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Lyyra Standard Lyyra Standard

About Lyyra

Lyyra is a typeface with a radical aesthetic that alternates between the organic and the mechanical. The design incorporates diverse references from various points in history and yet is unmistakably rooted in the present.

Lyyra’s distinguishing trait can be found in the counters of the lowercase. Bowls start from a point and grow into acute symmetrical petals. The emphasis on angled lines is echoed in the drawn-out straights in a or s. Arches start low and ascend slow, quite like tree branches, further enforcing the diagonality. In words and lines, the elements add up to a gently undulating rhythm of ups and downs. This contrasts with the geometric precision of the stroke endings, which are all cut vertically, giving Lyyra a bare look and, by extension, an expression of immediacy. There are only a few predecessors for such a treatment, perhaps most notably Johnston’s Railway Type (1918) and, more comprehensively, Excoffon’s Antique Olive (1960s). The high-waisted caps channel German grotesks from the 1910s and underline the strong-willed character.

When set in capitals, Lyyra can acquire monumental qualities. In mixed case, it’s a self-confident face suitable for a range of applications, in editorial design and beyond. The wider styles make for powerful display options free of patina. So do the bolder cuts with their strikingly modulated strokes. Thanks to its high recognizability, Lyyra lends itself to being used in identity work. The family eschews condensed widths for more luxuriant Extended and downright decadent Expanded styles. There, the diagonality is carried to extremes. Each of the three widths spans five weights plus italics. In addition to the default lining figures, all fonts include oldstyle, tabular and sub-/superscript numerals as well as fractions. For situations where the diamond dots are too daring, Lyyra offers tamer alternates with rounded shapes.

123 pt 123 pt Aa Aa 123 pt 123 pt Aa Aa 123 pt 123 pt Aa Aa123 pt 123 pt

Aa123 pt Aa123 pt Aa Aa

100 pt “District: 12 Willow’s Ähnöy?”

100 pt - Stylistic Set 01 & 02 “District: 12 Willow’s Ähnöy?”

123 pt Molokai 123 pt BUSTER 123 pt Prades 123 pt LONDON 123 pt Deputy

Light 90 pt Pterichthys the Wing Fish

Light 50 pt Kita-Urawa Station is a railway station on the Keihin-Tohoku Line in Urawa-ku, Japan

Light 30 pt He entered the art business in Los Angeles with his father, Frederic Stern, and developed expertise in Impressionist, Post-Impressionist, Modern, and Latin- American art before establishing a gallery that focuses on abstractionists.

Light 17 PT

MONTEUX CONTINUED TO PLAY in the Concerts Colonne through the first decade of the century. In 1910 Colonne died and was succeeded as principal conductor by Gabriel Pierné.26 As well as leading the violas, Monteux was assistant conductor, taking charge of early rehearsals and acting as chorus master for choral works. In 1910 the orchestra was engaged to play for a Paris season given by Sergei Diaghilev’s ballet company, the Ballets Russes. Monteux played under Pierné in the world premiere of Stravinsky’s The Firebird. In 1911 Diaghilev engaged Nikolai Tcherepnin to conduct the premiere of Stravinsky’s Petrushka. Monteux

Light 12 pt

MONTEUX CONTINUED TO PLAY in the sky’s The Firebird. In 1911 Diaghilev engaged Concerts Colonne through the first decade of the Nikolai Tcherepnin to conduct the premiere of century. In 1910 Colonne died and was succeed- Stravinsky’s Petrushka. Monteux conducted the ed as principal conductor by Gabriel Pierné.26 As preliminary rehearsals before Tcherepnin arrived; well as leading the violas, Monteux was assistant Stravinsky was so impressed that he insisted conductor, taking charge of early rehearsals that Monteux conduct the premiere.27 Petrushka and acting as chorus master for choral works. was part of a triple bill, all conducted by Mon- In 1910 the orchestra was engaged to play for a teux. The other two pieces were Le Spectre de la Paris season given by Sergei Diaghilev’s ballet Rose and Scheherazade, a balletic adaptation of company, the Ballets Russes. Monteux played Rimsky-Korsakov’s symphonic suite of the same under Pierné in the world premiere of Stravin- name. The three works were choreographed by

Light 9 pt

MONTEUX CONTINUED TO PLAY in of Stravinsky’s Petrushka. Monteux con- John Canarina observes, at that stage in the Concerts Colonne through the first ducted the preliminary rehearsals before his career his views on the matter carried decade of the century. In 1910 Colonne Tcherepnin arrived; Stravinsky was so little weight.29 Petrushka was a success died and was succeeded as principal impressed that he insisted that Monteux with the public and with all but the most conductor by Gabriel Pierné.26 As well as conduct the premiere.27 Petrushka was diehard conservative critics.30 Following leading the violas, Monteux was assistant part of a triple bill, all conducted by the Paris season Diaghilev appointed conductor, taking charge of early rehears- Monteux. The other two pieces were Le Monteux principal conductor for a tour als and acting as chorus master for choral Spectre de la Rose and Scheherazade, a of Europe in late 1911 and early 1912. It works. In 1910 the orchestra was engaged balletic adaptation of Rimsky-Korsakov’s began with a five-week season at the Roy- to play for a Paris season given by Sergei symphonic suite of the same name. The al Opera House in London.31 The press Diaghilev’s ballet company, the Ballets three works were choreographed by Fo- notices concentrated on the dancers, Russes. Monteux played under Pierné in kine.28 In later years Monteux disapproved who included Anna Pavlova as well as the the world premiere of Stravinsky’s The of the appropriation of symphonic music regular stars of the Ballets Russes,32 but Firebird. In 1911 Diaghilev engaged Ni- for ballets, but he made an exception for Monteux received some words of praise. kolai Tcherepnin to conduct the premiere Scheherazade, and, as his biographer The Times commented on the excellent

Regular 123 pt Xinhua Regular 123 pt BROKER Regular 123 pt Bracken Regular 123 pt GAELICS Regular 123 pt Mahone

Regular 90 pt Shake Your Foundations

Regular 50 pt Ørsted welcomed William Christopher Zeise to his family home in 1806

Regular 30 pt As investigation and planning work continued, the Corps of Engineers reached an agreement with the Department of the Interior, the parent agency of the Bureau of Reclamation, in March 1962.

Regular 17 pt

MONTEUX CONTINUED TO PLAY in the Concerts Colonne through the first decade of the century. In 1910 Colonne died and was succeeded as principal conductor by Gabriel Pierné.26 As well as leading the violas, Monteux was assistant conductor, taking charge of early rehearsals and acting as chorus master for choral works. In 1910 the orchestra was engaged to play for a Paris season given by Sergei Diaghilev’s ballet company, the Ballets Russes. Monteux played under Pierné in the world premiere of Stravinsky’s The Firebird. In 1911 Diaghilev engaged Nikolai Tcherepnin to conduct the premiere of Stravinsky’s Petrushka.

Regular 12 pt

MONTEUX CONTINUED TO PLAY in the of Stravinsky’s The Firebird. In 1911 Diaghilev Concerts Colonne through the first decade engaged Nikolai Tcherepnin to conduct the of the century. In 1910 Colonne died and was premiere of Stravinsky’s Petrushka. Monteux succeeded as principal conductor by Gabriel conducted the preliminary rehearsals before Pierné.26 As well as leading the violas, Monteux Tcherepnin arrived; Stravinsky was so im- was assistant conductor, taking charge of early pressed that he insisted that Monteux conduct rehearsals and acting as chorus master for cho- the premiere.27 Petrushka was part of a triple ral works. In 1910 the orchestra was engaged to bill, all conducted by Monteux. The other two play for a Paris season given by Sergei Diaghi- pieces were Le Spectre de la Rose and Sche- lev’s ballet company, the Ballets Russes. Mon- herazade, a balletic adaptation of Rimsky-Kor- teux played under Pierné in the world premiere sakov’s symphonic suite of the same name. The

Regular 9 pt

MONTEUX CONTINUED TO PLAY in to conduct the premiere of Stravinsky’s Scheherazade, and, as his biographer the Concerts Colonne through the first Petrushka. Monteux conducted the John Canarina observes, at that stage in decade of the century. In 1910 Colonne preliminary rehearsals before Tcherepnin his career his views on the matter carried died and was succeeded as principal arrived; Stravinsky was so impressed little weight.29 Petrushka was a success conductor by Gabriel Pierné.26 As well that he insisted that Monteux conduct with the public and with all but the most as leading the violas, Monteux was as- the premiere.27 Petrushka was part of diehard conservative critics.30 Following sistant conductor, taking charge of early a triple bill, all conducted by Monteux. the Paris season Diaghilev appointed rehearsals and acting as chorus master The other two pieces were Le Spectre Monteux principal conductor for a tour of for choral works. In 1910 the orchestra de la Rose and Scheherazade, a balletic Europe in late 1911 and early 1912. It be- was engaged to play for a Paris season adaptation of Rimsky-Korsakov’s sym- gan with a five-week season at the Royal given by Sergei Diaghilev’s ballet compa- phonic suite of the same name. The three Opera House in London.31 The press ny, the Ballets Russes. Monteux played works were choreographed by Fokine.28 notices concentrated on the dancers, under Pierné in the world premiere In later years Monteux disapproved of who included Anna Pavlova as well as the of Stravinsky’s The Firebird. In 1911 the appropriation of symphonic music regular stars of the Ballets Russes,32 but Diaghilev engaged Nikolai Tcherepnin for ballets, but he made an exception for Monteux received some words of praise.

Medium 123 pt

GoodellMedium 123 pt DURBAR Medium 123 pt Calypso Medium 123 pt

LEAGUEMedium 123 pt Khizriev

Medium 90 pt Gexin Avenue Subdistrict

Medium 50 pt Knuckles’ Chaotix was released in North America and Japan in April 1995

Medium 30 pt Their breeding habitat is coniferous or mixed woods across western North America from the Mexico-U.S. border as far north as southern Alaska; thus they are the northernmost- breeding tanager.

Medium 17 PT

MONTEUX CONTINUED TO PLAY in the Concerts Colonne through the first decade of the century. In 1910 Colonne died and was succeeded as principal conductor by Gabriel Pierné.26 As well as leading the violas, Monteux was assistant conductor, taking charge of early rehearsals and acting as chorus master for choral works. In 1910 the orchestra was engaged to play for a Paris season given by Sergei Diaghilev’s ballet company, the Ballets Russes. Monteux played under Pierné in the world premiere of Stravinsky’s The Fire- bird. In 1911 Diaghilev engaged Nikolai Tcherepnin to conduct the

Medium 12 pt

MONTEUX CONTINUED TO PLAY in the of Stravinsky’s The Firebird. In 1911 Diaghilev Concerts Colonne through the first decade of engaged Nikolai Tcherepnin to conduct the the century. In 1910 Colonne died and was suc- premiere of Stravinsky’s Petrushka. Monteux ceeded as principal conductor by Gabriel Pier- conducted the preliminary rehearsals before né.26 As well as leading the violas, Monteux was Tcherepnin arrived; Stravinsky was so im- assistant conductor, taking charge of early re- pressed that he insisted that Monteux conduct hearsals and acting as chorus master for choral the premiere.27 Petrushka was part of a triple works. In 1910 the orchestra was engaged to bill, all conducted by Monteux. The other two play for a Paris season given by Sergei Diaghi- pieces were Le Spectre de la Rose and Schehe- lev’s ballet company, the Ballets Russes. Mon- razade, a balletic adaptation of Rimsky-Korsa- teux played under Pierné in the world premiere kov’s symphonic suite of the same name. The

Medium 9 pt

MONTEUX CONTINUED TO PLAY Tcherepnin to conduct the premiere ballets, but he made an exception for in the Concerts Colonne through the of Stravinsky’s Petrushka. Monteux Scheherazade, and, as his biographer first decade of the century. In 1910 conducted the preliminary rehearsals John Canarina observes, at that stage Colonne died and was succeeded as before Tcherepnin arrived; Stravin- in his career his views on the matter principal conductor by Gabriel Pierné.26 sky was so impressed that he insisted carried little weight.29 Petrushka was a As well as leading the violas, Monteux that Monteux conduct the premiere.27 success with the public and with all but was assistant conductor, taking charge Petrushka was part of a triple bill, all the most diehard conservative critics.30 of early rehearsals and acting as chorus conducted by Monteux. The other two Following the Paris season Diaghilev master for choral works. In 1910 the pieces were Le Spectre de la Rose and appointed Monteux principal conductor orchestra was engaged to play for a Scheherazade, a balletic adaptation for a tour of Europe in late 1911 and Paris season given by Sergei Diaghilev’s of Rimsky-Korsakov’s symphonic suite early 1912. It began with a five-week ballet company, the Ballets Russes. of the same name. The three works season at the Royal Opera House in Monteux played under Pierné in the were choreographed by Fokine.28 In London.31 The press notices concentrat- world premiere of Stravinsky’s The Fire- later years Monteux disapproved of the ed on the dancers, who included Anna bird. In 1911 Diaghilev engaged Nikolai appropriation of symphonic music for Pavlova as well as the regular stars of

Bold 123 pt

CricketBold 123 pt

STUKUSBold 123 pt

DistrictBold 123 pt

MIRCEABold 123 pt Bohrey

Bold 90 pt Agent a.k.a. The Agent

Bold 50 pt The nearby Gloucester National Park contains three climbable karri trees

Bold 30 pt In 1842 the locomotive was given to the Sächsische Maschinenbau- Compagnie in Chemnitz in payment for the PEGASUS. Beyond that, her fate is unknown. She may be identical with the TEUTONIA.

Bold 17 PT

MONTEUX CONTINUED TO PLAY in the Concerts Colonne through the first decade of the century. In 1910 Colonne died and was succeeded as principal conductor by Gabriel Pierné.26 As well as leading the violas, Monteux was assistant conductor, taking charge of early rehearsals and acting as chorus master for choral works. In 1910 the orchestra was engaged to play for a Paris season given by Sergei Diaghilev’s ballet company, the Ballets Russes. Monteux played under Pierné in the world premiere of Stravinsky’s The Firebird. In 1911 Diaghilev engaged Nikolai Tcherepnin to con-

Bold 12 pt

MONTEUX CONTINUED TO PLAY in the né in the world premiere of Stravinsky’s The Concerts Colonne through the first decade Firebird. In 1911 Diaghilev engaged Nikolai of the century. In 1910 Colonne died and was Tcherepnin to conduct the premiere of Stra- succeeded as principal conductor by Gabriel vinsky’s Petrushka. Monteux conducted the Pierné.26 As well as leading the violas, Mon- preliminary rehearsals before Tcherepnin ar- teux was assistant conductor, taking charge rived; Stravinsky was so impressed that he in- of early rehearsals and acting as chorus mas- sisted that Monteux conduct the premiere.27 ter for choral works. In 1910 the orchestra Petrushka was part of a triple bill, all con- was engaged to play for a Paris season given ducted by Monteux. The other two pieces by Sergei Diaghilev’s ballet company, the were Le Spectre de la Rose and Scheheraza- Ballets Russes. Monteux played under Pier- de, a balletic adaptation of Rimsky-Korsa-

Bold 9 pt

MONTEUX CONTINUED TO PLAY In 1911 Diaghilev engaged Nikolai appropriation of symphonic music for in the Concerts Colonne through the Tcherepnin to conduct the premiere ballets, but he made an exception for first decade of the century. In 1910 of Stravinsky’s Petrushka. Monteux Scheherazade, and, as his biographer Colonne died and was succeeded conducted the preliminary rehearsals John Canarina observes, at that stage as principal conductor by Gabriel before Tcherepnin arrived; Stravin- in his career his views on the matter Pierné.26 As well as leading the violas, sky was so impressed that he insisted carried little weight.29 Petrushka was Monteux was assistant conductor, that Monteux conduct the premiere.27 a success with the public and with all taking charge of early rehearsals and Petrushka was part of a triple bill, all but the most diehard conservative acting as chorus master for choral conducted by Monteux. The other two critics.30 Following the Paris season works. In 1910 the orchestra was pieces were Le Spectre de la Rose and Diaghilev appointed Monteux principal engaged to play for a Paris season Scheherazade, a balletic adaptation of conductor for a tour of Europe in late given by Sergei Diaghilev’s ballet Rimsky-Korsakov’s symphonic suite of 1911 and early 1912. It began with a company, the Ballets Russes. Mon- the same name. The three works were five-week season at the Royal Opera teux played under Pierné in the world choreographed by Fokine.28 In later House in London.31 The press notices premiere of Stravinsky’s The Firebird. years Monteux disapproved of the concentrated on the dancers, who

Black 123 pt

TurkeyBlack 123 pt

ACHATZBlack 123 pt

SuttonBlack 123 pt

VALDEZBlack 123 pt Sen’yū

Black 90 pt DYNB-TV, channel 46

Black 50 pt The ‘best and fairest’ throughout an AFL season, from 1987 to 1996

Black 30 pt Zestful people simply enjoy things more than people low in zestfulness. Zest is a positive trait reflecting a person’s approach to life with anticipation, energy, enthusiasm and excitement.

Black 17 PT

MONTEUX CONTINUED TO PLAY in the Concerts Colonne through the first decade of the century. In 1910 Colonne died and was succeeded as principal conductor by Gabriel Pierné.26 As well as leading the violas, Monteux was assistant conductor, taking charge of early rehearsals and acting as chorus master for choral works. In 1910 the orchestra was engaged to play for a Paris season given by Sergei Diaghilev’s ballet company, the Bal- lets Russes. Monteux played under Pierné in the world premiere of Stravinsky’s The Firebird. In 1911 Diaghilev engaged Nikolai

Black 12 pt

MONTEUX CONTINUED TO PLAY in the Pierné in the world premiere of Stravinsky’s Concerts Colonne through the first decade The Firebird. In 1911 Diaghilev engaged of the century. In 1910 Colonne died and was Nikolai Tcherepnin to conduct the premiere succeeded as principal conductor by Gabriel of Stravinsky’s Petrushka. Monteux con- Pierné.26 As well as leading the violas, Mon- ducted the preliminary rehearsals before teux was assistant conductor, taking charge Tcherepnin arrived; Stravinsky was so of early rehearsals and acting as chorus impressed that he insisted that Monteux master for choral works. In 1910 the orches- conduct the premiere.27 Petrushka was part tra was engaged to play for a Paris season of a triple bill, all conducted by Monteux. given by Sergei Diaghilev’s ballet company, The other two pieces were Le Spectre de la the Ballets Russes. Monteux played under Rose and Scheherazade, a balletic adapta-

Black 9 pt

MONTEUX CONTINUED TO PLAY Diaghilev engaged Nikolai Tcherepnin disapproved of the appropriation of in the Concerts Colonne through the to conduct the premiere of Stravin- symphonic music for ballets, but he first decade of the century. In 1910 sky’s Petrushka. Monteux conducted made an exception for Scheherazade, Colonne died and was succeeded the preliminary rehearsals before and, as his biographer John Canarina as principal conductor by Gabriel Tcherepnin arrived; Stravinsky was observes, at that stage in his career Pierné.26 As well as leading the violas, so impressed that he insisted that his views on the matter carried little Monteux was assistant conductor, Monteux conduct the premiere.27 weight.29 Petrushka was a success taking charge of early rehearsals and Petrushka was part of a triple bill, with the public and with all but the acting as chorus master for choral all conducted by Monteux. The other most diehard conservative critics.30 works. In 1910 the orchestra was en- two pieces were Le Spectre de la Following the Paris season Diaghi- gaged to play for a Paris season given Rose and Scheherazade, a balletic lev appointed Monteux principal by Sergei Diaghilev’s ballet company, adaptation of Rimsky-Korsakov’s conductor for a tour of Europe in late the Ballets Russes. Monteux played symphonic suite of the same name. 1911 and early 1912. It began with a under Pierné in the world premiere The three works were choreographed five-week season at the Royal Opera of Stravinsky’s The Firebird. In 1911 by Fokine.28 In later years Monteux House in London.31 The press notices

Characterset

UPPERCASE A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

LOWERCASE a b c d e f g h i j k l m n o p q r s t u v w x y z

ACCENTED UPPERCASE À Á Â Ã Ä Å Ǻ Ā Ă Ą Æ Ǽ Ç Ć Ĉ Ċ Č Ď Đ È É Ê Ë Ē Ĕ Ė Ę Ě Ĝ Ğ Ġ Ģ Ĥ Ħ I Ì Í Î Ï Ĩ Ī Ĭ Į Ĳ J Ĵ Ķ Ĺ Ļ Ľ Ŀ Ł Ñ Ń Ņ Ň Ŋ Ò Ó Ô Õ Ö Ø Ō Ő Ǿ Œ Ŕ Ŗ Ř S S Ś Ŝ Ş Š Þ Ţ Ť Ț Ŧ Ú Û Ü Ũ Ū Ŭ Ů Ű Ų Ŵ Ẁ Ẃ Ẅ Ẋ Ỳ Ý Ŷ Ÿ Ź Ż Ž Ƶ

ACCENTED LOWERCASE à á â ã ä å ǻ ā ă ą æ ǽ ç ć ĉ ċ č ď đ è é ê ë ē ĕ ė ę ě ĝ ğ ġ ģ ĥ ħ ı ì í î ï ĩ ī ĭ į ĳ j ȷ ĵ ķ ĸ ĺ ļ ľ ŀ ł ñ ń ņ ň ŋ ò ó ô õ ö ø ō ő ǿ œ ŕ ŗ ř ß ś ŝ ş š þ ţ ț ť ŧ ú û ü ũ ū ŭ ů ű ų ŵ ẁ ẃ ẅ ẋ ỳ ý ŷ ÿ ź ż ž ƶ

CASE SENSITIVE FORMS ¡ ¿ ‹ › « » - – — ( ) [ ] { } / | \

STYLISTIC SET 01 Ä Ċ Ë Ė Ģ Ġ I Ï Į J Ņ Ö Ŗ Ț Ü Ẋ ä ċ ë ė ģ ġ i ï į j ņ ö ŗ ț ü ẋ . , : ; … ! ¡ ? ¿ · ! ¡ ? ¿

STYLISTIC SET 02 Ww

PROPORTIONAL LINING FIGURES / MATH SYMBOLS 1 2 3 4 5 6 7 8 9 0 $ € ¥ £ ¢ < > ≤ ≥ + − ± = ≠ ≈ ƒ # % ‰ ª º

PROPORTIONAL OLD STYLE FIGURES / MATH SYMBOLS 1 2 3 4 5 6 7 8 9 0 $ € ¥ £ ¢ < > ≤ ≥ + − ± = ≠ ≈

TABULAR LINING FIGURES / MATH SYMBOLS 1 2 3 4 5 6 7 8 9 0 $ € ¥ £ ¢ < > ≤ ≥ + − ± = ≠ ≈

FRACTIONS ½ ¼ ¾ ⅛ ⅜ ⅝ ⅞

NOMINATOR / DENOMINATOR H 0 1 2 3 4 5 6 7 8 9 / 0 1 2 3 4 5 6 7 8 9

SUPERSCRIPT / SUBSCRIPT H 0 1 2 3 4 5 6 7 8 9 H 0 1 2 3 4 5 6 7 8 9

ROMAN NUMERALS Ⅰ Ⅱ Ⅲ Ⅳ Ⅴ Ⅵ Ⅶ Ⅷ Ⅸ Ⅹ Ⅼ Ⅽ Ⅾ Ⅿ

ARROWS ← ↑ → ↓ ↔ ↕ ↖ ↗ ↘ ↙

Opentype Features

ALL CAPS [CPSP] Lowercase → UPPERCASE

CASE SENSITIVE FORMS [LIGA] fi fl → fi fl

CASE SENSITIVE FORMS [CASE] «¡Hola!» (2-6) → «¡HOLA!» (2-6)

TABULAR FIGURES [TNUM] $56,400 12,899€ → $56,400 12,899€

OLD STYLE FIGURES [ONUM] $56,400 12,899€ → $56,400 12,899€

SUPERIOR [SUPS] x23 + y45 = z67 → x23 + y45 = z67

DENOMINATOR [DNOM] x23 + y45 = z67 → x23 + y45 = z67

INFERIOR [INF] x23 + y45 = z67 → x23 + y45 = z67

FRACTIONS [FRAC] 123456/123456 → 123456/123456

STYLISTIC SET 01 [SS01] ÄäIiÖö:!? → ÄäIiÖö:!?

STYLISTIC SET 02 [SS02] Ww → Ww

Information

SUPPORTED LANGUAGES

Abenaki, Afaan, Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aro- manian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican, Creek, Crimean, Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Esperanto, Estonian, Faroese, Fi- jian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Hai- tian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala, Lagaw, Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin)Ladin, Latin, Latino, sine, Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam, Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese, Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Oshiwambo, Ossetian (Latin), Palauan, Papiamen, to, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami, (Inari, Sami), Sami, (Lule, Sami), Sami, (Northern, Sami), Sami, (Southern, Sami) Samoan, Sango, Saramaccan, Sardinian, Scottish, Gaelic, Serbian, (Latin), Seri, Seychellois, Cre- ole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian, (Lower, Sorbian), Sorbian (Upper, Sorbian), Sotho, (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok, Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Ve- psian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, WelshWik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yind, jibarndi, Zapotec, Zulu, Zuni

DESIGNER Florian Schick & Lauri Toikka

RELEASED 2019

CONTACT Schick Toikka Wühlischstraße 28 10245 Berlin [email protected]