grANA meANAmt k AMERICAN SQURRE ■ RNCE MAY 1972
SQUARE TIME THE EDITORS' PAGE
Square Time is Spring step in the pattern. No larva becomes Late fall was once the beginning of a butterfly without sojourning in the the new square dance season, when pupa stage; no child walks until he has graduates of ten-lesson classes tested crept. We can apply the examples in new-found skills at their area clubs. nature to our experiences with gradu- Today, with lessons extending twenty ate dancers. We — dancers and callers weeks and longer, from early Septem- alike — should make these dancers feel ber through the winter months, spring welcome at their first club dances, in- becomes the time for the cultivation sure that their fledgling flights into the of "seedling" dancers. new "level" are smooth and fun, and It's been warm here this week, and pave the way for natural progression the garden beckons insistently. All over into strange and more advanced figures. the yard, there is evidence of growth We should also encourage the gradu- as daffodil buds appear, crocuses show ates to be well-oriented to club dan- their colors, dogwood and lilac trees cing and develop confidence in their flash a hint of green. ability and dancing skills before they Several years ago (November, 1969) progress to more advanced workshops this magazine featured, "Growing Dan- and challenge groups. Skipping steps cers Step By Step." Its basic theme will only lead to frustration and in- bears repeating, since this is the season creased drop-outs. for the nurture of newer dancers in the Gardens are work, hard work, and club gardens, as well as for the rose- a good crop is never raised by neglect. bushes outdoors. Let's keep this in mind as we cultivate Everything that grows has a pattern; the spring 1972 graduates into well nothing in the natural order skips a rounded club dancers.
2 AMERICAN * VOLUMEMAY, 1972 27, No. 5 SQUARE * DANCE -)E "THE NATIONAL MAGAZINE WITH THE SWINGING LINES" Publishers and Editors Stan & Cathie Burdick Workshop Editor Willard Orlich Easy-Level Editor Bob Howell Record Reviewers Doug Edwards Phyl & Frank Lehnert Feature Writers 2 Editors' Page Harold & Lill Bausch 4 Grand Zip Dewey Berry 6 Meanderings Fred Freuthal 9 Mood Music 11 Single Square Dancers Myrtis Litman 12 One Night Stands Editorial Assistants 15 Caller-Leader Directory Mary Fabik 16 The Problem At Hand Mef Merrell 19 Round Dancing Is Fun 20 Feedback National Advisory Board 21 Sketchbook Commentary Edna & Gene Arnfield 22 Puzzle Page Bob Augustin 25 Mix 'n Match Al "Tex" Brownlee 26 Dancing Tips Louis Calhoun 27 Calling Tips Orphie Easson 29 Straight Talk Jerry Helt Phyl & Frank Lehnert 32 You Know You've Goofed Melton Luttrell 34 Square Line Singin' Sam Mitchell 36 S/D Record Reviews Ken Oppenlander 38 News Vaughn Parrish 39 Challenge Chatter Dave Taylor 41 Easy Level Page Bob Wickers 42 Dandy Idea 43 Best Club Trick *, 45 Workshop AMERICAN SOUAREDANCE magazine is 52 Steal A Little Peek published monthly at 216 Williams St., Hur- 54 Product Line on, Ohio, by Burdick Enterprises. Second 55 R/D Record Reviews class postage paid at Sandusky, Ohio. Copy deadline first of month preceding date of is- 56 Events sue. Subscription: $5.00 per year. Single co- 61 Bookshelf pies:50 cents each. Mailing address: Box 788, 63 Sign-Off Word Sandusky, Ohio 44870. Copyright 1972 by 64 DoCiDo Dolores Burdick Enterprises. All rights reserved. -x- 3 Please send me this issue, if possible, and determine if I am scheduled to receive the remaining issues of my subscription. A. Gene Spence Greenville, S.C. ED NOTE: Notify us whenever this occurs. A replacement copy will be sent by return mail. Dear Sirs: Enjoyed reading a copy of your square dance magazine, so would like to have a subscription to SQUARE DANCE. I belong to Seminole Square Dance club of Miami, Florida, and just received a pin for ten year mem- Wow! I sure didn't expect anything bership. like that. Ever since Billie and I have Am enclosing a check for 55.00 been square dancing, it has been one for a year's subscription. pleasant surprise after another. We feel Dorothy Schneider that having an article printed in a top- Miami, Fla. flight magazine is a highlight of our ED NOTE: Since a special rate of $3.00 is square dance life. Thank you for the now offered to all new subscribers, those honor. I have one correction that sending $5.00 are given a 17-month sub- could be made, but probably would scription. Renewals continue at the regular be noticed only by Washington State rate of $5.00 per year. people. The line "notes from a speech Please put me on your subscription given at the 1971 Seattle Seminar" list starting with the March issue. I've should have read "notes from a speech seen your magazine at Lincoln Center given at State Leadership Seminar at Public Library and have hurriedly sent Cle Elum." this note off to you. We feel that square dancing is the Harry Tartell friendliest, most wholesome activity New York, N. Y. there is and wish that more people There has been a big change and could get a true picture of square improvement since you took over the dancing. Most people see it as done on magazine. Keep up the good work. TV by an exhibition group of cloggers Do you still have the "Binders" for or as the old barn dance type of yester- a year's worth of the magazine? I have year. These people say, "Oh, I can't do ten years of American Squares and that," or "We don't want to be part of Square Dance and would like some anything like that." We get people in more binders. Do you have them and our classes that just don't believe that how much? Please let me know. square dancing is anything but a local George J. Gargand Jr. fad, and are real surprised to find out Hibbing, Minnesota differently. ED NOTE: Binders are not available at the Keep up the great work on a won- present time. We do hope to offer them to derful magazine. readers at a future date. Watch for a later Joe Secor announcement. Spokane, Wash. Enclosed find check to cover my I did NOT receive the March issue subscription for two years I never of SQUARE DANCE magazine. I con- thought my picture would make the sider it very important to have all issues cover of SQUAREDANCE. It was of the magazine as it is a valuable quite a thrill. Johnny & Janie Creel resource to my square dance activity. Metairie, La.
4 YOU'RE ONLY A YEAR AWAY FROM YOUR islANd TOUR AWAY FROM IT ALL-
IN AUSTRALIA, NEW ZEALAND, FIJI, AND HAWAII AUSTRALIA is big, bold and beautiful. Some • people look upon it as a vast agricultural lab- a oratory. Some find fascination in its newfound • mineral wealth and the surge of industrial activity • a that has accompanied it. Some consider it the world's most active sportsland. Some think only of AMERICAN • its dynamic. cosmopolitan cities. Some describe SQUAR EDA NC E it in terms of "The Reef"— that great mass of MAGAZINE coral that sweeps for more than a thousand SPONSORED • a miles along the northeastern coast. TOUR — JULY, 1973
a HAWAII is a many splendored place of lush HOSTS: green mountains, azure seas and dazzling Stan & Cathie Burdick a a Harold & LA Bausch beaches. But its particular treasure is its people Phyl & Frank Lahnert a a and the spirit of aloha they extend to their visitors. a a The lively action, the relaxed atmosphere, the COST: S1250. ea. (est.) romantic scenery will enchant you. 4 4111.—,r a A tour for square S dancers and friends. Dancing and sightseeing • FIJI is 300 islands in the sun, scattered over 50.000 square miles of the warm, blue Pacific. in each location. • Of these surf-ruffled coral atolls and river-laced volcanic islands. only 100 are inhabited. CONTACT HOSTS In Fiji, and especially on its largest island. Viti OR WRITE. P.O.BO% 788 a Levu, the romance and unspoiled beauty of the SANDUSKY. OHIO 44870 a South Pacific spring to life a ■ New Zealand is a vitally exuberant country as a a modern as today. set against an ancient tableau a of scenic beauty untouched for centuries before a the arrival of the Maori and European. The tradi- a tional informality and hospitality of the South Pacific mingle with the British heritage of custom a and occasion to make this land as fascinating....., gib S as its legends
1.1••••11 ••••': lob. ..-Za
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how the wheels of the little car dropped into a muddy shoulder and went out of control. I remember saying, "Oh, no...." and it was all over and I got out of the steaming pile of steel and chrome, holding my stomach and try- ing to catch my breath. My friends call me "Crash" .... Those of you who have been through I take the jibes and smile back this moment will recall the sensation. weakly. I'll conclude the episode by saying That's the appellation with which I simply that I was able to call my next got dubbed after my early March auto dance two nights later, in fair shape (square shape, of course) and I came collision. It's a smileable nickname, out of it determined that I do not want all right. But it conjurs a mighty to turn in my membership card in the sobering recollection. human race for a long, long time! The memory of that crushing event brings into focus three important facts CONFUSION SAY: to me: "It is easier to SUBTRACT the 1. A power pole can be awfully hard memory of unhappy event, if, when when it comes at you going 45 miles ADDING up the value of your friends, per hour and your brakes aren't holding you find you've got at least TWO TO the car as it slides unerringly toward CARRY you." the inevitable immovable destination, on skids of mud. 2. Truly, I must have a guardian angel watching over me when I can Flying to far cities in these varied walk away from an accident like that United States can be both informative one with only a few scratches and a and grossly exciting. And the experi- sore stomach. The car was a total ences thus encountered can add a little wreck. It had been a little red 1971 zipidedooda to any humdrum life style. two-door Opel sedan. Now it looked I enjoy sitting for a while in airport like a little red 1571 Tudor accordian lobbies as I travel, such as O'Hare, hanging on a coat rack. Kennedy, and Hopkins, just watch the 3. People everywhere who drive people parade, especially in the colorful anywhere ought to drive as if they were spring time of the year. All day long driving to church Sunday morning. the maxi's and the mini's and the Otherwise, someone might end up minks and the mod modes march by. driving them to church some Monday How clothing has changed in the past morning. ten years! A few years ago we bought Those things happen so fast it is a pair of pants. Today we buy a pair hard to remember the details. I was of pants that has to be flared and driving to Chillicothe, Ohio to call a fringed, and sanforized and double knit dance on a sloppy winter night. Some- and perma-pressed and wash 'n wear!
6 Somehow, I believe I prefer the changing seasons we have in Ohio, with a good old-fashioned snow storm thrown in once in a while for variety. It is probably not unlike the old adage that even a "perfect" marriage needs a couple of stormy disagreements now and then, to sweeten the reconciliation. The other day as I touched down in Wherever I meander, square dancers Tucson, Arizona, the pilot almost really love to boast and boost their apologized as he blurted out over the beloved bailiwicks. Provincial pride — intercom: "Folks, there is seldom any isn't it a grand concept' rain here, but today it is raining. It I was treated royally in Wichita hasn't rained here in three months. But driven around the city two hours cheer up, it will be gone in a few that Century II domed convention hall minutes." downtown is magnificent part of Sure enough, it was, it hadn't and it the colorful downtown redevelopment did. The storied dry climate returned thirty clubs in the area offer fine in the blinking of a sun under the grey square dancing tied together by a eyebrow of a cloud, and the tempera- League the area magazine is "Happy ture quickly soared to its customary Tracks" well done. 80 degree mark. The scenery out there is magnificent in the spring. Azure sky meeting copper mountains which roll forward and flatten to orchard-like bush and plains country is a welcome eye-full sight. Here and there the little ground-hugging cactus redeems its thorny, formidable exterior by producing spectacular bright pink blossoms, and the great sentinel cactus, towering thirty, forty Mary Krotzer of Sierra Vista may and fifty feet high, boasting an age in be about the only member of the the hundreds, seems to be holding its "Rattlesnake Club" and she has a arms high in an old Osage Indian badge to prove it. To he a member of greeting. that club you have to have been bitten They say out there that if one stays by a rattlesnake while walking home more than two days in that country from a square dance. Any other he'll be "hooked" forever and never applicants? come home. Lucky for me I only had two dances to call (Sierra Vista and And still the memories, all less than Tucson) or I might be still there, 30 days old, come flash flooding penning these lines. through the alleys of my mind Clay Organ of Sierra Vista, really drove a "second mile" and a two hundred and twenty second mile to show me the Arizona scenery Ft. Huachucha, the sprawling military base the leg- endary town of Tombstone, alive with ghosts of the past Tucson, with its DID-IT-OURSELVES square dancehall (this whole story to appear in a month or so)...-Jim Stogsdill, who has given a start to some of today's leading callers
7 Len Watson, who goes on and on, brightening his corner Bill William- son, who can fix anything, including a broken square Omaha, site of a recent "National" where Harold and •Records Lill, fellow ASD staffers, have a good thing going and arranged such a fine subscription dance DEALERS ARIZONA My trips-of-the-month club also Clay's Barn took me to New York City again, P.O. Box 2154 where I had a pow wow with two Sierra Vista 85635 astute colleagues, Charl ie Baldwin (New Dancer's accessories, caller's equipment England Caller) and Bob Osgood (Sets CALIFORNIA in Order, and the many-faceted ASDS) Nancy Seeley's Records for Dancing and some golden nuggets were mined P.O. Box 5156 from those fertile minds (not mine!) China Lake, Cal. 93555 I rediscovered Times Square, Radio Also flags, books, shoes — All by mail! City, and all the old sights and sounds. ILLINOIS Muggers have replaced the huggers in Andy's Record Center Central Park, as you know. And the 1614 N. Pulaski Rd. streets are more choked with yellow Chicago 60639 cabs than ever. Squint your eyes a bit Ask about our bonus plan and you can imagine yourself tip-toe- INDIANA ing through a sunny field of daffodils, VVhirlaway News & Records CALLERS DREAM with the exception that those "daffys" 13261 Chippewa Blvd. sure can flatten you if you don't watch Mishawaka 46544 out sharply. MASSACHUSETTS In conclusion, I want to relate an Jerry's Record Service 48 Grove St. incident that happened as I came to Springfield 01107 the end of my air trip and neared the NORTH CAROLINA Cleveland airport. My seat mate, a Raybuck Record Serv.& Callers Sup. hearing-aid specialist from Portland, Route 1, Box 226 Oregon, said, "You know, I've got a Advance, N.C. 27006 funny feeling about the safety of this OHIO particular trip and I've had it all day. I F & S Western Shop almost didn't come. But I took out a 1553 Western Ave. special hundred-thousand dollar insur- Toledo 43609 ance policy at the airport this morning. Belt & Buckle Western Shop At least my family will be well taken Lee Gervais care of." 1891 Mapleview Dr. Gosh. What a sure-fire way to put Oeveland 44131 your traveling companion completely WASHINGTON at ease! But I landed safely in Cleveland. Riley's Aqua Barn 15227 SE Maple Valley Highway Finally, as I park my pen and Renton, Washington 98055 migrate with my "mike," I'll pass on a good slogan that sums up some Kappie's Record Korral 10400 Renton Ave. So. feelings that, if passed on by all of us, Seattle, Wash. 98178 might cause a pleasant epidemic: Tango Bongo available. SMILE....TODAY IS THE FIRST DAY OF THE REST OF YOUR LIFE!
8 MOOD music
by Helen Springer Boise, Idaho
It happened at an "Up With People" concert. Most of the seated crowd had because the younger one, probably in been there for a long while and was her early twenties, was one of the growing restless waiting for the pro- saddest looking girls I have ever seen. gram to start, bored expressions on This girl's entire body seemed to sag their faces, their feet shuffling about with despair. Her feet sort of shuffled in an itchy fashion, irritation increas- along, as if she didn't possess the ingly apparent in their long drawn-out energy to lift one after the other. sighs. Everything about her was down at this Late-corners were still sifting in, fit- "Up With People" concert, her eyes ting into the empty seats here and were focused somewhere near her feet there. As two women approached the and her head was bent. Her brown line I was in I thought, "I hope they hair, with a hint of a soft wave in it, don't want past me. I don't want to framed a pasty grey face. She wore no have to stand up, tuck my feet under make-up. One arm hung limply at her my chair and pull my stomach in to side while the other was raised some- let them by." I became interested in what to allow her to clutch her com- them, though, as they drew closer, panion's arm. The woman with her was
9 probably in her thirties, a look of side of her just looked at her silently patience in blue eyes that had deep, and helplessly. After the woman with dark circles underneath them. I won- him leaned over and whispered to him dered what her relationship was to the he spoke to the girl. She lifted her arm melancholic figure beside her. just enough to let his through. No As I stood to let them through, I other part of her body moved. Even heard the older of the women tell the though ner arms were raised slightly other, "We're going by some people her hands hung limply on the ends of here." It was then that I realized the them. girl was blind and I wondered whether "Allemande Left, Right and Left those glazed eyes had ever had the Grand," called out the boy from power of sight or whether she'd been Japan. A stunning black girl, in a born that way. I glanced at her, seated brightly colored costume, swayed her beside her sister or possibly a friend. body as she played the piano while a Her head was bent, her hands were tall boy with long blond hair stomped laying listlessly on her lap. I thought his foot as he strummed his banjo. about the deep pain she must have Four couples square danced on the suffered to look so bitter and de- raised stage. "Head Ladies Chain pressed. What stories must lie behind Across." The eight dancers whirled and those unseeing eyes, hurts that I prob- circled, the boys whistling and yelling ably couldn't even conceive. Was there as they clomped around in their boots, anything anyone could do for her? I the girls, feminine in their full *ill. wanted so much to talk to her, but and lace pantaloons, laughed gaily. I what would I or anyone say? How could feel the excitement of the crowd would you even go about getting a mount, the easy laughter tumbling out young girl to cheerfully accept sight- of parted lips. This time when I glanced lessness? at the nameless girl her pasty skin had The program, beginning, interrupted taken on a slight pink tone and her my thought, pulling my interest from head was lifted just a little. As I this sad girl to the vibrant young watched her she slowly came to life, people on the stage. Occasionally, like a butterfly emerging from a co- though, throughout the program, I coon. Her face looked as if someone glanced at the sightless girl, each time had put a lighted bulb in back of it. thinking possibly I might detect a sign Her head and body seemed to lift as of joy in her face or body, but the she rocked to the music. "Promenade bitter look of resignation remained. All - Swing Your Partner," the young The theme of the program was "Up caller chanted. The crowd, including With People" and their songs were the blind girl, were clapping their hands built around it. The performers vi- now and stomping their feet. brated with enthusiasm. When I glanced When it was over the girl looked at my husband and daughter, their vibrant and alive. She was really quite eyes were shining with joy, but the pretty, with the soft pink glow to hit blind girl remained dejected. skin. I watched her as she left the hall. Toward the end of the evening, a She didn't shuffle her feet then, she boy from Japan took the microphone lifted each one. And I may have just and called out, "Everybody join arms imagined, but I don't think so, that and rock with the music. Get into the she wasn't clutching her companion's spirit of the next few pieces with us." arm quite as tightly as she did when I looked at the girl I had no name for she came in. to see if she would join in this merry- I had just seen Square Dancing do making, hoping so that she would. Her something that I don't think doctors companion lifted the girl's arm and slid could accomplish. There are many hers through but the man on the other kinds of therapy.
10 Singie Square 2ancer3 S
discussed the subject, feels that a Single Square Dancers, U.S.A. will national organization with planned and hold its second annual convention in hosted single square dance get-togeth ers Oklahoma City, September 1-3, 1972. would aid in attaining recognition The brainchild of Joe B. Ellis, the both at local and national levels. initial event attracted dancers from Square dancing for single people is ten states. This year a turnout of more of a necessity in many instances delegates and visitors from over 30 than for married couples, since they states is expected. have a vital need to mix and socialize It is the purpose of this event to with other single people. Square danc- give singles an opportunity to attend a ing provides an opportunity to express nationwide gathering especially suitable mutual interests and become aware of to their dancing and social needs; to one's fellow man (or woman), to ob- exchange ideas for future organization serve and participate. and plan future such events; and to Problems confronting single dancers discuss the specific problems which are during the past have been many. They encountered in single square dancing. have been excluded from attendance Joe Ellis became interested in singles at seminars because of the fear that leadership and organizational work in irresponsible singles might bring some 1963, after serving in official capacities measure of moral or personal disgrace in various square dance clubs. Follow- to the general square dancing public. ing his initial work in organizing singles It has since been proven to all, with on a small scale in Oklahoma City, the the interest and understanding of many first national event for singles was held, married couples, that "responsible" and then Joe was tapped again to be adults are not necessarily married general chairman and executive secre- adults. tary for the second annual Dance-A- In the case of large dances or Rama in 1972. conventions, it would seem beneficial Divorced, widowed, or never-mar- to singles in general, if other singles ried adults have a specific need for were appointed to handle all arrange- good, clean entertainment such as ments for the singles attending such square dancing. They also need dances events, as they would be more aware as a place to meet other singles. A of their needs, such as opportunities to large percentage of the world's popula- gather as a group in designated areas tion is single, but there are very few to exchange dances and circulate more organized single square dance clubs to confidently. accommodate them. In some instances, One aim of the organization of there is a lack of opportunity for a Single Dancers U.S.A. is communica- single person, or a pair of singles, to tion and channeling of information join or participate in other square between all single clubs. Any interested dance organizations on either the local, dancers should write Joe B. Ellis. He district, state or national levels. This plans to prepare a national listing of problem is improving steadily, but singles clubs, dates they meet, and there is still a great need for recognition contact persons. His address is 3926 of this problem area. Ellis, as well as S.E. 11th, Oklahoma City, Oklahoma many other singles with whom he has 73115.
11 One Aright \ \ Stand:
by Jim Teal Columbus, Ohio
• Part 2
or third tip, and there are times when Although the "Square" or "Half it is better to call an entire dance and Half" dances are not quite as without calling a Left Allemande. It is numerous or popular today as they an exception rather than a rule when were 30 years ago, there are still a caller cannot call a Left Allemande enough of them to keep many callers during the first tip, but a caller must busy every week-end. These dances are be able to analyze the groups and conducted by churches, lodges, PTA's, know what he can or cannot do with social groups etc., for the prime pur- them. pose of giving those who attend, an With a little practice, a caller can evening of uncomplicated enjoyment. substitute for Allemande Left, Grand People may attend this type of dance Right and Left by using Circle Left just once or twice a year or perhaps and Right, Swing corner, Swing partner only once in a lifetime. Sometimes, it etc. instead of the Allemande Left. depends on how the caller performs at Do not spend a lot of time at the that first dance, whether they ever start of an evening trying to teach want to attend another. Most of the everyone how to square dance. Show people who attend these dances have them how to form the squares, the had no previous square dance training, number of each couple in the square, and the caller must be prepared to who is their corner, keep girl on right provide an evening of entertainment side, circle right and left, etc. If it for participants who are completely appears that it will take considerable inexperienced. time to teach them more than that, It is imperative that the caller gets get them moving to music right away. the people moving to music as soon as Tell them to relax, listen to your calls, possible and to keep them dancing for and do just what you tell them to do. the entire evening. Depending upon Then, using a good Hoedown record the group, it is sometimes not ad- (I like "The Devil Jumped Up" SIO visable to teach Left Allemande and No. 2141B), start calling something Grand Right and Left until the second directional such as:
12 OPENER: Bow to your partner, your corner too Circle to the left is what you do (half way round) Now circle to the right, go the other way When you're home swing your corner, the lady on left Now right back home and swing your own. FIGURE: Ladies to the center stand back to back (faee out girls) Gents (face to your right) march (or walk) around that outside track Pass your partner right on by, swing the next one on the sly Repeat three times until each man is swinging his original partner. Repeat opener. Gents to the center stand back to back And the girls march round the outside track Pass your partner right on by, swing the next guy on the sly Repeat three times until each girl is swinging her original partner Repeat opener.
For the second half of the tip, any good visiting couple singing call may be used with circle left, circle right and swings being substituted for Left Alle- mande, Grand Right and Left. Follow- ing is an example, using Red River Valley, (Records — TOP-25184 or JEWEL — JIDSA)
OPENER-BREAK Join your hands and circle to the left now You circle to the left till you get home Now swing that corner lady, the lady on the left Right back home and swing your own sweet gal. FIGURE: The first couple lead to the right and circle (with couple No. 2) Circle to the left and then the right Swing with that girl in the Valley (opposite) Now swing with your own Red River gal. Lead right on down the valley (to couple No. 3) Circle to the left and then the right Swing with that girl in the Valley Now swing with your own Red River gal. Repeat for couple No. 4. Repeat FIGURE for couple 2,3, and 4. (Note: Records are not long enough for all couples. Start record over after second couple completes figure.)
13 ONE NIGHT STAND FIGURE USING "LONG LONESOME HIGHWAY" Use Wagon Wheel 309 or any 64 beat record OPENER-CLOSER Join your hands and circle to the left now Just keep on walking round that ring and then Allemande left your corner, come back and swing your own Swing that pretty little lady round and round Allemande left your corner, and a grand right and left When you meet that pretty little gal, you promenade the set Welkin down that long lonesome highway (or verse to fit record used). FIGURE: First couple lead to the right and circle four hands round Put the bird in the cage and the cage goes round and round and round (No. 1 lady in center and circle three hands round her) Bird steps out, crow steps in, cage goes round and round again (No. 1 lady joins ring and No. 1 gent goes to center and circle three hands around him) Now the crow steps out and circle four hands round Dive thru to the next two and circle four hands around (No. 2 couple make arch; No. 1 couple dives thru arch to couple No. 3) Repeat figure for couples 3 and four. End figure for couple No. 4: Dive thru and home you go, now everybody swing Swing that pretty little lady, then promenade the ring Just a-walkin down that long lonesome highway (or other verse). Repeat FIGURE three more times with couples 2,3, and 4 leading to the right and progressing around the square.
THE SOUND WITH THE SOLID BEAT
NIKCONCI.
sox 54 110X 54 NIWYONVIllf L NFWTONVIlll MIW VOI, 17 , 7i HOW YORK 7171
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RECENT RELEASES JK-131 False Hearted Girl PIL-1010 Red Roses For A Blue Caller: Dick Jones Caller: Randy Anderson Lady NEW LONG PLAY JK-1201 10 Great Singing Calls — 6 Great Callers SIDE 1 SIDE 2 REAL TRUE LOVIN— Ken Anderson RAINDROPS KEEP FALLIN— Ken Anderson FOOTBALL HERO— KID Garvey SANTA CLAUS— Dick Jones RING OF FIRE—John Hendron AVERAGE PEOPLE— Phil Adams ME AND BOBBY MCGEE— Red Bates L.A. INTERNATIONAL AIRPORT—J.Hendron WHEN THERE'S FIRE—John Hendron PUT YOUR HAND IN THE HAND—K.Anderson at your dealer or order direct NEW ROUNDS JK-508F FOR THE GOOD TIMES JK-508R RHYTHM IN THE RAIN Howard and Phyllis Swanson Dick and Marlene Bayer PRODUCED BY: J—B—K, Boa 54, Newtonv,Ile, N.Y. 12128
/4 CALLER—LEADER &ogi•---3-6 DIRECTORY CONTACT THESE CALLER-LEADERS FOR THEIR AREA DANCE INFORMATION AND FOR BOOKINGS AT YOUR CLUB OR EVENT CALLERS, LEADERS, BOTH Bob Beau 59 Sycamore St. "LOCAL" Millbury, Mass. 01527 AND Now booking 73-74 "NATIONAL" Don Beivin ARE Gene Maycroft 1002 Oak Drive 947 West St. (773-3783) INVITED Manchester, Tenn. 37355 Muskegon, Mich. 49442 Caller for H.A.T. records TO Available for dates NOW! Stan Burdick INQUIRE Ken Oppenlander 319 S. 6th St. Box 788 ABOUT Sandusky, Ohio 44870 Manhattan, Ks. 66502 LISTING Bringing the HI and HO from OHIO Festivals, Clubs, Workshops NAMES Louis Calhoun Russ Perfors 635 Suthard Drive AND 992 Tioga Trail Willoughby, Ohio 44094 Madisonville, Ky. 42431 ADDRESSES Calling tours Rustle your bustle with Russell ON THIS Mal "Pikes" Cameron Bill Ryan 6 Laraway Ct. Apt. 3C PAGE 138 University Derry, N.H. 03038 Buffalo, N.Y. 14214 Calling on TOP Recording on TOP, tours Charles Trapp (Yodeling) Jack Cloe 107 Spring St. 3507 Drumm Independence, Mo. 64055 Hull, Mass. 02045 Traveling full time —booking for 72 & 731 Now booking 72-73. Gordon Densmore Shag Ulen (384-3222) 2451 Haines Rd. P.O. Box 92 Madison, Ohio 44057 Wellston, Ohio Clubs, workshops, clinics Hash or song you can't go wrong Jim Duckworth Maurice Warner R.D. 5, Warner Rd. 3404 Colson Court Rome, N.Y. 13440 Louisville, Ky. 40220 Weekends, write for open dates. Tell your corner, for fun call Warner! Ed Fraidenburg Gene Webster 1916 Poseyville Rd., Rt. 10 1803 Heather Lane Midland, Michigan 48640 Port Clinton, Ohio 43452 Recording on TOP, tours Open dates — western style Bob Wickers Willie Harlan P.O. Box 338 714 La'Marite Dr. Vinita, Oklahoma 74301 Manchester, Mo. 63011 For the best in square dancing Traveling full time anywhere Dave "Hash" Hass Deuce Williams P.O. Box 5 3955 West Point Ave. East Hampton, Conn. 06424 Dearborn Hts., Mich. 48125 NOW booking for 1973-74. The Rhythm Dealer — Hash & Songs Frannie Heintz Web Witter 27 Flynt Ave. 2904 Northeast Dr. Monson, Mass. 01057 Austin, Texas 7 8723 Dance with con-fer-dance! Square Tunes recordings for fun Dick Kenyon Francis Zeller 598 Mayfield Dr. Box 67 Lansing, Michigan McCracken, Ks. 67556 Hash, sings, anytime, anywhere 72-74 Calendar available— vinyl cover
15 There are a finite number of bed- Squaredancing is in trouble. You rock-fundamental maneuvers that are don't believe it? Well, whether or not the "electrons, protons, and neutrons" you believe that, it is a fact that every of squaredancing. They are more ele- single week several thousand people mentary than basics in general. They cease dancing. Now don't misunder- themselves constitute part of the ba- stand. I am not prophesying gloom sics, and the remainder of the basics and doom. Squaredancing is not facing are composed of small packages of extinction. No social activity that pro- certain ones of them. vides people with as much enjoyment, Since all more complicated figures and as inexpensively, as squaredancing are made up of combinations of basics, does, is likely to die out anytime soon. it can thus be seen that every maneuver Nonetheless, squaredancing is in and figure in squaredancing is com- trouble. It is true that the attrition posed of strings of the "indivisible already mentioned is in good part particles" called fundamentals. offset by the influx of new blood. What does all this have to do with People are learning to dance all the the price of putty in Patagonia? This: while. Here is the thing we must be At last count, there were approxi- aware of, though: The attrition rate is mately 247,962 "basics" (so called, much higher than it ought to be or anyway). Next week there may be has to be. The mere fact that square- 2,000 more. People stop squaredancing dancing is surviving does not mean because they eventually despair of re- things could not be better — a whole membering 249,962 and more "basics." of a lot better. But there are exactly 73 funda- Right now, though, let's go back mentals, two of which are currently and examine the problem. Why are so dormant. Five years from now there many leaving this activity that so many will be just about 73. Ten years from enjoy so much? Obviously they no now there might be as many as 75, but longer are enjoying it, else they would it is rather doubtful. not drop out. But why aren't they In effect, the squaredancer who enjoying it enough to stay with it? learns these 73 fundamentals can do There is no need to conjecture about anything in squaredancing. But he will the matter. We can get the straight not be able actually to do so until a story "right from the horse's mouth" different brand of calling is practiced by asking some of them. What do they generally. say? Descriptive calling employs nothing The answers vary, of course. But but basics — true basics. Dancing to thru them all one common complaint such calling, a person who knows the is voiced over and over, and over again: 73 fundamentals and the relatively "It's too complicated!" "It's too much few simple packages making up the of a hassle to keep up." "If you stop remainder of the true basics can in to tie your shoe, you fall so far behind fact do anything in squaredancing, in- that you can't catch up." "We can't cluding the most intricate and involved remember all the new basics; there's of figures. no end to them!" All these remarks can But if the caller calls those same be expressed in one phrase summarizing figures in the manner most prevalent the average ex-dancer's view of mod- today, our "true-basics" dancer won't ern-day squaredancing: "Too much do very well at all. Because the almost complication." universal practice today is to string And in one way he is right. But together a number of fundamentals here is the point of this whole dis- and give the giant package (which I cussion: THE COMPLICATION IS call a grabbag) a flashy, catchy title ONLY APPAR ENT, NOT REAL. What that gives no hint whatever of its do we mean by that? I will explain. contents. 16 Consequently, the poor dancer has to memorize the contents, and their order, of each such grabbag — of which there are over a thousand right now, and more being hatched every day. As soon as the poor, bewildered dancer reaches the limits of his "memory bank," then goodbye, Mr. Dancer. All that has to happen to put an end to this deplorable and ridiculous situation is for callers to do a couple of easy things. (1) Educate themselves in regard to what a fundamental is, what a basic really is, etc., and (2) Stop calling grabbags and call their contents instead; that is, call descriptively. The caller still can call exactly the same material he has been calling all along. The only difference is that he will call each component (basic) of each grabbag, thus providing the dancer with a string of activity units small enough (and self-descriptive enough) to cope with. No one loses anything, and everyone gains. Is there anything impractical about such a plan? Am I some sort of dreamer for proposing it? If so, please show me why and how. No one can do anything about a problem before he becomes convinced that the problem exists. After he is convinced it exists, he is unlikely to have much inclination to do anything about it before he becomes convinced that it affects him. Then he can't do anything about it until he finds out the source, cause, nature, etc., of the prob- lem. He learns those vital facts only by careful study of the details of the matter. A once-thru-lightly investiga- tion is little better than none at all. A lot of people have become weary of beating the bushes in an attempt to find replacements for those who drop by John Jones out of their club and out of square- dancing. Why not try a different ap- Glendale, California proach for a change? Find out how to alter squaredancing's presentation, but All these concepts not squaredancing itself, so as to make are explained in utmost detail in the it far more enjoyable for everyone and four appendices to my book Square- thus induce the potential dropouts not dance Fundamentals, available for to drop out, but to keep right on $7.50 ppd. from Frontier Publishers, enjoying this wonderful pastime that P.O. Box 44; Glendale, Cal. 91209. offers so much to so many for so little. 17 Newest Rounds GF? 14158 PANTOMIME WALTZ by Jim & Ethel Sudborough
WABASH RHYTHM by Bill & Jean Filbert
Newest GR 15013 WALTZ - A-ROUND R/D Drill Basic Waltz by Francis & Violet Kimble
FOXIE Basic Foxtrot by Frank & Ruth Lanning TOP Newest Flip Top 25256 I'M JUST ME Squares by Mike Litzenberger, Slidell, La. Top 25257 BY AUSTRALIAN MOONLIGHT by Wally Cook, Melbourne, Australia Twel g renn (Dealers Only)
WE STOCK DANCE ACCESSORIES: "Slo-down- & "Spee-dup- Plastic record sleeves Dividers for records (set of 60) for floors Conical turntable center (for 45s) Diplomas (square and round) Decals (square and round)
18 ROUND DANCING
IS FUN!
Odds And Ends For Round Dancers
WE PROTEST: THINK BIG; STEP SMALL
Round Dancing— Many new round dancers have dif- makes a conventional dance seem ficulty doing a routine because they boring. take steps that are too big. Always makes it impossible to keep your take small steps when round dancing feet still when you hear one of your and you will find the dancing more own numbers being played on the relaxing and smoother too. Dance erect radio. and on the balls of your feet. On any makes you venture out on a night point or kick be sure the toe of your that you wouldn't even send a dog foot is pointed down, not up. out on. You will start turning-two-steps to makes you attend an all-day square the side, but waltzes either straight and round dance, and then drag your back or straight ahead. When ladies weary feet out on the next night be- back up and men go forward in closed cause you hate to miss the new dances position the man should step straight at club. ahead and not straddle step (you won't gives you not a minute's rest on step on her foot). square dance club night - after all, who Now, these tips are generalizations; wants to sit out a "round"? you could find exceptions to all of YES, WE PROTEST: them. For example there may be cer- tain dances that will have a large step, If we hadn't gotten involved in all this, or waltz balance when you step to the we'd have never— side, but generally speaking, these tips had so much fun! will help. made so many good friends' from the Reporter, Leigh, Nebraska gotten around so much! kept ourselves active! and added that spice to life that CONFUSION SAY: "What world needs now everyone talks about! is more PLAYING A ROUND and less from Tip Topics, Cleveland, Ohio PLAYING AROUND."
19 t7QAU;;;; April 1971 issue: Use the "Australian Round Up" (which is a way of mixing the couples into scattered sets by coincidental arrangement). Tom & Chick McGrath Sydney, Australia Just received your April issue and Another add-on idea to the Callers' Jim Teal has a great article on One table featured in the November maga- Night stands. He is only telling things zine. Instead of letting the bare table I have experienced for over eighteen show, velveteen drape (removable) can years. The current "hot shot" caller easily be fabricated by the spouse to who looks in disdain on the one enhance the stage setting, hide the night stand caller (and many of them clutter and provide advertising space do) are strictly unable to handle this for the caller and/or notices by the type of a square dance party. I am tell- club. The drape may be attached to the ing you the truth when I say that I get table by drapery type hooks (eyes more kick out of a one night stand affixed to the table) or by snaps. I job than a club date. It's a very reward- prefer the snaps as the shifting of the ing and real thrill to have people come table during transit will occasionally up and tell you what a wonderful time bend an eyelet on the table. The drape they had. "I just didn't think I could can probably be stored inside the table. square dance. Gee, I didn't know this Alton L. Douglass was so much fun. I didn't want to try APO San Francisco, Cal. it, but you couldn't keep me off the floor after the first dance." In your December issue, Harold Marvin Labahn Bausch asks the question, "Isn't it a Chicago Ridge, Ill. shame that we don't have some system where by we can take some of the dancers who don't dance so often and those with less experience and mix them in with the more experienced dancers?" He has the answer in the
UCKY RECORDS
P.O. Box 5008 — Long Beach, California 90805
Presents Don Shotwell Bill Martin
May Release- LR 012 RAY OF SUNSHINE, called by Don Shotwell April Release: LR 011 MAY THE CIRCLE BE UNBROKEN, called by Bill Martin March Release: LR 010 SMILE IN YOUR STYLE, called by Don Shotwell Dec. Release: LR 009 RHYTHM VAMP, called by Wayne West
20
fatittWatilaMtattittli Sketchpad Commentary "Face right — walk around the right hand man— face left — seesaw your handsome man — face right — allemande left your corner man face left — do a right and left grand — meet that man — pick him up, girls, and promenade him "
SINCE -women's lib IS TAKING A FIRM FOOTHOLD EVERYWHERE, DO YOU THINK OUR CALLERS WILL SOMEDAY SOUND LIKE THIS?
21 le page MIAMANI NAOMI M UMEMMB LAST MONTH'S PUZZLE =MEAM= aammm WM AMMWM.= amo All around the left hand lady. Forward and back am AIM= MOM Shoot the star Circle to a line dM ammo 2MMM1 Separate and go around one ammm mom Spin chain thru Do-ci-do amim NIMM aa Spin the top ammm ammm j Triple duck Crosstrail JMM ammo am• Sweep a quarter AM ammo 2OMM
amammammo 0 um= wmom
ACROSS 1. "---- Weather" 7. ---- thru 12. "The Dance" DOWN 13. Do - ----ler whit') ( 2 words) 1. "It Happened At A Dance" 15. Russian mountains 2. --- --d que 16. Contribution to a potluck 3. Ohio, Indiana And Detroit area (abbr). 18. --sado 4. Relative (abbr.) 19. Wheel --- deal 5. "Teton --. Stomp" (abbr.) 20. More pleasant 7. Caller Merrill of Michigan 21. Santa's Swingers, Al---a club. 8. A great distance away 22. Egyptian sun god 9. Rural Route Delivery (abbr.) 23. Refreshing drinks for summer 10. - star thru dances 11. --n (two words) 24. "Ring of ----" 14. Subway fare 25. Printer's measure 16. go forward and back 26. He and she 17. deucey 27. Summer TV show 20. Old Testament prophet 28. So 21. Tunes 29. Initials for a ship 24. If the squares are full - take the last 31. Capricious Idea letter of each word in the phrase. 32. "I Love You ---- And ---- 26. " Old House" Every Day" (same word) 27. Countrified 33. Hospital department (Abbr.) 28. " Land Is Your Land" 35. Spring flower 30. the dishrag (plural) 36. Center: point 32. "New World In The ---- Ing" 37. "--, --, Nora" (same word) 33. Eight people (2 words) 38. Relative, for short 34. A couple 39. Shade of orange 35. International Square idiots 40. Not dry Association (abbr.) 41. Ends turn 36. Henry and Edsel 42. thru (plural) 39. Led a round dance 43. Name for a hoedown call 40. Dry river channel 44. Thought the same 42. One square plus two 46. Ends 43. "-bone" 48. Mails 45. Concerning 49. Give off 49. "--d River Valley"
22 PAID ADVERTISEMENT
BOB & CAROL — Now that we've all learned to LUCKY — GOT A HOT TIP FOR YA.It's Square Dance — Meet us at MSDLA Festival — Lansing — May Twentyfoist — a 1-10 Shot Lansing, Civic Cntr. — Sun., May 21 — 1 P.M. going in the MSDLA Festival. Pick up the We'll bring tickets for ya from our MSDLA duckets from one of them 50 MSD LA Caller CALLER. Only 3 Bucks per couple — TED Fellaz. A guaranteed WINNER — ROCKEY. & ALICE. A PERFECT GIFT FOR MOTHERS DAY — TRAVEL — by car, bus, plane, boat, chopper, Take your Wife (She's the kids mom, ya know) bike (tandem, i.e.) or shanks mare to Lansing to the MSDLA FESTIVAL, Sun., May 21, Civic Center May 21 for MSDLA Festival (That's a week after Mother's Day) Treat her — only 3 buckses per couple. to Dinner while you're there. You can get Tickets from MSD LA Callers. YOUR WIFE. DON'T BE MISLED by false rumors— There are still plenty of tickets avail- WILLIE . . . COME HOME -- All is for- able for this Festival. Simply send a check or M.O. for $3.00 per couple, given and I promise to go to the MSDLA (made out to Michigan Square Dance Festival with you in May, in Lansing Leaders Association) plus a self-add- — BOOTSI E. ressed stamped envelope to Bob and Mary Brennan, 28899 Westfield, Livo- FOR SALE — WHALE of a good time to be nia, Michigan 48150. Tickets and Map had at MSDLA Festival May 21 Lansing Civic of Downtown Lansing by return mail. Center. Dinner Res. optional. Contact your nearest MSD LA Caller for tickets. Advance Sale Only.
JOE — Meet us Lansing Civic Center, Sun. May 21 — 1:00 P.M. Object — S.D. 41 Good time. Only 3 bucks a couple. B & M.B. ONE COUPLE — desires to join 800 others for 9 hrs. dancing and fun at yearling and WEIGHT WATCHERS SPECIAL — Lose club level — object GOOD TIME. Bargain 350 Cals. per hr. for nine continuous hrs. rate — will go to Lansing, Sun. May 21 sq. dncg. Lansing Civic Center, Sun. May - 50+ callers. 21 begn. 1:00 P.M. No Sweat suits — 3150 calorie meal optional. See MSDLA callers NEW MODEL (Yearling type) or Vintage for tickets. dancers will all enjoy the MSDLA Festival in Lansing, Sunday May 21 Open 1-9.
FOUND — Fifty plus callers calling at club and yearling level — Lansing Civic Center May 21 — 1-10 pm. MOTHER — Please baby-sit for your twelve darling grandkids, Sun., — May 21, — We REWARD — Good time for all, For info. con- want to go to the Sq. Dance Festival — YOUR tact your friendly neighborhood MSD LA caller. LOVIN SON. P.S. The Twins have "troop" arid the four youngest have the chickenpox.
PAID ADVERTISEMENT
23 FUN VALLEY SQUARE DANCE RESORT SOUTH FORK COLORADO 81154 1972 PROGRAM
WEEK-END MAY 12-13-14: WEEK-END MAY 19-20-21 ROUND DANCE WEEK MAY 21 - MAY 27:
r:, I A week at Round Dancing with the Chalices No additional stall will be added Melton Luttrell Dale Cassiday Jack & Darlene Ben Coleman Dean Hood lack & Darlene Jack & Darlene al this lime Fort Worth, Greeley, Colo. Chaffee Denver, Colo. Wheatridge, Chaffee Chaffee Texas Aurora, Colo, Colo. Aurora, Colo. Aurora, Colo.
MAY 28 TO JUNE 3. JUNE 4 TO JUNE 10: JUNE 11 T017. •
Q
Bill & Joan Don Franklin Ernie111 Kinney Dingie & Dorothy Gaylon Shull Johnny Mathis Bob & Wilma ALF Harper Smith Johnny LeClair Dighton, Ks. San Antonio, Anton Celina. Tex. Riverton, Wyc. Montney Arvada, Colo. Cantua Creek, Wheeler Texas Kinsley, Ks. Yuma, Ariz. Calif. Madera, Calif.
From June 18th to August 20th we do not have institute dancing. We will have an open square dance every night. Write us for information concerning our mid-summer program.
AUGUST 20 TO AUGUST 26 AUGUST 27 TO SEPTEMBER 2: SEPTEMBER 3 T09:
J 4 i9 Cliff Smith Paul & Edwina Ion Jones Sleepy Charles & Fran Cal Golden Chuck Bryant Ernie & Naomi &UNf rancis Zeller Gsa vette Arlington, Tex. Browning Maris Hot Springs, San Antonio, Gross McCracken. Kan Littlefield. Tea Dayton. Tea Hurst, Tex. Ark. Texas Syracuse. Nebr. Oklahoma City
SEPTEMBER 17 TO 23 SEPTEMBER 24 T030: SEPTEMBER 10 TO 16: 44 it Don Franklin Jerry Thole Tom &