Vicky Christina Barcelona March
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MAG VICKY CHRISTINA BARCELONA MARCH... “possibly Britain’s most beautiful cinema...” (BBC) MARCH 2009 Issue 48 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6pm Sun 4.30-6.30pm To advertise email [email protected] INTRODUCTION March Evenings 7 Coming Soon 22 March Films at a glance 22 March Matinees 23 SEAT PRICES: Circle £8.00 Concessions £6.50 At Table £10.00 Concessions £8.50 Royal Box (seats 6) £12.00 or for the Box £66.00 All matinees £5, £6.50, £10 (box) BOX OFFICE: 01442 877759 Mon to Sat 10.30 – 6.00 Sun 4.30 – 6.30 Humph’s Band without Humph 21st March Disabled and flat access: through the gate hort of time and space in March, hence on High Street (right of apartments) SRants and Pants back to front… Some of the girls and boys you see at the Box Office and Bar: “What bliss to be back at The Rex after a rare Rosie Abbott Malcolm More Julia Childs Izzi Robinson outing to a multiplex to see ‘Slumdog’. We’d Nicola Darvell Amberly Rose forgotten how horrible they are and we have been Lindsey Davies Georgia Rose very spoilt.” Holly Gilbert Becca Ross Serves you right for not waiting to see it here! Beth Hannaway Diya Sagar Luke Karmali Liam Stephenson And thanks but you’re not spoilt – The Rex is how Amelia Kellett Tina Thorpe everywhere should be. Jo Littlejohn Olivia Wilson Bethany McKay Ashley Wood “James, thank you but do you have to be constantly Simon Messenger Calum Wood Helen Miller Keymea Yazdanian using that lavatorial language in the magazine? The older generation find it off putting. Don’t we Ushers: matter??” Abigail, Abi F, Billie, Charlotte, Harry, Lydia, Meg, Romy, Sid, Taylor (To which some tosser has added “NO!!”) I agree with you sir. I too detest bad language Sally Thorpe In charge Alun Rees Chief projectionist (Original) especially shouted or used to ridicule or belittle. Jon Waugh 1st assistant projectionist However, it is delicious when the use of a single Martin Coffill Part-time assistant projectionist word immediately leaves the reader in no doubt. Jacquie Rose Chief Box Office & Bar Oliver Hicks Best Boy Though it might not seem so, I do worry about the Jemma Gask Key Grip reader and often amend or withdraw words from Michael Glasheen Gaffer early (late night fermented-fruit fuelled) drafts. Jane Clucas & Lynn Hendry PR/Marketing/FoH It is just that sometimes such a single word is Ian Muirhead Accountant perfect to express that moment unequivocally. Darren Flindall, Michael Glasheen I don’t always get it right but when a rogue word is Resident creative builders left in, it is usually after much thought, edits and Andrew Dixon, Paul Rowbottom re-writes. I also take comfort from believing Artists nobody reads the magazine so occasionally slip in Paul Fullagar, Alan Clooney some mischief to see if anyone is listening. Advisors and Investors There is a new documentary currently available Ed Mauger Genius devoted to swearing with the single F-word as its Demiurge Design Designers 01296 632366 title. Lynn Hendry Advertising 01442 877999 I have toyed with having it just to hear residents of James Hannaway CEO 01442 877999 Gerrards Cross booking it. But the reviews aren’t Betty Patterson Company Secretary and THE ORIGINAL good and as there are so many great films to VISIONARY of The Rex. include month after month, it would be more The Rex indulgent to screen than it took to make! High Street (Three Close Lane) PS We all enjoyed your term – “lavatorial Berkhamsted HP4 2FG www.therexberkhamsted.com language”. Thank you. MARCH EVENINGS 8 Box Office: 01442 877759 MARCH EVENINGS Frost/Nixon Slumdog Millionaire Sun 1 6.00 Mon 2 7.30, Tues 3 7.30 Director: Danny Boyle Starring: Anil Kapoor, Irfan Khan, Freida Pinto, Dev Patel Certificate: 15 Duration: 120 mins Origin: UK, USA 2008 By: Pathe Distribution This is an odd, seemingly small film, which turns out to be massive in every way. For those who saw these televised Thanks to Pathe and City Screen we were interviews, they might remember how lucky to screen it for The Rex’ fourth dull they were. Predictably, Tricky- anniversary in December - five weeks Dickie. said nothing. Mostly in as many before its UK release and before all the words as he could conjour. It wasn’t until talk! we all came-to that the dramatic scale of Those who had no idea what the film was his ‘confession’ was realised. about, will know what a gem it is. For two unattractive men in armchairs By now you will have heard all you need this is electrifying stuff. Richard Nixon, to know. It is a good story with a the disgraced president with a legacy to beginning, middle and end set in a save, and David Frost, a television country we think we know from history, personality with an ego to service and a spices and tea? It shows us how a country career to chase. Three years after being once so distant, mysterious and thought forced from office in 1974, Nixon agreed to be noble is more commercially to break his silence and be interviewed as westernised, unforgiving, divided, cheap long as Watergate wasn’t mentioned. and corrupt than anything we thought we He selected Frost with the intention of had invented or left behind, post Raj. easily outfoxing him and securing a Danny Boyle has made a gem, which better place American history. But as the regardless of silly prizes, will live to tell cameras rolled, a charged battle of wits the tale long after it seems to have been unfolded. Would Nixon evade questions forgotten. It is a lesson in hardship, of his role in Watergate? Or would Frost loyalty, guile, determination and confound critics, and with dollar signs ultimately survival… and oh yes - love. ever present in his eyes, demand an Best not to know the story before you see answer from the man who’d built a career it, but one clue: if you love the opening on lying? Beautifully written, performed scene as I did, you may not like the and directed. closing one, as much? See the fabulous Toby Jones as slimeball But don’t miss the whole beginning, Swifty Lazar and Matthew Macfadyen as middle or end. the slimier John Birt (ex DG BBC). At times Sheen’s Tony Blair leaks into Frost. Come for the distracting and porcelain Miss Hall. Director: Ron Howard Starring: Frank Langella, Martin Sheen, Toby Jones, Rebecca Hall Certificate: 15 Duration: 122 mins Origin: USA 2008 By: Universal Pictures (UK) Ltd MARCH EVENINGS www.therexcinema.com 9 The Reader Wed 4 7.30, Thu 5 7.30 Based on Bernhard Schlink’s bestselling novel and winning a few prizes, Daldry creates a brilliant, atmospheric tension throughout, where Hannah’s past will have a profound impact on each of their lives. Michael Berg (Kross) is a 15-year-old German boy who in 1958 embarks on an intense relationship with an older woman, Hanna Schmitz (Winslet). They spend a torrid summer – sex after school, followed by reading aloud from favourite books. It is only later, he finds… “You might well come out of The Reader thinking as much about the curve of Kate’s naked hip as the horrors revealed. But that’s the point of the film, and the novel: the disjunction between the sexual being that Michael falls for in the bedroom, and the person he learns about in the courtroom… It seems unsure whether it’s a transatlantic prestige movie, or the German art-house film it resembles. In the 1960s sequences there’s a definite hint of the spareness of The Lives of Others. So why not just make the film in German, rather than this awkward compromise?… It hooks you with sex to Director: Stephen Daldry get you thinking about ethics: only at Starring: Kate Winslet, Ralph Fiennes, Oscar time can a film get away with such Bruno Ganz, Alexandra Maria Lara worthiness.” (Independent) Win or lose, Certificate: 15 let’s hope Kate can resemble the Duration: 123 mins spareness of cool. Origin: Germany, USA 2008 By: Entertainment Film Distribution 10 Box Office: 01442 877759 MARCH EVENINGS Vicky Christina Barcelona Fri 6 7.30, Sat 7 7.00, Sun 8 6.00 Considering they are not plain enough to be real, all four are absorbing and totally believable. Bardem turns into the greatest seducer of all time. We are left in no doubt he could woo the knickers off a librarian. You can see why. As will every woman in the audience. The film plays America against Europe, security against passion, dependency against whimsical desire. “The perform - ances are vibrant. In the liberated corner, Scarlett breezes by on her unique charm, restlessness and sensuality. In the sensible corner, Allen has channelled his own persona through a female character in Vicky, who is by turns neurotic and open, panicked and longing… and trapped. Rebecca Hall says it all and more.” She steals the whole film. “But it is the Spanish who are the conquistadors. Bardem imbues his artist with tenderness and virility — with enough charisma to nail the most resolute nun in vows of chastity, let alone two yanks. But this is Cruz’s movie (no it’s not). Her Maria Elena blows the film apart - impetuous, touching and introspective, spinning from jubilant peaks Director: Woody Allen to moody lows in a heartbeat and 100% Starring: Scarlett Johansson, Penelope convincing.” (various crits) Cruz, Javier Bardem, Rebecca Its biggest flaw is their ridiculous faces… Hall, Patricia Clarkson They’re too beautiful.