PAVLOS ANTONIADIS Biographical note

Pavlos Antoniadis (PhD in music & musicology, University of Strasbourg-IRCAM; MA in Piano performance, University of California, San Diego; Master's in musicology, National University of Athens) is a musicologist, pianist and technologist from Korydallos, Greece. His practice-oriented research has focused on both historic and systematic aspects of 20th and 21st century music, notably the performance practice of complex contemporary and experimental music, as well as on embodied cognition and on the development of tools for technology-enhanced learning & performance. He is invited researcher of the Interaction-Son- Musique-Mouvement team at IRCAM, and previously associate of the Laboratory of Excellence GREAM, Université de Strasbourg, where he also taught seminars on computer music and contemporary performance practice.

As a researcher, Pavlos has fifteen (15) publications in English, German and French on contemporary piano performance, embodied cognition and interactive systems for technology-enhanced learning based on physical movement. He has given over fifty (50) talks, often with a performance and/or technological demo element, either as invited speaker / performer in several institutions in Europe and Asia (HfM Dresden, INMM Darmstadt, IRCAM Paris, Orcim Gent, Goldsmiths London, Trinity Dublin, Aristoteleio Thessaloniki, Cité de la Musique et de la Danse Strasbourg, Hong Kong University, Yamanashi Gakuin University Kofu, Wocmat Taiwan, LEAD Dijon, SARC Belfast, UdK Berlin) or in multiple international and national conferences. He was a Musical Research Residency fellow at IRCAM in 2014, where under the supervision of Frédéric Bevilacqua and Dominique Fober (Grame, Lyon) he developed GesTCom (Gesture Cutting through Textual Complexity), a sensor-based environment for the gestural control and analysis of complex piano notation, for example of works by Xenakis or Ferneyhough.

As a pianist, Pavlos has performed in Europe, North & South America and Asia with the new music ensembles Work in Progress-Berlin, Kammerensemble Neue Musik Berlin, Phorminx, ERGON, Accroche Note, as well as a soloist with the Thessaloniki State Symphony Orchestra. He has participated in recordings for Mode (2015 German Recording Critics Award / Deutscheschallplattenkritikspreis) and Wergo records. As a soloist, he has worked with composers Mark Andre, Helmut Lachenmann, Brian Ferneyhough, Wolfgang Rihm, Tristan Murail, Richard Barrett, Walter Zimmermann, and has premiered solo piano works by James Erber, Nicolas Tzortzis, Andrew R. Noble, Luis Antunes Pena, Dominik Karski and others. His programming features the most complex contemporary works, extremes of physicality, live electronics, multimedia and musical theatre, often in eclectic dialogue with ancient repertoire from Cabezón to Bartók. He is also active in free improvisation with the composer and improviser Panos Ghikas (London) and has collaborated with the physical theatre group Zero Point (Athens). Pavlos holds degrees in piano performance (Piano Diploma, Nakas Athens; Koninklijk Conservatorium Den Haag; MA, UC San Diego) and musicology (MA, Athens National University, PhD Université de Strasbourg in co-direction with the IRCAM, under Pierre Michel and Frédéric Bevilacqua, previously in the Hochschule für Musik Dresden under Jörn Peter Hiekel and Wolfgang Lessing). He has studied on LabEx GREAM, IRCAM, Fulbright, UC San Diego, Nakas conservatory, Internationale Ensemble Modern Academie Frankfurt and Impuls Academie Gratz scholarships. His main piano teachers were Chryssi Partheniade, Ian Pace, Geoffrey Douglas Madge and Aleck Karis. In ensemble performance, he has followed the seminars of Ensemble Modern and Klangforum Wien. https://pavlosantoniadis.wordpress.com/about/ https://soundcloud.com/katapataptwsi http://ismm.ircam.fr/pavlos-antoniadis/ https://www.youtube.com/channel/UC8G2C0lwe96oa_KuIzfWOeA Curriculum Vitae A. GENERAL INFORMATION

CONTACT

Last Name, First Name: Antoniadis, Pavlos

Date of Birth: 08.12.1978

Place of Birth: Korydallos, Athens, Attica, Greece

Nationality: Greek

Postal Address: 3 rue Fred Vles, 67000, Strasbourg

E-mail: [email protected], [email protected] , [email protected] , [email protected] , [email protected]

Mobile: +33783663446

Pages internet: http://ismm.ircam.fr/pavlos-antoniadis/ , https://pavlosantoniadis.wordpress.com/ , https://www.researchgate.net/profile/Pavlos_Antoniadis2 , https://soundcloud.com/katapataptwsi , http://www.pavlosantoniadis.com , https://www.ircam.fr/person/pavlos-antoniadis/ https://gream.unistra.fr/le-gream/organisation/membres/chercheurs-associes/pavlos-antoniadis/ , https://www.youtube.com/channel/UC8G2C0lwe96oa_KuIzfWOeA

Languages: Greek, English, German, French, (A1: Arabic, Chinese Mandarin)

CURRENT POSITION

Invited Researcher at the IRCAM (équipe « Interaction-Son-Musique-Mouvement ») ; freelance pianist

B. EDUCATION

UNIVERSITY EDUCATION 30/10/2014 – 22/06/2018 : PhD in Arts / Music-Musicology, LabEx GREAM, Université de Strasbourg (Prof. Pierre Michel) in co-direction with the IRCAM (Frédéric Bevilacqua, Directeur de Recherches). General evaluation: « Exceptionnel » en unanimité (« exceptional » unanimously); Prix de thèse 2019 30/05/2010 – 30/10/2014: Promotion in musicology, Hochschule für Musik C.M. von Weber, Dresden (Prof. Dr. Jörn Peter Hiekel, Prof. Dr. Wolfgang Lessing), incomplete (transferred to Strasbourg – Paris) 01/09/2007 – 12/12/2009 : Master of Arts in Music/ Contemporary piano interpretation, Music Department, University of California, San Diego (Prof. Aleck Karis). Evaluation : 4.000/4.000 (« Excellent ») 01/09/1996 – 25/11/2002 :“Ptychion”1 in musicology, National University of Athens, Department of Music

15 years first degree equivalent to Master’s Studies (Prof. Ekaterini Romanou, Prof. Giorgos Zervos). Evaluation : 8,84/10 (« Excellent »)

PROFESSIONAL EDUCATION 05/2014: IRCAM/Stage “Captation du Geste”/Frédéric Bevilacqua, Norbert Schnell, Emanuel Fletty, Jean Lochard 08/2010: Internationales Musikinstitut Darmstadt /45. Ferienkurse für Neue Musik/ /Nicolas Hodges, Marino Formenti 02/2009: Kunstuniversität Graz /IMPULS.6th International Ensemble and Composers’ Academy for Contemporary Music/ Contemporary piano interpretation & Chamber Music/Ian Pace, Lukas Vis, Ensemble Klangforum Wien (Dimitris Polisoidis) 12/2007: Ensemble Modern, Frankfurt/Contemporary piano interpretation/Ueli Wiget 06/2007: International Ensemble Modern Academy /Paxos Spring Festival, Greece /Contemporary Ensemble & Chamber Music /Ensemble Modern (Jagdish Mistry, Michael Kasper, Johannes Schwarz) 02/2007: Northwestern University, Chicago/Contemporary piano interpretation/Ursula Oppens 11/2006: Hochschule für Musik Freiburg/Contemporary piano interpretation/Pi-Hsien Chen 08/2006: Internationales Musikinstitut Darmstadt/43. Ferienkurse für Neue Musik/Contemporary piano interpretation/Nicolas Hodges, Kaya Han 08/2005-07/2006: London/Contemporary piano interpretation/Ian Pace 07/2005: Centre Acanthes, Metz/Contemporary piano interpretation/ Ian Pace, Sigfried Mauser 03/2004:Institut Français d’Athènes/Ecole Normale/Contemporary piano interpretation/Jean-Claude Pennetier 12/2003: Conservatoire Athenaeum, Athènes/ Contemporary piano interpretation/Dmitri Bashkirov 09/2003:Conservatorium van Amsterdam / Contemporary piano interpretation / Håkon Austbø

01/09/2002-15/06/2003 : Attendance Certificate, Koninklijk Conservatorium Den Haag, piano class of Geoffrey Douglas Madge 01/09/2001-29/01/2004 : Fugue Diploma, Athenaeum Conservatory, Athens, class of Panagiotis Adam, « Excellent » unanimously 01/09/1997 – 16/06/2001 : Piano Diploma, Nakas Conservatory, Athens, class of Chryssi Partheniade, « Excellent » unanimously & First Prize

DISTINCTIONS

2019: Prix de thèse 2019, Université de Strasbourg; initiative neue music Berlin e.V. Förderung/ Project „Der Geist des Instruments - Hommage à Klaus K. Hübler”, BKA-Theater, 03/12/2019 30/10/2014 – 30/10/2017 : Doctoral contract, LabEx GREAM, Université de Strasbourg 2015 : Deutscheschallplattenkritikpreis for participation in MODE Records (MDE 274) 15/03/2014 – 15/06/2014 : Résidence de Recherche Musicale 2014, IRCAM 2013 : initiative neue music Berlin e.V. Förderung/ Projet„Kabarett für Ferneyhough”, BKA-Theater, 10/12/2013 01/09/2007 – 01/10/2009 : Fulbright Scholarship Program/ Fulbright Foundation Athens, Greece 01/09/2007 – 01/10/2009 : Graduate Student Scholarship/ Music Department University of California, San Diego 14/02/2009 – 25/02/2009 : Stipendium IMPULS/ Kunstuniversität Graz 06/07/2008: Public’s Prize for best conference paper, in: 4th Conference on Interdisciplinary Musicology: Musical Structure, Aristotle University, Thessaloniki, paper with Danae Stefanou : “Inter-structures: Rethinking continuity in post-1945 piano repertoire” 05/06/2007 – 14/06/2007 : Stipendium Internationale Ensemble Modern Akademie, Paxos Grèce 16/06/2001 : First Prize and highest distinction, Piano Diploma, Nakas Conservatory, Athens 01/09/1999-16/06/2001 : Scholarships for piano studies, Nakas Conservatory, Athens

TEACHING 01/09/2015 – 01/09/2017 : Université de Strasbourg, séminaires au niveau L2 (seminars Bachelor’s 2nd year): « informatique musicale » & « atelier musique contemporaine » (« computer music » & « contemporary music workshop ») 01/09/2008 – 01/10/2009 : TA Piano Professor/ Music Department, University of California, San Diego 01/09/2004 – 15/06/2006 : Professor of piano and music theory / Nakas Conservatory, Kifissia 01/09/2004 – 15/06/2006 : Professor of piano and music theory /St. Lawrence-the British School in Greece, Athens

C. RESEARCH RECORD

LIST OF CONFERENCES & INVITED TALKS (all links accessed 21.03.2019) 08.03.2019, Athens, Conservatory, Discussion Panel: “Higher Music Education in France and Germany” http://www.ifa.gr/el/arts-et-culture/arts-de-la-scene/musique? fbclid=IwAR3fg21fvIjUUda0TPe166QjwVCT9o7F1iZDX8S4Gl5HIA5dWtr_iRC0vBM 08.03.2019, Institut français d'Athènes, invited talk: « Des algorithmes au geste extatique: analyse assistée par ordinateur de l'acte performatif dans l'œuvre pour piano solo MISTS d'Iannis Xenakis », http://www.iremus.cnrs.fr/fr/evenements/les-relations-musicales-entre-la-france-et-la-grece-de-1980-2010? fbclid=IwAR1b8U9YgbNSkMBuC57tW-OheAmvcUkBTaGzqYgYZAMQ27G6UIrdlC6funE 15.10.2018, IRCAM, invited tak : « GesTCom: A sensor-based environment for the analysis, processing and real- time control of complex piano notation through multimodal recordings”, https://medias.ircam.fr/x2253e1 https://pavlosantoniadis.wordpress.com/2018/10/05/15-10-gestcom-a-sensor-based-environment- for-the-analysis-processing-and-real-time-control-of-complex-piano-notation-through-multimodal- recordings-ircam-seminaire-recherche-et-technologie/ 12.10.2018, LabEx GREAM, conference : « Des algorithmes au geste extatique: analyse assistée par ordinateur de l'acte performatif dans l'œuvre pour piano solo MISTS d'Iannis Xenakis », https://pavlosantoniadis.wordpress.com/2018/10/05/12-10-des-algorithmes-au-geste-extatique-analyse- assistee-par-ordinateur-de-lacte-performatif-dans-loeuvre-pour-piano-solo-mists-diannis-xenakis-universite- de-strasbourg-journee-pe/ , http://gream.unistra.fr/evenements/journees-detudes/2018/penser-la-musique- en-acte/ 23.04.2018, Universität der Künste Berlin, invited talk: „Über Wüstenwanderung von Walter Zimmermann“ https://pavlosantoniadis.wordpress.com/2018/06/02/23-04-vortrag-auffuhrung-walter- zimmermanns-wustenwanderung-interaktive-systeme-fur-klavierpadagogik-universitat-der-kunste- berlin/ 06. & 07.04.2018, Institut für Neue Musik und Musikerziehung, Akademie für Tonkunst Darmstadt, 72. Frühjahrstagung des INMM, conférence & ateliers invités with Frédéric Bevilacqua : „Musikalisierung des Körpers – Verkörperung der Musik: Interaktive Systeme für das Üben und Aufführen neuer Musik“ ; „Workshop (nicht nur) für PianistInnen: Der Körper denkt. Klavierüben als körperliche Navigation durch Interaktive Systeme“ ; „Campus Neue Musik für Jugendliche und Musikwerkstatt für Kinder“ http://www.neue-musik.org/2017/06/01/tagung-2018/ , https://pavlosantoniadis.wordpress.com/2018/03/31/06-07-04-workshop-on-interactive-systems-for-pianists- and-children-institut-fur-musik-und-musikerziehung-akademie-fur-tonkunst-darmstadt/ 27.03.2018, Université de Strasbourg, conference « Les jeux subtiles de la poétique, des mathématiques et de la philosophie autour de la musique de Walter Zimmermann » : “Performance analysis of Walter Zimmerman’s Wüstenwanderung” https://gream.unistra.fr/evenements/journees-detudes/2018/les-jeux-subtils-de-la-poetique-des- mathematiques-et-de-la-philosophie-autour-de-la-musique-de-walter-zimmermann/ 13.02.2018, Université de Strasbourg, Séminaire des jeunes Chercheurs, conférence : « Navigation incarnée de l'écriture complexe pour piano: Réflexion sur l'interaction musicale de la perspective d'un interprète » https://gream.unistra.fr/jeunes-chercheurs/seminaire-des-jeunes-chercheurs-du- gream/2018/embodied-navigation-of-complex-piano-notation-rethinking-musical-interaction-from- a-performers-perspective/ 17.01.2018, Sonic Arts Research Centre, Queen’s University Belfast, invited talk: “Interactive systems for the embodied navigation of complex piano notation” https://www.qub.ac.uk/schools/ael/FileStore/Filetoupload,789760,en.pdf 06.12.2017, Contemporary Music Lab, Aristotle University of Thessaloniki, invited talk: “Interactive systems for the embodied navigation of complex piano notation” http://cml.web.auth.gr/?p=504 02.09.2017, Musikstudio Ohrpheo, Berlin, invited talk: „Die digitale Revolution der Musik““ https://pavlosantoniadis.wordpress.com/2017/12/27/02-09-panel-discussion-die-digitale-revolution- der-musik-musikstudio-ohrpheo-berlin/ 24.05.2017, Laboratory for Research on Learning and Development, Université de Bourgogne, Dijon, invited talk: “Gesture cutting through textual complexity: A model and a tool for the embodied navigation of complex piano notation” https://www.youtube.com/watch?v=KmE3dRW04oA 17.03.2017, Université de Strasbourg, 5ème Journée des Jeunes chercheurs du GREAM: « L’analyse musicale au-delà de la partition », conference : « Le retour de la partition et les limites de la représentation dans le tournage performatif » http://gream.unistra.fr/evenements/journees-detudes/2017/lanalyse- musicale-au-dela-de-la-partition-5eme-journee-des-jeunes-chercheurs-du-gream/ 15.12.2016, Kainan University, Taiwan, WOCMAT 2016 – IRCAM Forum Conference, conférence & demo invitée : “Gesture cutting through textual complexity: A model and a tool for the embodied navigation of complex piano notation” http://wocmat-ircam.strikingly.com/ 13.11.2016, Shadok, Strasbourg, « Résonances électriques » , invited talkwith Frédéric Bevilacqua : « Captation du geste instrumental et l’interaction » http://www.resonanceselectriques.eu/portfolio/captation-geste-instrumental-interaction/ 29.10.2016, International College of Liberal Arts, Yamanashi Gakuin University, Kofu, Japan, “music + the brain symposium”, invited talk: “Gesture cutting through textual complexity: A model and a tool for the embodied navigation of complex piano notation” https://www.musicla.info/single- post/2016/10/17/2016-Music-and-the-Brain-Event-Schedule 22.09.2016, Ircam, Paris, “New Notations Symposium”, invited talk: “Old notation, new interface: embodied navigation of complex piano notation with the GesTCom” http://www.sonicwriting.org/ircam.html 17.09.2016, Universität Mainz, XVI. Internationaler Kongress der GfM, conference : „Verkörperung des inneren Hörens in Mark Andres frühem Kavierwerk“ https://www.gfm2016.uni- mainz.de/files/2015/08/Details-Samstag-17.-September-2016-Saturday-17-september-2016.pdf 05. & 06.07.2016, Megaron, Thessaloniki, 3rd International Symposium on Movement & Computing, demo : “Simulation of learning Brian Ferneyhough’s Lemma-Icon-Epigram for solo piano with the GesTCom” https://moco16.movementcomputing.org/index.php/2016-06-21-16-12-10/2016-02-08-11-49- 49.html 02.07.2016, Bath Spa University, “music and/as process conference”, conference with Panos Ghikas: “Open Cycles: Embodied Navigation of Unreal-time Improv”, https://musicandasprocess.org/2016/05/08/music-andas-process-conference/ 09.06.2016, ExRotaprint, Berlin, Berliner Künstlerprogramm des DAAD, table ronde : “The ties that bond contemporary music and political action” 27-29.05.2016, Anglia Ruskin University, Cambridge, conference international TENOR 2016, conference : “Processing of symbolic music notation via multimodal performance data:Brian Ferneyhough's Lemma- Icon-Epigram for solo piano, phase 1” http://tenor2016.tenor-conference.org/program.html 23-26.05.2016, Dias de Musica Electroacustica, Lisbon, résidence : “embodied navigation of complex piano notation” 04.05.2016 & 08.05.2016, Hong Kong University Museum & Hong Kong New Music Ensemble, Papay Gyro Nights 2016 Hong Kong, invited talk: “Embodiment and gesture capture as a performer-specific perspectival point to Iannis Xenakis’ solo piano work” http://www.papaygyronights.papawestray.org/PGN2016_HK.html 01.04.2016, Institut für Neue Musik und Musikerziehung, Akademie für Tonkunst Darmstadt, 70. Frühjahrstagung des INMM, invited talk: „In Ketten Tanzen? Körperliche Navigation in Brian Ferneyhoughs Klavierkomposition Lemma-Icon-Epigram“ http://www.neue-musik.org/2016/03/23/tagung-2016/ 24.03.2016, Université de Strasbourg, Journée d’études GREAM, organisation d’atelier : « Mener une étude expérimentale de l’interaction homme - machine en musique : concepts, outils et équipement » http://gream.unistra.fr/evenements/workshops/2016/mener-une-etude-experimentale-de-linteraction-homme-machine-en- musique-concepts-outils-et-equipement/ 17.03.2016, Universidade Católica Portuguesa, Porto International conference on musical gesture as creative interface, conference: “Gesture cutting through textual complexity: A model and a tool for the embodied navigation of piano notation” http://artes.porto.ucp.pt/pt/porto-international-conference-music-gesture-as-creative-interface?msite=10 11.03.2016, Université de Strasbourg, 4ème Journée des Jeunes chercheurs du GREAM: « Instruments, instrumentalité, lutherie », conference : “Turning notation into an instrument: A model and a tool for the embodied navigation of piano notation” http://gream.unistra.fr/evenements/journees-detudes/2016/instruments-instrumentalite-et-lutherie-4eme- journee-des-jeunes-chercheurs-du-gream/ 03.02.2016, Cité de la musique et de la danse Strasbourg, « semaine du piano / regards sur le piano contemporaine », table ronde : “Embodied navigation of complex notation via GesTCom” 25.09.2015, Université de Strasbourg, Conference franco-allemand, « Créer, écouter, ressentir, s’identifier: le dialogue musical franco-allemand aujourd’hui », conference : « À PROPOS DE TERRITOIRES DE L'OUBLI DE TRISTAN MURAIL» http://gream.unistra.fr/evenements/colloques/2015/creer-ecouter-ressentir-sidentifier-le-dialogue-musical- franco-allemand-aujourdhui/ 29.05.2015, Sorbonne & Ircam, Paris, conference TENOR 2015, conference with Eric Maestri : “Notation as Instrument: From Representation to Enaction” http://tenor2015.tenor-conference.org/ 13.03.2015, Université de Strasbourg, 3ème Journée des jeunes Chercheurs du GREAM « Entre subjectivité et objectivité, la recherche musicologique aujourd’hui », conference : “Embodied Navigation of Complex Notation via GesTCom: Representing how Subjective Interpretation transforms the Score-Object” http://gream.unistra.fr/evenements/journees-detudes/2015/entre-subjectivite-et-objectivite-la-recherche- musicologique-aujourdhui-3eme-journee-des-jeunes-chercheurs-du-gream/ 13.02.2015, Université de Strasbourg, Journée des études GREAM « Quand l’enregistrement change la musique », conference : « Captation du geste comme complément des enregistrements sonores. Recherche et implications esthétiques et ontologiques »,http://gream.unistra.fr/evenements/journees-detudes/2015/quand- lenregistrement-change-la-musique/ 04.12.2014, Staatliches Institut für Musikforschung, Berlin, 9th Conference of Interdisciplinary Musicology CIM 14, conference : “Gesture cutting through textual complexity: Towards a tool for online gestural analysis and control of complex piano notation processing” http://www.sim.spk-berlin.de/cim14_919.html 30.06.2014, New Interfaces for Musical Expressions conference, Goldsmiths University, London, Keyboard Salon Workshop: Connecting instrument designers and artistic practitioners. Demo with Frédéric Bevilacqua & Dominique Fober: “Gesture cutting through textual complexity: Towards a tool for online gestural analysis and control of complex piano notation processing” 16.05.2014, École des hautes études en sciences sociales, Paris, séminaire « Le geste musicale »: “Gestural Navigation of Complex Piano Notation”, with Frédéric Bevilacqua 31.03.2014, IRCAM, Paris, Séminaires Recherche & Création : “Gesture Cutting through Textual Complexity” , with Frédéric Bevilacqua https://medias.ircam.fr/x2b55e6 08.03.2014, Aristotle University of Thessaloniki, Contemporary Music Lab, invited talk: “Corporeal Navigation of Complex Notation: Embodied and Extended cognition as a model for discourses and tools for complex piano music after 1950” 27.01.2014, IRCAM, Paris, Séminaires MaMux : “Corporeal Navigation of Complex Notation: Embodied and Extended cognition as a model for discourses and tools for complex piano music after 1950” https://medias.ircam.fr/xa05de8 11.02.2013, Orpheus Research Centre in Music, Gent, research fellowship interview : “Corporeal Navigation of Complex Notation: Embodied and Extended cognition as a model for discourses and tools for complex piano music after 1950” 18. & 19.10.2013, Goldsmiths University, London, conference Notation in Contemporary Music: Composition, Performance, Improvisation, conference with Dimitris Exarchos : “Notation and Temporality in Ferneyhough and Xenakis” 15.11.2012, Trinity College, Dublin, invited talk: “Performance-Practice for Complex Piano Music: From the sequence understanding-technique-interpretation to the notion of corporeal navigation” 13.11.2012, Goldsmiths University, London, invited talk: “Performance-Practice for Complex Piano Music: From the sequence understanding-technique-interpretation to the notion of corporeal navigation” 11.11.2012, Goldsmiths University, London, conference The Interactive Keyboard Symposium, conference : “The silent piano: Amalgamation of textual complexity, new interfaces and live-electronics in Nicolas Tzortzis’ Incompatible(s) V” 03.03.2012, Auditorium Institut Français d’Athènes, invited talk: “Complex piano music today: From interpretation to corporeal navigation” 11.01.2012, Hochschule für Musik C.M. von Weber Dresden, invited talk: „Von der Reihe Verständnis- Technik-Interpretation zu körperlicher Navigation“ 18.10.2012, Tagung Musiker 3.0- Beruf mit Zukunft, HfM Dresden. Poster: “Klavier-Zentauren und –Navigatoren: Über die Aktualisierung der Ausbildung und das Schicksal des Klavierabends” 07-09.09.2012, University of Kent, Material Meanings Conference, conference : “Corps, que me veux-tu? Embodiment and Visuality in Post-1950 music” 01-03.04.2011, Goldsmiths University, London, I. Xenakis International Conference, conference: “Physicality as a performer-specific perspectival point to I. Xenakis' piano work. Case-study Mists” 01-05.07.2010, Aristotle University, Thessaloniki, conference Beyond the Centres: Musical avant-gardes since 1950, conference : “Learning Complex piano music: Environmentalist Applications” 02-06.07.2008, 4th Conference on Interdisciplinary Musicology: Musical Structure, Aristotle University, Thessaloniki conference with Danae Stefanou : “Inter-structures: Rethinking continuity in post-1945 piano repertoire”.

LIST OF PUBLICATIONS

1. Pavlos Antoniadis, « Des algorithmes au geste extatique: analyse assistée par ordinateur de l'acte performatif dans l'œuvre pour piano solo MISTS d'Iannis Xenakis », Actes de Deuxième Journée d’Etudes – RelMus/FG 2019 (forthcoming) http://www.iremus.cnrs.fr/fr/evenements/les- relations-musicales-entre-la-france-et-la-grece-de-1980-2010? fbclid=IwAR1b8U9YgbNSkMBuC57tW- OheAmvcUkBTaGzqYgYZAMQ27G6UIrdlC6funE

2. Pavlos Antoniadis, «Brian Ferneyhough’s Lemma-Icon-Epigram for piano solo», Proceedings of the 9th European Music Analysis Conference, 2017, Strasbourg, France (forthcoming http://euromac2017.unistra.fr/en/proceedings/ )

3. Pavlos Antoniadis, Embodied Navigation of Complex Piano Notation: Rethinking Musical Interaction from a Performer’s Perspective, PhD Thesis, Université de Strasbourg – IRCAM, 2018 http://theses.unistra.fr/ori-oai-search/notice/view/2018STRAC007?height=500&width=900

4. Pavlos Antoniadis, «Körperliche Navigation mittels interaktiver Systemen in Brian Ferneyhoughs Klavierkomposition Lemma-Icon-Epigram», Berichtsband der 70. Frühjahrstagung des INMM, Body sounds. Aspekte des Körperlichen in Neuer Musik, p. 218-235, Darmstadt, 2016 5. Pavlos Antoniadis, «Verkörperung des inneren Hörens in Mark Andres Klavierkomposition Contapunctus», Berichtsband der XVI. Internationaler Kongress der GfM, Mainz, 2016 http://schott-campus.com/inneres-hoeren-bei-mark-andre/

6. Pavlos Antoniadis, Frédéric Bevilacqua, «Processing of symbolic music notation via multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for solo piano, phase 1», Proceedings of the TENOR 2016 conference, p. 127-136, Anglia Ruskin University Cambridge, 2016 http://tenor2016.tenor-conference.org/TENOR2016-Proceedings.pdf

7. Eric Maestri, Pavlos Antoniadis, « Notation as Instrument : From Representation to Enaction», Proceedings of the TENOR 2015, First International Conference on Technologies for Musc Notation and Representation, p. 211-218, Paris, France, 2015 http://tenor2015.tenor-conference.org/TENOR2015-Proceedings.pdf

8. Pavlos Antoniadis, Frédéric Bevilacqua, Dominique Fober, « Gesture cutting through textual complexity: Towards a tool for online gestural analysis and control of complex piano notation processing », Proceedings of the 9th Conference on Interdisciplinary Musicology – CIM14, p. 236- 241, Berlin, Germany, 2014

9. Pavlos Antoniadis, «Körperliche Navigation: Verkörperte und erweiterte Kognition als Hintergrund der Interpretation komplexer Klaviermusik nach 1945», in: Jörn Peter Hiekel, Wolfgang Lessing (eds.) Verkörperungen der Musik: Interdisziplinäre Betrachtungen, p. 185-210, transcript-verlag: Bielefeld, 2014

10. Pavlos Antoniadis «Corporeal Navigation: Embodied and Extended Cognition as a Model for Discourses and Tools for Complex Piano Music After 1945», in CeReNeM Journal, University of Huddersfield, Issue 4 (ed. P. Alvarez), March 2014 http://issuu.com/cerenem/docs/cerenem_journal_issue_4

11. Pavlos Antoniadis,«Corps, que me veux-tu? Embodiment and Visuality in Post-1950 music», in: Sarah Posman, Anne Reverseau, David Ayers, Sascha Bru, Benedikt Hjartarson (eds.) The Aesthetics of Matter. Modernism, the Avant-Garde and Material Exchange, vol.3, EAM (European Avant-Garde and Modernism Studies) book series, p. 319-334, Walter de Gruyter: Berlin & New York, 2013

12. Pavlos Antoniadis, Rezension zum: Stefan Drees, Körper-Medien-Musik. Körperdiskurse in der Musik nach 1950, 168 S., Abb, Wolke: Hofheim, 2011 in: Positionen. Texte zur aktuellen Musik, Heft 92, S. 50

13. Pavlos Antoniadis,«Physicality as a performer-specific perspectival point to Iannis Xenakis' piano work. Case-study Mists», Iannis Xenakis International Conference, conference proceedings, April 2011, Goldsmiths University, London https://www.gold.ac.uk/cmru/xenakis-international- symposium/programme/

14. Pavlos Antoniadis, «Learning Complex Piano Music: Environmentalist Applications», Beyond the Centres: Musical avant-gardes since 1950 conference proceedings, July 2010, Aristotle University of Thessaloniki http://btc.web.auth.gr/_assets/_papers/ANTONIADIS.pdf

15. Danae Stefanou, Pavlos Antoniadis, «Inter-structures: Rethinking continuity in post-1945 piano repertoire», JIMS Online Journal (Spring 2009) http://musicstudies.org/wp- content/uploads/2017/01/Stefanou_JIMS_0932105.pdf

D. ARTIST RECORD OVERVIEW

SOLOIST WITH ORCHESTRA Thessaloniki, Greece with the National Orchestra of Thessaloniki / Nicolas Tzortzis Piano Concerto : Contre Tous, Hommage à Nikos Galis

SOLO PIANO Greece (Odeon Athinon, Nakas Conservatory, Parnassos, Institut Français d'Athènes, Université Aristotle de Thessaloniki, Athens Cultural Centre EAT-ESA), Italy (Villa Romana, Firenze), Germany (HfM Dresden, Clavier-Cabinet Berlin, BKA-Theater Berlin, Staatliches Institut für Musikforschung Berlin, 30 Jahre Edition Zeitgenössische Musik Deutschlandfund Köln), France (MANIFESTE IRCAM, Cité de la musique et de la danse Strasbourg), United Kingdom (Goldsmiths University, Sonic Arts Research Centre Belfast), Ireland (Trinity College Dublin), United States (UC San Diego, UPenn Philadelphia), Japan (Yamanashi Gakuin University), Hong Kong (Papay Gyro Nights, Hong Kong University, Hong Kong New Music Ensemble), The Netherlands (Koninklijk Conservatorium Den Haag)

CONTEMPORARY ENSEMBLE France (Centre Acanthes Metz, Cité de la musique et de la danse Strasbourg), Germany (Ferienkurse Darmstadt, UT Connewitz Leipzig, Akademie der Künste Berlin, Konzerthaus Berlin, Radialsystem Berlin, Villa Massimo/Martin-Gropius-Bau Berlin, Villa Elisabeth/Ultraschall Festival Berlin, Kampnagel Hamburg, Rottenburg, Rheinsberg, japanisches Institut Köln, Haus der Kulturen der Welt Berlin, Kontraklang Berlin, TUFA Trier, Akademie für Tonkunst Darmstadt, Encounterpoints Ohrpheo Berlin, Erlangen Musikinstitut, Haus am Waldsee Berlin, Tübingen Sudhaus), Greece (Paxos Festival, Megaron Athens), Austria (Impuls Festival Kunstuniversität Graz), The Netherlands (Koninklijk Conservatorium Den Haag), United States (UCSD), United Kingdom (iklectik London), Argentina (Teatro San Martin, Usina der Arte Buenos Aires), Taiwan (National Performing Arts Center Taipei)

COLLABORATIONS / COMPOSERS Helmut Lachenmann, Brian Ferneyhough, Mark Andre, Beat Furrer, Wolfgang Rihm, Tristan Murail, Nicolas Tzortzis, Andrew Noble, Dominik Karski, Carolyn Chen, Luis Antunes Pena, Richard Barrett, James Erber, Walter Zimmermann

COLLABORATIONS / PERFORMERS & ENSEMBLES Ensembles Work in Progress-Berlin, KNM-Berlin, ERGON-Athens, Phorminx, Accroche Note ; Steve Schick, James Avery, Charles Curtis, Anthony Burr, Erik Drescher, Panos Ghikas ; physical theatre group ZERO POINT, Athens

RECORDINGS MODE Records (MDE 274)- Deutscheschallplattenkritikpreis 2015 WERGO (WER64162)

LINKS Concerts & recordings 2016 – today: https://pavlosantoniadis.wordpress.com/ Concerts 2012-2014: http://pavlosantoniadis.com/ Concerts 2001 – 2013 : http://pavlosantoniadis.com/08%20Events.html Sound recordings : https://soundcloud.com/katapataptwsi Video recordings & GesTCom : https://www.youtube.com/channel/UC8G2C0lwe96oa_KuIzfWOeA