Not Your Mother's Library Transcript Episode 2: Steampunk
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Haunted Narratives: the Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’S Fiction
HAUNTED NARRATIVES: THE AFTERLIFE OF GOTHIC AESTHETICS IN CONTEMPORARY TRANSATLANTIC WOMEN’S FICTION Jameela F. Dallis A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2015 Approved by: Minrose Gwin Shayne A. Legassie James Coleman María DeGuzmán Ruth Salvaggio © 2016 Jameela F. Dallis ALL RIGHTS RESERVED ii ABSTRACT Jameela F. Dallis: Haunted Narratives: The Afterlife of Gothic Aesthetics in Contemporary Transatlantic Women’s Fiction (Under the direction of Minrose Gwin and Shayne A. Legassie) My dissertation examines the afterlife of eighteenth- and nineteenth-century Gothic aesthetics in twentieth and twenty-first century texts by women. Through close readings and attention to aesthetics and conventions that govern the Gothic, I excavate connections across nation, race, and historical period to engage critically with Shirley Jackson’s The Haunting of Hill House, 1959; Angela Carter’s “The Lady of the House of Love,” 1979; Shani Mootoo’s Cereus Blooms at Night, 1996; and Toni Morrison’s Love, 2003. These authors consciously employ such aesthetics to highlight and critique the power of patriarchy and imperialism, the continued exclusion of others and othered ways of knowing, loving, and being, and the consequences of oppressing, ignoring, or rebuking these peoples, realities, and systems of meaning. Such injustices bear evidence to the effects of transatlantic commerce fueled by the slave trade and the appropriation and conquering of lands and peoples that still exert a powerful oppressive force over contemporary era peoples, especially women and social minorities. -
10 Vital Ways to Spot a Werewolf
12 What is a Werewolf? 13 Once they have experienced raw All werewolves have excessive 10 Vital Ways to 4meat in their wolf form, even as 8 body hair. This does not mean a human the werewolf will enjoy the that all people with extra body taste of fresh, bloody meat. hair are werewolves, but check for Spot a Werewolf hair on the palms of the hands, a Some werewolves exhibit pronounced “widow’s peak” or heightened senses of hearing, 5 marked hair loss either side of the Spotting a werewolf is not easy, especially when they are smell, and sight. forehead, and – harder to check – in human form. However, there are a few telltale clues All werewolves will be nervous, hair growing inside the skin. even secretive, as the full moon 6 When in human form a that you can use to make it easier: approaches. Some will enjoy this werewolf may show signs of time of power; others may meet this 9 In human form, check for than their middle finger is likely to increased agression or periods of prospect with sadness, even fear. eyebrows that meet in the be a werewolf in human guise. unprovoked rage. 1 middle. This has long been A werewolf will avoid silver of Werewolves have a pronounced Keep an eye on anyone who considered a sign of a werewolf. any kind, whether in wolf or ability to heal themselves, unless hangs about in the woods or 3 7 10 It is well known that any person human form, and will react as if struck by silver or, especially, shot moors during a full moon and comes 2 who has a ring finger longer burnt when touched by silver. -
Reorienting the Female Gothic: Curiosity and the Pursuit of Knowledge
University of Rhode Island DigitalCommons@URI Open Access Dissertations 2020 REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE Jenna Guitar University of Rhode Island, [email protected] Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Guitar, Jenna, "REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE" (2020). Open Access Dissertations. Paper 1145. https://digitalcommons.uri.edu/oa_diss/1145 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. REORIENTING THE FEMALE GOTHIC: CURIOSITY AND THE PURSUIT OF KNOWLEDGE BY JENNA GUITAR A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 2020 DOCTOR OF PHILOSOPHY DISSERTATION OF JENNA GUITAR APPROVED: Dissertation Committee: Major Professor Jean Walton Christine Mok Justin Wyatt Nasser H. Zawia DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2020 ABSTRACT This dissertation investigates the mode of the Female Gothic primarily by examining how texts utilize the role of curiosity and the pursuit of knowledge, paying close attention to how female characters employ these attributes. Existing criticism is vital to understanding the Female Gothic and in presenting the genealogy of feminist literary criticism, and yet I argue, this body of criticism often produces elements of essentialism. In an attempt to avoid and expose the biases that essentialism produces, I draw from Sara Ahmed’s theory of queer phenomenology to investigate the connections between the way that women pursue and circulate knowledge through education and reading and writing practices in the Female Gothic. -
Download the Umbrella Academy Volume 2 Dallas Pdf Ebook by Gerard Way
Download The Umbrella Academy Volume 2 Dallas pdf ebook by Gerard Way You're readind a review The Umbrella Academy Volume 2 Dallas ebook. To get able to download The Umbrella Academy Volume 2 Dallas you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Gather your favorite books in your digital library. * *Please Note: We cannot guarantee the availability of this book on an database site. Book Details: Original title: The Umbrella Academy Volume 2: Dallas Series: Umbrella Academy 184 pages Publisher: Dark Horse Books; First Edition edition (October 13, 2009) Language: English ISBN-10: 159582345X ISBN-13: 978-1595823458 Product Dimensions:6.7 x 0.4 x 10.2 inches File Format: PDF File Size: 20525 kB Description: ** Soon to be a live-action series on Netflix! **The team is despondent following the near apocalypse created by one of their own and the death of their beloved mentor Pogo. So its a great time for another catastrophic event to rouse the team into action. Trouble is—each member of the team is distracted by some very real problems of their own. The... Review: I had been waiting two years to read this graphic novel; along with Gerard Ways first Graphic Novel, The Umbrella Academy: Apocalypse Suite. I picked up the first novel at a small comic books store in downtown Chicago. Lets just say that it was pricey, much too expensive for the content that I was provided. The first novel blew me away, it is in short... Ebook Tags: gerard way pdf, umbrella academy pdf, time travel pdf, -
Body Bags One Shot (1 Shot) Rock'n
H MAVDS IRON MAN ARMOR DIGEST collects VARIOUS, $9 H MAVDS FF SPACED CREW DIGEST collects #37-40, $9 H MMW INV. IRON MAN V. 5 HC H YOUNG X-MEN V. 1 TPB collects #2-13, $55 collects #1-5, $15 H MMW GA ALL WINNERS V. 3 HC H AVENGERS INT V. 2 K I A TPB Body Bags One Shot (1 shot) collects #9-14, $60 collects #7-13 & ANN 1, $20 JASON PEARSON The wait is over! The highly anticipated and much debated return of H MMW DAREDEVIL V. 5 HC H ULTIMATE HUMAN TPB JASON PEARSON’s signature creation is here! Mack takes a job that should be easy collects #42-53 & NBE #4, $55 collects #1-4, $16 money, but leave it to his daughter Panda to screw it all to hell. Trapped on top of a sky- H MMW GA CAP AMERICA V. 3 HC H scraper, surrounded by dozens of well-armed men aiming for the kill…and our ‘heroes’ down DD BY MILLER JANSEN V. 1 TPB to one last bullet. The most exciting BODY BAGS story ever will definitely end with a bang! collects #9-12, $60 collects #158-172 & MORE, $30 H AST X-MEN V. 2 HC H NEW XMEN MORRION ULT V. 3 TPB Rock’N’Roll (1 shot) collects #13-24 & GS #1, $35 collects #142-154, $35 story FÁBIO MOON & GABRIEL BÁ art & cover FÁBIO MOON, GABRIEL BÁ, BRUNO H MYTHOS HC H XMEN 1ST CLASS BAND O’ BROS TP D’ANGELO & KAKO Romeo and Kelsie just want to go home, but life has other plans. -
Mortal Engines by Phillip Reeve PART
Mortal Engines By Phillip Reeve PART ONE 1 THE HUNTING GROUND It was a dark, blustery afternoon in spring, and the city of London was chasing a small mining town across the dried-out bed of the old North Sea. In happier times, London would never have bothered with such feeble prey. The great Traction City had once spent its days hunting far bigger towns than this, ranging north as far as the edges of the Ice Waste and south to the shores of the Mediterranean. But lately prey of any kind had started to grow scarce, and some of the larger cities had begun to look hungrily at London. For ten years now it had been hiding from them, skulking in a damp, mountainous, western district which the Guild of Historians said had once been the island of Britain. For ten years it had eaten nothing but tiny farming towns and static settlements in those wet hills. Now, at last, the Lord Mayor had decided that the time was right to take his city back over the land-bridge into the Great Hunting Ground. It was barely halfway across when the look-outs on the high watch-towers spied the mining town, gnawing at the salt-flats twenty miles ahead. To the people of London it seemed like a sign from the gods, and even the Lord Mayor (who didn't believe in gods or signs) thought it was a good beginning to the journey east, and issued the order to give chase. The mining town saw the danger and turned tail, but already the huge caterpillar tracks under London were starting to roll faster and faster. -
The Amazing World Of
WELCOME TO THE AMAZING WORLD OF Emerging from its hiding place in the hills, the great Traction City of London chases one terrified little town across the wastelands. If it cannot overpower smaller, slower prey, the city will come to a standstill and risk being taken over by another. In the attack, Tom Natsworthy, Apprentice Historian to the London Museum, is flung from its speeding superstructure into the barren wasteland of Out-Country. His only companion is Hester Shaw, a murderous, scar-faced girl who does not particularly want Tom’s company. But if they are to make it back to London, before Stalkers or hungry cities get them first, they will need to help each other, and fast. If Hester is to be believed, London is planning something atrocious, and the future of the world could be at stake. Can they get back to London before it’s too late? #$# PHILIP REEVE #$# is the bestselling author of the Mortal Engines quartet and the award-winning Fever Crumb series. His other books include the highly acclaimed Here Lies Arthur and No Such Thing As Dragons. He lives in Dartmoor, England, with his wife and son. Visit him online at philip-reeve.com. #$# BARNABY EDWARDS #$# has recorded more than sixty unabridged audiobooks and hundreds of audio dramas and radio plays. He provides voices for three of the BBC’s Doctor Who video games and plays the computer L.E.M.O.N. in the comic sci-fi audio series Strangeness in Space. One of his audiobooks, Thirteen, won an Audie for Best Original Work, and his reading of the collected poetry of Edward Thomas was selected as The Guardian’s Audiobook of the Month. -
Download Infernal Devices Mortal Engines Book 3 Pdf Ebook by Philip
Download Infernal Devices Mortal Engines Book 3 pdf book by Philip Reeve You're readind a review Infernal Devices Mortal Engines Book 3 book. To get able to download Infernal Devices Mortal Engines Book 3 you need to fill in the form and provide your personal information. Ebook available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this file on an database site. Book Details: Original title: Infernal Devices (Mortal Engines, Book 3) Age Range: 12 and up Grade Level: 7 - 9 Series: Mortal Engines (Book 3) 352 pages Publisher: Scholastic Press; Reprint edition (May 30, 2017) Language: English ISBN-10: 133820114X ISBN-13: 978-1338201147 Product Dimensions:5.8 x 0.8 x 8.5 inches File Format: PDF File Size: 14296 kB Description: Philip Reeves epic city-eat-city adventure series continues with Mortal Engines Book 3: Infernal Devices, now with spectacular new cover art.The mighty engines of Anchorage have been rusted and dead for years. The derelict city no longer roams the Ice Wastes, but has settled on the edge of the land that was once America. Tom Natsworthy and Hester Shaw... Review: I really enjoyed the first 2 books in the series. They were imaginative, clever and had good characters. This one was a bit of a letdown.Minor spoilers ahead.This book picks up about 16 years later with Wren, the daughter of the previous main characters Hester and Tom. Wren is a rather annoying, typical teen, suffering typical teen angst about her parents.. -
Transcending Antinomies in Maggie Stiefvater’S Shiver Series
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Humanities Commons 1 ‘But by blood no wolf am I’: Language and Agency, Instinct and Essence – Transcending Antinomies in Maggie Stiefvater’s Shiver series The sympathetic vampire is now a familiar creature. Stephenie Mayer’s Twilight (2005) has made us aware of the attraction of radical otherness, where the mysterious non-humanity of the love object becomes a powerful source of desire rather than terror alone.1 Other paranormal species have also become somewhat domesticated and are now lovers rather than monstrous Others, resulting in the new hybridised genre of paranormal romance, where Gothic horror couples with romantic fiction.2 Each species of monster (whether vampire, shapeshifter, faerie, angel, or zombie) lends itself to different domains of enquiry. The shapeshifter, especially the werewolf, is particularly useful as an instrument for exploring the boundaries of humanity and animality, culture and nature. Werewolves are far more tied to animality and the physiological than the present-day vampire, despite the latter’s often compulsive blood-lust.3 The werewolf, too, is bound to a hierarchical pack society; this group membership necessarily evokes a different perspective on the social than the usually solitary vampire. Of course, the blurring of the boundary between animal and human recurs throughout literature. Yet wolves in particular have long played a versatile role in exploring these demarcations. Wolves are ambiguously social animals yet savage outsiders, predators on the community, and disruptors of the pastoral (with all the additional allegorical weight that arrives with Christianity). -
The Werewolf of Paris
The Werewolf of Paris Guy Endore The Werewolf of Paris Table of Contents The Werewolf of Paris........................................................................................................................................1 Guy Endore..............................................................................................................................................1 INTRODUCTION..................................................................................................................................2 CHAPTER ONE.....................................................................................................................................9 CHAPTER TWO..................................................................................................................................15 CHAPTER THREE..............................................................................................................................20 CHAPTER FOUR.................................................................................................................................25 CHAPTER FIVE..................................................................................................................................37 CHAPTER SIX.....................................................................................................................................42 CHAPTER SEVEN..............................................................................................................................51 CHAPTER EIGHT...............................................................................................................................64 -
Deakin Research Online
Deakin Research Online Deakin University’s institutional research repository DDeakin Research Online Research Online This is the author’s final peer reviewed version of the item published as: . Bullen, Elizabeth and Parsons, Elizabeth 2007-06, Dystopian visions of global capitalism: Philip Reeve's mortal engines and M. T. Anderson's feed, Children`s literature in education, vol. 38, no. 2, pp. 127-139. Copyright : 2007, Springer Science+Business Media LLC Dystopian Visions of Global Capitalism: Philip Reeve’s Mortal Engines and M.T. Anderson’s Feed Elizabeth Bullen and Elizabeth Parsons Deakin University Children’s Literature in Education, 38(2): 127–39, 2007. Abstract: This article examines Philip Reeve’s novel for children, Mortal Engines, and M.T. Anderson’s young adult novel, Feed, by assessing these dystopias for children as prototypical texts of what Ulrich Beck calls risk society. Through their visions of a fictional future, the two narratives explore the consequences of the hazards created by contemporary techno-economic progress, predatory global politics and capitalist excesses of consumption. They implicitly pose the question: ‘In the absence of a happy ending for western civilization, what kind of children can survive in dystopia?’ KEY WORDS: children’s literature, dystopias, risk, capitalism. Futures with unhappy endings: dystopias for children Children are emblematic of the future by virtue of the lives ahead of them. In the popular imagination they are an impetus for social change, and their very existence offers a sense of hope for the future. This conception of the child militates against the dystopic impulse in ways that typically refigure the genre in its children’s literature manifestation. -
“Gang of Cut-Throats” “Another Cowardly Attack”
LARKLIGHT EXCLUSIVE REPORT! THE INTERPLANETARY A Rousing Tale of Intrepid Pluck in the Farthest Reaches of Space Published 2nd October 2006 As chronicled Featuring CLARION Accurate & SPECIAL EDITION! by Art March 1851 No. 82408 Published in Soho, London Price - One Farthing Mumby, Educational NSPEAKABLE ACTS welcomes the announcement by the First Lord of the with the aid Steel- UPON THE HIGH Admiralty that the gunship Indefatigable is to be UAETHER of Renowned Engravings A telegraph message from the planet Mars has reached “Take, Sink or by Celebrated us, bearing news of yet another cowardly attack upon Author our shipping by the notorious pirate Jack Havock. Burn!” Mr Philip Illustrationist “Another ordered into Martian space with all dispatch, there to Reeve Mr David Take, Sink or Burn the Sophronia. We pray that the good LORD will guide her Master, Captain Moonfield, Wyatt Cowardly Attack” and that the reprobate Havock shall soon face British Justice. t was just another normal morning in space when disaster struck. My • Pre-Christmas national press advertising It would appear that an Earthbound vessel called The A watchful Providence ensured that no one suffered GOD SAVE THE QUEEN! sister Myrtle (who is quite irritating, as girls generally can be) and I • Chapter sampler distributed to children on publication Duchess of Albemarle was pursued by Havock’s brig mortal injury, although several common people were “ faced the most awful peril, and we hadn’t even had breakfast. • Dedicated website at www.larklight.co.uk Sophronia soon after leaving Martian orbit on slightly hurt. A clergyman travelling aboard the I Wednesday last.