Magnificat As Well As Works Byjacob Handl, Brahms and Willan SUNDAY, DECEMBER 6, 7:00PM JOHN BROUGH, CONDUCTOR
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Lessons&Carols 1 Page Web PDF2019.Indd
THE ANTHEM ~ “Hark! the Herald Angels Sing” ~ Arranged by DAN FORREST Hark! the herald angels sing, “Glory to the newborn King! Peace on earth, and mercy mild, God and sinners reconciled!” Joyful, all ye nations rise, Join the triumph of the skies, With th’angelic host proclaim, “Christ is born in Bethlehem!” Hark! the herald angels sing! “Glory to the newborn King!” Christ, by highest heav’n adored, Christ, the everlasting Lord! usic of hristmas Late in time, behold him come, Offspring of a virgin’s womb. M C Veiled in flesh the Godhead see, Hail th’incarnate Deity, Pleased with us in flesh to dwell Jesus, our Emmanuel, Hark! the herald angels sing! “Glory to the newborn King!” Hail the heav’nborn Prince of Peace, Hail the Sun of Righteousness! Light and life to all he brings, Ris’n with healing in his wings. Mild he lays his glory by, Born that man no more may die, Born to raise the sons of earth, Born to give them second birth, Hark! the herald angels sing! “Glory to the newborn King!” THE ANTHEM ~ “One Sweet Little Baby” MCCLURE & KINNESON ~ Arranged by SHAWN KIRCHNER O Mary, shining glory! The Lord smiles upon you. What a blessing is this little baby that you brought to our world, Refrain: O all for the love of one sweet little baby, All for the love of one sweet baby child, All for the love of one sweet little baby, we have come so far. O, a good old man named Simeon said, “I’m never gonna rest till I see that Messiah child and hold him to my breast.” Many gonna speak against you, child, they’ll crucify all that’s true. -
The Choir of Men and Boys ∙ the Parish of All Saints, Ashmont
The Choir of Men and Boys ∙ The Parish of All Saints, Ashmont 209 Ashmont Street, Dorchester Boston, Massachusetts 02124 Telephone 617–436–3520 [email protected] FAX 617–436–7320 FREDERICK BACKHAUS, Organist & Master of Choristers CHORAL MUSIC – Advent to Last Epiphany, 2008-09 (Year B) YEAR B Advent I The Gentlemen of the Choir November 25, 2008 The Great Litany in Procession (Thanksgiving weekend) Missa brevis (TTBB) – Denis Bedárd Psalm 122 (Tone I) Ecce advenit – William Byrd Remember me, O Lord – Thomas Tomkins Advent II The Choir of Men & Boys December 7, 2008 Matin Responsory and ‘Come, thou Redeemer of the earth’ Communion Service in F – William H. Harris Psalm 72:1-8 (Tone I) There is no rose – Joel Martinson O come, O come, Emmanuel – Andrew Carter Advent III The Choir of Men & Boys December 14, 2008 The Great Litany in Procession Communion Service in F – Herbert Sumsion Psalm 146:4-9 (Tone VII) This is the record of John – Orlando Gibbons Lessons & Carols (7:00 pm - Saturday) The Choir of Men & Boys December 20. 2008 St. John the Evangelist R.C. Church, Winthrop Advent IV Chamber Choir December 21, 2008 Missa brevis – Leslie Betteridge (SSA) Psalm 24:1-7 (Tone I) Ave Maria – Claudio Monteverdi (SSA) Lessons & Carols (4:00 pm - Sunday) The Choir of Men & Boys December 21, 2008 The Parish of All Saints, Ashmont Hymn: Once in royal David’s city (Irby) – David Willcocks This is the truth sent from above – Philip Moore Jesus Christ the apple tree – Anthony Piccolo There is no rose – Joel Martinson Up! good Christen folk, and listen – G.R. -
Lent Term 2010
KING’SCOLLEGE CAMBRIDGE CHAPELSERVICES LENTTERM HOLYWEEKANDEASTER 2010 NOT TO BE TAKEN AWAY THE USE OF CAMERAS, RECORDING EQUIPMENT, VIDEO CAMERAS AND MOBILE PHONES IS NOT PERMITTED IN CHAPEL [ 2 ] NOTICES SERMONSAND ADDRESSES 17 January Dr Edward Kessler Director Woolf Institute of Abrahamic Faiths, Cambridge; Fellow St Edmund’s College 24 January The Revd Richard Lloyd Morgan Acting Dean 31 January The Revd Abi Smetham Assistant Curate of Sheffield Manor Parish 7 February The Revd Canon Michael Hampel Acting Dean and Precentor, St Edmundsbury Cathedral 14 February The Revd Canon Anna Matthews St Albans Cathedral 21 February The Very Revd Dr John Hall Dean of Westminster 28 February The Rt Revd Dr Richard Cheetham Bishop of Kingston 7 March The Revd Canon Brian Watchorn Assistant Chaplain Maundy Thursday Professor Ellen Davies Amos Ragan Kearns Professor, Duke Divinity School, North Carolina Easter Day The Revd Richard Lloyd Morgan Acting Dean SERVICE BOOKLETS Braille and large print service booklets are available from the Chapel Administrator for Evensong and Sung Eucharist services. CHORAL SERVICES Services are normally sung by King’s College Choir on Sundays and from Tuesdays to Saturdays. Services on Mondays are sung by King’s Voices, the College’s mixed voice choir. Exceptions are listed. ORGAN RECITALS Each Saturday during term time there is an organ recital at 6.30 p.m. until 7.15 p.m. Admission is free, and there is a retiring collection. There is no recital on 16 January; the recital on 20 February will last 30 minutes and start at 6.45 p.m. following the longer Evensong that day. -
Biography Ivars Taurins
BIOGRAPHY IVARS TAURINS Equally at home conducting symphonic and choral repertoire, Ivars Taurins is founding director of the Tafelmusik Chamber Choir, now in its 35th season. He was also a founding member and principal violist of the Tafelmusik Orchestra for its first 23 years. Under his direction the Tafelmusik Chamber Choir has been widely praised for its clarity, nuance and brilliance, and in 1991 was awarded the Canada Council’s Healey Willan Prize “in recognition of the consistently high level of achievement by the choir and its unique contribution to choral art in Canada.” Principal Baroque Conductor of the Calgary Philharmonic Orchestra from 2001-2011, Ivars Taurins is also active as a guest conductor with orchestras and choirs across Canada. Guest appearances include the Edmonton, Victoria, Winnipeg, Kitchener-Waterloo, Windsor and Saskatoon Symphonies, Calgary Philharmonic, Orchestra London (Canada), Symphony Nova Scotia, Symphony New Brunswick, Manitoba Chamber Orchestra, Canadian Chamber Ensemble, Thirteen Strings (Ottawa), Vancouver Chamber Choir, Pro Coro Canada, Toronto Mendelssohn Choir, Elora Festival Orchestra and Singers, and Winnipeg Singers. Mr. Taurins was director of the 2012 National Youth Choir of Canada, touring Ontario and Quebec. He was also director of the 2000 and 2009 Ontario Youth Choir, the 2003 Nova Scotia Youth Choir and the 2004 Alberta University and College Choir, as well as guest director of the Nova Scotia, Calgary and London Youth Orchestras. In September 2011, Ivars Taurins was guest choir director for the Orchestre symphonique de Montréal, preparing a combined chorus of Tafelmusik Chamber Choir and members of the OSM Chorus for performances and a recording (Analekta) of Beethoven's Ninth Symphony, directed by Kent Nagano at the gala opening of the new Maison symphonique in Montreal. -
A Cathedral Training with All the Advantages of a Leading Co-Educational Independent School
NEW: 32ft Double Ophicleide installed in 2017 Application closing dates: Monday 4 November 2019 (Round 1) Saturday 8 February 2020 (Round 2) Sixth Form Open Afternoon Wednesday 9 October 2019 A cathedral training with all the advantages of a leading co-educational independent school. 16+ entry from September 2020 Boarding or Day place with a £5,000 annual grant and a means-tested allowance up to full fees available Find out more information at www.cliftoncollege.com/upper/admissions Or please contact: Mr Daniel Robson, Director of Music, Clifton College: [email protected] / 0117 3157 247 Sir David Willcocks Organ Scholarship Clifton College in partnership with Bristol Cathedral Through its 150 years, Clifton College has been noted for the importance it attaches to organists and organs in the school’s musical life. It has nurtured generations of Old Cliftonian musicians including Boris Ord, the one-handed Dr Douglas Fox (famed for his radio broadcasts and recitals), C.S. Lang, and Sir David Willcocks himself. More recent alumni organists include Charles Matthews (winner of the Franz Liszt Organ Competition), Andrew Nethsingha (Director of Music at St John’s College, Cambridge), and current Oxbridge organ scholars. All have benefited from the four-manual organ in the College chapel, still maintained by its original maker, Harrison and Harrison. Sir David Willcocks MC CBE (1919-2015) Old Cliftonian Director of Music, King’s College, Cambridge (1957-73) Present-day life at the College — daily assemblies with hymns (the congregational singing supported by the College’s 2012 Hymn Book), choral services on Sundays, and the numerous concerts and oratorios performed in the chapel with the organ — ensures that the instrument and its players remain at the heart of College life. -
Vespers 2020 Music Guide
MILLIKIN UNIVERSITY® 2 0 2 0 ALL IS BRIGHT MUSIC GUIDE VESPERS MEANS ‘EVENING’ AND IS ONE OF THE SEVEN CANONICAL HOURS OF PRAYER. MILLIKIN UNIVERSITY | SCHOOL OF MUSIC BELL CAROL (2017 All Choirs) William Mathias “AlltheBellsonEarthShallRing”wastheVespersthemeinMathias’compositionwastheperfect openingTheprocessionendeavorstorevealtoaudiencemembersthatbellsaregiftssounds(musicifyou will)oeredtothemangerIndeedtheremainderoftheprogramdisplayedbellsinbothcelebratoryand reflectivemomentsThepiecewascomposedforSirDavidWillcocksthechoirmasterwhobroughtsomuch attentiontotheLessonsandCarolsofKing’sCollegeCambridge ALLELUIA(2018 University Choir) Fredrik Sixten “SingAlleluia”wasthethemeofVespersinandSixten’sreflectivesettingcameearlyintheprogram givingthiswordusuallyconsideredfestiveinmoodasenseofadventhope LAUDATE DOMINUM (2015 Millikin Women) Gyöngyösi Levente LaudateDominumhasservedmanycomposersinincludingMozartwhouseditinhiswellknownSolemn VespersContemporaryHungariancomposerGyöngyösicombinesanincessantmantraonasinglenotewith complexrhythmsforthissettingofPs(“OPraisetheLordallyenations”)Harmonicdensityincreasesand joinstherhythmicdrivetothefinalAlleluiawheretheadditionofatambourineaddsafinalcelebratorynote MAGNIFICAT(2017 Collegiate Chorale) Bryan Kelly EvensongtheAnglicanversionofVespersalwaysincludesasettingoftheMagnificatEventhough thisiscomposedforEnglishearsBryanKelly’senthusiasmforLatinAmericanmusicisclearlyevident inthissettingfromthes GLORIA PATRIMAGNIFICAT (2019 All Choirs) John Rutter ThefinalmovementofRutter’sMagnificatgathersmanyofthework’sthemesintoatriumphantfinale -
Perspectives on Church Music #5
PERSPECTIVES ON CHURCH MUSIC By Carl Schalk Lessons from Christmases Past In the countless services of "Lessons and Carols" held in countless churches throughout the worlds this past Advent and Christmas season, most, if not all, have included the singing of the anonymous 18th-century carol "O Come, All Ye Faithful." My guess is that the arrangement sung in the majority of those services was that of David Willcocks, long-time conductor of the choir of choir of men and boys at Kings College, Cambridge, England, published over a half a century ago. Willcocks' setting is worthy of careful examination by church musicians, both for what it does and for what it doesn't do, for its beauty, but especially for its utter simplicity. The first five stanzas are set to one simple harmonization for either organ ort choir. Stanza six introduces a treble descant, at the same time maintaining the basic harmony with only a few slight modifications. Then stanza seven, the final stanza, begins with the organ in unison. The second phrase ends on the dominant chord, the pedal descending through the seventh degree of the scale, moving toward what one expects to be the tonic in first inversion. Instead, in a moment of genius, Willcocks chooses a diminished minor 7th chord, on "Word" in the phrase "Word of the Father, now in flesh appearing." By any standard it is a most arresting moment, the harmonic high point of the carol. One lesson this Willcocks arrangement teaches us is that it takes only one striking chord to make a significant impression. -
PROGRAM NOTES by Linda Russell Mary Walks Amid the Thorn German
PROGRAM NOTES by Linda Russell Mary walks amid the thorn German traditional In each verse of this sixteenth-century German carol appears the words Kyrie eleison (Lord have mercy) from the Mass. The text is a reverent description of Mary and baby Jesus; the melody embodies a folk-like character. Maria walks amid the thorn, Kyrie eleison. Maria walks amid the thorn, Which seven years no leaf has born. Jesus and Maria. What 'neath her heart doth Mary bear? Kyrie eleison. A little child doth Mary bear, Beneath her heart He nestles there. Jesus and Maria. And as the two are passing near, Kyrie eleison, Lo! roses on the thorns appear, Lo! roses on the thorns appear. Jesus and Maria. Mary had a Baby Christmas Spiritual The spiritual Mary had a Baby may have originated on St. Helena Island, off the coast of South Carolina. Slave traders first brought people from Sierra Leone to this island in the 1500s to work in the rice fields. Exposed to Christian church music, the African-Americans combined Christian concepts and texts with their traditional African music. The song uses a “call and response” format where one person makes a statement and the other voices answer. Mary had a baby, my, Lord. What did she call him? my, Lord. She called him King Jesus, my, Lord. Personent hodie voces puerulae (from Piae Cantiones, 1582) arr. Hoggard/Russell Both the tune and text for our processional are found in Piae Cantiones, a collection of anonymous Latin school and religious songs compiled by a Finnish student in 1582. -
01 Away in a Manger
6 I saw three ships Trad. English carol arr. DAVID WILLCOCKS Gaily SOLO SOLO (or FULL) FULL (or FULL) SOPRANO 1. I saw three ships come sail - ing in I 3. Our Sa - viour Christ and his la - dy, On Christ- mas Day, on Christ- mas Day, Our 5. O, they sailed in- to Beth - le-hem O, ALTOS ALTO On Christ- mas Day, on Christ- mas 5 FULL , saw three ships come sail - ing in Sa - viour Christ and his la - dy, On Christ- mas Day in the morn - ing. they sailed in - to Beth - le - hem , Day, (8) SOLO TENOR (SOLO or FULL) FULL (or FULL) T. 2. And what was in those ships all three? And On Christ- mas Day, on Christ- mas Day, 4. Pray, whi - ther sailed those ships all three? Pray, BASSES B. On Christ- mas Day, on Christ- mas D.C. for vv. 3 & 5 13 FULL , what was in those ships all three? whi - ther sailed those ships all three? On Christ- mas Day in the morn - ing. , Day, Dynamics are left to the discretion of the conductor. © Oxford University Press 1960 and 2014. Photocopying this copyright material is ILLEGAL. 12 Homage to R. V. W. Sussex Carol Trad. English carol arr. DAVID WILLCOCKS VERSE 1: SOPRANOS (and ALTOS) Allegretto VERSE 2: TENORS and BASSES VOICES f 1. On Christ -mas night all mf 2. Then why should men on Ch. (or Gt.) 8' 2' mf ORGAN Sw. legato Ped. V. 1: T. & B. 4 V. 2: S. (& A.) Chris -tians sing, To hear the news the an -gels bring, On earth be so sad, Since our Re - deem - er made us glad, Then 7 Christ -mas night all Chris -tians sing, To hear the news the why should men on earth be so sad, Since our Re - deem - er stacc. -
Raminsh Program.Pages
CELEBRATING CANADIAN COMPOSERS Imant Raminsh Celebration Monday • September 17, 2018 • 7∶00pm As a courtesy… Please turn off the sound for all phones and other electronic devices. You are welcome to take non-flash photos during applause between pieces, but please refrain from taking photos during a performance and between movements, thank you. We encourage you to post your photos and share your experience on social media using the hashtag #CMCBC CMC BC on Twitter: @MusicCentreBC CMC BC on Facebook: facebook.com/CanadianMusicCentreBC Website: musiccentrebc.ca CMC National on Twitter: @CMCnational CMC National on Facebook: facebook.com/CanadianMusic Website: musiccentre.ca Enjoy a glass of pink Prosecco or Show your ticket and get 10% off a San Pellegrino sparkling all hot beverages at Breka Bakery beverage at the Lobby Bar. next door at 855 Davie Street. ‘ Program Editor • Stefan Hintersteininger Program Designer • Tom Hudock Paper generously provided by C-PAC The Murray Adaskin Piano is maintained by Scott Harker of Harker Piano Services Letter from the BC Director I will never forget the first time I heard the music of Imant Raminsh. It was August 10, 2008, soon after I moved back to Vancouver from New York. That day, the Borealis String Quartet performed Imant’s second string quartet and it absolutely mesmerized me. There is a luminous and inspirational quality to Imant’s music. It is profound — there is no other word to describe it. His music touches something lasting and deep and real inside us. This is as true of his choral work as the three string quartets we will hear tonight. -
HOWELLS Missa Sabrinensis
HOWELLS Missa Sabrinensis The Bach Choir BBC Concert Orchestra David Hill conductor HYPERION CDA68294 Herbert Howells (1892-1983) like his friend Vaughan Williams, was not a believer, yet he created a vast amount of religious music for the Anglican church, seeing in the text architecture of ‘immemorial prose’. David Willcocks commissioned the Missa Sabrinensis (Mass of the Severn) for the 1954 Worcester Three Choirs Festival. After its premiere it had few performances until October 1982 when the Bach Choir performed it at the Royal Festival Hall in celebration of Howells’s ninetieth birthday (available on YouTube). Why this should be is a puzzle. It is a challenging work for performers with its complex contrapuntal textures, requiring artists of high calibre and adequate rehearsal time. But it is a masterpiece, one of the great works of 20th century choral music. Although some portions of the work are reminiscent of Vaughan Williams, Holst and Walton that is only because their works are more familiar. Howells was his own man and there was a reason Bliss in his autobiography described Howells as ‘the outstanding talent’ of his generation. In a letter to Walter Emery, Howells described his overall vision, ‘Each [movement] builds itself in obedience not only to the text but to the logical sequence of purely musical ideas’. In this recording Mr Hill and his performers allow us to hear and appreciate Howells’ magnificent detail in all its glory. ’The logical sequence of purely musical ideas…’ is laid before us as impressive as a medieval cathedral; ornate, intricate and wholly satisfying as a work of art. -
Season of Events
2017-2018 season of events Celebrating the Choral and Vocal Music of Imant Raminsh with the UofT Symphony Orchestra IMANT RAMINSH Wilma and Clifford Smith Visitor in Music composer and conductor HILARY APFELSTADT conductor Saturday, October 21, 2017 7:30 pm MacMillan Theatre, 80 Queen’s Park The Faculty of Music gratefully acknowledges the generous support of our presenting sponsors Program Composer Introduction – Dean Don McLean Women’s Chorus Psalm 121 Rise up my love Maxime Despax, viola Elaine Choi and Tracy Wong, conductors Men’s Chorus From The Dream We Carry V. Don’t Give Me the Whole Truth VI. The Dream We Carry Mark Ramsay, conductor Vocal Solo Three Spanish Lyrics Renae Wolfesburger, soprano (from the studio of Laura Tucker) Andrea Van Pelt, collaborative pianist Women’s Chamber Choir Vestigia Olivia LaPointe and Elisabeth Dubois, soloists Cassandra Leshchyshyn, violin Livia Coburn, cello In the Beginning Eszter Horváth, conductor Women’s Chamber Choir continued From Symphony of Psalms, No. 6 Seigneur, tous sais tout de moi Marco De Conno and Zachary Goldstein, clarinets (brief interval – in the hall) MacMillan Singers From Five Latvian Folksongs 1. Tek Saulīte (Hasten, Sun) Julia Frodyma, soloist 3. Trīs Januas Māsas (Three Lovely Sisters) Magnificat I. Magnificat – Et Exultavit II. Quia respexit III. Fecit potentiam IV. Suscepit Israel V. Gloria patri Jennifer Routhier, mezzo-soprano (from the studio of Laura Tucker) Ave verum corpus Imant Raminsh, conductor Intermission Missa Brevis in C minor I. Kyrie II. Gloria III. Sanctus – Benedictus IV. Agnus Dei Women’s Chamber Choir and Women’s Chorus Amy Moodie, soprano (from the studio of Lorna MacDonald) University of Toronto Symphony Orchestra Thank you to Imant Raminsh for his stellar music; to the Faculty of Music for selecting Mr.