he 27.5 x 37.6 cm | 10 ⅘ x 14 ⅘ inches decides at the age of 17 years old to move to NY to start his 224 pages, 39 color and 68 b&w, hardbound ISBN 978-88-6208-649-3 career as a photographers assistant. It’s in the middle of the October 2019 90s that his talent for fashion photography is noticed by $80 | £59 magazines such as Harper’s Bazaar, W, GQ, Vogue as well as advertising clients like Hermès, DKNY, Paco Rabanne, Armani. In addition to his Fashion work, Nathaniel is currently based in Paris and working on personal projects which take him to Bangkok, India and Barcelona.

36 New Titles 37 Photography

Joan Myers Where the Buffalo Roamed Images of the New West

In this latest collection of photographs, taken over the last forty-five years, Joan Myers turns her lens to the contemporary American West. In so doing, she turns our conception of western landscapes and the life contained within them upside down, revealing the changes the region has undergone over the last half-century. Her perspective is at once elegiac and ironic, capturing the myth and reality of the West, its shaping and appropriation by Hollywood, popular culture, and the ever-present, but fracturing American dream. In one image, a larger-than-life statue of a cowboy stands on the same lot with a 1960s Cadillac Coupe de Ville. In another, a cardboard John Wayne-lookalike Essay by Lucy R. Lippard cowboy poses by a fence topped by saddles and a sign that 30.5 x 24 cm | 12 x 9 ¾inches 148 pages, 102 color and b&w, hardbound says, “We accept all credit cards.” In deconstructing the ISBN 978-88-6208-656-1 pictures, cultural critic Lucy Lippard notes that they “seem September 2019 to emerge from cracks in American culture. They show us $50 | £40 a past that still affects, and reflects, our present, revealing unexpected insights into how the myths of the West were formed and how they relate to reality.”

Joan Myers was born in Des Moines, Iowa, in 1944. Her photographs have appeared in more than fifty solo and eighty group exhibitions throughout the United States, and they are included in the permanent collections of the Amon Carter Museum, Bibliothèque Nationale de France, Center for Creative Photography, Denver Art Museum, George Eastman House International Museum of Photography, High Museum of Art, Minneapolis Museum of Art, Museum of Fine Arts, Houston, Museum of Modern Art, Nevada Museum of Art, and San Francisco Museum of Modern Art, among others.

38 New Titles 39 Photography

Jason Hetherington and Mel Arter Elements

Contemporary ideals about what constitutes beauty have gradually become more homogenized due to the widespread popularity of shared digital experiences. Before the emergence of the internet, application of makeup for the majority of non-celebrity civilians was a process of untutored, organic self-experimentation. Photographer Jason Hetherington and make-up artist Mel Arter debunk the modern-day fashion industry bias towards airbrushed perfection with their collaborative insight entitled, Elements. The book presents an exhilarating, uninhibited study of cosmetics, landscape and light – taking a hedonistic trip to a bygone era of analogue film photography and bold, spontaneous artistry inspired by natural, environmental forms. Celebrating the powerful relationship between human and earth, Elements is an iconic ode to a time when makeup represented freedom, ritual and instinctive creativity.

21 x 29.7 cm | 8 ¼ x 11 ¾ inches Jason Hetherington (born in London 1972) to Irish parents 80 pages, 41 color and 37 b&w, hardbound ISBN 978-88-6208-682-0 raised in both Ireland and England received his first camera October 2019 aged 12. He spent six years assisting some of fashions $45 | £34 top photographers such as Simon Emmett, Mark Alesky, Norbert Schoerner, Neil Kirk, Kelly Klein. He is regular contributor to Vogue, Elle, Marie Clarie, Grazia, Flaunt, Sunday Times, Observer. Currently living and working in London spending a lot of time in rural Ireland.

Born and raised in London, Mel’s love for fashion and culture inspired her to become a makeup artist. Mel attributes her style and inspiration to the strong subcultures that she grew up around and these are often reflected in her work. Her strong aesthetic combined with deft skills and her passionate belief mean that she makes the most complex looks effortlessly achievable. Her pragmatic approach and creativity have made Mel a popular collaborator in the industry. Her work has appeared in i-D, British, Italian and Japanese Vogue, Double and Love. Additionally in 2012 she was made UK ambassador for Max Factor.

40 New Titles 41 Photography

Luca Missoni Moon Atlas

Luca Missoni is an Italian photographer passionate of astronomy. The Moon has always been at the center of his artistic research. For more than twenty years he has been realizing a photographic project which explores the Moon focusing on the tension between reality and imagination. In his childhood he started to observe the Moon with a telescope, collecting maps and books. With the myth of the Moon increasing its charm since the Sixties, with its explorations, Missoni has been more and more involved up to pursue a project for a personal Atlas of the heavenly body. The book is structured in two main sections: a first part with an obsessive and rigorous representation of the Moon in all its phases; a second part with its interpretation in a continuous testing of colors and composition of different phases. The result is a personal trip around the Moon with a representation of the visible side of our satellite, in a continuous tension towards the shadowed and hidden part. Preface by Maurizio Bortolotti 26.5 x 33 cm | 10 ⅖ x 13 inches 156 pages, 120 color and b&w, hardbound For the family business he has directed Knitwear Research ISBN 978-88-6208-685-1 and Product Development and for more than twenty years October 2019 has designed Men and Sport collections. Today he is the $50 | £40 Artistic Director of the Missoni Archive which he developed as a research tool and a communication project enhancing the historical and artistic heritage of the brand while curating museum exhibitions and visual and performing arts projects. Photography has always been an integral part of his visual research. Passionate about astronomy, since childhood he has been fascinated by the telescope observation of the Moon. His photographic works have been presented in 2001 with the Photology Gallery in Milan. He had his first solo show in 2002 at the Arthur Roger Gallery in New Orleans and since 2008 is represented by the Michael Hoppen Gallery in London. He has a great passion for flying and airplanes. With his wife Judith and their family they live between Varese (Italy) and New York.

42 New Titles 43 Photography

Horacio Salinas Photographs 19”x 15”

Photographs 19”x 15” is an artist’s book by the conceptual still life photographer Horacio Salinas that features his enigmatic collages and assemblages. Using every day detritus such as tear sheets from old magazines, used coffee filters, feathers and umbrella parts, Salinas’s creations when captured by his lens become expressive and sculptural character studies full of wit and pathos. These images reveal the power of photography to transform ephemeral moments into something sculptural and even heroic. The book contains an essay by Elisabeth Biondi, a photography curator and writer, and former Visuals Editor for The New Yorker.

New York based photographer Horacio Salinas has done commissioned work for numerous publications including Vogue, The New York Times, and The New Yorker.

Text by Elisabeth Biondi 23.8 x 31.5 cm | 9 ⅓ x 12 ⅖ inches 48 pages, 30 color, hardbound ISBN 978-88-6208-680-6 October 2019 $50 | £40

44 New Titles 45 Photography

Max Hirshfeld Sweet Noise: Love in Wartime

Sweet Noise: Love in Wartime is a book of photographs and words about the Holocaust, a subject difficult to grasp and almost impossible to document. It is also a story of love in a time of war, told in a clear voice using compelling black-and-white photographs and simple, evocative language to build a framework around this pivotal moment in history. Hirshfeld’s parents, Polish Jews who survived Auschwitz, raised him in a small city in Alabama, where life in the South of the 1950s and ‘60s was quiet and, on the surface, mostly idyllic. But lurking under the surface was a remarkable yet tension-filled history that fully revealed itself only after he matured and had a family of his own. He knew the outer perimeters of his parents’ story: the challenges of being Jewish in a place that increasingly alienated them, their individual trajectories as they moved through adulthood, and their chance meeting in a Nazi- created ghetto where they fell in love. But it took a trip to Poland with his mother in 1993 to more fully acquaint him with the depths of their tragedies and the exceptional love Essays by Michael Berenbaum, Stuart Eizenstat 18.5 x 24.1 cm | 7 ¼ x 9 ½ inches story that began in 1943, sustaining them through the war. 192 pages, 1 color and 40 b&w, hardbound Though Sweet Noise features events that began seventy-five ISBN 978-88-6208-660-8 years ago, the material is eerily timely. October 2019 $50 | £40 Max Hirshfeld was born in North Carolina in 1951. His work has been shown at the Corcoran Gallery of Art, the Kreeger Museum and is represented by leading galleries in Washington, DC and Boston. He has won silver and bronze awards from the Prix de la Photographie Paris and has been featured in both Communication Arts and American Photography. Hirshfeld’s editorial work has been published in The New York Times Magazine, Time, Vanity Fair, and other national publications, and his advertising work has been showcased in campaigns for American Airlines, Amtrak, Canon and IBM, among others. Sweet Noise: Love in Wartime is his first book.

46 New Titles 47 Photography

Fran Bull Choose your own title

In a joyful collaboration, poet/visual artist Fran Bull and award winning designer Yolanda Cuomo create and exuberant, visually stunning book of poetry and art. This is a volume in which the outrageous, tender, humorous, often heartbreaking spectacle of human life on planet earth is invoked in a dynamic juxtaposition of word and image. On each page, the artist’s drawings and paintings interact explosively or gently with the written word. Moreover, the reader is brazenly invited to choose his or her own title for the book from among seventeen suggestions, a gesture design to inspire discernment and creativity in a spirit of play.

Fran Bull is an American artist and poet who makes her art in Vermont and Barcelona. Her work has been exhibited in the United States and abroad, most recently and the 2017 Venice Biennale and a current solo exhibition of etching in Capellades, Spain. Her work is represented in numerous museums, private and corporate collections, including the Museum of Modern Art, New York; the Brooklyn Museum and The Museum of Women in the Arts, Washington, D.C.

19.5 x 27.9 cm | 7 ⅔ x 11 inches 122 pages, 54 color and b&w, hardbound ISBN 978-88-6208-651-6 September 2019 $50 | £37

48 New Titles 49 Photography

Caleb Cain Marcus Iterations

In 2018 Caleb Cain Marcus completed twenty-five large- scale, unique photographs, all depict a shifting beam of light. Each print, a red monochrome, mixes two color spaces, digital and analogue to the exquisitely printed book, Iterations, traces Caleb’s exploration of color, shape and spatiality.

Caleb Cain Marcus’ photographs have been collected by The Metropolitan Museum of Art, New York; The Getty Museum, Los Angeles; and others. Born in the Rocky Mountains, he now lives in Brooklyn.

Text by Richard Nonas 24.2 x 31.7 cm | 9 ½ x 12 ½ inches 56 pages, 25 color, hardbound ISBN 978-88-6208-659-2 September 2019 $40 | £30

50 New Titles 51 Collector’s Editions Hiroshi Sugimoto Michael Stipe with Douglas Coupland Snow White Our Interference Times: a visual record

Snow White is a unique collector’s edition book containing 76 This limited edition to 20 copies includes the book Our artworks by Hiroshi Sugimoto. All of the photographs in Snow Interference Times: a visual record and a numbered and signed White are from his Theaters series and include many of his well print by Michael Stipe. known photographs of classic movie palaces and drive-ins, along with new photographs of Italian opera houses and abandoned Edition of 400 signed and numbered books theaters. Sugimoto began the Theaters series four decades ago. To Text by Hiroshi Sugimoto make these images, he exposes the film inside the dark theater (or 34 x 27.1 cm | 13 ½ x 10 ¾ inches in the case of the drive-ins, outside at night) for the duration of the 160 pages, 76 b&w, silkbound with aluminum slipcase New for fall 2019 ISBN 978-88-6208-520-5 movie. The running movie is the only source of light bringing out Edition of 20 signed and numbered prints $750 | £580 the architectural details of these spaces.The Disney movie Snow White was running when Sugimoto photographed Palace Theater, Text by Douglas Coupland 24.5 x 33 cm | 9 ¾ x 13 inches Gary, 2013, one of the abandoned theaters that is reproduced 200 pages, 150 color and b&w, hardbound here. In this book, Sugimoto reveals for the first time the movies ISBN 978-88-6208-681-3 that were screened when he took these photographs and the $600 | £400 exposure time of each photograph. Each artwork in Snow White is accompanied by the name of the movie, its running time, and a short text about each written by Sugimoto. The black-and-white photographs are hand-tipped onto the pages.

Martin Parr Peter Berlin Beach Therapy Icon, Artist, Photosexual

This special edition limited to 90 copies includes the book This limited edition to 50 copies includes the book Icon, clothbound and one print signed and numbered by Martin Artist, Photosexual and an unpublished collage by Peter Berlin Parr. The picture is entitled St Ives, Cornwall, England, 2017. featuring a photographic cut out placed on a painted blue “I love to try different approaches to photography and lunar like landscape. in recent years I have started to explore what is possible with a telephoto lens. As the beach has always been an experimental place to explore new ideas, I called the new New for fall 2019 Edition of 90 signed and numbered prints work that emerged, Beach Therapy.” Edition of 50 signed and numbered prints St Ives, 2017 Pigment print Edited by Michael Bullock Image size: 22.9 x 15.3 cm | 9 x 6 inches Text by Carl Swanson, Jonathan David Katz, Evan Moffitt Sheet size: 25.4 x 20.2 cm | 10 x 8 inches 22.9 x 30.5 cm | 9 x 12 inches 176 pages, 200 color and b&w, hardbound 30 x 22 cm | 11 ⅘ x 8 ⅔ inches ISBN 978-88-6208-675-2 120 pages, 75 color, hardbound $700 | £500 ISBN 978-88-6208-626-4 $480 | £400

54 Collector’s Editions 55 56 $850 |£600 ISBN 978-88-6208-619-6 160 pages,100color and b&w, hardbound 17.8 x22.9cm|79 inches Hank O’Neal.Editedby MarianneHoutenbos Foreword by Wynton Marsalis.Introductionby Sheet size35.6x27.7cm |14x11inches Image size32.3x21.5cm|12¾8½inches Gelatin silver print Wynton Marsalis, NewYork City, 1992 Edition of30signedandnumberedprints $850 |£600 ISBN 978-88-6208-674-5 208 pages,colorandb&w, flexibound 16.5 x21cm|6½8¼inches Sheet size:27.7 x35.6cm|1114inches Image size:21.9x32.7 cm|8⅝x12⅞inches Gelatin silver print Gia Carangi, FireIsland,1980 Edition of30signedandnumberedprints New forfall2019 american topmodelsinthefashion'shistory. beautiful GiaCarangi,consideredoneofthemostfamous by Elgort.Thedelicateandintimatephotographfeaturesa copies andcontainsagelatinsilver printsignedandnumbered This collector’s editionofArthurElgortILove...islimitedto30 I Love... Arthur Elgort Jazz Arthur Elgort Marsalis playing histrumpet. internationally acclaimedmusicianandcomposerWynton by Elgort.Thesuperbblackandwhiteprintfeaturesthe copies andcontainsagelatinsilver printsignedandnumbered This collector’s editionofArthurElgortJazzislimitedto30 $500 |£390 ISBN 978-88-6208-666-0 (Amarillo) ISBN 978-88-6208-665-3 (Lebanon) ISBN 978-88-6208-653-0 (LosAngeles) ISBN 978-88-6208-664-6 (Tulsa) 180 pages,84b&w, softcover 31 x24.7 cm|12¼x9¾inches Text by CharlieLeDuff Image size:18.6x28cm Inkjet print Amarillo, Texas, 2000 Lebanon, Missouri,2007 Los Angeles,California,2000 Tulsa, Oklahoma,2000 the foursignedandnumberedprints Each editionlimitedto20copiescomeswithoneof New forfall2019 (Lebanon) (Tulsa) MAIN STREET. TheLostDreamofRoute 66 Edward Keating stuck andnever madeitacross. and tar. Thesephotographsarededicatedtoallthosewhogot dreams; it’s formerexcitement andadventure, itsconcrete a countryindeclineandrequiemtothislosthighway of byways, thedown-and-outs, theroadsides,istestimonyto copies. Thesefourphotographs,emblematicofhotels,the All fourphotographsareavailable asalimitededitionof20 following photographs:Tulsa, LosAngelesLebanonAmarillo. numbered print.Itispossibletochooseoneofthefour This limitededitionofEdward Keating’s photobook STREET . TheLostDream ofRoute 66comeswithasigned, (Los Angeles) (Amarillo) Collector’s Editions 57 MAIN

(Amarillo) (Lebanon) (Los Angeles) (Tulsa) Tom Bianchi Jack Pierson 63 E 9th Street The Hungry Years NYC Polaroids 1975 – 1983

This collector’s edition of Tom Bianchi’s 63 E 9th Street. For this collector’s edition of The Hungry Years, Jack Pierson NYC Polaroids 1975 – 1983 is limited to 50 numbered copies, has printed an edition of 30 of the photographs Pink Road and comes in a special cloth slipcase with a tipped-in cover and 25 of Yellow Road. Each photograph is numbered and image. It also contains a fine art print signed and numbered signed by the author. by Tom Bianchi. The Hungry Years collects Jack Pierson’s 1980s’ photographs, which have increasingly captured the attention of the art world since they were first published as a collection in 1990. Informed in part by his artistic emergence in the era of AIDS, Edition of 25 signed and numbered prints Yellow Road, 2018 Pierson’s work is moored by melancholy and introspection, Edition of 25 signed and numbered prints Pigment print Pigment print yet his images are often buoyed by a celebratory aura of Image size (full bleed): Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches seduction and glamour. Sometimes infused with a sly sense 35.5 x 23.8 cm | 14 x 9 ⅜ inches Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches of humor, Pierson’s work is inherently autobiographical; 20.3 x 24.1 cm | 8 x 9 ½ inches often using his friends as models and referencing traditional Edited by Ben Smales 104 pages, 70 color, hardbound 21.5 x 25.5 cm | 8 ½ x 10 inches Americana motifs, his bright yet distanced imagery reveals ISBN 978-88-6208-629-5 186 pages, 150 color, hardcover with jacket and slipcase $800 | £590 the undercurrents of the uncanny in the quotidian. Fueled by ISBN 978-88-6208-647-9 the poignancy of emotional experience and by the sensations $750 | £540 of memory, obsession, and absence, Pierson’s subject is ultimately, as he states, “hope.”

Tom Bianchi Fire Island Pines: Polaroids 1975–1983

Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one, he found a photograph of bodybuilder Glenn Bishop on Fire Island. Years later, Bianchi began traveling to New York and was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented

Edition of 67 signed and numbered prints his friends’ lives in the Pines, amassing an image archive Untitled, 250, 1978 of people, parties, and private moments. These photos, Edition of 30 signed and numbered prints Giclée print accompanied by Bianchi’s moving memoir of the era, record Pink Road, 2017 Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches Pigment print Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches the birth and development of a new culture. Soaked in sun, sex, camaraderie, and reverie, Fire Island Pines conjures a Image size (full bleed): 35.5 x 23.8 cm | 14 x 9 ⅜ inches Edited by Ben Smales. Text by Edmund White, Tom Bianchi magical bygone era. This collector’s edition of 67 numbered 21.5 x 25.5 cm | 8 ½ x 10 inches copies comes in an orange cloth slipcase with a tipped-in 20.3 x 24.1 cm | 8 x 9 ½ inches 212 pages, 350 color, hardcover with jacket and slipcase 104 pages, 70 color, hardbound ISBN 978-88-6208-314-0 cover image and contains a signed and numbered giclée print. ISBN 978-88-6208-576-2 $750 | £500 $600 | £490

58 Collector’s Editions 59 Kenro Izu Joel Meyerowitz Seduction Cézanne's Objects

This limited edition to 15 copies comes with a sunning print For this collector’s edition of Cézanne's Objects, Joel signed and numbered by Kenro Izu. Kenro Izu considers his Meyerowitz has printed an edition of 25 each of the two own photography, especially still life that he composes in the photographs with the same title Pitcher. Each photograph is studio, as a sort of conversation with himself. The print of this numbered and signed by the author. limited edition features a mask facing to a pear. He sees the mask, any mask, as a magic tool that transforms the person Some years ago, while working on a book commission about who wears it and brings him to another dimension. It may Provence, Joel Meyerowitz visited Cézanne’s studio in Aix-en- Edition of 15 signed and numbered prints even be a parallel world to the world where we live. At the Provence. While there, he experienced a flash of understanding Seduction #1045, 2016 time of taking this photograph, he was questioning himself about Cézanne’s art. Cézanne had painted the studio walls Pigment print about what is that the being behind the mask is seeing through a dark grey, mixing the color himself. Consequently, every Image size: 22.9 x 29.2 cm | 9 x 11 ½ inches Edition of 25 signed and numbered prints Sheet size: 25.5 x 33 cm | 10 x 13 inches the black holes for the eyes. It actually may not even be a pear. Pitcher, 2011 object in the studio seemed to be absorbed into the grey of Archival digital print the background. There were no telltale reflections around the 24 x 30 cm | 9 ½ x 11 ⅘ Image size: 22.8 x 28 cm | 9 x 11 inches edges of the objects, so there was nothing that could separate 160 pages, 100 color and b&w, hardbound Sheet size: 25.4 x 30.5 cm | 10 x 12 inches ISBN 978-88-6208-628-8 them from the background itself. Meyerowitz suddenly saw $600 | £430 Text by Joel Meyerowitz, Maggie Barrett how Cézanne, making his small, patch-like brush marks, 25.4 x 32 cm | 10 x 12 ⅝ inches moved from the object to the background, and back again 116 pages, 65 color, clothbound ISBN 978-88-6208-633-2 to the objects, without the illusion of perspective. After all, $1,000 | £750 Cézanne was the original voice of “flatness.” Meyerowitz decided to take each of the objects in Cézanne’s studio and view them against the grey wall (managing to obtain Joel Meyerowitz permission from the Director of the Atelier—no-one had Morandi’s Objects touched these objects in ages). His impulse was to place each one in the exact same spot on his marble-topped table and simply make a “dumb” record of it. He then decided to arrange them in rows, almost as if they were back on his shelf above the table, and made a grid of five rows with five objects on For this collector’s edition of Morandi’s Objects, Joel Meyerowitz each row, with Cézanne’s hat as the centerpiece. has printed an edition of 25 of the photograph White Bottles.

In the spring of 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter sat for 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied, and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he photographed Morandi’s objects: vases, shells, pigment-filled Edition of 25 signed and numbered prints Edition of 25 signed and numbered prints White Bottles, 2015 bottles, silk flowers, tins, cans, funnels, watering cans. In the Pitcher, 2011 Archival digital print photographs, each object sits on Morandi’s table, which still Archival digital print Image size: 20.3 x 25.4 cm | 8 x 10 inches bears the marks the painter drew to set the positions of his Image size: 22.8 x 28 cm | 9 x 11 inches Sheet size: 25.4 x 30.5 cm | 10 x 12 inches Sheet size: 25.4 x 30.5 cm | 10 x 12 inches subjects. In the background is the same paper that Morandi left Text by Joel Meyerowitz, Maggie Barrett on the wall, now brittle and yellow with age. Text by Joel Meyerowitz, Maggie Barrett 25.4 x 32 cm | 10 x 12 5/8 inches 25.4 x 32 cm | 10 x 12 ⅝ inches 116 pages, 65 color, clothbound 116 pages, 65 color, clothbound ISBN 978-88-6208-473-4 ISBN 978-88-6208-571-7 $1,000 | £750 $1,000 | £750

60 Collector’s Editions 61 Bill Owens Tria Giovan Altamont 1969 The Cuba Archive. Photographs 1990-1996

This limited edition to 25 copies of Altamont 1969 comes with For this collector’s edition of The Cuba Archive, Tria Giovan a signed and numbered print. Bill Owens's iconic, The Naked has printed an edition of 15 each of the photographs Malecon- Guy image captures a breath-taking moment of the concert Gibara and Beauty Salon in Vedado-Havana. Each photograph is considered to be the end of the ‘60s. signed and numbered by the author.

Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island Edition of 15 signed and numbered prints Beauty Salon in Vedado-Havana, Cuba, 1993 numerous times, and making more than 25,000 images. Archival pigment print Immersing herself in Cuba’s history, literature, and politics, Image size: 33.5 x 22.9 cm | 13 ⅕ x 9 inches she photographed interiors of homes and businesses, city Sheet size: 35.6 x 24.7 cm | 14 x 9 ¾ inches streets, rural landscapes, signs and billboards, and, most of all, Edition of 25 signed and numbered prints the people, creating a compelling body of work that captures The Naked Guy, 1969 29.3 x 21 cm | 11 ½ x 8 ¼ inches Piezography 168 pages, 125 color, hardbound the subtleties and layered complexities of day-to-day Cuba Sheet size: 33 x 24.1 cm | 13 x 9 ½ inches ISBN 978-88-6208-630-1 born from complete engagement and informed perspective. $500 | £390 Cuba: The Elusive Island, published by Harry N. Abrams in Edited by Claudia Zanfi Text by Sasha Frere-Jones, Bill Owens, Claudia Zanfi 1996—a collector’s item—first brought together 100 of these 24.5 x 28 cm | 9 ½ x 11 ⅘ images, along with a selection of writings by some of Cuba’s 96 pages, 59 color and b&w, hardbound most important writers. Twenty years later, Giovan re-edited ISBN 978-88-6208-635-6 $550 | £400 the images, while working to preserve the original 6 x 9 color negatives. Through this intensive re-examination, a new, more complex view of the historical significance of this work has emerged. Images previously disregarded or missed now stand out as a record of elements that no longer exist, and of a Cuba Catherine Wagner poised on the brink of change. The selected images featured Place, History, and the Archive in The Cuba Archive, many of which have never previously been shown, reveal Cuba at a pivotal point in its fascinating history, and bear witness to an inimitable, resilient, and complex country and people.

Columbus, Penelope, Delilah was made while Wagner was commissioned to develop a new body of work for the re- opening of the DeYoung Museum in 2005. Wagner—working from the cold storage collection of the Fine Arts Museums of San Francisco—created installations of sculptures, forming new tableaus specifically to be photographed. Re- Edition of 10 signed and numbered prints Columbus, Penelope, Delilah, 2005 contextualizing the sculptures within their crating systems Archival pigment print serves as yet another system to reframe histories as they have Edition of 15 signed and numbered prints Malecon-Gibara, Cuba 1993 Image size: 35.6 x 28 cm | 14 x 11 inches been previously told. Columbus, Penelope, Delilah unveils new Sheet size: 36.8 x 29.2 cm | 14 ½ x 11 ½ inches Archival inkjet print narratives forming hybrid histories allowing the viewer fictive Image size: 33.5 x 22.9 cm | 13 ⅕ x 9 inches 30 x 24.5 cm | 11 ⅘ x 9 ⅗ inches possibilities for interpretation. A limited edition of 10 prints Sheet size: 35.6 x 24.7 cm | 14 x 9 ¾ inches 336 pages, 250 color and b&w, hardbound will accompany a special collector’s edition set of Place, History, ISBN 978-88-6208-599-1 29.3 x 21 cm | 11 ½ x 8 ¼ inches $800 | £580 and the Archive. A signed archival pigment print of Columbus 168 pages, 125 color, hardbound Penelope Delilah (2005) from the series Re-classifying History ISBN 978-88-6208-577-9 $500 | £390 will come with the book housed in a special edition slipcase.

62 Collector’s Editions 63 Frédéric Lagrange Carrie Mae Weems Mongolia Kitchen Table Series

Mongolia is a project which Frédéric Lagrange began in 2001 Kitchen Table Series is the first publication dedicated solely to and has spanned over sixteen years, during which he took this early and important body of work by the American artist thirteen trips in all four seasons, covering vastly different Carrie Mae Weems. The 20 photographs and 14 text panels regions of the country. This book is his visual portrait of that make up Kitchen Table Series tell a story of one woman’s Mongolia and her people captured in detail in a genuine, life, as conducted in the intimate setting of her kitchen. The human form through a compilation of landscapes and kitchen, one of the primary spaces of domesticity and the portraits. This superb limited edition of 30 copies, housed traditional domain of women, frames her story, revealing to in a clothbound slipcase, includes the trade publication Edition of 25 signed and numbered prints us her relationships—with lovers, children, friends—and Untitled (Man Reading Newspaper), 1990/1999 Edition of 30 signed and numbered prints with a special red cover, plus a print edition of Lagrange Gelatin silver print her own sense of self, in her varying projections of strength, Two men in ice, 2006 signed and numbered. The image is titled Two men in ice Image size: 25.2 x 25.2 cm (9 ⅞ x 9 ⅞ inches) vulnerability, aloofness, tenderness, and solitude. Weems Inkjet on archival Illford paper Sheet size: 27.7 x 35.5 cm | 11 x 14 inches Image size: 27.9 x 37.6 cm | 11 x 14 ⅘ inches and features two men standing on the frozen lake Khövsgöl herself is the protagonist of the series, though the woman she Nuur in Northern Mongolia. depicts is an archetype. Kitchen Table Series seeks to reposition Text by Sarah Lewis and Adrienne Edwards 34.21 x 41.91 cm | 13 ⅖ x 16 ½ inches and reimagine the possibility of women and the possibility 240 pages, 150 color, clothound 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches ISBN 978-88-6208-611-0 86 pages, 34 b&w, hardbound with jacket of people of color, and has to do with, in the artist’s words, $680 | £500 ISBN 978-88-6208-471-0 “unrequited love.” The collector’s edition of Kitchen Table $3,000 | £2,200 Series includes a signed and numbered silver gelatin print of Untitled (Man Reading Newspaper), 1990/1999.

Antoine Le Grand Jamel Shabazz Portraits Sights in the City New York Street Photographs

Portraits is the first monograph on the work of Antoine During the summer of 1980, under the direction of his father, Le Grand and spans the 20-year career of this acclaimed a photographer, Jamel Shabazz armed himself with a Canon celebrity photographer. Taken from the pages of leading AE1 SLR camera and passionately photographed the urban fashion and lifestyle magazines such as Vogue, W, GQ, landscape that he called home. New York City—the city that and Vanity Fair, Le Grand’s images provide an astonishing never sleeps—was the ideal epicenter to photograph because of its 24-hour subway system and the many businesses that Edition of 15 signed and numbered prints collection of portraits of the actors, musicians, and Iggy Pop, 2002 personalities who enliven our culture. Through his irony, are open late into the night. New York’s energy inspired him Edition of 25 signed and numbered prints Archival inkjet print to use the streets as a canvas for the majority of his work for witty storytelling, and concise visual aesthetic, Le Grand Street Photographers of Times Square, 1982 Image size: 28 x 28 cm | 11 x 11 inches Archival inkjet print over 35 years. This limited edition of Sights in the City: New Sheet size: 38 x 38 cm | 15 x 15 inches has created indelible imagery of celebrities such as Iggy Image size: 25.4 x 20.3 cm | 10 x 8 inches Pop, Gilbert and George, Harrison Ford, Al Pacino, Tim York Street Photographs includes a signed and numbered print Sheet size: 35.6 x 25.4 cm | 14 x 10 inches of Street Photographers of Times Square. Introduction by Jean-Paul Goude Burton, Woody Allen, and Jean Nouvel. The book includes 27.5 x 27.5 cm | 11 x 11 inches 30.5 x 24.1 cm | 12 x 9 ½ inches 316 pages, 280 color and b&w, hardbound more than 250 portraits and an introduction by the French 160 pages, 100 color and b&w, hardbound ISBN 978-88-6208-509-0 visionary Jean-Paul Goude. This collector's edition of 15 ISBN 978-88-6208-527-4 $500 | £380 copies includes a signed and numbered print. $950 | £750

64 Collector’s Editions 65 Peter Schlesinger David Leventi A Photographic Memory 1968–1989 Opera

The photographs of artist Peter Schlesinger are a visual diary Photographing the interiors of some of the most storied and of an extraordinary life that has intersected with some of the illustrious opera houses around the world, David Leventi brightest names in the worlds of art, fashion, and society. has constructed an arresting, visually rich survey of grand Schlesinger’s remarkable journey began in 1966 when, as architecture. Opera brings together in one publication images an 18-year-old student at UCLA, he met the artist David from more than 40 opera houses, spanning four continents Hockney. The couple moved to London, where Schlesinger and 400 years of history, and includes a foreword by Plácido met and photographed luminaries including Cecil Beaton, Domingo. Taken over an eight-year period and shot on a large format camera, the images demonstrate Leventi’s meticulous Edition of 30 signed and numbered prints Paloma Picasso, and Manolo Blahnik. This monograph The Deck at La Piscine Deligny, 1975 approach to his subject, revealing these temples of music in all presents the full range of Schlesinger’s photographic work. Edition of 15 signed and numbered prints C-print Palais Garnier, 2009 their wealth of architectural detail and design. The collector’s Image size: 30. 5 x 22.8 cm | 12 x 9 inches The collector's edition includes a signed and numbered color C-print edition of Opera includes a color print of Palais Garnier, 2009. Sheet size: 35.5 x 28 cm | 14 x 11 inches print of The Deck at La Piscine Deligny, 1975. Image size: 35.6 x 28.2 cm | 14 x 11 inches Sheet size: 38.1 x 30.5 cm | 15 x 12 inches Text by Peter Schlesinger, Hilton Als 24.8 x 28.6 | 9 ¾ x 11 ¼ inches Text by Plácido Domingo, Marvin Heiferman, 176 pages, 150 color, hardbound Thomas Mellins ISBN 978-88-6208-459-8 33.8 x 28 cm | 13 ¼ x 11 inches $500 | £300 120 pages, 40 color, clothbound with jacket ISBN 978-88-6208-440-6 $700 | £490

Dennis Hopper Matthew Brookes Colors. The Polaroids Les Danseurs

In 1987, Dennis Hopper began to use a Polaroid camera Matthew Brookes’s style of photography leans toward the to document gang graffiti. Hopper transformed the natural, raw emotion of his subjects. In his first book, Brookes instantaneous, disposable nature of Polaroid film into has turned his lens on the professional male ballet dancers of pictures as deliberate and final as images achieved by an Paris. For a year in the life of these dancers, he took them out artist painting on canvas. This limited edition of Colors. The of their regular environment of rehearsals and performances Polaroids includes a numbered print of Untitled (Diamonds), and photographed them in a raw space, where they were 1987, which has been certified authentic by Hopper Art allowed to explore the physicality of dance in its essential Trust. form. Brookes’s stunning series of portraits depicts the pure physicality of the male dancer. This collector’s edition includes Edition of 25 numbered prints Untitled (Diamonds), 1987 Edition of 25 signed and numbered prints a signed and numbered black-and-white print of Feet I, 2014. Giclée print Feet I, 2014 Image size: 19.1 x 19.3 cm | 7 ½ x 7 ⅝ inches C-print Sheet size: 21.5 x 25.5 cm | 8 ½ x 10 inches Image size: 20. 5 x 26.5 cm | 8 ⅛ x 10 ⅜ inches Sheet size: 21.6 x 28 cm | 8 ½ x 11 inches Text by Aaron Rose 23.5 x 20.3 cm | 9 ¼ x 8 inches Text by Marie-Agnès Gillot 132 pages 120 color, clothbound 21.5 x 28.7 cm | 8 ½ x 11 ¼ inches ISBN 978-88-6208-488-8 68 pages, 40 b&w, hardbound with slipcase $500 | £350 ISBN 978-88-6208-467-3 $450 | £290

66 Collector’s Editions 67 Derek Ridgers Julian Wasser 78–87 London Youth The Way We Were: The Photography of Julian Wasser

Taken in the streets, clubs, basements, and bars of London This long-overdue monograph presents an astonishing between 1978 and 1987, this book brings together an panorama of a bygone Los Angeles from photographer Julian incredible series of images from the British photographer Wasser. The Way We Were is replete with iconic images such Derek Ridgers. Since first picking up a camera in 1971, Ridgers as a 1968 shot of Joan Didion leaning against a Corvette has felt compelled to record the characters that make up Stingray in Hollywood. But photographs of Jack Nicholson the social scenes around him. These photographs bridge the and Angelica Huston at Nicholson’s Mulholland Drive extremities of youth culture in the U.K., from punk through Edition of 50 signed and numbered prints home, or the Fonda family lined up on the family sofa, paint the birth of acid house, and document the changing faces Marcel Duchamp and Eve Babitz, 1963 a picture of a very private Hollywood of the 1960s and '70s, Edition of 15 signed and numbered prints Gelatin silver print Tuinol Barry, Kings Road, 1983 of fashion, music, and culture through individuals and when privacy was possible and celebrity culture had not yet Image size: 30.7 x 20.5 cm | 12 x 8 inches C-print influential social scenes in a time of DIY attitudes. This Sheet size: 32 x 24.7 cm | 12 ⅝ x 9 ¾ inches completely consumed the country. This collector’s edition Image size: 28.5 x 36 cm | 11 ¼ x 14 ¼ inches collector’s edition includes the numbered and signed print includes a numbered and signed photograph and is issued Sheet size: 36.6 x 44.3 cm | 14 ⅜ x 17 ½ inches Tuinol Barry, Kings Road. Edited by Brad Elterman in a cloth slipcase. Wasser’s famous print captures Marcel 24.1 x 31.7 cm | 9 ½ x 12 ½ inches Text by John Maybury 144 pages, 150 b&w, hardbound with slipcase Duchamp playing chess with a naked Eve Babitz at his 21.5 x 31.5 cm | 8 ½ x 12 ⅜ inches ISBN 978-88-6208-377-5 seminal 1963 exhibition at the Pasadena Art Museum. 160 pages, 120 b&w, hardbound $700 | £420 ISBN 978-88-6208-405-5 $650 | £450

Ricky Adam Matthew Brandt Belfast Punk. Warzone Centre 1997—2003 Lakes & Reservoirs

Limited edition of 15 copies, each comprising a first edition For his series Lakes & Reservoirs, Matthew Brandt book housed in a slipcase with a single beautiful print. As a photographed lakes and reservoirs in the western United young photographer, Ricky Adam documented the late '90s' States and then submerged each print in water collected from punk scene in Belfast, Northern Ireland, inside the infamous the subject of the photograph. Prints are soaked for days, punk venue, the Warzone Centre. These images offer a unique weeks, or even months, and this process influences the layers fly on the wall snapshot of D.I.Y. punk culture at a certain of color that comprise the image. The resulting photographs time and place in the city of Belfast. range from mostly representational to completely abstract. Edition of 15 signed and numbered prints This series considers the current condition not only of our Untitled, 2000 Edition of 17 unique signed and numbered prints lakes and reservoirs, but also of traditional color photography. Epson archival inks on Hahnemuhle fine art archival paper (glossy) Container, 2014 This edition of Lakes & Reservoirs is limited to 17 copies and Image size: 26.9 x 20 cm | 10 ⅝ x 7 ⅞ inches C-print Sheet size: 29.7 x 21 cm | 11 ¾ x 8 ¼ inches Image size: 28.4 x 35.4 cm | 11 x 14 inches includes the book and a unique matted print numbered and Sheet size: 37 x 44.5 cm | 14 x 17 ½ inches signed by the artist. Each of the 17 prints in the Lakes & 25.5 x 30 cm | 10 x 11 ¾ inches Reservoirs series is titled Container, plus its unique number. 176 pages, 85 b&w, hardbound 35 x 28 cm | 13 ¾ x 11 inches ISBN 978-88-6208-552-6 176 pages, 120 color, hardbound The prints comprising this collector’s edition are not $200 | £150 ISBN 978-88-6208-375-1 reproduced in the book. $3,000 | £2,000

68 Collector’s Editions 69 David Goldes Andrew Moore Electricities Detroit Disassembled

Electricity is the energy that runs nearly everything. We are For Andrew Moore, the wonder of Detroit’s transformation is dependent on it for light, heat, and communications as well its demonstration of nature’s power to devour, and, through as powering the innumerable devices and machines that destruction, to renew. He has remarked, “One could say shape and support our lives. To investigate and build on Edition of 50 signed and numbered prints that Detroit has become America’s version of an open city. our historical understanding into the nature of electricity, Waiting Room with Snowdrift, 2008 It’s been left undefended against an onslaught of scrappers, Archival C-print David Goldes constructs and photographs what he calls, Image size: 28 x 35.5 cm | 11 x 14 inches vandals, and the forces of nature. It’s a city of hundreds, if not “performing still lifes.” This stunning limited edition of 25 Sheet size: 30.5 x 38 cm | 12 x 15 inches thousands, of empty homes, apartment buildings, factories, copies plus 4 artist proofs includes the book Electricities and libraries, hospitals, schools, and churches. All are abandoned Text by Andrew Moore, Philip Levine a gelatin silver print signed and numbered by the artist. The 34.5 x 27 cm | 13 ½ x 10 ½ inches and most are unguarded, barely salvageable, and slated for Edition of 25 signed and numbered prints print is entitled Electricity + Water lll, 1993. 128 pages, 70 color, hardbound with jacket and slipcase demolition that gets delayed year after year.” His depiction Electricity + Water III, 1993 ISBN 978-88-6208-140-5 of Detroit questions what the changing, precarious future of Gelatin silver print $750 | £500 Image size: 29.2 x 22.86 cm | 11 ½ x 9 inches America holds. Sheet size: 35,6 x 28 cm | 14 x 11 inches

24.75 x 30.5 cm | 9 ¾ x 12 inches 160 pages, 100 color, hardbound ISBN 978-88-6208-561-8 $900 | £680

Andrew Moore Andrew Moore Dirt Meridian Cuba

The acclaimed photographer Andrew Moore takes to the air Cuba offers a series of poignant interiors that display the to create an intimate vision of the High Plains. The title refers changing fortunes of the country over its 500-year history, to the 100th meridian, the longitude that neatly bisects the with portraits and landscapes that hint at the changes coming United States and has long been considered the dividing line to this island nation. Originally published as Inside Havana between the fertile green East and the dry brown West. Much in 2002 to wide acclaim, this new version expands that of the meridian traverses America’s “flyover country,” those book with finer and larger reproductions, older photographs remote and sparsely populated landscapes with a long history never before seen or published, as well as new work made of repeated drought and failed dreams. Yet other parts of the specifically for this edition. This collector’s edition includes a meridian overlap bustling and contentious zones such as signed and numbered photograph and is housed in a slipcase. Edition of 50 signed and numbered prints Edition of 25 signed and numbered prints the heavily fracked Bakken formation in North Dakota. Dirt Cash Meier Barn, 2012 Casa de Verano, El Vedado, 1999 Archival inkjet print Meridian interweaves both these stories: the enduring myths Archival inkjet print Image size: 35.5 x 27.7 cm | 14 x 11 inches and rich history of a place where so little meets the eye, Image size: 28.5 x 36 cm | 11 ¼ x 14 ⅛ inches Sheet size: 30 x 38 cm | 11 ¾ x 15 inches Sheet size: 50.8 x 40.6 cm | 20 x 16 inches alongside a portrayal of those who continue to live amidst its Text by Kent Haruf, Toby Jurovics, Inara Verzemnieks vast and severe magnificence. The collector’s edition of Dirt Text by Joel Smith, Orlando Luis Pardo Lazo 24.8 x 34.3 cm (9 ¾ x 13 ½ inches) Meridian includes a signed and numbered color print of Cash 40 x 30 cm | 15 ¾ x 11 ¾ inches 140 pages, 73 color, hardbound Meier Barn, 2012. 128 pages, 68 color, hardbound with slipcase ISBN 978-88-6208-470-3 ISBN 978-88-6208-258-7 $600 | £450 $750 | £500

70 Collector’s Editions 71 Ed Templeton Terry Richardson Deformer Kibosh

Eleven years in the making, and compiling more than 30 years' “Kibosh is the most important book of my career. This is worth of material, Ed Templeton’s Deformer is a multimedia my life's work. From the age of 16 when I first started to scrapbook of his upbringing in suburban Orange County, photograph for fun and then as a profession, I have always California. Its photographs give a sun-drenched glimpse of thought of Kibosh as the summary of my career.” This what it might be like to be young and alive in what Templeton collector's edition includes the book Kibosh and the print refers to as “the suburban domestic incubator.” Deformer Edition of 500 signed and numbered prints Untitled, 2004 signed and numbered by Terry Richardson. intertwines photographs, paintings, drawings, sketchbook Untitled, 2004 pages, disciplinary letters from his grandfather, and religious C-print Image size: 24.7 x 16.4 cm | 9 ¾ x 6 ½ inches Edition of 200 signed and numbered prints notes from his mother into a magnificent narrative of teenage Sheet size: 25.4 x 20.3 cm | 7 ½ x 7 ⅝ inches Cross, 2004 isolation and social criticism. This collector’s edition includes C-print a signed and numbered photograph. 24 x 32.5 cm | 9 ½ x 15 ½ inches Image size: 20.3 x 29 cm | 8 x 11 ⅜ inches 320 pages, 250 color, clothbound ISBN 978-88-89431-30-6 24 x 29 cm | 9.5 x 11.5 inches $400 | £250 176 pages, 150 color, hardbound ISBN 978-88-6208-060-6 $600 | £300

Nick Waplington Alexander McQueen: Working Process

In 2008, Alexander McQueen commissioned the photographer Nick Waplington to document the creation of his Fall 2009 collection—all the way from inception to runway showing. Unfortunately, this fall/winter collection was to be the last that McQueen would stage before his untimely death. Every step of the creative process is documented in fascinating Edition of 100 signed and numbered prints detail, and readers receive a rare insight into the inner Untitled, 2009 workings of McQueen’s creative process. Waplington was C-print given unprecedented access to McQueen and his staff, Image size: 15.8 x 23.4 cm | 6 ¼ x 9 ¼ inches Sheet size: 23.8 x 29.4 cm | 9 ⅜ x 11 ½ inches including Sarah Burton, the current creative director. Most notably, McQueen edited the sequence of photographs in the Edited by Alexander McQueen, Nick Waplington. book’s layout. This collector’s edition includes a signed and Text by Susannah Frankel 26.3 x 30.5 cm | 10 ⅜ x 12 inches numbered print and is housed in a linen slipcase. 304 pages, 200 color, hardbound with jacket and slipcase ISBN 978-88-6208-356-0 $1,500 | £990

72 Collector’s Editions 73

Toiletpaper

Toiletpaper was founded in 2010 by Maurizio Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Cattelan and Pierpaolo Ferrari with the art direction Toiletpaper 7 Toiletpaper 12 Toiletpaper 15 of Micol Talso as a picture-based magazine. Photos 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 700 copies published in the magazine have been applied to 40 pages, 22 color, softcover 40 pages, 22 color, softcover with Toiletpaper foulard ISBN 978-88-6208-280-8 ISBN 978-88-6208-428-4 22.5 x 29 cm | 9 x 11 ½ inches a variety of products and media, exploring the $16 | £10 $16 | £10 40 pages, 22 color, softcover multiple possibilities for images to live beyond the ISBN 978-88-6208-557-1 pages. Each picture in a Toiletpaper publication $45 | £35 springs from an idea, often simple, but through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts. The resulting publications are themselves works of art Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and that, through the accessible and widely distributed Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 8 Toiletpaper 13 Toiletpaper 16 media of magazines and books, challenge the limits 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches of the contemporary art economy. 40 pages, 22 color, softcover 40 pages, 22 color, softcover 40 pages, 22 color, softcover ISBN 978-88-6208-286-0 ISBN 978-88-6208-490-1 ISBN 978-88-6208-585-4 $16 | £10 $16 | £10 $16 | £10 Maurizio Cattelan has exhibited internationally in leading institutions and has participated numerous times in the Venice Biennale. He curated the 4th Berlin Biennale with Massimiliano Gioni and Ali Subotnick. He collaborated on No Soul for Sale–A

Festival of Independents, which took place in the Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Turbine Hall of the Tate Modern in 2010. Cattelan Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari also conceived the art magazines Permanent Food and Toiletpaper 9 Toiletpaper 13 Toiletpaper 16 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 1000 copies Limited edition of 1000 copies Charley. Since retiring from art, after the acclaimed 40 pages, 22 color, softcover with Toiletpaper fan with a Toiletpaper puzzle 2011 retrospective at the Guggenheim Museum ISBN 978-88-6208-294-5 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches $16 | £10 40 pages, 22 color, softcover 40 pages, 22 color, softcover in New York City, he has committed himself to ISBN 978-88-6208-501-4 ISBN 978-88-6208-586-1 publishing Toiletpaper magazine. $45 | £35 $45 | £35

Pierpaolo Ferrari is a fashion and advertising photographer and creative researcher. In 2007 he began a collaboration with L’Uomo Vogue that offered him the chance to explore the portrait’s potential and Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari radically change its codes. In 2009, he teamed with Toiletpaper 10 Toiletpaper 14 Toiletpaper 17 Maurizio Cattelan to create Toiletpaper. When he is 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 650 copies 22.5 x 29 cm | 9 x 11 ½ inches not shooting, he can be found surfing in Costa Rica. 40 pages, 22 color, softcover with Toiletpaper bag 40 pages, 22 color, softcover ISBN 978-88-6208-339-3 22.5 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-613-4 $16 | £10 40 pages, 22 color, softcover $16 | £10 ISBN 978-88-6208-537-3 $45 | £35

Maurizio Cattelan and Maurizio Cattelan and Maurizio Cattelan and Pierpaolo Ferrari Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 11 Toiletpaper 15 Toiletpaper 17 22.5 x 29 cm | 9 x 11 ½ inches 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 1000 copies 40 pages, 22 color, softcover 40 pages, 22 color, softcover with 54 poker playing cards ISBN 978-88-6208-394-2 ISBN 978-88-6208-556-4 22.5 x 29 cm | 9 x 11 ½ inches $16 | £10 $16 | £10 40 pages, 22 color, softcover ISBN 978-88-6208-614-1 $45 | £35

76 Toiletpaper 77 Maurizio Cattelan and Maurizio Cattelan and ToiletMartin PaperParr is a collaboration between Kenzine is a collaboration between Toiletpaper Pierpaolo Ferrari Pierpaolo Ferrari Toiletpaper 18 Toiletpaper Calendar 2017 Maurizio Cattelan and Pierpaolo Ferrari one the magazine and the Parisian clothing label Kenzo. 22.5 x 29 cm | 9 x 11 ½ inches 21 x 28 cm | 8 ¼ x 11 inches one side and Martin Parr on the other. The recipe Founder Kenzo Takada is known for his synthesis 40 pages, 22 color, softcover 13 pages, 13 color, wire-O is very tasty: a back-to-back of images between the of Japanese style with Parisian high fashion. ISBN 978-6208-88-683-7 ISBN 978-88-6208-517-5 $16 | £10 $20 | £16.99 founders of Toiletpaper the british artist. The result The images in Kenzine contain subtle visual tricks is a rapid succession of images in which irony, that become more powerful the longer you are subversion and provocation force the viewer to the exposed to them. impelling discovery of the next pair of images.

Maurizio Cattelan and Maurizio Cattelan and Martin Parr, Maurizio Cattelan Kenzo and Toiletpaper Pierpaolo Ferrari Pierpaolo Ferrari and Pierpaolo Ferrari Kenzine Vol. 3 Toiletpaper 18 Toiletpaper Calendar 2018 ToiletMartin PaperParr 22.5 x 29 cm | 9 x 11 ½ inches Limited edition of 1000 copies 21 x 28 cm | 8 ¼ x 11 inches 22.5 x 29 cm | 9 x 11 ½ inches 40 pages, 22 color, softcover with a surprise... 13 pages, 13 color, wire-O 40 pages, 22 color, softcover ISBN 978-88-6208-385-0 22.5 x 29 cm | 9 x 11 ½ inches ISBN 978-88-6208-555-7 ISBN 978-88-6208-589-2 $35 | £25 40 pages, 22 color, softcover $20 | £16.99 $18 | £13 ISBN 978-6208-88-684-4 $45 | £35

Maurizio Cattelan and Martin Parr, Maurizio Cattelan Kenzo and Toiletpaper Pierpaolo Ferrari and Pierpaolo Ferrari Kenzine Vol. 4 Toiletpaper Volume II: ToiletMartin PaperParr 22.5 x 29 cm | 9 x 11 ½ inches Platinum Collection Limited edition of 1000 copies 40 pages, 22 color, softcover 23.8 x 34.5 cm | 9 ½ x 13 ½ inches with ToiletMartin PaperParr bag ISBN 978-88-6208-430-7 240 pages, 200 color, hardbound 22.5 x 29 cm | 9 x 11 ½ inches $35 | £25 Limited to 1,000 copies 40 pages, 22 color, softcover Includes Toiletpaper watch ISBN 978-88-6208-594-6 ISBN 978-88-6208-445-1 $50 | £40 $150 | £100

Maurizio Cattelan and Martin Parr, Maurizio Cattelan Pierpaolo Ferrari and Pierpaolo Ferrari Toiletpaper Volume II ToiletMartin PaperParr 22.9 x 30.5 cm | 9 x 12 inches Calendar 2019 240 pages, 200 color, hardbound 21 x 28 cm | 8 ¼ x 11 inches ISBN 978-88-6208-427-7 7 pages, 14 color, wire-O $65 | £45 ISBN 978-88-6208-597-7 $22 | £17.99

Martin Parr, Maurizio Cattelan and Pierpaolo Ferrari ToiletMartin PaperParr Calendar 2020 21 x 28 cm | 8 ¼ x 11 inches 7 pages, 14 color, wire-O ISBN 978-88-6208-670-7 $22 | £17.99

78 Toiletpaper 79 Backlist Photography

Mark Abrahams Tom Bianchi Gusmano Cesaretti Coppi Barbieri Text by James Frey Fire Island Pines: Polaroids Fragments of Los Angeles, Early Works 1992-1997 24 x 31.4 cm | 9 ½ x 12 ½ inches 1975–1983 1969–1989 Foreword by Paolo Roversi 304 pages, 150 b&w, clothbound Edited by Ben Smales. Text by In association with Alleged Press 28 x 36 cm | 11 x 14 ⅙ inches Rights world except Germany Edmund White, Tom Bianchi Edited by Aaron Rose. Text by 192 pages, 82 color, hardbound Tom Bianchi was born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, eventually working with Columbia Pictures in New York, painting and Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and drawing on weekends. His artwork came to the attention of Betty Parsons and pick up 25-cent “physique” magazines at newsstands. In one such magazine, Carol Dreyfuss and they gave him his first one-man painting show in 1980. In ISBN 978-88-6208-138-2 21.5 x 25.5 cm | 8 ½ x 10 inches Jeffrey Deitch, Michael Mann ISBN 978-88-6208-637-0 he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island 1984, he was given his first solo museum exhibition at the Spoleto Festival. After sounded exotic, perhaps a name made up by the photographer,” he recalls in Bianchi’s partner died of AIDS in 1988, he turned his focus to photography, the preface to his latest monograph. “I had no idea it was a real place. Certainly, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led I had no idea then that it was a place I would one day call home.” In 1970, to producing numerous monographs, including On the Couch, Deep Sex and In $70 | £45 fresh212 out of law school,pages, Bianchi began traveling to150 New York, and wascolor, invited hardbound 24 x 30.5 cm | 9 ½ x 12 inches $69 | £54 Defense of Beauty. In 1993 Tom co-founded CytoDyn, a biotech company with to spend a weekend at Fire Island Pines, where he encountered a community the mission of developing new H.I.V./AIDS therapies. Tom was the Director of the of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ company responsible for funding the research through 2000. lives in the Pines, amassing an image archive of people, parties and private moments.with These images, jacketpublished here for the first time, and accompanied by 164 pages, 100 b&w, hardbound Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a ISBNmagical bygone era. 978-88-6208-270-9 ISBN 978-88-6208-275-4 These photographs are at once formal and intimate for they bring both rigor and tenderness to glimpses of real people. Edmund White $50 | £35 $50 | £35

$ 50.00 | £ 35.00

Ricky Adam Matthew Brandt Gian Butturini Alessandro Cosmelli Belfast Punk. Warzone Centre Lakes & Reservoirs London and Gaia Light 1997-2003 35 x 28 cm | 13 ¾ x 11 inches Edited by Martin Parr. Text by Havana Buzz 25.5 x 30 cm | 10 x 11 ¾ inches 176 pages, 120 color, hardbound Martin Parr, Allen Ginsberg, 10.2 x 15.5 cm | 4 x 6 ⅛ inches 176 pages, 85 b&w, hardbound ISBN 978-88-6208-374-4 Gian Butturini, Luciano Mondini 224 pages, 170 color, softcover ISBN 978-88-6208-510-6 $65 | £40 25,4 x 30.5 cm | 10 x 12 inches with jacket $40 | £30 104 pages, 78 b&w, hardbound ISBN 978-88-6208-560-1 with jacket $30 | £25 ISBN 978-88-6208-558-8 $45 | £34

Guido Argentini Robin Broadbent Luca Campigotto William Coupon Eros The Photographic Work of Iconic China Portraits 29.5 x 31 cm | 11 ⅗ x 12 ⅕ inches Robin Broadbent Text by William M. Hunt Foreword by Walter Isaacson 250 pages, 200 color, hardbound 21.6 x 28 cm | 9 x 11 ¾ inches 34 x 26 cm | 13 ⅜ x 10 inches and text by Anthony Bannon ISBN 978-88-6208-632-5 184 pages, 160 color and b&w, 84 pages, 40 color, hardbound 29.2 x 31.7 cm | 11 ½ x 12 ½ inches $60 | £39 hardbound with jacket ISBN 978-88-6208-566-3 216 pages, 150 color, clothbound ISBN 978-88-6208-530-4 $45 | £35 with jacket $50 | £38 ISBN 978-88-6208-603-5 $60 | £44

Jacopo Benassi Michael Christopher Brown Rachel Cobb Terence Donovan Bologna Portraits Yo Soy Fidel Mistral: The Legendary Portraits Text by Antonio Grulli Edited by Martin Parr Wind of Provence Text by Philippe Garner 21 x 29.7 cm | 8 ⅕ x 11 ⅗ inches Text by Martin Parr, Jon Lee Anderson, Introduction by Bill Buford 24.5 x 28 cm | 9 ¾ x 11 inches 212 pages, 150 b&w, hardbound Michael Christopher Brown 24,8 x 31.7 cm | 9 ¾ x 12 ½ inches 176 pages, 160 color and b&w, ISBN 978-88-6208-650-9 31 x 24 cm | 12 ⅕ x 9 ½ inches 192 pages, 99 color, hardbound hardbound $60 | £39 152 pages, 110 color, hardbound ISBN 978-88-6208-618-9 ISBN 978-88-6208-482-6 ISBN 978-88-6208-602-8 $50 | £35 $50 | £35 $50 | £35

Tom Bianchi James Casebere Michel Comte Arthur Elgort 63 E 9th Street Works 1975–2010 Michel Comte and MILK: Jazz NYC Polaroids 1975-1983 Edited and with text by Okwui A Collaboration 1996–2016 Foreword by Wynton Marsalis. 21.5 x 25.5 cm | 8 ½ x 10 inches Enwezor. Text by Toni Morrison, Interview by Bobby Woods Introduction by Hank O’Neal. 186 pages, 150 color, hardbound Hal Foster, Ford Morrison 24.1 x 34 cm | 9 ½ x 13 ⅜ inches Edited by Marianne Houtenbos with jacket 29.8 x 29.8 cm | 11 ¾ x 11 ¾ inches 336 pages, 265 color, clothbound 17.8 x 22.9 cm | 7 x 9 inches ISBN 978-88-6208-646-2 320 pages, 250 color, hardbound with jacket 160 pages, 100 color and b&w, $55 | £40 with jacket ISBN 978-88-6208-446-8 hardbound ISBN 978-88-6208-186-3 $75 | £50 ISBN 978-88-6208-608-0 $80 | £50 $45 | £35

82 Backlist 83 Brad Elterman Tria Giovan Dennis Hopper James Klosty Dog Dance. The Photographs The Cuba Archive. Drugstore Camera Greece 66 of Brad Elterman Photographs 1990-1996 Edited by Michael Schmelling 28 x 28 cm | 11 x 11 inches Edited by Sandy Kim Essey by Silvana Paternostro Text by Marin Hopper 108 pages, 70 b&w, clothbound Text By Olivier Zahm 29.3 x 21 cm | 11 ½ x 8 ¼ inches 23.5 x 20.3 cm | 9 ¼ x 8 ½ inches ISBN 978-88-6208-605-9 16.8 x 23.8 cm | 6 ½ x 9 ½ inches 168 pages, 125 color, hardbound 96 pages, 60 b&w, clothbound $45 | £34 96 pages, 100 color and b&w, hardbound ISBN 978-88-6208-545-8 ISBN 978-88-6208-403-1 ISBN 978-88-6208-297-6 $40 | £30 $45 | £30 $35 | £25

Hans Feurer Deborah Goodman Davis Kenro Izu David Lachapelle Text by Gianni Jetzer PhotoRx: Pharmacy in Seduction Landscape 24 x 34 cm | 9 ½ x 13 ½ inches Photography Since 1850 24 x 30 cm | 9 ½ x 11 ⅘ inches Text by Shana Nys Dambrot, 200 pages, 175 color, clothbound Edited by Shawn Waldron. 160 pages, 100 color, hardbound Paul Watson ISBN 978-88-6208-292-1 Text by David Campany ISBN 978-88-6208-579-3 33 x 30 cm | 13 x 11 ¾ inches $65 | £40 24 x 29 cm | 9 ½ x 11 ½ inches $50 | £35 88 pages, 80 color, softcover 160 pages, 100 color and b&w, ISBN 978-88-6208-331-7 clothbound $45 | £29 ISBN 978-88-6208-554-0 $45 | £35

Larry Fink Philippe Halsman Niko J. Kallianiotis Astrid Kirccherr Fink on Warhol: New York Philippe Halsman’s Jump Book America in a Trance Astrid Kirccherr with the Beatles Photographs of the 1960s 22 x 28 cm | 8 ⅝ x 11 inches 30.5 x 21.6 cm | 12 x 8 ½ inches Introduction by Vladislav Ginzburg Text by Kevin Moore 96 pages, 194 b&w, hardbound 136 pages, 95 color, hardbound 21 x 26 cm | 8 ¼ x 10 ¼ inches 24.8 x 29.8 cm | 9 ¾ x 11 ¾ inches with jacket ISBN 978-88-6208-595-3 96 pages, 71 color and b&w, 128 pages, 80 b&w, clothbound ISBN 978-88-6208-420-8 $44 | £30 hardbound ISBN 978-88-6208-515-1 $45 | £30 ISBN 978-88-6208-574-8 (English) $50 | £38 ISBN 978-88-6208-575-5 (Italian) $30 | £22.5

Jill Freedman Rohina Hoffman Ruth Kaplan Frédéric Lagrange Resurrection City, 1968 Hair Stories Bathers Mongolia 24.5 x 30 cm | 9 ⅗ x 11 ⅘ inches Introduction by Emily Lambert- 24.7 x 30,5 cm | 9 ¾ x 12 inches 34.2 x 41.9 cm | 13 ½ x 16 ½ inches 176 pages, 140 b&w, hardbound Clements. Essay by Esther R. Berry 112 pages, 70 b&w, clothbound 240 pages, 150 color, clothbound ISBN 978-88-6208-583-0 18.5 x 26.6 cm | 7 ⅓ x 10 ½ inches ISBN 978-88-6208-548-9 ISBN 978-88-6208-606-6 $45 | £35 92 pages, 38 color, hardbound $50 | £35 $280 | £200 ISBN 978-88-6208-640-0 $30 | £20

Adam Fuss Dennis Hopper David Lykes Keenan Antoine Le Grand Water Colors. The Polaroids Fair Witness Portraits 27.3 x 33 cm | 10 ¾ x 13 inches Text by Aaron Rose Text by Eli Reed Introduction by Jean-Paul Goude 120 pages, 80 color and b&w, 23.5 x 20.3 cm | 9 ¼ x 8 inches 24.1 x 20.3 cm | 9 ½ x 8 inches 27.5 x 27.5 cm | 11 x 11 inches clothbound with jacket 132 pages 120 color, clothbound 160 pages, 100 b&w, hardbound 316 pages, 280 color and b&w, ISBN 978-88-6208-587-8 ISBN 978-88-6208-476-5 ISBN 978-88-6208-389-8 hardbound $55 | £39 $45 | £30 $45 | £29 ISBN 978-88-6208-503-8 $50 | £35

84 Backlist 85 David Leventi Caleb Cain Marcus Susan Meiselas Andrew Moore Opera A line in the sky Mediations Dirt Meridian Text by Plácido Domingo, Marvin 17.8 x 25.4 cm | 7 x 10 inches 17.5 x 24 cm | 6 ⅞ x 9 ⅖ inches Text by Kent Haruf, Toby Heiferman, Thomas Mellins 48 pages, 19 color, softcover 184 pages, 100 color and b&w, Jurovics, Inara Verzemnieks 33.8 x 28 cm | 13 ¼ x 11 inches ISBN 978-88-6208-636-3 hardbound 34.5 x 27.9 cm | 13 ½ x 11 inches 120 pages, 40 color, clothbound $30 | £20 ISBN 978-88-6208-569-4 (English) 132 pages, 60 color, hardbound with jacket ISBN 978-88-6208-568-7 (French) ISBN 978-88-6208-412-3 ISBN 978-88-6208-397-3 $35 | £25 $50 | £35 $50 | £30

Builder Levy Caleb Cain Marcus Joel Meyerowitz Sohei Nishino Humanity in the Streets. A brief movement after death Cézanne’s Objects Water Line. A Story of the Po New York City 1960s-1980s 17.8 x 25.4 cm | 7 x 10 inches Text by Joel Meyerowitz, Maggie River Text by Deborah Willis 48 pages, 20 color, softcover Barrett 24 x 24 cm | 9 ½ x 9 ½ inches 24.3 x 30.5 cm | 9 ⅗ x 12 inches ISBN 978-88-6208-604-2 25.4 x 32 cm | 10 x 12 ⅝ inches 120 pages, 80 b&w, hardbound 124 pages, 100 b&w, hardbound $30 | £20 116 pages, 50 color, clothbound ISBN 978-88-6208-638-7 ISBN 978-88-6208-612-7 ISBN 978-88-6208-564-9 $35 | £25 $49.95 | £35 $50 | £35

Joan Liftin Sarai Mari Joel Meyerowitz Bill Owens Water for Tears Speak Easy Morandi’s Objects Altamont 1969 22.9 x 25.4 cm | 9 x 10 inches 21 x 27 cm | 8 ¼ x 10 ½ inches Text by Joel Meyerowitz, Maggie Edited by Claudia Zanfi 144 pages, 80 color, hardbound 160 pages, 100 color, hardbound Barrett Text by Sasha Frere-Jones, Bill ISBN 978-88-6208-596-0 ISBN 978-88-6208-507-6 25.4 x 32 cm | 10 x 12 ⅝ inches Owens, Claudia Zanfi $50 | £34 $45 | £35 116 pages, 65 color, clothbound 24.5 x 28 cm | 9 ⅗ x 11 inches ISBN 978-88-6208-453-6 96 pages, 59 color and b&w, $50 | £35 hardbound ISBN 978-88-6208-623-3 $40 | £29

Lima, Peru Dan Martensen Carlo Mollino Jean Pagliuso Edited by Mario Testino. Wolves Like Us: Portraits Polaroids In Plain Sight. The Photographs Text by Mario Vargas Llosa of the Angulo Brothers Text by Fulvio Ferrari, 1968-2017 23 x 33 cm | 9 x 13 inches Text by Crystal Moselle, Joseph Napoleone Ferrari, James Crump, 24 x 29 cm | 9 ½ x 11 ½ inches 224 pages, 190 color, hardbound Akel Silvio Curto 256 pages, 200 color and b&w, English, Italian & Spanish 21.6 x 28 cm | 8 ½ x 11 inches 21.5 x 26.5 cm | 8 ½ x 10 ½ inches hardbound with jacket ISBN 978-88-89431-92-4 160 pages, 168 color, softcover 288 pages, 400 color, hardbound ISBN 978-88-6208-578-6 $65 | £35 ISBN 978-88-6208-443-7 ISBN 978-88-6208-378-2 $70 | £54 $35 | £24 $65 | £40

Alexi Lubomirski Rania Matar Andrew Moore Martin Parr Diverse Beauty L’Enfant-Femme Detroit Disassembled Beach Therapy Text by Lupita Nyong’o, Alexi Introduction by Her Majesty 22.5 x 33 cm | 10 x 13 inches Text by Martin Parr Lubomirski Queen Noor. Text by Lois Lowry, 136 pages, 70 color, hardbound 30 x 22 cm | 11 ⅘ x 8 ⅔ inches 25 x 34.5 cm | 9 ⅞ x 13 ½ inches Kristen Gresh ISBN 978-88-6208-118-4 120 pages, 75 color, hardbound 192 pages, 135 color and b&w, 24.1 x 31.7 cm | 9 ½ x 12 ½ inches $50 | £34.95 ISBN 978-88-6208-625-7 hardbound 152 pages, 97 color, clothbound $45 | £30 ISBN 978-88-6208-479-6 ISBN 978-88-6208-450-5 $50.00 | £35 $50 | £35

86 Backlist 87 Martin Parr Mark Segal Hiroshi Sugimoto Ed Thompson Think of Scotland Cheetah Dioramas and Julien Roubinet 23 x 31.5 cm | 9 x 12 ½ inches 35 x 24 cm | 13 ¾ x 9 ½ inches 25.2 x 27.8 cm | 10 x 11 inches Ice Cream Headaches. Surf 144 pages, 100 color, hardbound 240 pages, 180 color and b&w, 118 pages, 56 b&w, clothbound Culture in New York & New Jersey ISBN 978-88-6208-549-6 clothbound with jacket 21.5 x 27.8cm | 8 ½ x 11 inches $40 | £30 ISBN 978-88-6208-523-6 Rights world except France 192 pages, 100 color, hardbound $120 | £90 ISBN 978-88-6208-327-0 ISBN 978-88-6208-573-1 $65 | £40 $45 | £32

Jack Pierson Jamel Shabazz Hiroshi Sugimoto Alexey Titarenko The Hungry Years Sights in the City: New York Seascapes | New edition The City Is a Novel Text by Eileen Myles Street Photographs 25.2 x 27.8 cm | 10 x 11 inches Text by Alexey Titarenko, Gabriel Quote by Stephen Shore 30.5 x 24.1 cm | 12 x 9 ½ inches 282 pages, 213 b&w, clothbound Bauret, Brett Abbott, Sean Corcoran 20.3 x 24.1 cm | 8 x 9 ½ inches 160 pages, 120 color and b&w, with jacket 24.1 x 26.7 cm | 9 ½ x 10 ½ inches 104 pages, 70 color, hardbound hardbound ISBN 978-88-6208-624-0 208 pages, 122 b&w, clothbound ISBN 978-88-6208-562-5 ISBN 978-88-6208-522-9 $80 | £59 with jacket $40 | £30 $50 | £38 ISBN 978-88-6208-414-7 $60 | £40

Jean Pigozzi David Shama Hiroshi Sugimoto Charles H. Traub Charles and Saatchi. The Dogs Do Not Feed Alligators Theaters Taradiddle Foreword by Charles Saatchi 20.5 x 29 cm | 8 x 11 ½ inches Text by Hiroshi Sugimoto Text by David Campany 24.9 x 32.8 cm | 9 ⅘ x 12 ⅘ inches 136 pages, 100 color, clothbound 25.2 x 27.8 cm | 10 x 11 inches 29,8 x 24,1 cm | 11 ¾ x 9 ½ inches 48 pages, 29 b&w, hardbound ISBN 978-88-6208-617-2 176 pages, 130 b&w, clothbound 116 pages, 102 color, hardbound ISBN 978-88-6208-592-2 $45 | £30 with jacket ISBN 978-88-6208-621-9 $49 | £39 Rights world except France $50 | £35 ISBN 978-88-6208-477-2 $60.00 | £40

Jean Pigozzi Joni Sternbach Hiroshi Sugimoto Ken Van Sickle ME + CO. The Selfies: 1972-2016 Surf Site Tin Type Portraits Photography 1994-2009 Text by Ash Carter Text by Lyle Rexer, April M. Watson, 25.2 x 27.8 cm | 10 x 11 inches Introduction by Jim Wintner 14 x 19.7cm | 5 ½ x 7 ¾ inches Chris Malloy, Johnny Abegg 120 pages, 70 b&w, clothbound 21 x 28 cm | 8 ¼ x 11 inches 168 pages, 160 illustrations, 30.5 x 24.8 cm | 12 x 9 ¾ inches with jacket 160 pages, 120 b&w, clothbound hardbound 192 pages, 123 b&w, hardbound ISBN 978-88-6208-582-3 ISBN 978-88-6208-627-1 ISBN 978-88-6208-550-2 ISBN 978-88-6208-380-5 $50 | £35 $50 | £37 $40 | £25 $45 | £29

Derek Ridgers Michael Stipe Joseph Szabo Catherine Wagner 78–87 London Youth Volume I Lifeguard Place, History, and the Archive Text by John Maybury 22.9 x 33 cm | 9 x 13 inches 29 x 23.5 cm | 11 ⅖ x 9 ¼ inches 30 x 24.5cm | 11 ⅘ x 9 ⅔ inches 21.5 x 31.5 cm | 8 ½ x 12 ½ inches 72 pages, 35 color and b&w, 96 pages, 60 b&w, hardbound 336 pages, 250 color and b&w, 160 pages, 120 b&w, hardbound hardbound ISBN 978-88-6208-542-7 hardbound ISBN 978-88-6208-359-1 ISBN 978-88-6208-591-5 $40 | £29 ISBN 978-88-6208-598-4 $50 | £30 $45 | £34 $65 | £49

88 Backlist 89 Fashion & Lifestyle

Gavin Watson David Casavant James Moore Oh! What Fun We Had David Casavant Archive Photographs 1962-2006 30.5 x 24 cm | 12 x 9 ⅖ inches 21.4 x 28 cm | 8 ⅖ x 11 inches 25 x 33.5 cm | 10 x 13 ¼ inches 176 pages, 200 color and b&w, 304 pages, 250 color, hardbound 278 pages, 190 color and b&w, hardbound ISBN 978-88-6208-607-3 hardbound ISBN 978-88-6208-634-9 $60 | £39 ISBN 978-88-6208-494-9 $40 | £29 $75 | £60

Stephan Würth Embroidery Italian Fashion Harri Peccinotti Tennis Fan Text by Giusy Ferrè, Valentino, H.P. 20 x 25 cm | 7 ⅞ x 9 ⅚ inches Gianfranco Ferre, Anna Molinari, Text by Derek Birdsall 100 pages, 64 b&w, hardbound Roberto Cavalli, et al 23 x 30 cm | 9 ½ x 12 inches ISBN 978-88-6208-642-4 24 x 31.5 cm | 9 ½ x 12 ½ inches 228 pages, 200 color, hardbound $40 | £29 280 pages, 240 color, clothbound with jacket with embroidery ISBN 978-88-6208-074-3 ISBN 978-88-89431-23-8 $60 | £34 $99 | £60

Fashion at the Time of Fascism: Jan Welters Italian Modernist Lifestyle, 1922–1943 Profile Edited by Mario Lupano, Text by Iain R. Webb, Steve Hiett Alessandra Vaccari 28 x 28 cm | 11 x 11 inches 23 x 29.5 cm | 9 x 11 ½ inches 160 pages, 120 color and b&w, 400 pages, 700 color and b&w, clothbound hardbound ISBN 978-88-6208-639-4 ISBN 978-88-6208-051-4 (English) $60 | £39 ISBN 978-88-6208-061-3 (Italian) $60 | £39

Franco Gobbi Vivienne Westwood Fragile Shoes 22,2 x 22,2 cm | 8 ¾ x 8 ¾ inches Edited by Luca Beatrice, 160 pages, 70 color and b&w, Matteo Guarnaccia clothbound 24 x 31.5 cm | 9 ½ x 12 ½ inches ISBN 978-88-6208-529-8 192 pages, 120 color, hardbound $70 | £55 with sleeve ISBN 978-88-89431-84-9 $65 | £39

Christopher Niquet Models Matter Edited with text by Christopher Niquet. Preface by Steven Meisel 22 x 28 cm | 8 ½ x 11 inches 120 pages, 70 color and b&w, softcover ISBN 978-88-6208-519-9 $40 | £30

90 Backlist 91 Contemporary Art

Mamma Andersson Andy Denzler Michael Danoff, Martin Z. Parallel Views: Italian and Japanese Memory Banks Fragmented Identity Margulies and Katherine Hinds Art from the 1950s, 60s and 70s Essay by Kevin Moore 28 x 32 cm | 11 x 12 ⅝ inches Martin Z. Margulies Collection Vol. 1 Edited by Allan Schwartzman 24.5 x 31 cm | 9 ⅗ x 12 ⅕ inches 216 pages, 105 color, hardbound 24.1 x 27.9 cm | 9 ½ x 11 inches 28 x 30.5 cm | 11 x 12 inches 80 pages, 50 color and b&w, ISBN 978-88-6208-559-5 268 pages, 200 color, clothbound 408 pages, 249 color, clothbound hardbound $55 | £40 ISBN 978-88-6208-620-2 with jacket ISBN 978-88-6208-601-1 $60 | £39 ISBN 978-88-6208-400-0 $45 | £34 $75 | £45

Valérie Belin David Goldes Barry McGee José Parlá 21 x 27 cm | 8 1⁄4 x 10 1⁄2 inches Electricities Essay by Katya Tylevich Roots 288 pages 122 color and b&w, 24.75 x 30.5 cm | 9 ¾ x 12 inches 24.8 x 33 cm | 9 ¾ x 13 inches 24.4 x 29.3 cm | 9 ⅝ x 11 ½ inches softcover with flaps 160 pages, 100 color, hardbound 72 pages, 60 color and b&w, 96 pages, 101 color, hardbound ISBN 978-88-6208-511-3 (English) ISBN 978-88-6208-553-3 hardbound ISBN 978-88-6208-563-2 ISBN 978-88-6208-512-0 (French) $50 | £35 ISBN 978-88-6208-616-5 $45 | £35 $55 | £40 $35 | £25

Louise Bourgeois Natalie Frank Barry McGee José Parlá Spiral Tales of the Brothers Grimm In association with Alleged Press Segmented Realities 22.9 x 29.9 cm | 9 x 11 ¾ inches Drawings by Natalie Frank Edited by Aaron Rose Text by Michael Rooks, Rey Parlá, 80 pages, 48 color, clothbound with Edited by Karen Marta 24 x 31.5 cm | 9 ½ x 12 ½ inches Steve Swieter, Mike Jensen, Farzad jacket Text by Claire Gilman, Linda 200 pages, 200 color, hardbound 24 x 29.2 cm | 9 ½ x 11 ½ inches ISBN 978-88-6208-644-8 Nochlin, Julie Taymor, Jack Zipes ISBN 978-88-6208-096-5 96 pages, 70 color, hardbound $50 | £35 22.8 x 30.5 cm | 9 x 12 inches $49.95 | £29.99 ISBN 978-88-6208-422-2 272 pages, 250 color, hardbound $45 | £30 ISBN 978-88-6208-386-7 $60 | £40

Cheim & Read JR and Art Spiegelman Ryan McGinness Kenny Scharf Twenty One The Ghosts of Ellis Island #metadata Kolors 22.9 x 30.5 cm | 9 x 12 inches 21.7 x 27 cm | 8 ½ x 10 ½ inches Essays by Dieter Buchhart, In association with Standard Press 768 pages, 600 color, hardbound 120 pages, 90 color, hardbound Andrew Blauvelt, Ben Sutton, Text by Jeffrey Deitch ISBN 978-88-6208-648-6 ISBN 978-88-6208-395-9 Carlo McCormick, Bill Powers 21.6 x 26.7 cm | 8 ½ x 10 ½ inches $105 | £80 $39.95 | £25 21.6 x 28 cm | 8 ½ x 11 inches 96 pages, 68 color, hardbound 168 pages, 100 color, hardbound ISBN 978-88-6208-287-7 ISBN 978-88-6208-572-4 $40 | £25 $40 | £29

Colors: A Book About a Magazine JR and José Parlá Mike Mills John Severson About the Rest of the World The Wrinkles of the City: Graphics / Films John Severson’s Surf Text by Francesco Bonami Havana Cuba In association with Alleged Press Text by Gerry Lopez, Drew Kampion Interview with Luciano Benetton, In association with Standard Press 24 x 31.5 cm | 9 x 12 inches Interview by Nathan Howe Oliviero Toscani 30 x 30 cm | 11 ¾ x 11 ¾ inches 164 pages, 100 b&w, hardbound 24 x 31 cm | 9 ½ x 12 ¼ inches 24.5 x 33.8 cm | 9 ⅝ x 13 ¼ inches 160 pages, 150 color, hardbound English & Italian 212 pages, 200 color and b&w, 240 pages, 300 color, clothbound with jacket ISBN 978-88-6208-075-0 hardbound with jacket ISBN 978-88-6208-250-1 $50 | £24.99 ISBN 978-88-6208-326-3 ISBN 978-88-6208-424-6 $49.95 | £35 $45 | £29 $50 | £35

92 Backlist 93 Architecture & Design Antiques & Collectibles

Gary Simmons The Haas Brothers John Goldberger Paradise Haas Brothers Volume II: Afreaks Patek Philippe Steel Watches Text by Gwen Allen, Nancy 21.6 x 29.2 cm | 8 ½ x 11 ½ inches Limited edition of 300 copies Princenthal, Charles Wylie 160 pages, 120 color, softcover numbered and signed by the author Conversation with Okwui Enwezor ISBN 978-88-6208-434-5 24 x 32.5 cm | 9 ½ x 12 ¾ inches 24.2 x 29.2 cm | 9 ½ x 11 ½ inches $50 | £35 440 pages, 900 color, hardbound 192 pages, 150 color, clothbound with cork, plexiglass slipcase ISBN 978-88-6208-240-2 ISBN 978-88-6208-304-1 $50 | £35 $800 | £500

Berndnaut Smilde Maria Pergay Manfred Rössler Builded Remnants Complete Works 1957–2010 Zenith 28.5 x 22.8cm | 11 ¼ x 9 inches Text by Suzanne Demisch, 21 x 29 cm | 8 ½ x 11 ½ inches 112 pages, 50 color, hardbound Stephane Danant, Adam Lindeman 328 pages, 700 color, hardbound ISBN 978-88-6208-532-8 25.4 x 29.8 cm | 10 x 11 ¾ inches English & Italian $50 | £38 290 pages, 300 color, hardbound ISBN 978-88-6208-069-9 (English) with jacket ISBN 978-88-6208-068-2 (Italian) ISBN 978-88-6208-174-0 $150 | £80 $70 | £50

Carrie Mae Weems R & Company Kitchen Table Series 20 Years of Discovery Text by Sarah Lewis, 22.8 x 29.2 cm | 9 x 11 ½ inches Adrienne Edwards 240 pages, 200 color, hardbound 24.8 x 34.3 cm | 9 ¾ x 13 ½ inches ISBN 978-88-6208-581-6 86 pages, 34 b&w, hardbound $50 | £34 with jacket ISBN 978-88-6208-462-8 $50 | £35

94 Backlist 95 In June 2015, Damiani opened a new gallery space, Spazio Damiani. Past exhibitions This exhibition space devotes itself solely to photography and only exhibits the work of photographers published by Damiani publishing house. Via dello Scalo, 3/2 ABC Joel Meyerowitz Alexey Titarenko 40131 Bologna, Italy Past exhibitions include Morandi’s Objects by Joel Meyerowitz, Morandi's Objects The City is a Novel Tel. +39 051 438 07 47 Dirt Meridian by Andrew Moore, Opera by David Leventi, [email protected] Fink on Warhol: New York Photographs of the 1960s by Larry Fink, Considered one of the most Alexey Titarenko proposes a cultured www.spaziodamiani.com The City is a Novel by Alexey Titarenko, Electricities by David Goldes, important American photographers, and refined style, imbued with literary Beach Therapy by Martin Parr, Seduction by Kenro Izu. Joel Meyerowitz was among the first references and powerful elements of to use colour film. With his most introspection. The City is a Novel exhibition presented Spazio Damiani offers a continuing programme of exhibitions devoted recent works, he pays tribute to the great painters small and medium-format black and white works taken to showcasing the work of significant contemporary artists along with Giorgio Morandi and Paul Cézanne. in New York, St. Petersburg and Venice. All the works lectures and other events. are silver salt prints made with a selenium conservative Andrew Moore fixative and subsequent toning in gold or silver. Open to the public from Monday to Friday, 12.00 to 6.00 pm, and by appointment. Dirt Meridian David Goldes An American photographer and Electricities director, Andrew Moore is known to the general public for photographs taken in Detroit, The favoured subject of David Goldes’s New York, Cuba and the great American plains. Dirt artistic investigation is electrical energy. Meridian series describes the life and atmosphere of The photographic works with Electricities exhibition on an elusive and remote America, combining boundless the one side pay tribute to the experiments of the pioneers horizons and rural towns with intimate portraits of scientific research, and on the other question the very of a community bound to a harsh and not always definition of “what is science”. hospitable landscape. Martin Parr Larry Fink Beach Therapy Fink on Warhol: New York Photographs of the 1960s Parr returns to investigate societies and their most controversial aspects by showing a An exponent of the beat generation, selection of shots taken on the most famous beaches Larry Fink is considered one around the world, from Wales to Argentina, and from of the most important social Italy to England. In the artist’s photographs, wild photographers of the century. Fink and uncontaminated beaches alternate with crowded on Warhol: New York Photographs of the 1960s presents landscapes “denatured” by the confusion of masses of the different faces of the New York of the 1960s. people, from which emerges a new reflection by Parr on In addition to the shots documenting the social consumerism and mass tourism. upheavals of those years, the subjects of the works displayed include Andy Warhol, Lou Reed and the Kenro Izu Velvet Underground. Seduction

David Leventi Elegant and sinuous, the subjects of Opera Kenro Izu’s photographs are flowers, fruits, body figures, and compositions of objects with The artistic work of David Leventi a metaphysical flavour. Izu’s aesthetic is rooted in often looks at large architectural traditional Japanese culture which, among its many spaces. Spazio Damiani presented unique features, assigns a very different role and value to extraordinary shots of a medium the phenomenon of shadows to that current in Western and large format taken from the Opera series: Covent culture. "In these photographs, I choose instead to be Garden in London, the Teatro di San Carlo in Naples, seduced by the shadows, because these may be the very the Metropolitan in New York, the Fenice in Venice places—between the human and the spirit worlds—that and Palais Garnier in Paris. the “life” of a subject comes into existence."

96 97 Distributors

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100 101 Notes

102 103 Printed in April 2019 by Grafiche Damiani – Faenza Group SpA, Italy.

Unless otherwise indicated, all photographs are copyright the artists.

Cover: © Michael Stipe. From Our Interference Times: a visual record (p. 7) Pages 4–5: Hiroshi Sugimoto, Villa Savoye, Poissy, France, 1998 (detail). © Hiroshi Sugimoto. From Architecture (p. 13) Pages 52–53: Edward Keating, Los Angeles, California, 2000 (detail). © Edward Keating. From MAIN STREET. The Lost Dream of Route 66 (p. 33) Pages 74–75: Concept and images by Maurizio Cattelan and Pierpaolo Ferrari. From Toiletpaper (pp. 76–79) Pages 80–81: Martin Parr, Tenby, Wales, 2018 (detail). © Martin Parr / Magnum Photos. From Beach Therapy (p. 87)

Information in this catalogue was accurate when going to press. Prices, specifications, and terms are subject to change without notice.

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