DOCSLIB.ORG

Programs & Exhibitions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Programs & Exhibitions PROGRAMS & EXHIBITIONS Winter/Spring 2017 To purchase tickets by phone call (212) 485-9268 letter | exhibitions | calendar | programs | family | membership | general information Luce Center Dear Members & Friends, 4th Floor Grand Opening | Spring 2017 2016 was an extraordinary year for history. It saw Hamilton, a musical about the life of our New York Founding Father, sweep the Tony Awards with 11 wins that underscored the brilliance of the penniless orphan from Nevis. It also witnessed some of our elected officials struggling to think of an American woman worthy of having her face on the $10 bill. Moreover, 2016 brought into contemporary relief the effects of our Founders’ complex politics. How confused so many Americans have been about the origins of the Electoral College! In response, a new focus within our Bernard and Irene Schwartz Distinguished Speakers Series will address many of the questions we have heard around the American Presidency. 2017 will bring change of all kinds, including at New-York Historical. Among much else, our newly renovated fourth floor will reopen with exciting stories to tell. Thanks to our brand-new Center for Women’s History, no one will ever again have to struggle to identify American women of worth. To complement the Center, the winter/spring season will include a discussion of Dolley Madison with historian Carol Berkin and journalist Cokie Roberts, as well as a conversation between Billie Jean King and David Rubenstein as part of our History with David M. Rubenstein series. Further highlights include Douglas Brinkley, William Leuchtenburg, and Geoffrey Ward discussing the legacy of FDR, while David Rubenstein returns for History with David M. Center for Women’s History Rubenstein for a talk with New-York Historical Trustee Annette Gordon-Reed on Thomas The first initiative of its kind in the Jefferson. Another topical program—on immigration and voting rights—features New-York nation, the Center for Women’s History Historical Trustee Akhil Reed Amar, legal scholar Cristina Rodríguez, and Judge Denny Chin. explores the pivotal role women have Our upcoming Bonnie and Richard Reiss Lectures in Constitutional History and Law focus on played in American history through the future of espionage and the Supreme Court. And New-York Historical Trustee Byron Wien groundbreaking exhibitions, public will be in conversation with international financial scholar and economist Carmen Reinhart in programs, scholarship, and education. our 2017 Byron Wien Lecture on Financial History. Happily for his many fans, Distinguished Lehrman Fellow at N-YHS Andrew Roberts returns with a lecture on Admiral Lord Nelson. Tiffany Gallery Finally, the spring 2017 Mathew “Mike” Gladstein Lecture in Biography features Nathaniel Displaying 100 stunning illuminated Philbrick on George Washington’s relationship with Benedict Arnold. glass lamps from New-York Historical’s collection, our immersive Tiffany As our fourth floor reopens, I am reminded how fortunate I am to lead an institution of which Gallery celebrates the work and virtually every nook and cranny tells the American story. I thank my talented and hard-working designs of Louis C. Tiffany, Clara colleagues, especially Dale Gregory, Alex Kassl, Hannah Donoghue, and Kate Yurkovsky for Driscoll, and the “Tiffany Girls.” the marvelous offerings this brochure details. And I thank our Chair Pam Schafler and our Cover: entire Board of Trustees for their dedication and generosity that, above all, gives history a Tiffany Studios, designed by Clara bright future here. Permanent Collection Driscoll, Wisteria table Through themed, expansive glass lamp (detail), ca. 1901. Sincerely, cases and interactive digital elements, New-York Historical Society, Gift of Dr. Egon our permanent collection is displayed Neustadt, N84.132.1. like never before, inviting visitors to Photo by Colin Cooke delve deeper into the history of our Louise Mirrer, PH.D. fascinating past. Left: PRESIDENT and CEO Billie Jean King (b. 1943), n.d. Gift of Billie Jean King. New-York Historical Society Library 2 To purchaseNew-York tickets by Historical phone call Society (212) 485-9268 Visit nyhistory.org for the latest information 3 letter | exhibitions | calendar | programs | family | membership | general information Exhibition Highlights Thomas Jefferson: The Private Man From the Collections of the Massachusetts Historical Society Tattooed New York April 7 – July 16, 2017 A protean figure in American history, Thomas Jefferson’s role as a private citizen is Thomas Jefferson: The Private February 3 – April 30, 2017 as defining as his personae as founder, president, and political standard-bearer. A Man From the Collections of For more than 300 years, New York has played a central role in the the Massachusetts Historical gifted writer and political philosopher, he was also an accomplished gardener, farmer, Society is organized by the development of modern tattooing, from its origins in Native American and architect. Explore Jefferson’s life outside the public sphere through the iconic Massachusetts Historical Society. body art, to tattoo craft by sailors, to the city’s three-decade tattoo ban. documents he created. Discover the complex story of this fascinating American art form. Cover (detail) and left: Unknown Artist, Columbia Tattoo Design, c. 1890s. Saving Washington New-York Historical Society Library April 8 – July 30, 2017 The Center for Women’s History’s inaugural exhibition illuminates political power Major support for Saving Washington provided by The in the early republic and the role of women in translating revolutionary ideals Robert David Lion Gardiner into reality. As First Lady, Dolley Madison granted political favors, emphasized Foundation, with additional cooperation over partisanship, and popularized her husband’s policies, becoming a support from Susan Klein. powerful force during a time when women were excluded from affairs of state. World War I Beyond the Trenches May 26 – September 3, 2017 Eloise at the Museum World War I Beyond the The first major museum exhibition to revisit this global event through the eyes June 30 – October 9, 2017 Trenches was organized by the Pennsylvania Academy of of American artists, the exhibition will transform our understanding of art made Sixty years after her debut, Eloise is still a star. Eloise at the Museum is the Fine Arts. during the war and in its wake. Explore how artists across generations, aesthetic organized by The Eric Carle The picture book heroine’s enduring, unruly charm sensibilities, and the political spectrum used their work to depict, memorialize, Museum of Picture Book Art, promote, or oppose the conflict. resulted from the unlikely collaboration between Amherst, Massachusetts. cabaret star Kay Thompson and a young artist, Illustration by Hilary Knight Hilary Knight. Eloise’s audacious voice and for The Plaza Hotel’s enchanting illustrations was the alchemical formula children’s menu (1956-1957). Collection of Hilary Knight. from which great picture books come. Copyright © by Kay Thompson. New York Women in a New Light Film Experience Begins Spring 2017 Highlighting stories of remarkable women in early 20th-century New York, this multimedia film transports visitors to the turbulent years of the Progressive Era (ca. 1890–1920) leading up to the passage of the 19th Amendment to the U.S. Constitution, giving women the right to vote. Produced by Donna Lawrence Productions. John Singer Sargent (1856–1925), Gassed, 1919. Oil on canvas, 90 ½ × 240 in. Courtesy of IWM (Imperial War Museums), London. Photo: ©IWM New York Story Film Experience Imperial War Museums, Art. IWM ART 1460 Ongoing This film is made possible by World War I and American Art at PAFA was made possible in part by major grants from the National Endowment for the Humanities: New York Story is an 18-minute panoramic film experience narrated by award- Exploring the human endeavor, and from the Henry Luce Foundation. The Presenting Sponsor for this exhibition is the Exelon winning actor and native New Yorker Liev Schreiber. The film depicts New a generous gift from Bernard and Irene Schwartz. Foundation and PECO. Additional funding provided by grants from the David A. and Helen P. Horn Charitable Trust, Edwin L. Fountain, York’s rise from remote outpost to city at the center of the world. Produced by the Wyeth Foundation for American Art, The McCausland Foundation, the General Representation of the Government of Flanders to the USA, Mrs. Helen Horn Bickell, Carolyn Horn Seidle, Ellen and Leonard Milberg, Furthermore: a program of the J.M. Kaplan Fund, Bank Donna Lawrence Productions. of America, Mr. and Mrs. Kevin F. Donohoe, Connie and Jules Kay, Dr. and Mrs. J. Brien Murphy, and Ken Woodcock. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Support for New-York Historical’s presentation is provided by the Richard Lounsbery Foundation. Exhibitions at the New-York Historical Society are made possible by Dr. Agnes Hsu-Tang and Oscar Tang, the Saunders Trust for American History, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. 4 To purchaseNew-York tickets by Historical phone call Society (212) 485-9268 Visit nyhistory.org/exhibitions for all current, upcoming, and ongoing exhibitions 5 letter | exhibitions | calendar | programs | family | membership | general information Calendar Highlights Thursday, May 25, 6:30 pm Tuesday, May 30, 6:30 pm The Future of the
Load more

Recommended publications
  • Parking Who Was J 60P NAMES WARREN Gary Cooper
    Metro, is still working on the same tator state that she was going to thing cute.” He takes me into the day,* had to dye her brown hair is his six- contract she signed when she was marry Lew Ayres when she gets her television room, and there yellow. Because, Director George wife. Seems to year-old daughter Jerilyn dining Mickey Rooney’s freedom from Ronald Reagan. She Seaton reasoned, "They wouldn't me she rates something new in alone, while at the same time she Hollywood: that’s because have a brunette daughter.” the way of remuneration. says quite interesting, watches a grueling boxing match on Back in Film is from Business, Draft May Take Nancy Guild, now recovered from she hasn’t yet had a date with Lew. the radio. Charles Grapewin retiring Hughes, making pictures when he finishes her session with Orson Welles in John Garfield is doing a Bing Gregory Peck gets Robyt Siod- Kay Thompson’s into two his present film, "Sand,” after 52 “Cagliostro,” goes pictures for his Franchot Tone. mak to direct him in "Great Sinner.” Minus Brilliance of Crosby pal, years in the business. And they Schary Williams Bros. —the Clifton Webb “Belvedere Goes That's a break for them both. He in a bit role in Fran- used to the movies were a By Jay Carmody to College,” and “Bastille” for Wal- appears Celeste Holm and Dan Dailey are say pre- carious ferocious whose last Hollywood Sheilah Graham ter Wanger. chot's picture, “Jigsaw.” both so their Coleen profession! Howard Hughes, the independent By blond, daughter North American Richard under (Released by sensation was production of the stupid, bad-taste "The Outlaw," has Burt Lancaster, thwarted in his Conte, suspension Nina Foch is the only star to beat Townsend, in "Chicken Every Sun- Newspaper Alliance.) at 20thtFox for refusing to work in come up with another that has the movie capital talking.
    [Show full text]
  • The Talk of the Town Continues…
    The Talk of the Town continues… “Kay Thompson was a human dynamo. My brothers and I were constantly swept up by her brilliance. Sam Irvin has captured all of this in his incredible book. I know you will thoroughly enjoy reading it.” – DON WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “It’s an amazing book! Sam Irvin has captured Ms. T. to a T. I just re-read it and liked it even better the second time around.” – DICK WILLIAMS, OF KAY THOMPSON & THE WILLIAMS BROTHERS “To me, Kay was the Statue of Liberty. I couldn’t imagine how a book could do her justice but, by golly, Sam Irvin has done it. You won’t be able to put it down.” – BEA WAIN, OF KAY THOMPSON’S RHYTHM SINGERS “Kay was the hottest thing that ever hit the town and one of the most captivating women I’ve ever met in my life. There’ll never be another one like her, that’s for sure. A thorough examination of her astounding life was long overdue and I can’t imagine a better portrait than the one Sam Irvin has written. Heaven.” – JULIE WILSON “This fabulous Kay Thompson book totally captured her marvelous enthusiasm and talent and I’m delighted to be a part of it. I adore the cover with enchanting Eloise and the great picture of Kay in all her intense spirit!” – PATRICE MUNSEL “Thank you, Sam, for bringing Kay so richly and awesomely ‘back to life.’ Adventuring with Kay through your exciting book is like time-traveling through an incredible century of showbiz.” – EVELYN RUDIE, STAR OF PLAYHOUSE 90: ELOISE “At Metro… she scared the shit out of me! At Paramount… while shooting Funny Face… I got to know and love her.
    [Show full text]
  • Investing in Tomorrow Second Century Donors Create 320 Scholarships Viewfinder S Ummer 2012 Eastthe Magazine of East Carolina University
    sUMMER 2012 EastThe Magazine of easT Carolina UniversiTy Investing in tomorrow second Century donors create 320 scholarships vieWfinDer 2012 UMMER s EastThe Magazine of easT Carolina UniversiTy FEATUREs invesTing in T oMorroW 2 4 ECU’s largest-ever fundraising campaign createsBy Marion 324 Blackburn scholarships and 24 endowed professorships and nearly doubles the university’s endowment. The Second Century Campaign exceeded its $200 million goal by nearly $20 million a year ahead of its scheduled completion. On the cover: 24 Carol Mabe ’71 of Oriental, N.C., with Access Scholar Navreet Singh ’15 of Dallas, N.C. DUrhaM’s Big Doer 3 4 His work as a developer can be seen all overBy Steve Research Tuttle Triangle’09 Park in buildings occupied by IBM, Glaxo and Biogen. Robb Teer’s civic leadership also can be seen across the region as he continues a family tradition of public service. hearing Their VOICes PRIDE oF AccoMPlIshMENT 3 8 The word A tangible sense of pride filled 34 “immigration”By Jessica Creson often Nottingham brings to’06 mind ’08 thoughts of border Dowdy-Ficklen stadium during spring graduation when about patrols, detainees and difficult political debate. But one 3,800 students received their ECU professor’s work is reshaping and broadening the diplomas. see story, page 15. image of immigrants in the U.S. and expanding global Photo by Jay Clark understanding in classrooms on campus. JUsT Doing iT 42 You don’t see many couch potatoes hustlingBy Bethany to Bradsherpractice for one of ECU’s 44 club sports teams. Getting in shape is the goal, whether the sport is paintball, 38 figure skating or bass fishing.
    [Show full text]
  • Opinion | Sylvia Chase and the Boys' Club of TV News
    SUNDAY REVIEW Sylvia Chase and the Boys’ Club of TV News When we started at the networks in the early ’70s, most of us tried to hide our gender. Sylvia spoke out. By Lesley Stahl Ms. Stahl is a correspondent for “60 Minutes.” Jan. 12, 2019 Back in the early 1970s, the TV network news organizations wanted to show the world that they were “equal opportunity employers.” And so, CBS, ABC and NBC scoured the country for women and minorities. In 1971, Sylvia Chase was a reporter and radio producer in Los Angeles, and I was a local TV reporter in Boston. CBS hired her for the New York bureau; I was sent to Washington. Sylvia, who died last week at age 80, and I were CBS’s affirmative action babies, along with Connie Chung and Michele Clark. To ensure we had no illusions about our lower status, we were given the title of “reporter.” We would have to earn the position of “correspondent” that our male colleagues enjoyed. We were more like apprentices, often sent out on stories with the seniors, like Roger Mudd and Daniel Schorr. While we did reports for radio, the “grown-ups” — all men — did TV, but we were allowed to watch how they developed sources, paced their days and wrote and edited their stories. Up until then, most women in broadcast journalism were researchers. At first, the four of us in our little group were grateful just to be in the door as reporters. Things began to stir when the women at Newsweek sued over gender discrimination.
    [Show full text]
  • Endowments and Funds As of June 30, 2010
    2009-2010 Contributors E ND O W M E N TS A ND FUNDS Many donors choose to establish named endowments or funds, which provide critical support for productions and projects in general or specific program areas. They also offer special recognition opportunities. The following is a list of named endowments and funds as of June 30, 2010. The Vincent Astor Endowment for Literacy Programming The Arlene and Milton D. Berkman Philanthropic Fund Lillian and H. Huber Boscowitz Arts and Humanities Endowment The Aron Bromberg / Abe Raskin Partners Fund Irving Caesar Lifetime Trust for Music Programming The Joanne Toor Cummings Endowment for Children’s Programming FJC – A Foundation of Philanthropic Funds The Rita and Herbert Z. Gold Fund for Children’s Programming The Lillian Goldman Programming Endowment The M.J. Harrison/Rutgers University Broadcast Fellowship Program The Robert and Harriet Heilbrunn Programming Endowment The JLS/RAS Foundation Endowed Income Fund The John Daghlian Kazanjian Endowment The Anna-Maria and Stephen Kellen Arts Fund The Bernard Kiefson Endowment for Nature Programming The Reginald F. Lewis Endowment for Minority Fellowship Programs The Frits and Rita Markus Endowment for Science and Nature Programming The Abby R. Mauzé Endowment Fund for Arts and Humanities Programming The George Leonard Mitchell Fund The Henry and Lucy Moses Endowment for Children’s Programming The Abby and George O’Neill Program Endowment Fund The George Page Endowment for Science and Nature Programming The Dr. Edward A. Raymond Endowment for Science and Nature Programming Dr. Helen Rehr Endowment for Education and Outreach Blanchette Hooker Rockefeller Fund Endowment for Humanities Programming May and Samuel Rudin Family Foundation Minority Fellowship Program The Dorothy Schiff Endowment for News and Public Affairs Programming The Hubert J.
    [Show full text]
  • National Humanities Center Annual Report 2006-2007
    ANNUAL REPORT 2006-2007 02 REPORT FROM THE PRESIDENT AND DIRECTOR ................................................... 12 WORK OF THE FELLOWS ................................................... 30 STATISTICS ................................................... The National Humanities 32 Center’s Report (ISSN 1040-130x) BOOKS BY FELLOWS is printed on recycled paper. ................................................... Copyright ©2007 by 38 National Humanities Center STATEMENT OF 7 T.W. Alexander Drive P.O. Box 12256 FINANCIAL POSITIONS RTP, NC 27709-2256 Tel: 919.549.0661 ................................................... Fax: 919.990.8535 E-mail: info@national 43 UPPORTING THE ENTER humanitiescenter.org S C Web: nationalhumanitiescenter.org ................................................... EDITOR 50 Donald Solomon STAFF OF THE CENTER COPYEDITOR ................................................... Karen Carroll 53 BOARD OF TRUSTEES IMAGES Ron Jautz ................................................... Kent Mullikin The National Humanities Center does not discriminate Geoffrey Harpham Greg Myhra on the basis of race, color, sex, religion, national and ethnic origin, sexual orientation or preference, or age in DESIGN the administration of its selection policies, educational Pandora Frazier policies, and other Center-administered programs. NATIONAL HUMANITIES CENTER / ANNUAL REPORT 2006-2007 1 REPORT FROM THE PRESIDENT AND DIRECTOR GEOFFREY HARPHAM ne day last July, the new issue of the UC Berkeley journal Representations arrived. I always look
    [Show full text]
  • Michael Steinhardt's 1991 Corner of the U.S. Treasury Market
    Click here for Full Issue of EIR Volume 29, Number 30, August 9, 2002 nightmare of today’s. Some 40% of Brazil’s trillion-dollar domestic public debt is now dollarized. That means that every time the real devalues, Brazil’s debt increases. By Bloomberg News Service’s calculation, every percentage Michael Steinhardt’s point devaluation increases Brazil’s government debt by $1.4 billion. To see the absurdity of the situation, consider 1991 Corner of the that on July 29 alone, the run on the real due to panic about Brazil’s ability to pay its debt, increased Brazil’s debt by a whopping $7.56 billion, without the country receiving a U.S. Treasury Market single loan. by Richard Freeman Capital Controls Now! In this situation, the fixation on getting another $10-20 In 1991, Michael Steinhardt, in coordination with Salomon billion in new money from the IMF is ludicrous. It cannot Brothers, conducted one of the biggest corners of the U.S. solve the problem, even temporarily. And, given the IMF’s Treasury market in U.S. history, turning America’s sovereign conditionality, that all the candidates in the October 2002 debt into a speculative plaything. It was an attack on the sover- Presidential race sign on to any agreement the Cardoso gov- eignty of the United States. ernment might reach with the IMF, a new bailout is not likely Steinhardt is the son of the notorious Sol “Red” Stein- to come quickly, if at all. hardt, a leading figure in the Meyer Lanksy National Crime Brazil’s debt is unpayable, and everyone in the know, Syndicate (see “The Real Scandal: McCain and Lieberman,” knows this, and is planning accordingly.
    [Show full text]
  • TOM FINKELPEARL (TF) Former Deputy Director of P.S
    THE MUSEUM OF MODERN ART ORAL HISTORY PROGRAM INTERVIEW WITH: TOM FINKELPEARL (TF) Former Deputy Director of P.S. 1 INTERVIEWER: JEFF WEINSTEIN (JW) Arts & Culture Journalist / Editor LOCATION: THE MUSEUM OF MODERN ART DATE: JUNE 15, 2010 BEGIN AUDIO FILE PART 1 of 2 JW: I‟m Jeff Weinstein and we are sitting in the Architecture and Design conference room at the education and research building of The Museum of Modern Art on Tuesday, 3:30, June 15th, and I‟m talking to… TF: 2010. JW: 2010. Is it Thomas or Tom? TF: Tom. JW: Tom Finkelpearl. And we‟re going to be talking about his relationship to P.S. 1. Hello. Could you tell me a little background: where you were born, when, something about your growing up and your education? TF: Okay. Well, I was born in 1956 in Massachusetts. My mom was an artist and my dad was an academic. So, actually, you know, I had this vision of New York City from when I was a kid, which was, going to New York City and seeing, like, abstract expressionist shows. We had a Kline in our front hall. They had a de Kooning on consignment, but they didn‟t have the three hundred and fifty dollars. And so the trajectory of my early childhood was that I always had this incredible vision of coming to New York City and working in the arts. Then actually, I went undergraduate to Princeton. I was a visual arts and art history major, so I was an artist when I started P.S.
    [Show full text]
  • Dear Friends of the Kelly Writers House, Summertime at KWH Is Typically Dreamy
    Dear Friends of the Kelly Writers House, Summertime at KWH is typically dreamy. We renovation of Writers House in 1997, has On pages 12–13 you’ll read about the mull over the coming year and lovingly plan guided the KWH House Committee in an sixteenth year of the Kelly Writers House programs to fill our calendar. Interns settle into organic planning process to develop the Fellows Program, with a focus on the work research and writing projects that sprawl across Kelly Family Annex. Through Harris, we of the Fellows Seminar, a unique course that the summer months. We clean up mailing lists, connected with architects Michael Schade and enables young writers and writer-critics to tidy the Kane-Wallace Kitchen, and restock all Olivia Tarricone, who designed the Annex have sustained contact with authors of great supplies with an eye toward fall. The pace is to integrate seamlessly into the old Tudor- accomplishment. On pages 14–15, you’ll learn leisurely, the projects long and slow. style cottage (no small feat!). A crackerjack about our unparalleled RealArts@Penn project, Summer 2014 is radically different. On May tech team including Zach Carduner (C’13), which connects undergraduates to the business 20, 2014, just after Penn’s graduation (when we Chris Martin, and Steve McLaughlin (C’08) of art and culture beyond the university. Pages celebrated a record number of students at our helped envision the Wexler Studio as a 16–17 detail our outreach efforts, the work we Senior Capstone event), we broke ground on student-friendly digital recording playground, do to find talented young writers and bring the Kelly Family Annex, a two-story addition chock-full of equipment ready for innovative them to Penn.
    [Show full text]
  • John Strausbaugh
    THE RISING OF THE JOHN STRAUSBAUGH H a l l o w e e n: 1951: John Strausbaugh was born on In Union Memorial Hospital: Baltimore: Maryland: USA: John Strausbaugh’s favorite activity as a child was reading: Writing: Running: John Strausbaugh’s first job was delivering newspapers: John Strausbaugh’s mother was born in Baltimore: Maryland: USA: John Strausbaugh’s father was born in Baltimore: Maryland: USA: As a child John Strausbaugh loved Running: Reading: Writing: Music: The Beach: Amusement Parks: Now: John Strausbaugh lives in Brooklyn: New York: USA: As an adult John Strausbaugh loves: Writing: Sex: Music: Conversations with engaged minds: John Strausbaugh’s favorite animals are cats: John Strausbaugh’s favorite idea is that each person must achieve fulfillment in his/her own way: John Strausbaugh’s favorite object is his computer: John Strausbaugh earns a living writing books and articles in a corner of his kitchen: John Strausbaugh is an author and journalist who has been a regular contributor to the New York Times: The Washington Post: The New York Press: John Strausbaugh worked as a contributor and editor of The New York Press from 1990 until late 2002: John Strausbaugh has since produced several non fiction works on American popular culture. His books include E: Reflections On The Birth Of The Elvis Faith: 1995: Rock Til You Drop: 2003: On rock and roll nostalgia: Black Like You: 2006: An exploration of race relations in American pop culture: The aim of the art of John Strausbaugh is to engage minds: Provoke thought: Challenge received
    [Show full text]
  • Is Rock Music in Decline? a Business Perspective
    Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
    [Show full text]
  • STONEWALL INN, 51-53 Christopher Street, Manhattan Built: 1843 (51), 1846 (53); Combined with New Façade, 1930; Architect, William Bayard Willis
    Landmarks Preservation Commission June 23, 2015, Designation List 483 LP-2574 STONEWALL INN, 51-53 Christopher Street, Manhattan Built: 1843 (51), 1846 (53); Combined with New Façade, 1930; architect, William Bayard Willis Landmark Site: Borough of Manhattan, Tax Map Block 610, Lot 1 in part consisting of the land on which the buildings at 51-53 Christopher Street are situated On June 23, 2015 the Landmarks Preservation Commission held a public hearing on the proposed designation of the Stonewall Inn as a New York City Landmark and the proposed designation of the related Landmark Site (Item No.1). The hearing had been duly advertised in accordance with the provisions of the law. Twenty-seven people testified in favor of the designation including Public Advocate Letitia James, Council Member Corey Johnson, Council Member Rosie Mendez, representatives of Comptroller Scott Stringer, Congressman Jerrold Nadler, Assembly Member Deborah Glick, State Senator Brad Hoylman, Manhattan Borough President Gale A. Brewer, Assembly Member Richard N. Gottfried, the Greenwich Village Society for Historic Preservation, the Real Estate Board of New York, the Historic Districts Council, the New York Landmarks Conservancy, the Family Equality Council, the National Trust for Historic Preservation, the National Parks Conservation Association, SaveStonewall.org, the Society for the Architecture of the City, and Parents and Friends of Lesbians and Gays, New York City, as well as three participants in the Stonewall Rebellion—Martin Boyce, Jim Fouratt, and Dr. Gil Horowitz (Dr. Horowitz represented the Stonewall Veterans Association)—and historians David Carter, Andrew Dolkart, and Ken Lustbader. In an email to the Commission on May 21, 2015 Benjamin Duell, of Duell LLC the owner of 51-53 Christopher Street, expressed his support for the designation.
    [Show full text]